| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Relaxation Studies (Relaxation Studies in the Muscular Discriminations required for touch, agility and expression in pianoforte playing) | Tobias Matthay, composer | piano | Early 20th century | Studies | |||||
| The Visible and Invisible in Pianoforte Technique | Tobias Matthay, composer | piano | Early 20th century | Performance practice | |||||
| Elves (Impromptu) | Tobias Matthay, composer | F sharp minor | 1898 | piano | Romantic | Impromptus | |||
| Concert-Piece No. 1 (Concert-piece (concerto in one movement) for Pianoforte and Orchestra, No.1 in A minor) | Tobias Matthay, composer | A minor | Op.23 | 1895 | piano and orchestra | Romantic | Concertinos | ||
| 5 Cameos (Five cameos, for miniature players.) | Tobias Matthay, composer | Op.29 | piano | Early 20th century | Sketches | ||||
| Piano Quartet in One Movement | Tobias Matthay, composer | C major | Op.20 | 1882 | violin, viola, cello and piano | Romantic | Quartets | ||
| Studies in the form of a Suite, Op. 16 | Tobias Matthay, composer | Op.16 | piano | Early 20th century | Studies, Suites | ||||
| Love Phases, Op. 12 (Love phases : three minnelieder for pianoforte) | Tobias Matthay, composer | 1. D major; 2. B major; 3. D major | Op.12 | 1890 | piano | Early 20th century | Lieder | ||
| Moods of a Moment (Weary, Grave, and Gay) | Tobias Matthay, composer | 1. A minor; 2. A minor; 3. F major; 4. A minor; 5. A minor; 6. C minor; 7. B major; 8. B major; 9. E major; 10. A minor | Op.11 | piano | Romantic | Pieces | |||
| On Surrey hills, Op. 30 | Tobias Matthay, composer | Op.30 | piano | Early 20th century | Pieces | ||||
| 31 Variations and Derivations | Tobias Matthay, composer | A minor | Op.28 | piano | Early 20th century | Variations | |||
| 3 Lyric Studies | Tobias Matthay, composer | Op.33 | piano | Romantic | Studies | ||||
| Musical Interpretation | Tobias Matthay, composer | Early 20th century | Performance practice | ||||||
| My Sketch-Book, Opp.24, 26 | Tobias Matthay, composer | Opp.24, 26 | piano | Early 20th century | Sketches | ||||
| First solo book | Tobias Matthay, composer | Op.37 | piano | Modern | Methods | ||||
| The act of touch in all its diversity (an analysis and synthesis of piano-forte tone production) | Tobias Matthay, composer | Early 20th century | Performance practice |
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