Title | Ce qu'on entend sur la montagne |
Alternative title | Bergsymphonie ; Méditation symphonie d'après Hugo ; Symphonic Poem No.1 |
Creators | Franz Liszt (composer) |
Opus | S.95 |
Instrumentation | orchestra |
Number of movements | — |
Keys | — |
Composed | 1848 |
First published | 1857 |
Dedication | Princess |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Symphonic poems |
Period | Romantic |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
Details | Section | Arranged for | Arranger |
---|---|---|---|
view | Complete | 2 pianos | — |
view | Complete | piano 4 hands | — |
view | Complete | piano | Ludwig Stark |
view | Complete | piano | August Stradal |
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | Breitkopf und Härtel | 1857 | Complete Score · view |
view | Complete | — | Breitkopf und Härtel | 1885 | Complete Score · view |
view | Complete | — | Breitkopf und Härtel | 1907 | Complete Score · view Complete Score · view |
view | Complete | — | Breitkopf und Härtel | 1907 | Complete Score · view |
view | Complete | parts | Breitkopf und Härtel | 1907 | Flute 1, 2 · view Oboe 1, 2 · view Clarinet 1, 2, Bass Clarinet (B) · view Bassoon 1, 2 · view Horn 1, 2, 3, 4 (E) · view Trumpet 1, 2, 3 (E) · view Trombone 1, 2, 3, Tuba · view Timpani · view Bass Drum/Cymbals, Tam-Tam · view Harp · view Violins I · view Violins II · view Violas · view Cellos · view Basses · view |
view | Complete | Arrangement for 2 pianos | Breitkopf und Härtel | — | Complete Score (S.635) · view |
view | Complete | Arrangement for piano 4 hands | Breitkopf und Härtel | — | Complete Score · view |
view | Complete | Arrangement for piano 4 hands | Breitkopf und Härtel | 1884 | Complete Score (S.589) · view |
view | Complete | Arrangement for piano |
Breitkopf und Härtel | 1884 | Complete Score · view |
view | Complete | Arrangement for piano |
Breitkopf und Härtel | 1904 | Complete Score · view |
(No recordings)
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