| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| There's Something in the Name of Ireland (That the Whole World Seems to Love) | Milton Ager, composer Howard Johnson, librettist |
C major | voice and piano | Early 20th century | Songs | ||||
| China, We Owe a Lot to You | Milton Ager, composer Howard Johnson, librettist |
A flat major | voice and piano | Early 20th century | Songs | ||||
| Win Her in the Old-Fashioned Way | Milton Ager, composer Charles A. Meyers, librettist |
B flat major | voice and piano | Romantic | Songs | ||||
| What's in a Name? (A Musical Revue in Two Acts) | Milton Ager, composer John Murray Anderson, librettist Jack Yellen, librettist Anne Wynne O'Ryan, librettist |
voices, mixed chorus and orchestra | Early 20th century | Musicals | |||||
| If You Saw All that I Saw in Arkansas | Milton Ager, composer | B flat major | voice and piano | Early 20th century | Songs | ||||
| It's the Smart Little Feller Who Stocked up His Cellar ((That's Getting the Beautiful Girls)) | Milton Ager, composer Grant Clarke, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| High Brown Blues (Any Man Who Trusts a Gal) | Milton Ager, composer Jack Yellen, librettist |
voice and piano | Early 20th century | Blues | |||||
| Lovin' Sam (The Sheik of Alabam') | Milton Ager, composer Jack Yellen, librettist |
D major - G major | voice and piano | Early 20th century | Songs | ||||
| There's a Wee Bit of Blarney in Killarney | Milton Ager, composer Arthur J. Jackson, librettist L. Wolfe Gilbert, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Everything is Peaches Down in Georgia | Milton Ager, composer Grant Clarke, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Who Cares? | Milton Ager, composer Jack Yellen, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| I'm in Heaven When I'm in My Mother's Arms (I Don't Have to Die to Go to Heaven) | Milton Ager, composer Howard Johnson, librettist Cliff Hess, librettist |
E flat major | voice and piano | Early 20th century | Songs | ||||
| Tom, Dick and Harry and Jack (Hurry Back) | Milton Ager, composer Howard Johnson, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| France, We Have Not Forgotten You | Milton Ager, composer Grant Clarke, librettist Howard Emmett Rogers, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Rockaway Hunt (Foxtrot) | Milton Ager, composer | C major | piano | Romantic | Foxtrots | ||||
| Big Bad Bill (Is Sweet William Now) | Milton Ager, composer Jack Yellen, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Louisville Lou (That Vampin' Lady) | Milton Ager, composer Jack Yellen, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| I Wonder What's Become of Sally (I Wonder What's Become of Sally?) | Milton Ager, composer Jack Yellen, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| Mamma Goes Where Papa Goes (Or Papa Don't Go Out To-Night) | Milton Ager, composer Jack Yellen, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Erin Is Calling | Milton Ager, composer William Jerome, librettist |
E flat major | voice and piano | Early 20th century | Songs |
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