| Composition |
Published |
| Motetti, Op. 11 (Rovetta, Giovanni) for continuo and 2 sopranos or soprano, alto and continuo or 2 altos and continuo or alto, tenor and continuo or 2 tenors and continuo or soprano, bass and continuo or alto, tenor, bass and continuo or 2 tenors, bass and continuo or soprano, alto, tenor, bass and continuo or mixed chorus and continuo |
1650 |
| Cantatas and Arias, Book 4 (Sances, Giovanni Felice) for voice and continuo or 2 voices and continuo or 3 voices and continuo |
1636 |
| Canzoni da suonare, Op. 17 (Merula, Tarquinio) for 2 violins and continuo or violin, violone and continuo or 2 violins, violone and continuo |
1651 |
| Canzoni da suonare, Op. 17 (Merula, Tarquinio) for 2 violins and continuo or violin, violone and continuo or 2 violins, violone and continuo |
1651 |
| Arie a voce sola (Vittori, Loreto) for voice and continuo |
1649 |
| Le terze Musiche (Saracini, Claudio) for voice and continuo |
1620 |
| Madrigali et arie, Op. 2 (Obizzi, Domenico) for voice and continuo or voice and guitar |
1627 |
| Varie sonate, Libro 5 (Buonamente, Giovanni Battista) for 2 violins and continuo |
1629 |
| Le seconde Musiche (Saracini, Claudio) for voice and continuo or 3 voices |
1620 |
| Concerti, Book 2, Op. 7 (Ghizzolo, Giovanni) for soprano, alto, tenor, bass and continuo or soprano, alto, tenor and bass |
1623 |
| Concerti, Book 4, Op. 16 (Ghizzolo, Giovanni) for 2 voices and continuo or 3 voices and continuo or soprano, alto, tenor, bass and continuo |
1640 |
| Concerti spirituali, Op. 8 (Merula, Tarquinio) for 2 voices and continuo or 3 voices and continuo or 2 violins, violone and continuo or 2 violins, continuo and bass or soprano, 2 violins, violone and continuo or soprano, bass, 2 violins and continuo or soprano, alto, tenor, bass and continuo |
1628 |
| Musiche Sacre (Cavalli, Francesco) for 2 sopranos, 2 altos, 2 tenors and 2 basses or 2 sopranos, 2 altos, 2 tenors, 2 basses and orchestra |
1656 |
| Sì dolce è'l tormento, SV 332 (Monteverdi, Claudio) for soprano and continuo |
1624 |
| Fiori Musicali, Op. 12 (Frescobaldi, Girolamo) for organ |
1635 |
| Motetti e Himni, Op. 16 (Cazzati, Maurizio) for voice, 2 violins and continuo |
1655 |
| Canzoni da sonare a una, due, tre et quattro (Frescobaldi, Girolamo) for soprano and continuo or bass and continuo or soprano, bass and continuo or continuo and 2 sopranos or continuo and 2 basses or continuo, soprano and 2 basses or 2 sopranos, bass and continuo or continuo, 2 sopranos and 2 basses or soprano, alto, tenor, bass and continuo |
1634 |
| Motectorum a 4 voci, Liber 1 (D'India, Sigismondo) for soprano, alto, tenor, bass and continuo or mixed chorus and continuo |
1627 |
| Madrigali, Op. 1 (Strozzi, Barbara) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or mixed chorus and continuo |
1644 |
| Madrigali, Op. 1 (Strozzi, Barbara) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or mixed chorus and continuo |
1644 |
| Libro de passaggi ascendenti et descendenti (Spadi, Giovanni Battista) for voice |
1624 |
| La Banchierina (Banchieri, Adriano) |
1623 |
| Madrigali a 2 voci in fuga (Asola, Giammateo) for 2 voices |
1624 |
| Madrigali a 2 voci in fuga (Asola, Giammateo) for 2 voices |
1665 |
| Toccata cromaticha per l'elevatione, F 12.16 (Frescobaldi, Girolamo) for organ |
1635 |
| Annuale, Op. 8 (Fasolo, Giovanni Battista) for 3 voices or 4 voices or organ |
1645 |
| Correnti alla francese, Libro 1 (Pesenti, Martino) for harpsichord or soprano and continuo or soprano and bass or continuo and 2 sopranos or 2 sopranos and bass |
1635 |
| Correnti alla francese, Libro 2 (Pesenti, Martino) for harpsichord or soprano and bass or soprano and continuo or continuo and 2 sopranos or 2 sopranos and bass |
1630 |
| Toccata avanti la Messa della Domenica, F 12.01 (Frescobaldi, Girolamo) for organ |
1635 |