Rinaldo, HWV 7a (Handel, George Frideric)
| Title | Rinaldo |
| Creators | George Frideric Handel, composer Giacomo Rossi, librettist |
| Opus | HWV 7a |
| Instrumentation | 3 sopranos, 2 altos, bass and orchestra |
| Number of movements | — |
| Keys | — |
| Composed | 1711 |
| First published | 1711 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Operas |
| Language | Italian |
| Period | Baroque |
 |
View |
| Code |  |
Sections
—
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| View | Selections | piano | Andrew Paul Duncan |
| View | Ouverture | 4 accordions and bass accordion | Paul De Bra |
| View | Ouverture | organ | Alfred Baum |
| View | Cara sposa, amante cara (Act I) | 5 recorders | R.D. Tennent |
| View | Lascia ch'io Pianga (Act II) | 4 accordions and bass accordion | Paul De Bra |
| View | Lascia ch'io Pianga (Act II) | 4 recorders | R.D. Tennent |
| View | Lascia ch'io Pianga (Act II) | 2 accordions | Paul De Bra |
| View | Aria: 'Lass mich mit Thränen' | cello and piano | Philipp Roth |
Scores
Recordings/Performances
| Details | Type | Section | Performers | Arranged for | Files (click to listen) |
|---|---|---|---|---|---|
| View | — | Professor P, performer | For 4 Accordions and Bass Accordion (De Bra) | Ouverture Aria: ''Lascia ch'io Pianga'' (Act II) |
|
| View | MIDI | Furie terribili (Act I) | For Piano (Cook) | Synthesized audio | |
| View | MIDI | Cara sposa, amante cara (Act I) | For 5 Recorders (Tennent) | Synthesized Performance | |
| View | MIDI | Lascia ch'io Pianga (Act II) | For 4 Recorders (Tennent) | Synthesized Performance |
©2026 CMI