| Composition | Attributes | 
| 5 Pieces (Bach, Wilhelm Friedemann) for keyboard | — | 
| Keyboard Sonatas (Cimarosa, Domenico) for keyboard | selections | 
| Sonatina No.2 from 34 Keyboard Sonatinas (Benda, Georg) for piano clavichord
 | — | 
| Sonatina No.17 from 34 Keyboard Sonatinas (Benda, Georg) for piano clavichord
 | — | 
| Duets Nos.1-3 from 6 Duets for 2 Flutes, QV 3:2 (Quantz, Johann Joachim) for 2 flutes | — | 
| Duets Nos.4-6 from 6 Duets for 2 Flutes, QV 3:2 (Quantz, Johann Joachim) for 2 flutes | — | 
| Tobacco (Hume, Tobias) for voice and viol | — | 
| To Plead My Faith (Bacheler, Daniel) for voice, lute and viol | parts | 
| Nun komm der Heiden Heiland (No.1) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Christe, der du bist Tag und Licht (No.2) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Jesu, meine Freude (No.3) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Durch Adams Fall ist ganz verderbt (No.4) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Wir danken dir, Herr Jesu Christ (No.5) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Was mein Gott will (No.6) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Wir Christenleut (No.7) from Choral Preludes, F.38 (Bach, Wilhelm Friedemann) for organ | — | 
| Harmonia à 5 (Schmelzer, Johann Heinrich) for 2 violins, 2 violas and continuo violin, 3 violas and continuo
 bassoon, violin, 3 violas and continuo
 bassoon, violin, 2 violas, viol and continuo
 | — | 
| Pavan à 5 No. 1 (Ferrabosco Jr., Alfonso) for 5 viols | — | 
| Captain Humes Poeticall Musicke (Hume, Tobias) for viol 2 viols
 3 viols
 2 lutes and viol
 soprano and bass
 voice and viol
 voice and 2 viols
 voice and 3 viols
 voice, lute and viol
 voice, 2 lutes and viol
 | selections | 
| Ach, dass ich Wassers gnug hätte (Bach, Johann Christoph) for alto, violin, 3 violas and continuo | — | 
| Allegretto (No.1) from 2 Violin Duos, Opp.19, 20 (Dancla, Charles) for 2 violins | — | 
| 6 Sonatas of Two Parts for Two Flutes, Op. 2 (Finger, Gottfried) for 2 recorders | — | 
| Out from the Deep (Tallis, Thomas) for | — | 
| Balletto a 6 (Poglietti, Alessandro) for 2 violins, viola, 2 viols and continuo | — | 
| Die Fechtschule from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo 2 violins, 2 violas and continuo
 orchestra
 bassoon, 3 violins and continuo
 violin, 2 violas and continuo
 strings and continuo
 soprano, tenor and continuo
 soprano, strings and continuo
 | — | 
| Die Fechtschule from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo 2 violins, 2 violas and continuo
 orchestra
 bassoon, 3 violins and continuo
 violin, 2 violas and continuo
 strings and continuo
 soprano, tenor and continuo
 soprano, strings and continuo
 | — | 
| Arie con la Mattacina from Wiener Tanzmusik in der zweiten Hälfte des siebzehnten Jahrhunderts (Various) for 2 violins, viola and continuo 2 violins, 2 violas and continuo
 orchestra
 bassoon, 3 violins and continuo
 violin, 2 violas and continuo
 strings and continuo
 soprano, tenor and continuo
 soprano, strings and continuo
 | — | 
| If Ye Love Me (Tallis, Thomas) for male chorus 2 altos, tenor and bass
 male chorus and organ
 2 altos, tenor, bass and organ
 | — | 
| Sonatina No.1 from Trio Sonatas (Schmelzer, Johann Heinrich) for 2 violins and continuo violin, viol and continuo
 2 violins, viol and continuo
 bassoon, violin and continuo
 trombone, 2 violins and continuo
 2 violins, viola and continuo
 | — | 
| Rejoice in the Lord (Sheppard, John) for mixed chorus 2 altos, tenor and bass
 | — | 
| Rejoice in the Lord (Sheppard, John) for mixed chorus 2 altos, tenor and bass
 | — | 
| Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass male chorus
 | — | 
| Cor vigilans (Muffat, Georg) for strings and continuo | — | 
| Cor vigilans (Muffat, Georg) for strings and continuo | parts | 
| Dance No.2 and reprises (Bergerette Sans Roch) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.2 and reprises (Bergerette Sans Roch) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.7 (Les Grands Douleurs) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.7 (Les Grands Douleurs) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.8 (Entre du Fol) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.9 (Danse du Roy) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.10 (Le Joli Boys) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.11 (Mon Desir) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.12 (Le Cueur Est Bon) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.13 (Cest a Grant Tort) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Dance No.13 (Cest a Grant Tort) from Danserye - Basse Dances (Susato, Tielman) for 4 Unspecified instruments | — | 
| Fugue a 4 in D minor from 14 Preludes, Fugues and Toccatas (Weckmann, Matthias) for organ | — | 
| Tiento del sexto tono con primera y segunda parte (Cabezón, Antonio de) for keyboard organ
 piano
 | — | 
| Fuga prima (Haussmann, Valentin) for violin, 2 violas and cello | — | 
| When I Behold (Greaves, Thomas) for voice and 4 viols | — | 
| When I Behold (No.1) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| Man First Created Was (No.2) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| Who Keeps in Compass his Desires (No.3) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| Let Dread of Pain, (the First Part) (No.4) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| So Hate of Sin, (the Second Part) (No.5) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| Woe Where Such Hate (the Third Part) (No.6) from Songs of Sadness (Greaves, Thomas) for soprano and 4 viols | — | 
| Sonata pian e forte, Ch.175 (Gabrieli, Giovanni) for 8 Unspecified instruments cornett and viola
 | — | 
| The Duke of Glocester's March (Clarke, Jeremiah) for harpsichord | — | 
| Elslin liebes elselin min (Dietrich, Sixt) for 3 voices | — | 
| Erue, Domine (Dietrich, Sixt) for alto and tenor | — | 
| Servus Tuus Sum (Dietrich, Sixt) for tenor and baritone | — | 
| Sonata I a otto from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata II a otto from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata III a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata IV a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata V a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata VI a sei from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata VII a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata VIII a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata IX a cinque from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata X a quattro from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata XI a quattro from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata XII a sette from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Sonata XIII a due (Trio Sonata) from Sacro-profanus concentus musicus (Schmelzer, Johann Heinrich) for 2 trumpets, 2 violins, 3 violas, cello and continuo cornett, 3 trombones, violin, 3 violas and continuo
 2 violins, 3 violas, cello and continuo
 2 violins, 2 violas, cello and continuo
 violin, 2 violas, cello and continuo
 2 cornetts, 2 trumpets, 3 trombones and continuo
 2 violins and continuo
 strings and continuo
 orchestra
 | — | 
| Descendi in hortum meum (Anonymous) for 4 voices | parts | 
| Mon coeur a vous (Roussel, François) for 5 voices | — | 
| J'aime la pierre précieuse (Le Jeune, Claude) for 5 voices | — | 
| In Nomine à 5 (No.2) from 21 In Nomines (Tye, Christopher) for 4 Unspecified instruments 5 Unspecified instruments
 6 Unspecified instruments
 soprano, alto, tenor and bass
 2 sopranos, 2 tenors and bass
 soprano, alto, 2 tenors and bass
 3 sopranos, tenor and bass
 2 sopranos, alto, tenor and bass
 3 sopranos, alto and 2 basses
 | — | 
| I'vo piangendo from Madrigali a 5 voci, Libro 3 (Gabrieli, Andrea) for 5 voices 2 sopranos, alto, tenor and bass
 soprano, 2 altos, tenor and bass
 | parts | 
| Danserye (Susato, Tielman) for 4 Unspecified instruments | selections | 
| Avecque vous (Cornet, Séverin) for mixed chorus 2 sopranos, alto, 2 tenors and bass
 | parts | 
| D'Amours me va (Waelrant, Hubert) for 5 voices | — | 
| Arrangement of Als ick u vinde (Waelrant, Hubert) for 4 lutes | — | 
| Bonjour mon coeur (Monte, Philippe de) for 6 voices | — | 
| Je ne me puis tenir d'aimer (Appenzeller, Benedictus) for 5 voices | — | 
| Je ne suis pas si sot (Arcadelt, Jacob) for 5 voices | parts | 
| Surge illuminare Jerusalem (Corteccia, Francesco) for 5 voices | parts | 
| Suite I in G minor from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes flute and continuo
 2 oboes
 oboe and continuo
 2 recorders
 recorder and continuo
 2 violins
 violin and continuo
 | — | 
| Suite II in G major from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes flute and continuo
 2 oboes
 oboe and continuo
 2 recorders
 recorder and continuo
 2 violins
 violin and continuo
 | — | 
| Suite III in D major from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes flute and continuo
 2 oboes
 oboe and continuo
 2 recorders
 recorder and continuo
 2 violins
 violin and continuo
 | — | 
| England Receive the Rightful King (Greaves, Thomas) for 5 voices | — | 
| Tria Sunt Munera (Esquivel Barahona, Juan) for 2 sopranos, alto, tenor and bass mixed chorus
 | parts | 
| Primo Ballo della Notte d'Amore (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Vorrei mostrar, Madonna (Gabrieli, Andrea) for 4 voices | parts | 
| Canon in F major (Josquin Desprez) for 2 tenors | — | 
| Selections: Three Pieces from Glogauer Liederbuch (Various) for 3 voices 3 Unspecified instruments
 | — | 
| Instrumental Piece from Arrangement of Instrumental Piece from Glogauer Liederbuch (Various) for 3 viols | — | 
| Der neue Bauernswanz from Arrangement of Der neue Bauernswanz from Glogauer Liederbuch (Various) for 3 viols | — | 
| Ich freu mich sere der Wiederfart from Arrangement of Ich freu mich sere der Wiederfart from Glogauer Liederbuch (Various) for 3 viols | — | 
| Gloria from Missa sine nomine a 5 (Ockeghem, Johannes) for alto, 2 tenors and 2 basses mixed chorus
 | — | 
| Petite Camusette (Févin, Antoine de) for 3 voices | — | 
| Petite Camusette (Févin, Antoine de) for 3 voices | — | 
| Set for 6 Viols in F major (Lawes, William) for 6 viols | — | 
| Pavan No.1 from Newe Pavanen, Galliarden und Intraden (Franck, Melchior) for soprano, alto, tenor and bass 5 Unspecified instruments
 6 Unspecified instruments
 | — | 
| Pavan No.2 from Newe Pavanen, Galliarden und Intraden (Franck, Melchior) for soprano, alto, tenor and bass 5 Unspecified instruments
 6 Unspecified instruments
 | — | 
| Ave Maria gratia plena Dominus tecum (Tromboncino, Bartolomeo) for 4 voices | — | 
| Paduana a 5 in D minor from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 5 Unspecified instruments 6 Unspecified instruments
 | — | 
| Pavan a 6 in F major (Hamburg, 1633, No.56) from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 5 Unspecified instruments 6 Unspecified instruments
 | — | 
| Pavan a 6 in F major from Arrangement of Pavan a 6 in F major from Newe Paduanen, Galliarden, Allemanden, Balletten, Couranten, Canzonen (Schop, Johann) for 4 guitars | — | 
| Fantasia, VdGS No.1 from Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols | — | 
| Fantasia, VdGS No.3 from Fantasias for 2 Viols (Gibbons, Orlando) for 2 viols | — | 
| Arrangement of Fors seulement contre ce qu'ay promys (Ockeghem, Johannes) for 3 viols | — | 
| Fantasias for 4 Viols and Organ (Jenkins, John) for 4 viols 4 viols and organ
 | — | 
| Fantasia for 3 Viols, RC 10 (Coperario, John) for 3 viols | — | 
| Fantasia for 5 Viols, RC 72 (Coperario, John) for 5 viols | — | 
| Sonata No.6 in D major from 6 Sonatas for Two Violins, Op. 2 (Leclair the Younger, Jean-Marie) for 2 violins 2 viols
 | — | 
| Cello Sonata in B-flat major, RV 47 (Vivaldi, Antonio) for cello and continuo | — | 
| Cello Sonata in F major, RV 41 (Vivaldi, Antonio) for cello and continuo | — | 
| Anthology of Pieces for Violin and Viola (Grayson, Martin) for violin and viola | — | 
| Cello Sonata in E-flat major, RV 39 (Vivaldi, Antonio) for cello and continuo | — | 
| Ottavo Ballo detto L'Iride (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Cello Sonata in A minor, RV 43 (Vivaldi, Antonio) for cello and continuo | — | 
| Set for 5 Viols in G minor (Lawes, William) for 5 viols | — | 
| Cello Sonata in G minor, RV 42 (Vivaldi, Antonio) for cello and continuo | — | 
| Confitemini Domino from Divine lodi musicali, Libro 3 (Riccio, Giovanni Battista) for soprano and continuo tenor and continuo
 recorder and continuo
 cornett and continuo
 alto and continuo
 bass and continuo
 soprano, bass and continuo
 tenor, bass and continuo
 2 tenors and continuo
 continuo and 2 basses
 trombone, violin and continuo
 2 violins and continuo
 2 altos and continuo
 alto, tenor, bass and continuo
 2 sopranos, bass and continuo
 2 tenors, bass and continuo
 alto, tenor, bass and continuo
 2 cornetts, trombone and continuo
 trombone, 2 violins and continuo
 continuo, 2 sopranos and 2 basses
 2 trombones, 2 violins and continuo
 continuo and 4 Unspecified instruments
 soprano, bass, bassoon, violin and continuo
 soprano, alto, tenor, bass and continuo
 voice, recorder, bassoon, violin and continuo
 alto, 2 tenors, bass and continuo
 soprano, tenor and bass
 recorder, bassoon and continuo
 | — | 
| Cello Sonata in E minor, RV 40 (Vivaldi, Antonio) for cello and continuo | — | 
| Cello Sonata in B-flat major, RV 45 (Vivaldi, Antonio) for cello and continuo | — | 
| Cello Sonata in B-flat major, RV 46 (Vivaldi, Antonio) for cello and continuo | — | 
| Settimo Ballo (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Set for 6 Viols in C major (Lawes, William) for 6 viols | — | 
| Sonata in E minor, F.54 from 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes | — | 
| Sonata in G major, F.59 from 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes | — | 
| Set for 5 Viols in C major (Lawes, William) for 5 viols and organ | — | 
| Quinto Ballo detto lo Ninfe di Senna (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Quarto Ballo detto i Campi Elisii (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Tiento sobre 'Cum Sancto Spiritu' (Cabezón, Antonio de) for keyboard harp
 vihuela
 | — | 
| Duetto No.1 from Duettos for violin and viola (Cannabich, Christian) for flute and viola violin and viola
 | — | 
| Parts 1-3 from Secondo Ballo detta la Serena (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Part 4 (Finale): Corrente in 6 parts from Secondo Ballo detta la Serena (Allegri, Lorenzo) for strings strings and continuo
 | — | 
| Sonata for Two Recorders in F major, H.522 (Purcell, Daniel) for 2 recorders | — | 
| Sonata in C minor (No.1) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| Sonata in F major (No.2) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| Sonata in G major (No.3) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| Sonata in B flat major (No.4) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| Sonata in D minor (No.5) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| Sonata in G minor (No.6) from 6 Sonatas of Two Parts (Croft, William) for 2 recorders recorder and continuo
 | — | 
| The Lord's Prayer (Sheppard, John) for alto, 3 tenors and bass male chorus
 | — | 
| Canon for 2 Tenor Instruments (Josquin Desprez) for 2 tenors | — | 
| Canon for 2 Tenor Instruments (Josquin Desprez) for 2 tenors | — | 
| Christ Rising Again (Sheppard, John) for 4 voices | — | 
| O Crux Ave Spes Unica (Finetti, Giacomo) for 4 voices | — | 
| A New Commandment (Mundy, William) for mixed chorus | — | 
| Fa La Sol (Cornysh, William) for 3 voices 3 Unspecified instruments
 | — | 
| Laboravi in Gemitu (Rogier, Philippe) for 2 sopranos, 2 altos, tenor and bass mixed chorus
 | — | 
| Laboravi in Gemitu (Rogier, Philippe) for 2 sopranos, 2 altos, tenor and bass mixed chorus
 | — | 
| O Lord in Thy Wrath (Gibbons, Orlando) for 6 voices mixed chorus
 | — | 
| O Lord in Thy Wrath (Gibbons, Orlando) for 6 voices mixed chorus
 | — | 
| Suite of 5 Pieces (Grayson, Martin) for guitar | — | 
| Cello Sonata in A major (Vivaldi, Antonio) for cello and continuo | — | 
| Pater noster, Ave Maria (Willaert, Adrian) for alto, 2 tenors and bass | — | 
| 3 Two-Part Pieces for Viols (Jenkins, John) for 2 viols | — | 
| Sing unto God (Tomkins, Thomas) for soprano, alto, 2 tenors, bass, 4 viols and organ mixed chorus, 4 viols and organ
 | — | 
| O rex gloriae, Domine virtutem (Gabrieli, Andrea) for alto, 3 tenors and bass mixed chorus
 | — | 
| I Give You a New Commandment (Sheppard, John) for 4 voices | — | 
| Missa pro Defunctis (Cardoso, Manuel) for 2 sopranos, alto, 2 tenors and bass | — | 
| Fuerunt mihi lacrymae (Ferrabosco Sr., Alfonso) for 4 voices | — | 
| O vos omnes (Asola, Giammateo) for 3 voices | — | 
| Trio Sonata, TWV 42:e5 (Telemann, Georg Philipp) for oboe, violin and continuo oboe, viol and continuo
 | — | 
| Alta (Torre, Francisco de la) for 3 Unspecified instruments | — | 
| Sonata for 2 Flutes (Williams, William) for 2 recorders | — | 
| Sonata No.1 from 6 Sonatas for 2 Recorders (Loeillet, Jean Baptiste) for | — | 
| Fantasy a 5 in C minor, IJJ 2 (Jenkins, John) for 5 viols | — | 
| Bicinium II (Josquin Desprez) for 2 Unspecified instruments | — | 
| Adagio (No.2) from Harpsichord Sonata in C minor, IP 109 (Platti, Giovanni Benedetto) for harpsichord | — | 
| Gustate et videte (Isaac, Heinrich) for 4 voices | — | 
| Qui la dira la peine de mon coeur, IAW 60 (Willaert, Adrian) for 5 voices | — |