| Title | Semele |
| Creators | George Frideric Handel, composer William Congreve, librettist |
| Opus | HWV 58 |
| Instrumentation | voices, mixed chorus and orchestra |
| Number of movements | — |
| Keys | — |
| Composed | 1743 |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Secular oratorios |
| Language | English |
| Period | Baroque |
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View |
| Code |
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| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| View | Air: Endless pleasure (Act I, Sc.4) | trumpet and organ | Michel Rondeau |
| View | Aria: Where'er You Walk (Act II, Sc.3) | 3 recorders and continuo | James Oppenheimer |
| View | Aria: Where'er You Walk (Act II, Sc.3) | 2 voices and piano | Thomas Keighley |
| View | Aria: Myself I shall adore (Act III, Sc. 3) | organ | William Thomas Best |
| Details | Type | Section | Arranged for | Files (click to listen) |
|---|---|---|---|---|
| View | Synthesized | Air: Endless pleasure (Act I, Sc.4) | For Trumpet and Organ (Rondeau) | Virtual Performance |
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