Compositions with Antonio de Cabezón as composer
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Diferencias sobre la gallarda milanesa | Antonio de Cabezón, composer | keyboard | Renaissance | Variations |  |
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| Diferencias sobre la pavana italiana | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Diferencias sobre 'De quien teme enojo Isabel' | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Otras Diferencias | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Diferencias sobre 'La dama le demanda' | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Diferencias sobre 'El Canto del Caballero' (Diferencias sobre "El canto llano del caballero") | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Claviermusik (Keyboard Music) | Antonio de Cabezón, composer | keyboard | Renaissance | Pieces | |
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| Obras de musica para tecla, arpa y vihuela | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces |  |
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| Tiento del Sexto Tono con primera y segunda parte | Antonio de Cabezón, composer | F major | keyboard organ piano |
Renaissance | Tientos | |
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| Versos del sexto tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |
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| Tres 'sobre el canto llano de la alta' | Antonio de Cabezón, composer | keyboard | Renaissance | Chants | |
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| Romance V Para quien crie yo cabellos | Antonio de Cabezón, composer | keyboard | Renaissance | Romances | |
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| Tiento del Segundo Tono | Antonio de Cabezón, composer | organ keyboard piano |
Renaissance | Tientos | |
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| Tiento del quinto tono | Antonio de Cabezón, composer | organ keyboard piano |
Renaissance | Tientos | |
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| Dic nobis, Maria | Antonio de Cabezón, composer | keyboard | Renaissance | Pieces | |
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| Duuiensela (D'ou vient cela) | Antonio de Cabezón, composer | keyboard | Renaissance | Pieces | |
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| Tiento sobre 'Cum Sancto Spiritu' | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Tientos | |
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| Fabordones del cuarto tono | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Variations | |
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| Fabordones del octavo tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |
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| Fabordones del quinto tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |
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| Fabordones del séptimo tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |
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| Fabordones del tercer tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |
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| Un gay Bergier | Antonio de Cabezón, composer | keyboard | Renaissance | Pieces | |
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| Tiento del primer tono | Antonio de Cabezón, composer | organ keyboard |
Renaissance | Tientos | |
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| Si par suffrir | Antonio de Cabezón, composer | organ | Renaissance | Pieces | |
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| Tiento 7 del cuarto tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 5 del primer tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 2 del primer tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 9 del quinto tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Pis ne me peult venir | Antonio de Cabezón, composer | Renaissance | Chansons | |
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| Dormendo un Giorno (after Verdelot) ("Durmendo un jorno" (versió per a clavecí, flauta de bec i viola de gamba d'una melodia de Philippe Verdelot)) | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces | |
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| Tiento 3 del primer tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Benedictus dela missa de lome arme glosado de A. de Cabezón | Antonio de Cabezón, composer | organ | Renaissance | Benedictus | |
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| Je pres en grey glosado de A. de Cabezón | Antonio de Cabezón, composer | organ | Renaissance | Chansons | |
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| Discante sobre la Pavana Italiana | Antonio de Cabezón, composer | organ | Renaissance | Descants | |
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| Tiento 8 del cuarto tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 1 del primer tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Beata viscera mariae (Canto llano con baxo atres) | Antonio de Cabezón, composer | organ | Renaissance | Plainchant | |
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| Tiento 4 del Tercer Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento del tercer tono al contrario (Fugas al contrario) | Antonio de Cabezón, composer | organ | Renaissance | Tientos, Fugues | |
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| Tiento 6 del cuarto tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 24 del Sexto Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 18 del Cuarto Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 10 del Sexto Tono | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Tientos | |
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| Tiento 11 del Primer Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 25 del Sexto Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Tiento 17 del Cuarto Tono sobre 'Malheur me bat' | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Ardente mei suspiri | Antonio de Cabezón, composer | keyboard | Renaissance | Pieces | |
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| Si bona suscepimus | Antonio de Cabezón, composer | organ | Renaissance | Pieces | |
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| Hymn 'Ut queant laxis' | Antonio de Cabezón, composer | G minor | keyboard harp vihuela |
Renaissance | Hymns | |
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| Fuga en cuarta con el tiple sobre 'Ad Dominum cum tribularer' (Tiento XIV) | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Fugues, Tientos | |
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| Començian las canciones glosadas y motetes a quatro | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Songs, Motets | |
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| Ultimi mei suspiri (Verdelot) | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces | |
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| Tiento 10 del Primer Tono | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Tientos | |
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| Inviolata | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces | |
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| Aiule vos sola verdura | Antonio de Cabezón, composer | keyboard | Renaissance | Variations | |
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| Tiento 9 del Primer Tono | Antonio de Cabezón, composer | organ | Renaissance | Tientos | |
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| Obras de Música, MME 27-29 (Obras de Música para tecla, arpa y vihuela) | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces | |
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| Pavana con su glosa ('''"La Cara Cosa"''') | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pavans | |
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| Comiençan los motetes de a cinco y canciones glosados | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces | |
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| Comiençan las canciones glosadas y motetes a seys | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Pieces, Motets | |
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| Magnificat du 4e ton (Magnificat even verses for keyboard instrument) | Antonio de Cabezón, composer | keyboard | Renaissance | Magnificats | |
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