| Title click for details | Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code | 
|---|---|---|---|---|---|---|---|
| Goodbye, Wild Women, Goodbye! | George W. Meyer (composer) and Howard Johnson (librettist) and Milton Ager (librettist) |  | C major | voice and piano |  | ||
| There's a Lot of Blue-Eyed Marys down in Maryland | George W. Meyer (composer) and Jack Yellen (librettist) and Milton Ager (librettist) |  | G major | voice and piano |  | ||
| Ragtime Wedding Bells | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | voice and piano |  | |||
| The Tale That the Roses Told | George W. Meyer (composer) and Helge Rode (librettist) |  | voice and piano |  | |||
| A Ring on the Finger Is Worth Two on the Phone | George W. Meyer (composer) and Jack Mahoney (librettist) |  | B flat major | voice and piano |  | ||
| Always Take a Girl Named Daisy | George W. Meyer (composer) and Alfred Bryan (librettist) and Sam M. Lewis (librettist) |  | B flat major | voice and piano |  | ||
| Beautiful Annabell Lee | George W. Meyer (composer) and Alfred Bryan (librettist) and Artie Mehlinger (librettist) |  | D major | voice and piano |  | ||
| Brass Band Ephraham Jones | George W. Meyer (composer) and Joe Goodwin (librettist) |  | E flat major | voice and piano |  | ||
| Bring Back My Daddy to Me | George W. Meyer (composer) and William Tracey (librettist) and Howard Johnson (librettist) |  | E flat major | voice and piano |  | ||
| Johnny's in Town | George W. Meyer (composer) and Jack Yellen (librettist) |  | B flat major | voice and piano |  | ||
| Cheer Up | George W. Meyer (composer) and Alfred Bryan (librettist) |  | B flat major | voice and piano |  | ||
| Come On and Baby Me. | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| 'Cross the Great Divide | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | B flat major | voice and piano |  | ||
| For Me and My Gal | George W. Meyer (composer) and Edgar Leslie (librettist) and Edward Ray Goetz (librettist) |  | G major | voice and piano |  | ||
| Hiawatha's Melody of Love | George W. Meyer (composer) and Alfred Bryan (librettist) and Artie Mehlinger (librettist) |  | E flat major | voice and piano |  | ||
| Homeward Bound | George W. Meyer (composer) and Howard Johnson (librettist) and Coleman Goetz (librettist) |  | voice and piano |  | |||
| I'm a Lonesome Melody | George W. Meyer (composer) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| I'm Awfully Glad I Met You | George W. Meyer (composer) and Jack Drislane (librettist) |  | F major | voice and piano |  | ||
| I've Got Your Number | George W. Meyer (composer) and Alfred Bryan (librettist) |  | voice and piano |  | |||
| If He Can Fight Like He Can Love, Good Night, Germany! | George W. Meyer (composer) and Grant Clarke (librettist) and Howard Emmett Rogers (librettist) |  | C major | voice and piano |  | ||
| In the Land of Beginning Again | George W. Meyer (composer) and Grant Clarke (librettist) |  | E flat major | voice and piano |  | ||
| Isch Ga-Bibble | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | E flat major | voice and piano |  | ||
| Just Like Washington Crossed the Delaware | George W. Meyer (composer) and Howard Johnson (librettist) |  | G major | voice and piano |  | ||
| Make Me Love You | George W. Meyer (composer) and Jack Drislane (librettist) |  | B flat major | voice and piano 2 voices and piano |  | ||
| Maybe that Is Why I'm Lonely | George W. Meyer (composer) and Joe Goodwin (librettist) |  | G major | voice and piano |  | ||
| My Mother's Rosary | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | B flat major | voice and piano |  | ||
| My Prairie Song-Bird | George W. Meyer (composer) |  | piano |  | |||
| Now I Lay Me Down to Sleep | George W. Meyer (composer) and Sidney D. Mitchell (librettist) |  | voice and piano |  | |||
| Open Your Arms | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| Since Maggie Dooley Learned the Hooley Hooley | George W. Meyer (composer) and Bert Kalmar (librettist) and Edgar Leslie (librettist) |  | G major | voice and piano |  | ||
| Sittin' in a Corner | George W. Meyer (composer) and Gustav Kahn (librettist) |  | G major | voice and piano |  | ||
| Somebody Else It's Always Somebody Else | George W. Meyer (composer) and Jack Drislane (librettist) |  | F major | voice and piano |  | ||
| Cover Me Up with the Sunshine of Virginia | George W. Meyer (composer) and Joe Young (librettist) and Sam M. Lewis (librettist) |  | G major | voice and piano |  | ||
| The Chinatown Rag | George W. Meyer (composer) and Jack Drislane (librettist) |  |  | ||||
| That Mellow Melody | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | E flat major | voice and piano |  | ||
| That Naughty Melody | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | E flat major | voice and piano |  | ||
| The Hen and the Cow | George W. Meyer (composer) and Irving Caesar (librettist) and Alfred Bryan (librettist) |  | C major | voice and piano |  | ||
| The High Cost of Loving | George W. Meyer (composer) and Alfred Bryan (librettist) |  | G major | voice and piano |  | ||
| The Paradise Rag | George W. Meyer (composer) and Joe Goodwin (librettist) |  | B flat major | voice and piano |  | ||
| There'll Be a Hot Time for the Old Men | George W. Meyer (composer) and Grant Clarke (librettist) |  | C major | voice and piano |  | ||
| There's a Dixie Girl Who's Longing for a Yankee Doodle Boy | George W. Meyer (composer) and Robert F. Roden (librettist) |  | B flat major | voice and piano |  | ||
| On the Way to Home Sweet Home | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | E flat major | voice and piano |  | ||
| Tucky Home | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| Underneath the Cotton Moon | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | B flat major | voice and piano |  | ||
| When the Girl Whose Heart You Long For, Has a Heart that Longs for You | George W. Meyer (composer) and Robert F. Roden (librettist) |  | B flat major | voice and piano |  | ||
| Where Did Robinson Crusoe Go with Friday on Saturday Night? | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | F major | voice and piano |  | ||
| When You're a Long, Long Way from Home | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | F major | voice and piano |  | ||
| Whistle and I'll Wait for You | George W. Meyer (composer) and Earle C. Jones (librettist) |  | E flat major | voice and piano |  | ||
| Wiggle-Wag | George W. Meyer (composer) |  | C major | piano |  | ||
| You Taught Me How to Love You, Now Teach Me to Forget | George W. Meyer (composer) and Jack Drislane (librettist) and Alfred Bryan (librettist) |  | F major | voice and piano |  | ||
| You'll Find Old Dixieland in France | George W. Meyer (composer) and Grant Clarke (librettist) |  | B flat major | voice and piano |  | ||
| Way Down in Iowa | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| Yaddie Kaddie Kiddie Kaddie Koo | George W. Meyer (composer) and Sam M. Lewis (librettist) and Joe Young (librettist) |  | G major | voice and piano |  | ||
| If Baby Would Never Grow Older | George W. Meyer (composer) and Alfred Bryan (librettist) |  | B flat major | voice and piano |  | ||
| Rachel Rubenstein's Rag | George W. Meyer (composer) and Sam M. Lewis (librettist) |  | voice and piano |  | 
©2025 David P. Anderson