| Composition |
Published |
| Ireland: 3 Popular Irish Airs (Czerny, Carl) for piano |
1860 |
| Valses d'adieux, Op. 62 (Meyer, Leopold de) for piano |
1847 |
| Le Carnaval de Venise, Op. 31 (Meyer, Leopold de) for piano |
|
| Air: Une fée, un bon ange from Le domino noir (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
1845 |
| Arrangement of The Bangor March (Shaw, Oliver) for piano |
|
| Polkas, Op. 82 (Viereck, John Conrad) for piano |
1849 |
| Espoir, Op. 101 (Viereck, John Conrad) for piano |
1852 |
| Lucy Neale (Sanford, James) for voice and piano |
1844 |
| Arrangement of Galop brillant, Op. 41 (Benedict, Julius) for piano 4 hands |
1851 |
| Le chant des oiseaux (Walker, Edward L.) for piano |
1847 |
| 1845 Edition from 12 Galops, Op. 51 (Viereck, John Conrad) for piano |
1845 |
| 1847 Edition from 12 Galops, Op. 51 (Viereck, John Conrad) for piano |
1847 |
| Arrangement of 6 Lieder, Op. 54 (Abt, Franz) for voice and guitar |
1852 |
| General Bem's Grand March, Op. 86 (Viereck, John Conrad) for piano |
1849 |
| Miss Lucy Long, Op. 75 (Viereck, John Conrad) for piano |
1842 |
| Arrangement of Catharinen-Polka, Op. 2 (Gungl, János) for piano |
1849 |
| Funeral March in Memory of Captain John Butler (Blessner, Gustav) for piano |
1848 |
| The Cornet (Browne, Augusta) for piano |
1851 |
| The Maid of Perth, Op. 110 (Viereck, John Conrad) for piano |
1850 |
| Sainte Cécile (Blessner, Gustav) for piano |
1841 |
| Jota, Op. 97 (Viereck, John Conrad) for piano |
1850 |
| Galop favori de 'Les diamants de la couronne' (Beyer, Ferdinand) for piano 4 hands |
|
| The National Schottisch (Albert, Charles d') for piano |
|
| Oakland (Saroni, Herrman S.) for piano |
1850 |
| Laura (Barili, Antonio) for piano |
1848 |
| Buena vista (Barili, Antonio) for piano |
1848 |
| Peri, Op. 3 (Benkert, George Felix) for piano |
1850 |
| Marion May (Benkert, George Felix) for voice and piano |
1849 |
| 1845 Edition from La Revue, Op. 77 (Viereck, John Conrad) for piano |
1845 |
| 1846 Edition from La Revue, Op. 77 (Viereck, John Conrad) for piano |
1846 |
| Crambambuli (Thorbecke, Hermann) for piano |
1847 |
| Texian March (Thorbecke, Hermann) for piano |
1846 |
| Souvenir d'Ole Bull, Op. 40 (Viereck, John Conrad) for piano |
1844 |
| The Reply of the Messenger Bird (Browne, Augusta) for voice and piano |
1848 |
Arrangement of Blaue Äuglein, Op. 93 (Burgmüller, Friedrich) for flute and piano
violin and piano |
|
| To My Guitar (Pique, Edward) for voice and guitar |
1850 |
| C'est toi (Arnaud, Étienne) for voice and piano |
1846 |
| Arrangement of Les yeux bleus (Arnaud, Étienne) for voice and guitar |
1846 |
| Quick-Step on a motif of 'The Bronze Horse' (Halma, Ch.) for piano |
1839 |
| Why Art Thou Sad? (Anonymous) for voice and piano |
1850 |
| The Heliotrope Waltz (Anonymous) for piano |
1845 |
| To Win the Love of Thee (Meignen, Leopold) for voice and piano |
1846 |
| My Bark is on the Billow (Meignen, Leopold) for voice and guitar |
1847 |
| Arrangement of Where Are the Friends of My Youth? (Barker, George Arthur) for voice and guitar |
1852 |
| Arrangement of Would You Leave Me to Mourn (Barker, George Arthur) for voice and guitar |
1851 |
| Arrangement of La Marseillaise (Rouget de Lisle, Claude-Joseph) for voice, mixed chorus and guitar |
1848 |
| Waltz: The Rapture Dwelling from Arrangement of Waltz: The Rapture Dwelling from The Maid of Artois (Balfe, Michael William) for piano |
1839 |
| 12 Valses, Op. 50 (Viereck, John Conrad) for piano |
1845 |
| The German Cotillion (Anonymous) for |
1843 |
| There's Nae Room for Twa (Anonymous) for voice and piano |
1852 |
| The Bloomer's Complaint (Anonymous) for voice and piano |
1851 |
| The Grace-Hoop (Anonymous) for piano |
1851 |
| Songs of the Nightingale Serenaders (Various) for voice, mixed chorus and piano |
1846 |
| El Bolsa de Flores (Anonymous) for piano |
1847 |
| El Rinconade (Anonymous) for piano |
1847 |
| La Smolenska (Anonymous) for piano |
1840 |
| My Polka (Anonymous) for piano |
1852 |
| Norah and Dermot (Anonymous) for voice and piano |
1852 |
| Oh! The Merry Old Days (Anonymous) for voice and piano |
1851 |
| Jenny Lind's Songs (Various) for voice and piano |
1847 |
| The Celebrated Harp Waltz (Anonymous) for piano |
1849 |
| 12 Solfeggi or Preparatory Lessons in the Art of Singing (Bagioli, Antonio) for voice and piano |
1840 |
While Shepherds Watch'd Their Flocks By Night (Barclay, B. S.) for voice and piano
voices and piano |
1843 |
| Come, Oh! Come With Me, The Moon Is Beaming (Barclay, B. S.) for voice and piano |
1842 |
| Elodie (Barclay, B. S.) for voice and piano |
1846 |
| My Gem of Delight (Barclay, B. S.) for voice and piano |
1844 |
| The Sycamore Old and Grey (Barclay, B. S.) for voice and piano |
1841 |
| Redowa Waltz (Barili, Antonio) for piano |
1848 |
| L'Echo du Corcovado (Bassini, Carlo) for piano |
1842 |
| Arrangement of The Banks of the Guadalquiver (Lavenu, Lewis Henry) for voice and guitar |
1847 |
| The Switzer's Song of Home (Meignen, Leopold) for |
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