| Title | Sonatas or Chamber Aires |
| Alternative title | Solos for the German Flute, Hoboy or Violin, with a Thorough Bass for the Harpsicord or Bass Violin, Being all choice pieces compos'd by Mr Handel curiously fitted to the German Flute ; Sonatas or Chamber Aires for a German Flute, Violin or Harpsicord Being the most Celebrated Songs & Ariets collected out of all the late Operas Compos'd by Mr. Handel. |
| Creators | George Frideric Handel (composer) |
| Opus | |
| Instrumentation | — |
| Number of movements | — |
| Keys | — |
| Composed | — |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Pieces, Airs |
| Period | Baroque |
| View on IMSLP | ![]() |
| Code |
(No sections)
(No arrangements)
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | John Walsh | — | Volume 1, Part 2 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 3 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 4 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 5 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 6 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 6 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 7 · view |
| view | Complete | — | John Walsh | — | Volume 1, Part 7 · view |
| view | Complete | — | John Walsh | — | Volume 2, Part 1 · view |
| view | Complete | — | John Walsh | — | Volume 2, Part 2 · view Volume 2, Part 3 · view Volume 2, Part 4 · view |
| view | Complete | — | John Walsh | — | Volume 2, Part 5 · view |
| view | Complete | — | John Walsh | — | Volume 2, Part 6 · view |
| view | Complete | — | John Walsh | — | Volume 2, Part 7 · view |
| view | Complete | — | John Walsh | — | Volume 3, Part 1 · view |
| view | Complete | — | John Walsh | — | Volume 3, Part 2 · view Volume 3, Part 3 · view Volume 3, Part 4 · view Volume 3, Part 4 · view |
(No recordings)
©2025 David P. Anderson