Works with Edgar Leslie as librettist
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| The 20th Century Rag | Maurice Abrahams (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) |  |
G major | voice and piano |  |
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| He'd Have to Get Under, Get Out and Get Under | Maurice Abrahams (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
E flat major | 1913 | voice and piano | |
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| In Room 202 | Dave Harris (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
voice and piano | |
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| A Sleepy Little Village | Pete Wendling (composer) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| All the Quakers Are Shoulder Shakes | Pete Wendling (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
C major | voice and piano | |
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| America, I Love You | Archie Gottler (composer) and Edgar Leslie (librettist) | |
C major | voice and piano | |
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| Blue | Lou Handman (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
B flat major | voice and piano | |
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| California and You | Harry Puck (composer) and Edgar Leslie (librettist) | |
voice and piano | |
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| Take Me To The Land Of Jazz | Pete Wendling (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
B flat major | 1919 | voice and piano | |
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| Come On and Play Wiz Me | Harry Ruby (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| Crying for the Moon | Pete Wendling (composer) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| He Loves It | Pete Wendling (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| Down by the Meadow Brook | Pete Wendling (composer) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| False Faces | Pete Wendling (composer) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| Hello! Lemonade | Pete Wendling (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
B flat major | voice and piano | |
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| The Music of Wedding Chimes | Pete Wendling (composer) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| Oh! What a Pal Was Mary | Pete Wendling (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
G major | voice and piano | |
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| Take Your Girlie to the Movies | Pete Wendling (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
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| What-Cha Gonna Do When There Aint No Jazz? | Pete Wendling (composer) and Edgar Leslie (librettist) | |
B flat major | voice and piano | |
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| Down the Lane and Home Again | Maurice Kraus Jerome (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
F major | voice and piano | |
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| For Me and My Gal | George W. Meyer (composer) and Edgar Leslie (librettist) and Edward Ray Goetz (librettist) | |
G major | voice and piano | |
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| Good Bye, Red Man, Good Bye | Ted Snyder (composer) and Edgar Leslie (librettist) and Bert Kalmar (librettist) | |
F major | voice and piano | |
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| He Blew on His Bugle-e-oo | Jean Schwartz (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
F major | voice and piano | |
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| Hello, Hawaii, How Are You? | Jean Schwartz (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
voice and piano | |
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| I Can't Stop Loving You Now | Ted Snyder (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| I Was Never Nearer Heaven in My Life | Ted Snyder (composer) and Edgar Leslie (librettist) and Grant Clarke (librettist) | |
C major | voice and piano | |
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| In Sweet September | James Vincent Monaco (composer) and Edgar Leslie (librettist) and Pete Wendling (librettist) | |
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| Is There Still Room for Me 'Neath the Old Apple Tree | Maurice Abrahams (composer) and Edgar Leslie (librettist) and Lew Brown (librettist) | |
C major | voice and piano | |
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| Moonlight on the Rhine | Ted Snyder (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| Oh! You Million Dollar Doll | Maurice Abrahams (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
A flat major | voice and piano | |
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| On the 'Gin 'Gin 'Ginny Shore | Walter Donaldson (composer) and Edgar Leslie (librettist) | |
F major | voice and piano | |
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| Oogie Oogie Wa Wa | Archie Gottler (composer) and Grant Clarke (librettist) and Edgar Leslie (librettist) | |
C major | voice and piano | |
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| Rose of the Rio Grande | Harry Warren (composer) and Edgar Leslie (librettist) | |
voice and piano | |
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| Since Maggie Dooley Learned the Hooley Hooley | George W. Meyer (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) | |
G major | voice and piano | |
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| That Fascinating Rag Time Glide | Kerry Mills (composer) and Edgar Leslie (librettist) | |
F major | voice and piano | |
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| The Mad House Rag | Frederic Watson (composer) and Edgar Leslie (librettist) | |
F major | voice and piano | |
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| When those Sweet Hawaiian Babies Roll Their Eyes | Harry Ruby (composer) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| When Ragtime Rosie Ragged the Rosary | Lewis F. Muir (composer) and Edgar Leslie (librettist) | |
C major | voice and piano | |
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| When the Grown Up Ladies Act Like Babies | Maurice Abrahams (composer) and Joe Young (librettist) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| All I Get Is Consolation | Pete Wendling (composer) and Edgar Leslie (librettist) | |
E flat major | voice and piano | |
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| I'm Looking for a Warm Spot | Archie Gottler (composer) and Edgar Leslie (librettist) | |
F major | voice and piano | |
©2025 David P. Anderson