| Composition |
Score attributes |
| 5 Pieces (Bach, Wilhelm Friedemann) for keyboard |
— |
| Keyboard Sonatas (Cimarosa, Domenico) for keyboard |
selections |
| Sonatina No.2 from 34 Keyboard Sonatinas (Benda, Georg) for piano or clavichord |
— |
| Sonatina No.17 from 34 Keyboard Sonatinas (Benda, Georg) for piano or clavichord |
— |
| Duets Nos.1-3 from 6 Duets for 2 Flutes, QV 3:2 (Quantz, Johann Joachim) for 2 flutes |
— |
| Duets Nos.4-6 from 6 Duets for 2 Flutes, QV 3:2 (Quantz, Johann Joachim) for 2 flutes |
— |
| Tobacco (Hume, Tobias) for voice and viol |
— |
| To Plead My Faith (Bacheler, Daniel) for voice, lute and viol |
parts |
| Nun komm der Heiden Heiland (No.1) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Christe, der du bist Tag und Licht (No.2) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Jesu, meine Freude (No.3) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Durch Adams Fall ist ganz verderbt (No.4) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Wir danken dir, Herr Jesu Christ (No.5) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Was mein Gott will (No.6) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Wir Christenleut (No.7) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ |
— |
| Harmonia à 5 (Schmelzer, Johann Heinrich) for 2 violins, 2 violas and continuo or violin, 3 violas and continuo or bassoon, violin, 3 violas and continuo or bassoon, violin, 2 violas, viol and continuo |
— |
| Pavan à 5 No. 1 (Ferrabosco Jr., Alfonso) for 5 viols |
— |
| Captain Humes Poeticall Musicke (Hume, Tobias) for viol or 2 viols or 3 viols or 2 lutes and viol or soprano and bass or voice and viol or voice and 2 viols or voice and 3 viols or voice, lute and viol or voice, 2 lutes and viol |
selections |
| Ach, dass ich Wassers gnug hätte (Bach, Johann Christoph) for alto, violin, 3 violas and continuo |
— |
| Allegretto (No.1) from 2 Violin Duos, Opp.19, 20 (Dancla, Charles) for 2 violins |
— |
| 6 Sonatas of Two Parts for Two Flutes, Op. 2 (Finger, Gottfried) for 2 recorders |
— |
| Out from the Deep (Tallis, Thomas) |
— |
| Balletto a 6 (Poglietti, Alessandro) for 2 violins, viola, 2 viols and continuo |
— |
| Die Fechtschule from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo or 2 violins, 2 violas and continuo or orchestra or bassoon, 3 violins and continuo or violin, 2 violas and continuo or strings and continuo or soprano, tenor and continuo or soprano, strings and continuo |
— |
| Die Fechtschule from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo or 2 violins, 2 violas and continuo or orchestra or bassoon, 3 violins and continuo or violin, 2 violas and continuo or strings and continuo or soprano, tenor and continuo or soprano, strings and continuo |
— |
| Arie con la Mattacina from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo or 2 violins, 2 violas and continuo or orchestra or bassoon, 3 violins and continuo or violin, 2 violas and continuo or strings and continuo or soprano, tenor and continuo or soprano, strings and continuo |
— |
| If Ye Love Me (Tallis, Thomas) for male chorus or 2 altos, tenor and bass or male chorus and organ or 2 altos, tenor, bass and organ |
— |
| Sonatina No.1 from Trio Sonatas (Schmelzer, Johann Heinrich) for 2 violins and continuo or violin, viol and continuo or 2 violins, viol and continuo or bassoon, violin and continuo or trombone, 2 violins and continuo or 2 violins, viola and continuo |
— |
| Rejoice in the Lord (Sheppard, John) for mixed chorus or 2 altos, tenor and bass |
— |
| Rejoice in the Lord (Sheppard, John) for mixed chorus or 2 altos, tenor and bass |
— |
| Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass or male chorus |
— |
| Cor vigilans (Muffat, Georg) for strings and continuo |
— |
| Cor vigilans (Muffat, Georg) for strings and continuo |
parts |
| Dance No.2 and reprises (Bergerette Sans Roch) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.2 and reprises (Bergerette Sans Roch) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.7 (Les Grands Douleurs) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.7 (Les Grands Douleurs) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.8 (Entre du Fol) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.9 (Danse du Roy) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.10 (Le Joli Boys) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.11 (Mon Desir) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.12 (Le Cueur Est Bon) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.13 (Cest a Grant Tort) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Dance No.13 (Cest a Grant Tort) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments |
— |
| Fugue a 4 in D minor from 14 Preludes, Fugues and Toccatas (Weckmann, Matthias) for organ |
— |
| Tiento del sexto tono con primera y segunda parte (Cabezón, Antonio de) for keyboard or organ or piano |
— |
| Fuga prima (Haussmann, Valentin) for violin, 2 violas and cello |
— |
| When I Behold (Greaves, Thomas) for voice and 4 viols |
— |
| When I Behold (No.1) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| Man First Created Was (No.2) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| Who Keeps in Compass his Desires (No.3) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| Let Dread of Pain, (the First Part) (No.4) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| So Hate of Sin, (the Second Part) (No.5) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| Woe Where Such Hate (the Third Part) (No.6) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols |
— |
| Sonata pian e forte, Ch.175 (Gabrieli, Giovanni) for 8 Unspecified instruments or cornett and viola |
— |
| The Duke of Glocester's March (Clarke, Jeremiah) for harpsichord |
— |
| Elslin liebes elselin min (Dietrich, Sixt) for 3 voices |
— |
| Erue, Domine (Dietrich, Sixt) for alto and tenor |
— |
| Servus Tuus Sum (Dietrich, Sixt) for tenor and baritone |
— |
| Sonata I a otto from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata II a otto from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata III a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata IV a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata V a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata VI a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata VII a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata VIII a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata IX a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata X a quattro from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata XI a quattro from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata XII a sette from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Sonata XIII a due (Trio Sonata) from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo or cornett, 3 trombones, violin, 3 violas and continuo or 2 violins, 3 violas, cello and continuo or 2 violins, 2 violas, cello and continuo or violin, 2 violas, cello and continuo or 2 cornetts, 2 trumpets, 3 trombones and continuo or 2 violins and continuo or strings and continuo or orchestra |
— |
| Descendi in hortum meum (Anonymous) for 4 voices |
parts |
| Mon coeur a vous (Roussel, François) for 5 voices |
— |
| J'aime la pierre précieuse (Le Jeune, Claude) for 5 voices |
— |
| In Nomine à 5 (No.2) from 21 In Nomines (Tye, Christopher) for 4 Unspecified instruments or 5 Unspecified instruments or 6 Unspecified instruments or soprano, alto, tenor and bass or 2 sopranos, 2 tenors and bass or soprano, alto, 2 tenors and bass or 3 sopranos, tenor and bass or 2 sopranos, alto, tenor and bass or 3 sopranos, alto and 2 basses |
— |
| I'vo piangendo from Madrigali a 5 voci, Libro 3 (Gabrieli, Andrea) for 5 voices or 2 sopranos, alto, tenor and bass or soprano, 2 altos, tenor and bass |
parts |
| Danserye (Susato, Tielman) for 4 Unspecified instruments |
selections |
| Avecque vous (Cornet, Séverin) for mixed chorus or 2 sopranos, alto, 2 tenors and bass |
parts |
| D'Amours me va (Waelrant, Hubert) for 5 voices |
— |
| Arrangement of Als ick u vinde (Waelrant, Hubert) for 4 lutes |
— |
| Bonjour mon coeur (Monte, Philippe de) for 6 voices |
— |
| Je ne me puis tenir d'aimer (Appenzeller, Benedictus) for 5 voices |
— |
| Je ne suis pas si sot (Arcadelt, Jacob) for 5 voices |
parts |
| Surge illuminare Jerusalem (Corteccia, Francesco) for 5 voices |
parts |
| Suite I in G minor from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes or flute and continuo or 2 oboes or oboe and continuo or 2 recorders or recorder and continuo or 2 violins or violin and continuo |
— |
| Suite II in G major from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes or flute and continuo or 2 oboes or oboe and continuo or 2 recorders or recorder and continuo or 2 violins or violin and continuo |
— |
| Suite III in D major from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes or flute and continuo or 2 oboes or oboe and continuo or 2 recorders or recorder and continuo or 2 violins or violin and continuo |
— |
| England Receive the Rightful King (Greaves, Thomas) for 5 voices |
— |
| Tria Sunt Munera (Esquivel Barahona, Juan) for 2 sopranos, alto, tenor and bass or mixed chorus |
parts |
| Primo Ballo della Notte d'Amore (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Vorrei mostrar, Madonna (Gabrieli, Andrea) for 4 voices |
parts |
| Canon in F major (Josquin Desprez) for 2 tenors |
— |
| Selections: Three Pieces from Glogauer Liederbuch (Various) for 3 voices or 3 Unspecified instruments |
— |
| Instrumental Piece from Arrangement of Instrumental Piece from Glogauer Liederbuch (Various) for 3 viols |
— |
| Der neue Bauernswanz from Arrangement of Der neue Bauernswanz from Glogauer Liederbuch (Various) for 3 viols |
— |
| Ich freu mich sere der Wiederfart from Arrangement of Ich freu mich sere der Wiederfart from Glogauer Liederbuch (Various) for 3 viols |
— |
| Gloria from Missa sine nomine a 5 (Ockeghem, Johannes) for alto, 2 tenors and 2 basses or mixed chorus |
— |
| Petite Camusette (Févin, Antoine de) for 3 voices |
— |
| Petite Camusette (Févin, Antoine de) for 3 voices |
— |
| Set for 6 Viols in F major (Lawes, William) for 6 viols |
— |
| Pavan No.1 from Newe Pavanen, Galliarden und Intraden (Franck, Melchior) for soprano, alto, tenor and bass or 5 Unspecified instruments or 6 Unspecified instruments |
— |
| Pavan No.2 from Newe Pavanen, Galliarden und Intraden (Franck, Melchior) for soprano, alto, tenor and bass or 5 Unspecified instruments or 6 Unspecified instruments |
— |
| Ave Maria gratia plena Dominus tecum (Tromboncino, Bartolomeo) for 4 voices |
— |
| Paduana a 5 in D minor from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 5 Unspecified instruments or 6 Unspecified instruments |
— |
| Pavan a 6 in F major (Hamburg, 1633, No.56) from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 5 Unspecified instruments or 6 Unspecified instruments |
— |
| Pavan a 6 in F major from Arrangement of Pavan a 6 in F major from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 4 guitars |
— |
| Fantasia, VdGS No.1 from Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols |
— |
| Fantasia, VdGS No.3 from Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols |
— |
| Arrangement of Fors seulement contre ce qu'ay promys (Ockeghem, Johannes) for 3 viols |
— |
| Fantasias for 4 Viols and Organ (Jenkins, John) for 4 viols or 4 viols and organ |
— |
| Fantasia for 3 Viols, RC 10 (Coperario, John) for 3 viols |
— |
| Fantasia for 5 Viols, RC 72 (Coperario, John) for 5 viols |
— |
| Sonata No.6 in D major from 6 Sonatas for Two Violins, Op. 2 (Leclair the Younger, Jean-Marie) for 2 violins or 2 viols |
— |
| Cello Sonata in B-flat major, RV 47 (Vivaldi, Antonio) for cello and continuo |
— |
| Cello Sonata in F major, RV 41 (Vivaldi, Antonio) for cello and continuo |
— |
| Anthology of Pieces for Violin and Viola (Grayson, Martin) for violin and viola |
— |
| Cello Sonata in E-flat major, RV 39 (Vivaldi, Antonio) for cello and continuo |
— |
| Ottavo Ballo detto L'Iride (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Cello Sonata in A minor, RV 43 (Vivaldi, Antonio) for cello and continuo |
— |
| Set for 5 Viols in G minor (Lawes, William) for 5 viols |
— |
| Cello Sonata in G minor, RV 42 (Vivaldi, Antonio) for cello and continuo |
— |
| Confitemini Domino from Divine lodi musicali, Libro 3 (Riccio, Giovanni Battista) for soprano and continuo or tenor and continuo or recorder and continuo or cornett and continuo or alto and continuo or bass and continuo or soprano, bass and continuo or tenor, bass and continuo or 2 tenors and continuo or continuo and 2 basses or trombone, violin and continuo or 2 violins and continuo or 2 altos and continuo or alto, tenor, bass and continuo or 2 sopranos, bass and continuo or 2 tenors, bass and continuo or alto, tenor, bass and continuo or 2 cornetts, trombone and continuo or trombone, 2 violins and continuo or continuo, 2 sopranos and 2 basses or 2 trombones, 2 violins and continuo or continuo and 4 Unspecified instruments or soprano, bass, bassoon, violin and continuo or soprano, alto, tenor, bass and continuo or voice, recorder, bassoon, violin and continuo or alto, 2 tenors, bass and continuo or soprano, tenor and bass or recorder, bassoon and continuo |
— |
| Cello Sonata in E minor, RV 40 (Vivaldi, Antonio) for cello and continuo |
— |
| Cello Sonata in B-flat major, RV 45 (Vivaldi, Antonio) for cello and continuo |
— |
| Cello Sonata in B-flat major, RV 46 (Vivaldi, Antonio) for cello and continuo |
— |
| Settimo Ballo (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Set for 6 Viols in C major (Lawes, William) for 6 viols |
— |
| Sonata in E minor, F.54 from 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes |
— |
| Sonata in G major, F.59 from 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes |
— |
| Set for 5 Viols in C major (Lawes, William) for 5 viols and organ |
— |
| Quinto Ballo detto lo Ninfe di Senna (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Quarto Ballo detto i Campi Elisii (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Tiento sobre 'Cum Sancto Spiritu' (Cabezón, Antonio de) for keyboard or harp or vihuela |
— |
| Duetto No.1 from Duettos for violin and viola (Cannabich, Christian) for flute and viola or violin and viola |
— |
| Parts 1-3 from Secondo Ballo detta la Serena (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Part 4 (Finale): Corrente in 6 parts from Secondo Ballo detta la Serena (Allegri, Lorenzo) for strings or strings and continuo |
— |
| Sonata for Two Recorders in F major, H.522 (Purcell, Daniel) for 2 recorders |
— |
| Sonata in C minor (No.1) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| Sonata in F major (No.2) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| Sonata in G major (No.3) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| Sonata in B flat major (No.4) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| Sonata in D minor (No.5) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| Sonata in G minor (No.6) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders or recorder and continuo |
— |
| The Lord's Prayer (Sheppard, John) for alto, 3 tenors and bass or male chorus |
— |
| Canon for 2 Tenor Instruments (Josquin Desprez) for 2 tenors |
— |
| Canon for 2 Tenor Instruments (Josquin Desprez) for 2 tenors |
— |
| Christ Rising Again (Sheppard, John) for 4 voices |
— |
| O Crux Ave Spes Unica (Finetti, Giacomo) for 4 voices |
— |
| A New Commandment (Mundy, William) for mixed chorus |
— |
| Fa La Sol (Cornysh, William) for 3 voices or 3 Unspecified instruments |
— |
| Laboravi in Gemitu (Rogier, Philippe) for 2 sopranos, 2 altos, tenor and bass or mixed chorus |
— |
| Laboravi in Gemitu (Rogier, Philippe) for 2 sopranos, 2 altos, tenor and bass or mixed chorus |
— |
| O Lord in Thy Wrath (Gibbons, Orlando) for 6 voices or mixed chorus |
— |
| O Lord in Thy Wrath (Gibbons, Orlando) for 6 voices or mixed chorus |
— |
| Suite of 5 Pieces (Grayson, Martin) for guitar |
— |
| Cello Sonata in A major (Vivaldi, Antonio) for cello and continuo |
— |
| Pater noster, Ave Maria (Willaert, Adrian) for alto, 2 tenors and bass |
— |
| 3 Two-Part Pieces for Viols (Jenkins, John) for 2 viols |
— |
| Sing unto God (Tomkins, Thomas) for soprano, alto, 2 tenors, bass, 4 viols and organ or mixed chorus, 4 viols and organ |
— |
| O rex gloriae, Domine virtutem (Gabrieli, Andrea) for alto, 3 tenors and bass or mixed chorus |
— |
| I Give You a New Commandment (Sheppard, John) for 4 voices |
— |
| Missa pro Defunctis (Cardoso, Manuel) for 2 sopranos, alto, 2 tenors and bass |
— |
| Fuerunt mihi lacrymae (Ferrabosco Sr., Alfonso) for 4 voices |
— |
| O vos omnes (Asola, Giammateo) for 3 voices |
— |
| Trio Sonata, TWV 42:e5 (Telemann, Georg Philipp) for oboe, violin and continuo or oboe, viol and continuo |
— |
| Alta (Torre, Francisco de la) for 3 Unspecified instruments |
— |
| Sonata for 2 Flutes (Williams, William) for 2 recorders |
— |
| Sonata No.1 from 6 Sonatas for 2 Recorders (Loeillet, Jean Baptiste) |
— |
| Fantasy a 5 in C minor, IJJ 2 (Jenkins, John) for 5 viols |
— |
| Bicinium II (Josquin Desprez) for 2 Unspecified instruments |
— |
| Adagio (No.2) from Harpsichord Sonata in C minor, IP 109 (Platti, Giovanni Benedetto) for harpsichord |
— |
| Gustate et videte (Isaac, Heinrich) for 4 voices |
— |
| Qui la dira la peine de mon coeur, IAW 60 (Willaert, Adrian) for 5 voices |
— |