| Title | Theodora |
| Alternative title | Theodora an oratorio |
| Creators | George Frideric Handel (composer) and Thomas Morell (librettist) |
| Opus | HWV 68 |
| Instrumentation | voices, mixed chorus and orchestra |
| Number of movements | 3 |
| Keys | — |
| Composed | 1749 |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Secular oratorios |
| Language | English |
| Period | Baroque |
| View on IMSLP | ![]() |
| Code |
(No sections)
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Chorus: Queen of Summer, Queen of Love (Act II, Sc.1, No.30) | organ | William Thomas Best |
| view | Air: Oh, that I on wings could rise (Act II, Sc.2, No.39) | trumpet and organ | Michel Rondeau |
| view | Come Mighty Father | 2 pianos | Josiah Hohulin |
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | London: Samuel Arnold | — | Complete Score · view Complete score · view |
| view | Complete | — | — | — | Complete Score · view |
| view | Complete | — | — | — | Complete Score · view |
| view | Duetto: To Thee, Thou Glorious Son of Worth (Act II, Sc.5, No.51) | — | — | — | Complete Score · view |
| view | Complete | parts | — | — | Flute 1, 2 · view Oboe 1 · view Oboe 2 · view Bassoon 1 · view Bassoon 2 · view Horn 1, 2 (F) · view Trumpet 1, 2 (C) · view Timpani · view Violins I · view Violins II · view Violas · view Cellos/Basses · view |
| view | Duetto: To Thee, Thou Glorious Son of Worth (Act II, Sc.5, No.51) | parts | — | — | Violin I · view Violin II · view Viola · view Bassoons · view Continuo (Violoncellos, Basses, Keyboards) · view |
| view | As with rosy steps the morn (Act I, Sc.4, No.18) | vocal score | — | — | Aria: As with rosy steps the morn (Act I, Sc.4, No.18) · view |
| view | Angels, ever bright and fair (Act I, Sc.5, Nos.23-24) | vocal score | Unidentified publisher | — | Complete Score · view |
| view | Angels, ever bright and fair (Act I, Sc.5, Nos.23-24) | vocal score | Henry McCaffrey | — | Complete Score · view |
| view | Angels, ever bright and fair (Act I, Sc.5, Nos.23-24) | vocal score | — | — | Complete Score · view |
| view | Lord, to Thee each night and day (Act III, Sc.1, No.54) | vocal score | — | — | Aria: Lord, to Thee each night and day (Act III, Sc.1, No.54) · view |
| view | Aria: Angels ever bright and fair (Act I, Sc.5, No.24) | — | Oil on canvas | — | Soprano Part · view Soprano Part (detailed image) · view |
| view | Chorus: Queen of Summer, Queen of Love (Act II, Sc.1, No.30) | Arrangement for organ |
Novello | — | Complete score · view |
| view | Air: Oh, that I on wings could rise (Act II, Sc.2, No.39) | Arrangement for trumpet and organ |
— | — | Complete Score and Trumpet Part · view Engraving files (Finale & XML) · view |
| view | Come Mighty Father | Arrangement for 2 pianos |
Josiah Hohulin | 2018 | Complete Score · view |
©2025 David P. Anderson