| Composition |
Published |
| Madrigali concertati, Op. 2 (Rovetta, Giovanni) for 6 voices, 2 violins and continuo or mixed chorus, 2 violins and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or mixed chorus and continuo or 2 voices, 2 violins and continuo or 2 voices, mixed chorus, 2 violins and continuo or voice and continuo |
1636 |
| Madrigaletti a 1, 2 é 3 voci, Libro 1 (Biandrà, Giovanni Pietro) for voice and continuo or 2 voices and continuo or 3 voices and continuo |
1626 |
| Antifone e Litanie (Sances, Giovanni Felice) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or 5 voices, 2 violins and continuo or 6 voices and continuo or 8 voices and continuo |
1640 |
| Musiche Concertate, Op. 2 (Rigatti, Giovanni Antonio) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or mixed chorus and continuo |
1636 |
| Musiche diverse a voce sola (Rigatti, Giovanni Antonio) for voice and continuo or 2 voices and continuo |
1641 |
| 18 Sonatas in 1, 2, 3 Parts (Fontana, Giovanni Battista) for violin and continuo or 2 violins and continuo or cornett, violin and continuo or bassoon, violin and continuo or bassoon, 2 violins and continuo or 3 violins and continuo or cornett and continuo or 2 cornetts and continuo or bassoon, cornett and continuo or 3 cornetts and continuo or cornett, lute and continuo or cornett, cello and continuo or violin, cello and continuo or lute, violin and continuo or bassoon, 2 cornetts and continuo or 2 cornetts, lute and continuo or 2 cornetts, cello and continuo or 2 violins, cello and continuo or lute, 2 violins and continuo |
1641 |
| Canzonie, fantasie et correnti (Selma y Salaverde, Bartolomé de) for soprano and continuo or violin and continuo or bass and continuo or bassoon and continuo or bass, violin and continuo or continuo and 2 sopranos or continuo and 2 basses or 2 tenors and continuo or 2 sopranos, bass and continuo or soprano, tenor, bass and continuo or continuo, 2 sopranos, alto and bass or continuo, 2 sopranos and 2 basses |
1638 |
| La Maddalena (Various) for voices and strings |
1617 |
| Lamento d'Arianna, SV 22 (Monteverdi, Claudio) for soprano and continuo |
1623 |
| Concerti ecclesiastici (Cesare, Giovanni Martino) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
1614 |