Composition |
Attributes |
Scherzo (No.2) from Symphony No. 9, Op. 125 (Beethoven, Ludwig van) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Clair de lune (No.3) from Arrangement of Clair de lune (No.3) from Suite bergamasque (Debussy, Claude) for orchestra |
— |
Version from 6 Songs after Poems by Maeterlinck, Op. 13 (Zemlinsky, Alexander von) for voice and piano voice and orchestra |
— |
Version from 6 Songs after Poems by Maeterlinck, Op. 13 (Zemlinsky, Alexander von) for voice and piano voice and orchestra |
parts |
Instrumental Suite from Roland, LWV 65 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
Instrumental Suite from Roland, LWV 65 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
Sarabande (No.2) from Arrangement of Sarabande (No.2) from Pour le piano (Debussy, Claude) for orchestra |
— |
Violin Concerto (Berg, Alban) for violin and orchestra |
— |
Violin Concerto (Berg, Alban) for violin and orchestra |
parts |
Partita in A minor, BWV 1013 (Bach, Johann Sebastian) for flute |
— |
Dance of the Blessed Spirits (Act II) from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
— |
Dance of the Blessed Spirits (Act II) from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
parts |
Arrangement of Italian Serenade (Wolf, Hugo) for chamber orchestra |
— |
Arrangement of Italian Serenade (Wolf, Hugo) for chamber orchestra |
— |
Psyché (Falla, Manuel de) for voice, flute, harp, violin, viola and cello |
— |
Aria: 'Scherza infida' (Act II) from Ariodante, HWV 33 (Handel, George Frideric) for voices and orchestra |
— |
Aria: 'Scherza infida' (Act II) from Ariodante, HWV 33 (Handel, George Frideric) for voices and orchestra |
parts |
Overture from La scala di seta (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
parts |
In dem Schatten meiner Locken (No.12) from Arrangement of In dem Schatten meiner Locken (No.12) from Spanisches Liederbuch (Wolf, Hugo) for voice and orchestra |
— |
Er ist's! (No.6) from Arrangement of Er ist's! (No.6) from Mörike-Lieder (Wolf, Hugo) for voice and orchestra |
— |
Gebet (No.28) from Arrangement of Gebet (No.28) from Mörike-Lieder (Wolf, Hugo) for voice and orchestra |
— |
Gesang Weylas (No.46) from Arrangement of Gesang Weylas (No.46) from Mörike-Lieder (Wolf, Hugo) for voice, clarinet, horn and harp |
— |
Mignon: Kennst du das Land? (No.9) from Arrangement of Mignon: Kennst du das Land? (No.9) from Goethe-Lieder (Wolf, Hugo) for voice and orchestra |
— |
Introduction, Ballets, Aria "Malheureuse Iphigénie" from Iphigénie en Tauride, Wq.46 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
— |
Introduction, Ballets, Aria "Malheureuse Iphigénie" from Iphigénie en Tauride, Wq.46 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
parts |
Symphony, Op. 12 Lib.1 (Neubauer, Franz Christoph) for orchestra |
— |
Symphony, Op. 12 Lib.1 (Neubauer, Franz Christoph) for orchestra |
parts |
Symphony, Op. 12 Lib.2 (Neubauer, Franz Christoph) for orchestra |
— |
Symphony, Op. 12 Lib.2 (Neubauer, Franz Christoph) for orchestra |
parts |
Leonore Prohaska, WoO 96 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
selections |
Trauermarsch (No.4) from Leonore Prohaska, WoO 96 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
parts |
Arrangement of Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for organ and orchestra |
— |
Arrangement of Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for organ and orchestra |
— |
Le Nénuphar (No.3) from Poèmes d'automne, Op. 13 (Koechlin, Charles) for voice and piano voice, flute and piano |
parts |
Kikimora, Op. 63 (Lyadov, Anatoly) for orchestra |
parts |
Weimar Version (BC A 44a) from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
— |
Leipzig Version (BC A 44b) from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
— |
Weimar Version, BC A 44a from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
parts |
Leipzig Version, BC A 44b from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
parts |
Adagio (No.2) from Kammerkonzert (Berg, Alban) for piccolo, flute, oboe, English horn, 2 clarinets, bass clarinet, bassoon, contrabassoon, 2 horns, trumpet, trombone, violin and piano |
— |
Adagio (No.2) from Kammerkonzert (Berg, Alban) for piccolo, flute, oboe, English horn, 2 clarinets, bass clarinet, bassoon, contrabassoon, 2 horns, trumpet, trombone, violin and piano |
parts |
Sinfonia (No.1) from Ich geh' und suche mit Verlangen, BWV 49 (Bach, Johann Sebastian) for soprano, bass and orchestra |
— |
Sinfonia (No.1) from Ich geh' und suche mit Verlangen, BWV 49 (Bach, Johann Sebastian) for soprano, bass and orchestra |
parts |
Sinfonia (No.1) from Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Sinfonia (No.1) from Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Was Gott tut, das ist wohlgetan, BWV 99 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Was Gott tut, das ist wohlgetan, BWV 99 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Sinfonia (No.8) from Die Elenden sollen essen, BWV 75 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Sinfonia (No.8) from Die Elenden sollen essen, BWV 75 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Aria: 'Ich will auch mit gebrochnen Augen' (No.2) from Mit Fried und Freud ich fahr dahin, BWV 125 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
— |
Aria: 'Ich will auch mit gebrochnen Augen' (No.2) from Mit Fried und Freud ich fahr dahin, BWV 125 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
parts |
Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
— |
Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
parts |
Süsser Trost, mein Jesus kömmt, BWV 151 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Süsser Trost, mein Jesus kömmt, BWV 151 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Sinfonia (No.1) from Tritt auf die Glaubensbahn, BWV 152 (Bach, Johann Sebastian) for soprano, bass, recorder, oboe, viola damore, viol and continuo |
— |
Sinfonia (No.1) from Tritt auf die Glaubensbahn, BWV 152 (Bach, Johann Sebastian) for soprano, bass, recorder, oboe, viola damore, viol and continuo |
parts |
Sonata (No.1) from Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
— |
Sonata (No.1) from Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
parts |
Lass, Fürstin, lass noch einen Strahl, BWV 198 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Lass, Fürstin, lass noch einen Strahl, BWV 198 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian) for alto, mixed chorus and orchestra |
— |
Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian) for alto, mixed chorus and orchestra |
parts |
Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
— |
Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
parts |
Symphony No. 2 in A major (Boyce, William) for orchestra |
— |
Symphony No. 2 in A major (Boyce, William) for orchestra |
parts |
La Flûte enchantée (No.2) from Arrangement of La Flûte enchantée (No.2) from Shéhérazade (Ravel, Maurice) for voice, flute and piano |
— |
Ouvertur and Hedwig's Aria from Das rote Käppchen, Kr.298 (Dittersdorf, Carl Ditters von) for voices and orchestra |
— |
Ouverture and Hedwig's Aria from Das rote Käppchen, Kr.298 (Dittersdorf, Carl Ditters von) for voices and orchestra |
parts |
Piano Concerto No. 3, Sz.119 (Bartók, Béla) for piano and orchestra |
— |
Piano Concerto No. 3, Sz.119 (Bartók, Béla) for piano and orchestra |
parts |
Flute Sonata in E minor, SpiF 154 (Frederick II) for flute and continuo |
— |
Sinfonia in G major, IJJ 17 (Janitsch, Johann Gottlieb) for strings and continuo |
— |
Sinfonia in G major, IJJ 17 (Janitsch, Johann Gottlieb) for strings and continuo |
parts |
Sinfonia in E major, IJJ 10 (Janitsch, Johann Gottlieb) for strings and continuo |
— |
Sinfonia in E major, IJJ 10 (Janitsch, Johann Gottlieb) for strings and continuo |
parts |
Sinfonia in D major (Frederick II) for orchestra |
— |
Sinfonia in D major (Frederick II) for orchestra |
parts |
Sinfonia in G major (Frederick II) for strings and continuo |
— |
Sinfonia in G major (Frederick II) for strings and continuo |
parts |
Sinfonia in A major (Frederick II) for strings and continuo |
— |
Sinfonia in A major (Frederick II) for strings and continuo |
parts |
Bassoon Concerto in D minor, RV 481 (Vivaldi, Antonio) for bassoon, strings and continuo |
— |
Bassoon Concerto in D minor, RV 481 (Vivaldi, Antonio) for bassoon, strings and continuo |
parts |
Flute Concerto in E minor, QV 5:120 (Quantz, Johann Joachim) for flute, strings and continuo |
— |
Flute Concerto in E minor, QV 5:120 (Quantz, Johann Joachim) for flute, strings and continuo |
parts |
Flute Concerto No. 3 in C major, SpiF 90 (Frederick II) for flute, strings and continuo |
— |
Flute Concerto No. 3 in C major, SpiF 90 (Frederick II) for flute, strings and continuo |
parts |
Arrangement of Oboe Concerto in F major, BWV 1053R (Bach, Johann Sebastian) for oboe and keyboard |
— |
Arrangement of Oboe Concerto in F major, BWV 1053R (Bach, Johann Sebastian) for oboe damore and keyboard |
— |
Arrangement of Oboe Concerto in F major, BWV 1053R (Bach, Johann Sebastian) for bassoon and keyboard |
— |
Symphony No.2 in G major from 3 Symphonies (Eichner, Ernst) for orchestra |
— |
Symphony No.2 in G major from 3 Symphonies (Eichner, Ernst) for orchestra |
— |
Selections (3 Bruchstücke) from Arrangement of Selections (3 Bruchstücke) from Wozzeck, Op. 7 (Berg, Alban) for soprano and orchestra |
— |
Dies ist der Tag, da Jesu Leidenskraft (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
Dies ist der Tag, da Jesu Leidenskraft (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
Valse Lente (Schreker, Franz) for orchestra |
— |
Valse Lente (Schreker, Franz) for orchestra |
parts |