| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| France, We Have Not Forgotten You | Milton Ager, composer Grant Clarke, librettist Howard Emmett Rogers, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Don't Take Advantage (Of My Good Nature / The Great Automobile Song) | James Vincent Monaco, composer Howard Emmett Rogers, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| There's a Battlefield in Every Mother's Heart | Maurice Kraus Jerome, composer Howard Emmett Rogers, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Just for Me and Mary ('Twas a Beautiful Wedding Day) | Leo Edwards, composer Grant Clarke, librettist Howard Emmett Rogers, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| If He Can Fight Like He Can Love, Good Night, Germany! | George W. Meyer, composer Grant Clarke, librettist Howard Emmett Rogers, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| My Laddie (Song) | Harry Akst, composer Howard Emmett Rogers, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| So This Is Paris! (Well I Swan!) | Otto Motzan, composer Howard Emmett Rogers, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| When the flowers bloom | Archie Gottler, composer Howard Emmett Rogers, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| I'm Going to Follow the Boys (Novelty Song) | James Vincent Monaco, composer Howard Emmett Rogers, librettist |
B flat major | voice and piano | Early 20th century | Songs |
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