| Composition |
Published |
| Sonate, arie et correnti, Op. 3 (Uccellini, Marco) for lute and violin or violin and continuo or 2 violins or 3 violins or 2 violins and continuo or trombone and violin |
1642 |
| Gloria in altissimis Deo (Cozzolani, Chiara Margarita) for 2 sopranos, alto, tenor and continuo |
1650 |
| Canzoni da sonar con ogni sorte d'istromenti (Picchi, Giovanni) for 2 violins and continuo or 2 cornetts and continuo or cornett and continuo or bassoon, violin and continuo or trombone, violin and continuo or trombone, 2 violins and continuo or recorder, 2 violins and continuo or 2 recorders, 2 trombones and continuo or 2 cornetts, 2 trombones and continuo or 2 trombones, 2 violins and continuo or 2 cornetts, 4 trombones and continuo or 4 trombones, 2 violins and continuo or 2 recorders, bassoon, trombone, 2 violins and continuo or continuo and 8 Unspecified instruments |
1625 |
| Motetti con sinfonie, Libro 1 (Grandi, Alessandro) for soprano, 2 violins and continuo or 2 sopranos, 2 violins and continuo or 2 tenors, 2 violins and continuo or soprano, 2 violas, violone and continuo or soprano, bassoon, 2 violins and continuo or soprano, trombone, 2 violins and continuo |
1626 |
| Motetti con sinfonie, Libro 2 (Grandi, Alessandro) for voice, strings and continuo or 2 voices, strings and continuo or 4 voices, strings and continuo |
1625 |
| Messe concertate a otto voci (Grandi, Alessandro) for 8 voices and continuo |
1637 |
| Sacrae modulationes (Ratti, Lorenzo) for 8 voices and continuo |
1628 |
| Madrigali concertati, Op. 5 (Sabbatini, Galeazzo) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or 2 voices, 2 violins, viol and continuo or 2 voices, 2 violins, violone and continuo or 2 voices, lute, 2 violins and continuo or 3 voices, 2 violins and continuo or 2 voices, violin, viol and continuo or 2 voices, violin, violone and continuo or 2 voices, lute, violin and continuo |
1630 |
| Il secondo libro delle sonate, Op. 8 (Cazzati, Maurizio) for 2 violins and continuo or violin and continuo or violin, violone and continuo or 2 violins, violone and continuo or 2 violins, viola, violone and continuo or trombone, 3 violins, viola, violone and continuo |
1648 |
| Pegaso, Op. 11 (Merula, Tarquinio) for continuo and 2 sopranos or 2 tenors and continuo or soprano, bass and continuo or soprano, tenor and continuo or soprano, violin and continuo or violin, violone and continuo or 2 tenors, bass and continuo or 2 sopranos, alto and continuo or soprano, alto, tenor, bass and continuo or 2 sopranos, bass, 2 violins and continuo or 2 sopranos, alto, tenor, bass and continuo |
1640 |
| Messa e salmi concertati (Grandi, Alessandro) for 2 sopranos, bass and organ or 2 tenors, bass and organ |
1630 |
| Salmi et messa concertati, Op. 18 (Merula, Tarquinio) for soprano, alto, bass and continuo or soprano, alto, tenor, bass and continuo or soprano, 2 violins and continuo or soprano, tenor, bass and continuo or alto, 2 violins and continuo or 2 violins, continuo and bass or soprano, alto, tenor and continuo |
1652 |
| Salmi et messa concertati, Op. 16 (Merula, Tarquinio) for 3 voices and continuo or 4 voices and continuo |
1640 |
| Harmonia d'affetti devoti, Op. 3 (Legrenzi, Giovanni) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo |
1655 |
| Motetti concertati, Op. 1 (Lucio, Francesco) for 2 voices and continuo or 3 voices and continuo |
1649 |
| Compieta e letanie a 4 voci, Op. 7 (Cazzati, Maurizio) for 4 voices and continuo |
1647 |
| Messa e salmi a 4 voci con istromenti, Op. 14 (Cazzati, Maurizio) for 4 voices, 2 violins and continuo or 4 voices, mixed chorus, 2 violins and continuo or soprano, 2 violins and continuo or tenor, 2 violins and continuo |
1653 |