Title | Ottone, re di Germania |
Creators | George Frideric Handel (composer) and Nicola Francesco Haym (librettist) |
Opus | HWV 15 |
Instrumentation | 2 sopranos, 3 altos, bass and orchestra |
Number of movements | — |
Keys | — |
Composed | 1722 |
First published | — |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Operas |
Language | Italian |
Period | Baroque |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
Details | Section | Arranged for | Arranger |
---|---|---|---|
view | Prelude (Act I, Scene 1) | trumpet, harpsichord and strings | Michel Rondeau |
view | Prelude (Act I, Scene 1) | trumpet and organ | Michel Rondeau |
view | Gavotte | female chorus and piano | John Michael Diack |
view | Gavotte | 4 recorders | R.D. Tennent |
view | Gavotte | trumpet and organ | Michel Rondeau |
view | Gavotte | piano | Giuseppe Martucci |
view | Gavotte | harpsichord | Peter Prelleur |
view | Aria: ''Ritorna, O Dolce Amore'' (Act I Scene 5) | 4 recorders | R.D. Tennent |
view | Concerto (Act 1) | 4 recorders | R.D. Tennent |
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | John Walsh | — | Complete Score · view |
view | Complete | — | — | — | Complete Score · view |
view | Complete | selections | — | — | Aria: Affani del pansier · view |
view | Aria: La speranza è giunta in porto (Act I Scene 1) | vocal score | J. Curwen & Sons | 1928 | Complete Score · view |
view | Complete | — | Colin Wake | 2022 | Complete Italian/English Libretto (1723) · view |
view | Complete | — | Colin Wake | 2022 | Complete Libretto (1723, with extra material from revivals) · view |
view | Prelude (Act I, Scene 1) | Arrangement for trumpet, harpsichord and strings |
— | — | Complete Score and Parts · view Engraving files (Finale & XML) · view |
view | Prelude (Act I, Scene 1) | Arrangement for trumpet and organ |
— | — | Complete Score and Trumpet Part · view Engraving files (Finale & XML) · view |
view | Gavotte | Arrangement for female chorus and piano |
Paterson | 1930 | Complete Score · view |
view | Gavotte | Arrangement for 4 recorders |
— | — | Complete Score · view |
view | Gavotte | Arrangement for trumpet and organ |
— | — | Complete Score and Trumpet Part · view Engraving files (Finale & XML) · view |
view | Gavotte | Arrangement for piano |
Paolo Mariani | — | Complete Score · view |
view | Gavotte | Arrangement for harpsichord |
Montréal: Les Éditions Outremontaises | 2005 | Complete Score · view |
view | Aria: ''Ritorna, O Dolce Amore'' (Act I Scene 5) | Arrangement for 4 recorders |
— | — | Complete Score · view |
view | Concerto (Act 1) | Arrangement for 4 recorders |
— | — | Complete Score · view Complete Parts · view |
Details | Type | Section | Arranged for | Files | |
---|---|---|---|---|---|
view | Synthesized | Synthesized | Prelude (Act I, Scene 1) | For Trumpet, Harpsichord and Strings (Rondeau) | Synthesized Performance · file |
view | Synthesized | Synthesized | Prelude (Act I, Scene 1) | For Trumpet and Organ (Rondeau) | Synthesized Performance · file |
view | Synthesized | Synthesized | Gavotte | For 4 Recorders (Tennent) | Synthesized Performance · file |
view | Synthesized | Synthesized | Gavotte | For Trumpet and Organ (Rondeau) | Synthesized Performance · file |
view | Synthesized | Synthesized | Aria: ''Ritorna, O Dolce Amore'' (Act I Scene 5) | For 4 Recorders (Tennent) | Synthesized Performance · file |
view | Synthesized | Synthesized | Act 1 Concerto | For 4 Recorders (Tennent) | Synthesized Performance · file |
©2025 David P. Anderson