| Title | Overtüre zur Namensfeier |
| Alternative title | Name Day Overture |
| Creators | Ludwig van Beethoven (composer) |
| Opus | Op.115 |
| Instrumentation | orchestra |
| Number of movements | — |
| Keys | C major |
| Composed | 1814 |
| First published | 1825 |
| Dedication | Anton Heinrich Fürst von Radziwill |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Overtures |
| Period | Classical |
| View on IMSLP | ![]() |
| Code |
(No sections)
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Complete | — | Richard Kleinmichel |
| view | Complete | piano 4 hands | Jan Brandts Buys |
| view | Complete | piano | Carl Czerny |
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Tobias Haslinger | 1825 | Complete Score · view |
| view | Complete | — | Breitkopf und Härtel | — | Complete Score · view |
| view | Complete | — | Edition Peters | — | Complete Score · view |
| view | Complete | — | Breitkopf und Härtel | — | Complete Score · view |
| view | Complete | — | E. Donajowski | — | Complete Score (miniature study score) · view |
| view | Complete | parts | Breitkopf und Härtel | — | Flute 1, 2 · view Oboe 1, 2 · view Clarinet 1, 2 (C) · view Bassoon 1, 2 · view Horn 1, 2, 3, 4 (C) · view Trumpet 1, 2 (C) · view Timpani · view Violins I · view Violins II · view Violas · view Cellos / Basses · view |
| view | Complete | parts | Breitkopf und Härtel | — | Flute 1, 2 · view Oboe 1, 2 · view Clarinet 1, 2 (C) · view Bassoon 1, 2 (C) · view Horn 1, 2, 3, 4 (C) · view Trumpet 1, 2 (C) · view Timpani · view Violins I · view Violins II · view Violas · view Cellos/Basses · view |
| view | Complete | Arrangement |
Edition Peters | — | Complete Score · view |
| view | Complete | Arrangement for piano 4 hands |
Universal Edition | — | Complete Score · view |
| view | Complete | Arrangement for piano |
Tobias Haslinger | 1825 | Complete Score · view |
(No recordings)
©2025 David P. Anderson