| Composition |
Published |
| Symphony No. 12 in G major, K.110/75b (Mozart, Wolfgang Amadeus) for orchestra |
1771 |
| Symphony No. 14 in A major, K.114 (Mozart, Wolfgang Amadeus) for orchestra |
1771 |
| Symphony No. 32 in G major, K.318 (Mozart, Wolfgang Amadeus) for orchestra |
1779 |
| Symphony No. 32 in G major, K.318 (Mozart, Wolfgang Amadeus) for orchestra |
1779 |
| Symphony No. 15 in G major, K.124 (Mozart, Wolfgang Amadeus) for orchestra |
1772 |
| Symphony No. 15 in G major, K.124 (Mozart, Wolfgang Amadeus) for orchestra |
|
| Symphony No. 10 in G major, K.74 (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Symphony No. 34 in C major, K.338 (Mozart, Wolfgang Amadeus) for orchestra |
1780 |
| Symphony No. 34 in C major, K.338 (Mozart, Wolfgang Amadeus) for orchestra |
1780 |
| Arrangement of Symphony No. 39 in E-flat major, K.543 (Mozart, Wolfgang Amadeus) for 2 harpsichords |
|
| Piano Sonata No. 12, Op. 26 (Beethoven, Ludwig van) for piano |
|
| Symphony No. 8, Op. 93 (Beethoven, Ludwig van) for orchestra |
1812 |
| Scene am Bach (No.2) from Arrangement of Scene am Bach (No.2) from Symphony No. 6, Op. 68 (Beethoven, Ludwig van) for 4 cellos |
|
| Symphony No. 1 in E-flat major, K.16 (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Symphony No. 9 in C major, K.73/75a (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Symphony No. 6 in F major, K.43 (Mozart, Wolfgang Amadeus) for orchestra |
1767 |
| Symphony No. 35 in D major, K.385 (Mozart, Wolfgang Amadeus) for orchestra |
1782 |
| Symphony No. 36 in C major, K.425 (Mozart, Wolfgang Amadeus) for orchestra |
1786 |
| Adagio grazioso (No.2) from Arrangement of Adagio grazioso (No.2) from Piano Sonata No. 16, Op. 31 No. 1 (Beethoven, Ludwig van) for violin, piano and harmonium |
|
| Piano Sonata No. 25, Op. 79 (Beethoven, Ludwig van) for piano |
1800 |
| Symphony No. 38 in D major, K.504 (Mozart, Wolfgang Amadeus) for orchestra |
1786 |
| Ballade No. 1, Op. 23 (Chopin, Frédéric) for piano |
1800 |
| Arrangement of Ballade No. 1, Op. 23 (Chopin, Frédéric) for violin and piano |
1916 |
| Piano Sonata No. 28, Op. 101 (Beethoven, Ludwig van) for piano |
1800 |
| Piano Sonata No. 28, Op. 101 (Beethoven, Ludwig van) for piano |
1800 |
| Piano Sonata No. 31, Op. 110 (Beethoven, Ludwig van) for piano |
1821 |
| Piano Sonata No. 15, Op. 28 (Beethoven, Ludwig van) for piano |
1800 |
| Symphony No. 4, Op. 60 (Beethoven, Ludwig van) for orchestra |
1806 |
| Arrangement of Piano Sonata No. 14, Op. 27 No. 2 (Beethoven, Ludwig van) for guitar, lute and bandurria |
|
| Piano Sonata No. 29, Op. 106 (Beethoven, Ludwig van) for piano |
1818 |
| Piano Sonata No. 29, Op. 106 (Beethoven, Ludwig van) for piano |
1817 |
| Piano Sonata No. 24, Op. 78 (Beethoven, Ludwig van) for piano |
1809 |
| Symphony No. 5, Op. 67 (Beethoven, Ludwig van) for orchestra |
1807 |
| Symphony No. 5, Op. 67 (Beethoven, Ludwig van) for orchestra |
|
| Allegro con brio (No.1) from Arrangement of Allegro con brio (No.1) from Symphony No. 5, Op. 67 (Beethoven, Ludwig van) for guitar, lute and 2 bandurrias |
|
| Piano Sonata No. 23, Op. 57 (Beethoven, Ludwig van) for piano |
1800 |
| Piano Sonata No. 32, Op. 111 (Beethoven, Ludwig van) for piano |
1822 |
| Piano Sonata No. 32, Op. 111 (Beethoven, Ludwig van) for piano |
|
| Symphony No. 7, Op. 92 (Beethoven, Ludwig van) for orchestra |
|
| Symphony No. 7, Op. 92 (Beethoven, Ludwig van) for orchestra |
1811 |
| Symphony No. 33 in B-flat major, K.319 (Mozart, Wolfgang Amadeus) for orchestra |
1779 |
| Symphony No. 1, Op. 68 (Brahms, Johannes) for orchestra |
1876 |
| Arrangement of Symphony No. 1, Op. 68 (Brahms, Johannes) for piano 4 hands |
1877 |
| Piano Sonata No. 30, Op. 109 (Beethoven, Ludwig van) for piano |
1820 |
| Symphony No. 20 in D major, K.133 (Mozart, Wolfgang Amadeus) for orchestra |
1772 |
| Symphony No. 21 in A major, K.134 (Mozart, Wolfgang Amadeus) for orchestra |
1772 |
| Symphony No. 9, Op. 125 (Beethoven, Ludwig van) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1824 |
| Symphony No. 9, Op. 125 (Beethoven, Ludwig van) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1822 |
| Keyboard Sonata in C major, Hob.XVI:21 (Haydn, Joseph) for harpsichord |
1773 |
| Keyboard Sonata in C major, Hob.XVI:21 (Haydn, Joseph) for harpsichord |
|
| Keyboard Sonata in E major, Hob.XVI:22 (Haydn, Joseph) for keyboard |
1773 |
| Keyboard Sonata in E major, Hob.XVI:22 (Haydn, Joseph) for keyboard |
|
Keyboard Sonata in A major, Hob.XVI:26 (Haydn, Joseph) for harpsichord
keyboard |
1773 |
| Allegretto from Arrangement of Allegretto from Keyboard Sonata in G minor, Hob.XVI:44 (Haydn, Joseph) for viola and piano |
|
| Symphony No. 3, Op. 90 (Brahms, Johannes) for orchestra |
1890 |
| Arrangement of Symphony No. 3, Op. 90 (Brahms, Johannes) for 2 pianos |
1884 |
| Fantasia in C minor, K.475 (Mozart, Wolfgang Amadeus) for piano |
1785 |
| Piano Sonata No. 13 in B-flat major, K.333/315c (Mozart, Wolfgang Amadeus) for piano |
|
| Piano Sonata No. 14 in C minor, K.457 (Mozart, Wolfgang Amadeus) for piano |
1784 |
| Piano Sonata No. 1 in C major, K.279/189d (Mozart, Wolfgang Amadeus) for piano |
|
| Piano Sonata No. 2 in F major, K.280/189e (Mozart, Wolfgang Amadeus) for piano |
|
| Piano Sonata No. 5 in G major, K.283/189h (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Piano Sonata No. 3 in B-flat major, K.281/189f (Mozart, Wolfgang Amadeus) for piano |
|
| Keyboard Sonata in E-flat major, Hob.XVI:49 (Haydn, Joseph) for piano |
1790 |
| Piano Sonata No. 12 in F major, K.332/300k (Mozart, Wolfgang Amadeus) for piano |
|
| Springdans (No.6) from Lyric Pieces, Op. 47 (Grieg, Edvard) for piano |
|
| Springdans (No.6) from Lyric Pieces, Op. 47 (Grieg, Edvard) for piano |
|
| Lyric Pieces, Op. 54 (Grieg, Edvard) for piano |
|
| Lyric Pieces, Op. 54 (Grieg, Edvard) for piano |
|
| Arrangement of Selections from Lyric Pieces, Op. 54 (Grieg, Edvard) for orchestra |
1891 |
| Arrangement of Selections from Lyric Pieces, Op. 54 (Grieg, Edvard) for orchestra |
|
| Lyric Pieces, Op. 62 (Grieg, Edvard) for piano |
|
| Lyric Pieces, Op. 65 (Grieg, Edvard) for piano |
|
| Lyric Pieces, Op. 65 (Grieg, Edvard) for piano |
|
| Selections (Nos.4 and 5) from Arrangement of Selections (Nos.4 and 5) from Lyric Pieces, Op. 68 (Grieg, Edvard) for orchestra |
|
| Lyric Pieces, Op. 71 (Grieg, Edvard) for piano |
1901 |
| Lyric Pieces, Op. 71 (Grieg, Edvard) for piano |
|
| Arrangement of Piano Sonata No. 15 in F major, K.533/494 (Mozart, Wolfgang Amadeus) for 2 pianos |
|
| Lyric Pieces, Op. 12 (Grieg, Edvard) for piano |
|
| Fædrelandssang (No.8) from Arrangement of Fædrelandssang (No.8) from Lyric Pieces, Op. 12 (Grieg, Edvard) for male chorus |
1875 |
| Fædrelandssang (No.8) from Arrangement of Fædrelandssang (No.8) from Lyric Pieces, Op. 12 (Grieg, Edvard) for male chorus |
|
| Piano Sonata No. 6 in D major, K.284/205b (Mozart, Wolfgang Amadeus) for piano |
|
| Piano Sonata No. 4 in E-flat major, K.282/189g (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Violin Concerto in D major, Op. 61 (Beethoven, Ludwig van) for violin and orchestra |
1806 |
| Cadenzas from Arrangement of Cadenzas from Violin Concerto in D major, Op. 61 (Beethoven, Ludwig van) |
1914 |
| Cadenzas from Arrangement of Cadenzas from Violin Concerto in D major, Op. 61 (Beethoven, Ludwig van) |
|
| Cadenzas from Arrangement of Cadenzas from Violin Concerto in D major, Op. 61 (Beethoven, Ludwig van) |
1888 |
Keyboard Sonata in F major, Hob.XVI:23 (Haydn, Joseph) for harpsichord
piano |
1773 |
Keyboard Sonata in F major, Hob.XVI:23 (Haydn, Joseph) for harpsichord
piano |
|
Keyboard Sonata in D major, Hob.XVI:37 (Haydn, Joseph) for piano
harpsichord |
1788 |
| Sommerfugl (No.1) from Lyric Pieces, Op. 43 (Grieg, Edvard) for piano |
1886 |
| Sommerfugl (No.1) from Lyric Pieces, Op. 43 (Grieg, Edvard) for piano |
1886 |
| Keyboard Sonata in E-flat major, Hob.XVI:52 (Haydn, Joseph) for piano |
1794 |
| Piano Sonata No. 9 in D major, K.311/284c (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Tema con variazione (No.1) from Piano Sonata No. 11 in A major, K.331/300i (Mozart, Wolfgang Amadeus) for piano |
1783 |
| Tema con variazione (No.1) and Menuetto (No.2) from Piano Sonata No. 11 in A major, K.331/300i (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Rondo alla turca (No.3) from Piano Sonata No. 11 in A major, K.331/300i (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Piano Sonata No. 8 in A minor, K.310/300d (Mozart, Wolfgang Amadeus) for piano |
1778 |
| Études, Op. 10 (Chopin, Frédéric) for piano |
1800 |
| Étude in E flat minor (No.6) from Arrangement of Étude in E flat minor (No.6) from Études, Op. 10 (Chopin, Frédéric) for cello and piano |
1800 |
| Lento in F minor (No.2) from Mazurkas, Op. 63 (Chopin, Frédéric) for piano |
|
| Mazurkas, Op. 59 (Chopin, Frédéric) for piano |
|
| Piano Sonata No. 2, Op. 22 (Schumann, Robert) for piano |
1830 |
| Scherzo No. 2, Op. 31 (Chopin, Frédéric) for piano |
|
| Estampes (Debussy, Claude) for piano |
1903 |
| Children's Corner (Debussy, Claude) for piano |
1908 |
| Préludes, Livre 2 (Debussy, Claude) for piano |
1900 |
| General Lavine, eccentric (No.6) from Arrangement of General Lavine, eccentric (No.6) from Préludes, Livre 2 (Debussy, Claude) for orchestra |
|
| Scherzo No. 3, Op. 39 (Chopin, Frédéric) for |
1800 |
| Nocturnes, Op. 62 (Chopin, Frédéric) for piano |
1800 |
| Lento in C minor (No.1) from Arrangement of Lento in C minor (No.1) from Nocturnes, Op. 48 (Chopin, Frédéric) for violin and piano |
|
| Etudes (Debussy, Claude) for piano |
1915 |
| Barcarolle No. 2, Op. 41 (Fauré, Gabriel) for piano |
1885 |
| Barcarolle No. 3, Op. 42 (Fauré, Gabriel) for piano |
1885 |
| Ballade No. 2, S.171 (Liszt, Franz) for piano |
1800 |
| Schwanengesang, D.957 (Schubert, Franz) for voice and piano |
1828 |
Original Version - String Quartet (1909) from 5 Movements, Op. 5 (Webern, Anton) for strings
2 violins, viola and cello |
1909 |
| Piano Sonata No. 3, Op. 58 (Chopin, Frédéric) for piano |
1844 |
| Nocturnes, Op. 55 (Chopin, Frédéric) for piano |
1800 |
| Andante (No.1) from Arrangement of Andante (No.1) from Nocturnes, Op. 55 (Chopin, Frédéric) for cello and piano |
|
| Lento (No.2) from Arrangement of Lento (No.2) from Waltzes, Op. 34 (Chopin, Frédéric) for 2 violins, viola and cello |
1877 |
| Lento (No.2) from Arrangement of Lento (No.2) from Waltzes, Op. 34 (Chopin, Frédéric) for cello and piano |
|
| Mazurkas, Op. 33 (Chopin, Frédéric) for piano |
|
| Arrangement of Selections from Mazurkas, Op. 33 (Chopin, Frédéric) for cello and piano |
|
| Mazurkas, Op. 50 (Chopin, Frédéric) for piano |
1800 |
| Mazurkas, Op. 50 (Chopin, Frédéric) for piano |
1800 |
| Mazurka (No.1) from Mazurkas, Op. 50 (Chopin, Frédéric) for piano |
|
| Preludes, Op. 28 (Chopin, Frédéric) for piano |
|
| Preludes, Op. 28 (Chopin, Frédéric) for piano |
|
| Prelude in D flat major (No.15) (Raindrop) from Preludes, Op. 28 (Chopin, Frédéric) for piano |
|
Symphony, Op. 21 (Webern, Anton) for orchestra
clarinet, bass clarinet, 2 horns, harp, 2 violins, viola and cello |
1928 |
| Piano Sonata No. 2, Op. 35 (Chopin, Frédéric) for piano |
|
| Marche funèbre (No.3) from Arrangement of Marche funèbre (No.3) from Piano Sonata No. 2, Op. 35 (Chopin, Frédéric) for cello and piano |
|
| Nocturnes, Op. 37 (Chopin, Frédéric) for piano |
1800 |
| Arrangement of Nocturnes, Op. 9 (Chopin, Frédéric) for harmonium |
|
| Waltzes, Op. 69 (Chopin, Frédéric) for piano |
1850 |
| Waltzes, Op. 69 (Chopin, Frédéric) for piano |
1829 |
| Mazurka in A flat major (No.4) from Mazurkas, Op. 7 (Chopin, Frédéric) for piano |
1824 |
| Mazurka in A flat major (No.4) from Mazurkas, Op. 7 (Chopin, Frédéric) for piano |
1800 |
| Mazurkas, Op. 17 (Chopin, Frédéric) for piano |
1800 |
| Mazurka in C major (No.3) from Mazurkas, Op. 24 (Chopin, Frédéric) for piano |
|
| Polonaises, Op. 26 (Chopin, Frédéric) for piano |
1800 |
| Polonaises, Op. 40 (Chopin, Frédéric) for piano |
|
| Polonaise-fantaisie, Op. 61 (Chopin, Frédéric) for piano |
1845 |
| 6 Épigraphes antiques (Debussy, Claude) for piano 4 hands |
1915 |
| Polonaise in A-flat major, Op. 53 (Chopin, Frédéric) for piano |
1800 |
| Allegro moderato in(No.3) from Arrangement of Allegro moderato in(No.3) from Moments musicaux, D.780 (Schubert, Franz) for 2 violins, viola and cello |
1877 |
| Arrangement of Fantaisie-impromptu, Op. 66 (Chopin, Frédéric) for cello and piano |
|
| 4 Impromptus, D.899 (Schubert, Franz) for piano |
1800 |
| Impromptu No. 4, Op. 91 (Fauré, Gabriel) for piano |
1905 |
| 2 Pieces, Op. 104 (Fauré, Gabriel) for piano |
1913 |
| Impromptu No. 2, Op. 31 (Fauré, Gabriel) for piano |
1883 |
| Barcarolle No. 8, Op. 96 (Fauré, Gabriel) for piano |
1908 |
| Nocturne No. 9, Op. 97 (Fauré, Gabriel) for piano |
1908 |
| Nocturne No. 10, Op. 99 (Fauré, Gabriel) for piano |
1908 |
| 9 Préludes, Op. 103 (Fauré, Gabriel) for piano |
1909 |
| 9 Préludes, Op. 103 (Fauré, Gabriel) for piano |
|
| Barcarolle No. 11, Op. 105 (Fauré, Gabriel) for piano |
1913 |
| Barcarolle No. 12, Op. 106 (Fauré, Gabriel) for piano |
1915 |
| Arrangement of Symphony No. 2, Op. 36 (Beethoven, Ludwig van) for piano 4 hands |
|
| Valse oubliée No.2 (S.215/2) from Valses oubliées, S.215 (Liszt, Franz) for piano |
1800 |
| Mephisto Waltz No. 1, S.514 (Liszt, Franz) for piano |
1800 |
| String Quartet No. 1 in G major, K.80/73f (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1770 |
| Lieder ohne Worte, Op. 85 (Mendelssohn, Felix) for piano |
|
| Lieder ohne Worte, Op. 62 (Mendelssohn, Felix) for piano |
|
| Lieder ohne Worte, Op. 67 (Mendelssohn, Felix) for piano |
|
| Lieder ohne Worte, Op. 67 (Mendelssohn, Felix) for piano |
|
| Allegro de concert, Op. 46 (Chopin, Frédéric) for piano |
1800 |
| Homage (Triumphal) March from Arrangement of Homage (Triumphal) March from Sigurd Jorsalfar (suite), Op. 56 (Grieg, Edvard) for piano 4 hands |
1893 |
| Berceuse, Op. 57 (Chopin, Frédéric) for piano |
|
| Fantaisie, Op. 49 (Chopin, Frédéric) for piano |
|
| Variations sérieuses, Op. 54 (Mendelssohn, Felix) for piano |
1841 |
| 4 Piano Pieces, Op. 1 (Grieg, Edvard) for piano |
1863 |
| 4 Humoresques, Op. 6 (Grieg, Edvard) for piano |
1800 |
| Scenes of Country Life, Op. 19 (Grieg, Edvard) for piano |
|
| Norwegischer Brautzug (No.2) from Scenes of Country Life, Op. 19 (Grieg, Edvard) for piano |
|
| Ballade, Op. 24 (Grieg, Edvard) for piano |
|
| 4 Album Leaves, Op. 28 (Grieg, Edvard) for piano |
|
| Piano Transcriptions of Songs, Op. 41 (Grieg, Edvard) for piano |
|
| Solveigs sang (No.4) from Piano Transcriptions of Songs, Op. 52 (Grieg, Edvard) for piano |
|
| Arrangement of Peer Gynt Suite No. 2, Op. 55 (Grieg, Edvard) for piano |
|
| Arabian Dance (No.2) from Arrangement of Arabian Dance (No.2) from Peer Gynt Suite No. 2, Op. 55 (Grieg, Edvard) for piano 4 hands |
|
| Arabian Dance (No.2) from Arrangement of Arabian Dance (No.2) from Peer Gynt Suite No. 2, Op. 55 (Grieg, Edvard) for piano |
|
| Solveig's Song (No.4) from Arrangement of Solveig's Song (No.4) from Peer Gynt Suite No. 2, Op. 55 (Grieg, Edvard) for guitar, bass guitar, 2 lutes and 2 bandurrias |
|
| Solveig's Song (No.4) from Arrangement of Solveig's Song (No.4) from Peer Gynt Suite No. 2, Op. 55 (Grieg, Edvard) for piano |
|
| Gjendines Bådnlåt (No.19) from 19 Norwegian Folk Tunes, Op. 66 (Grieg, Edvard) for piano |
|
| Gjendines Bådnlåt (No.19) from 19 Norwegian Folk Tunes, Op. 66 (Grieg, Edvard) for piano |
|
| Norwegian Peasant Dances, Op. 72 (Grieg, Edvard) for |
1903 |
| Moods, Op. 73 (Grieg, Edvard) for piano |
1901 |
| Death of Åse (No.2) from Arrangement of Death of Åse (No.2) from Peer Gynt Suite No. 1, Op. 46 (Grieg, Edvard) for guitar, lute and bandurria |
1915 |
Lieder ohne Worte, Op. 19b (Mendelssohn, Felix) for piano
piano and physharmonica |
1829 |
| Ouverture nach Französischer Art, BWV 831 (Bach, Johann Sebastian) for keyboard |
1700 |
| Wellingtons Sieg, Op. 91 (Beethoven, Ludwig van) for orchestra |
1813 |
| Wellingtons Sieg, Op. 91 (Beethoven, Ludwig van) for orchestra |
1813 |
| Allegro Barbaro, Sz.49 (Bartók, Béla) for piano |
1900 |
| Piano Concerto No. 1, Op. 15 (Brahms, Johannes) for piano and orchestra |
1800 |
| Arrangement of Piano Concerto No. 1, Op. 15 (Brahms, Johannes) for 2 pianos |
1800 |
| Arrangement of Piano Concerto No. 1, Op. 15 (Brahms, Johannes) for piano 4 hands |
1800 |
| Botschaft (No.18) from Arrangement of Botschaft (No.18) from Albumblätter, Op. 124 (Schumann, Robert) for harmonium |
|
| Version from Symphony No. 1, Op. 13 (Tchaikovsky, Pyotr) for orchestra |
1874 |
| Symphony No. 3, Op. 29 (Tchaikovsky, Pyotr) for orchestra |
1875 |
| Italienisches Konzert, BWV 971 (Bach, Johann Sebastian) for keyboard |
|
| Waldszenen, Op. 82 (Schumann, Robert) for piano |
1800 |
| König Stephan, Op. 117 (Beethoven, Ludwig van) for mixed chorus and orchestra |
1800 |
| Romance in G major, Op. 40 (Beethoven, Ludwig van) for violin and orchestra |
|
| Arrangement of Faschingsschwank aus Wien, Op. 26 (Schumann, Robert) for orchestra |
|
| Flute and Harp Concerto in C major, K.299/297c (Mozart, Wolfgang Amadeus) for flute, harp and orchestra |
1778 |
| Mozart's fragment from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1791 |
| Mozart's fragment from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| completion from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1791 |
| Offertorium from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1823 |
| Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1823 |
| Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Symphony No. 4, Op. 36 (Tchaikovsky, Pyotr) for orchestra |
1877 |
| Fidelio, Op. 72 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
1814 |
| Coriolan, Op. 62 (Beethoven, Ludwig van) for orchestra |
1800 |
| Violin Concerto No. 5 in A major, K.219 (Mozart, Wolfgang Amadeus) for violin and orchestra |
1775 |
| Violin Concerto No. 5 in A major, K.219 (Mozart, Wolfgang Amadeus) for violin and orchestra |
1775 |
| Symphony No. 5, Op. 64 (Tchaikovsky, Pyotr) for orchestra |
1888 |
| Goldberg-Variationen, BWV 988 (Bach, Johann Sebastian) for keyboard |
|
| Violin Concerto, Op. 35 (Tchaikovsky, Pyotr) for violin and orchestra |
1878 |
| Violin Sonata in C major, K.403/385c (Mozart, Wolfgang Amadeus) for violin and piano |
1782 |
| 6 Bagatelles, Op. 126 (Beethoven, Ludwig van) for piano |
|
| Composer Fragment from Violin Sonata in A major, K.402/385e (Mozart, Wolfgang Amadeus) for violin and piano |
1700 |
| 7 Bagatelles, Op. 33 (Beethoven, Ludwig van) for piano |
1782 |
| Violin Sonata in C major, K.296 (Mozart, Wolfgang Amadeus) for violin and piano |
1778 |
| 15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard |
1700 |
| 15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard |
|
| 15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard |
|
| April is in My Mistress' Face (Morley, Thomas) for 4 voices |
|
| String Quartet No. 14, Op. 131 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1826 |
| Piano Sonata No. 1 in C major, Op. 24 (Weber, Carl Maria von) for piano |
1800 |
| Chorale Preludes, BWV 669-689 (Bach, Johann Sebastian) for organ |
|
| Violin Sonata in G major, K.379/373a (Mozart, Wolfgang Amadeus) for violin and piano |
1781 |
| 15 Sinfonias, BWV 787-801 (Bach, Johann Sebastian) for keyboard |
|
| The Stars and Stripes Forever (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
1897 |
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1740 |
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1743 |
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1740 |
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1846 |
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1846 |
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1739 |
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1739 |
| (1728-32) from Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1728 |
| (1749) from Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Solomon, HWV 67 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Piano Concerto No. 5, Op. 73 (Beethoven, Ludwig van) for piano and orchestra |
1809 |
| Piano Concerto No. 1, Op. 15 (Beethoven, Ludwig van) for piano and orchestra |
1800 |
| Rapsodia española, Op. 70 (Albéniz, Isaac) for piano and orchestra |
1910 |
| Première Gymnopédie from 3 Gymnopédies (Satie, Erik) for piano |
1800 |
| 24 Caprices for Solo Violin, Op. 1 (Paganini, Niccolò) for violin |
1817 |
| Arrangement of Selections from 24 Caprices for Solo Violin, Op. 1 (Paganini, Niccolò) for violin and piano |
1935 |
| Caprice No.10 from Arrangement of Caprice No.10 from 24 Caprices for Solo Violin, Op. 1 (Paganini, Niccolò) for violin and piano |
|
| 1st version "Linz" (1866) from Symphony No. 1 in C minor, WAB 101 (Bruckner, Anton) for orchestra |
1866 |
| Revised "Linz" version (1877) from Symphony No. 1 in C minor, WAB 101 (Bruckner, Anton) for orchestra |
|
| "Vienna" version (1890-91) from Symphony No. 1 in C minor, WAB 101 (Bruckner, Anton) for orchestra |
1891 |
| First draft (1865) from Arrangement of First draft (1865) from Symphony No. 1 in C minor, WAB 101 (Bruckner, Anton) for |
1865 |
| 1st Version (1869) from Romeo and Juliet (overture-fantasia), TH 42 (Tchaikovsky, Pyotr) for orchestra |
|
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1786 |
| Act IV from Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Piano Concerto No. 2, Op. 19 (Beethoven, Ludwig van) for piano and orchestra |
1787 |
| Piano Concerto No. 2, Op. 19 (Beethoven, Ludwig van) for piano and orchestra |
1801 |
| Cadenzas from Arrangement of Cadenzas from Piano Concerto No. 2, Op. 19 (Beethoven, Ludwig van) |
1801 |
| Symphonie fantastique, H 48 (Berlioz, Hector) for orchestra |
1830 |
| Piano Concerto No. 3, Op. 37 (Beethoven, Ludwig van) for piano and orchestra |
1800 |
| Cadenzas from Arrangement of Cadenzas from Piano Concerto No. 3, Op. 37 (Beethoven, Ludwig van) |
1809 |
| 1872 version from Piano Concerto, Op. 16 (Grieg, Edvard) for piano and orchestra |
1872 |
| Piano Concerto No. 2, Op. 21 (Chopin, Frédéric) for piano and orchestra |
1890 |
| Violin Sonata No. 9, Op. 47 (Beethoven, Ludwig van) for violin and piano |
|
| Violin Sonata No. 9, Op. 47 (Beethoven, Ludwig van) for violin and piano |
1802 |
| Pictures at an Exhibition (Mussorgsky, Modest) for piano |
1874 |
| Arrangement of Pictures at an Exhibition (Mussorgsky, Modest) for orchestra |
1900 |
| Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| 22. Sanctus from Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| 1-4. Kyrie / Gloria from Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| 1-4. Kyrie / Gloria from Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| 19. Et in Spiritum Sanctum from Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Ricercar a 6 from Musikalisches Opfer, BWV 1079 (Bach, Johann Sebastian) for flute, 2 violins and harpsichord |
1700 |
| 3 Mélodies (Lalo, Édouard) for voice and piano |
|
| Piano Quintet, Op. 34 (Brahms, Johannes) for 2 violins, viola, cello and piano |
1800 |
| Version from Piano Concerto No. 2, Op. 16 (Prokofiev, Sergey) for piano and orchestra |
|
| Sinfonia in F major, BWV 1046a (Bach, Johann Sebastian) for orchestra |
|
| 4 Klavierstücke, Op. 119 (Brahms, Johannes) for piano |
|
| 4 Klavierstücke, Op. 119 (Brahms, Johannes) for piano |
1893 |
| Piano Trio No. 1, Op. 49 (Mendelssohn, Felix) for violin, cello and piano |
|
| Horn Concerto in E-flat major, K.447 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1700 |
| Horn Concerto in E-flat major, K.447 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1840 |
| Horn Concerto in E-flat major, K.447 (Mozart, Wolfgang Amadeus) for horn and orchestra |
|
| Horn Concerto in E-flat major, K.417 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1783 |
| Horn Concerto in E-flat major, K.417 (Mozart, Wolfgang Amadeus) for horn and orchestra |
|
| Horn Concerto in E-flat major, K.417 (Mozart, Wolfgang Amadeus) for horn and orchestra |
|
| Horn Concerto in E-flat major, K.495 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1786 |
| Horn Concerto in E-flat major, K.495 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1837 |
| Pezzo capriccioso, Op. 62 (Tchaikovsky, Pyotr) for cello and orchestra |
1887 |
| Arrangement of Pezzo capriccioso, Op. 62 (Tchaikovsky, Pyotr) for cello and piano |
1887 |
| Flute Sonata in A minor, H.562 (Bach, Carl Philipp Emanuel) for flute |
|
| Benvenuto Cellini, H 76 (Berlioz, Hector) for voices, mixed chorus and orchestra |
|
| Variations for Piano, Op. 27 (Webern, Anton) for piano |
1936 |
| Variations for Piano, Op. 27 (Webern, Anton) for piano |
1936 |
| Variations for Piano, Op. 27 (Webern, Anton) for piano |
1936 |
| Cadenzas from Arrangement of Cadenzas from Bassoon Concerto in B-flat major, K.191/186e (Mozart, Wolfgang Amadeus) |
|
| Passacaglia in C minor, BWV 582 (Bach, Johann Sebastian) for organ |
|
| Revised version (1884) from The Sorcerer (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Revised version (1884) from The Sorcerer (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Canon and Gigue in D major, P.37 (Pachelbel, Johann) for 3 violins and continuo |
|
| Violin Sonata No. 8, Op. 30 No. 3 (Beethoven, Ludwig van) for violin and piano |
1800 |
| Violin Sonata No. 8, Op. 30 No. 3 (Beethoven, Ludwig van) for violin and piano |
1800 |
| Variations and Fugue on a Theme by Handel, Op. 24 (Brahms, Johannes) for piano |
1861 |
6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian) for cello
violoncello piccolo |
|
6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian) for cello
violoncello piccolo |
|
6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian) for cello
violoncello piccolo |
|
6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian) for cello
violoncello piccolo |
|
6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian) for cello
violoncello piccolo |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
1720 |
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
1720 |
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
|
| 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for violin |
1726 |
| Arrangement of 6 Violin Sonatas and Partitas, BWV 1001-1006 (Bach, Johann Sebastian) for cello |
|
| Cello Sonata No. 3, Op. 69 (Beethoven, Ludwig van) for cello and piano |
1808 |
| Version from Variations on a Rococo Theme, Op. 33 (Tchaikovsky, Pyotr) for cello and orchestra |
1876 |
| Version from Variations on a Rococo Theme, Op. 33 (Tchaikovsky, Pyotr) for cello and orchestra |
2022 |
| Version from Arrangement of Version from Variations on a Rococo Theme, Op. 33 (Tchaikovsky, Pyotr) for cello and piano |
1876 |
| Erl King's Daughter, Op. 30 (Gade, Niels) for soprano, mezzosoprano, baritone, mixed chorus and orchestra |
|
| Arrangement of Beim Abschied zu Singen, Op. 84 (Schumann, Robert) for flute, oboe, clarinet, bassoon and horn |
|
| Piano Quintet (Franck, César) for 2 violins, viola, cello and piano |
1879 |
| String Quartet No. 11, Op. 95 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1810 |
| Violin Concerto, Op. 64 (Mendelssohn, Felix) for violin and orchestra |
1800 |
| Nocturnes (Debussy, Claude) for female chorus and orchestra |
1800 |
| String Quartet No. 9, Op. 59 No. 3 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1806 |
| String Quartet No. 9, Op. 59 No. 3 (Beethoven, Ludwig van) for 2 violins, viola and cello |
|
12 Trio Sonatas, Op. 4 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
| String Quartet No. 11 in E-flat major, K.171 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1773 |
| String Quartet No. 12 in B-flat major, K.172 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1773 |
| String Quartet No. 13 in D minor, K.173 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1773 |
| String Quartet No. 9 in A major, K.169 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1773 |
| Septet, Op. 65 (Saint-Saëns, Camille) for trumpet, 2 violins, viola, cello, double bass and piano |
1894 |
| L'amour médecin, LWV 29 (Lully, Jean-Baptiste) for voices and orchestra |
1706 |
| Ballet d'Alcidiane, LWV 9 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1790 |
| Ballet d'Alcidiane, LWV 9 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Ballet de Flore, LWV 40 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1706 |
| Ballet de l'Impatience, LWV 14 (Lully, Jean-Baptiste) for voices and orchestra |
|
| Ballet de la Raillerie, LWV 11 (Lully, Jean-Baptiste) for soprano, alto, 2 tenors and bass |
|
| Ballet de l'Amour Malade, LWV 8 (Lully, Jean-Baptiste) for voices and orchestra |
1706 |
| Ballet de la Revente des Habits, LWV 5 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
1690 |
| Die Hebriden, Op. 26 (Mendelssohn, Felix) for orchestra |
|
| Die Hebriden, Op. 26 (Mendelssohn, Felix) for orchestra |
|
| Eine kleine Nachtmusik, K.525 (Mozart, Wolfgang Amadeus) for 2 violins, viola, cello and double bass |
1787 |
| Danse macabre, Op. 40 (Saint-Saëns, Camille) for violin and orchestra |
1874 |
| Odelette, Op. 162 (Saint-Saëns, Camille) for flute and orchestra |
1920 |
| Arrangement of Odelette, Op. 162 (Saint-Saëns, Camille) for flute and piano |
1920 |
| String Quartet No. 7, Op. 59 No. 1 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1806 |
| String Quartet No. 14 in G major, K.387 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1782 |
| String Quartet No. 14 in G major, K.387 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1700 |
| String Quartet No. 20 in D major, K.499 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1786 |
| String Quartet No. 17 in B-flat major, K.458 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1784 |
| String Quartet No. 16, Op. 135 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1826 |
| String Quartet No. 16, Op. 135 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1826 |
| Ballet de Xerces, LWV 12 (Lully, Jean-Baptiste) for soprano, alto, 2 tenors and bass |
1706 |
| Ballet des saisons, LWV 15 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
|
| Ballet du temps, LWV 1 (Lully, Jean-Baptiste) for soprano, 2 altos, tenor and bass |
|
| Concert d'Esculape, S.134 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| George Dandin, LWV 38 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Le bourgeois gentilhomme, LWV 43 (Lully, Jean-Baptiste) for voices and orchestra |
1706 |
| Ballet from La naissance de Vénus, LWV 27 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| String Quartet No. 15 in D minor, K.421/417b (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
1783 |
| String Quartet No. 10, Op. 74 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1809 |
| String Quartet No. 12, Op. 127 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1800 |
| String Quartet No. 12, Op. 127 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1800 |
| String Quartet No. 12, Op. 127 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1800 |
| String Quartet No. 15, Op. 132 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1825 |
| String Quartet No. 15, Op. 132 (Beethoven, Ludwig van) for 2 violins, viola and cello |
|
| String Quartet No. 8, Op. 59 No. 2 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1806 |
| String Quartet No. 13, Op. 130 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1800 |
| String Quartet No. 13, Op. 130 (Beethoven, Ludwig van) for 2 violins, viola and cello |
1825 |
| Bellérophon, LWV 57 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Sonata for Piano Four-Hands in B-flat major, K.358/186c (Mozart, Wolfgang Amadeus) for piano 4 hands |
1700 |
| Sonata for Piano Four-Hands in D major, K.381/123a (Mozart, Wolfgang Amadeus) for piano 4 hands |
1700 |
| Sonata for Piano Four-Hands in D major, K.381/123a (Mozart, Wolfgang Amadeus) for piano 4 hands |
1700 |
| Sonata for Piano Four-Hands in D major, K.381/123a (Mozart, Wolfgang Amadeus) for piano 4 hands |
1700 |
| Sonata for Piano Four-Hands in D major, K.381/123a (Mozart, Wolfgang Amadeus) for piano 4 hands |
|
| Instrumental Selections from Ballet du temple de la paix, LWV 69 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Heilig, H.778 (Bach, Carl Philipp Emanuel) for alto, 2 mixed chorus and 2 orchestras |
|
| Ouverture-Suite from Achille et Polixène, LWV 74 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Ballet les amours déguisés, LWV 21 (Lully, Jean-Baptiste) for voices and orchestra |
|
| Les noces de Village, LWV 19 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Werther (Massenet, Jules) for voices, mixed chorus and orchestra |
1887 |
| Persée, LWV 60 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Selections: Instrumental Music from Thésée, LWV 51 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| L'Isle joyeuse (Debussy, Claude) for piano |
1904 |
| Isis, LWV 54 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Isis, LWV 54 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1677 |
| Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Instrumental Selections from Phaëton, LWV 61 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Arrangement of Sonata for Piano Four-Hands in F major, K.497 (Mozart, Wolfgang Amadeus) for string quartet |
1844 |
Arrangement of Introduction et polonaise brillante, Op. 3 (Chopin, Frédéric) for cello and piano
violin and piano |
1853 |
| Roland, LWV 65 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| String Quintet No. 3 in C major, K.515 (Mozart, Wolfgang Amadeus) for 2 violins, 2 violas and cello |
1787 |
| Arrangement of Piano Concerto No. 1, Op. 25 (Mendelssohn, Felix) for 2 pianos |
|
| Piano Concerto No. 1, Op. 25 (Mendelssohn, Felix) for piano and orchestra |
1830 |
| Piano Concerto No. 1, Op. 25 (Mendelssohn, Felix) for piano and orchestra |
1830 |
| Olav Trygvason, Op. 50 (Grieg, Edvard) for voices, mixed chorus and orchestra |
|
| Olav Trygvason, Op. 50 (Grieg, Edvard) for voices, mixed chorus and orchestra |
|
| Temple Dance from Arrangement of Temple Dance from Olav Trygvason, Op. 50 (Grieg, Edvard) for guitar, 2 lutes and 2 bandurrias |
|
| Le mariage forcé, LWV 20 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Le mariage forcé, LWV 20 (Lully, Jean-Baptiste) for voices and orchestra |
|
| Le triomphe de Bacchus dans les Indes, LWV 30 (Lully, Jean-Baptiste) for voices and orchestra |
1690 |
| Les plaisirs de l'île enchantée, LWV 22 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1690 |
| Les fontaines de Versailles, S.133 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1683 |
| Schubert's Fragment from Symphony No. 8, D.759 (Schubert, Franz) for orchestra |
1822 |
| Allegro moderato (No.1) from Arrangement of Allegro moderato (No.1) from Symphony No. 8, D.759 (Schubert, Franz) for guitar, 2 mandolins and mandola |
1923 |
| Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
|
| Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
|
| String Quintet No. 4 in G minor, K.516 (Mozart, Wolfgang Amadeus) for 2 violins, 2 violas and cello |
1787 |
| Piano Concerto No. 21 in C major, K.467 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1785 |
| Le triomphe de l'amour, LWV 59 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Original version (1905) from La mer (Debussy, Claude) for orchestra |
1905 |
| Arrangement of La mer (Debussy, Claude) for piano 4 hands |
1900 |
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
1722 |
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
1722 |
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier I, BWV 846-869 (Bach, Johann Sebastian) for keyboard |
1700 |
| Tabasco (Chadwick, George Whitefield) for voices, mixed chorus and orchestra |
1894 |
| Tabasco (Chadwick, George Whitefield) for voices, mixed chorus and orchestra |
1894 |
| Sonata for 2 Harpsichords in F major, F.10 (Bach, Wilhelm Friedemann) for 2 harpsichords |
1797 |
| Composer's Fragment from Octet in F major, D.72 (Schubert, Franz) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Mass in A-flat major, D.678 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1819 |
| Prélude à l'après-midi d'un faune (Debussy, Claude) for orchestra |
1894 |
| Prélude à l'après-midi d'un faune (Debussy, Claude) for orchestra |
1800 |
| 1st Book (1722) from Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian) for keyboard |
1722 |
| 2nd Book (1725) from Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian) for keyboard |
|
| Variations and Fugue in E-flat major, Op. 35 (Beethoven, Ludwig van) for piano |
1802 |
| Rosamunde, D.797 (Schubert, Franz) for mezzosoprano, mixed chorus and orchestra |
1800 |
| Concertino in E-flat major, Op. 26 (Weber, Carl Maria von) for clarinet and orchestra |
|
| Cello Sonata, Op. 65 (Chopin, Frédéric) for cello and piano |
1847 |
| Boris Godunov (Mussorgsky, Modest) for voices, mixed chorus and orchestra |
|
| Boris Godunov (Mussorgsky, Modest) for voices, mixed chorus and orchestra |
|
| Boris Godunov (Mussorgsky, Modest) for voices, mixed chorus and orchestra |
|
| Arrangement of Poème, Op. 25 (Chausson, Ernest) for 2 violins, viola, cello and piano |
|
| Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 (Bach, Johann Sebastian) for flute, violin, harpsichord, strings and continuo |
|
| Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 (Bach, Johann Sebastian) for flute, violin, harpsichord, strings and continuo |
|
| Rhapsody on a Theme of Paganini, Op. 43 (Rachmaninoff, Sergei) for piano and orchestra |
|
| Arrangement of Aufforderung zum Tanze, Op. 65 (Weber, Carl Maria von) for guitar |
|
| Version II (ca.1738), BC D 8aII from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Version I (1725), BC D 8aI from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Version II (ca.1738), BC D 8aII from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Version III (ca.1743/1746), BC D 8bI from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Version IV (1749/1750), BC D 8bII from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sinfonia (Nos.1 & 2), BC D 8aI from Oster-Oratorium, BWV 249 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Le carnaval des animaux (Saint-Saëns, Camille) for flute, clarinet, glockenspiel, xylophone, 2 violins, viola, cello, double bass and 2 pianos
2 pianos and orchestra |
|
| 6 English Suites, BWV 806-811 (Bach, Johann Sebastian) for keyboard |
|
| 6 English Suites, BWV 806-811 (Bach, Johann Sebastian) for keyboard |
|
| 6 French Suites, BWV 812-817 (Bach, Johann Sebastian) for keyboard |
|
| 6 French Suites, BWV 812-817 (Bach, Johann Sebastian) for keyboard |
|
Gavotte (No.4) from BWV 816-817 (Nos.5-6) from Arrangement of Gavotte (No.4) from BWV 816-817 (Nos.5-6) from 6 French Suites, BWV 812-817 (Bach, Johann Sebastian) for 2 violins, viola, cello and double bass
2 violins, viola, cello and strings |
|
| Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian) for keyboard |
|
| Das wohltemperierte Klavier II, BWV 870-893 (Bach, Johann Sebastian) for keyboard |
|
| Mass in E-flat major, D.950 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1828 |
| Mass in E-flat major, D.950 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Autograph Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
1742 |
| Autograph Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
1700 |
| Autograph Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
1700 |
| Original Edition Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
|
| Original Edition Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
|
| Original Edition Version from Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
|
| Die Kunst der Fuge, BWV 1080 (Bach, Johann Sebastian) for keyboard |
1700 |
| 6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian) for violin and harpsichord |
|
| 6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian) for violin and harpsichord |
|
| Violin Sonata in A major (Agrell, Johan) for violin and continuo |
|
6 Sonate da chiesa, T.So 26-31 (Albinoni, Tomaso) for violin and cello
violin and continuo |
|
Sinfonia in 4 Voices in D minor (Brant, Per) for 2 violins, viola and cello
2 violins, viola and continuo |
|
| 2 Gigues, WoO 4 (Brahms, Johannes) for piano |
1855 |
| 2 Sarabandes, WoO 5 (Brahms, Johannes) for piano |
1855 |
| Magnificat in D major, BWV 243 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Magnificat in D major, BWV 243 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Version for Piano 4-Hands from Joyeuse marche (Chabrier, Emmanuel) for orchestra |
|
| 6 String Quintets, Op. 11 (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Version(Italian) from Alceste, Wq.44 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1700 |
| Version(Italian) from Alceste, Wq.44 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Version(Italian) from Alceste, Wq.44 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Concerto for Violin and Cello, Op. 102 (Brahms, Johannes) for violin, cello and orchestra |
|
| Petit Mari, Petite Femme! (No.11) from Arrangement of Petit Mari, Petite Femme! (No.11) from Jeux d'enfants (Bizet, Georges) for violin, cello and piano |
|
| Solfeggio in C minor, H.220 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Prelude (No.1) from Te Deum, H.146 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1600 |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1879 |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1879 |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1879 |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Overture from The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Arrangement of 16 Waltzes, Op. 39 (Brahms, Johannes) for piano |
1800 |
| Arrangement of 16 Waltzes, Op. 39 (Brahms, Johannes) for piano |
1800 |
| Violin Concerto, Op. 77 (Brahms, Johannes) for violin and orchestra |
1800 |
| Violin Concerto, Op. 77 (Brahms, Johannes) for violin and orchestra |
|
| Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1734 |
| Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1734 |
| Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Concerto pour piano seul (Nos.8–10) from Arrangement of Concerto pour piano seul (Nos.8–10) from 12 Etudes in All the Minor Keys, Op. 39 (Alkan, Charles-Valentin) for piano and orchestra |
|
| Die Fledermaus (Strauss Jr., Johann) for voices, mixed chorus and orchestra |
1874 |
| Die Fledermaus (Strauss Jr., Johann) for voices, mixed chorus and orchestra |
|
| En blanc et noir (Debussy, Claude) for 2 pianos |
1915 |
| Entr'acte and Barcarolle (Act IV) from Les contes d'Hoffmann (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| La plus que lente (Debussy, Claude) for piano |
1910 |
| An der schönen blauen Donau, Op. 314 (Strauss Jr., Johann) for orchestra |
|
| Variazzioni di clarinetto (Rossini, Gioacchino) for clarinet and orchestra |
|
| Cahier 1 from Iberia (Albéniz, Isaac) for piano |
1905 |
3 Piano Sonatas, Op. 35 (Clementi, Muzio) for piano
violin, cello and piano |
|
4 Piano Sonatas and a Duet, Op. 12 (Clementi, Muzio) for piano
2 pianos |
|
| Strophic Songs, Op. 21 (Nielsen, Carl) for voice and piano |
|
| Pavane de la Belle au Bois Dormant (No.1) from Arrangement of Pavane de la Belle au Bois Dormant (No.1) from Ma mère l'Oye (suite) (Ravel, Maurice) for childrens chorus and orchestra |
1911 |
| 2-Act Version from Il barbiere di Siviglia (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Cavatina: Una voce poco fa (Act I) from Arrangement of Cavatina: Una voce poco fa (Act I) from Il barbiere di Siviglia (Rossini, Gioacchino) for harp |
|
| Waltz from Arrangement of Waltz from Il barbiere di Siviglia (Rossini, Gioacchino) for harp |
|
| Scènes nouvelles pour 'Le médecin malgré lui' (Satie, Erik) for voice and orchestra |
|
| Reflets dans l'eau (No.1) from Images, 1ere série (Debussy, Claude) for piano |
1900 |
| Suite in B-flat major, HWV 434 (Handel, George Frideric) for harpsichord |
|
La boîte à joujoux (Debussy, Claude) for piano
orchestra |
1913 |
| Variations, interlude et final sur un thème de Rameau (Dukas, Paul) for piano |
1899 |
| Armide, Wq.45 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
Mystery (Rosary) Sonatas (Biber, Heinrich Ignaz Franz von) for violin and continuo
violin |
|
| Symphony No. 102 in B-flat major, Hob.I:102 (Haydn, Joseph) for orchestra |
1794 |
| Arrangement of La valse (Ravel, Maurice) for piano |
1920 |
| Rhapsody in Blue (Gershwin, George) for piano and orchestra |
1924 |
| Recueil de Chants, Op. 38 (Alkan, Charles-Valentin) for piano |
1855 |
| Symphony No. 104 in D major, Hob.I:104 (Haydn, Joseph) for orchestra |
1795 |
| Original version (1894) from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1891 |
| Finale (Fragments, 1895-96), WAB 143 from Arrangement of Finale (Fragments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for piano |
|
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1896 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
1800 |
| Finale (Frangments, 1895-96), WAB 143 from Symphony No. 9 in D minor, WAB 109/143 (Bruckner, Anton) for orchestra |
|
| Symphony No. 5 (Mahler, Gustav) for orchestra |
1903 |
| Original version (1881-83) from Symphony No. 7 in E major, WAB 107 (Bruckner, Anton) for orchestra |
1881 |
| Original version (1881-83) from Symphony No. 7 in E major, WAB 107 (Bruckner, Anton) for orchestra |
1881 |
| Trumpet Concerto in E-flat major, Hob.VIIe:1 (Haydn, Joseph) for trumpet and orchestra |
|
| To the Sea (No.1) from Arrangement of To the Sea (No.1) from Sea Pieces, Op. 55 (MacDowell, Edward) for orchestra |
|
| To a Water-Lily (No.6) from Arrangement of To a Water-Lily (No.6) from 10 Woodland Sketches, Op. 51 (MacDowell, Edward) for orchestra |
|
| Piano Concerto No. 2, Op. 22 (Saint-Saëns, Camille) for piano and orchestra |
1868 |
| Piano Concerto No. 4, Op. 44 (Saint-Saëns, Camille) for piano and orchestra |
1875 |
| Das Orgel-Büchlein, BWV 599-644 (Bach, Johann Sebastian) for organ |
1700 |
| Das Orgel-Büchlein, BWV 599-644 (Bach, Johann Sebastian) for organ |
1700 |
| Das Orgel-Büchlein, BWV 599-644 (Bach, Johann Sebastian) for organ |
1700 |
| Piano Concerto No. 3, Op. 29 (Saint-Saëns, Camille) for piano and orchestra |
1869 |
| Keyboard Sonata in F major, F.6 (Bach, Wilhelm Friedemann) for keyboard |
|
| Keyboard Sonata in E-flat major, F.5 (Bach, Wilhelm Friedemann) for keyboard |
|
| Keyboard Sonata in D major, F.3 (Bach, Wilhelm Friedemann) for keyboard |
|
| Keyboard Sonata in D major, F.3 (Bach, Wilhelm Friedemann) for keyboard |
|
| Sonata for Piano 4-hands in A major (Bach, Johann Christoph Friedrich) for keyboard 4 hands |
|
| Keyboard Sonata in C major, F.1 (Bach, Wilhelm Friedemann) for keyboard |
|
| 6 Harpsichord Sonatas, Wq.48 (Bach, Carl Philipp Emanuel) for harpsichord |
|
| Cello Sonata No. 4, Op. 102 No. 1 (Beethoven, Ludwig van) for cello and piano |
1815 |
| 6 Études, Op. 52 (Saint-Saëns, Camille) for piano |
1877 |
| Cello Sonata No. 5, Op. 102 No. 2 (Beethoven, Ludwig van) for cello and piano |
1815 |
| Pièces d'orgue (Couperin, François) for organ |
1689 |
| Fantaisie No. 1 (Saint-Saëns, Camille) for organ |
1857 |
| Fantaisie No. 3, Op. 157 (Saint-Saëns, Camille) for organ |
1919 |
| VI. Final from Arrangement of VI. Final from Organ Symphony No. 1, Op. 14 (Vierne, Louis) for organ and orchestra |
|
| 3 Rhapsodies, Op. 7 (Saint-Saëns, Camille) for organ |
1866 |
| 3 Preludes and Fugues, Op. 99 (Saint-Saëns, Camille) for organ |
1894 |
| Réminiscences de Norma, S.394 (Liszt, Franz) for piano |
1800 |
| None But the Lonely Heart (No.6) from Arrangement of None But the Lonely Heart (No.6) from 6 Romances, Op. 6 (Tchaikovsky, Pyotr) for |
|
| None But the Lonely Heart (No.6) from Arrangement of None But the Lonely Heart (No.6) from 6 Romances, Op. 6 (Tchaikovsky, Pyotr) for |
|
| Marche religieuse, Op. 107 (Saint-Saëns, Camille) for organ |
1897 |
| Original Version (String Sextet) from Verklärte Nacht, Op. 4 (Schoenberg, Arnold) for 2 violins, 2 violas and 2 cellos |
1899 |
| Version from Swan Lake (ballet), Op. 20 (Tchaikovsky, Pyotr) for orchestra |
1800 |
| Version from Swan Lake (ballet), Op. 20 (Tchaikovsky, Pyotr) for orchestra |
|
| Version from Swan Lake (ballet), Op. 20 (Tchaikovsky, Pyotr) for orchestra |
|
| Ecossaise, WoO 86 (Beethoven, Ludwig van) for piano |
|
24 Pièces en style libre, Op. 31 (Vierne, Louis) for organ
harmonium |
1913 |
| Mass in E-flat major, Op. 5 (Beach, Amy Marcy) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1890 |
| Mass in E-flat major, Op. 5 (Beach, Amy Marcy) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1882 |
| Mass in E-flat major, Op. 5 (Beach, Amy Marcy) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1890 |
| Mass in E-flat major, Op. 5 (Beach, Amy Marcy) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Années de pèlerinage III, S.163 (Liszt, Franz) for piano |
1800 |
| Années de pèlerinage III, S.163 (Liszt, Franz) for piano |
1800 |
| Lukaspassion, BWV 246 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1730 |
| Lukaspassion, BWV 246 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 18 Chorale Preludes, BWV 651-668 (Bach, Johann Sebastian) for organ |
1700 |
| Prélude in D minor, WAB 126/2 (Bruckner, Anton) for organ |
1800 |
| 6 Little Pieces (Respighi, Ottorino) for piano 4 hands |
1925 |
| Violin Sonata No. 5, Op. 24 (Beethoven, Ludwig van) for violin and piano |
1800 |
| Violin Sonata No. 1, Op. 13 (Fauré, Gabriel) for violin and piano |
1875 |
| Dolly Suite, Op. 56 (Fauré, Gabriel) for piano 4 hands |
1896 |
| Violin Sonata No. 10, Op. 96 (Beethoven, Ludwig van) for violin and piano |
1815 |
| Arrangement of Ruses d'amour, Op. 61 (Glazunov, Aleksandr) for piano |
1898 |
| Violin Sonata No. 7, Op. 30 No. 2 (Beethoven, Ludwig van) for violin and piano |
1800 |
| Violin Sonata No. 6, Op. 30 No. 1 (Beethoven, Ludwig van) for violin and piano |
1801 |
| Introduction et rondo capriccioso, Op. 28 (Saint-Saëns, Camille) for violin and orchestra |
1863 |
| Piano Concerto No. 2, Op. 40 (Mendelssohn, Felix) for piano and orchestra |
1837 |
| Violin Sonata No. 1, Op. 75 (Saint-Saëns, Camille) for violin and piano |
1885 |
| Violin Sonata No. 2, Op. 102 (Saint-Saëns, Camille) for violin and piano |
1896 |
| Violin Concerto No. 5, Op. 37 (Vieuxtemps, Henri) for violin and orchestra |
1800 |
| Violin Concerto No. 5, Op. 37 (Vieuxtemps, Henri) for violin and orchestra |
|
| 8 Kleine Präludien und Fugen, BWV 553-560 (Bach, Johann Sebastian) for organ |
|
| Thaïs (Massenet, Jules) for voices, mixed chorus and orchestra |
1894 |
| Symphony No. 3, Op. 97 (Schumann, Robert) for orchestra |
1850 |
| Violin Concerto No. 3, Op. 61 (Saint-Saëns, Camille) for violin and orchestra |
1880 |
| Symphony No. 1, Op. 38 (Schumann, Robert) for orchestra |
1841 |
| Symphony No. 1, Op. 38 (Schumann, Robert) for orchestra |
|
| Alla saltarella (No.5) from Arrangement of Alla saltarella (No.5) from L'école moderne, Op. 10 (Wieniawski, Henri) for violin and piano |
|
| Violin Concerto in D minor, WoO 23 (Schumann, Robert) for violin and orchestra |
1853 |
| Violin Concerto No. 1, Op. 26 (Bruch, Max) for violin and orchestra |
1866 |
| Incidental Music from Phèdre (Massenet, Jules) for orchestra |
1901 |
| Revised version (1851) from Symphony No. 4, Op. 120 (Schumann, Robert) for orchestra |
1851 |
| Odeon (Nazareth, Ernesto) for piano |
|
| Arrangement of Marche écossaise sur un thème populaire (Debussy, Claude) for orchestra |
|
| Rondo brillant, Op. 29 (Mendelssohn, Felix) for piano and orchestra |
1834 |
| Original version (1887/1904) from Printemps (Debussy, Claude) for orchestra |
1884 |
| Manon (Massenet, Jules) for voices, mixed chorus and orchestra |
|
| Manon (Massenet, Jules) for voices, mixed chorus and orchestra |
|
| Manon (Massenet, Jules) for voices, mixed chorus and orchestra |
1882 |
| Arrangement of Ein deutsches Requiem, Op. 45 (Brahms, Johannes) for piano 4 hands |
1800 |
| Harold en Italie, H 68 (Berlioz, Hector) for viola and orchestra |
1834 |
| Petite suite (Debussy, Claude) for piano 4 hands |
1889 |
| Fandango, R.146 (Soler, Antonio) for harpsichord |
|
| 1st version from Du bist wie eine Blume, S.287 (Liszt, Franz) for voice and piano |
1800 |
| 1st version from Mignons Lied, S.275 (Liszt, Franz) for voice and piano |
1800 |
| Die Vätergruft, S.281 (Liszt, Franz) for voice and piano |
1800 |
| 1st version from Angiolin dal biondo crin, S.269 (Liszt, Franz) for voice and piano |
1800 |
| Le roi s'amuse (Delibes, Léo) for voices and orchestra |
1882 |
| An die ferne Geliebte, Op. 98 (Beethoven, Ludwig van) for voice and piano |
|
| Dor secreta (Nazareth, Ernesto) for piano |
|
| Dor secreta (Nazareth, Ernesto) for piano |
|
| Don Juan, Op. 20 (Strauss, Richard) for orchestra |
1888 |
| 6 Variations in F major, Op. 34 (Beethoven, Ludwig van) for piano |
1802 |
6 Variations on a Swiss song, WoO 64 (Beethoven, Ludwig van) for piano
harp |
1700 |
| Music for the Royal Fireworks, HWV 351 (Handel, George Frideric) for orchestra |
1749 |
Symphony No. 5, Op. 60 (Scriabin, Aleksandr) for mixed chorus and orchestra
orchestra |
|
| Widmung (No.1) from Myrthen, Op. 25 (Schumann, Robert) for voice and piano |
1800 |
| Frauenliebe und Leben, Op. 42 (Schumann, Robert) for voice and piano |
1840 |
| 3 Gesänge, Op. 31 (Schumann, Robert) for voice and piano |
1800 |
| 6 Sonatas for Solo Violin, Op. 27 (Ysaÿe, Eugène) for violin |
|
| Liber Fratrum Cruciferorum Leodiensium (Various) for organ |
1617 |
| Arrangement of Dichterliebe, Op. 48 (Schumann, Robert) for voice and orchestra |
1909 |
| 12 Variations on 'Se vuol ballare', WoO 40 (Beethoven, Ludwig van) for violin and piano |
|
| Cello Concerto, Op. 129 (Schumann, Robert) for cello and orchestra |
1850 |
| Arrangement of Cello Concerto, Op. 129 (Schumann, Robert) for violin and orchestra |
|
45 Toccatas for Keyboard (Seixas, Carlos) for harpsichord
organ |
|
| Aleko (Rachmaninoff, Sergei) for voices, mixed chorus and orchestra |
|
| Grand March to the Memory of Washington (Bull, Ole) for wind ensemble, brass ensemble and percussion |
|
Musicalische Vorstellung einiger biblischer Historien (Kuhnau, Johann) for keyboard
harpsichord
organ |
|
| Festpolonaise, S.230a (Liszt, Franz) for piano |
1876 |
| Concerto romantique, Op. 35 (Godard, Benjamin) for violin and orchestra |
|
| Richard Cœur-de-Lion (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
|
| Richard Cœur-de-Lion (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
|
| Partita in A minor, BWV 1013 (Bach, Johann Sebastian) for flute |
|
| Suite No. 2, Op. 92 (Reger, Max) for organ |
1906 |
| Piano Sonata in B minor, S.178 (Liszt, Franz) for piano |
1853 |
| 6 Organ Sonatas, Op. 65 (Mendelssohn, Felix) for organ |
1844 |
Choral-Improvisationen für Orgel, Op. 65 (Karg-Elert, Sigfrid) for organ
2 trumpets, 2 trombones, timpani and organ |
1939 |
| Trio in C major, Op. 87 (Beethoven, Ludwig van) for 2 oboes and English horn |
1795 |
| Arrangement of Trio in C major, Op. 87 (Beethoven, Ludwig van) for 2 clarinets and bassoon |
|
| String Quartet in D minor, Hob.III:43 (Haydn, Joseph) for 2 violins, viola and cello |
1785 |
| Arrangement of Ave Maria (Gounod, Charles) for soprano, violin, organ, piano and orchestra |
|
| Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus) for mixed chorus, strings and continuo |
1791 |
| Arrangement of Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
|
| 12 Stücke, Op. 65 (Reger, Max) for organ |
1900 |
| Cello Concerto, Op. 104 (Dvořák, Antonín) for cello and orchestra |
1895 |
| Giselle (Adam, Adolphe) for orchestra |
1841 |
| Act I: Giselle's Waltz from Arrangement of Act I: Giselle's Waltz from Giselle (Adam, Adolphe) for piano 4 hands |
|
| Bassoon Concerto in E minor, RV 484 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Cello Concerto No. 1, Op. 33 (Saint-Saëns, Camille) for cello and orchestra |
1872 |
| Organ Symphony No. 6, Op. 59 (Vierne, Louis) for organ |
1930 |
| Cantabile in B-flat major, B.84 (Chopin, Frédéric) for piano |
1834 |
| Scherzo, Op. 8 (Arensky, Anton) for piano |
1885 |
| Arrangement of String Sextet No. 2, Op. 36 (Brahms, Johannes) for piano 4 hands |
1866 |
| 8 Pièces brèves, Op. 84 (Fauré, Gabriel) for piano |
1900 |
| String Quartets, Op. 71 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| Carmen (Bizet, Georges) for voices, mixed chorus and orchestra |
1875 |
| Entr'acte (Act III) from Carmen (Bizet, Georges) for voices, mixed chorus and orchestra |
|
| Version 1881 from Symphony No. 6 in A major, WAB 106 (Bruckner, Anton) for orchestra |
1879 |
| Variations on a Theme by Robert Schumann, Op. 23 (Brahms, Johannes) for piano 4 hands |
1800 |
| 3 Morceaux, Op. 11 (Lyadov, Anatoly) for piano |
1919 |
| Brindisi (Act I) from La traviata (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| 1st version (1887) from Symphony No. 8 in C minor, WAB 108 (Bruckner, Anton) for orchestra |
1887 |
| 2nd version (1890) from Symphony No. 8 in C minor, WAB 108 (Bruckner, Anton) for orchestra |
1800 |
| Intermediate Adagio (1888) from Symphony No. 8 in C minor, WAB 108 (Bruckner, Anton) for orchestra |
1800 |
| III. Adagio (1890) from Symphony No. 8 in C minor, WAB 108 (Bruckner, Anton) for orchestra |
1890 |
| Symphony No. 8 in C minor, WAB 108 (Bruckner, Anton) for orchestra |
1800 |
| Rondoletto sur la Cracovienne, Op. 12 (Heller, Stephen) for piano |
|
| For Piano and Orchestra (Serrao) from Arrangement of For Piano and Orchestra (Serrao) from Fantasia on Donizetti's 'Lucrezia Borgia', Op. 50 (Thalberg, Sigismond) for |
1800 |
| Serenade No. 2, Op. 92 (Sinding, Christian) for 2 violins and piano |
1900 |
| 6 Stücke, Op. 32 (Sinding, Christian) for piano |
1800 |
| Cello Sonata, Op. 36 (Grieg, Edvard) for cello and piano |
1882 |
| 1. Allegro agitato from Cello Sonata, Op. 36 (Grieg, Edvard) for cello and piano |
1882 |
| Original Version from Cello Concerto in B-flat major, G.482 (Boccherini, Luigi) for cello and orchestra |
|
| Polonaise for Military Band, WoO 21 (Beethoven, Ludwig van) for wind ensemble, brass ensemble and percussion |
1810 |
| 6 Fugues, Op. 161 (Saint-Saëns, Camille) for piano |
1920 |
| Vocalise (No.14) from Arrangement of Vocalise (No.14) from 14 Romances, Op. 34 (Rachmaninoff, Sergei) for piano |
1921 |
| Feuillet d'album, Op. 169 (Saint-Saëns, Camille) for piano |
1921 |
| 3 Preludes and Fugues, Op. 109 (Saint-Saëns, Camille) for organ |
1898 |
| Symphony No. 2, Op. 55 (Saint-Saëns, Camille) for orchestra |
1859 |
| Partita in A major, GWV 849 (Graupner, Christoph) for harpsichord |
|
| Larvikspolka, EG 101 (Grieg, Edvard) for piano |
|
String Octet, Op. 20 (Mendelssohn, Felix) for strings
4 violins, 2 violas and 2 cellos |
1825 |
| Klavierbüchlein für Wilhelm Friedemann Bach (Bach, Johann Sebastian) for keyboard |
1720 |
| Klavierbüchlein für Wilhelm Friedemann Bach (Bach, Johann Sebastian) for keyboard |
|
| Overture in G minor, BWV 1070 (Bach, Johann Sebastian) for strings and continuo |
1753 |
| 3 Piano Pieces, EG 102 (Grieg, Edvard) for piano |
|
| 2-Act Version from La gazza ladra (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Cello Concerto No. 2 in D major, Hob.VIIb:2 (Haydn, Joseph) for cello and orchestra |
1783 |
| Cello Concerto No. 2 in D major, Hob.VIIb:2 (Haydn, Joseph) for cello and orchestra |
1700 |
| Arrangement of Extase, Op. 21 (Ysaÿe, Eugène) for 2 violins |
|
| Serenade und Allegro giojoso, Op. 43 (Mendelssohn, Felix) for piano and orchestra |
1838 |
| Symphony No. 4, Op. 90 (Mendelssohn, Felix) for orchestra |
1833 |
| Symphony No. 4, Op. 90 (Mendelssohn, Felix) for orchestra |
1834 |
| Symphony No. 3, Op. 56 (Mendelssohn, Felix) for orchestra |
1842 |
| Arrangement of Symphony No. 3, Op. 56 (Mendelssohn, Felix) for piano 4 hands |
1842 |
| Tiento de secondo tono por gesolreut sobre la Letanía de la Virgen (Bruna, Pablo) for organ |
|
| Batalha de No. 6 Tom (Braga, Antonio Correa) for organ |
1695 |
| Francesca da Rimini, Op. 32 (Tchaikovsky, Pyotr) for orchestra |
1876 |
| Intermezzo, EG 115 (Grieg, Edvard) for cello and piano |
1866 |
| My Little Bird, EG 126 (Grieg, Edvard) for voice and piano |
|
| My Little Bird, EG 126 (Grieg, Edvard) for voice and piano |
1865 |
| My Little Bird, EG 126 (Grieg, Edvard) for voice and piano |
|
| Avant-dernières pensées (Satie, Erik) for piano |
1915 |
| Piano Trio in B-flat major, Op. 97 (Beethoven, Ludwig van) for violin, cello and piano |
1810 |
| 10 Variations on 'Ich bin der Schneider Kakadu', Op. 121a (Beethoven, Ludwig van) for violin, cello and piano |
1800 |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Marsch der Priester (Act II, No.9) from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 3 trumpets |
|
| Arrangement of Selections from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for 2 clarinets, bassoon and 2 horns |
|
| Overture from Arrangement of Overture from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, serpent, 2 horns and 2 trumpets |
|
| Aira: In diesen heil'gen Hallen (Act II, No.15) from Arrangement of Aira: In diesen heil'gen Hallen (Act II, No.15) from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) |
|
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1700 |
| Adieu (Zarębski, Juliusz) for piano |
1800 |
| Valse-Caprice, Op. 4 (Beach, Amy Marcy) for piano |
1889 |
| 2 Piano Pieces, Op. 54 (Beach, Amy Marcy) for piano |
1903 |
| Ballade, Op. 6 (Beach, Amy Marcy) for piano |
1894 |
| Variations on Balkan Themes, Op. 60 (Beach, Amy Marcy) for piano |
1904 |
| Arrangement of Les patineurs, Op. 183 (Waldteufel, Emile) for guitar, 2 mandolins and mandola |
|
| Original version, Wq.30 from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Original version, Wq.30 from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1700 |
| Original version, Wq.30 from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1838 |
| Pasticcio version (Munich, 1773) from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1773 |
| Pasticcio version (Munich, 1773) from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1773 |
| Pasticcio version (Naples, 1774) from Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Toccata from L'Orfeo, SV 318 (Monteverdi, Claudio) for voices, mixed chorus and orchestra |
|
| Toccata from L'Orfeo, SV 318 (Monteverdi, Claudio) for voices, mixed chorus and orchestra |
|
| 4 Norwegian Dances, Op. 35 (Grieg, Edvard) for piano 4 hands |
|
| 2 Nordic Melodies, Op. 63 (Grieg, Edvard) for strings |
1895 |
| Version d'église, N 97a (1887-93) from Requiem, Op. 48 (Fauré, Gabriel) for soprano, baritone, mixed chorus and orchestra |
1888 |
Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
1661 |
Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
1811 |
Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
|
Versions with Ornamentation from Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
|
Versions with Ornamentation from Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
|
Versions with Ornamentation from Miserere (Allegri, Gregorio) for 9 voices
4 sopranos, 2 altos, tenor and 2 basses
2 mixed chorus |
|
Stabat Mater, IGP 90 (Palestrina, Giovanni Pierluigi da) for 8 voices
2 mixed chorus |
|
| Der Knabe, D.692 (Schubert, Franz) for voice and piano |
1820 |
| 9 Lieder and Songs, Op. 32 (Brahms, Johannes) for voice and piano |
1800 |
| 4 Lieder, Op. 46 (Brahms, Johannes) for voice and piano |
1800 |
| Sonata for 2 Pianos in D major, K.448/375a (Mozart, Wolfgang Amadeus) for 2 pianos |
1784 |
| Variations on a Theme from Hérold's 'Marie', D.908 (Schubert, Franz) for piano 4 hands |
1827 |
| 3 Chansons de France (Debussy, Claude) for voice and piano |
1904 |
| Piano Quintet, Op. 5 (Sinding, Christian) for 2 violins, viola, cello and piano |
1800 |
| 15 Romanzen aus L. Tiecks Magelone, Op. 33 (Brahms, Johannes) for voice and piano |
1800 |
| 3 Ballades de François Villon (Debussy, Claude) for voice and piano |
1910 |
| Arrangement of 3 Ballades de François Villon (Debussy, Claude) for voice and orchestra |
1910 |
| Arrangement of Wilt heden nu treden (Valerius, Adrianus) for orchestra |
|
| Song of the Varangian Guest (Tableau 4) from Sadko (opera) (Rimsky-Korsakov, Nikolay) for voices, mixed chorus and orchestra |
|
| Song of the Indian Guest (Tableau 4) from Arrangement of Song of the Indian Guest (Tableau 4) from Sadko (opera) (Rimsky-Korsakov, Nikolay) for voice and orchestra |
|
| Heidenröslein, D.257 (Schubert, Franz) for voice and piano |
|
| 5 Lieder, Op. 49 (Brahms, Johannes) for voice and piano |
|
| 2 Symphonic Pieces, Op. 14 (Grieg, Edvard) for piano 4 hands |
1800 |
| 4 Preludes (Scriabin, Yulian) for piano |
|
| Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Schumann, Robert) for piano |
1800 |
| 3 Études for Piano (Arriaga, Juan Crisóstomo de) for piano |
1800 |
| Variations for String Quartet, Op. 17 (Arriaga, Juan Crisóstomo de) for 2 violins, viola and cello |
1820 |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1741 |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1741 |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| 6 Gesänge, Op. 99 (Mendelssohn, Felix) for voice and piano |
|
| 6 Lieder, Op. 57 (Mendelssohn, Felix) for voice and piano |
|
| Genoveva, Op. 81 (Schumann, Robert) for voices, mixed chorus and orchestra |
1847 |
| Romance, Op. 26 (Svendsen, Johan) for violin and orchestra |
1800 |
| Romance, Op. 26 (Svendsen, Johan) for violin and orchestra |
1800 |
| Carnival in Paris, Op. 9 (Svendsen, Johan) for orchestra |
|
| Dante Symphony, S.109 (Liszt, Franz) for female chorus and orchestra |
1855 |
| 3 Lieder, Op. 84 (Mendelssohn, Felix) for voice and piano |
1800 |
| Symphony No. 5, Op. 107 (Mendelssohn, Felix) for orchestra |
1830 |
| Die erste Walpurgisnacht, Op. 60 (Mendelssohn, Felix) for alto, tenor, baritone, bass, mixed chorus and orchestra |
|
| 3 Fantaisies, Op. 16 (Mendelssohn, Felix) for piano |
1829 |
| Symphony No. 1, Op. 13 (Rachmaninoff, Sergei) for orchestra |
|
| 8 Lieder and Songs, Op. 57 (Brahms, Johannes) for voice and piano |
1800 |
| Fantaisie, Op. 111 (Fauré, Gabriel) for piano and orchestra |
1918 |
| Arrangement of Berceuse, Op. 16 (Fauré, Gabriel) for violin and orchestra |
1880 |
| Arrangement of 6 Harpsichord Concertos, Wq.43 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Essays in the Modes, Op. 78 (Foulds, John) for piano |
1928 |
| Le martyre de saint Sébastien (Debussy, Claude) for soprano, 2 altos, mixed chorus and orchestra |
1910 |
| Overture from Serse, HWV 40 (Handel, George Frideric) for voices and orchestra |
|
| Overture from Serse, HWV 40 (Handel, George Frideric) for voices and orchestra |
|
| Aria: Ombra mai fu (Act I) from Arrangement of Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for voice and orchestra |
|
| Aria: Ombra mai fu (Act I) from Arrangement of Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for 4 violins |
|
| Rondo in A major, D.951 (Schubert, Franz) for piano 4 hands |
1828 |
Horn Trio, Op. 40 (Brahms, Johannes) for horn, violin and piano
violin, cello and piano
violin, viola and piano |
1800 |
| Abendständchen, D.265 (Schubert, Franz) for voice and piano |
1815 |
| Cora an die Sonne, D.263 (Schubert, Franz) for voice and piano |
1815 |
| La damnation de Faust, H 111 (Berlioz, Hector) for mezzosoprano, tenor, baritone, bass, mixed chorus, childrens chorus and orchestra |
1845 |
| Fantasie in C major, D.934 (Schubert, Franz) for violin and piano |
|
| Wind Quintet, Op. 30 (Karg-Elert, Sigfrid) for oboe, 2 clarinets, bassoon and horn |
|
| Scherzo. Allegro vivace (No.2) from Arrangement of Scherzo. Allegro vivace (No.2) from Suite, Op. 34 (Widor, Charles-Marie) for flute and orchestra |
|
| Complete: 2-Act Version (1858) from Orphée aux enfers (Offenbach, Jacques) for voices, mixed chorus and orchestra |
1862 |
| An American in Paris (Gershwin, George) for orchestra |
1928 |
| Romance 'Connais-tu le pays?' (Act I) from Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Polonaise: 'Je suis Titania' (Act II) from Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Romance 'Connais-tu le pays?' (Act I) from Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Légeres hirondelles ('Swallow Duet') from Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Polonaise: 'Je suis Titania' (Act II) from Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Cello Concerto No. 4, Op. 61 (Neruda, Franz) for cello and orchestra |
1882 |
| Arrangement of Cello Concerto No. 4, Op. 61 (Neruda, Franz) for cello and piano |
1887 |
| The Mothers Prayer, Op. 1 (Bull, Ole) for violin and orchestra |
|
| Arrangement of The Mothers Prayer, Op. 1 (Bull, Ole) for organ |
|
| Arrangement of Cello Concerto No. 3, Op. 60 (Neruda, Franz) for cello and piano |
1887 |
| Cello Concerto No. 1, Op. 57 (Neruda, Franz) for cello and orchestra |
1884 |
| Arrangement of Cello Concerto No. 1, Op. 57 (Neruda, Franz) for cello and piano |
1884 |
| Arrangement of Cello Concerto No. 1, Op. 57 (Neruda, Franz) for cello and piano |
|
| Arrangement of Cello Concerto No. 5, Op. 66 (Neruda, Franz) for cello and piano |
1888 |
| Cello Concerto No. 2, Op. 59 (Neruda, Franz) for cello and orchestra |
1800 |
| 2nd version from An die Musik, D.547 (Schubert, Franz) for voice and piano |
1817 |
Barcarole, Op. 41 (Mertz, Johann Kaspar) for guitar and piano
2 guitars |
|
| Landkjending, Op. 31 (Grieg, Edvard) for baritone, male chorus and orchestra |
1872 |
| Landkjending, Op. 31 (Grieg, Edvard) for baritone, male chorus and orchestra |
|
| Andantino med Variationer (Hartmann, Johan Peter Emilius) for violin, cello and piano |
|
| Symphony No. 3, D.200 (Schubert, Franz) for orchestra |
|
| 5th Version from Die Forelle, D.550 (Schubert, Franz) for voice and piano |
|
| 11 Pezzi infantili, Op. 35 (Casella, Alfredo) for piano |
1900 |
| Erlkönig, D.328 (Schubert, Franz) for voice and piano |
1800 |
| Erlkönig, D.328 (Schubert, Franz) for voice and piano |
1816 |
| 6 Songs, Op. 4 (Grieg, Edvard) for voice and piano |
|
| 4 Songs, Op. 15 (Grieg, Edvard) for voice and piano |
|
| Margretes vuggesang / Margaretens Wiegenlied / Margaret's Lullaby (No.1) from 4 Songs, Op. 15 (Grieg, Edvard) for voice and piano |
|
| Modersorg (No.4) from 4 Songs, Op. 15 (Grieg, Edvard) for voice and piano |
|
| Modersorg (No.4) from 4 Songs, Op. 15 (Grieg, Edvard) for voice and piano |
|
| 9 Songs, Op. 18 (Grieg, Edvard) for voice and piano |
|
| Ungbirken / The Young Birch (No.6) from 9 Songs, Op. 18 (Grieg, Edvard) for voice and piano |
|
| Norsk Sjømandssang, EG 163 (Grieg, Edvard) for male chorus |
|
| Norsk Sjømandssang, EG 163 (Grieg, Edvard) for male chorus |
|
| Music at Welhavens Grave, EG 165 (Grieg, Edvard) for male chorus |
|
| Pinguim (Nazareth, Ernesto) for piano |
|
| Pássaros em festa (Nazareth, Ernesto) for piano |
1920 |
| Pássaros em festa (Nazareth, Ernesto) for piano |
1922 |
| Floraux (Nazareth, Ernesto) for piano |
|
| Elegantissima (Nazareth, Ernesto) for piano |
|
| Elegantissima (Nazareth, Ernesto) for piano |
|
| Turbilhão de beijos (Nazareth, Ernesto) for piano |
|
| Turbilhão de beijos (Nazareth, Ernesto) for piano |
|
| Selections by Anatoly Lyadov from Sorochinsky Fair (Mussorgsky, Modest) for voices, mixed chorus and orchestra |
|
| Grand March from Arrangement of Grand March from El Agiaco Cubano (Bull, Ole) for piano |
|
| Concerto Romano, Op. 43 (Casella, Alfredo) for organ and orchestra |
1926 |
| Piano Concerto (Gershwin, George) for piano and orchestra |
1925 |
Version from Valgsang, EG 149 (Grieg, Edvard) for male chorus
voice and piano |
|
Version from Valgsang, EG 149 (Grieg, Edvard) for male chorus
voice and piano |
|
| Arrangement of Helges Treue, Op. 1 (Draeseke, Felix) for voice and orchestra |
1800 |
| Ave Maria, Op. 12 (Brahms, Johannes) for female chorus and orchestra |
1800 |
| Ave Maria, Op. 12 (Brahms, Johannes) for female chorus and orchestra |
1800 |
| String Quartet No. 2, Op. 13 (Mendelssohn, Felix) for 2 violins, viola and cello |
1827 |
| String Quartet No. 4, Op. 44 No. 2 (Mendelssohn, Felix) for 2 violins, viola and cello |
|
| String Quartet No. 6, Op. 80 (Mendelssohn, Felix) for 2 violins, viola and cello |
1847 |
| 4 Pieces for String Quartet, Op. 81 (Mendelssohn, Felix) for 2 violins, viola and cello |
|
| The Sleeping Beauty (ballet), Op. 66 (Tchaikovsky, Pyotr) for orchestra |
|
| Athalie, Op. 74 (Mendelssohn, Felix) for narrator, 2 sopranos, 2 altos, 2 mixed chorus and orchestra |
1843 |
| Athalie, Op. 74 (Mendelssohn, Felix) for narrator, 2 sopranos, 2 altos, 2 mixed chorus and orchestra |
1844 |
| Ave maris stella, EG 150 (Grieg, Edvard) for voice and piano |
|
| Arrangement of Ave maris stella, EG 150 (Grieg, Edvard) for mixed chorus |
|
| Naïs, RCT 49 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
Harpsichord Sonata in C major, T.27 (Galuppi, Baldassare) for piano
harpsichord |
|
| 3 Parts upon a Ground, Z.731 (Purcell, Henry) for 3 violins and continuo |
|
Salve Regina in C minor (Pergolesi, Giovanni Battista) for soprano, organ and strings
alto, organ and strings |
1700 |
Salve Regina in C minor (Pergolesi, Giovanni Battista) for soprano, organ and strings
alto, organ and strings |
|
| Arrangement of Salve Regina in C minor (Pergolesi, Giovanni Battista) |
|
| Arrangement of Salve Regina in C minor (Pergolesi, Giovanni Battista) |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for soprano, alto, strings and continuo |
|
| Arrangement of Selections from Stabat Mater, P.77 (Pergolesi, Giovanni Battista) for violin |
|
| Béatrice et Bénédict, H 138 (Berlioz, Hector) for voices, mixed chorus and orchestra |
1862 |
| Elijah, Op. 70 (Mendelssohn, Felix) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1846 |
| Elijah, Op. 70 (Mendelssohn, Felix) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1846 |
| Arrangement of Il bacio (Arditi, Luigi) for viola and piano |
|
| Complete, H 133 A from Les Troyens, H 133 (Berlioz, Hector) for voices, mixed chorus and orchestra |
1856 |
| In Autumn, Op. 11 (Grieg, Edvard) for orchestra |
|
| Arrangement of Fra Diavolo (Auber, Daniel François Esprit) for flute and string quartet |
|
| Wind Octet in E-flat major, Op. 103 (Beethoven, Ludwig van) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
1792 |
| 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for violin and continuo |
|
| 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for violin and continuo |
|
| Parte prima (Nos.1-6) from 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for violin and continuo |
|
| Arrangement of Selections from 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for strings |
|
| Arrangement of Selections from 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for 2 violins, viola and cello |
|
| Viola Concerto in D major, BI 543 (Rolla, Alessandro) for viola and orchestra |
1800 |
| Duo for Violin and Viola, BI 33 (Rolla, Alessandro) for violin and viola |
|
| 6 Duos for 2 Violas, BI 9, 19, 13, 17, 18, 4 (Rolla, Alessandro) for 2 violas |
|
| Duo for Violin and Viola, BI 104 (Rolla, Alessandro) for violin and viola |
|
| Duo for Violin and Viola, BI 180a (Rolla, Alessandro) for violin and viola |
|
| Viola Concerto in E-flat major, BI 547 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in C major, BI 541 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in E-flat major, BI 544 (Rolla, Alessandro) for viola and orchestra |
|
| 3 Divertimenti for Violin and Viola, BI 40, 41, 49 (Rolla, Alessandro) for violin and viola |
1820 |
| Viola Concerto in F major, BI 549 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in F major, BI 551 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in F major, BI 550 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in E-flat major, BI 545 (Rolla, Alessandro) for viola and orchestra |
|
| 12 Violin Sonatas (Nardini, Pietro) for violin and continuo |
|
| 12 Violin Sonatas (Nardini, Pietro) for violin and continuo |
|
| 12 Violin Sonatas (Nardini, Pietro) for violin and continuo |
|
| Violin Sonata, Op. 18 (Strauss, Richard) for violin and piano |
1887 |
| 3 Russian Songs, Op. 41 (Rachmaninoff, Sergei) for |
|
| 3 Concertant Duos for Violin and Viola, Op. 4 (BI 107, 44, 86) (Rolla, Alessandro) for violin and viola |
|
| Divertimento for Violin and Viola, BI 79 (Rolla, Alessandro) for violin and viola |
|
| Divertimento for Violin and Viola, BI 38a (Rolla, Alessandro) for violin and viola |
|
| Divertimento for Violin and Viola, BI 72 (Rolla, Alessandro) for violin and viola |
|
| Divertimento for Violin and Viola, BI 109 (Rolla, Alessandro) for violin and viola |
|
| 3 Viola Concertos in F major, BI 552-554 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in E major, BI 548 (Rolla, Alessandro) for viola and orchestra |
|
| Konzertstück, Op. 46 (Sitt, Hans) for viola and orchestra |
|
| Viola Concerto in D major, BI 542 (Rolla, Alessandro) for viola and orchestra |
|
| Viola Concerto in C major (Rolla, Alessandro) for viola and orchestra |
|
| Sonata for Viola with Violin Accompaniment, BI 65 (Rolla, Alessandro) for violin and viola |
|
| Sonata for Viola with Violin Accompaniment, BI 67 (Rolla, Alessandro) for violin and viola |
|
| Concerto for Viola d'amore and Lute in D minor, RV 540 (Vivaldi, Antonio) for lute, viola damore, strings and continuo |
1740 |
| Concerto for Viola d'amore and Lute in D minor, RV 540 (Vivaldi, Antonio) for lute, viola damore, strings and continuo |
1740 |
| 1st Version from Um Mitternacht, D.862 (Schubert, Franz) for voice and piano |
1825 |
| Erotikon, Op. 10 (Sjögren, Emil) for piano |
1877 |
| Arrangement of Keyboard Concerto in D major, Hob.XVIII:11 (Haydn, Joseph) for 2 harpsichords |
|
| Gloria in D major, RV 589 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus and orchestra |
|
| Gloria in D major, RV 589 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus and orchestra |
|
| Suite for Strings (Janáček, Leoš) for strings |
|
| 3 String Quartets (Arriaga, Juan Crisóstomo de) for 2 violins, viola and cello |
|
| Mass, Op. 4 (Saint-Saëns, Camille) for soprano, alto, tenor, bass, mixed chorus, 2 organs and orchestra |
1856 |
| O salutaris hostia (No.6) from Arrangement of O salutaris hostia (No.6) from Mass, Op. 4 (Saint-Saëns, Camille) for organ |
1904 |
| Viola Concerto, TWV 51:G9 (Telemann, Georg Philipp) for viola, strings and continuo |
|
Mass, Op. 12 (Franck, César) for tenor, mixed chorus and orchestra
soprano, tenor, bass, mixed chorus and orchestra
tenor, mixed chorus, harp, cello, double bass and organ
soprano, tenor, bass, mixed chorus, harp, cello, double bass and organ |
1865 |
| 5 Songs for Soprano, SO 700 (Ornstein, Leo) for soprano and piano |
|
| Arrangement of Violin Concerto No. 4, MS 60 (Paganini, Niccolò) for violin and piano |
|
| Arrangement of Violin Concerto No. 5, MS 78 (Paganini, Niccolò) for violin and piano |
|
| Violin Concerto No. 1, Op. 6 (Paganini, Niccolò) for violin and orchestra |
1818 |
| Symphony No. 7 (Mahler, Gustav) for orchestra |
1904 |
| Symphony No. 7 (Mahler, Gustav) for orchestra |
|
| Waltz, WoO 85 (Beethoven, Ludwig van) for piano |
|
| Waltz, WoO 84 (Beethoven, Ludwig van) for piano |
|
| Bagatelle, WoO 52 (Beethoven, Ludwig van) for piano |
|
| Cavaquinho, por que choras? (Nazareth, Ernesto) for piano |
|
| Cavaquinho, por que choras? (Nazareth, Ernesto) for piano |
|
| Sinfonia from Arrangement of Sinfonia from Aroldo (Verdi, Giuseppe) for guitar, 2 mandolins and mandola |
1923 |
| Alcyone (Marais, Marin) for voices, strings and continuo |
|
| Tempest Scene (Act III, Scene 4) from Alcyone (Marais, Marin) for voices, strings and continuo |
|
| Piano Trio in E-flat major, Op. 70 No. 2 (Beethoven, Ludwig van) for violin, cello and piano |
1808 |
| 12 German Dances, WoO 8 (Beethoven, Ludwig van) for orchestra |
|
| Arrangement of The Star-Spangled Banner (Smith, John Stafford) for orchestra |
1943 |
| Arrangement of The Star-Spangled Banner (Smith, John Stafford) for keyboard |
|
| Ameno Resedá (Nazareth, Ernesto) for piano |
|
Beija-flor, IEN 4 (Nazareth, Ernesto) for piano
voice and piano |
|
| Qu'on ne parle from Titon et l'Aurore, Op. 7 (Mondonville, Jean-Joseph Cassanéa de) for voices, mixed chorus and orchestra |
|
| Attila (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| Première rhapsodie (Debussy, Claude) for clarinet and piano |
1910 |
| Cello Concerto in C major, RV 398 (Vivaldi, Antonio) for cello, strings and continuo |
1700 |
| Violin Concerto No. 7 in A minor, Op. 9 (Rode, Pierre) for violin and orchestra |
|
| Mormorio (Gomes, Carlos) for piano |
|
| 7 Fugues, EG 184 (Grieg, Edvard) for organ |
1861 |
| Sonata for 2 Pianos, Op. 34b (Brahms, Johannes) for 2 pianos |
|
| Grablied auf einen Soldaten, D.454 (Schubert, Franz) for voice and piano |
1816 |
| The Herdgirl's Sunday (Bull, Ole) for violin and orchestra |
1850 |
| Quelques danses, Op. 26 (Chausson, Ernest) for piano |
1896 |
| Exsultate, jubilate, K.165/158a (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1773 |
| Cadenzas from Arrangement of Cadenzas from Violin Concerto No. 22 in A minor (Viotti, Giovanni Battista) |
1891 |
| Otello (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Otello (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Otello (Rossini, Gioacchino) for guitar, 2 mandolins and mandola |
1923 |
| L'italiana in Algeri (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Finale: Musica del Sigre from Arrangement of Finale: Musica del Sigre from L'italiana in Algeri (Rossini, Gioacchino) for harp |
|
| Nocturne in E major (No.2) from Arrangement of Nocturne in E major (No.2) from Nocturnes for Violin and Piano, Op. 8 (Ernst, Heinrich Wilhelm) for orchestra |
|
| Incomplete from Armida al campo d'Egitto, RV 699 (Vivaldi, Antonio) for voices, mixed chorus, strings and continuo |
1700 |
| Aria "Se correndo in seno al mare" (Act III, Scene 6) from Armida al campo d'Egitto, RV 699 (Vivaldi, Antonio) for voices, mixed chorus, strings and continuo |
|
| Aria "Ch'alla colpa fa tragitto" (Act II, Scene 16) from Arrangement of Aria "Ch'alla colpa fa tragitto" (Act II, Scene 16) from Armida al campo d'Egitto, RV 699 (Vivaldi, Antonio) for voice, bassoon and cello |
|
| Zétulbé's Aria from Le calife de Bagdad (Boieldieu, François Adrien) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from La muette de Portici (Auber, Daniel François Esprit) for guitar, 2 mandolins and mandola |
|
| Bolero (Act I, No.4) from Arrangement of Bolero (Act I, No.4) from La muette de Portici (Auber, Daniel François Esprit) for wind band |
1829 |
| Violin Concerto No. 9, Op. 104 (Bériot, Charles-Auguste de) for violin and orchestra |
1868 |
| Violin Concerto No. 7, Op. 76 (Bériot, Charles-Auguste de) for violin and orchestra |
|
| Mercure (Satie, Erik) for orchestra |
|
| Clarinet Concerto No. 2 in E-flat major, Op. 74 (Weber, Carl Maria von) for clarinet and orchestra |
|
| 3 Fantasiestücke for Viola and Piano, Op. 43 (Reinecke, Carl) for viola and piano |
2013 |
| Sonata for Flute, Viola and Harp (Debussy, Claude) for flute, harp and viola |
1915 |
The Diplomat (Sousa, John Philip) for wind ensemble, brass ensemble and percussion
orchestra
piano |
1904 |
Sonatas for an Accompanied Solo Instrument (Sammartini, Giuseppe) for oboe and continuo
recorder and continuo
flute and continuo
violin and continuo |
|
| Symphony No. 94 in G major, Hob.I:94 (Haydn, Joseph) for orchestra |
1791 |
| Praeludium in E minor 'Big' (Bruhns, Nicolaus) for organ |
|
| Das war ich, D.174 (Schubert, Franz) for voice and piano |
1815 |
| Le triomphe de Bacchus (Debussy, Claude) for piano 4 hands |
1882 |
| Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra |
1723 |
| Arrangement of Selections from Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for orchestra |
|
| La Cenerentola (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Cavatina: Miei rampolli femminini (Act 1) from La Cenerentola (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
1826 |
| Overture from Arrangement of Overture from La Cenerentola (Rossini, Gioacchino) for 4 organs |
1820 |
| Cadenzas from Arrangement of Cadenzas from La Cenerentola (Rossini, Gioacchino) for |
|
| 1st version – 'De profundis version' from Totentanz, S.126 (Liszt, Franz) for piano and orchestra |
1849 |
| 2nd version from Arrangement of 2nd version from Totentanz, S.126 (Liszt, Franz) for 2 pianos |
|
| 1st version (5 songs) from Fêtes galantes (Debussy, Claude) for voice and piano |
1882 |
| Ariettes oubliées (Debussy, Claude) for voice and piano |
1885 |
| Fantaisie for Harp, Op. 95 (Saint-Saëns, Camille) for harp |
1893 |
| Arrangement of Horn Concerto No. 1, Op. 11 (Strauss, Richard) for horn and piano |
1883 |
| Quodlibet, BWV 524 (Bach, Johann Sebastian) for soprano, alto, tenor, bass and continuo |
1707 |
| Quodlibet, BWV 524 (Bach, Johann Sebastian) for soprano, alto, tenor, bass and continuo |
1700 |
| Marche et Cortége from La reine de Saba, CG 7 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Missa brevis in F major, K.192/186f (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1774 |
| 1st Version (published as Op.5 No.1) from Rastlose Liebe, D.138 (Schubert, Franz) for voice and piano |
1815 |
| Iphigénie en Aulide, Wq.40 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Hoffnung, D.295 (Schubert, Franz) for voice and piano |
1815 |
| An den Mond, D.296 (Schubert, Franz) for voice and piano |
1815 |
| 20 Trattenimenti Notturni (Rolla, Alessandro) for 2 violins and viola |
|
| "Ombre légère" (Act II Scene 1) from Le pardon de Ploërmel (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
|
| 12 Horn Duos, K.487/496a (Mozart, Wolfgang Amadeus) for 2 horns |
|
| Don Giovanni, K.527 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1700 |
| Arrangement of Selections from Don Giovanni, K.527 (Mozart, Wolfgang Amadeus) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Divertimento for Viola and String Quartet, BI 330 (Rolla, Alessandro) for 2 violins, 2 violas and cello |
1800 |
| Piano Trio in B-flat major, D.28 (Schubert, Franz) for violin, cello and piano |
1812 |
| Overture from Patience (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Patience (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Patience (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| 1st Version from Ins stille Land, D.403 (Schubert, Franz) for voice and piano |
1816 |
| Der Herbstabend, D.405 (Schubert, Franz) for voice and piano |
1816 |
Arrangement of La ritrovata figlia di Ottone II, Op. 39 (Kozeluch, Leopold) for harpsichord
piano |
|
| Prelude. Adagio (No.3) from Wind Quintet, Op. 43 (Nielsen, Carl) for flute, oboe, clarinet, bassoon and horn |
|
| Elegie et Musette (No.2) from Arrangement of Elegie et Musette (No.2) from King Christian II (suite), Op. 27 (Sibelius, Jean) for string quartet |
|
| 2 Suites for Orchestra, Op. 98 (Sibelius, Jean) for 2 flutes and strings |
|
| Piano Sonata No. 2, Op. 59 (Hiller, Ferdinand) for piano |
1851 |
| Noël des enfants qui n'ont plus de maisons (Debussy, Claude) for voice and piano |
1915 |
| Arrangement of Noël des enfants qui n'ont plus de maisons (Debussy, Claude) for 2 voices and piano |
1915 |
| Die Blumensprache, D.519 (Schubert, Franz) for voice and piano |
1800 |
| 1st Version from Schlaflied, D.527 (Schubert, Franz) for voice and piano |
1817 |
| Jägers Abendlied, D.368 (Schubert, Franz) for voice and piano |
1800 |
| Die gefangenen Sänger, D.712 (Schubert, Franz) for voice and piano |
1821 |
| Der Musensohn, D.764 (Schubert, Franz) for voice and piano |
1822 |
| An die Entfernte, D.765 (Schubert, Franz) for voice and piano |
1822 |
| Am Flusse, D.766 (Schubert, Franz) for voice and piano |
1822 |
| Willkommen und Abschied, D.767 (Schubert, Franz) for voice and piano |
1822 |
| Willkommen und Abschied, D.767 (Schubert, Franz) for voice and piano |
1822 |
| Heliopolis, D.754 (Schubert, Franz) for voice and piano |
1822 |
| Selige Welt, D.743 (Schubert, Franz) for voice and piano |
1822 |
| Schwanengesang, D.744 (Schubert, Franz) for voice and piano |
1822 |
| 1st Version from Frühlingsglaube, D.686 (Schubert, Franz) for voice and piano |
1820 |
| Am Fenster, D.878 (Schubert, Franz) for voice and piano |
1826 |
| 1st Version from Im Abendrot, D.799 (Schubert, Franz) for voice and piano |
1825 |
| Fülle der Liebe, D.854 (Schubert, Franz) for voice and piano |
1825 |
| Wiedersehn, D.855 (Schubert, Franz) for voice and piano |
1825 |
| Gondelfahrer, D.808 (Schubert, Franz) for voice and piano |
1824 |
| Das Geheimnis, D.793 (Schubert, Franz) for voice and piano |
1823 |
| 2nd Version (published as Op.37 No.1) from Der Pilgrim, D.794 (Schubert, Franz) for voice and piano |
1823 |
| 3rd Version (published as Op.60 No.1) from Greisengesang, D.778 (Schubert, Franz) for bass and piano |
1823 |
| Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.407 (Schubert, Franz) for tenor, bass and piano |
1816 |
| Mahomets Gesang, D.721 (Schubert, Franz) for voice and piano |
1821 |
| Rondo in B minor, D.895 (Schubert, Franz) for violin and piano |
1826 |
Gamba Sonata No. 3 in D major (Hammer, Xaver) for viol and continuo
cello and viol |
|
Gamba Sonata No. 2 in A major (Hammer, Xaver) for viol and continuo
cello and viol |
|
Gamba Sonata No. 1 in D major (Hammer, Xaver) for viol and continuo
cello and viol |
|
| Arrangement of Gondelfahrer, D.809 (Schubert, Franz) for piano |
1800 |
| Arrangement of Kaiser-Walzer, Op. 437 (Strauss Jr., Johann) for flute, clarinet, 2 violins, viola, cello and piano |
|
| Wiener Blut, Op. 354 (Strauss Jr., Johann) for orchestra |
|
| Andante in C major, K.315/285e (Mozart, Wolfgang Amadeus) for flute and orchestra |
1778 |
Gamba Sonata No. 4 in D major (Hammer, Xaver) for viol and continuo
cello and viol |
|
| Arpeggione Sonata, D.821 (Schubert, Franz) for arpeggione and piano |
1824 |
| Mondenschein, D.875 (Schubert, Franz) for 2 tenors, 3 basses and piano |
1826 |
| La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Overture from La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Overture from La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1791 |
| Arrangement of Selections from La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Arrangement of Selections from La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Overture from Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1790 |
| Duets and Terzets from Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) for 2 clarinets, 2 bassoons and 2 horns |
|
| Sarabande (No.3) from Arrangement of Sarabande (No.3) from Suite dans le style ancien, Op. 24 (Indy, Vincent d') for organ |
|
| Freut euch des Lebens, Op. 340 (Strauss Jr., Johann) for orchestra |
|
| Intende voci, D.963 (Schubert, Franz) for tenor, mixed chorus and orchestra |
1828 |
Salve Regina, D.811 (Schubert, Franz) for male chorus
2 tenors and 2 basses |
1824 |
| Divertimento in E-flat major, K.113 (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Serenade in D major, K.185/167a (Mozart, Wolfgang Amadeus) for orchestra |
1773 |
| Serenade in D major, K.320 (Mozart, Wolfgang Amadeus) for orchestra |
1779 |
| Notturno for 4 Flutes in D major (Dittersdorf, Carl Ditters von) for 4 flutes |
|
Divertimento in B-flat major, K.287/271h (Mozart, Wolfgang Amadeus) for 2 horns, 2 violins, viola and double bass
2 horns, 2 violins, viola and cello |
1777 |
| Violin Concerto, Op. 69 (Lange-Müller, Peter Erasmus) for violin and orchestra |
1946 |
| Cadenzas from Arrangement of Cadenzas from Violin Concerto, Op. 69 (Lange-Müller, Peter Erasmus) for |
|
| Serenade in C minor, K.388/384a (Mozart, Wolfgang Amadeus) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
1782 |
Serenade in B-flat major, K.361/370a (Mozart, Wolfgang Amadeus) for 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, contrabassoon and 4 horns
2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 4 horns and double bass |
1700 |
| Selections (Nos.1, 2, 3, 7) from Arrangement of Selections (Nos.1, 2, 3, 7) from Serenade in B-flat major, K.361/370a (Mozart, Wolfgang Amadeus) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Selections (Nos.1, 2, 3, 7) from Arrangement of Selections (Nos.1, 2, 3, 7) from Serenade in B-flat major, K.361/370a (Mozart, Wolfgang Amadeus) for oboe, violin, 2 violas and cello |
|
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
|
| Arrangement of Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for violin, cello and piano |
|
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
|
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
1700 |
Divertimento in F major, K.247 (Mozart, Wolfgang Amadeus) for 2 horns, 2 violins, viola and bass
2 horns and strings |
1776 |
Both versions from Serenade in E-flat major, K.375 (Mozart, Wolfgang Amadeus) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns
2 clarinets, 2 bassoons and 2 horns |
1781 |
| Fragments from Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| Fragments from Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| Fragments from Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| Fragments from Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| Fragments from Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| String Quartet, Op. 122 (Kuhlau, Friedrich) for 2 violins, viola and cello |
1800 |
| Serenade, Op. 43 (Hartmann, Emil) for flute, oboe, 2 clarinets, 2 bassoons, 2 horns, cello and double bass |
1800 |
| Canons and Fugues for Piano (Klengel, August Alexander) for piano |
1824 |
| Symphony, Op. 23 (Voříšek, Jan Václav) for orchestra |
1823 |
| Iolanthe (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Allegretto alla polacca (No.4) from Arrangement of Allegretto alla polacca (No.4) from Serenade in D major, Op. 8 (Beethoven, Ludwig van) for orchestra |
1877 |
6 Trio Sonatas, Op. 3 (Abel, Carl Friedrich) for 2 flutes and cello
2 violins and cello |
|
Quartet in D major, WK 226 (Abel, Carl Friedrich) for flute, violin, viola and cello
2 violins, viola and cello |
|
Quartet in F major, WK 225 (Abel, Carl Friedrich) for flute, violin, viola and cello
2 violins, viola and cello |
|
| String Quartet No. 1 (Cherubini, Luigi) for 2 violins, viola and cello |
1814 |
| La sulamite (Chabrier, Emmanuel) for mezzosoprano, female chorus and orchestra |
1890 |
Fantasia and Fugue in C minor, H.75.5 (Bach, Carl Philipp Emanuel) for organ
keyboard |
|
| "Vainement, ma bien-aimée" (Act III) from Le roi d'Ys (Lalo, Édouard) for voices, mixed chorus and orchestra |
|
| "Vainement, ma bien-aimée" (Act III) from Le roi d'Ys (Lalo, Édouard) for voices, mixed chorus and orchestra |
|
| Fugue in D major, Op. 137 (Beethoven, Ludwig van) for 2 violins, 2 violas and cello |
1817 |
| H.M.S. Pinafore (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1878 |
| H.M.S. Pinafore (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Overture from H.M.S. Pinafore (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Suite pastorale (Chabrier, Emmanuel) for orchestra |
1888 |
| Arrangement of Coppélia (Delibes, Léo) for 2 violins |
|
Clarinet Trio, Op. 114 (Brahms, Johannes) for clarinet, cello and piano
viola, cello and piano |
1891 |
| Flute Sonata in C major, RV 48 (Vivaldi, Antonio) for flute and continuo |
|
| Flute Concerto in G major, QV 5:174 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in G major, QV 5:174 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Sonata No.3 in C major, WV 1 - Allegro from Arrangement of Sonata No.3 in C major, WV 1 - Allegro from 6 Sonatas, Op. 2 (Wagenseil, Georg Christoph) for keyboard |
|
| Flute Sonata in D major, H.561 (Bach, Carl Philipp Emanuel) for flute and continuo |
|
| Grande messe des morts, H 75 (Berlioz, Hector) for tenor, mixed chorus, 4 brass ensembles and orchestra |
1837 |
| Mass No. 1 in D minor, WAB 26 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1864 |
| Mass No. 1 in D minor, WAB 26 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass No. 1 in D minor, WAB 26 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Mass No. 1 in D minor, WAB 26 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Album-Leaf 'Andantino', S.163a/2 (Liszt, Franz) for piano |
1828 |
| Morceau de concert, Op. 94 (Saint-Saëns, Camille) for horn and orchestra |
1887 |
| Arrangement of Morceau de concert, Op. 94 (Saint-Saëns, Camille) for horn and piano |
1887 |
| Vesperae solennes de confessore, K.339 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1780 |
| 6 Flute Quartets (Campagnoli, Bartolomeo) for flute, violin, viola and cello |
|
Clarinet and Orchestra from Concerto in C major, B.106 (Pleyel, Ignaz) for clarinet and orchestra
flute and orchestra
cello and orchestra |
|
| Concerto in G major, TWV 40:201 from 4 Concerti for 4 Violins, TWV 40:201-204 (Telemann, Georg Philipp) for 4 violins |
|
| Concerto in D major, TWV 40:202 from 4 Concerti for 4 Violins, TWV 40:201-204 (Telemann, Georg Philipp) for 4 violins |
|
| (Concerto in C major) from 4 Concerti for 4 Violins, TWV 40:201-204 (Telemann, Georg Philipp) for 4 violins |
|
Bassoon Concertino, Op. 12 (David, Ferdinand) for bassoon and orchestra
viola and orchestra |
|
| Ouverture from Arrangement of Ouverture from Saul, HWV 53 (Handel, George Frideric) for orchestra |
|
| Ouverture from Arrangement of Ouverture from Saul, HWV 53 (Handel, George Frideric) for orchestra |
|
| Arrangement of Masques et Bergamasques, suite, Op. 112 (Fauré, Gabriel) for piano 4 hands |
1919 |
| Sonata No.4 in G major from 12 Flute Sonatas, Op. 2 (Locatelli, Pietro Antonio) for flute and continuo |
|
| Arpeggio for Viola with Violin Accompaniment, BI 6 (Rolla, Alessandro) for violin and viola |
|
| Symphonic Dances, Op. 64 (Grieg, Edvard) for orchestra |
|
12 Violin Sonatas, Op. 2 (Leclair, Jean-Marie) for violin and continuo
flute and continuo
flute, viol and continuo
violin, viol and continuo |
|
| Boy Scouts of America (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
1916 |
| Arrangement of Hunnenschlacht, S.105 (Liszt, Franz) for 2 pianos |
|
| Violin Concerto No. 2, Op. 63 (Prokofiev, Sergey) for violin and orchestra |
|
| The Belle of Chicago (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
1892 |
| Piano Trio No. 4, Op. 84 (Kalkbrenner, Friedrich Wilhelm) for violin, cello and piano |
|
| 12 Caprices, Op. 3 (Rovelli, Pietro) for violin |
|
| Cassandra, S.240b (Marcello, Benedetto) for alto and continuo |
|
| Cassandra, S.240b (Marcello, Benedetto) for alto and continuo |
|
| Cassandra, S.240b (Marcello, Benedetto) for alto and continuo |
|
| Cassandra, S.240b (Marcello, Benedetto) for alto and continuo |
|
| Le Zite 'n galera (Vinci, Leonardo) for voices and orchestra |
1721 |
| L'Agrippina (Porpora, Nicola Antonio) for voices and orchestra |
|
Complete (1729 Version) from Semiramide riconosciuta (Porpora, Nicola Antonio) for 6 voices and orchestra
voices, male chorus and orchestra |
|
Complete (1739 Version) from Semiramide riconosciuta (Porpora, Nicola Antonio) for 6 voices and orchestra
voices, male chorus and orchestra |
|
Complete (1739 Version) from Semiramide riconosciuta (Porpora, Nicola Antonio) for 6 voices and orchestra
voices, male chorus and orchestra |
|
| Adriano in Siria, P.140 (Pergolesi, Giovanni Battista) for 6 voices and orchestra |
|
| Siface (Various) for 6 voices and orchestra |
|
| Intermezzi (Giuseppe Sellitto) from Siface (Various) for 6 voices and orchestra |
|
| Quartetto for Horns (Du Puy, Edouard) for 4 horns |
|
| Zenobia (Hasse, Johann Adolph) for voices and orchestra |
|
| Incomplete from Zenobia (Hasse, Johann Adolph) for voices and orchestra |
|
| Alessandro nell'Indie (Vinci, Leonardo) for voices, mixed chorus and orchestra |
|
| Amor hai vinto, RV 651 (Vivaldi, Antonio) for soprano and continuo |
|
| All'or che lo sguardo, RV 650 (Vivaldi, Antonio) for soprano and continuo |
1700 |
| 6 Trios for Flute, Viola and Cello (Devienne, François) for flute, viola and cello |
|
Trios, Quatuors et Sextuors pour cors en differens tons (Dauprat, Louis-François) for 3 horns
4 horns
6 horns |
|
| Il Giasone (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| Il Giasone (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| Il Giasone (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| Il Giasone (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| La farfalletta s'aggira, RV 660 (Vivaldi, Antonio) for soprano and continuo |
1700 |
| Geme l'onda che parte, RV 657 (Vivaldi, Antonio) for soprano and continuo |
1700 |
| Geme l'onda che parte, RV 657 (Vivaldi, Antonio) for soprano and continuo |
|
| Overture from Arrangement of Overture from Raymond (Thomas, Ambroise) for guitar, 2 mandolins and mandola |
|
| Elegy, TH 51 (Tchaikovsky, Pyotr) for strings |
1884 |
| Complete (1748 Version of Dresden) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Complete (1748 Version of Dresden) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
1748 |
| Complete (1748 Version of Dresden) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Complete (1748 Version of Venice) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Complete (1758 Version) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Selections (1748 Version) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Selections (1748 Version) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Complete (1758 Version) from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Sinfonia from Demofoonte (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Silla dittatore (Vinci, Leonardo) for 8 voices and orchestra |
|
| Silla dittatore (Vinci, Leonardo) for 8 voices and orchestra |
|
| String Quintet No. 1, Op. 88 (Brahms, Johannes) for 2 violins, 2 violas and cello |
1800 |
Germanico in Germania (Porpora, Nicola Antonio) for 6 voices and orchestra
6 voices, mixed chorus and orchestra |
|
Der brauchbare Virtuoso (Mattheson, Johann) for flute and continuo
violin and continuo
keyboard |
|
| Par che tardo oltre il costume, RV 662 (Vivaldi, Antonio) for soprano and continuo |
1700 |
| Par che tardo oltre il costume, RV 662 (Vivaldi, Antonio) for soprano and continuo |
1730 |
| Tra l'erbe, i zeffiri, RV 669 (Vivaldi, Antonio) for soprano and continuo |
|
| Lungi dal vago volto, RV 680 (Vivaldi, Antonio) for soprano, violin and continuo |
|
| Ouverture from Belshazzar, HWV 61 (Handel, George Frideric) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| Brockes-Passion, HWV 48 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Brockes-Passion, HWV 48 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Brockes-Passion, HWV 48 (Handel, George Frideric) for |
|
| Clarinet Concerto No. 1, Op. 26 (Spohr, Louis) for clarinet and orchestra |
|
| Clarinet Concerto No. 1, Op. 26 (Spohr, Louis) for clarinet and orchestra |
|
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Nicht mehr schutzt dein Arm hinfort (Act III) from Hercules, HWV 60 (Handel, George Frideric) for soprano, mezzosoprano, alto, tenor, bass and orchestra |
|
| Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Prologue from Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Selections (Instrumental) from Atys, LWV 53 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Israel in Egypt, HWV 54 (Handel, George Frideric) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| March (Act III, No.36) from Arrangement of March (Act III, No.36) from Judas Maccabaeus, HWV 63 (Handel, George Frideric) |
|
| Overture from Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Aria: Where'er You Walk (Act II, Sc.3) from Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Aria: Where'er You Walk (Act II, Sc.3) from Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Selections (Nos.1, 2) from Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Overture from Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
1700 |
| Overture from Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1702 |
| Overture & Suite from Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Psyché, LWV 56 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| I fidanzati (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| L'ultimo giorno di Pompei (Pacini, Giovanni) for voices, mixed chorus and orchestra |
1825 |
| Demetrio (Piccinni, Niccolò) for voices and orchestra |
1760 |
| Demetrio (Piccinni, Niccolò) for voices and orchestra |
|
| Demetrio (Piccinni, Niccolò) for voices and orchestra |
|
| Demetrio (Piccinni, Niccolò) for voices and orchestra |
|
| Complete (1763 Version) from Le contadine bizzarre (Piccinni, Niccolò) for voices and orchestra |
|
| Complete (1774 Version) from Le contadine bizzarre (Piccinni, Niccolò) for voices and orchestra |
1774 |
| La locandiera di spirito (Piccinni, Niccolò) for 8 voices and orchestra |
|
| La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Incomplete from La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from La Nitteti (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Overture from An Occasional Oratorio, HWV 62 (Handel, George Frideric) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Overture from An Occasional Oratorio, HWV 62 (Handel, George Frideric) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Il saltimbanco (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Selections (1743 Version) from La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Selections (1743 Version) from La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Orchestral (1742 & 1743 Versions) from La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Vocal & Orchestral (1743 Version) from La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Sinfonia from La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La Didone abbandonata (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La fidanzata corsa (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Overture from Agrippina, HWV 6 (Handel, George Frideric) for voices and orchestra |
|
| Esther, HWV 50a (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Original Version from Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Sullivan's Version (1869) from Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
1869 |
| Alessandro nelle Indie (Pacini, Giovanni) for voices, mixed chorus and orchestra |
1800 |
| Joseph and His Brethren, HWV 59 (Handel, George Frideric) for 2 sopranos, 3 altos, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Joseph and His Brethren, HWV 59 (Handel, George Frideric) for 2 sopranos, 3 altos, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Joseph and His Brethren, HWV 59 (Handel, George Frideric) for 2 sopranos, 3 altos, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Overture from Teseo, HWV 9 (Handel, George Frideric) for 4 sopranos, 2 altos, bass and orchestra |
|
| Ouverture Act 2 by Bononcini from Muzio Scevola (Various) for voices and orchestra |
|
| Overture-Suite from Arrangement of Overture-Suite from Muzio Scevola (Various) for |
|
| Overture from Il pastor fido, HWV 8a (Handel, George Frideric) for 3 sopranos, 2 altos, bass and orchestra |
|
| Lotario, HWV 26 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
|
| Overture from Poro, re dell'Indie, HWV 28 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
|
| Overture from Floridante, HWV 14 (Handel, George Frideric) for 2 sopranos, 2 altos, 2 basses and orchestra |
|
| Overture from Flavio, re de' Longobardi, HWV 16 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass and orchestra |
|
| Overture from Tamerlano, HWV 18 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
|
| Overture, Act I from Admeto, HWV 22 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Overture, Act II from Admeto, HWV 22 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Riccardo I, ré d'Inghilterra, HWV 23 (Handel, George Frideric) for orchestra |
|
| Tolomeo, re d'Egitto, HWV 25 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra |
|
| Overture from Tolomeo, re d'Egitto, HWV 25 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra |
|
| Partenope, HWV 27 (Handel, George Frideric) for 2 sopranos, 2 altos, tenor, bass and orchestra |
|
| Ouverture from Sosarme, re di Media, HWV 30 (Handel, George Frideric) for 2 sopranos, 3 altos, tenor, bass and orchestra |
|
| Ariodante, HWV 33 (Handel, George Frideric) for voices and orchestra |
|
| Overture from Berenice, HWV 38 (Handel, George Frideric) for 2 sopranos, 3 altos, tenor, bass and orchestra |
|
| Ouverture from Faramondo, HWV 39 (Handel, George Frideric) for 4 sopranos, 2 altos, 2 basses and orchestra |
|
| Overture from Publio Cornelio Scipione, HWV 20 (Handel, George Frideric) for 2 sopranos, 2 altos, tenor, bass and orchestra |
|
| Overture from Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
|
| Ouverture from Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
|
| Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
|
| Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
|
| Ouverture from Arrangement of Ouverture from Rinaldo, HWV 7a (Handel, George Frideric) for organ |
1933 |
| Alessandro, HWV 21 (Handel, George Frideric) for voices, male chorus and orchestra |
|
| Ouverturen-Suite from Arrangement of Ouverturen-Suite from Alessandro, HWV 21 (Handel, George Frideric) for |
|
| Nos.2-3, B.432-433 from Arrangement of Nos.2-3, B.432-433 from 6 Keyboard Trios, B.431-436 (Pleyel, Ignaz) for flute and piano |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1750 |
| La conversione di Sant' Agostino (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1750 |
| Amadigi di Gaula, HWV 11 (Handel, George Frideric) for voices and orchestra |
|
| Amadigi di Gaula, HWV 11 (Handel, George Frideric) for voices and orchestra |
|
| Aria: Lascia ch'io pianga (Act II) from Arrangement of Aria: Lascia ch'io pianga (Act II) from Rinaldo, HWV 7b (Handel, George Frideric) for small orchestra |
|
| Overture from Ezio, HWV 29 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
|
| La buona figliuola (Piccinni, Niccolò) for voices and orchestra |
|
| La buona figliuola (Piccinni, Niccolò) for voices and orchestra |
|
| La buona figliuola (Piccinni, Niccolò) for voices and orchestra |
|
| Overture from La buona figliuola (Piccinni, Niccolò) for voices and orchestra |
|
| La buona figliuola (Piccinni, Niccolò) for voices and orchestra |
|
| Overture from Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
|
| Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
|
| Overture from Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
|
| Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
|
| 1902 version from The Stone Guest (Dargomyzhsky, Aleksandr) for voices, mixed chorus and orchestra |
1902 |
| Ulisse in Campania (Agnesi, Maria Teresa) for voices, mixed chorus and orchestra |
|
| Ariadne Musica (Fischer, Johann Caspar Ferdinand) for organ |
|
| The Yeomen of the Guard (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1888 |
| Overture from The Yeomen of the Guard (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| 2. Arie: Meine Seele dürstet from Wie der Hirsch schreit nach frischem Wasser, Op. 42 (Mendelssohn, Felix) for soprano, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Polonaise in B-flat minor, B.13 (Chopin, Frédéric) for piano |
|
Viola Concertino in E-flat major, BI 328 (Rolla, Alessandro) for 3 violins, 2 violas and cello
viola and strings |
|
| Arlequin (No.1) from Arrangement of Arlequin (No.1) from Scenes from a Masked Ball, Op. 3 (Popper, David) for orchestra |
1918 |
| 3 Keyboard Trios, B.443-445 (Pleyel, Ignaz) for violin, cello and keyboard |
|
| Froissart, Op. 19 (Elgar, Edward) for orchestra |
|
| Sonata for 2 Mandolins in C major, IEB 3 (Barbella, Emanuele) for 2 mandolins |
|
| Sonata for 2 Mandolins in G major, IEB 4 (Barbella, Emanuele) for 2 mandolins |
|
| No.2 ''Eastern Song: The Nightingale Enslaved by the Rose'' from Arrangement of No.2 ''Eastern Song: The Nightingale Enslaved by the Rose'' from 4 Romances, Op. 2 (Rimsky-Korsakov, Nikolay) for voice and orchestra |
|
Fugue in G minor, K.401/375e (Mozart, Wolfgang Amadeus) for organ
piano |
1782 |
| Concerto in G minor (Monn, Georg Matthias) for cello and orchestra |
1780 |
| Septet No. 3, Op. 30 (Sick, Theodor Bernhard) for clarinet, bassoon, horn, violin, viola, cello and double bass |
1874 |
| Septet No. 2, Op. 29 (Sick, Theodor Bernhard) for clarinet, bassoon, horn, violin, viola, cello and double bass |
1874 |
| Septet No. 1, Op. 25 (Sick, Theodor Bernhard) for clarinet, bassoon, horn, violin, viola, cello and double bass |
1872 |
| 6 Quartets from 6 Flute Quartets, Op. 2b (Zielche, Hans Hinrich) for flute, violin, viola and cello |
|
| Phaéton, Op. 39 (Saint-Saëns, Camille) for orchestra |
1873 |
| Von der Wiege bis zum Grabe, S.107 (Liszt, Franz) for orchestra |
|
| Arrangement of Von der Wiege bis zum Grabe, S.107 (Liszt, Franz) for piano |
|
| Sinfonia in G major, T.Si 8 (Albinoni, Tomaso) for strings and continuo |
|
33 Portraits, Op. 101 (Karg-Elert, Sigfrid) for organ
harmonium |
1959 |
| 6 Duos for 2 Violas, BI 22, 5, 11, 21, 20, 15 (Rolla, Alessandro) for 2 violas |
|
| Serenade for Violin and Viola, BI 68 (Rolla, Alessandro) for violin and viola |
|
| Arrangement of 6 Quintets, Op. 11 (Bach, Johann Christian) for 2 harpsichords |
|
| 7 Arrangements for Solo Viola, BI 316-322 (Rolla, Alessandro) for viola |
1832 |
Arpeggio in E-flat major, BI 7 (Rolla, Alessandro) for 2 violas
violin and viola |
|
| 3 Duos for 2 Violas, BI 10, 3, 14 (Rolla, Alessandro) for 2 violas |
|
| Concertpiece for 4 Horns and Orchestra, Op. 86 (Schumann, Robert) for 4 horns and orchestra |
1849 |
| Ruy Blas, Op. 95 (Mendelssohn, Felix) for orchestra |
1839 |
| Semiramide (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Trial by Jury (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Trial by Jury (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Symphony No. 9 (Mahler, Gustav) for orchestra |
1909 |
| Arrangement of Simple aveu, Op. 25 (Thomé, Francis) for viola and piano |
2000 |
| The Gondoliers (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Decet, Op. 18 (Helsted, Gustav) for flute, oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass |
1891 |
| Second Suite for Military Band, Op. 28 No. 2 (Holst, Gustav) for wind ensemble, brass ensemble and percussion |
|
| Horn Concerto No. 2, TrV 283 (Strauss, Richard) for horn and orchestra |
1943 |
| Overture from Arrangement of Overture from Si j'étais roi (Adam, Adolphe) for guitar, 2 mandolins and mandola |
1929 |
| Faust, CG 4 (Gounod, Charles) for voices, mixed chorus and orchestra |
1859 |
| Si le bonheur (Act IV) from Faust, CG 4 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Faust, CG 4 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Arrangement of 4 Polonaises mélancoliques (Kaczkowski, Joachim) for violin and piano |
|
| Overture from Le médecin malgré lui, CG 3 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Oboe Sonata No. 1, Op. 34 (Sick, Theodor Bernhard) for oboe and piano |
|
| Oboe Sonata No. 2, Op. 35 (Sick, Theodor Bernhard) for oboe and piano |
1874 |
| Flute Quartet in G major, M.C III:12 (Sperger, Johann Matthias) for flute, 2 violas and cello |
|
| Overture from L'hôtellerie portugaise (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Médée (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Euryanthe, Op. 81 (Weber, Carl Maria von) for voices, mixed chorus and orchestra |
1823 |
| Silvana, J.87 (Weber, Carl Maria von) for voices, mixed chorus and orchestra |
|
| Lodoïska (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Lodoïska (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Oberon, J.306 (Weber, Carl Maria von) for voices, mixed chorus and orchestra |
|
| Oberon, J.306 (Weber, Carl Maria von) for voices, mixed chorus and orchestra |
|
| Ruddigore (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Resignação (Nazareth, Ernesto) for piano |
|
| Resignação (Nazareth, Ernesto) for piano |
1930 |
| Invocation (Debussy, Claude) for male chorus and orchestra |
1883 |
| Lucrezia Borgia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Lucrezia Borgia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Lucrezia Borgia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1833 |
| Lucia di Lammermoor (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Sextet for Piano and Woodwind Quintet, Op. 6 (Thuille, Ludwig) for flute, oboe, clarinet, bassoon, horn and piano |
1888 |
| String Quartet No. 23, Op. 48 (Onslow, George) for 2 violins, viola and cello |
|
| La serva padrona (Pergolesi, Giovanni Battista) for 2 voices and orchestra |
|
| Act I from Briséïs (Chabrier, Emmanuel) for voices, mixed chorus and orchestra |
1893 |
| Der Concertmeister (Bornhardt, Johann Heinrich Carl) for voice, flute, guitar and violin |
|
| Sérénade, Op. 39 (Call, Leonhard von) for 2 guitars |
|
Serenade for Violin and Guitar, Liv.1 (Call, Leonhard von) for violin and guitar
flute and guitar |
|
| 3 Guitar Sonatas, Op. 22 (Call, Leonhard von) for guitar |
1924 |
| Cello Concerto, Op. 33 (Volkmann, Robert) for cello and orchestra |
|
| Guntram, Op. 25 (Strauss, Richard) for voices, mixed chorus and orchestra |
1892 |
| Begräbnisgesang, Op. 13 (Brahms, Johannes) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, tuba and timpani |
1800 |
| 6 Lieder, Op. 85 (Brahms, Johannes) for voice and piano |
|
5 Romances and Songs, Op. 84 (Brahms, Johannes) for 2 voices and piano
voice and piano |
1881 |
| String Quartet, Op. 121 (Fauré, Gabriel) for 2 violins, viola and cello |
|
| Triumphlied, Op. 55 (Brahms, Johannes) for baritone, 2 mixed chorus and orchestra |
|
| Triumphlied, Op. 55 (Brahms, Johannes) for baritone, 2 mixed chorus and orchestra |
1800 |
| 3 Sacred Choruses, Op. 37 (Brahms, Johannes) for soprano, alto and female chorus |
1800 |
| Piano Trio No. 2, Op. 87 (Brahms, Johannes) for violin, cello and piano |
1882 |
| 9 Lieder and Songs, Op. 63 (Brahms, Johannes) for voice and piano |
1874 |
| Rinaldo, Op. 50 (Brahms, Johannes) for tenor, male chorus and orchestra |
|
| Arrangement of Elegy, Op. 24 (Fauré, Gabriel) for cello and orchestra |
|
| Arrangement of Elegy, Op. 24 (Fauré, Gabriel) for clarinet and piano |
|
| Sonata for Viola da Gamba in C major, GraunWV A:XVII:1 (Graun, Johann Gottlieb) for viol and continuo |
|
| 6 Songs by Various Poets (Wolf, Hugo) for voice and piano |
1883 |
| 6 Songs by Various Poets (Wolf, Hugo) for voice and piano |
1800 |
| 6 Lieder für eine Frauenstimme (Wolf, Hugo) for voice and piano |
1882 |
| Overture from Undine (Lortzing, Albert) for voices, mixed chorus and orchestra |
|
| Cavatine, Op. 144 (Saint-Saëns, Camille) for trombone and piano |
1915 |
| Wind Quintet (Rasmussen, Peter) for flute, oboe, clarinet, bassoon and horn |
|
6 Quartets, Op. 1 (Schmittbaur, Joseph Aloys) for flute, 2 violins and cello
flute, violin, cello and keyboard
flute, violin, cello and harpsichord |
|
| La fanciulla del West, SC 78 (Puccini, Giacomo) for voices, mixed chorus and orchestra |
|
| Andante for Oboe, Cello and Piano (Bendix, Victor) for oboe, cello and piano |
|
| Symphony No. 5, Op. 50 (Nielsen, Carl) for orchestra |
1926 |
| Violin Sonata in D major, RV 10 (Vivaldi, Antonio) for violin and continuo |
|
| Paride ed Elena, Wq.39 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
1791 |
| Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
|
| Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
|
| Overture from Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
|
| Finale Primo from Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
|
| Il matrimonio segreto (Cimarosa, Domenico) for voices and orchestra |
|
| Overture from Arrangement of Overture from Il matrimonio segreto (Cimarosa, Domenico) for guitar, 2 mandolins and mandola |
1923 |
| 2 Sonatas for Horn and Strings (Cherubini, Luigi) for horn and strings |
1804 |
| Joseph (Méhul, Etienne Nicolas) for voices, mixed chorus and orchestra |
|
| Mass No. 3 in F minor, WAB 28 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass No. 3 in F minor, WAB 28 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1868 |
| Mass No. 3 in F minor, WAB 28 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass No. 3 in F minor, WAB 28 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Benedictus (No.5) from Arrangement of Benedictus (No.5) from Mass No. 3 in F minor, WAB 28 (Bruckner, Anton) for piano |
1917 |
| Original Version (1866) from Mass No. 2 in E minor, WAB 27 (Bruckner, Anton) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones |
1866 |
| Original Version (1866) from Mass No. 2 in E minor, WAB 27 (Bruckner, Anton) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones |
1866 |
| Intermediate Version (1869) from Mass No. 2 in E minor, WAB 27 (Bruckner, Anton) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones |
1869 |
| Second Version (1882) from Mass No. 2 in E minor, WAB 27 (Bruckner, Anton) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones |
1883 |
| Second Version (1882) from Mass No. 2 in E minor, WAB 27 (Bruckner, Anton) for mixed chorus, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones |
1885 |
| Clarinet Trio No. 2, Op. 46 (Sick, Theodor Bernhard) for clarinet, cello and piano |
1878 |
| Clarinet Trio No. 1, Op. 45 (Sick, Theodor Bernhard) for clarinet, cello and piano |
1878 |
| Symphony No. 1 (Halvorsen, Johan) for orchestra |
1923 |
| Symphony No. 1 (Halvorsen, Johan) for orchestra |
|
| Romance, Op. 75 (Glass, Louis) for cello and piano |
|
Selections (7 Trios) from Essercizii musici (Telemann, Georg Philipp) for violin and continuo
recorder and continuo
viol and continuo
recorder, oboe and continuo
oboe, violin and continuo
recorder, violin and continuo
flute, violin and continuo
flute, harpsichord and continuo
violin, viol and continuo
oboe, harpsichord and continuo
recorder, viol and continuo
flute, violin, cello and continuo
flute, oboe and continuo
recorder, harpsichord and continuo
viol, harpsichord and continuo
oboe, harpsichord and continuo |
|
| Cello Sonata, Op. 5 (Glass, Louis) for cello and piano |
|
| Early Version from 10 Variations on "Unser dummer Pöbel meint", K.455 (Mozart, Wolfgang Amadeus) for piano |
1784 |
| Early Version from 10 Variations on "Unser dummer Pöbel meint", K.455 (Mozart, Wolfgang Amadeus) for piano |
1784 |
| Loreley, Op. 98 (Mendelssohn, Felix) for voices, mixed chorus and orchestra |
|
| 2 Marches, K.335/320a (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Chanson du pêcheur (No.1) from Arrangement of Chanson du pêcheur (No.1) from 2 Songs, Op. 4 (Fauré, Gabriel) for voice and orchestra |
|
| Peer Gynt, Op. 23 (Grieg, Edvard) for voices, mixed chorus and orchestra |
|
| Jérusalem (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| Vocalise-étude (Fauré, Gabriel) for voice and piano |
1907 |
| Version from La damoiselle élue (Debussy, Claude) for soprano, mixed chorus and orchestra |
1900 |
| 1865 version from Macbeth (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| Complete (1865 version) from Macbeth (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| 6 German Dances, K.571 (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Cello Sonata No. 2, Op. 117 (Fauré, Gabriel) for cello and piano |
1921 |
| Sonata VIII from 8 Harpsichord Sonatas, Op. 1 (Alberti, Domenico) for harpsichord |
|
| La princesse jaune, Op. 30 (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1800 |
| I Lombardi alla prima crociata (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| 12 Variations on 'Ah, vous dirai-je maman', K.265/300e (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Ce jour est plein d'allégresse (Finale) from Arrangement of Ce jour est plein d'allégresse (Finale) from Don Carlos (Verdi, Giuseppe) for guitar, 2 mandolins and mandola |
1930 |
| Otello (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| Overture from Alfonso und Estrella, D.732 (Schubert, Franz) for voices, mixed chorus and orchestra |
1822 |
| Arie: Doch im Getümmel der Schlacht (No.8) from Alfonso und Estrella, D.732 (Schubert, Franz) for voices, mixed chorus and orchestra |
1822 |
| Arie: Wenn ich dich, Holde, sehe (No.13) from Alfonso und Estrella, D.732 (Schubert, Franz) for voices, mixed chorus and orchestra |
1822 |
| Die Zwillingsbrüder, D.647 (Schubert, Franz) for voices, mixed chorus and orchestra |
|
| Gavotte from Rosine, ou L'épouse abandonnée (Gossec, François Joseph) for orchestra |
1786 |
| Saxophone Concerto, Op. 109 (Glazunov, Aleksandr) for saxophone and strings |
|
| Saxophone Concerto, Op. 109 (Glazunov, Aleksandr) for saxophone and strings |
|
| Overture from Arrangement of Overture from Banditenstreiche (Suppé, Franz von) for guitar, 2 mandolins and mandola |
1923 |
La serenata (Braga, Gaetano) for voice, cello and piano
voice, violin and piano |
|
| Arrangement of La serenata (Braga, Gaetano) for 2 horns and piano |
|
| Wind Quintet, Op. 79 (Klughardt, August) for flute, oboe, clarinet, bassoon and horn |
1901 |
| Clairières dans le ciel (Boulanger, Lili) for tenor and piano |
|
| Sleeping Beauty, Op. 22 (Melartin, Erkki) for orchestra |
1904 |
| Ascanio in Alba, K.111 (Mozart, Wolfgang Amadeus) for 5 voices, mixed chorus and orchestra |
1771 |
| Flute Quartet in D major, K.285 (Mozart, Wolfgang Amadeus) for flute, violin, viola and cello |
1777 |
| Symphony in D major, D.615 (Schubert, Franz) for orchestra |
|
| Symphony in D major, D.708a (Schubert, Franz) for orchestra |
1800 |
| Symphony No. 10, D.936a (Schubert, Franz) for orchestra |
|
| Arrangement of Andante religioso, Op. 70 (Thomé, Francis) for viola and piano |
1912 |
| Rondo in D major, K.382 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1782 |
| I. Kyrie from Mass in A minor, D.755 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
Les nuits d'été, H 81 (Berlioz, Hector) for mezzosoprano and piano
voices and orchestra |
1843 |
| Phryné (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1897 |
| Phryné (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
|
| Concerto Per Mandolino, Violino Primo, Violino Secondo e Basso (Ugolino, Vito) for mandolin, 2 violins and continuo |
|
| Mandolin Sonata in C major, Gimo 141 (Gervasio, Giovanni Battista) for mandolin and continuo |
|
| Mandolin Sonata in D major, Gimo 142, 143 (Gervasio, Giovanni Battista) for mandolin and continuo |
|
| Duet in E-flat major for Two Mandolins, Gimo 147 (Gervasio, Giovanni Battista) for 2 mandolins |
|
| Mandolin Sonata in D major, Gimo 144 (Gervasio, Giovanni Battista) for mandolin and continuo |
|
| Mandolin Sonata in G major, Gimo 145, 146 (Gervasio, Giovanni Battista) for mandolin and continuo |
|
| Trio in D major, Gimo 150 (Gervasio, Giovanni Battista) for 2 mandolins and continuo |
|
| Sonata for 2 Mandolins in A major, IEB 2 (Barbella, Emanuele) for 2 mandolins |
|
| Sonata for 2 Mandolins in A major, IEB 2 (Barbella, Emanuele) for 2 mandolins |
|
| Sonata for 2 Mandolins in A major, IEB 2 (Barbella, Emanuele) for 2 mandolins |
|
| Mandolin Concerto in A major (Cecere, Carlo) for mandolin, 2 violins and continuo |
|
| Trio Sonata in D major (Cocchi, Gioacchino) for 2 mandolins and continuo |
1760 |
| Trio Sonata in D major (Cocchi, Gioacchino) for 2 mandolins and continuo |
1760 |
| Trio Sonata in D major (Gervasio, Giovanni Battista) for 2 mandolins and continuo |
1760 |
| Trio Sonata in D major (Gervasio, Giovanni Battista) for 2 mandolins and continuo |
1760 |
| Mandolin Sinfonia in B-flat major (Giuliani, Giuseppe) for mandolin, 2 violins and continuo |
|
| Mandolin Sinfonia in B-flat major (Giuliani, Giuseppe) for mandolin, 2 violins and continuo |
|
| Mandolin Concerto in G major, Gimo 58 (Caudioso, Domenico) for mandolin, 2 violins and continuo |
|
| Sonata for 2 Mandolins in G major, IEB 5 (Barbella, Emanuele) for 2 mandolins |
|
| Sonata for 2 Mandolins in G major, IEB 6 (Barbella, Emanuele) for 2 mandolins and continuo |
|
| Sonata for 2 Mandolins in G major, IEB 6 (Barbella, Emanuele) for 2 mandolins and continuo |
|
| Mandolin Concerto in F major (Caballone, Gaspare) for mandolin, 2 violins and continuo |
|
| Trio for 2 Mandolins and Continuo in C major, S-Uu Gimo 359 (Anonymous) for 2 mandolins and continuo |
|
| Der Schauspieldirektor, K.486 (Mozart, Wolfgang Amadeus) for voices and orchestra |
1786 |
| Le Temple de la gloire, RCT 59 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Dardanus, RCT 35 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
1739 |
| Dardanus, RCT 35 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Dardanus, RCT 35 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Dardanus, RCT 35 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Symphony Concertante No. 1 in G major (Fiorillo, Federigo) for 2 flutes and orchestra |
|
| Recorder Sonata in D minor, IFS 56 (Sardelli, Federico Maria) for recorder and continuo |
2002 |
| Recorder Sonata in G minor, IFS 57 (Sardelli, Federico Maria) for recorder and continuo |
2001 |
| Bastien und Bastienne, K.50/46b (Mozart, Wolfgang Amadeus) for 3 voices and orchestra |
1768 |
| Bastien und Bastienne, K.50/46b (Mozart, Wolfgang Amadeus) for 3 voices and orchestra |
1768 |
| Overture from Dream on the Volga, Op. 16 (Arensky, Anton) for voices, mixed chorus and orchestra |
|
| Overture from Dream on the Volga, Op. 16 (Arensky, Anton) for voices, mixed chorus and orchestra |
|
| Il rè pastore, K.208 (Mozart, Wolfgang Amadeus) for 5 voices, mixed chorus and orchestra |
|
| Martha (Flotow, Friedrich von) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Martha (Flotow, Friedrich von) for guitar, 2 mandolins and mandola |
1923 |
| Il sogno di Scipione, K.126 (Mozart, Wolfgang Amadeus) for 6 voices, mixed chorus and orchestra |
1772 |
| Iphigénie en Tauride, Wq.46 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
1824 |
| Impromptu in E-flat major (Lipiński, Karol Józef) for violin |
|
| La finta semplice, K.51/46a (Mozart, Wolfgang Amadeus) for 7 voices and orchestra |
1768 |
| Mitridate, rè di Ponto, K.87/74a (Mozart, Wolfgang Amadeus) for 7 voices and orchestra |
1770 |
| Piano Concerto No. 2 in B-flat major, K.39 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1767 |
| Organ Sonata, Op. 58 (Hartmann, Johan Peter Emilius) for organ |
1855 |
| Prelude and Fugue, WoO 9 (Brahms, Johannes) for organ |
1856 |
| Die tote Stadt, Op. 12 (Korngold, Erich Wolfgang) for voices, mixed chorus and orchestra |
1920 |
| Apollo et Hyacinthus, K.38 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1767 |
| Zaide, K.344/336b (Mozart, Wolfgang Amadeus) for voices and orchestra |
1780 |
| Arrangement of Adagio and Allegro, Op. 70 (Schumann, Robert) for cello and orchestra |
|
| Arrangement of Adagio and Allegro, Op. 70 (Schumann, Robert) |
1896 |
Fantasiestücke, Op. 73 (Schumann, Robert) for clarinet and piano
violin and piano
cello and piano |
1800 |
| Zart und mit Ausdruck (No.1) from Arrangement of Zart und mit Ausdruck (No.1) from Fantasiestücke, Op. 73 (Schumann, Robert) for viola and piano |
|
| Chaconne in G minor (Vitali, Tomaso Antonio) for violin and continuo |
|
| Chaconne in G minor (Vitali, Tomaso Antonio) for violin and continuo |
|
| Castor et Pollux, RCT 32 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
1737 |
| Chantons l'éclatante victoire from Castor et Pollux, RCT 32 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Choeur from Castor et Pollux, RCT 32 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Azara (Paine, John Knowles) for voices, mixed chorus and orchestra |
|
2 Cellos from 10 Melodic Etudes, Op. 57 (Kummer, Friedrich August) for cello
2 cellos |
|
| Piano Concerto No. 16 in D major, K.451 (Mozart, Wolfgang Amadeus) for piano and orchestra |
1784 |
| Violin Concerto No. 1, Op. 20 (Saint-Saëns, Camille) for violin and orchestra |
1859 |
| Original Version from Il pirata (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| Passacaglia, Op. 80 (Merikanto, Oskar) for organ |
1915 |
| La Caccia, Op. 109 (Giuliani, Mauro) for guitar |
|
| Draft Version (1881) from Te Deum, WAB 45 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1881 |
| Final Version (1883-84) from Te Deum, WAB 45 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1883 |
| Final Version (1883-84) from Te Deum, WAB 45 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1883 |
| Final Version (1883-84) from Te Deum, WAB 45 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1884 |
| Te Deum, WAB 45 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Allegretto, WoO 39 (Beethoven, Ludwig van) for violin, cello and piano |
1800 |
| Musik zu einem Ritterballet, WoO 1 (Beethoven, Ludwig van) for orchestra |
|
| Italian version (L'assedio di Corinto) in 2 acts from Le siège de Corinthe (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Prelude and Fugue, WoO 10 (Brahms, Johannes) for organ |
1857 |
La captive, H 60 (Berlioz, Hector) for mezzosoprano and piano
mezzosoprano, cello and piano
mezzosoprano and orchestra |
1832 |
| Neue Liebe, neues Leben (No.2) from 6 Gesänge, Op. 75 (Beethoven, Ludwig van) for voice and piano |
1800 |
| Le rouet d'Omphale, Op. 31 (Saint-Saëns, Camille) for orchestra |
1872 |
| 12 Fugues for 2 Violins and Continuo (Gassmann, Florian Leopold) for 2 violins and continuo |
|
| Die Ehre Gottes aus der Natur (No.4) from Arrangement of Die Ehre Gottes aus der Natur (No.4) from 6 Lieder, Op. 48 (Beethoven, Ludwig van) for voice and orchestra |
|
| Die Ehre Gottes aus der Natur (No.4) from Arrangement of Die Ehre Gottes aus der Natur (No.4) from 6 Lieder, Op. 48 (Beethoven, Ludwig van) for mixed chorus |
1892 |
| 3 Piano Concertos after J.C. Bach, K.107 (Mozart, Wolfgang Amadeus) for piano and strings |
1770 |
| Oboe Concerto, Op. 12 (Barth, Christian Frederik) for oboe and orchestra |
|
| Sanctus (No.5) from Requiem in C minor (Cherubini, Luigi) for mixed chorus and orchestra |
|
| Requiem in C minor (Cherubini, Luigi) for mixed chorus and orchestra |
|
Orchestral arrangement, B.175 from Mass in D major, Op. 86 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass, mixed chorus and orchestra |
1893 |
Orchestral arrangement, B.175 from Mass in D major, Op. 86 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass, mixed chorus and orchestra |
1893 |
| 3 Motets, Op. 12 (Chausson, Ernest) for 4 voices, harp, cello and organ |
1886 |
| In convertendo Dominus, RCT 14 (Rameau, Jean-Philippe) for soprano, alto, bass, mixed chorus and orchestra |
|
| Les Sept Paroles du Christ (Dubois, Théodore) for soprano, tenor, baritone, mixed chorus and orchestra |
1867 |
| Symphony No. 2, Op. 21 (Chadwick, George Whitefield) for orchestra |
|
| Ave Maria (No.2) from 2 Songs, Op. 67 (Fauré, Gabriel) for voice and organ |
|
| Cyprès et lauriers, Op. 156 (Saint-Saëns, Camille) for organ and orchestra |
1919 |
| Cyprès et lauriers, Op. 156 (Saint-Saëns, Camille) for organ and orchestra |
1919 |
| Arrangement of Cyprès et lauriers, Op. 156 (Saint-Saëns, Camille) for 2 pianos |
1919 |
| Cyprès et lauriers, Op. 156 (Saint-Saëns, Camille) for organ and orchestra |
1900 |
| Variations on a Recitative, Op. 40 (Schoenberg, Arnold) for organ |
1941 |
| 4 Songs and Ballades, Op. 9 (Grieg, Edvard) for voice and piano |
|
| 4 Songs and Ballades, Op. 9 (Grieg, Edvard) for voice and piano |
|
| Det første Møde (No.1) from 4 Songs, Op. 21 (Grieg, Edvard) for voice and piano |
|
| Det første Møde (No.1) from Arrangement of Det første Møde (No.1) from 4 Songs, Op. 21 (Grieg, Edvard) for voice and strings |
|
| Dein Rat is wohl gut (No.4) from Arrangement of Dein Rat is wohl gut (No.4) from 4 Songs, Op. 21 (Grieg, Edvard) for voice and orchestra |
|
Sigurd Jorsalfar (incidental music), Op. 22 (Grieg, Edvard) for tenor, male chorus and orchestra
baritone, male chorus and orchestra |
|
Sigurd Jorsalfar (incidental music), Op. 22 (Grieg, Edvard) for tenor, male chorus and orchestra
baritone, male chorus and orchestra |
|
| The Queen of Spades, Op. 68 (Tchaikovsky, Pyotr) for voices, mixed chorus and orchestra |
|
| The Queen of Spades, Op. 68 (Tchaikovsky, Pyotr) for voices, mixed chorus and orchestra |
|
| Deus noster refugium, RCT 13 (Rameau, Jean-Philippe) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Deus noster refugium, RCT 13 (Rameau, Jean-Philippe) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Symphony No. 44 in E minor, Hob.I:44 (Haydn, Joseph) for orchestra |
|
| Foran Sydens kloster, Op. 20 (Grieg, Edvard) for soprano, alto, female chorus and piano |
|
| Foran Sydens kloster, Op. 20 (Grieg, Edvard) for soprano, alto, female chorus and piano |
|
| 5 Songs, Op. 26 (Grieg, Edvard) for voice and piano |
|
| 6 Reminiscences from Mountain and Fjord, Op. 44 (Grieg, Edvard) for voice and piano |
|
| 6 Reminiscences from Mountain and Fjord, Op. 44 (Grieg, Edvard) for voice and piano |
|
| Ragnhild (No.3) from 6 Reminiscences from Mountain and Fjord, Op. 44 (Grieg, Edvard) for voice and piano |
|
| Jule-sne (No.5) from 6 Songs, Op. 49 (Grieg, Edvard) for voice and piano |
|
| Fædrelandssalme (No.7) from Arrangement of Fædrelandssalme (No.7) from 7 Childrens Songs, Op. 61 (Grieg, Edvard) for mixed chorus |
|
| Fædrelandssalme (No.7) from Arrangement of Fædrelandssalme (No.7) from 7 Childrens Songs, Op. 61 (Grieg, Edvard) for mixed chorus |
|
| Fædrelandssalme (No.7) from Arrangement of Fædrelandssalme (No.7) from 7 Childrens Songs, Op. 61 (Grieg, Edvard) for male chorus |
|
| Fædrelandssalme (No.7) from Arrangement of Fædrelandssalme (No.7) from 7 Childrens Songs, Op. 61 (Grieg, Edvard) for female chorus |
|
| 5 Songs, Op. 69 (Grieg, Edvard) for voice and piano |
1900 |
| Snegl, Snegl! (No.4) from 5 Songs, Op. 69 (Grieg, Edvard) for voice and piano |
|
| 5 Songs, Op. 70 (Grieg, Edvard) for voice and piano |
1900 |
| Dig elsker jeg!, EG 127 (Grieg, Edvard) for voice and piano |
1865 |
| Dig elsker jeg!, EG 127 (Grieg, Edvard) for voice and piano |
1865 |
| 6 Romances, Op. 39 (Grieg, Edvard) for voice and piano |
|
| Dulgt kjærlighed (No.2) from 6 Romances, Op. 39 (Grieg, Edvard) for voice and piano |
1873 |
| I Liden højt deroppe (No.3) from 6 Romances, Op. 39 (Grieg, Edvard) for voice and piano |
|
| Ved en ung Hustrus Båre (No.5) from 6 Romances, Op. 39 (Grieg, Edvard) for voice and piano |
|
| Ved en ung hustrus båre (No.5) from Arrangement of Ved en ung hustrus båre (No.5) from 6 Romances, Op. 39 (Grieg, Edvard) for mixed chorus |
|
| 6 Romances, Op. 39 (Grieg, Edvard) for voice and piano |
|
| 12 Songs, Op. 33 (Grieg, Edvard) for voice and piano |
1800 |
| Langs ei Å / Am Strome / Beside the Stream (No.5) from 12 Songs, Op. 33 (Grieg, Edvard) for voice and piano |
1800 |
| Ved Rondane (No.9) from Arrangement of Ved Rondane (No.9) from 12 Songs, Op. 33 (Grieg, Edvard) for female chorus |
1800 |
| La Grande-Duchesse de Gérolstein (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| La Grande-Duchesse de Gérolstein (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Great Mass in C major (Rieder, Ambros) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Meeresstille und glückliche Fahrt, Op. 27 (Mendelssohn, Felix) for orchestra |
1800 |
| Meeresstille und glückliche Fahrt, Op. 27 (Mendelssohn, Felix) for orchestra |
1800 |
| Mélodrame from La tempête, Op. 18 (Chausson, Ernest) for voices and orchestra |
1888 |
| La tempête, Op. 18 (Chausson, Ernest) for voices and orchestra |
1888 |
| I puritani (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| I puritani (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| I Capuleti e i Montecchi (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| Dixit Dominus a due cori (1741) (Leo, Leonardo) for 2 mixed chorus and orchestra |
|
| Dixit Dominus a due cori (1742) (Leo, Leonardo) for 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra |
|
| Dixit Dominus a due cori (1742) (Leo, Leonardo) for 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra |
|
| Arrangement of Passacaille, Op. 35 (Rhené-Baton, Emmanuel) for flute and orchestra |
|
| Canon for 4 Voices in C major, K.553 (Mozart, Wolfgang Amadeus) for 4 voices |
|
| Canon for 4 Voices in F major, K.554 (Mozart, Wolfgang Amadeus) for 4 voices |
1788 |
| Symphony No. 86 in D major, Hob.I:86 (Haydn, Joseph) for orchestra |
1786 |
| 8 Gedichte aus 'Letzte Blätter', Op. 10 (Strauss, Richard) for voice and piano |
1885 |
| Symphony No. 83 in G minor, Hob.I:83 (Haydn, Joseph) for orchestra |
1785 |
| Symphony No. 92 in G major, Hob.I:92 (Haydn, Joseph) for orchestra |
1789 |
| Symphony No. 82 in C major, Hob.I:82 (Haydn, Joseph) for orchestra |
1786 |
| Symphony No. 87 in A major, Hob.I:87 (Haydn, Joseph) for orchestra |
1785 |
| Symphony No. 87 in A major, Hob.I:87 (Haydn, Joseph) for orchestra |
|
| Sangerhilsen, EG 170 (Grieg, Edvard) for male chorus |
|
| Galieno (Pallavicino, Carlo) for voices and orchestra |
|
| L’amazone corsara (Pallavicino, Carlo) for voices and orchestra |
|
Version with Baritone solo from Serenade til J. S. Welhaven, Op. 18 (Grieg, Edvard) for male chorus
baritone and male chorus |
|
| Carlo il Calvo (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Cello Concerto No. 1, Op. 2 (Romberg, Bernhard) for cello and orchestra |
|
| 2 Lieder nach Gedichten von Rainer Maria Rilke, Op. 8 (Webern, Anton) for voice, clarinet, horn, trumpet, celesta, harp, violin, viola and cello |
1910 |
| 4 Lieder für Sopran und Kammerorchester, Op. 13 (Webern, Anton) for voice and orchestra |
1914 |
| 4 Lieder für Sopran und Kammerorchester, Op. 13 (Webern, Anton) for voice and orchestra |
1900 |
| 6 Lieder nach Gedichten von Georg Trakl, Op. 14 (Webern, Anton) for voice, clarinet, violin and cello |
1917 |
| 3 Lieder für Sopran, Klarinette und Gitarre, Op. 18 (Webern, Anton) for soprano, clarinet and guitar |
1925 |
| 3 Lieder für Sopran, Klarinette und Gitarre, Op. 18 (Webern, Anton) for soprano, clarinet and guitar |
1925 |
| String Trio, Op. 20 (Webern, Anton) for violin, viola and cello |
1927 |
| Arrangement of Symphony No. 96 in D major, Hob.I:96 (Haydn, Joseph) for keyboard |
1793 |
| Arrangement of Symphony No. 97 in C major, Hob.I:97 (Haydn, Joseph) for keyboard |
|
| Arrangement of Symphony No. 98 in B-flat major, Hob.I:98 (Haydn, Joseph) for keyboard |
1793 |
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
|
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
|
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
|
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
|
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
|
| 6 Bagatellen, Op. 9 (Webern, Anton) for 2 violins, viola and cello |
1913 |
| Quartet, Op. 22 (Webern, Anton) for clarinet, tenor saxophone, violin and piano |
1930 |
| 3 Kleine Stücke, Op. 11 (Webern, Anton) for cello and piano |
1914 |
| Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Mass in C major, K.317 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1779 |
| 23 Short Pieces for Piano, EG 104 (Grieg, Edvard) for piano |
1859 |
| Arrangement of String Quartet No. 2, EG 117 (Grieg, Edvard) for piano 4 hands |
|
| String Quartet No. 2, EG 117 (Grieg, Edvard) for 2 violins, viola and cello |
|
| Little Lad, EG 129 (Grieg, Edvard) for voice and piano |
|
| The White and the Red Rose, EG 137 (Grieg, Edvard) for voice and piano |
|
| National Song, EG 151 (Grieg, Edvard) for voice and piano |
|
| Cantata at W.Christies Statue, EG 158 (Grieg, Edvard) for male chorus, wind ensemble, brass ensemble and percussion |
|
| Cantata at W.Christies Statue, EG 158 (Grieg, Edvard) for male chorus, wind ensemble, brass ensemble and percussion |
|
| 4 Songs for Male Voices, EG 160 (Grieg, Edvard) for male chorus |
|
| Denmark, EG 161 (Grieg, Edvard) for mixed chorus and piano |
|
| At Halfdans Kjerulfs Statue, EG 167 (Grieg, Edvard) for tenor and male chorus |
|
| 2 Songs for Male Choir, EG 169 (Grieg, Edvard) for male chorus |
1861 |
| Holberg Cantata, EG 171 (Grieg, Edvard) for baritone and male chorus |
1884 |
| Trio Sonata in D minor (Albrici, Vincenzo) for 2 violins and continuo |
1653 |
Harmonia à 5 (Schmelzer, Johann Heinrich) for 2 violins, 2 violas and continuo
violin, 3 violas and continuo
bassoon, violin, 3 violas and continuo
bassoon, violin, 2 violas, viol and continuo |
1668 |
Album for Mandssang, Op. 30 (Grieg, Edvard) for baritone and male chorus
tenor and male chorus |
1878 |
Album for Mandssang, Op. 30 (Grieg, Edvard) for baritone and male chorus
tenor and male chorus |
1878 |
| Romeo and Juliet (2nd suite), Op. 64ter (Prokofiev, Sergey) for orchestra |
|
| Arrangement of 4 Melodies, Op. 24 (Svendsen, Johan) for voice and guitar |
1886 |
| Märchen von der schönen Melusine, Op. 32 (Mendelssohn, Felix) for orchestra |
1833 |
| Overture in C major, Op. 24 (Mendelssohn, Felix) for wind ensemble, brass ensemble and percussion |
1826 |
| 3 Lieder, Op. 77 (Mendelssohn, Felix) for 2 sopranos and piano |
1800 |
| Kalmus manuscript edition from Night on Mount Triglav (Rimsky-Korsakov, Nikolay) for orchestra |
|
| 1757 Version from Hippolyte et Aricie, RCT 43 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
1757 |
| The Atonement, Op. 53 (Coleridge-Taylor, Samuel) for voices, mixed chorus and orchestra |
1903 |
| Poèmes des cloches funèbres, Op. 39 (Vierne, Louis) for piano |
|
| Don Quixote (Minkus, Ludwig) for orchestra |
|
| 3 String Quartets, Op. 60 (Dussek, Jan Ladislav) for 2 violins, viola and cello |
1806 |
| Der Vampyr (Lindpaintner, Peter Joseph von) for voices and orchestra |
|
| Der Vampyr (Lindpaintner, Peter Joseph von) for voices and orchestra |
|
| Bal masqué, Op. 22 (Beach, Amy Marcy) for piano |
1893 |
| Treizième Concert from Arrangement of Treizième Concert from Les Goûts-réunis, ou Nouveaux Concerts (Couperin, François) for 2 cellos |
|
| 12 Fantasias for Violin without Bass, TWV 40:14-25 (Telemann, Georg Philipp) for violin |
1735 |
| 12 Fantasias for Violin without Bass, TWV 40:14-25 (Telemann, Georg Philipp) for violin |
|
| Octet (Bendix, Victor) for flute, oboe, clarinet, 2 violins, viola, cello and piano |
1800 |
| Piano Quintet (Heise, Peter) for 2 violins, viola, cello and piano |
1869 |
| Piano Quintet (Heise, Peter) for 2 violins, viola, cello and piano |
1869 |
| Prelude in G minor, BuxWV 150 (Buxtehude, Dietrich) for organ |
|
| Buxheimer Orgelbuch (Various) for organ |
|
| Manfred, Op. 115 (Schumann, Robert) for narrator, voices, mixed chorus and orchestra |
1848 |
| Piano Trio (Bretón, Tomás) for violin, cello and piano |
1887 |
| Piano Trio (Bretón, Tomás) for violin, cello and piano |
|
L'oca del Cairo, K.422 (Mozart, Wolfgang Amadeus) for voices and orchestra
voices and piano |
1700 |
| Scènes de ballet, Op. 52 (Glazunov, Aleksandr) for orchestra |
|
| Iolanta, Op. 69 (Tchaikovsky, Pyotr) for voices, mixed chorus and orchestra |
1970 |
| Arioso from Arrangement of Arioso from Iolanta, Op. 69 (Tchaikovsky, Pyotr) for guitar |
1800 |
| Selections: String Quintets, G.319-323 from 6 String Quintets, G.319-324 (Op. 30) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Musica Notturna delle Strade di Madrid, G.324 (2nd version with the variations on the "Ritirata") from 6 String Quintets, G.319-324 (Op. 30) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Il Pompeo (Scarlatti, Alessandro) for 10 voices, mixed chorus and orchestra |
|
| Scène et Aria from Le prophète (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
|
| Selections (Nos.1, 3, 4) from Arrangement of Selections (Nos.1, 3, 4) from Au jardin (Dubois, Théodore) for 2 flutes, oboe, 2 clarinets, bassoon and horn |
1907 |
| Bassoon Sonata, Op. 168 (Saint-Saëns, Camille) for bassoon and piano |
1921 |
| Marie (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1826 |
| Fantaisie for Violin and Harp, Op. 124 (Saint-Saëns, Camille) for harp and violin |
1907 |
| Elegy, Op. 160 (Saint-Saëns, Camille) for violin and piano |
1920 |
| Arrangement of Elegy, Op. 160 (Saint-Saëns, Camille) for piano |
1920 |
| La foi, Op. 130 (Saint-Saëns, Camille) for orchestra |
1908 |
| La foi, Op. 130 (Saint-Saëns, Camille) for orchestra |
1909 |
| Arrangement of La foi, Op. 130 (Saint-Saëns, Camille) for piano |
|
| Ernani (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
1844 |
| Violin Concerto No. 2, Op. 58 (Saint-Saëns, Camille) for violin and orchestra |
1858 |
| Violin Concerto No. 2, Op. 58 (Saint-Saëns, Camille) for violin and orchestra |
|
| Introduction from The Oprichnik, TH 3 (Tchaikovsky, Pyotr) for voices, mixed chorus and orchestra |
|
| Gran Marcia Trionfale from Arrangement of Gran Marcia Trionfale from Giovanna d'Arco (Verdi, Giuseppe) for guitar and 2 mandolins |
|
| Sinfonia from Arrangement of Sinfonia from Giovanna d'Arco (Verdi, Giuseppe) for guitar and 2 mandolins |
|
| Collection of 100 Minuets (Abril Tirado, Pedro) for guitar |
|
| Les Fêtes de Ramire, RCT 40 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Mass in B-flat major, Hob.XXII:12 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1799 |
| Hail, Bright Cecilia, Z.328 (Purcell, Henry) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
1765 |
| King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Overture from King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| L'Incoronazione di Poppea, SV 308 (Monteverdi, Claudio) for voices, mixed chorus and orchestra |
|
| L'Incoronazione di Poppea, SV 308 (Monteverdi, Claudio) for voices, mixed chorus and orchestra |
|
| Sørgemarsj for Kong Carl, Op. 10 (Svendsen, Johan) for orchestra |
1872 |
| Bonduca, Z.574 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
Ariette avec 14 Variations (Fasch, Karl Friedrich Christian) for piano
harpsichord
clavichord |
|
Ariette avec 14 Variations (Fasch, Karl Friedrich Christian) for piano
harpsichord
clavichord |
|
Ariette avec 14 Variations (Fasch, Karl Friedrich Christian) for piano
harpsichord
clavichord |
|
| Caprice sur 'La cachucha', Op. 13 (Coste, Napoléon) for guitar |
|
| Caprice andalous, Op. 122 (Saint-Saëns, Camille) for violin and orchestra |
1904 |
| Arrangement of Caprice andalous, Op. 122 (Saint-Saëns, Camille) for violin and piano |
1904 |
| Le tournoi, Op. 15 (Coste, Napoléon) for guitar |
|
| Manuscripts from Scherzo et pastorale, Op. 10 (Coste, Napoléon) for 2 guitars |
1931 |
| Sérénade, Op. 30 (Coste, Napoléon) for guitar |
|
| Arrangement of Selections from Le cœur et la main (Lecocq, Charles) for guitar, 2 mandolins and mandola |
|
| Act I from Arrangement of Act I from Le cœur et la main (Lecocq, Charles) for guitar, 2 mandolins and mandola |
|
| Gran Duo-Finale (Act II) from Arrangement of Gran Duo-Finale (Act II) from Le cœur et la main (Lecocq, Charles) for guitar, 2 mandolins and mandola |
1923 |
Romance, Op. 37 (Saint-Saëns, Camille) for flute and orchestra
violin and orchestra |
|
| Les fêtes de l'Amour et de Bacchus, LWV 47 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1702 |
| Suites from Arrangement of Suites from Les fêtes de l'Amour et de Bacchus, LWV 47 (Lully, Jean-Baptiste) for |
|
| Arrangement of Violin Concerto in D major, K.271a/K.271i (Mozart, Wolfgang Amadeus) for violin, piano and strings |
|
| Flute Quartet in A major, K.298 (Mozart, Wolfgang Amadeus) for flute, violin, viola and cello |
1700 |
| Symphony No. 14 in A major, Hob.I:14 (Haydn, Joseph) for orchestra |
|
| Symphony No. 15 in D major, Hob.I:15 (Haydn, Joseph) for orchestra |
|
| Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Symphony No. 16 in B-flat major, Hob.I:16 (Haydn, Joseph) for orchestra |
|
| Symphony No. 17 in F major, Hob.I:17 (Haydn, Joseph) for orchestra |
|
| Symphony No. 18 in G major, Hob.I:18 (Haydn, Joseph) for orchestra |
|
| Symphony No. 18 in G major, Hob.I:18 (Haydn, Joseph) for orchestra |
|
| Symphony No. 24 in D major, Hob.I:24 (Haydn, Joseph) for orchestra |
|
| Symphony No. 55 in E-flat major, Hob.I:55 (Haydn, Joseph) for orchestra |
1774 |
| Symphony No. 56 in C major, Hob.I:56 (Haydn, Joseph) for orchestra |
1774 |
| Lied ohne Worte, Op. 109 (Mendelssohn, Felix) for cello and piano |
|
| The Golden Legend (Sullivan, Arthur) for voices, mixed chorus and orchestra |
1886 |
| Les Amants trahis, RCT 22 (Rameau, Jean-Philippe) for soprano, bass and continuo |
|
| Le petit duc (Lecocq, Charles) for voices, mixed chorus and orchestra |
1800 |
| Symphony No. 25 in C major, Hob.I:25 (Haydn, Joseph) for orchestra |
|
| Symphony No. 28 in A major, Hob.I:28 (Haydn, Joseph) for orchestra |
1765 |
| Symphony No. 32 in C major, Hob.I:32 (Haydn, Joseph) for orchestra |
|
| Symphony No. 41 in C major, Hob.I:41 (Haydn, Joseph) for orchestra |
|
| Symphony No. 43 in E-flat major, Hob.I:43 (Haydn, Joseph) for orchestra |
|
| Symphony No. 90 in C major, Hob.I:90 (Haydn, Joseph) for orchestra |
1788 |
| Arrangement of Symphony No. 90 in C major, Hob.I:90 (Haydn, Joseph) for keyboard |
|
| Symphony No. 42 in D major, Hob.I:42 (Haydn, Joseph) for orchestra |
|
| Symphony No. 89 in F major, Hob.I:89 (Haydn, Joseph) for orchestra |
1887 |
| Symphony No. 89 in F major, Hob.I:89 (Haydn, Joseph) for orchestra |
|
| Symphony No. 47 in G major, Hob.I:47 (Haydn, Joseph) for orchestra |
|
| Drinking Song: O vin, dissipe la tristesse from Hamlet (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Drinking Song: O vin, dissipe la tristesse from Hamlet (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Symphony No. 91 in E-flat major, Hob.I:91 (Haydn, Joseph) for orchestra |
1788 |
| Sinfonia concertante in B-flat major, Hob.I:105 (Haydn, Joseph) for oboe, bassoon, violin, cello and orchestra |
1792 |
| Arrangement of Terzetto concertante, MS 114 (Paganini, Niccolò) for guitar, violin and cello |
|
| Violin Concerto in B-flat major (Stamitz, Carl Philipp) for violin and orchestra |
|
Les jeux pithiens, LWV 42 (Lully, Jean-Baptiste) for voices and orchestra
voices, strings and continuo |
|
| Feste Romane (Respighi, Ottorino) for orchestra |
|
| Arrangement of Tarantella, MS 76 (Paganini, Niccolò) for violin and piano |
|
| Symphony in D major, H.663 (Bach, Carl Philipp Emanuel) for orchestra |
1775 |
| Kantate til avsløringen av Wergelandmonumentet, Op. 25b (Svendsen, Johan) for baritone, mixed chorus and orchestra |
1881 |
| Symphony No. 61 in D major, Hob.I:61 (Haydn, Joseph) for orchestra |
|
| Symphony No. 76 in E-flat major, Hob.I:76 (Haydn, Joseph) for orchestra |
|
| Symphony No. 79 in F major, Hob.I:79 (Haydn, Joseph) for orchestra |
1887 |
| Symphony No. 81 in G major, Hob.I:81 (Haydn, Joseph) for orchestra |
1887 |
| Symphony No. 81 in G major, Hob.I:81 (Haydn, Joseph) for orchestra |
|
| Symphony No. 68 in B-flat major, Hob.I:68 (Haydn, Joseph) for orchestra |
1887 |
| Symphony No. 77 in B-flat major, Hob.I:77 (Haydn, Joseph) for orchestra |
1887 |
| Version I from Symphony No. 63 in C major, Hob.I:63 (Haydn, Joseph) for orchestra |
|
| L'amor contrastato, R.1.76 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1788 |
| L'amor contrastato, R.1.76 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| L'amor contrastato, R.1.76 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| Incomplete from L'amor contrastato, R.1.76 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| Duetto: Nel cor più non mi sento (Act II, Scene 2) from L'amor contrastato, R.1.76 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| The Robert ap Huw Manuscript (Anonymous) for harp |
1567 |
| Concerto for 2 Cellos in G minor, RV 531 (Vivaldi, Antonio) for 2 cellos, strings and continuo |
1710 |
| Trio Sonata in C minor, QV 2:3 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in D major, QV 2:15 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in G minor, QV 2:35 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Flute Concerto in D major, QV 5:45 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Trio Sonata in B minor, QV 2:43 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Concerto for 2 Flutes in D major, QV 6:1 (Quantz, Johann Joachim) for 2 flutes and orchestra |
|
Trio Sonata in B-flat major, H.578 (Bach, Carl Philipp Emanuel) for flute, violin and continuo
violin and keyboard
flute and keyboard |
1700 |
| Trio Sonata in G minor, QV 2:34 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in C minor, QV 2:Anh.4 (Quantz, Johann Joachim) for flute, viola damore and continuo |
|
| Trio Sonata in F major, QV 2:Anh.29 (Quantz, Johann Joachim) for flute, viola damore and continuo |
|
| Arrangement of Trio Sonata in F major, QV 2:Anh.29 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in D minor, QV 2:Anh.9 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in C minor, QV 2:Anh.5 (Quantz, Johann Joachim) for flute, oboe and continuo |
|
| Trio Sonata in G major, QV 2:Anh.20 (Quantz, Johann Joachim) for oboe, violin and continuo |
|
Trio Sonata in F minor, QV 2:Anh.18 (Quantz, Johann Joachim) for 2 flutes and continuo
flute, violin and continuo |
|
| Trio Sonata in G major, QV 2:Anh.19 (Quantz, Johann Joachim) for flute, oboe damore and continuo |
|
| Ouverture-Suite, TWV 55:g7 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ouverture-Suite, TWV 55:E3 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ouverture-Suite, TWV 55:B7 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:D14 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ouverture-Suite, TWV 55:D14 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ouverture-Suite, TWV 55:a6 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:a3 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, FaWV K:G2 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, bassoon, 2 violins, 2 violas and harpsichord |
|
| Symphony No. 6 (Weyse, Christoph Ernst Friedrich) for orchestra |
1798 |
| Ouverture-Suite, TWV 55:B9 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:F12 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:G2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:G2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:G2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:c2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:c2 (Telemann, Georg Philipp) for strings and continuo |
|
Sonata à 4, TWV 43:C1 (Telemann, Georg Philipp) for 2 violins, viola and continuo
flute, violin, viola and continuo |
|
Sonata à 4, TWV 43:C1 (Telemann, Georg Philipp) for 2 violins, viola and continuo
flute, violin, viola and continuo |
|
| Concerto in D major, S.226 (Heinichen, Johann David) for flute, oboe, lute, violin, cello, strings and continuo |
|
| Trio Sonata, TWV 42:F13 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Trio Sonata, TWV 42:B6 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Arrangement of Trio Sonata, TWV 42:B6 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture in A minor, GraunWV C:XI:16 (Graun, Johann Gottlieb) for orchestra |
|
| Ouverture in A minor, GraunWV C:XI:16 (Graun, Johann Gottlieb) for orchestra |
|
| Ouverture-Suite, TWV 55:e8 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:e8 (Telemann, Georg Philipp) for orchestra |
|
| Macbeth (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major, S.207 (Heinichen, Johann David) for orchestra |
|
| Sonata in D major, S.253 (Heinichen, Johann David) for oboe, strings and continuo |
|
| Ouverture-Suite, FaWV K:G8 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Ouverture-Suite, FaWV K:G8 (Fasch, Johann Friedrich) for orchestra |
|
Ouverture-Suite, TWV 55:e10 (Telemann, Georg Philipp) for oboe, strings and continuo
flute, strings and continuo |
|
| Ascanio (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1888 |
| Lavinia a Turno, GraunWV B:III:23 (Graun, Karl Heinrich) for voices, strings and continuo |
|
| Ave Maria (Cherubini, Luigi) for soprano, clarinet, 2 violins, viola, cello and double bass |
|
| Ave Maria (Cherubini, Luigi) for soprano, clarinet, 2 violins, viola, cello and double bass |
|
| Easter Cantata No. 1, DF 15 (Weyse, Christoph Ernst Friedrich) for mixed chorus and orchestra |
1943 |
| Christmas Cantata No. 3 (Weyse, Christoph Ernst Friedrich) for mixed chorus and orchestra |
1944 |
| Rondeau (Weyse, Christoph Ernst Friedrich) for flute and piano |
|
| Sonata for 2 Bassoons (Weyse, Christoph Ernst Friedrich) for 2 bassoons |
1944 |
| Marcher og Dandse (Weyse, Christoph Ernst Friedrich) for orchestra |
|
| Ludlams Hule (Weyse, Christoph Ernst Friedrich) for voices and orchestra |
|
| Ouverture from Ludlams Hule (Weyse, Christoph Ernst Friedrich) for voices and orchestra |
1950 |
| Overture from Ludlams Hule (Weyse, Christoph Ernst Friedrich) for voices and orchestra |
|
| Benedictus (No.3) from Arrangement of Benedictus (No.3) from 6 Pieces for Violin and Piano, Op. 37 (Mackenzie, Alexander Campbell) for orchestra |
|
| Piano Trio in B-flat major, K.502 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1786 |
| Where shall the lover rest from Arrangement of Where shall the lover rest from English Lyrics (Parry, Charles Hubert Hastings) for voice and orchestra |
1899 |
| Wedding Cantata, Op. 29 (Svendsen, Johan) for baritone, mixed chorus and orchestra |
1881 |
| Variations on 'Ah, vous dirai-je, Maman' (Bach, Johann Christoph Friedrich) for keyboard |
|
| "Depuis le jour" (Act III) from Louise (Charpentier, Gustave) for voices, mixed chorus and orchestra |
|
| "Depuis le jour" (Act III) from Louise (Charpentier, Gustave) for voices, mixed chorus and orchestra |
|
| Septet No. 1, Op. 74 (Hummel, Johann Nepomuk) for flute, oboe, horn, viola, cello, double bass and piano |
|
| Selections (Works of) from Nannerl's Music Book (Mozart, Leopold) for keyboard |
1763 |
| Selections (Works of) from Nannerl's Music Book (Mozart, Leopold) for keyboard |
1761 |
| Misc. Selections from Nannerl's Music Book (Mozart, Leopold) for keyboard |
1759 |
| Fantasia Sull'opera La Schiava Saracena del Mercadante (Braga, Gaetano) for cello and orchestra |
1851 |
| Los ojos de las niñas (Arrieta, Emilio) for voice and piano |
|
| Sovedrikken (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
|
| Sovedrikken (Weyse, Christoph Ernst Friedrich) for voices, mixed chorus and orchestra |
|
| Prelude and Fugue in C major, Krebs-WV 400 (Krebs, Johann Ludwig) for organ |
1790 |
| Prelude and Fugue in C major, Krebs-WV 400 (Krebs, Johann Ludwig) for organ |
|
| Prelude and Fugue in C major, Krebs-WV 400 (Krebs, Johann Ludwig) for organ |
1793 |
| Prelude and Fugue in C major, Krebs-WV 400 (Krebs, Johann Ludwig) for organ |
|
| Cello Sonata in C major, G.6 (Boccherini, Luigi) for cello and continuo |
|
| La Serenata Melodia for Cello and Piano (Florimo, Francesco) for cello and piano |
1868 |
| Fantasia for Cello and Orchestra (Laboccetta, Domenico) for cello and orchestra |
1855 |
| Sonata fantasía, Op. 59 (Turina, Joaquín) for piano |
1930 |
| Jardín de niños, Op. 63 (Turina, Joaquín) for piano |
1931 |
| Nina, R.1.78 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| Come! Ahimè! Partir degg'io? from Arrangement of Come! Ahimè! Partir degg'io? from Nina, R.1.78 (Paisiello, Giovanni) for harp |
|
| 12 Caprices for Solo Cello, Op. 25 (Piatti, Alfredo Carlo) for cello |
|
| 12 Caprices for Solo Cello, Op. 25 (Piatti, Alfredo Carlo) for cello |
|
| Messa di San Carlo, K.7 (Fux, Johann Joseph) for mixed chorus |
|
| Messa di San Carlo, K.7 (Fux, Johann Joseph) for mixed chorus |
|
| Messa di San Carlo, K.7 (Fux, Johann Joseph) for mixed chorus |
|
6 Fugues (Kellner, Johann Christoph) for organ
harpsichord |
|
| Complete (1732 version) from 6 Concertos, Op. 3 (Geminiani, Francesco) for strings and continuo |
|
1732 version from 6 Concertos, Op. 2 (Geminiani, Francesco) for strings and continuo
2 flutes and cello
2 violins and cello |
1754 |
1732 version from 6 Concertos, Op. 2 (Geminiani, Francesco) for strings and continuo
2 flutes and cello
2 violins and cello |
|
| Concerto No.1 in C minor from Arrangement of Concerto No.1 in C minor from 6 Concertos, Op. 2 (Geminiani, Francesco) for violin and continuo |
|
| Oboe Sonata (Coste, Napoléon) for oboe and piano |
|
Fantaisie, Op. 36 (Coste, Napoléon) for oboe and guitar
violin and guitar
oboe and piano
violin and piano
oboe and harp
harp and violin |
|
| Marche triumphale, Op. 26 (Coste, Napoléon) for guitar |
|
| Midvinter, Op. 24 (Stenhammar, Wilhelm) for mixed chorus and orchestra |
1907 |
| Ouverture-Suite, TWV 55:D19 (Telemann, Georg Philipp) for orchestra |
|
| Trio Sonata, TWV 42:c2 (Telemann, Georg Philipp) for recorder, oboe and continuo |
|
| Flute Concerto in F major, QV 5:139 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Concerto for Oboe and Violin in G major, S.245 (Heinichen, Johann David) for oboe, violin, strings and continuo |
|
| Concerto for 2 Flutes in G major, QV 6:7 (Quantz, Johann Joachim) for 2 flutes and orchestra |
|
| Allegro ma non tanto (No.1) from Concerto for 2 Flutes in G major, QV 6:7 (Quantz, Johann Joachim) for 2 flutes and orchestra |
|
Fantaisie-sonate, Op. 34b (Coste, Napoléon) for violin and piano
oboe and piano
violin and guitar
oboe and guitar |
|
Recorder Sonata, TWV 41:c2 (Telemann, Georg Philipp) for recorder and continuo
bassoon and continuo
cello and continuo
violin and continuo |
|
| Concerto for Oboe and Violin, TWV 52:F2 (Telemann, Georg Philipp) for oboe, violin, strings and continuo |
|
Violin Concerto, TWV 51:C2 (Telemann, Georg Philipp) for violin, strings and continuo
violin and orchestra |
|
Violin Concerto, TWV 51:C2 (Telemann, Georg Philipp) for violin, strings and continuo
violin and orchestra |
|
| Armida (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Armida (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Armida (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Arrangement of Der Herr ist König, TWV 8:6 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Oboe Concerto, TWV 51:f1 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Oboe Concerto, TWV 51:f1 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Concerto in G major, S.213 (Heinichen, Johann David) for orchestra |
|
| Concerto in G major, S.213 (Heinichen, Johann David) for orchestra |
|
| Version A (shorter 3rd movement; original of the J. S. Bach's transcription for harpsichord solo BWV 985) from Violin Concerto, TWV 51:g1 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Version B (longer 3rd movement) from Violin Concerto, TWV 51:g1 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Concerto for 2 Horns in F major, S.231 (Heinichen, Johann David) for 2 horns and orchestra |
|
| Concerto for 2 Oboes in F major, S.230 (Heinichen, Johann David) for 2 oboes, strings and continuo |
|
| Concerto in E minor, QV 6:3 (Quantz, Johann Joachim) for 2 flutes, strings and continuo |
|
| Vivace from Concerto for Oboe and Violin in C minor, S.240 (Heinichen, Johann David) for oboe, violin, strings and continuo |
|
| Concerto in F major, S.232 (Heinichen, Johann David) for 2 flutes, 2 oboes, 2 bassoons, violin, 2 cellos and orchestra |
|
| Concerto in F major, S.233 (Heinichen, Johann David) for 2 flutes, 2 horns and orchestra |
|
| Concerto in G major, QV 6:Anh.2 (Quantz, Johann Joachim) for orchestra |
|
| Flute Concerto in G major, QV 5:169 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Sinfonia in F major, S.210 (Heinichen, Johann David) for orchestra |
|
| Violin Concerto, TWV 51:a2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:a2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Concerto for 2 Violins, TWV 52:G2 (Telemann, Georg Philipp) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins, TWV 52:G2 (Telemann, Georg Philipp) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins, TWV 52:G2 (Telemann, Georg Philipp) for 2 violins, strings and continuo |
|
| Violin Concerto, TWV 51:F2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:F2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Sonata, TWV 41:fis2 (Telemann, Georg Philipp) for violin and continuo |
|
| Le maître de musique (Dresden, 1765) from Il maestro di musica (Pergolesi, Giovanni Battista) for |
|
| Violin Sonata, TWV 41:A7 (Telemann, Georg Philipp) for violin and continuo |
|
| Trio Sonata, TWV 42:G9 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:G9 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Conclusion, TWV 50:5 (Telemann, Georg Philipp) for orchestra |
|
| Wie eine Purpurblume (Salieri, Antonio) for soprano, alto, tenor, bass and orchestra |
1811 |
| Concerto à 4, TWV 43:Es1 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto à 4, TWV 43:Es1 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
Concerto for 2 Flutes, TWV 52:e2 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo
2 flutes, bassoon, strings and continuo |
1700 |
Concerto for 2 Flutes, TWV 52:e2 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo
2 flutes, bassoon, strings and continuo |
|
Concerto for 2 Flutes, TWV 52:e2 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo
2 flutes, bassoon, strings and continuo |
|
| Trio Sonata in C major, QV 2:Anh.3 (Quantz, Johann Joachim) for flute, recorder and continuo |
|
| Concerto for 2 Horns, TWV 52:D2 (Telemann, Georg Philipp) for 2 horns and orchestra |
|
| Flute Sonata, TWV 41:h4 (Telemann, Georg Philipp) for flute and continuo |
|
| Suíte floral, W117 (Villa-Lobos, Heitor) for piano |
1917 |
| Flute Sonata in F major, QV 1:86 (Quantz, Johann Joachim) for flute and continuo |
|
| Oboe Sonata, TWV 41:g10 (Telemann, Georg Philipp) for oboe and continuo |
|
| Trio Sonata in G major, GraunWV Av:XV:34 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in G major, GraunWV Av:XV:34 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in G major, GraunWV A:XV:12 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in G major, GraunWV A:XV:12 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in E minor, QV 2:Anh.12a (Quantz, Johann Joachim) for 2 flutes and continuo |
|
Trio Sonata, TWV 42:A9 (Telemann, Georg Philipp) for flute, violin and continuo
flute, oboe damore and continuo |
|
Trio Sonata, TWV 42:A9 (Telemann, Georg Philipp) for flute, violin and continuo
flute, oboe damore and continuo |
|
Trio Sonata in D major, GraunWV C:XV:80 (Graun, Johann Gottlieb) for 2 violins and continuo
2 flutes and continuo |
|
Trio Sonata in D major, GraunWV C:XV:80 (Graun, Johann Gottlieb) for 2 violins and continuo
2 flutes and continuo |
|
| Trio Sonata in F major, GraunWV C:XV:84 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in F major, GraunWV C:XV:84 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in A major, GraunWV A:XV:14 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
Trio Sonata in B minor, GraunWV C:XV:92 (Graun, Johann Gottlieb) for 2 violins and continuo
flute, violin and continuo
flute and harpsichord
violin and harpsichord |
|
Trio Sonata in B minor, GraunWV C:XV:92 (Graun, Johann Gottlieb) for 2 violins and continuo
flute, violin and continuo
flute and harpsichord
violin and harpsichord |
|
Trio Sonata in B minor, GraunWV C:XV:92 (Graun, Johann Gottlieb) for 2 violins and continuo
flute, violin and continuo
flute and harpsichord
violin and harpsichord |
|
Allegro (No.2) from Trio Sonata in B minor, GraunWV C:XV:92 (Graun, Johann Gottlieb) for 2 violins and continuo
flute, violin and continuo
flute and harpsichord
violin and harpsichord |
|
| Trio Sonata in C minor, GraunWV Av:XV:19 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in C minor, GraunWV Av:XV:19 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in F major, GraunWV A:XV:9 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in G major, GraunWV C:XV:89 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Arrangement of Trio Sonata in G major, GraunWV C:XV:89 (Graun, Johann Gottlieb) for 2 viols and continuo |
|
Trio Sonata in E-flat major, GraunWV A:XV:8 (Graun, Johann Gottlieb) for flute, violin and continuo
2 flutes and continuo |
|
Trio Sonata in E-flat major, GraunWV A:XV:8 (Graun, Johann Gottlieb) for flute, violin and continuo
2 flutes and continuo |
|
Trio Sonata in E-flat major, GraunWV A:XV:8 (Graun, Johann Gottlieb) for flute, violin and continuo
2 flutes and continuo |
|
| Trio Sonata in D major, GraunWV A:XV:6 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in D major, GraunWV Av:XV:23 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in D major, GraunWV Av:XV:23 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in E major, GraunWV Av:XV:27 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in E major, GraunWV Av:XV:27 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Violin Sonata in C major, GraunWV C:XVII:57 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in C major, GraunWV C:XVII:58 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in D major, GraunWV A:XVII:2 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in G major, GraunWV C:XVII:70 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in G minor, GraunWV C:XVII:71 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in D major, GraunWV C:XVII:59 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in D major, GraunWV C:XVII:60 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in G major, GraunWV C:XVII:68 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in G major, GraunWV C:XVII:69 (Graun, Johann Gottlieb) for violin and continuo |
|
Trio Sonata in C minor, GraunWV C:XV:79 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
Trio Sonata in C minor, GraunWV C:XV:79 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
Trio Sonata in C minor, GraunWV C:XV:79 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
| Fuga Real Canónica (Martorell, Vicente) for 2 violins, viola and cello |
|
| Fuga Libre (Martorell, Vicente) for 2 violins, viola and cello |
|
| Saltarelle carnavalesque, Op. 11 (Ysaÿe, Eugène) for violin and orchestra |
|
| La mamma morta (Act III) from Andrea Chénier (Giordano, Umberto) for voices, mixed chorus and orchestra |
|
| Quam dilecta tabernacula, RCT 15 (Rameau, Jean-Philippe) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Duetto pour deux guitares (Coste, Napoléon) for 2 guitars |
|
| Duetto pour deux guitares (Coste, Napoléon) for 2 guitars |
1931 |
| Duetto pour deux guitares (Coste, Napoléon) for 2 guitars |
|
| Grand duo égales et concertantes (Coste, Napoléon) for 2 guitars |
|
| 3 Chansons de Charles d'Orléans (Debussy, Claude) for mixed chorus |
1908 |
| 3 Flute Sonatas (Zinck, Hartenack Otto Conrad) for flute and cello |
1791 |
| Tancrède (Campra, André) for voices, mixed chorus and orchestra |
1703 |
| Selections: Instrumental Music from Tancrède (Campra, André) for voices, mixed chorus and orchestra |
|
| Déjanire, opera (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1910 |
| La Juanita (Yradier, Sebastián) for voice and piano |
|
| Le mariage des roses (Franck, César) for voice and piano |
1871 |
| Brandenburg Concerto No. 1 in F major, BWV 1046 (Bach, Johann Sebastian) for orchestra |
1721 |
| Brandenburg Concerto No. 4 in G major, BWV 1049 (Bach, Johann Sebastian) for 2 recorders, violin, strings and continuo |
1721 |
| Brandenburg Concerto No. 3 in G major, BWV 1048 (Bach, Johann Sebastian) for 3 violins, 3 violas, 3 cellos and continuo |
1721 |
| Brandenburg Concerto No. 3 in G major, BWV 1048 (Bach, Johann Sebastian) for 3 violins, 3 violas, 3 cellos and continuo |
|
| Brandenburg Concerto No. 5 in D major, BWV 1050 (Bach, Johann Sebastian) for flute, violin, harpsichord, strings and continuo |
1721 |
| First version, BWV 1050a from Brandenburg Concerto No. 5 in D major, BWV 1050 (Bach, Johann Sebastian) for flute, violin, harpsichord, strings and continuo |
|
| Second version, BWV 1050 from Brandenburg Concerto No. 5 in D major, BWV 1050 (Bach, Johann Sebastian) for flute, violin, harpsichord, strings and continuo |
1700 |
| Brandenburg Concerto No. 2 in F major, BWV 1047 (Bach, Johann Sebastian) for recorder, oboe, trumpet, violin, strings and continuo |
1721 |
| Brandenburg Concerto No. 2 in F major, BWV 1047 (Bach, Johann Sebastian) for recorder, oboe, trumpet, violin, strings and continuo |
|
| Arrangement of Gavotte (Grobet, Louis) for guitar, lute and bandurria |
|
| 4 Andantes and Waltzes, Op. 5 (Aguado, Dionisio) for guitar |
|
| Violin Concerto No. 1 in D minor, Op. 3 (Rode, Pierre) for violin and orchestra |
|
| Overture from Arrangement of Overture from Dorothy (Cellier, Alfred) for piano |
|
| Il barbiere di Siviglia, R.1.64 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| Incomplete (Version 1 / 1782 St. Petersburg) from Il barbiere di Siviglia, R.1.64 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1782 |
| Selections (Version 2 / 1787 Naples) from Il barbiere di Siviglia, R.1.64 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1787 |
| Hélène (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1903 |
| Hélène (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1903 |
| Phantasie for Violin and Orchestra, Op. 131 (Schumann, Robert) for violin and orchestra |
1854 |
| Phantasie for Violin and Orchestra, Op. 131 (Schumann, Robert) for violin and orchestra |
1853 |
| La donna del lago (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| La donna del lago (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| L'inganno felice (Rossini, Gioacchino) for voices and orchestra |
|
| Ebba Brahe, Op. 42 (Rung, Frederik) for voice and piano |
|
| Piano Sonata in C-sharp minor (Kunzen, Friedrich Ludwig Aemilius) for piano |
|
| Jean de Paris (Boieldieu, François Adrien) for voices, mixed chorus and orchestra |
|
| Jean de Paris (Boieldieu, François Adrien) for voices, mixed chorus and orchestra |
|
| Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Vuggevise from Agnete and the Merman, Op. 3 (Gade, Niels) for soprano, female chorus and orchestra |
1842 |
| String Quintet in F minor (Gade, Niels) for 2 violins, viola and 2 cellos |
1837 |
6 Sonatas, ZWV 181 (Zelenka, Jan Dismas) for 2 oboes and continuo
2 oboes, bassoon and continuo
oboe, violin and continuo |
1700 |
6 Sonatas, ZWV 181 (Zelenka, Jan Dismas) for 2 oboes and continuo
2 oboes, bassoon and continuo
oboe, violin and continuo |
1864 |
Sonata No.2 in G minor from 6 Sonatas, ZWV 181 (Zelenka, Jan Dismas) for 2 oboes and continuo
2 oboes, bassoon and continuo
oboe, violin and continuo |
|
Sonata No.4 in G minor from 6 Sonatas, ZWV 181 (Zelenka, Jan Dismas) for 2 oboes and continuo
2 oboes, bassoon and continuo
oboe, violin and continuo |
|
Sonata No.5 in F major from 6 Sonatas, ZWV 181 (Zelenka, Jan Dismas) for 2 oboes and continuo
2 oboes, bassoon and continuo
oboe, violin and continuo |
|
| Fallen Fairies (German, Edward) for voices, mixed chorus and orchestra |
1909 |
| L'occasione fa il ladro (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
1812 |
| Symphony No. 1, Op. 4 (Magnard, Albéric) for orchestra |
|
| Requiem, Op. 54 (Saint-Saëns, Camille) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1878 |
| Requiem, Op. 54 (Saint-Saëns, Camille) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Overture from The Beggar's Opera (Pepusch, John Christopher) for voices and orchestra |
|
| Lélio, ou le retour à la vie, H 55 (Berlioz, Hector) for narrator, tenor, baritone, male chorus, mixed chorus, piano, piano 4 hands and orchestra |
|
Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo
4 mixed chorus and continuo
mixed chorus and orchestra |
|
Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo
4 mixed chorus and continuo
mixed chorus and orchestra |
|
Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo
4 mixed chorus and continuo
mixed chorus and orchestra |
|
Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo
4 mixed chorus and continuo
mixed chorus and orchestra |
|
Christe eleison a 2 Cori voci Concertante from Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo
4 mixed chorus and continuo
mixed chorus and orchestra |
|
Cantate ved Formælings-Acten (Naumann, Johann Gottlieb) for voices and orchestra
2 sopranos, tenor, bass and orchestra |
|
| Orpheus og Eurydike (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
| Orpheus og Eurydike (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
| Orpheus og Eurydike (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
| Arrangement of Petit Montagnard (Frontini, Francesco Paolo) for orchestra |
1914 |
Arrangement of 6 Keyboard Quartets, Op. 1 (Naumann, Johann Gottlieb) for oboe, bassoon and harpsichord
flute, cello and harpsichord |
|
| Concerto Grosso No. 6 (Pepusch, John Christopher) for bassoon, cello, strings and continuo |
|
| Telemaco, Wq.34 (Gluck, Christoph Willibald) for voices and orchestra |
|
| Trio Sonata in A minor (Pepusch, John Christopher) for violin, viol and continuo |
|
Trio Sonata in E minor (Pepusch, John Christopher) for flute, viol and continuo
violin, viol and continuo |
|
| Gebet, S.331 (Liszt, Franz) for voice and piano |
1800 |
| Sinfonia from Arrangement of Sinfonia from Oberto (Verdi, Giuseppe) for guitar, 2 mandolins and mandola |
|
Sonata in G minor (Pepusch, John Christopher) for 2 violins, viol and continuo
oboe, 2 violins and continuo |
|
Sonata in G minor (Pepusch, John Christopher) for 2 violins, viol and continuo
oboe, 2 violins and continuo |
|
| La deposizione della croce (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
1744 |
| La deposizione della croce (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1746 |
| Sant'Elena al Calvario (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1746 |
| Sant'Elena al Calvario (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1800 |
| Trio Sonata in C major, Op. 3 No. 6 (Pepusch, John Christopher) for 2 violins and continuo |
|
| 6 Ariette (Perucchini, Giovanni Battista) for voice and piano |
|
| Flute Concerto in G major, GroF 1644 (Agrell, Johan) for flute, 2 violins, viola and continuo |
|
| Flute Sonata in D major (Abel, Carl Friedrich) for flute and continuo |
|
| Arrangement of Selections from Artaxerxes (Arne, Thomas Augustine) for orchestra |
1814 |
| Flute Concerto in D major, GroF 1643 (Agrell, Johan) for flute, 2 violins, viola and continuo |
|
| Flute Concerto in D major, GroF 1643 (Agrell, Johan) for flute, 2 violins, viola and continuo |
|
| Arrangement of Elegy, Op. 10 (Ernst, Heinrich Wilhelm) for viola and piano |
|
| Ryge Tablature, DK-Kk Mu 6806.1399 (Buxtehude, Dietrich) for keyboard |
1712 |
Ouverture-Suite, TWV 55:G10 'Burlesque de Quixotte' (Telemann, Georg Philipp) for 2 violins, viola and continuo
strings and continuo |
|
Ouverture-Suite, TWV 55:G10 'Burlesque de Quixotte' (Telemann, Georg Philipp) for 2 violins, viola and continuo
strings and continuo |
|
Ouverture-Suite, TWV 55:G10 'Burlesque de Quixotte' (Telemann, Georg Philipp) for 2 violins, viola and continuo
strings and continuo |
|
| Pirro e Demetrio, R.342.23 (Scarlatti, Alessandro) for voices and orchestra |
|
| Pirro e Demetrio, R.342.23 (Scarlatti, Alessandro) for voices and orchestra |
|
| Pirro e Demetrio, R.342.23 (Scarlatti, Alessandro) for voices and orchestra |
|
| Pirro e Demetrio, R.342.23 (Scarlatti, Alessandro) for voices and orchestra |
|
| 11 Flute Sonatas (Benda, Johann) for flute and continuo |
|
4 Flute Sonatas (Benda, Franz) for flute and continuo
violin and continuo |
|
| Flute Concerto in D major (Graf, Friedrich Hartmann) for flute and orchestra |
|
| Flute Concerto No. 1 (Graf, Friedrich Hartmann) for flute and orchestra |
|
6 Flute Sonatas, Op. 2 (Baptiste, Ludwig Albert Friedrich) for flute and continuo
violin and continuo |
|
| 3 Parade Marscher (Bay, Rudolph) for wind ensemble, brass ensemble and percussion |
|
| Cantate til Det Blaagaard-Joenstrup'ske Skolelærer-Seminariums 50-Aars (Bay, Rudolph) for male chorus, 3 flutes, clarinet, horn and strings |
|
| Cantate til Reformations-Jubelfesten (Bay, Rudolph) for soprano, alto, tenor, bass, mixed chorus and organ |
|
| Flute Concerto in G major, LorB 312 (Benda, Friedrich Wilhelm Heinrich) for flute and orchestra |
|
| Flute Concerto in G major, LorB 313 (Benda, Friedrich Wilhelm Heinrich) for flute and orchestra |
|
| 4 Flute Sonatas (Kirnberger, Johann Philipp) for flute and continuo |
|
| 4 Flute Sonatas (Kirnberger, Johann Philipp) for flute and continuo |
|
| 6 Flute Quartets (Graf, Friedrich Hartmann) for flute, violin, viola and cello |
|
| Flute Concerto in G major, P.33 (Pergolesi, Giovanni Battista) for flute, strings and continuo |
|
| Variations on 'Ah vous dirai-je, maman' (Benda, Friedrich Wilhelm Heinrich) for flute and orchestra |
|
| 6 Trio Sonatas, Op. 1 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| 6 Trio Sonatas, Op. 1 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Flute Sonata No. 3 (Graf, Christian Ernst) for flute and continuo |
|
| 4 Flute Sonatas (Graf, Christian Ernst) for flute and continuo |
|
| 3 Flute Sonatas (Graf, Friedrich Hartmann) for flute and continuo |
|
| Flute Quartet in E-flat major (Graf, Friedrich Hartmann) for flute, violin, viola and cello |
|
| Trio Sonata in C major (Graf, Friedrich Hartmann) for flute, violin and continuo |
|
| Trio Sonata in A major (Graf, Friedrich Hartmann) for flute, violin and continuo |
|
La petite Drôt (Rebel, Jean-Féry) for 2 violins, viola and continuo
strings and continuo |
|
| 3 Harpsichord Sonatas (Scheibe, Johann Adolph) for harpsichord |
|
3 Flute Sonatas, Op. 1 (Scheibe, Johann Adolph) for flute and harpsichord
violin and harpsichord |
|
| 6 Flute Duets (Fischer, Johann Christian) for 2 flutes |
|
| Flute Concerto No. 2 (Graf, Friedrich Hartmann) for flute and orchestra |
|
| Flute Concerto No. 3 (Graf, Friedrich Hartmann) for flute and orchestra |
|
| Flute Sonata in G major (Graf, Friedrich Hartmann) for flute and continuo |
|
| Flute Sonata in C major (Graf, Friedrich Hartmann) for flute and continuo |
|
| 6 Flute Sonatas, Op. 5 (Graeff, Johann Georg) for flute and continuo |
|
| 6 String Quartets, B.353-358 (Pleyel, Ignaz) for 2 violins, viola and cello |
|
Brødrene Bast's Violin Tune Book (Various) for violin
soprano |
|
| 6 Ariette (Paër, Ferdinando) for soprano and piano |
|
| Pastorale (Ferrandini, Giovanni Battista) for voices and orchestra |
|
| Anna Bolena (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1830 |
Madame Rochette's Tune Book for Pardessus de Viole (Various) for viol
violin and viol
voice and viol
violin
soprano |
|
| Dances, 1780-81 (Bülow, Johan) for soprano |
|
Dances, 1782-84 (Bülow, Johan) for soprano
soprano and bass
soprano and continuo |
|
Dances, 1792 (Bülow, Johan) for soprano and continuo
soprano and bass |
1792 |
| 12 Engelske Dandse (Bülow, Johan) for 2 flutes, 2 violins and continuo |
|
Danses Angloises pour 1785 & 1786 (Bülow, Johan) for soprano and continuo
soprano and bass |
1785 |
Danses Angloises pour 1787 (Bülow, Johan) for soprano and continuo
soprano and bass |
1787 |
Danses Angloises pour 1790 & 1791 (Bülow, Johan) for soprano and continuo
soprano and bass |
1790 |
| Dances, 1773-74 (Bülow, Johan) for soprano |
|
| Ouverture-Suite, TWV 55:C3 'Hamburger Ebb und Fluth' (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:C3 'Hamburger Ebb und Fluth' (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:C3 'Hamburger Ebb und Fluth' (Telemann, Georg Philipp) for orchestra |
|
| String Quartet No. 4 (Cherubini, Luigi) for 2 violins, viola and cello |
1834 |
| Arrangement of Oboe Concertino, Op. 110 (Kalliwoda, Johann Wenzel) for oboe and strings |
|
| 6 Violin Sonatas, Op. 2 (Nardini, Pietro) for violin and continuo |
|
12 Sonate d’intavolatura per l’organo e ’l cembalo (Martini, Giovanni Battista) for organ
harpsichord |
|
| Fantaisie (Racquet, Charles) for organ |
|
| Concerto, FaWV L:F2 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, violin, strings and continuo |
|
| Incomplete from Medo (Vinci, Leonardo) for 6 voices and orchestra |
|
| Concerto, FaWV L:F4 (Fasch, Johann Friedrich) for orchestra |
|
| Allegro from Arrangement of Allegro from Concerto, FaWV L:F4 (Fasch, Johann Friedrich) for |
|
| Concerto, FaWV L:B3 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Concerto, FaWV L:B3 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto, FaWV L:d7 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, strings and continuo |
1700 |
| Concerto, FaWV L:d7 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, strings and continuo |
|
| Vivace from Concerto, FaWV L:d7 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, strings and continuo |
|
| For Orchestra (Pisendel) from Arrangement of For Orchestra (Pisendel) from Concerto, FaWV L:d7 (Fasch, Johann Friedrich) for |
|
| Concerto, FaWV L:D16 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:D16 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:D19 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, strings and continuo |
1700 |
| Moderato from Concerto, FaWV L:D19 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, strings and continuo |
|
Violin Concerto in D major, L2.2 (Benda, Franz) for violin, strings and continuo
violin and orchestra |
|
Violin Concerto in D major, L2.2 (Benda, Franz) for violin, strings and continuo
violin and orchestra |
|
| Second version: 2 flutes, orchestra, continuo from Concerto for 2 Flutes, FaWV L:D9 (Fasch, Johann Friedrich) for 2 flutes and orchestra |
|
| Concerto, FaWV L:D18 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, strings and continuo |
|
| Concerto, FaWV L:D20 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, strings and continuo |
|
| Concerto, FaWV L:F3 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings and continuo |
1700 |
| Concerto, FaWV L:F3 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Violin Concerto, FaWV L:A2 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Violin Concerto, FaWV L:A2 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, L2.18 (Benda, Franz) for violin, strings and continuo |
|
| Concerto, FaWV L:B4 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
1700 |
| Concerto, FaWV L:B4 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
|
| Concerto, FaWV L:D5 (Fasch, Johann Friedrich) for violin and orchestra |
1700 |
| I. Allegro from Arrangement of I. Allegro from Concerto, FaWV L:D5 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| I. Allegro from Arrangement of I. Allegro from Concerto, FaWV L:D5 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:Es1 (Fasch, Johann Friedrich) for 2 oboes, bassoon, strings and continuo |
|
| Concerto, FaWV L:Es1 (Fasch, Johann Friedrich) for 2 oboes, bassoon, strings and continuo |
|
| Chalumeau Concerto, FaWV L:B1 (Fasch, Johann Friedrich) for chalumeau and orchestra |
|
| Arrangement of Le mal du pays, Op. 117 (Jungmann, Albert) for cello and piano |
|
| Violin Concerto in E major, BWV 1042 (Bach, Johann Sebastian) for violin, strings and continuo |
|
| Violin Concerto in E major, BWV 1042 (Bach, Johann Sebastian) for violin, strings and continuo |
|
| Concerto for 2 Violins in D minor, BWV 1043 (Bach, Johann Sebastian) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in D minor, BWV 1043 (Bach, Johann Sebastian) for 2 violins, strings and continuo |
1730 |
| Concerto for 2 Violins in D minor, BWV 1043 (Bach, Johann Sebastian) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in D minor, BWV 1043 (Bach, Johann Sebastian) for 2 violins, strings and continuo |
|
| Violin Concerto in A minor, BWV 1041 (Bach, Johann Sebastian) for violin, strings and continuo |
|
| Maria dolorata (Vinci, Leonardo) for soprano, 2 altos, tenor, bass, strings and continuo |
|
| Oratorio (Vinci, Leonardo) for voices and orchestra |
|
| La caduta de' decemviri (Vinci, Leonardo) for voices and orchestra |
|
| L'Ernelinda (Vinci, Leonardo) for 7 voices and orchestra |
|
| Semiramide riconosciuta (Vinci, Leonardo) for voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Vinci, Leonardo) for voices, mixed chorus and orchestra |
|
| La Didone (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| L'Erismena (Cavalli, Francesco) for voices and orchestra |
|
| L'Erismena (Cavalli, Francesco) for voices and orchestra |
|
| L'Orione (Cavalli, Francesco) for voices and orchestra |
|
| Caio Mario (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Caio Mario (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Caio Mario (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Caio Mario (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Piano Trio (Heise, Peter) for violin, cello and piano |
1869 |
| Incomplete (1749 Parma Version) from Il Demetrio (Jommelli, Niccolò) for 6 voices and orchestra |
1749 |
| Cantatas for solo voice (Cavalli, Francesco) for voice and continuo |
|
| L'Argia (Cesti, Antonio) for voices and orchestra |
|
| L'Argia (Cesti, Antonio) for voices and orchestra |
|
| Il Xerse (Cavalli, Francesco) for voices and orchestra |
|
| Il Xerse (Cavalli, Francesco) for voices and orchestra |
1695 |
| L'Egisto (Cavalli, Francesco) for voices and orchestra |
1642 |
| L'Egisto (Cavalli, Francesco) for voices and orchestra |
|
| La Calisto (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| La Semiramide (Aldrovandini, Giuseppe Antonio Vincenzo) for voices and orchestra |
|
| Etude No. 3 (Regondi, Giulio) for guitar |
|
| Grande Fantasia, Op. 61 (Legnani, Luigi) for guitar |
|
| Concertino for Cello and Piano (Laboccetta, Domenico) for cello and piano |
1881 |
| Cello Concerto in A major, L.20 (Leo, Leonardo) for cello, strings and continuo |
1737 |
| Astianatte (Jommelli, Niccolò) for 6 voices and orchestra |
1740 |
| Astianatte (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Astianatte (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Cello Concerto in F minor, L.40 (Leo, Leonardo) for cello, strings and continuo |
|
| Sinfonia Concertata for Cello and Strings in C minor (Leo, Leonardo) for cello, strings and continuo |
1737 |
| Cello Concerto in D major, L.10 (Leo, Leonardo) for cello, strings and continuo |
1737 |
| Attilio Regolo (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Attilio Regolo (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Attilio Regolo (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Cello Concerto in A major, L.50 (Leo, Leonardo) for cello, strings and continuo |
1738 |
| Cello Concerto in D minor, L.60 (Leo, Leonardo) for cello, strings and continuo |
1738 |
| Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Selections (ouvertur-suite) from Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| A solis ortu (Leo, Leonardo) for 2 sopranos, tenor and continuo |
|
| Cello Sonata in A major (Pilati, Mario) for cello and piano |
1929 |
| Scherzo with Variations, Op. 10 (Legnani, Luigi) for guitar |
|
| Complete (1757 Version) from Temistocle (Jommelli, Niccolò) for 7 voices and orchestra |
|
| Das Kaiserlied, Hob.XXVIa:43 (Haydn, Joseph) for voice and piano |
1797 |
| Alleluia (Leo, Leonardo) for mixed chorus, horn, strings and continuo |
1700 |
| Diana amante (Leo, Leonardo) for 4 voices and orchestra |
|
| Amor vuol sofferenza (Leo, Leonardo) for voices and orchestra |
|
| Selection from La semmeglianza de chi l'ha fatta (Leo, Leonardo) for voices and orchestra |
1726 |
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
1740 |
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
1760 |
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
1740 |
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Artaserse (Hasse, Johann Adolph) for voices and orchestra |
1740 |
| Sinfonia from Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| Duet: Tu vuoi ch'io viva o cara from Artaserse (Hasse, Johann Adolph) for voices and orchestra |
|
| L'Andromaca (Leo, Leonardo) for 6 voices and orchestra |
1742 |
| L'Andromaca (Leo, Leonardo) for 6 voices and orchestra |
1700 |
| Complete (1739 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
|
| Complete (1742 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
|
| Selections (1739 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
|
| Selections (1742 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
|
| Selections (1742 Version) from Il Ciro riconosciuto (Leo, Leonardo) for 7 voices and orchestra |
|
| Complete (1737 Version) from L'Olimpiade (Leo, Leonardo) for 7 voices, mixed chorus and orchestra |
|
| Complete (1743 Version) from L'Olimpiade (Leo, Leonardo) for 7 voices, mixed chorus and orchestra |
|
| Selections (1743 Version) from L'Olimpiade (Leo, Leonardo) for 7 voices, mixed chorus and orchestra |
|
| Selections (1743 Version) from L'Olimpiade (Leo, Leonardo) for 7 voices, mixed chorus and orchestra |
|
| Miserere (Leo, Leonardo) for 2 mixed chorus and continuo |
|
| La vie parisienne (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| La vie parisienne (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Andantino (Mertz, Johann Kaspar) for guitar |
|
| Guitar Sonata in D major (Darr, Adam) for guitar |
|
| Demofoonte (Leo, Leonardo) for 6 voices and orchestra |
|
| Demofoonte (Leo, Leonardo) for 6 voices and orchestra |
|
| Drusilla e Strabone (Giuseppe Sellitto) from Demofoonte (Leo, Leonardo) for 6 voices and orchestra |
|
| Zenobia in Palmira (Leo, Leonardo) for voices and orchestra |
|
| Etude No. 4 (Regondi, Giulio) for guitar |
|
| Piano Trio, Op. 12 (Bendix, Victor) for violin, cello and piano |
1882 |
| Nuit de Walpurgis (Ferranti, Marco Aurelio Zani de) for guitar |
|
| Pastorali (Leo, Leonardo) for keyboard |
1700 |
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
1732 |
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
1751 |
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Sant'Elena al Calvario (Leo, Leonardo) for voices, mixed chorus and orchestra |
|
| Beatus vir (Caresana, Cristofaro) for 2 mixed chorus, strings and continuo |
1696 |
| Phantasiestücke, Op. 88 (Schumann, Robert) for violin, cello and piano |
|
| Phantasiestücke, Op. 88 (Schumann, Robert) for violin, cello and piano |
1842 |
| Bon-Bon Suite, Op. 68 (Coleridge-Taylor, Samuel) for baritone, mixed chorus and orchestra |
|
| Finnische Volkslieder (Boije af Gennäs, Carl Oscar) for guitar |
|
| Saetervise (Thrane, Waldemar) for voice and guitar |
|
| Der Tannenbaum, WWV 50 (Wagner, Richard) for voice and piano |
1868 |
| Fantasia de Clarinete (Calvist, Enrique) for clarinet, wind ensemble, brass ensemble and percussion |
1905 |
| Fantasia de Clarinete (Calvist, Enrique) for clarinet, wind ensemble, brass ensemble and percussion |
|
| Arrangement of En la Alhambra (Bretón, Tomás) for violin and piano |
|
| Nuit persane, Op. 26bis (Saint-Saëns, Camille) for alto, tenor, mixed chorus and orchestra |
1891 |
| Nuit persane, Op. 26bis (Saint-Saëns, Camille) for alto, tenor, mixed chorus and orchestra |
1891 |
| 3 Altdeutsche Volkslieder (Scherrer, Heinrich) for voice and guitar |
1901 |
| Arrangement of Moderato - Andante espressivo (Schultz, Leonard) for guitar |
|
| Kleine Fantasie über 'Stille Nacht' (Scherrer, Heinrich) for guitar |
|
| La vestale (Spontini, Gaspare) for voices, mixed chorus and orchestra |
|
| La vestale (Spontini, Gaspare) for voices, mixed chorus and orchestra |
1829 |
| Ricimero re de' Goti (Jommelli, Niccolò) for voices and orchestra |
|
| Creso (Jommelli, Niccolò) for 6 voices and orchestra |
1757 |
| Creso (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Complete (1747 Version) from Didone abbandonata (Jommelli, Niccolò) for 4 sopranos, alto, tenor, orchestra and continuo |
|
| Complete (1763 Version) from Didone abbandonata (Jommelli, Niccolò) for 4 sopranos, alto, tenor, orchestra and continuo |
1762 |
| Complete (1763 Version) from Didone abbandonata (Jommelli, Niccolò) for 4 sopranos, alto, tenor, orchestra and continuo |
|
| Complete (1743 Padua Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
1743 |
| Selections (1743 Padua Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Complete (1753 Milan Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
1753 |
| Selections (1753 Milan Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Incomplete (1764 Stuttgart Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
1764 |
| Complete (1770 Naples Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1770 Naples Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1770 Naples Version) from Demofoonte (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| String Quintet, Op. 99 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
|
| Complete (1741 Turin Version) from Semiramide riconosciuta (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Incomplete (1741 Turin Version) from Semiramide riconosciuta (Jommelli, Niccolò) for 6 voices and orchestra |
1741 |
| Complete (1753 Piacenza Version) from Semiramide riconosciuta (Jommelli, Niccolò) for 6 voices and orchestra |
1753 |
| La cantata e disfida di Don Trastullo (Jommelli, Niccolò) for soprano, tenor, bass and orchestra |
|
| Cello Concerto No. 6, Op. 31 (Romberg, Bernhard) for cello and orchestra |
|
| Variations for Cello and Orchestra in D minor, J.94 (Weber, Carl Maria von) for cello and orchestra |
1810 |
| Variations for Cello and Orchestra in D minor, J.94 (Weber, Carl Maria von) for cello and orchestra |
|
| Il Ruggiero (Hasse, Johann Adolph) for voices and orchestra |
|
| Arrangement of Guslar (Šafranek-Kavić, Lujo) for violin and piano |
|
25 Scottish Songs, Op. 108 (Beethoven, Ludwig van) for voice, violin, cello and piano
voices, violin, cello and piano |
1814 |
| Concerto for 2 Flutes in C major, RV 533 (Vivaldi, Antonio) for 2 flutes, strings and continuo |
1700 |
| Requiem, Op. 89 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1891 |
| Wenn ihr fröhlich seid an euren Festen (Kuhnau, Johann) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich freue mich im Herrn (Kuhnau, Johann) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Ach Herr, strafe mich nicht (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Gott sei mir gnädig (Kuhnau, Johann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Complete (1747 Version) from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Complete (1747 Version) from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Complete (1747 Version) from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Complete (1747 Version) from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Sinfonia from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Sinfonia from Leucippo (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Machet die Tore weit (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Fantaisie triomphale (Dubois, Théodore) for organ and orchestra |
|
| Ach, mein herzliebes Jesulein (Schelle, Johann) for continuo and 2 sopranos |
1688 |
| Wie schön leuchtet der Morgenstern (Kuhnau, Johann) for 2 sopranos, tenor, mixed chorus and orchestra |
|
| Die betrogene Welt, K.474 (Mozart, Wolfgang Amadeus) for voice and piano |
|
Sonata a Quattro, WoO 4 (Corelli, Arcangelo) for oboe, 2 violins and continuo
trumpet, 2 violins and continuo |
|
| Die Alte, K.517 (Mozart, Wolfgang Amadeus) for voice and piano |
|
| Die kleine Spinnerin, K.531 (Mozart, Wolfgang Amadeus) for voice and piano |
|
| An die Einsamkeit, K.391/340b (Mozart, Wolfgang Amadeus) for voice and piano |
|
| Complete (ca. 1784/1785 Version) from Die Kindheit Jesu (Bach, Johann Christoph Friedrich) for voices, mixed chorus and orchestra |
|
| Complete (1773 Version) from Die Auferweckung Lazarus (Bach, Johann Christoph Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1773 |
| Complete (ca. 1785/90 Version) from Die Auferweckung Lazarus (Bach, Johann Christoph Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Dors, mon enfant, WWV 53 (Wagner, Richard) for voice and piano |
1868 |
| L'attente, WWV 55 (Wagner, Richard) for voice and piano |
1868 |
| Mignonne, WWV 57 (Wagner, Richard) for voice and piano |
1868 |
| Concerto for Strings in D major, RV 121 (Vivaldi, Antonio) for strings and continuo |
1700 |
Sonata for Keyboard 4 Hands, Op. 10 (Kozeluch, Leopold) for harpsichord 4 hands
piano 4 hands |
|
| Violin Concerto, BI 516 (Rolla, Alessandro) for |
|
| String Trio in E-flat major, Op. 3 (Beethoven, Ludwig van) for violin, viola and cello |
1700 |
| String Trio in E-flat major, Op. 3 (Beethoven, Ludwig van) for violin, viola and cello |
1792 |
| Orchestral Suite No. 1 in C major, BWV 1066 (Bach, Johann Sebastian) for orchestra |
|
| Original version (1848-49) from Requiem, WAB 39 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1849 |
| Original version (1848-49) from Requiem, WAB 39 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1929 |
| Requiem, WAB 39 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for orchestra |
|
| Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for orchestra |
1700 |
| Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for orchestra |
1730 |
| Air (No.2) from Arrangement of Air (No.2) from Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for double bass and strings |
1800 |
| Orchestral Suite No. 2 in B minor, BWV 1067 (Bach, Johann Sebastian) for orchestra |
|
| Arrangement of Stille Nacht, heilige Nacht, H.145 (Gruber, Franz Xaver) for 2 voices, mixed chorus and orchestra |
1800 |
| Arrangement of Stille Nacht, heilige Nacht, H.145 (Gruber, Franz Xaver) for soprano, alto, mixed chorus and guitar |
1800 |
| Arrangement of Stille Nacht, heilige Nacht, H.145 (Gruber, Franz Xaver) for 2 voices and mixed chorus |
1800 |
| Romance and Rondò for Double Bass and Orchestra (Keyper, Franz Joseph) for double bass and orchestra |
1700 |
| Prelude and Fugue in C major, K.394/383a (Mozart, Wolfgang Amadeus) for piano |
|
| La rencontre imprévue, Wq.32 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Both versions from Overture in G minor, WAB 98 (Bruckner, Anton) for orchestra |
1862 |
| Revised 2nd version (1863) from Overture in G minor, WAB 98 (Bruckner, Anton) for orchestra |
|
| Arrangement of Overture in G minor, WAB 98 (Bruckner, Anton) for piano |
|
| Piano Trio (Royer, Étienne) for violin, cello and piano |
1920 |
| An die Geliebte, WoO 140 (Beethoven, Ludwig van) for voice and piano |
1811 |
| Der Wachtelschlag, WoO 129 (Beethoven, Ludwig van) for voice and piano |
|
| Rondo for Cello and Orchestra (Kummer, Friedrich August) for cello and orchestra |
|
| 6 String Trios, G.83-88 (Op. 4) (Boccherini, Luigi) for 2 violins and cello |
|
| Sextet, Op. 24 (Neruda, Franz) for clarinet, 2 violins, viola and 2 cellos |
1871 |
| Sonatas 1, 11, 2, 5, 7, 9 from Arrangement of Sonatas 1, 11, 2, 5, 7, 9 from 12 Violin Sonatas, Op. 4 (Geminiani, Francesco) for strings and continuo |
|
| In questa tomba oscura, WoO 133 (Beethoven, Ludwig van) for voice and piano |
1807 |
| Cello Sonata No. 1 (Heise, Peter) for cello and piano |
1868 |
6 Harpsichord Sonatas (Meisler, Georg Friedrich) for harpsichord
clavichord |
|
| Das Traumbild, K.530 (Mozart, Wolfgang Amadeus) for voice and piano |
1787 |
| Verdankt sei es dem Glanz, K.392/340a (Mozart, Wolfgang Amadeus) for voice and piano |
|
| Sinfonia in G minor, T.Si 7 (Albinoni, Tomaso) for orchestra |
|
| Armida (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
1840 |
| Das Veilchen, K.476 (Mozart, Wolfgang Amadeus) for voice and piano |
1700 |
24 Anglaises (Croubelis, Simoni dall) for 2 flutes, 2 violins and continuo
2 flutes, 2 violins and cello |
|
| Concert Danois Villageois, or Divertissement des Dames (Croubelis, Simoni dall) for 2 flutes, 2 horns, strings and continuo |
|
| Symphony No. 1 in D major, dans le goût Asiatique (Croubelis, Simoni dall) for orchestra |
|
| 6 Trio Sonatas (Spourni, Wenceslaus Joseph) for flute, violin and continuo |
|
| 6 Trio Sonatas (Spourni, Wenceslaus Joseph) for flute, violin and continuo |
|
| Ach Gott und Herr, GWV 1144/11 (Graupner, Christoph) for soprano and orchestra |
1711 |
| Ach stirb mein Herz, GWV 1127/38 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1738 |
| Das Ende kommt, der Tod, GWV 1165/32 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1732 |
| Der Heiland ruht auf Flut und Wellen, GWV 1115/43 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1743 |
| Symphony in C major, Bryan C1 (Vanhal, Johann Baptist) for orchestra |
|
| Trio in B-flat major (Croubelis, Simoni dall) for flute, violin and cello |
|
| Herr, die Wasserströme erheben sich, GWV 1115/34 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1734 |
| Ach wie nichtig, ach wie flüchtig, GWV 1157/28 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1728 |
| Ach Herr, mich armen Sünder, GWV 1152/46 (Graupner, Christoph) for bass, strings and continuo |
1746 |
6 Flute Sonatas, Op. 3 (Platti, Giovanni Benedetto) for flute and continuo
flute and cello |
|
| Mass in C major, K.257 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1776 |
| Alcide al bivio (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Alcide al bivio (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Trio Sonata in D major, BuxWV 267 (Buxtehude, Dietrich) for viol, violone and continuo |
|
| Prelude in D-flat major (Boulanger, Lili) for piano |
1911 |
| Trio Sonata in C major, BuxWV 266 (Buxtehude, Dietrich) for 2 violins, viol and continuo |
|
Herr, ich lasse dich nicht, BuxWV 36 (Buxtehude, Dietrich) for tenor, bass, 2 violins, 2 viols, violone and continuo
tenor, bass, 2 violins, 3 viols and continuo
tenor, bass, 2 trombones, 2 violins, violone and continuo
tenor, bass, 2 trombones, 2 violins, viol and continuo |
|
Gott hilf mir, BuxWV 34 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, 2 basses, 2 violins, 2 violas, violone and continuo
2 sopranos, bass, mixed chorus, 2 violins, 2 violas, violone and continuo |
|
| Salve Regina, IVB 13 (Bellini, Vincenzo) for organ and soprano |
|
Eins bitte ich vom Herrn, BuxWV 24 (Buxtehude, Dietrich) for 2 sopranos, alto, mixed chorus and orchestra
2 sopranos, alto, tenor, bass and orchestra |
|
| Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| March in Emajor, GraunWV B:I:29/22 from Montezuma, GraunWV B:I:29 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Tu es Petrus, Op. 111 (Mendelssohn, Felix) for mixed chorus and orchestra |
|
| Giulietta e Romeo (Vaccai, Nicola) for voices, mixed chorus and orchestra |
|
| Alles, was ihr tut mit Worten oder Werken, BuxWV 4 (Buxtehude, Dietrich) for soprano, bass, mixed chorus, 2 violins, 2 violas and continuo |
|
| Aria: Carceleras (Act II, No.8) from Arrangement of Aria: Carceleras (Act II, No.8) from Las hijas del Zebedeo (Chapí, Ruperto) for piano |
1889 |
| Violin Concerto No. 19 in D minor (Kreutzer, Rodolphe) for violin and orchestra |
|
| La corte de Granada (Chapí, Ruperto) for wind ensemble, brass ensemble and percussion |
1873 |
| Partenope (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Gloria (Benet, John) for 3 voices |
|
| Fantaisie, B.9 (Bloch, Ernest) for violin and piano |
1897 |
| Ponce de Lëon (Berton, Henri-Montan) for voices, mixed chorus and orchestra |
|
| Cello Sonata, B.8 (Bloch, Ernest) for cello and piano |
1897 |
| Schelomo, B.39 (Bloch, Ernest) for cello and orchestra |
1916 |
| Piano Trio No. 1, Op. 59 (Martucci, Giuseppe) for violin, cello and piano |
1800 |
| 1st version ( E major ) from Edel sei der Mensch, WoO 185 (Beethoven, Ludwig van) for 6 voices |
|
| Kühl, nicht lau, WoO 191 (Beethoven, Ludwig van) for 3 voices |
1800 |
| Leonore Prohaska, WoO 96 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
|
| 6 Motets, Op. 79 (Mendelssohn, Felix) for mixed chorus |
|
| Der glorreiche Augenblick, Op. 136 (Beethoven, Ludwig van) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
1800 |
| 1. Psalm 2 from 3 Psalms, Op. 78 (Mendelssohn, Felix) for 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 mixed chorus |
|
| 1. Psalm 2 from 3 Psalms, Op. 78 (Mendelssohn, Felix) for 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 mixed chorus |
1845 |
| 2. Psalm 43 from 3 Psalms, Op. 78 (Mendelssohn, Felix) for 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 mixed chorus |
1844 |
| 3. Psalm 22 from 3 Psalms, Op. 78 (Mendelssohn, Felix) for 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 mixed chorus |
1800 |
| Ödipus in Kolonos, Op. 93 (Mendelssohn, Felix) for voices, 2 male chorus and orchestra |
1844 |
| Jota de Pablo, Op. 52 (Sarasate, Pablo de) for violin and piano |
1906 |
| Sarabande (Roger-Ducasse, Jean) for mixed chorus and orchestra |
|
| Fantasia sul 'Guglielmo Tell', Op. 184 (Krakamp, Emmanuele) for flute and orchestra |
|
| Souvenir de Casino (Krakamp, Emmanuele) for flute and orchestra |
|
Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:d1 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo
2 oboes and continuo |
|
Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:d1 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo
2 oboes and continuo |
|
| Adagio in G major, BWV 968 (Bach, Johann Sebastian) for keyboard |
|
| Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:F2 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo |
|
| Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:B2 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo |
|
| Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:g1 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo |
|
| Violin Concerto No. 9, Op. 55 (Spohr, Louis) for violin and orchestra |
|
| Il ritorno d'Ulisse in patria, SV 325 (Monteverdi, Claudio) for voices, mixed chorus, strings and continuo |
|
| Le Devin du village (Rousseau, Jean-Jacques) for voices, mixed chorus and orchestra |
|
| Gabriella di Vergy (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major, BWV 1045 (Bach, Johann Sebastian) for violin and orchestra |
1700 |
| Le Cantatrici Villane (Fioravanti, Valentino) for voices and orchestra |
|
| Le Cantatrici Villane (Fioravanti, Valentino) for voices and orchestra |
|
| Clarinet Quintet, Op. 146 (Reger, Max) for clarinet, 2 violins, viola and cello |
1915 |
| Correa nel seno amato, H.146 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Correa nel seno amato, H.146 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Simphonie à 8 concertanti, ZWV 189 (Zelenka, Jan Dismas) for orchestra |
1723 |
| Simphonie à 8 concertanti, ZWV 189 (Zelenka, Jan Dismas) for orchestra |
|
| Simphonie à 8 concertanti, ZWV 189 (Zelenka, Jan Dismas) for orchestra |
|
| Concerto à 8 concertanti in G major, ZWV 186 (Zelenka, Jan Dismas) for orchestra |
1723 |
| Capriccio in G major, ZWV 183 (Zelenka, Jan Dismas) for orchestra |
1718 |
| Capriccio in D major, ZWV 182 (Zelenka, Jan Dismas) for orchestra |
|
| Capriccio in D major, ZWV 182 (Zelenka, Jan Dismas) for orchestra |
|
| Double Bass Concerto No. 1 in F-sharp minor (Bottesini, Giovanni) for double bass and orchestra |
1878 |
| Double Bass Concerto No. 1 in F-sharp minor (Bottesini, Giovanni) for double bass and orchestra |
|
| Arrangement of Double Bass Concerto No. 1 in F-sharp minor (Bottesini, Giovanni) for double bass and piano |
1800 |
| Harpsichord Concerto No. 6 in F major, BWV 1057 (Bach, Johann Sebastian) for 2 recorders, harpsichord, strings and continuo |
1700 |
| Concerto for 3 Harpsichords in D minor, BWV 1063 (Bach, Johann Sebastian) for 3 harpsichords, strings and continuo |
|
| Original version (1894) from Donna Diana (Reznicek, Emil von) for voices, mixed chorus and orchestra |
1800 |
Early version, BWV 1061a from Concerto for 2 Harpsichords in C major, BWV 1061 (Bach, Johann Sebastian) for 2 harpsichords
2 harpsichords, strings and continuo |
1732 |
| Concerto for 2 Harpsichords in C minor, BWV 1060 (Bach, Johann Sebastian) for 2 harpsichords, strings and continuo |
|
| Harpsichord Concerto No. 5 in F minor, BWV 1056 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 5 in F minor, BWV 1056 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Concerto for 3 Harpsichords in C major, BWV 1064 (Bach, Johann Sebastian) for 3 harpsichords, strings and continuo |
|
| Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Earlier version, BWV 1052a from Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Earlier version, BWV 1052a from Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Standard version, BWV 1052 from Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Cadenzas from Arrangement of Cadenzas from Harpsichord Concerto No. 1 in D minor, BWV 1052 (Bach, Johann Sebastian) |
|
| Harpsichord Concerto No. 3 in D major, BWV 1054 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 3 in D major, BWV 1054 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Concerto for 4 Harpsichords in A minor, BWV 1065 (Bach, Johann Sebastian) for 4 harpsichords, strings and continuo |
|
| Concerto for 2 Harpsichords in C minor, BWV 1062 (Bach, Johann Sebastian) for 2 harpsichords, strings and continuo |
1700 |
| Concerto for 2 Recorders, TWV 52:a2 (Telemann, Georg Philipp) for 2 recorders, strings and continuo |
|
| Harpsichord Concerto No. 2 in E major, BWV 1053 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 2 in E major, BWV 1053 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 2 in E major, BWV 1053 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 2 in E major, BWV 1053 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 2 in E major, BWV 1053 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 4 in A major, BWV 1055 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 4 in A major, BWV 1055 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 4 in A major, BWV 1055 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto No. 4 in A major, BWV 1055 (Bach, Johann Sebastian) for harpsichord, strings and continuo |
|
Trio Sonata, FaWV N:D4 (Fasch, Johann Friedrich) for 2 violins and harpsichord
2 violins and continuo |
|
| Trio Sonata, TWV 42:h7 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Sonata in F major, S.255 (Heinichen, Johann David) for 2 horns, 2 violins, viola and continuo |
1720 |
| Concerto for 2 Oboes, FaWV L:g4 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
1700 |
| Concerto for 2 Oboes, FaWV L:g4 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
|
Trio Sonata in C minor, S.259 (Heinichen, Johann David) for 2 oboes and bassoon
2 oboes and continuo
2 oboes and bass |
|
Trio Sonata in C minor, S.259 (Heinichen, Johann David) for 2 oboes and bassoon
2 oboes and continuo
2 oboes and bass |
|
Trio Sonata in C minor, S.259 (Heinichen, Johann David) for 2 oboes and bassoon
2 oboes and continuo
2 oboes and bass |
|
Trio Sonata in C minor, S.259 (Heinichen, Johann David) for 2 oboes and bassoon
2 oboes and continuo
2 oboes and bass |
|
| Ouverture-Suite, TWV 55:A7 (Telemann, Georg Philipp) for strings and continuo |
|
Allegro from Concerto, FaWV L:G12 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, 2 bassoons, 2 horns, strings and continuo
2 oboes, 2 bassoons, strings and continuo |
|
| Concerto, FaWV L:F5 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:F5 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Allegro from Concerto, FaWV L:F5 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Violin Concerto, FaWV L:G6 (Fasch, Johann Friedrich) for violin, strings and continuo |
1700 |
| Violin Concerto, FaWV L:G6 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Ouverture-Suite, FaWV K:g4 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto, TWV 51:G8 (Telemann, Georg Philipp) for violin and orchestra |
|
| Violin Concerto, TWV 51:G8 (Telemann, Georg Philipp) for violin and orchestra |
|
| Ouverture-Suite, TWV 55:F11 'Alster-Ouvertüre' (Telemann, Georg Philipp) for 2 oboes, bassoon, 4 horns, 2 violins and continuo |
|
| Ouverture-Suite, TWV 55:F11 'Alster-Ouvertüre' (Telemann, Georg Philipp) for 2 oboes, bassoon, 4 horns, 2 violins and continuo |
|
Concerto for 2 Violins, TWV 52:D3 (Telemann, Georg Philipp) for 2 violins, strings and continuo
2 violins and orchestra |
|
| Ouverture-Suite, FaWV K:D10 (Fasch, Johann Friedrich) for orchestra |
|
| Chi tal nasce tal vive (Ziani, Pietro Andrea) for voices and orchestra |
|
| Miscellaneous 17th-century Italian Arias (Various) for voice and continuo |
|
| Violin Concerto in B-flat major, RV 364a (Vivaldi, Antonio) for violin, strings and continuo |
|
| 40 Vocal Pieces (Michi, Orazio) for voice and continuo |
1600 |
| 5 Duetti da camera (Clari, Giovanni Carlo Maria) for 2 voices and continuo |
|
| Chamber Concerto in D minor, RV 96 (Vivaldi, Antonio) for flute, bassoon, violin and continuo |
|
| Arrangement of Funiculì, Funiculà (Denza, Luigi) for clarinet, guitar, mandolin, violin, viola and cello |
|
Manuscript, GB-Lbl Add. MS 29987 (Various) for voice
2 voices
3 voices
Unspecified instrument
2 Unspecified instruments |
|
Manuscript, GB-Lbl Add. MS 29987 (Various) for voice
2 voices
3 voices
Unspecified instrument
2 Unspecified instruments |
|
| Concerto in F major, RV 574 (Vivaldi, Antonio) for 2 oboes, 2 horns, violin and orchestra |
1700 |
| Concerto in F major, RV 574 (Vivaldi, Antonio) for 2 oboes, 2 horns, violin and orchestra |
|
| Violin Concerto in D major, RV 225 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Movements 1 and 3 from Violin Concerto in D major, RV 225 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Ouverture-Suite, FaWV K:B6 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D23 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:Es1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:F7 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:F7 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:F3 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D22 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D22 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:F1 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto in A major, RV 343 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Ouverture-Suite, FaWV K:e1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:e1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:e2 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto for Violin and Organ in F major, RV 542 (Vivaldi, Antonio) for violin, organ, strings and continuo |
|
| Cello Concerto in A minor, RV 422 (Vivaldi, Antonio) for cello, strings and continuo |
|
| Toccata and Fugue in D minor, BWV 538 (Bach, Johann Sebastian) for organ |
|
| Ouverture-Suite, FaWV K:F8 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto in B minor, RV 388 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D minor, RV 237 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Violin Concerto in D minor, RV 237 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Ouverture-Suite, FaWV K:F4 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto in G minor, RV 329 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G minor, RV 329 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Concerto for 2 Violins in C major, RV 507 (Vivaldi, Antonio) for 2 violins, strings and continuo |
1700 |
| Concerto for 2 Violins in C major, RV 507 (Vivaldi, Antonio) for 2 violins, strings and continuo |
|
| Arrangement of Concerto for 2 Violins in C major, RV 507 (Vivaldi, Antonio) for 2 violins and orchestra |
|
| Prelude and Fugue in E minor, BWV 533 (Bach, Johann Sebastian) for organ |
|
| Violin Concerto in A minor, RV 358 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in A minor, RV 358 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, RV 383 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 226 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 229 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Sinfonia in C major, RV 192 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of Sinfonia in C major, RV 192 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Prelude and Fugue in B minor, BWV 544 (Bach, Johann Sebastian) for organ |
1700 |
| Pigmalion, RCT 52 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Prelude and Fugue in C major, BWV 547 (Bach, Johann Sebastian) for organ |
1700 |
| Sinfonia in D major, Schrank II/27/40 (Anonymous) for strings and continuo |
|
| Violin Concerto in D minor, RV 240 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Prelude and Fugue in C minor, BWV 546 (Bach, Johann Sebastian) for organ |
|
| Violin Concerto in C major, RV 189 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 189 (Vivaldi, Antonio) for violin, strings and continuo |
|
Concerto à 4, TWV 43:D1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Keyboard Sonata in E-flat major, H.78 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Viola d'amore Concerto in A minor, RV 397 (Vivaldi, Antonio) for viola damore, strings and continuo |
|
| Viola d'amore Concerto in D major, RV 392 (Vivaldi, Antonio) for viola damore, strings and continuo |
|
| Anacréon, RCT 30 (Rameau, Jean-Philippe) for orchestra |
1757 |
| Anacréon, RCT 30 (Rameau, Jean-Philippe) for orchestra |
|
| Arrangement of Concerto for 2 Violins in A major, RV 521 (Vivaldi, Antonio) for violin and orchestra |
|
| Sonata à 4, TWV 43:F1 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Violin Concerto in C major, RV 172 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Concerto for 2 Violins in C major, RV 506 (Vivaldi, Antonio) for 2 violins, strings and continuo |
|
| Keyboard Sonata in B minor, H.32.5 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Harpsichord Concerto in D minor, H.427 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
1748 |
| Violin Concerto in A major, RV 344 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, RV 370 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in B-flat major, RV 370 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Violin Concerto in B-flat major, RV 370 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 179 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 213 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of Violin Concerto in D major, RV 213 (Vivaldi, Antonio) for violin and orchestra |
|
| Violin Concerto in D major, RV 224a (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 224 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Violin Concerto in D major, RV 228 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 228 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Concerto in F major, RV 571 (Vivaldi, Antonio) for 2 oboes, bassoon, 2 horns, violin, cello, strings and continuo |
|
| Violin Concerto in F major, RV 569 (Vivaldi, Antonio) for violin and orchestra |
1700 |
| Violin Concerto in F major, RV 569 (Vivaldi, Antonio) for violin and orchestra |
|
| Violin Concerto in F major, RV 569 (Vivaldi, Antonio) for violin and orchestra |
|
| Violin Concerto in G minor, RV 323 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 195 (Vivaldi, Antonio) for violin, strings and continuo |
|
| La Guirlande, RCT 42 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Keyboard Sonata in G major, H.246 (Bach, Carl Philipp Emanuel) for keyboard |
1780 |
| Violin Concerto in C minor, RV 196 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Piano Trio No. 2, Op. 62 (Martucci, Giuseppe) for violin, cello and piano |
1800 |
| Violin Concerto in A major, RV 340 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Arrangement of Concerto for 2 Violins in C major, RV 508 (Vivaldi, Antonio) for 2 violins and orchestra |
|
| Concerto in D major, RV 562 (Vivaldi, Antonio) for 2 oboes, 2 horns, violin, strings and continuo |
|
| Violin Concerto in C minor, RV 199 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Keyboard Sonata in F major, H.269 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Violin Concerto in B minor, RV 384 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 177 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, RV 177 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 177 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 582 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 582 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D minor, RV 241 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G major, RV 299 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G minor, RV 319 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of Violin Concerto in G minor, RV 319 (Vivaldi, Antonio) for violin and orchestra |
|
| Violin Concerto in G major, RV 298 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Sinfonia in C major, RV 111a (Vivaldi, Antonio) for strings and continuo |
|
| Chamber Concerto in D major, RV 93 (Vivaldi, Antonio) for lute, 2 violins and continuo |
1700 |
| Arrangement of Violin Concerto in E-flat major, RV 253 (Vivaldi, Antonio) for violin and orchestra |
1716 |
| La verità in cimento, RV 739 (Vivaldi, Antonio) for voices and orchestra |
1720 |
| Sinfonia from La verità in cimento, RV 739 (Vivaldi, Antonio) for voices and orchestra |
|
| La verità in cimento, RV 739 (Vivaldi, Antonio) for voices and orchestra |
|
| Sinfonia in A major, Schrank II/38/12 (Anonymous) for strings and continuo |
|
| Violin Concerto in B-flat major, RV 363 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 219 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in E major, RV 267 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, RV 260 (Vivaldi, Antonio) for violin, strings and continuo |
1715 |
| Violin Concerto in E-flat major, RV 260 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, RV 262 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in F major, RV 294a (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of Violin Concerto in F major, RV 294a (Vivaldi, Antonio) for violin and orchestra |
|
| Violin Concerto in G major, RV 302 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G minor, RV 328 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 328 (Vivaldi, Antonio) for violin, strings and continuo |
|
| O mie porpora più belle, RV 685 (Vivaldi, Antonio) for alto, strings and continuo |
1700 |
| Qual in pioggia dorata, RV 686 (Vivaldi, Antonio) for alto and orchestra |
1718 |
| Vengo a voi, luci adorate, RV 682 (Vivaldi, Antonio) for soprano, strings and continuo |
1700 |
Concerto in A major, RV 585 (Vivaldi, Antonio) for 4 recorders, 4 violins, 2 cellos, organ, strings and continuo
orchestra |
1708 |
| Sinfonia in B-flat major, RV 162 (Vivaldi, Antonio) for strings and continuo |
|
| L'Olimpiade, RV 725 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
1700 |
| L'Olimpiade, RV 725 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
1700 |
| Amor hai vinto, RV 683 (Vivaldi, Antonio) for alto and orchestra |
1700 |
| Amor hai vinto, RV 683 (Vivaldi, Antonio) for alto and orchestra |
1700 |
| Concerto in F major, RV 568 (Vivaldi, Antonio) for 2 oboes, 2 horns, violin and orchestra |
|
| Arrangement of Concerto in F major, RV 568 (Vivaldi, Antonio) for orchestra |
|
| La Sena festeggiante, RV 693 (Vivaldi, Antonio) for soprano, alto, bass and orchestra |
1700 |
| Gloria e Himeneo, RV 687 (Vivaldi, Antonio) for voices, strings and continuo |
1700 |
| Complete (1723 Version) from Imeneo in Atene (Porpora, Nicola Antonio) for 5 voices and orchestra |
|
| Sinfonia from Imeneo in Atene (Porpora, Nicola Antonio) for 5 voices and orchestra |
|
| Mio cor, povero cor, RV 690 (Vivaldi, Antonio) for 3 voices and orchestra |
1700 |
| Complete (1740 Version) from Il trionfo di Camilla (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Selections (1740 Version) from Il trionfo di Camilla (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Selections (1740 Version) from Il trionfo di Camilla (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Selections (1740 Version) from Il trionfo di Camilla (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Arrangement of Sinfonia in C major, RV 112 (Vivaldi, Antonio) for 2 flutes, strings and continuo |
|
| Sinfonia/Concerto for Strings in G major, RV 146 (Vivaldi, Antonio) for strings and continuo |
|
| Sinfonia/Concerto for Strings in G major, RV 146 (Vivaldi, Antonio) for strings and continuo |
|
| L'incoronazione di Dario, RV 719 (Vivaldi, Antonio) for voices and orchestra |
1716 |
| Overture (Sinfonia) from L'incoronazione di Dario, RV 719 (Vivaldi, Antonio) for voices and orchestra |
|
| L'incoronazione di Dario, RV 719 (Vivaldi, Antonio) for voices and orchestra |
|
| Violin Concerto in B-flat major, RV 362 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in B-flat major, RV 362 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in A major, RV 345 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Aria of Ericlea: Torbido intorno al core (Act II, Sc.13) from Meride e Selinunte (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Meride e Selinunte (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Meride e Selinunte (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Trio Sonata in G major, QV 2:28 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Piano Quartet in G minor, K.478 (Mozart, Wolfgang Amadeus) for violin, viola, cello and piano |
1785 |
| Arrangement of Piano Quartet in E-flat major, K.493 (Mozart, Wolfgang Amadeus) for 2 harpsichords |
|
| Trio Sonata in G major, QV 2:29 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in C major, QV 2:Anh.2a (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in G major, QV 2:Anh.26 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in G major, QV 2:Anh.27 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
Trio Sonata in G major, QV 2:Anh.28 (Quantz, Johann Joachim) for 2 flutes and continuo
flute, violin and continuo |
|
| Violin Concerto in D minor, RV 245 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Trio Sonata in D major, QV 2:14 (Quantz, Johann Joachim) for flute, violin and continuo |
|
Trio Sonata in A major, QV 2:Anh.32 (Quantz, Johann Joachim) for 2 violins and continuo
2 flutes and continuo |
|
| Trio Sonata in E minor, QV 2:Anh.15a (Quantz, Johann Joachim) for 2 flutes and continuo |
1740 |
| Trio Sonata in D major, QV 2:7 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in E minor, QV 2:Anh.14 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Selections (Nos.1-2) from Arrangement of Selections (Nos.1-2) from Trio Sonata in E minor, QV 2:Anh.14 (Quantz, Johann Joachim) for orchestra |
|
| Trio Sonata in E minor, QV 2:21 (Quantz, Johann Joachim) for flute, violin and continuo |
1700 |
| Oboe Sonata in C minor, RV 53 (Vivaldi, Antonio) for oboe and continuo |
|
| Trio Sonata in A minor, QV 2:41a (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Chamber Concerto in D major, RV 84 (Vivaldi, Antonio) for flute, violin and continuo |
|
Sonata in B-flat major, RV 34 (Vivaldi, Antonio) for violin and continuo
oboe and continuo |
|
| Violin Sonata in G minor, RV 26 (Vivaldi, Antonio) for violin and continuo |
|
| Trio Sonata in A major, QV 2:Anh.31 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in A minor, QV 2:40 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
Trio Sonata in A minor, QV 2:Anh.34 (Quantz, Johann Joachim) for flute, violin and continuo
2 flutes and continuo |
|
| Trio Sonata in D major, QV 2:9 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in E-flat major, QV 2:18 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in B-flat major, QV 2:42 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in D major, QV 2:12 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in D major, QV 2:13 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Trio Sonata in E minor, QV 2:20 (Quantz, Johann Joachim) for flute, violin and continuo |
|
| Trio Sonata in E-flat major, QV 2:Anh.10 (Quantz, Johann Joachim) for 2 flutes and continuo |
|
| Concerto for 2 Violins, TWV 52:A2 (Telemann, Georg Philipp) for 2 violins and orchestra |
|
| Concerto for 2 Violins, TWV 52:G1 (Telemann, Georg Philipp) for 2 violins and orchestra |
|
| Concerto for 2 Violins, TWV 52:G1 (Telemann, Georg Philipp) for 2 violins and orchestra |
|
| Chamber Concerto in G minor, RV 107 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
1700 |
| Chamber Concerto in G minor, RV 107 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
|
| Barcarola No. 1, Op. 20 (Martucci, Giuseppe) for piano |
1876 |
| No.3. Passione in E major from Arrangement of No.3. Passione in E major from 3 Romanze, Op. 27 (Martucci, Giuseppe) for violin and piano |
|
| Concerto à 4, TWV 43:A4 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto à 4, TWV 43:A4 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto à 4, TWV 43:d2 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto à 4, TWV 43:d2 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Trio Sonata, TWV 42:Es1 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Les amours de Momus (Desmarets, Henri) for mixed chorus and orchestra |
|
| Trio Sonata, TWV 42:d6 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:e9 (Telemann, Georg Philipp) for 2 violins and continuo |
|
Trio Sonata, TWV 42:G3 (Telemann, Georg Philipp) for 2 violins and continuo
2 flutes and continuo |
|
| Sonata à 5 in F major, TWV 44:11 (Telemann, Georg Philipp) for 2 violins, 2 violas and continuo |
|
| Sonata à 5 in F major, TWV 44:11 (Telemann, Georg Philipp) for 2 violins, 2 violas and continuo |
|
| Le Mariage de la grosse Cathos (Philidor l'ainé, André Danican) for voices, mixed chorus and orchestra |
|
| Trio Sonata, TWV 42:a5 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:a5 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:A13 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:A13 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| 4 Country Dances, K.101/250a (Mozart, Wolfgang Amadeus) for orchestra |
|
| Trio Sonata, TWV 42:d8 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:d8 (Telemann, Georg Philipp) for 2 violins and continuo |
|
Quartetto, TWV 43:D6 (Telemann, Georg Philipp) for flute, violin, cello and continuo
flute, bassoon, violin and continuo |
|
Concerto à 4, TWV 43:G1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
Sonata à 4, TWV 43:A1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Violin Concerto in E-flat major, JunP I.3 (Pisendel, Johann Georg) for violin, strings and continuo |
|
| Violin Concerto in F major (Pisendel, Johann Georg) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, JunP I.2 (Pisendel, Johann Georg) for violin, strings and continuo |
|
Trio Sonata, TWV 42:D4 (Telemann, Georg Philipp) for 2 violins and continuo
flute, violin and continuo |
|
Trio Sonata, TWV 42:D4 (Telemann, Georg Philipp) for 2 violins and continuo
flute, violin and continuo |
|
Trio Sonata, TWV 42:A2 (Telemann, Georg Philipp) for 2 violins and continuo
flute, violin and continuo |
|
Trio Sonata, TWV 42:A2 (Telemann, Georg Philipp) for 2 violins and continuo
flute, violin and continuo |
|
| Violin Concerto in A minor (Pisendel, Johann Georg) for violin, strings and continuo |
1700 |
JunP I.4.a from Violin Concerto in G major, JunP I.4 (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
1700 |
JunP I.4.b from Violin Concerto in G major, JunP I.4 (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
|
JunP I.4.c from Violin Concerto in G major, JunP I.4 (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
|
| Cello Concerto in D major (Costanzi, Giovanni Battista) for cello, strings and continuo |
|
Violin Concerto in E minor (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
|
| Trio Sonata, TWV 42:e7 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Concerto for 2 Oboes and Bassoon in E-flat major, J.II.1 (Pisendel, Johann Georg) for 2 oboes, bassoon, strings and continuo |
1700 |
| Concerto for 2 Oboes and Bassoon in E-flat major, J.II.1 (Pisendel, Johann Georg) for 2 oboes, bassoon, strings and continuo |
|
| Concerto for 2 Oboes and Bassoon in E-flat major, J.II.1 (Pisendel, Johann Georg) for 2 oboes, bassoon, strings and continuo |
|
| Violin Concerto in D major, JunP I.7 (Pisendel, Johann Georg) for violin and orchestra |
1700 |
| Violin Concerto in D major, JunP I.7 (Pisendel, Johann Georg) for violin and orchestra |
1700 |
| Violin Concerto in D major, JunP I.7 (Pisendel, Johann Georg) for violin and orchestra |
1700 |
| Violin Concerto in D major, JunP I.7 (Pisendel, Johann Georg) for violin and orchestra |
|
| Violin Concerto in B-flat major (Pisendel, Johann Georg) for violin, strings and continuo |
|
| Violin Concerto in D major, JunP I.5 (Pisendel, Johann Georg) for violin and orchestra |
1700 |
| Violin Concerto in D major, JunP I.5 (Pisendel, Johann Georg) for violin and orchestra |
|
| Violin Concerto in G major, JunP I.6 (Pisendel, Johann Georg) for violin and orchestra |
|
JunP I.1.a from Violin Concerto in G minor, JunP I.1 (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
1700 |
JunP I.1.b from Violin Concerto in G minor, JunP I.1 (Pisendel, Johann Georg) for violin, strings and continuo
violin and orchestra |
|
| 2 Fantasias for Violin solo (Matteis Jr., Nicola) for violin |
|
| Symphony No. 2, Op. 46 (Gernsheim, Friedrich) for orchestra |
1880 |
| Trio Sonata in G minor (Matteis Jr., Nicola) for 2 violins and continuo |
|
| Britannico, GraunWV B:I:24 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Britannico, GraunWV B:I:24 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Oboe Concerto, TWV 51:d1 (Telemann, Georg Philipp) for oboe, strings and continuo |
1713 |
| Oboe Concerto, TWV 51:d1 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
Suite à 4, TWV 43:e1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Symphony No. 3, Op. 54 (Gernsheim, Friedrich) for orchestra |
1887 |
| Herminie, H 29 (Berlioz, Hector) for soprano and orchestra |
|
| Le jeune Pâtre breton, H 65 (Berlioz, Hector) for voice and piano |
|
| Zaïde, H 107 (Berlioz, Hector) for soprano and orchestra |
|
| Concerto in F major, S.234 (Heinichen, Johann David) for flute, 2 horns, violin and orchestra |
|
| Concerto in F major, S.235 (Heinichen, Johann David) for 2 flutes, oboe, 2 horns, violin and orchestra |
|
Trio Sonata in F major, S.256 (Heinichen, Johann David) for flute, violin and continuo
flute, viola damore and continuo |
|
| Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio) for voices and orchestra |
1716 |
| Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio) for voices and orchestra |
|
| Overture from Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio) for voices and orchestra |
|
| Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio) for voices and orchestra |
|
| Le Canal de Versailles (Philidor l'ainé, André Danican) for voices, mixed chorus and orchestra |
|
Sara la baigneuse, H 69 (Berlioz, Hector) for mixed chorus, female chorus, male chorus and orchestra
soprano, alto and piano
tenor, bass and piano |
|
| Book 1 from Motecta festorum (Palestrina, Giovanni Pierluigi da) for 4 voices |
|
| Confitebor No. 5 (Mayr, Giovanni Simone) for tenor, violin, cello and orchestra |
|
| Sonata à 4, TWV 43:a5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Sonata à 4, TWV 43:a5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
Suite à 4, TWV 43:h1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Abraham ou le sacrifice d'Isaac (Brossard, Sébastien de) for bass and continuo |
|
| Trio Sonata, TWV 42:F12 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Trio Sonata, TWV 42:e1 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Trio Sonata, TWV 42:e1 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Cello Concerto in D major (Reichenauer, Antonín) for cello, strings and continuo |
|
Sonata à 4, TWV 43:g1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Trio Sonata, TWV 42:g5 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Trio Sonata, TWV 42:g5 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
Horn Sonata, Op. 34 (Ries, Ferdinand) for horn and piano
cello and piano |
1811 |
| Cantate a voce sola (Bassani, Giovanni Battista) for voice and continuo |
|
| Cantate a voce sola (Bassani, Giovanni Battista) for voice and continuo |
|
| Symphony No. 4, Op. 62 (Gernsheim, Friedrich) for orchestra |
1895 |
| Giuditta, R.500.9 (Scarlatti, Alessandro) for 2 sopranos, alto, tenor, bass and orchestra |
|
Te Deum, LWV 55 (Lully, Jean-Baptiste) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
Il maggior de' miei mali, S.141 (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
| Ingratissima Clori, S.151 (Marcello, Benedetto) for soprano and continuo |
|
| In soccorso del core, S.148 (Marcello, Benedetto) for soprano and continuo |
|
| Tirsi e Fileno, S.475 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Tirsi e Fileno, S.475 (Marcello, Benedetto) for soprano, alto and continuo |
|
Sfortunati miei sospiri, S.323 (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
Sfortunati miei sospiri, S.323 (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
| Saria pur dolce amor, S.301 (Marcello, Benedetto) for alto and continuo |
|
| Saria pur dolce amor, S.301 (Marcello, Benedetto) for alto and continuo |
|
Cantan lieti nei boschetti, S.48 (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
| Senza gran pena, S.321 (Marcello, Benedetto) for soprano and continuo |
|
| Senza gran pena, S.321 (Marcello, Benedetto) for soprano and continuo |
|
| Senza gran pena, S.321 (Marcello, Benedetto) for soprano and continuo |
|
| Le fresche erbette, S.173 (Marcello, Benedetto) for soprano and continuo |
|
La fonte del mio ciglio, S.163 (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
| Api che raccogliete, S.29 (Marcello, Benedetto) for soprano and continuo |
|
| E ti parti e mi lasci e m'abbandoni?, S.105 (Marcello, Benedetto) for soprano and continuo |
|
La belle voyageuse, H 42 (Berlioz, Hector) for mezzosoprano and piano
mezzosoprano and orchestra
female chorus and orchestra |
|
| Filli, tu sol lasciasti, S.124 (Marcello, Benedetto) for soprano and continuo |
|
| Filli, tu sol lasciasti, S.124 (Marcello, Benedetto) for soprano and continuo |
|
| Le jardinier et son seigneur (Delibes, Léo) for voices, male chorus and orchestra |
|
| Mass in D minor, Op. 10 (Paine, John Knowles) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Minuet in G major, K.1/1e (Mozart, Wolfgang Amadeus) for piano |
|
| Andantino in E-flat major, K.236/588b (Mozart, Wolfgang Amadeus) for piano |
1700 |
| Rondo in A minor, K.511 (Mozart, Wolfgang Amadeus) for piano |
1787 |
| Symphony in D minor, G.517 (Boccherini, Luigi) for orchestra |
|
| Symphony in F major, H.665 (Bach, Carl Philipp Emanuel) for orchestra |
1775 |
Gigue in G major, K.574 (Mozart, Wolfgang Amadeus) for harpsichord
piano
organ |
1789 |
| Trio Sonata, TWV 42:A8 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:A8 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Complete Scores from Il trionfo di Camilla (Bononcini, Giovanni) for 8 voices, mixed chorus and orchestra |
|
| Il trionfo di Camilla (Bononcini, Giovanni) for 8 voices, mixed chorus and orchestra |
|
| Sinfonia in F major, S.209 (Heinichen, Johann David) for orchestra |
|
| Sinfonia in A major, S.208 (Heinichen, Johann David) for orchestra |
|
| Don Juan, Wq.52 (Gluck, Christoph Willibald) for orchestra |
|
| Don Juan, Wq.52 (Gluck, Christoph Willibald) for orchestra |
|
| Don Juan, Wq.52 (Gluck, Christoph Willibald) for orchestra |
|
| Fantaisie dialoguée, Op. 35 (Boëllmann, Léon) for organ and orchestra |
1800 |
| Fantaisie dialoguée, Op. 35 (Boëllmann, Léon) for organ and orchestra |
1800 |
| Aria: Per la gloria d'adorarvi (Act II) from Griselda (Bononcini, Giovanni) for voices and orchestra |
|
| Concertino in E minor, Op. 45 (Weber, Carl Maria von) for horn and orchestra |
1815 |
| Concertino in E minor, Op. 45 (Weber, Carl Maria von) for horn and orchestra |
|
| Concertino in E minor, Op. 45 (Weber, Carl Maria von) for horn and orchestra |
|
| Concertino in E minor, Op. 45 (Weber, Carl Maria von) for horn and orchestra |
|
| Arrangement of Rustic Song (Mussorgsky, Modest) for voice and orchestra |
|
Concerto for 2 Flutes in G minor, QV 6:8 (Quantz, Johann Joachim) for 2 flutes, strings and continuo
2 flutes and orchestra |
|
| Te Deum, S.32 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Elegie in G minor (No.1) from 6 Morceaux lyriques, Op. 35 (Bazzini, Antonio) for violin and piano |
1874 |
| Violin Sonata in G major (Bini, Pasquale) for violin and continuo |
|
| Davids 126de Psalme (Fabricius, Jacob) for alto, cello and organ |
|
| Davids 126de Psalme (Fabricius, Jacob) for alto, cello and organ |
|
| Duo for Violin and Viola No. 6 in E-flat major (Lorenziti, Antonio) for violin and viola |
|
| Sonate e Partite (Lecce, Francesco) for violin |
|
Quartet for Viola or Flute and Strings (Zucchi, Giacomo) for flute, violin, viola and cello
violin, 2 violas and cello |
|
| Andante and Variations and 2 Duos for 2 Violins (Zucchi, Giacomo) for 2 violins |
|
| Duo for Violin and Viola No. 5 in G major (Lorenziti, Antonio) for violin and viola |
|
| 1st version (S.4/1) from Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz) for baritone, male chorus and orchestra |
|
| 1st version (S.4/1) from Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz) for baritone, male chorus and orchestra |
|
Prelude from Arrangement of Prelude from Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz) for piano
organ |
1800 |
Requiem, S.12 (Liszt, Franz) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass, mixed chorus, 2 trumpets, 2 trombones, timpani and organ |
|
| Sonata No.2 in A major from 12 Violin Sonatas, Op. 1 (Zuccari, Carlo) for violin and continuo |
|
The Copenhagen Chansonnier (Various) for soprano, alto and tenor
soprano, 2 altos and tenor
soprano, alto and tenor
soprano, alto and tenor
mixed chorus |
|
| Schäfer's Sonntagslied (No.1) from Arrangement of Schäfer's Sonntagslied (No.1) from 6 Lieder von Uhland, Op. 23 (Kreutzer, Conradin) for 2 guitars |
|
| Die Kapelle (No.3) from Arrangement of Die Kapelle (No.3) from Lieder und Romanzen von Uhland, Op. 64 (Kreutzer, Conradin) for 2 guitars |
|
Laborde Chansonnier (Various) for 3 voices
4 voices |
|
Mellon Chansonnier (Various) for voices
3 voices |
|
Wolfenbüttel Chansonnier (Various) for 3 voices
4 voices |
|
| Book 2 (Nos.4-6) from 6 Violin Duos, W 4a.4-9 (Viotti, Giovanni Battista) for 2 violins |
|
| Quartet in D minor for Flute, Oboe, Violin and Continuo (Riedel, Fortunato) for flute, oboe, violin and continuo |
|
| 6 Duos for 2 Violas (Rolla, Alessandro) for 2 violas |
|
| Final, Op. 21 (Franck, César) for organ |
1864 |
| Cendrillon (Isouard, Nicolo) for voices, mixed chorus and orchestra |
|
| Violin Concerto, BI 520 (Rolla, Alessandro) for violin and orchestra |
|
| Violin Concerto, BI 508 (Rolla, Alessandro) for violin and orchestra |
|
| Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5 (Telemann, Georg Philipp) for trumpet, violin, cello, strings and continuo |
|
| Arrangement of Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5 (Telemann, Georg Philipp) for bassoon, horn, violin, cello and orchestra |
|
| Violin Concerto, BI 525 (Rolla, Alessandro) for violin and orchestra |
1800 |
| Violin Concerto, BI 519 (Rolla, Alessandro) for violin and orchestra |
|
| Violin Concerto, BI 521 (Rolla, Alessandro) for violin and orchestra |
1811 |
| Violin Concerto, BI 512 (Rolla, Alessandro) for violin and orchestra |
|
| Ouverture-Suite, TWV 55:F13 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, BI 510 (Rolla, Alessandro) for violin and orchestra |
|
| Viola Sonata in A-flat major, BI 327 (Rolla, Alessandro) for viola and cello |
|
| Violin Sonata in E-flat major, BI 297 (Rolla, Alessandro) for violin and viola |
|
| Violin Concerto, BI 523 (Rolla, Alessandro) for violin and orchestra |
|
| Revised Version, DO 448a from Les Érinnyes (incidental music) (Massenet, Jules) for mixed chorus and orchestra |
1800 |
| Violin Concerto in E minor, RV 279 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Serenade for String Quartet, BI 400 (Rolla, Alessandro) for 2 violins, viola and cello |
|
| Sinfonia, BI 532 (Rolla, Alessandro) for orchestra |
|
| Sinfonia, BI 533 (Rolla, Alessandro) for orchestra |
|
| Sinfonia, BI 534 (Rolla, Alessandro) for orchestra |
|
| Arrangement of Sinfonia, BI 537 (Rolla, Alessandro) for string quintet |
|
| Serenade for String Quintet, BI 428 (Rolla, Alessandro) for 2 violins, 2 violas and cello |
|
Corbeille de fruits (Caplet, André) for voice and flute
voice and piano |
1925 |
| Additional instruments from Reges Tharsis, HV 107 (Eybler, Joseph) for soprano, alto, tenor, bass and orchestra |
|
| Additional instruments from Reges Tharsis, HV 107 (Eybler, Joseph) for soprano, alto, tenor, bass and orchestra |
|
| Duet for Violin and Cello in F major (Giardini, Felice) for violin and cello |
|
| Arrangement of La feuille de peuplier (Saint-Saëns, Camille) for voice and piano |
|
| L'attente (Saint-Saëns, Camille) for voice and orchestra |
1915 |
| L'enlèvement (Saint-Saëns, Camille) for voice and piano |
1865 |
| Duet for Violin and Viola in B-flat major (Giardini, Felice) for violin and viola |
|
Viola Sonata in C minor, G.18 (Boccherini, Luigi) for viola and cello
2 cellos |
|
| Aria for Viola with Violin Accompaniment (Mussi, Antonio) for violin and viola |
|
| 3 Sonatas for Violin and Viola (Neubauer, Franz Christoph) for violin and viola |
|
| Il giuramento (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il giuramento (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1853 |
| Ouverture-Suite, TWV 55:h4 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Sonata in C minor, RV 5 (Vivaldi, Antonio) for violin and continuo |
|
Concerto for 2 Flutes and Calchedon, TWV 53:D1 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo
lute, 2 violins, strings and continuo |
1700 |
Concerto for 2 Flutes and Calchedon, TWV 53:D1 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo
lute, 2 violins, strings and continuo |
|
| Concerto for Oboe and Violin in B-flat major, Schrank II/33/38 (Anonymous) for oboe, violin, strings and continuo |
|
| Air with Variations No. 7, Op. 15 (Bériot, Charles-Auguste de) for violin and orchestra |
|
| Aimons-nous (Saint-Saëns, Camille) for voice and piano |
1892 |
| Arrangement of Aimons-nous (Saint-Saëns, Camille) for voice and orchestra |
1919 |
| Sonata in D major, RV 810 (Vivaldi, Antonio) for violin and continuo |
|
| Violin Sonata in B-flat major, RV 759 (Vivaldi, Antonio) for violin and continuo |
|
| Violin Sonata in C major, RV 3 (Vivaldi, Antonio) for violin and continuo |
|
| Violin Sonata in D minor, RV 12 (Vivaldi, Antonio) for violin and continuo |
|
| Violin Sonata in D minor, RV 15 (Vivaldi, Antonio) for violin and continuo |
|
| 3 Violin Duos, W 4.25-27 (Viotti, Giovanni Battista) for 2 violins |
|
| 3 Violin Duos, W 4a.10-12 (Viotti, Giovanni Battista) for 2 violins |
|
| 3 Violin Duos, W 4a.1-3 (Viotti, Giovanni Battista) for 2 violins |
|
| Violin Concerto in D minor, RV 242 (Vivaldi, Antonio) for violin, strings and continuo |
1716 |
| Violin Concerto in A major, RV 341 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, RV 205 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G major, RV 314 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, RV 314 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G major, RV 314 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 170 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, RV 170 (Vivaldi, Antonio) for violin, strings and continuo |
|
| 6 Grands Motets (Minoret, Guillaume) for voices, mixed chorus and orchestra |
1697 |
| Trio Sonata, TWV 42:d11 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Harpsichord Concerto in D major (Jommelli, Niccolò) for harpsichord and orchestra |
|
| Trio Sonata, TWV 42:D16 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Trio Sonata, TWV 42:D16 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Concerto for 2 Flutes and Calchedon, TWV 53:h1 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo |
1700 |
| Concerto for 2 Flutes and Calchedon, TWV 53:h1 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo |
|
| Concerto for 2 Flutes and Calchedon, TWV 53:h1 (Telemann, Georg Philipp) for 2 flutes, lute, strings and continuo |
|
| Trio Sonata, TWV 42:c1 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Trio Sonata, TWV 42:c1 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Arrangement of Trio Sonata, TWV 42:c1 (Telemann, Georg Philipp) for strings and continuo |
|
Concerto for Violin and 3 Horns, TWV 54:D2 (Telemann, Georg Philipp) for 3 horns, violin, strings and continuo
3 horns, violin and orchestra |
|
Concerto for Violin and 3 Horns, TWV 54:D2 (Telemann, Georg Philipp) for 3 horns, violin, strings and continuo
3 horns, violin and orchestra |
|
| Ai dolci affetti (Anfossi, Pasquale) for voice, 2 flutes, strings and continuo |
|
| Motetti a voce sola con due violini (Bassani, Giovanni Battista) for voice, 2 violins and continuo |
|
| Divertissement de Livry (Collasse, Pascal) for voices, mixed chorus, 2 violins and continuo |
|
| Sposa conforte (Anfossi, Pasquale) for voice and orchestra |
|
| Polonaise for Viola and Orchestra in G major (Anonymous) for viola and orchestra |
|
| Potpouri af Finska Folkvisor (Anonymous) for 2 horns, 2 cornets, trombone, tuba and percussion |
|
| Ouverture from Le déserteur (Monsigny, Pierre-Alexandre) for voices, mixed chorus and orchestra |
|
6 Symphonies, Op. 1 (Abel, Carl Friedrich) for orchestra
strings and continuo |
|
| 1712 version from Idoménée (Campra, André) for voices, mixed chorus and orchestra |
|
| 3 Grands Motets (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Tancredi (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Tancredi (Rossini, Gioacchino) for piano |
|
| Allegro alla Pollacca (Act II. Finale) from Arrangement of Allegro alla Pollacca (Act II. Finale) from Tancredi (Rossini, Gioacchino) for guitar |
|
| 6 Idylles for Viola (Rolla, Antonio) for viola |
|
| L'Ormindo (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
Arie (Carissimi, Giacomo) for voice and continuo
2 voices and continuo
3 voices and continuo |
|
| Confitebimur tibi Deus, S.59 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Dominus regnavit, S.65 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Exaltabo te, Domine, S.66 (Lalande, Michel Richard de) for 5 voices, mixed chorus and orchestra |
|
| Nisi quia Dominus, S.26 (Lalande, Michel Richard de) for 6 voices, mixed chorus and orchestra |
|
| Alcide (Marais, Marin) for voices, mixed chorus and orchestra |
|
Motetti (Carissimi, Giacomo) for alto, tenor, bass, 2 violins and continuo
3 sopranos, 2 violins and continuo
continuo and 2 sopranos
2 sopranos, bass and continuo
2 tenors, bass and continuo
2 sopranos, tenor and continuo
2 sopranos, alto, tenor and continuo
alto, tenor, bass and continuo
soprano and continuo |
|
| L'Ercole (Cavalli, Francesco) for voices, mixed chorus and orchestra |
|
| Horn Concerto in E-flat major, QV 5:Anh.12 (Hoffmann, Melchior) for horn and orchestra |
|
| Horn Concerto in E-flat major, QV 5:Anh.12 (Hoffmann, Melchior) for horn and orchestra |
|
| Confitebor tibi Domine in consilio, S.56 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Melodia for Cello (Baci, Adolfo) for cello and piano |
1869 |
| Arrangement of Festvorspiel, S.226 (Liszt, Franz) for orchestra |
|
| Ach dass die Hülfe aus Zion über Israel käme, GWV 1125/19 (Graupner, Christoph) for alto, tenor, bass, mixed chorus and orchestra |
1719 |
| Ballet de Villeneuve-Saint-Georges (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Ach Gott wie manches Herzeleid, GWV 1142/11 (Graupner, Christoph) for soprano and orchestra |
1711 |
| Ach Gott wie manches Herzeleid, GWV 1142/11 (Graupner, Christoph) for soprano and orchestra |
1948 |
| Overture from Lizinka (Zajc, Ivan) for voices, mixed chorus and orchestra |
|
| Ach Gott vom Himmel sieh darein, GWV 1149/24 (Graupner, Christoph) for alto, 2 tenors, bass, mixed chorus, strings and continuo |
1724 |
| Hésione (Campra, André) for voices and orchestra |
|
| Ach Davids Sohn du Trost, GWV 1121/25 (Graupner, Christoph) for tenor, bass, mixed chorus, strings and continuo |
1725 |
| Bei dem Herrn findet man Hilfe, GWV 1165/28 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1728 |
| Judith (Chadwick, George Whitefield) for mezzosoprano, tenor, baritone, bass, mixed chorus and orchestra |
1900 |
| Ach wo nun hin, GWV 1150/09 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1709 |
| Ach was soll ich Sünder machen, GWV 1153/09b (Graupner, Christoph) for soprano, bass, strings and continuo |
1709 |
| Alle eure Dinge, GWV 1154/09a (Graupner, Christoph) for soprano, alto, bass, mixed chorus, strings and continuo |
1709 |
| Symphonic Variations (Parry, Charles Hubert Hastings) for orchestra |
1897 |
| Andante con Variazioni (incomplete) (Rolla, Antonio) for viola and orchestra |
|
| Telemaque (Campra, André) for voices and orchestra |
|
| Telemaque (Campra, André) for voices and orchestra |
1740 |
| Arianna e Teseo (Majo, Giuseppe de) for voices, mixed chorus and orchestra |
1700 |
| Alles ist an Gottes Segen, GWV 1146/10 (Graupner, Christoph) for bass, strings and continuo |
1710 |
| Monsieur de Pourceaugnac, LWV 41 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
Ricercari, canone e sonate per violoncello (Gabrielli, Domenico) for cello
2 cellos
cello and continuo |
1689 |
| Siehe selig ist der Mensch, GWV 1162/09 (Graupner, Christoph) for soprano, bass, orchestra and continuo |
1709 |
| Ach Gott will ins Gerichte gehen, GWV 1163/09 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1709 |
Ende gut und alles gut, GWV 1167/09a (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
1709 |
| Romanze (Umlauft, Paul) for cello and piano |
|
| Fugue à trois parties (Pierné, Gabriel) for 3 Unspecified instruments |
1800 |
| 3 Duos for 2 Cellos, Op. 165 (Kummer, Friedrich August) for 2 cellos |
|
| Arrangement of Concerto for 2 Violins in A major, RV 519 (Vivaldi, Antonio) for 2 violins and orchestra |
|
| Concerto in F major, RV 567 (Vivaldi, Antonio) for 4 violins, cello, strings and continuo |
|
| Violin Concerto in G minor, RV 315 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in G major, Bre9 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Ach grosser Helfer, GWV 1160/26 (Graupner, Christoph) for alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Ach Herr lehr uns bedenken wohl, GWV 1157/13 (Graupner, Christoph) for soprano and orchestra |
1713 |
| Ach Herr lehr uns bedenken wohl, GWV 1157/21 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1721 |
| Angst und Jammer, GWV 1145/11 (Graupner, Christoph) for soprano, strings and continuo |
1711 |
| Fugue in C minor, K.426 (Mozart, Wolfgang Amadeus) for 2 pianos |
1783 |
| Schleicht, spielende Wellen, BWV 206 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Laßt uns sorgen, laßt uns wachen, BWV 213 (Bach, Johann Sebastian) for soprano, 2 altos, tenor, bass, mixed chorus and orchestra |
1733 |
| Laßt uns sorgen, laßt uns wachen, BWV 213 (Bach, Johann Sebastian) for soprano, 2 altos, tenor, bass, mixed chorus and orchestra |
1742 |
| Ich bin in mir vergnügt, BWV 204 (Bach, Johann Sebastian) for soprano and orchestra |
|
| Ich bin in mir vergnügt, BWV 204 (Bach, Johann Sebastian) for soprano and orchestra |
1726 |
| Ich bin in mir vergnügt, BWV 204 (Bach, Johann Sebastian) for soprano and orchestra |
1726 |
| Der Herr ist mein Hirt, GWV 1140/11 (Graupner, Christoph) for soprano and orchestra |
1711 |
| Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Chorus: 'Ach Gott, vom Himmel sieh darein' (No.1) from Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) for 2 sopranos, tenor, bass and orchestra |
1713 |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) for 2 sopranos, tenor, bass and orchestra |
1742 |
| Wie schön leuchtet der Morgenstern, BWV 1 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Ach Jesu Quelle aller Gnaden, GWV 1163/20 (Graupner, Christoph) for soprano, strings and continuo |
1720 |
| Ach meines Jammers und Herzeleids, GWV 1175/26b (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1726 |
| Ach Jesus weicht er will zum Vater, GWV 1134/26 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Ach Jesu Satans Überwinder, GWV 1122/28 (Graupner, Christoph) for tenor, bass, mixed chorus, strings and continuo |
1728 |
| Ach Jesu heile doch die Plagen, GWV 1153/24 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1724 |
| Ach Gott wie elend sind wir dran, GWV 1155/32 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1732 |
| Mlle. Modiste (Herbert, Victor) for voices, mixed chorus and orchestra |
1905 |
| Ballet Music and Wedding March from Arrangement of Ballet Music and Wedding March from Feramors (Rubinstein, Anton) for military band |
1893 |
| Bleib bei uns, denn es will Abend werden, BWV 6 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Bleib bei uns, denn es will Abend werden, BWV 6 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Laudate Dominum (Mayr, Giovanni Simone) for soprano, 2 tenors, bass, cello and orchestra |
|
| Héraclite et Démocrite (Stuck, Jean-Baptiste) for 2 voices, 2 violins and continuo |
|
Motets (Clérambault, Louis-Nicolas) for voice and continuo
voices and continuo
voice, strings and continuo
voices, strings and continuo
voices, mixed chorus and orchestra |
|
| Orphée (Lacroix, François de) for soprano, bass and orchestra |
|
| L'Amour dévoilé (Morin, Jean-Baptiste) for voice and orchestra |
|
6 Keyboard Trios, Op. 2 (Bach, Johann Christian) for flute, cello and harpsichord
violin, cello and harpsichord |
|
| Das Neusonntagskind (Müller, Wenzel) for voices and orchestra |
|
Recueil de plusieurs vieux airs (Philidor l'ainé, André Danican) for 6 Unspecified instruments
2 sopranos, 2 altos and bass
4 voices
orchestra |
|
| 6 Variations on "Hélas, j'ai perdu mon amant", K.360/374b (Mozart, Wolfgang Amadeus) for violin and piano |
1781 |
| Ach Sterbliche bedenkt das Ende, GWV 1157/25 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1725 |
| Ach wo find' ich meine Liebe, GWV 1112/14 (Graupner, Christoph) for tenor, bass and orchestra |
1714 |
| Alle Fülle aller Segen, GWV 1123/22 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1722 |
| Alle Züchtigung, wenn sie da ist, dünket sie uns nicht Freude, GWV 1162/26 (Graupner, Christoph) for bass and orchestra |
1726 |
| Alles Fleisch ist wie Gras, GWV 1157/27 (Graupner, Christoph) for soprano, alto, tenor, mixed chorus, strings and continuo |
1727 |
| Ach zarter Jesu, GWV 1112/30 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1730 |
| Il Moro (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Romolo ed Ersilia (Hasse, Johann Adolph) for voices and orchestra |
|
| Ach und Schmerzen klag ich Gott, GWV 1104/11b (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1711 |
12 Variations on 'La bergère Célimène', K.359/374a (Mozart, Wolfgang Amadeus) for violin and piano
violin and harpsichord |
1700 |
12 Variations on 'La bergère Célimène', K.359/374a (Mozart, Wolfgang Amadeus) for violin and piano
violin and harpsichord |
|
| Der Tiroler Wastel (Haibel, Jakob) for voices and orchestra |
|
| Suite (Nos.1-9) from Abdelazer, Z.570 (Purcell, Henry) for soprano, strings and continuo |
|
| Variations Concertants (Giuliani, Mauro) for guitar, violin and cello |
|
| String Quintet (Donizetti, Gaetano) for 2 violins, 2 violas and cello |
|
| Auf ihr Christen auf zum Streit, GWV 1162/20 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1720 |
| Arge Welt du falsche Schlange, GWV 1143/20 (Graupner, Christoph) for bass, strings and continuo |
1720 |
| Also hat Gott die Welt geliebet, GWV 1139/18 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1718 |
| Auf Christenmensch, GWV 1120/19 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1719 |
| Auf frohlocket mit vollen Chören, GWV 1136/25 (Graupner, Christoph) for soprano, tenor, mixed chorus and orchestra |
1725 |
| Also hat Gott die Welt geliebet, GWV 1139/30 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1730 |
| Angenehmes Wasserbad, GWV 1104/11c (Graupner, Christoph) for bass and orchestra |
1711 |
| Auf dem rechten Wege ist Leben, GWV 1169/33 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1733 |
| Introduction, Theme and Variations, Op. 105 (Giuliani, Mauro) for guitar |
1841 |
| Gesangslehre (Loewe, Carl) for voice and piano |
|
| Miserere mei Deus, S.15 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Pastorale (Gillier, Jean Claude) for voices, mixed chorus and orchestra |
1697 |
| Practisch-Theoretische Klavier und Generalbass-Schule (Loewe, Carl) for piano |
|
| Auf lobet Gottes grossen Namen, GWV 1174/23 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1723 |
| Auf mein Geist lass alles stehen, GWV 1111/26 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1726 |
| De Profundis, S.23 (Lalande, Michel Richard de) for 2 sopranos, 2 tenors, bass, mixed chorus and orchestra |
|
| Auf Zion auf ermuntre dich, GWV 1101/19 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1719 |
| Es ist das Heil uns kommen her, BWV 9 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist das Heil uns kommen her, BWV 9 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 1st Version (BC A 137a) from Liebster Gott, wenn werd ich sterben?, BWV 8 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Liebster Gott, wenn werd ich sterben?, BWV 8 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 12 Violin Sonatas (Marcello, Alessandro) for violin and continuo |
|
| 12 Violin Sonatas (Marcello, Alessandro) for violin and continuo |
|
| 12 Violin Sonatas (Marcello, Alessandro) for violin and continuo |
|
| Double Bass Sonata, Op. 97 (Fuchs, Robert) for double bass and piano |
|
| Ariette (Philidor, François Danican) for soprano and orchestra |
|
| Beatus vir for 3 voices (Rovetta, Giovanni) for soprano, tenor, 2 violins, continuo and bass |
|
Dies irae (Zamponi, Giuseppe) for 2 sopranos, alto, tenor, bass, 3 violas and continuo
mixed chorus, 3 violas and continuo |
|
| Dixit Dominus for 7 voices (Rovetta, Giovanni) for 2 sopranos, alto, 2 tenors, 2 basses, strings and continuo |
1664 |
| Athalie (Moreau, Jean-Baptiste) for voices |
|
| Venite exultemus Domino, S.58 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Overture from Das Märchen im Traum (Loewe, Carl) for orchestra |
|
Dedit abyssus vocem suam (Peranda, Marco Gioseppe) for continuo, 2 sopranos and 2 basses
mixed chorus and continuo |
|
| The Rival Sisters, Z.609 (Purcell, Henry) for soprano, strings and continuo |
|
| Danse macabre (song) (Saint-Saëns, Camille) for voice and piano |
1872 |
| Azémia, Op. 7 (Dalayrac, Nicolas) for voices, mixed chorus and orchestra |
|
| Arrangement of Le Sicilien, LWV 34 (Lully, Jean-Baptiste) for piano |
|
Canzonets to 2 Voices (Morley, Thomas) for 2 voices
2 viols |
|
| Complete (Probably 1735 Version) from Demetrio (Leo, Leonardo) for 6 voices and orchestra |
|
| Arrangement of Oboe Concerto, Op. 7 (Grandval, Clémence de) for oboe and piano |
1877 |
| Piano Quartet (Mahler, Gustav) for violin, viola, cello and piano |
1800 |
| Oboe Concerto, Op. 15 (Guilhaud, Georges) for oboe and piano |
|
| Baryton Trio in A major, Hob.XI:38 (Haydn, Joseph) for viola, cello and baryton |
|
| B.516-518 (Nos.4-6) from Arrangement of B.516-518 (Nos.4-6) from 6 Violin Duos, B.513-518 (Pleyel, Ignaz) for 2 harpsichords |
|
| Les cloches de la mer (Saint-Saëns, Camille) for voice and orchestra |
|
| Fuga con 4 Soggetti (Veracini, Francesco Maria) for 2 violins, viola and cello |
|
| Guitare (Saint-Saëns, Camille) for voice and piano |
1851 |
| Angélus (Saint-Saëns, Camille) for voice and orchestra |
1918 |
| Arrangement of La libellule (Saint-Saëns, Camille) for voice and piano |
1894 |
| Fuga o Cappriccio con 4 Soggetti (Veracini, Francesco Maria) for 2 violins, viola and cello |
|
| 3 Pieces pour hautbois et piano (Guilhaud, Georges) for oboe and piano |
|
| Hymne à la paix, Op. 159 (Saint-Saëns, Camille) for voice and orchestra |
1919 |
| 12 Trio Sonatas, Op. 1 (Albinoni, Tomaso) for 2 violins and continuo |
|
| La fiancée du timbalier, Op. 82 (Saint-Saëns, Camille) for voice and orchestra |
1887 |
| La fiancée du timbalier, Op. 82 (Saint-Saëns, Camille) for voice and orchestra |
1887 |
| Arrangement of La fiancée du timbalier, Op. 82 (Saint-Saëns, Camille) for piano |
1889 |
| Ariadne auf Naxos, L.476 (Benda, Georg) for 3 narrators and orchestra |
|
| Ariadne auf Naxos, L.476 (Benda, Georg) for 3 narrators and orchestra |
|
| Arrangement of Ariadne auf Naxos, L.476 (Benda, Georg) for 3 narrators, violin and continuo |
|
| Violin Concerto in B-flat major (Hurlebusch, Conrad Friedrich) for violin and orchestra |
|
| Violin Concerto in C minor, Op. 8 No. 8 (Torelli, Giuseppe) for violin, strings and continuo |
|
| Grands Motets, Cauvin collection (Lalande, Michel Richard de) for voices and orchestra |
|
| Concerto for 2 Violins in G major, VeiI SomL3 (Somis, Giovanni Lorenzo) for 2 violins, strings and continuo |
|
| Ouverture-Suite (Campra, André) for orchestra |
|
| Trio Sonata in A major, P.A.3.3.25 (Torelli, Giuseppe) for 2 violins and continuo |
|
| Trio Sonata in D major, P.A.3.3.10 (Torelli, Giuseppe) for 2 violins and continuo |
|
| Trio Sonata in D major, P.A.3.3.11 (Torelli, Giuseppe) for 2 violins and continuo |
|
| Trio Sonata in D major, P.A.4.2.2 (Torelli, Giuseppe) for violin, cello and continuo |
|
| Violin Concerto in A minor (Hurlebusch, Conrad Friedrich) for violin and orchestra |
|
| Violin Concerto in D minor, Op. 8 No. 7 (Torelli, Giuseppe) for violin, strings and continuo |
|
| Violin Sonata in A major, P.A.1.3.11 (Torelli, Giuseppe) for violin and continuo |
|
| Sinfonia in D major, G.25 (Torelli, Giuseppe) for 4 trumpets, strings and continuo |
|
| Violin Sonata in A major (Hurlebusch, Conrad Friedrich) for violin and continuo |
|
| Violin Concerto in A major, P.A.2.3.5 (Torelli, Giuseppe) for violin, strings and continuo |
|
| Piano Trio in E major, K.542 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1700 |
| Piano Trio in E major, K.542 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1700 |
| 12 Violin Sonatas, Op. 2 (Somis, Giovanni Battista) for violin and continuo |
|
| Trio Sonata in D minor, P.A.3.3.14 (Torelli, Giuseppe) for 2 violins and continuo |
|
| Violin Concerto in D major, P.A.2.3.4 (Torelli, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in D minor, P.A.2.3.10 (Torelli, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in F major (Somis, Giovanni Battista) for violin, strings and continuo |
|
| Violin Sonata in E minor, P.A.1.3.8 (Torelli, Giuseppe) for violin and continuo |
|
Befiehl du deine Wege (Altnikol, Johann Christoph) for soprano, alto, tenor and bass
mixed chorus |
|
| 4 Pieces for English Horn (Grandval, Clémence de) for English horn and piano |
|
| 4 Pieces for English Horn (Grandval, Clémence de) for English horn and piano |
|
| Viola Sonata in C major, BI 323 (Rolla, Alessandro) for viola and cello |
|
| String Quartet, Op. 32 (Foote, Arthur) for 2 violins, viola and cello |
|
| Arrangement of Mélodie Anglaise (Vogt, Gustave) for oboe and piano |
|
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
|
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
|
| L'Europe galante (Campra, André) for voices, mixed chorus and orchestra |
|
| Piano Trio in G major, K.564 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1700 |
| Piano Trio in G major, K.564 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1700 |
| 12 Pieces for Orchestra (Binder, Christlieb Siegmund) for orchestra |
|
| Divertimento in B-flat major, K.254 (Mozart, Wolfgang Amadeus) for violin, cello and piano |
1776 |
| Piano Concerto No. 4, Op. 53 (Prokofiev, Sergey) for piano left hand and orchestra |
|
| Violin Sonata in D major (Toeschi, Alessandro) for violin and continuo |
|
| Auf diesen Tag bedenken wir, GWV 1136/35 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1735 |
| Sinfonia in F major (Scarlatti, Giuseppe) for orchestra |
|
| Violin Sonata in D major (Höckh, Carl) for violin and continuo |
|
| Aus der Tiefen rufen wir, GWV 1113/23a (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Aus tiefer Not schrei ich zu dir, GWV 1165/27 (Graupner, Christoph) for soprano, tenor, mixed chorus, strings and continuo |
1727 |
| Ach Gott vom Himmel sieh darein, GWV 1124/37 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1737 |
| Arrangement of Symphony, WWV 29 (Wagner, Richard) for piano 4 hands |
1800 |
| Arrangement of Symphony, WWV 29 (Wagner, Richard) for piano |
1800 |
| Arrangement of Symphony, WWV 29 (Wagner, Richard) for piano |
|
| Auf Zion werde Licht, GWV 1111/20 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1720 |
| Auf Zion werde Licht, GWV 1111/20 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1720 |
| Aus tiefer Not schrei ich zu dir, GWV 1163/32 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1732 |
| Also ists geschrieben, GWV 1130/35 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1735 |
| Harpsichord Concerto in E major, CSWV C:25 (Schaffrath, Christoph) for harpsichord, strings and continuo |
|
| Piano Concerto, Op. 47 (Hartmann, Emil) for piano and orchestra |
|
| Piano Concerto, Op. 47 (Hartmann, Emil) for piano and orchestra |
1891 |
| Arrangement of Piano Concerto, Op. 47 (Hartmann, Emil) for 2 pianos |
1800 |
| Canon for 4 Voices in A minor, K.555 (Mozart, Wolfgang Amadeus) for 4 voices |
1788 |
| Canon for 4 Voices in B-flat major, K.558 (Mozart, Wolfgang Amadeus) for 4 voices |
1788 |
| Canon for 12 Voices in G major, K.348/382g (Mozart, Wolfgang Amadeus) for 3 sopranos, 3 altos, 3 tenors and 3 basses |
1782 |
| Canon for 4 Voices in G major, K.556 (Mozart, Wolfgang Amadeus) for 4 voices |
1788 |
| Canon for 4 Voices in A major, K.561 (Mozart, Wolfgang Amadeus) for 4 voices |
1788 |
| Auf, fördert ihr Lüfte der Herzen Frohlocken (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1720 |
| Tönet ihr Pauken, erschallt ihr Trompeten (Graupner, Christoph) for soprano, alto, 2 tenors, bass and orchestra |
1725 |
| Tönet ihr Pauken, erschallt ihr Trompeten (Graupner, Christoph) for soprano, alto, 2 tenors, bass and orchestra |
1725 |
| Erwünschter Tag (Graupner, Christoph) for 2 sopranos and orchestra |
1749 |
| Auf mein Geist auf zum Ergötzern (Graupner, Christoph) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Andante e rondo ongarese, Op. 35 (Weber, Carl Maria von) for bassoon and orchestra |
1800 |
| Andante e rondo ongarese, Op. 35 (Weber, Carl Maria von) for bassoon and orchestra |
|
| Lobet Gott in seinen Reichen, BWV 11 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Lobet Gott in seinen Reichen, BWV 11 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
L'Inno Nomine Jesu (Hasse, Johann Adolph) for soprano, 2 violins, viola and organ
soprano, 2 violins, viola and continuo |
|
| Ad te Domino clamabo, S.64 (Lalande, Michel Richard de) for 5 voices, strings and continuo |
|
| Cantate Domino canticum novum, S.72 (Lalande, Michel Richard de) for 5 voices, strings and continuo |
|
| Confitebor tibi Domine in toto corde meo, S.48 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Dixit Dominus, S.73 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Exaudi Deus, S.24 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Conservati fedele, K.23 (Mozart, Wolfgang Amadeus) for strings and soprano |
|
| Benedictus Dominus Deus meus, S.44 (Lalande, Michel Richard de) for voices and orchestra |
|
| Beatus vir, S.39 (Lalande, Michel Richard de) for voices and orchestra |
1741 |
| Revised version, 3 acts from La princesse de Trébizonde (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Tromb-al-ca-zar (Offenbach, Jacques) for voices and orchestra |
|
| La rose de Saint-Flour (Offenbach, Jacques) for voices and orchestra |
|
| Croquefer (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Duet: Comment c'est vous un gentilhomme from Croquefer (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Le mariage aux lanternes (Offenbach, Jacques) for voices and orchestra |
|
| Ach Gott vom Himmel sieh darein, GWV 1108/41 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1741 |
| Exurgat Deus, S.71 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Judica me Deus, S.38 (Lalande, Michel Richard de) for 5 voices, mixed chorus and orchestra |
|
| Laudate Dominum quoniam bonus, S.57 (Lalande, Michel Richard de) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Regina coeli laetare, S.53 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Usquequo Domine, S.40 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1741 |
| A questo seno deh vieni, K.374 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1781 |
| Se al labbro mio non credi, K.295 (Mozart, Wolfgang Amadeus) for tenor and orchestra |
1778 |
| Ah, lo previdi, K.272 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1777 |
| Les brigands (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Misera, dove son!, K.369 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1781 |
| Voi avete un cor fedele, K.217 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1775 |
| Symphony, Op. 33 (Frøhlich, Johannes Frederik) for orchestra |
1830 |
| Ombra felice, K.255 (Mozart, Wolfgang Amadeus) for alto and orchestra |
1700 |
| Les deux aveugles (Offenbach, Jacques) for voices and orchestra |
|
| Les deux aveugles (Offenbach, Jacques) for voices and orchestra |
|
Selections (Nos.1-3) from 6 Orchestra Trios, Op. 1 (Stamitz, Johann) for 2 violins and continuo
strings and continuo |
|
| Dragonette (Offenbach, Jacques) for voices and orchestra |
|
| Complete: 2-Act Version (1859) from Geneviève de Brabant (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Flute Concerto in G minor (Lucchesini, Giacomo de) for flute, strings and continuo |
|
| Flute Concerto in G minor (Lucchesini, Giacomo de) for flute, strings and continuo |
|
| Monsieur Choufleuri restera chez lui le (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Le Cinesi, Wq.18 (Gluck, Christoph Willibald) for voices and orchestra |
|
| Violin Concerto in A major, IP 18 (Platti, Giovanni Benedetto) for violin, strings and continuo |
|
In a Persian Market (Ketèlbey, Albert William) for orchestra
male chorus and orchestra |
|
| Weinen, Klagen, Sorgen, Zagen, BWV 12 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Dite almeno, in che mancai, K.479 (Mozart, Wolfgang Amadeus) for soprano, tenor, 2 basses and orchestra |
1785 |
| No, no, che non sei capace, K.419 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
|
| Meine Seufzer, meine Tränen, BWV 13 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Singet dem Herrn ein neues Lied (Psalm 96) (Naumann, Johann Gottlieb) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Violin Sonata in G major (Naumann, Johann Gottlieb) for violin and harpsichord
flute and harpsichord |
|
| Deus in adjutorium meum, S.33 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Sinfonia from Ipermestra, Wq.7 (Gluck, Christoph Willibald) for 6 voices and orchestra |
|
| Sinfonia from Ipermestra, Wq.7 (Gluck, Christoph Willibald) for 6 voices and orchestra |
|
| Exultate justi in Domino, S.75 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Magnus Dominus, S.61 (Lalande, Michel Richard de) for 5 voices, mixed chorus and orchestra |
|
| Sacris solemnis, S.74 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Pange lingua, S.67 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
Miserere (Sarti, Giuseppe) for voices, mixed chorus, strings and continuo
voices, mixed chorus, 3 violas, cello and continuo |
|
| Larghetto devoto from I pellegrini al sepolcro (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
| Oboe Sonata in C minor (Platti, Giovanni Benedetto) for oboe and continuo |
|
| Violin Concerto in F major, RV 292 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Per questa bella mano, K.612 (Mozart, Wolfgang Amadeus) for bass, double bass and orchestra |
|
| Violin Concerto in D major, RV 207 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 207 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D minor, RV 246 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D minor, RV 246 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Sonata in D major (Naumann, Johann Gottlieb) for violin and harpsichord |
1700 |
| Attalo, re di Bitinia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Attalo, re di Bitinia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Attalo, re di Bitinia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Wär Gott nicht mit uns diese Zeit, BWV 14 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Credidi propter, S.49 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Deus noster refugium, S.54 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| O filii et filiae, S.52 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Quem admodum, S.45 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
|
| Capriccio (No.2) from Arrangement of Capriccio (No.2) from 2 Pieces for Cello and Piano, Op. 12 (Nedbal, Oskar) for cello and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| Cesare e Cleopatra, GraunWV B:I:7 (Graun, Karl Heinrich) for 9 voices and orchestra |
|
| L'Orfeo, GraunWV B:I:25 (Graun, Karl Heinrich) for 9 voices, mixed chorus and orchestra |
|
| Sinfonia from L'Orfeo, GraunWV B:I:25 (Graun, Karl Heinrich) for 9 voices, mixed chorus and orchestra |
|
| L'Orfeo, GraunWV B:I:25 (Graun, Karl Heinrich) for 9 voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Sinfonia from Semiramide riconosciuta (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| L'asilo d'amore (Hasse, Johann Adolph) for voices and orchestra |
|
| L'asilo d'amore (Hasse, Johann Adolph) for voices and orchestra |
|
| L'asilo d'amore (Hasse, Johann Adolph) for voices and orchestra |
|
| Sinfonia alla Camera per il arivo di Sua Maja. di Polognia anno 1734 from L'asilo d'amore (Hasse, Johann Adolph) for voices and orchestra |
1734 |
| Lucio Papirio (Hasse, Johann Adolph) for voices and orchestra |
|
| Lucio Papirio (Hasse, Johann Adolph) for voices and orchestra |
|
| Lucio Papirio (Hasse, Johann Adolph) for voices and orchestra |
|
| La sorella amante (Hasse, Johann Adolph) for voices and orchestra |
1728 |
| La sorella amante (Hasse, Johann Adolph) for voices and orchestra |
|
| Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
1738 |
| Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Sinfonia from Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Sinfonia from Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Sinfonia from Irene (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Aria: "Amo, bramo e non dispero" from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Aria: "Con quel sommesso" from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Aria: "So che sperarti" from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Aria: "Povero amante" from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Aria: "Voi che credete" from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from Euristeo (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Catone in Utica, GraunWV B:I:9 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica, GraunWV B:I:9 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica, GraunWV B:I:9 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica, GraunWV B:I:9 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Demofoonte, GraunWV B:I:13 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Demofoonte, GraunWV B:I:13 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Demofoonte, GraunWV B:I:13 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Cinna, GraunWV B:I:16 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Cinna, GraunWV B:I:16 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Cinna, GraunWV B:I:16 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Cinna, GraunWV B:I:16 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Ezio, GraunWV B:I:30 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Ezio, GraunWV B:I:30 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Le feste galanti, GraunWV B:I:15 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Le feste galanti, GraunWV B:I:15 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Le feste galanti, GraunWV B:I:15 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Ifigenia in Aulide, GraunWV B:I:18 (Graun, Karl Heinrich) for 9 voices, mixed chorus and orchestra |
|
| Ifigenia in Aulide, GraunWV B:I:18 (Graun, Karl Heinrich) for 9 voices, mixed chorus and orchestra |
|
| Fetonte, GraunWV B:I:21 (Graun, Karl Heinrich) for 10 voices, mixed chorus and orchestra |
|
| Fetonte, GraunWV B:I:21 (Graun, Karl Heinrich) for 10 voices, mixed chorus and orchestra |
|
| Fetonte, GraunWV B:I:21 (Graun, Karl Heinrich) for 10 voices, mixed chorus and orchestra |
|
| Herr Gott, dich loben wir, BWV 16 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Idyle (Dupuy, Bernard Aymable) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1761 |
| 6 String Trios, G.119-124 (Boccherini, Luigi) for 2 violins and cello |
|
| Wer sich das Fleisch verführen lässt, GWV 1148/12 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, orchestra and continuo |
1712 |
| Mesdames de la Halle (Offenbach, Jacques) for voices and orchestra |
|
| Sonata No.10 in G major from 12 Sonate da camera, Op. 6 (Locatelli, Pietro Antonio) for violin and continuo |
|
| 4 Selected Arias from Orlando generoso (Steffani, Agostino) for voices and orchestra |
|
| Les âges (Campra, André) for voices, mixed chorus and orchestra |
1718 |
| 3 Sonatas for Harpsichord, 1769 (Sarti, Giuseppe) for harpsichord |
|
| 6 String Trios, G.89-94 (Op. 6) (Boccherini, Luigi) for 2 violins and cello |
|
| Arrangement of Pourquoi les oiseaux chantent (Dubois, Théodore) for voice and orchestra |
1896 |
| Violin Concerto in C major (Guignon, Jean-Pierre) for violin, strings and continuo |
|
| Oboe Concerto in D major (Prelleur, Peter) for oboe and orchestra |
|
| Symphony No. 1, Op. 32 (Gernsheim, Friedrich) for orchestra |
1800 |
| Piano Trio in E-flat minor, Hob.XV:31 (Haydn, Joseph) for violin, cello and piano |
1795 |
| Le jongleur de Notre-Dame (Massenet, Jules) for voices, mixed chorus and orchestra |
1901 |
| Revised Version (1877) from Le roi de Lahore (Massenet, Jules) for voices, mixed chorus and orchestra |
1800 |
| Revised Version (1877) from Le roi de Lahore (Massenet, Jules) for voices, mixed chorus and orchestra |
|
Piano Trios, Op. 43 (Haydn, Joseph) for violin, cello and harpsichord
violin, cello and piano |
|
| Le mage (Massenet, Jules) for voices, mixed chorus and orchestra |
1891 |
| Poliphême (Clérambault, Louis-Nicolas) for bass, flute, violin and continuo |
|
| Harp Concerto, Op. 182 (Reinecke, Carl) for harp and orchestra |
|
12 Hymns and 4 Anthems, Op. 1 (Bond, Hugh) for soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and continuo |
|
| Silène et Bacchus (Campra, André) for bass, violin and continuo |
|
| Les femmes (Campra, André) for 2 violins, continuo and bass |
|
| Drottningholmsmusiken, BeRI 2 (Roman, Johan Helmich) for orchestra |
|
| L'œil crevé (Hervé) for voices, mixed chorus and orchestra |
|
| Narcisse (Massenet, Jules) for tenor, mixed chorus and orchestra |
1800 |
| Mass in D minor, Hob.XXII:11 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1798 |
| Mass in D minor, Hob.XXII:11 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in D minor, Hob.XXII:11 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Mass in D minor, Hob.XXII:11 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| La prova di un’opera seria (Gnecco, Francesco) for voices and orchestra |
|
| Arrangement of Flore (Stuck, Jean-Baptiste) for double bass |
|
| L'Amour et Bacchus (Clérambault, Louis-Nicolas) for soprano, bass and continuo |
|
| Mars jaloux (Stuck, Jean-Baptiste) for bass, violin and continuo |
|
| Pigmalion (Clérambault, Louis-Nicolas) for bass, flute, violin and continuo |
|
| Overture from Cinq-Mars, CG 10 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Orfeo, P.115 (Pergolesi, Giovanni Battista) for soprano, 2 violins, viola and continuo |
|
| Orfeo, P.115 (Pergolesi, Giovanni Battista) for soprano, 2 violins, viola and continuo |
|
| Verbum Christi di croce (Pergolesi, Giovanni Battista) for soprano and orchestra |
|
| Ifigenia in Tauride (Jommelli, Niccolò) for voices and orchestra |
|
| Le triomphe de la paix, cantate (Dubuisson) for voices, mixed chorus and orchestra |
|
| Aureliano in Palmira (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Aureliano in Palmira (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Le Tambour-major (G major) from Le caïd (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Overture from Le songe d'une nuit d'été (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
| Lætatus sum in his quæ dicta (Bournonville, Jacques de) for voice, violin and continuo |
|
| Pièces d'orgue (Marchand, Louis) for organ |
|
| Waltz in E-flat major, B.133 (Chopin, Frédéric) for piano |
1840 |
Der Einsiedler (Op.144a) from 2 Gesänge, Op. 144 (Reger, Max) for baritone, mixed chorus and orchestra
alto, mixed chorus and orchestra |
1915 |
| Overture from L'ambassadrice (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
|
| 4 Lancier-Quadrilles, WAB 120 (Bruckner, Anton) for piano |
1800 |
| Piano Sonata, Op. 3 (Andrée, Elfrida) for piano |
1870 |
| Symphony (Krossing, Peter) for orchestra |
1811 |
| Overture to the Drama Love's Omnipotence (Krossing, Peter) for orchestra |
1832 |
| Circé (Desmarets, Henri) for voices and orchestra |
|
| Flute Sonata (Frøhlich, Johannes Frederik) for flute and piano |
|
| Stabat mater in G minor (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| "O Paradis, sorti de l'onde" (Act IV) from L'Africaine (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
|
| "O Paradis, sorti de l'onde" (Act IV) from L'Africaine (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
|
| Il crociato in Egitto (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
1826 |
| Cantate sur l'établissement d'une Académie de Musique à Toulouse (Levens, Charles) for voices, mixed chorus and orchestra |
1724 |
| Grand Magnificat No. 22 (Dupuy, Bernard Aymable) for 4 voices and mixed chorus |
|
| Grand Magnificat No. 23 (Dupuy, Bernard Aymable) for 3 voices, mixed chorus and continuo |
|
| Grand Magnificat No. 24 (Dupuy, Bernard Aymable) for 4 voices, mixed chorus and continuo |
|
| Frederico's Lament from L'Arlesiana (Cilea, Francesco) for voices, mixed chorus and orchestra |
|
| Frederico's Lament from L'Arlesiana (Cilea, Francesco) for voices, mixed chorus and orchestra |
|
| Frederico's Lament from L'Arlesiana (Cilea, Francesco) for voices, mixed chorus and orchestra |
|
| Frederico's Lament from L'Arlesiana (Cilea, Francesco) for voices, mixed chorus and orchestra |
|
Veni creator Spiritus, H.54 (Charpentier, Marc-Antoine) for alto, tenor, bass, strings and continuo
alto, tenor, bass, mixed chorus, strings and continuo |
1600 |
| Psalm 150, WAB 38 (Bruckner, Anton) for voice, mixed chorus and orchestra |
1892 |
| Psalm 150, WAB 38 (Bruckner, Anton) for voice, mixed chorus and orchestra |
1800 |
| Arrangement of 6 String Trios, Op. 1 (Baldenecker, Udalrich) for 2 harpsichords |
|
| Graceful Dance (No.3) from Arrangement of Graceful Dance (No.3) from 4 English Dances in the Olden Style (Cowen, Frederic Hymen) for strings |
|
| Nisi Dominus, H.160 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass, mixed chorus and continuo |
1600 |
| Filius prodigus, H.399 (Charpentier, Marc-Antoine) for soprano, 2 altos, 2 tenors, 2 basses, mixed chorus, strings and continuo |
|
| Laetatus sum, H.161 (Charpentier, Marc-Antoine) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
1600 |
| Exaudiat te Dominus, H.162 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra |
1672 |
| Cox and Box (Sullivan, Arthur) for voices and orchestra |
|
| Princess Ida (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Utopia Limited (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| Le chevalier Jean (Joncières, Victorin de) for voices, mixed chorus and orchestra |
|
| Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Weimar Version, BC A 44a from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1713 |
| Leipzig Version, BC A 44b from Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1724 |
| Linda di Chamounix (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
12 Cantate da camera (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo
voice and continuo
voice, violin and continuo |
|
12 Cantate da camera (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo
voice and continuo
voice, violin and continuo |
|
12 Cantate da camera (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo
voice and continuo
voice, violin and continuo |
|
| The Bohemian Girl (Balfe, Michael William) for voices, mixed chorus and orchestra |
|
| Symphony No. 2, Op. 12 (Strauss, Richard) for orchestra |
|
| Libro 1 (Sonata I-V) from 12 Flute Sonatas, BeRI 201-212 (Roman, Johan Helmich) for flute and continuo |
|
| Libro 2 (Sonata VI-XII) from 12 Flute Sonatas, BeRI 201-212 (Roman, Johan Helmich) for flute and continuo |
|
| Hymnus an den heiligen Geist, D.948 (Schubert, Franz) for 2 tenors, 2 basses, wind ensemble and brass ensemble |
1828 |
| Wein und Liebe, D.901 (Schubert, Franz) for male chorus |
1827 |
| Grab und Mond, D.893 (Schubert, Franz) for male chorus |
1826 |
| Pastorale norvégienne (Woollett, Henry) for oboe, cello and piano |
1914 |
| 6 Cello Sonatas, Op. 14 (Vivaldi, Antonio) for cello and continuo |
1724 |
| Chant sur la mort de Haydn (Cherubini, Luigi) for soprano, 2 tenors and orchestra |
|
| Arrangement of Violin Sonatina, Op. 27 (Fibich, Zdeněk) for viola and piano |
2015 |
| O Ewigkeit, du Donnerwort, BWV 20 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| O Ewigkeit, du Donnerwort, BWV 20 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist vollbracht, WoO 97 (Beethoven, Ludwig van) for bass, mixed chorus and orchestra |
1815 |
| Arrangement of Selections from L'amant jaloux (Grétry, André Ernest Modeste) for flute, oboe, violin, viola and cello |
|
| Masaniello (Carafa, Michele) for voices, mixed chorus and orchestra |
|
| O ewiges Feuer, o Ursprung der Liebe, BWV 34 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1746 |
| Leipzig Version, BC A 55b (after 1735) from Der Himmel lacht! die Erde jubiliert, BWV 31 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Leipzig Version, BC A 55b (1731/1735) from Der Himmel lacht! die Erde jubiliert, BWV 31 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Ich geh' und suche mit Verlangen, BWV 49 (Bach, Johann Sebastian) for soprano, bass and orchestra |
1700 |
| Wer mich liebet, der wird mein Wort halten, BWV 59 (Bach, Johann Sebastian) for soprano, bass, mixed chorus and orchestra |
1724 |
| Falsche Welt, dir trau ich nicht, BWV 52 (Bach, Johann Sebastian) for soprano, mixed chorus and orchestra |
1726 |
| Falsche Welt, dir trau ich nicht, BWV 52 (Bach, Johann Sebastian) for soprano, mixed chorus and orchestra |
1700 |
| Falsche Welt, dir trau ich nicht, BWV 52 (Bach, Johann Sebastian) for soprano, mixed chorus and orchestra |
1726 |
| Falsche Welt, dir trau ich nicht, BWV 52 (Bach, Johann Sebastian) for soprano, mixed chorus and orchestra |
|
| Freue dich, erlöste Schaar, BWV 30 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1737 |
| Am Abend aber desselbigen Sabbats, BWV 42 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Jesu, nun sei gepreiset, BWV 41 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Jesu, nun sei gepreiset, BWV 41 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dazu ist erschienen der Sohn Gottes, BWV 40 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Wer da gläubet und getauft wird, BWV 37 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wer da gläubet und getauft wird, BWV 37 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sie werden euch in den Bann tun, BWV 44 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Sie werden euch in den Bann tun, BWV 44 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| (1725-30, BC A 3a) from Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| (1725-30, BC A 3a) from Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| (1731, BC A 3b) from Schwingt freudig euch empor, BWV 36 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1731 |
| Es ist dir gesagt, Mensch, was gut ist, BWV 45 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Selig ist der Mann, BWV 57 (Bach, Johann Sebastian) for soprano, bass, mixed chorus and orchestra |
1700 |
| Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 (Bach, Johann Sebastian) for soprano, bass, mixed chorus and orchestra |
|
| Ich armer Mensch, ich Sündenknecht, BWV 55 (Bach, Johann Sebastian) for tenor, mixed chorus and orchestra |
|
| Ich elender Mensch, wer wird mich erlösen, BWV 48 (Bach, Johann Sebastian) for alto, tenor, mixed chorus and orchestra |
|
| Aus tiefer Not schrei ich zu dir, BWV 38 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Liebster Jesu, mein Verlangen, BWV 32 (Bach, Johann Sebastian) for soprano, bass, mixed chorus and orchestra |
1700 |
| Brich dem Hungrigen dein Brot, BWV 39 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
1700 |
| Brich dem Hungrigen dein Brot, BWV 39 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Schauet doch und sehet, BWV 46 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Unser Mund sei voll Lachens, BWV 110 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Unser Mund sei voll Lachens, BWV 110 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Valz Tua Imagem (Barrios Mangoré, Agustín) for guitar |
|
| Was mein Gott will, das g'scheh allzeit, BWV 111 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Die Himmel erzählen die Ehre Gottes, BWV 76 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Die Himmel erzählen die Ehre Gottes, BWV 76 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Was Gott tut, das ist wohlgetan, BWV 99 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Gott ist mein König, BWV 71 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1708 |
| Gott ist mein König, BWV 71 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott ist mein König, BWV 71 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott, man lobet dich in der Stille, BWV 120 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Preise, Jerusalem, den Herren, BWV 119 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Christen, ätzet diesen Tag, BWV 63 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1714 |
| Christen, ätzet diesen Tag, BWV 63 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich hab in Gottes Herz und Sinn, BWV 92 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Gott der Herr ist Sonn und Schild, BWV 79 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
1725 |
| Nun komm, der Heiden Heiland, BWV 61 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Gottes Zeit ist die allerbeste Zeit, BWV 106 (Bach, Johann Sebastian) for alto, bass, mixed chorus and orchestra |
1768 |
| Gottes Zeit ist die allerbeste Zeit, BWV 106 (Bach, Johann Sebastian) for alto, bass, mixed chorus and orchestra |
|
| Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1761 |
| Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Chorus: 'Nun komm, der Heiden Heiland' (No.1) from Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist euch gut, daß ich hingehe, BWV 108 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Du sollt Gott, deinen Herren, lieben, BWV 77 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Mache dich, mein Geist, bereit, BWV 115 (Bach, Johann Sebastian) for voices, mixed chorus and orchestra |
|
| Final Version (BWV 80) from Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Final Version (BWV 80) from Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Was soll ich aus dir machen, Ephraim, BWV 89 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Jesus schläft, was soll ich hoffen?, BWV 81 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Der Herr ist mein getreuer Hirt, BWV 112 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1731 |
| Wer mich liebet, der wird mein Wort halten, BWV 74 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die Elenden sollen essen, BWV 75 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Siehe, ich will viel Fischer aussenden, BWV 88 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Herr, deine Augen sehen nach dem Glauben, BWV 102 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Herr, deine Augen sehen nach dem Glauben, BWV 102 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Ich bin vergnügt mit meinem Glücke, BWV 84 (Bach, Johann Sebastian) for soprano, mixed chorus and orchestra |
1700 |
| Sei Lob und Ehr dem höchsten Gut, BWV 117 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Nimm von uns, Herr, du treuer Gott, BWV 101 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1760 |
| Version 1 (1723) from Wachet! betet! betet! wachet!, BWV 70 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Version 2 (1731) from Wachet! betet! betet! wachet!, BWV 70 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wahrlich, wahrlich, ich sage euch, BWV 86 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Sie werden aus Saba alle kommen, BWV 65 (Bach, Johann Sebastian) for tenor, bass, mixed chorus and orchestra |
1700 |
| Halt im Gedächtnis Jesum Christ, BWV 67 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Gelobet seist du, Jesu Christ, BWV 91 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr, mein Gott, BWV 129 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| 3rd Version (1735) from Ein Herz, das seinen Jesum lebend weiß, BWV 134 (Bach, Johann Sebastian) for alto, tenor, mixed chorus and orchestra |
1700 |
| Ach Herr, mich armen Sünder, BWV 135 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra |
1756 |
| Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra |
|
| Die Zeit, die Tag und Jahre macht, BWV 134a (Bach, Johann Sebastian) for alto, tenor, mixed chorus and orchestra |
1700 |
| Arrangement of Ballade, Op. 33 (Coleridge-Taylor, Samuel) for piano |
1898 |
| Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Meinen Jesum lass ich nicht, BWV 124 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Nach dir, Herr, verlanget mich, BWV 150 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1755 |
| Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1731 |
| Herz und Mund und Tat und Leben, BWV 147 (Bach, Johann Sebastian) for |
1700 |
| Herr Gott, dich loben alle wir, BWV 130 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Erhalt uns, Herr, bei deinem Wort, BWV 126 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1756 |
| Erhalt uns, Herr, bei deinem Wort, BWV 126 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Erhalt uns, Herr, bei deinem Wort, BWV 126 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian) for soprano, alto, tenor, mixed chorus and orchestra |
1724 |
| Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian) for soprano, alto, tenor, mixed chorus and orchestra |
1700 |
| Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Christum wir sollen loben schon, BWV 121 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1714 |
| Durchlauchtster Leopold, BWV 173a (Bach, Johann Sebastian) for soprano, bass and orchestra |
1720 |
| Variations on an African Air, Op. 63 (Coleridge-Taylor, Samuel) for orchestra |
1906 |
| Mein Herze schwimmt im Blut, BWV 199 (Bach, Johann Sebastian) for soprano and orchestra |
1714 |
| Mein Herze schwimmt im Blut, BWV 199 (Bach, Johann Sebastian) for soprano and orchestra |
|
| Lass, Fürstin, lass noch einen Strahl, BWV 198 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Lass, Fürstin, lass noch einen Strahl, BWV 198 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gloria in excelsis Deo, BWV 191 (Bach, Johann Sebastian) for soprano, tenor, mixed chorus and orchestra |
1700 |
| Gloria in excelsis Deo, BWV 191 (Bach, Johann Sebastian) for soprano, tenor, mixed chorus and orchestra |
1700 |
| Ärgre dich, o Seele, nicht, BWV 186 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ärgre dich, o Seele, nicht, BWV 186 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Version 1 (1724) from Leichtgesinnte Flattergeister, BWV 181 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Version 2 (1743/1746) from Leichtgesinnte Flattergeister, BWV 181 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1743 |
| Sie werden euch in den Bann tun, BWV 183 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Singet dem Herrn ein neues Lied, BWV 190 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Mein Gott, wie lang, ach lange, BWV 155 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Siehe zu, dass deine Gottesfurcht, BWV 179 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1723 |
| Höchsterwünschtes Freudenfest, BWV 194 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1723 |
| Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian) for alto, mixed chorus and orchestra |
1700 |
| Es wartet alles auf dich, BWV 187 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Es ist ein trotzig und verzagt Ding, BWV 176 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
1725 |
| Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Sehet, wir geh'n hinauf gen Jerusalem, BWV 159 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
|
| Der Kopf ohne Mann (Woelfl, Joseph) for voices and orchestra |
|
| String Trio No. 1, Op. 8 (Lipiński, Karol Józef) for 2 violins and cello |
1862 |
| Horn Concerto in E major, K.494a (Mozart, Wolfgang Amadeus) for horn and orchestra |
|
| Horn Concerto in E-flat major, K.370b (Mozart, Wolfgang Amadeus) for horn and orchestra |
|
| Rondo in E-flat major, K.371 (Mozart, Wolfgang Amadeus) for horn and orchestra |
1781 |
| Complete (original version) from 12 Violin Sonatas, Op. 1 (Geminiani, Francesco) for violin and continuo |
|
| Complete (original version) from 12 Violin Sonatas, Op. 1 (Geminiani, Francesco) for violin and continuo |
|
| 12 Violin Sonatas, Op. 1 (Geminiani, Francesco) for violin and continuo |
|
| Prelude and Fugue in F-sharp minor (Schumann, Clara) for piano |
1845 |
| 6 Waltzes for Piano 4 Hands (Woelfl, Joseph) for piano 4 hands |
|
| Il pomo d'oro (Cesti, Antonio) for voices and orchestra |
1668 |
| Cançó de la Moreneta (Nicolau i Parera, Antoni) for 2 violins, viola, cello and piano |
|
| Arrangement of The Lost Chord (Sullivan, Arthur) for orchestra |
|
| Andante varié, Op. 6 (Morgenroth, Franz Anton) for 2 violins, viola and cello |
1814 |
Toccata in B-flat major (Pezold, Christian) for harpsichord
keyboard |
|
| Violin Concerto No. 1 in A major, Op. 3 (Morgenroth, Franz Anton) for violin and orchestra |
|
| Violin Concerto No. 2 in D minor, Op. 5 (Morgenroth, Franz Anton) for violin and orchestra |
|
| Variations for Violin and String Quartet, Op. 4 (Morgenroth, Franz Anton) for 3 violins, viola and cello |
1800 |
| Intermezzo from Sanna (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
1912 |
| Intermezzo from Sanna (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Overture (Medley of Popular Airs) from Harlequin Restored, or the Country Revels (Charke, Richard) for orchestra |
|
| Siciliano Varié, Op. 7 (Morgenroth, Franz Anton) for violin and orchestra |
1800 |
| 12 Concertos, Op. 1 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| 1 Lied and 1 Walzer (Lang, Josephine) for voice and piano |
|
| Harpsichord Concerto in B-flat major, CSWV C:59 (Schaffrath, Christoph) for harpsichord, strings and continuo |
|
| Violin Concerto in C major, Bre2 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, Bre2 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
6 Sonatas, Op. 2 (Schröter, Johann Samuel) for violin, cello and harpsichord
violin, cello and piano |
|
6 Sonatas, Op. 2 (Schröter, Johann Samuel) for violin, cello and harpsichord
violin, cello and piano |
|
Concerto in C major (Schiassi, Gaetano Maria) for 2 violins, strings and continuo
oboe, violin, strings and continuo |
|
| Concerto for Oboe and Bassoon in B-flat major (Seyfert, Martin) for oboe, bassoon, strings and continuo |
|
| Violin Concerto in G major (Reichenauer, Antonín) for violin, strings and continuo |
|
| Concerto for Oboe and Violin in F major (Stölzel, Gottfried Heinrich) for oboe, violin, strings and continuo |
|
| Die letzten Tage von Thule (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Die letzten Tage von Thule (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Die letzten Tage von Thule (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Die letzten Tage von Thule (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Ouverture and Instrumental Music from Les Fêtes de Thalie (Mouret, Jean-Joseph) for voices, mixed chorus and orchestra |
|
Le Marquis Olivier (Dalvimare, Martin Pierre) for voice and piano
voice and harp |
|
| Violin Concerto in A major, Op. 1 No. 7 (Schiassi, Gaetano Maria) for violin, strings and continuo |
|
| Violin Concerto in C major, Op. 1 No. 2 (Schiassi, Gaetano Maria) for violin, strings and continuo |
|
| Concerto for Oboe and Bassoon in F major (Reichenauer, Antonín) for oboe, bassoon, strings and continuo |
1700 |
| Concerto for Oboe and Bassoon in F major (Reichenauer, Antonín) for oboe, bassoon, strings and continuo |
|
| Oboe Concerto in B-flat major (Reichenauer, Antonín) for oboe, strings and continuo |
|
| Bassoon Concerto in F major (Reichenauer, Antonín) for bassoon, strings and continuo |
1700 |
| Concerto for Oboe and Bassoon in B-flat major (Reichenauer, Antonín) for oboe, bassoon, strings and continuo |
1700 |
| Concerto for Oboe and Bassoon in B-flat major (Reichenauer, Antonín) for oboe, bassoon, strings and continuo |
|
| Concerto in A major (Seyfert, Martin) for 2 flutes, 2 oboes, 2 bassoons, 2 violins, strings and continuo |
|
| Trio Sonata in D major (Reichenauer, Antonín) for 2 violins and continuo |
1700 |
| Trio Sonata in D major (Reichenauer, Antonín) for 2 violins and continuo |
|
| Bassoon Concerto in G minor (Reichenauer, Antonín) for bassoon, strings and continuo |
1700 |
| Oboe Concerto in D major (Stölzel, Gottfried Heinrich) for oboe, strings and continuo |
|
| Was Gott tut das ist wohlgetan, GWV 1153/13 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1713 |
| Viele sind berufen, GWV 1117/13 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1713 |
| Ich esse nichts als Aschenbrot, GWV 1137/13 (Graupner, Christoph) for soprano, strings and continuo |
1713 |
| O Schmerz das Leben ist gestorben, GWV 1129/13 (Graupner, Christoph) for alto, tenor, bass, strings and continuo |
1713 |
| Ich bin zwar Asch und Kot, GWV 1135/13 (Graupner, Christoph) for bass and orchestra |
1713 |
| Wie bald hast du gelitten, GWV 1109/14 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1713 |
| El valle de Andorra (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
| Romanza from Jugar con fuego (Barbieri, Francisco Asenjo) for voices and orchestra |
|
| Vexations (Satie, Erik) for keyboard |
|
| Hosianna Jesus ziehet bei uns ein, GWV 1101/14 (Graupner, Christoph) for 3 sopranos, alto, tenor, bass, orchestra and continuo |
1714 |
| Welch Glanz erhellt den Dampf, GWV 1101/17 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass and orchestra |
1717 |
| Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
1737 |
| Elegy, WWV 93 (Wagner, Richard) for piano |
|
| 3 String Quintets, G.337-339 (Op. 39) (Boccherini, Luigi) for 2 violins, viola, cello and double bass |
1787 |
| String Quintets Nos.1-2, G.337-338 (Op.39/1-2) from 3 String Quintets, G.337-339 (Op. 39) (Boccherini, Luigi) for 2 violins, viola, cello and double bass |
1787 |
| String Quintet No.3, G.339 (Op.39/3) from 3 String Quintets, G.337-339 (Op. 39) (Boccherini, Luigi) for 2 violins, viola, cello and double bass |
1787 |
Kyrie in F major, BWV 233a (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| Concerto for Violin, Flute, Bassoon and Continuo (Villicus, Balthasar) for flute, bassoon, violin and continuo |
|
| Concerto for Violin and Bassoon in D major (Cattaneo, Francesco Maria) for bassoon, violin, strings and continuo |
|
Trio Sonata in D major (Stricker, Augustin Reinhard) for flute, violin and continuo
oboe, violin and continuo |
|
Trio Sonata in D major (Stricker, Augustin Reinhard) for flute, violin and continuo
oboe, violin and continuo |
|
| Violin Concerto in A major No. 1 (Cattaneo, Francesco Maria) for violin, strings and continuo |
|
| Concerto No.5 in B-flat major from 6 Concerti, Op. 3 (Mossi, Giovanni) for 2 violins, strings and continuo |
|
| Concerti da camera, Op. 1 (Venturini, Francesco) for orchestra |
|
| Concerti da camera, Op. 1 (Venturini, Francesco) for orchestra |
|
| Violin Sonata in C major (Cattaneo, Francesco Maria) for violin and continuo |
|
| Violin Concerto in A major No. 2 (Cattaneo, Francesco Maria) for violin, strings and continuo |
|
| Violin Sonata in F major No. 1 (Cattaneo, Francesco Maria) for violin and continuo |
|
| Violin Sonata in F major No. 2 (Cattaneo, Francesco Maria) for violin and continuo |
|
| Sinfonia in D major No. 1 (Brescianello, Giuseppe Antonio) for orchestra |
|
| Concerto for 2 Violins in B-flat major (Visconti, Gasparo) for 2 violins, strings and continuo |
|
| Violin Sonata in B-flat major (Van der Perre, Wilhelm) for violin and continuo |
|
| Violin Concerto in F major, Bre7 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| 2 Trio Sonatas (Brescianello, Giuseppe Antonio) for 2 violins and continuo |
|
| Trio Sonata in C minor (Brescianello, Giuseppe Antonio) for oboe, violin and continuo |
|
| Violin Sonata in F minor (Benna, Filippo) for violin and continuo |
|
| Sonata for 2 Violins, Viola and Continuo in F minor (Krause, Christian Gottfried) for 2 violins, viola and continuo |
|
| Fantasia and Fugue in C minor, BWV 562 (Bach, Johann Sebastian) for organ |
1700 |
| Fantasia and Fugue in C minor, BWV 562 (Bach, Johann Sebastian) for organ |
1700 |
| Violin Sonata in F major (Visconti, Gasparo) for violin and continuo |
|
| Violin Sonata in A major (Visconti, Gasparo) for violin and continuo |
|
| Violin Concerto in B-flat major (Matteis Jr., Nicola) for violin and orchestra |
|
| Violin Concerto in C major, Bre1 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Violin Concerto in C major, Bre1 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Violin Concerto in G major (Visconti, Gasparo) for violin, strings and continuo |
|
| Violin Concerto in G major (Visconti, Gasparo) for violin, strings and continuo |
|
| Violin Sonata in C minor No. 2 (Visconti, Gasparo) for violin and continuo |
|
| Magnificat in E-flat major, BWV 243a (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Magnificat in E-flat major, BWV 243a (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Organ Sonata No. 1 in E-flat major, BWV 525 (Bach, Johann Sebastian) for organ |
1700 |
| Organ Sonata No. 1 in E-flat major, BWV 525 (Bach, Johann Sebastian) for organ |
|
| Arrangement of Organ Sonata No. 1 in E-flat major, BWV 525 (Bach, Johann Sebastian) for violin, cello and continuo |
|
| Organ Sonata No. 2 in C minor, BWV 526 (Bach, Johann Sebastian) for organ |
1727 |
| Organ Sonata No. 2 in C minor, BWV 526 (Bach, Johann Sebastian) for organ |
|
| Organ Sonata No. 3 in D minor, BWV 527 (Bach, Johann Sebastian) for organ |
1727 |
| Organ Sonata No. 3 in D minor, BWV 527 (Bach, Johann Sebastian) for organ |
|
| Organ Sonata No. 4 in E minor, BWV 528 (Bach, Johann Sebastian) for organ |
1700 |
| Organ Sonata No. 4 in E minor, BWV 528 (Bach, Johann Sebastian) for organ |
|
| Organ Sonata No. 6 in G major, BWV 530 (Bach, Johann Sebastian) for organ |
|
| Organ Sonata No. 5 in C major, BWV 529 (Bach, Johann Sebastian) for organ |
|
| On ne s’avise jamais de tout (Monsigny, Pierre-Alexandre) for voices and orchestra |
|
| On ne s’avise jamais de tout (Monsigny, Pierre-Alexandre) for voices and orchestra |
|
| Violin Concerto in C major (Simonetti, Johann Wilhelm) for violin, strings and continuo |
|
| Violin Concerto in D major (Ferronati, Lodovico) for violin, strings and continuo |
|
| Oboe Concerto in E-flat major (Ristori, Giovanni Alberto) for oboe and orchestra |
|
| 6 Violin Sonatas (Graf, Johann) for violin and continuo |
|
| Concerto for 2 Violins and Cello in F major (Tibaldi, Giovanni Battista) for 2 violins, cello, strings and continuo |
|
| Violin Sonata in A minor (Montanari, Antonio Maria) for violin and continuo |
|
| Sinfonia in B-flat major (Ferrandini, Giovanni Battista) for strings and continuo |
|
| Sinfonia in B-flat major (Ferrandini, Giovanni Battista) for strings and continuo |
|
| Rose et Colas (Monsigny, Pierre-Alexandre) for voices and orchestra |
|
| Concerto for 2 Violins in A major (Fiorelli, Carlo) for 2 violins, strings and continuo |
|
| Violin Sonata in C major (Baghetti, Andrea) for violin and continuo |
|
| Trio Sonata in C minor (Pfeiffer, Johann) for oboe, violin and continuo |
|
| Su l'incudine sonora (Ristori, Giovanni Alberto) for voices and orchestra |
1736 |
| Sinfonia from Su l'incudine sonora (Ristori, Giovanni Alberto) for voices and orchestra |
1736 |
| Su l'incudine sonora (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Su l'incudine sonora (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Concerto Grosso in A major (Montanari, Antonio Maria) for strings and continuo |
|
| Concerto Grosso in A major (Montanari, Antonio Maria) for strings and continuo |
|
| Concerto Grosso in F-sharp minor (Montanari, Antonio Maria) for strings and continuo |
|
| Trio Sonata in G minor (Hoffmann, Melchior) for oboe, violin and continuo |
|
| Sinfonia in C major (Fiorelli, Carlo) for orchestra |
|
| Suite in B-flat major (Pfeiffer, Johann) for orchestra |
|
| Violin Sonata in G minor (Fiorelli, Carlo) for violin and continuo |
|
| Violin Concerto in B-flat major (Pfeiffer, Johann) for violin, strings and continuo |
|
| Violin Sonata in E minor (Montanari, Antonio Maria) for violin and continuo |
|
| Violin Concerto in D major (Pfeiffer, Johann) for violin, strings and continuo |
|
| Toccata and Fugue in D minor, BWV 565 (Bach, Johann Sebastian) for organ |
|
| Oboe Concerto in B-flat major (Friese, Friedrich Christian) for oboe, strings and continuo |
|
| Sinfonia No. 1 in D major (Bernasconi, Andrea) for orchestra |
|
| Concerto for 2 Trumpets in D major (Thiel, Johann Georg) for 2 trumpets, strings and continuo |
|
| Violin Concerto in C major (Scaccia, Angelo Maria) for violin, strings and continuo |
|
| Violin Concerto in C major, Lau 2 (Laurenti, Girolamo Nicolò) for violin, strings and continuo |
|
| Cyprien, ôte ta main de là (Messager, André) for voices and orchestra |
|
| Harpsichord Concerto in A-flat major (Janitsch, Johann Gottlieb) for harpsichord, strings and continuo |
1736 |
| Fugue in C major (Kirnberger, Johann Philipp) for keyboard |
1727 |
Oboe Concerto in G major (Stulick, Matthäus Nikolaus) for oboe, strings and continuo
flute, strings and continuo |
|
| Sinfonia in D major (Brusa, Francesco) for strings and continuo |
|
| Sinfonia in D major (Verocai, Giovanni) for orchestra |
|
| Trio Sonata in G major (Frey, Johann) for 2 violins and continuo |
|
| Violin Concerto in D minor (Gallo, Carlo) for violin, strings and continuo |
|
| Sinfonia in D major (Chiarini, Pietro) for orchestra |
|
| Sinfonia in D major, Mus.2740-N-1 (Harrer, Gottlob) for orchestra |
|
| Oboe Concerto in A minor (Elmi, Domenico) for oboe, strings and continuo |
|
| Concerto in D major, Schrank II/4/22 (Förster, Christoph) for orchestra |
|
| Violin Concerto in G minor (Frey, Johann) for violin, strings and continuo |
|
| Violin Concerto in A major (Schreyfogel, Johan Friedrich) for violin, strings and continuo |
|
| Violin Concerto in B-flat major No. 1 (Bettinozzi, Giovanni) for violin, strings and continuo |
|
| Violin Concerto in B-flat major No. 1 (Bettinozzi, Giovanni) for violin, strings and continuo |
|
| Violin Concerto in B-flat major No. 1 (Bettinozzi, Giovanni) for violin, strings and continuo |
|
| Sinfonia in A-flat major (Janitsch, Johann Gottlieb) for orchestra |
|
| Violin Concerto in E minor, Lau 6 (Laurenti, Girolamo Nicolò) for violin, strings and continuo |
|
| Sinfonia in F major (Janitsch, Johann Gottlieb) for orchestra |
|
| Piano Trio, Op. 175 (Reissiger, Carl Gottlieb) for violin, cello and piano |
1843 |
Concerto No.6 in D major (Lau 4) from 6 Concerti, Op. 1 (Laurenti, Girolamo Nicolò) for violin and orchestra
violin and strings |
|
| Violin Concerto in C minor (Schreyfogel, Johan Friedrich) for violin, strings and continuo |
|
| Violin Concerto in D minor (Schreyfogel, Johan Friedrich) for violin, strings and continuo |
|
| Gabriella di Vergy (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Wie wunderbar ist Gottes Güte, GWV 1103/17 (Graupner, Christoph) for bass and orchestra |
1717 |
| Organ Concerto in D minor, BWV 596 (Bach, Johann Sebastian) for organ |
1700 |
| Gallia, CG 40 (Gounod, Charles) for voices, mixed chorus and orchestra |
1871 |
| 5 Violin Sonatas, Schrank II/23/39 (Various) for violin and continuo |
|
| Pedal-Exercitium, BWV 598 (Bach, Johann Sebastian) for organ |
1700 |
| Kleines harmonisches Labyrinth, BWV 591 (Bach, Johann Sebastian) for organ |
1839 |
| Intermezzo romantico, Op. 69 (Glazunov, Aleksandr) for orchestra |
|
| 12 Duets, I-Vsmc 278 (Martini, Giovanni Battista) for 2 voices and continuo |
1763 |
| El Capitan March (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
1896 |
| Violin Sonata in B-flat major (Höckh, Carl) for violin and continuo |
|
| Violin Sonata in E major (Höckh, Carl) for violin and continuo |
|
| La Naissance de Venus (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Ouverture-Suite in G minor (Graf, Johann) for orchestra |
|
| Violin Concerto in B-flat major (Förster, Christoph) for violin, strings and continuo |
|
| Violin Concerto in D major (Gallo, Carlo) for violin, strings and continuo |
|
| Violin Concerto in G minor (Förster, Christoph) for violin, strings and continuo |
|
| Sinfonia in D major No. 2 (Förster, Christoph) for orchestra |
|
| Sinfonia in D major No. 2 (Förster, Christoph) for orchestra |
|
| Concerto No.5 in E major from 6 Violin Concertos, Op. 1 (Scaccia, Angelo Maria) for violin, strings and continuo |
|
| Etudes 1-25 (Band I) from 100 Etudes, Op. 123 (Dotzauer, Friedrich) for 2 cellos |
|
| Etudes 26-50 (Band II) from 100 Etudes, Op. 123 (Dotzauer, Friedrich) for 2 cellos |
|
| Trio Sonata in A major (Stulick, Matthäus Nikolaus) for 2 violins and continuo |
|
| Concerto in D major, Schrank II/4/24 (Förster, Christoph) for orchestra |
|
| Concerto in D major, Schrank II/4/24 (Förster, Christoph) for orchestra |
|
| Violin Concerto in B-flat major No. 2 (Bettinozzi, Giovanni) for violin, strings and continuo |
|
| Was gibst du denn, GWV 1169/19 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, strings and continuo |
1719 |
| Recorder Sonata in A minor, HWV 362 (Handel, George Frideric) for recorder and continuo |
1700 |
| Recorder Sonata in A minor, HWV 362 (Handel, George Frideric) for recorder and continuo |
|
| Arrangement of Selections from 6 Duos, B.574-579 (Pleyel, Ignaz) for 2 violins |
1835 |
| March in D minor, WAB 96 (Bruckner, Anton) for orchestra |
|
| Arrangement of March in D minor, WAB 96 (Bruckner, Anton) for piano |
1900 |
| A Collection of Different Dances (Zyka, Joseph Benedikt) for piano |
|
| Les Plaisirs de l'Amour et de Bacchus (Gillier, Jean Claude) for |
1697 |
| Amphion (Gillier, Jean Claude) for voices, mixed chorus and orchestra |
1696 |
| Gionata (Piccinni, Niccolò) for 3 sopranos, 3 tenors, mixed chorus and orchestra |
|
| Gionata (Piccinni, Niccolò) for 3 sopranos, 3 tenors, mixed chorus and orchestra |
|
| Gionata (Piccinni, Niccolò) for 3 sopranos, 3 tenors, mixed chorus and orchestra |
|
| Sinfonia in D major No. 2 (Brescianello, Giuseppe Antonio) for orchestra |
|
| Sinfonia in D major No. 2 (Brescianello, Giuseppe Antonio) for orchestra |
|
| Sinfonia in D major No. 2 (Brescianello, Giuseppe Antonio) for orchestra |
|
| Ergo interest, K.143/73a (Mozart, Wolfgang Amadeus) for soprano, strings and continuo |
1770 |
Venite populi, K.260/248a (Mozart, Wolfgang Amadeus) for 2 mixed chorus and continuo
2 mixed chorus, strings and continuo |
1776 |
De profundis clamavi (Reutter, Georg) for mixed chorus and continuo
mixed chorus and organ |
|
| Quaerite primum regnum Dei, K.86/73v (Mozart, Wolfgang Amadeus) for mixed chorus |
1770 |
| Misericordias Domini, K.222/205a (Mozart, Wolfgang Amadeus) for mixed chorus, strings and continuo |
|
| Regina coeli in C major, K.108/74d (Mozart, Wolfgang Amadeus) for soprano, mixed chorus and orchestra |
1771 |
| Haugtussa, Op. 67 (Grieg, Edvard) for voice and piano |
1895 |
| Møte / Stelldichein / The Tryst (No.4) from Haugtussa, Op. 67 (Grieg, Edvard) for voice and piano |
|
| I briganti (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Arrangement of Nouvelles chansons du vieux temps, Op. 24 (Godard, Benjamin) for piano |
|
| Giovanna d'Arco (Vaccai, Nicola) for voices, mixed chorus and orchestra |
|
| Justum deduxit Dominus (Eberlin, Johann Ernst) for mixed chorus and continuo |
|
| Der Tempel des Ruhmes (Scheibe, Johann Adolph) for voices and orchestra |
|
| Arrangement of Burleske, Op. 64 (Rorich, Karl) for 2 flutes, clarinet and piano |
1900 |
Trio Sonata in C minor, DelK p.313 (Kleinknecht, Jakob Friedrich) for flute, oboe and continuo
flute, violin and continuo |
|
| Trio Sonata, TWV 42:Es3 (Telemann, Georg Philipp) for oboe, harpsichord and continuo |
|
| Trio Sonata, TWV 42:A6 (Telemann, Georg Philipp) for flute, harpsichord and continuo |
|
| Trio Sonata, TWV 42:B4 (Telemann, Georg Philipp) for recorder, harpsichord and continuo |
|
Trio Sonata in G minor, HWV 390 (Handel, George Frideric) for 2 violins and continuo
2 flutes and continuo
2 oboes and continuo |
|
Trio Sonata in G minor, HWV 390 (Handel, George Frideric) for 2 violins and continuo
2 flutes and continuo
2 oboes and continuo |
|
Trio Sonata in G minor, HWV 390 (Handel, George Frideric) for 2 violins and continuo
2 flutes and continuo
2 oboes and continuo |
|
12 Keyboard Pieces, StWV 216 (Sterkel, Johann Franz Xaver) for harpsichord
piano |
|
| Adagio and Rondo in C minor, K.617 (Mozart, Wolfgang Amadeus) for flute, oboe, glass harmonica, viola and cello |
1791 |
| Adagio in C major, K.356/617a (Mozart, Wolfgang Amadeus) for glass harmonica |
1700 |
| Maurerische Trauermusik, K.477/479a (Mozart, Wolfgang Amadeus) for orchestra |
1785 |
| Konzertstück for Bassoon and Orchestra, Op. 2 (Berwald, Franz) for bassoon and orchestra |
|
| Konzertstück for Bassoon and Orchestra, Op. 2 (Berwald, Franz) for bassoon and orchestra |
|
| Piano Sonata in D major (Sarti, Giuseppe) for piano |
|
| Country Dance in G major, K.610 (Mozart, Wolfgang Amadeus) for orchestra |
1791 |
| Dixit Dominus and Magnificat, K.193/186g (Mozart, Wolfgang Amadeus) for soprano, tenor, mixed chorus and orchestra |
1774 |
| Trio Sonata, TWV 42:a4 (Telemann, Georg Philipp) for recorder, violin and continuo |
|
Sérénade (Gounod, Charles) for voice and piano
voice, piano and harmonium
voice, cello and piano |
1857 |
Trio Sonata in F major, HWV 389 (Handel, George Frideric) for flute, violin and continuo
recorder, violin and continuo
2 violins and continuo
oboe, violin and continuo |
|
Trio Sonata in F major, HWV 389 (Handel, George Frideric) for flute, violin and continuo
recorder, violin and continuo
2 violins and continuo
oboe, violin and continuo |
|
| Litaniae Lauretanae, K.109/74e (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1771 |
| Litaniae de venerabili altaris sacramento, K.243 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1776 |
| Darum preiset Gott seine Liebe gegen uns, GWV 1139/19 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1719 |
| Jesu edler Hoherpriester, GWV 1124/20 (Graupner, Christoph) for bass and orchestra |
1720 |
Gott deine Gerechtigkeit ist hoch, GWV 1175/39c (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo
mixed chorus and orchestra |
1739 |
| Cello Concerto, Op. 41 (Widor, Charles-Marie) for cello and orchestra |
1877 |
| Missa brevis in D major, K.194/186h (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1774 |
| Ich bleibe Gott getreu, GWV 1106/19 (Graupner, Christoph) for soprano, strings and continuo |
1719 |
| Missa solemnis in C minor, K.139/47a (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1768 |
| Cello Concerto No. 1, Op. 46 (Vieuxtemps, Henri) for cello and orchestra |
|
| Hymn of the West (Paine, John Knowles) for mixed chorus and orchestra |
|
| Hymn of the West (Paine, John Knowles) for mixed chorus and orchestra |
|
| Missa solemnis in C major, K.337 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1780 |
| Missa brevis in C major, K.259 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Missa brevis in C major, K.258 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1776 |
Aria Francois avec Variations (Palschau, Johann Gottfried Wilhelm) for harpsichord
keyboard |
|
Aria Francois avec Variations (Palschau, Johann Gottfried Wilhelm) for harpsichord
keyboard |
|
| Chamber Concerto in D major, RV 95 (Vivaldi, Antonio) for recorder, oboe, bassoon, violin and continuo |
1700 |
| Griselda, RV 718 (Vivaldi, Antonio) for voices and orchestra |
1735 |
| Griselda, RV 718 (Vivaldi, Antonio) for voices and orchestra |
|
| Giustino, RV 717 (Vivaldi, Antonio) for voices and orchestra |
1724 |
| Concerto for Piano Four-Hands and Orchestra, Op. 153 (Czerny, Carl) for piano 4 hands and orchestra |
|
| Romance, Op. 23 (Beach, Amy Marcy) for violin and piano |
1893 |
| Symphonia et Ordo virtutum (Hildegard) for voice |
|
| 6 Partitas (Grenser, Johan Fredrik) for 2 clarinets, bassoon and 2 horns |
|
| 6 Partitas (Grenser, Johan Fredrik) for 2 clarinets, bassoon and 2 horns |
|
| Violin Sonata in B-flat major, L3.130 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E major, L3.51 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in B-flat major, L3.125 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E minor, JunP IV.1 (Pisendel, Johann Georg) for violin and continuo |
1700 |
| Violin Sonata in E minor, JunP IV.1 (Pisendel, Johann Georg) for violin and continuo |
|
| Violin Sonata in E minor, JunP IV.1 (Pisendel, Johann Georg) for violin and continuo |
|
| Ouverture-Suite, FaWV K:G13 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G13 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G5 (Fasch, Johann Friedrich) for orchestra |
|
| Suite for 3 Oboes and Strings in F major (Finger, Gottfried) for orchestra |
|
| Violin Sonata in C minor (Bernardi, Bartolomeo) for violin and continuo |
|
| Divertimento in C major, K.187/Anh.C 17.12 (Mozart, Wolfgang Amadeus) for 2 flutes, 5 trumpets and timpani |
|
| Divertimento in C major, K.187/Anh.C 17.12 (Mozart, Wolfgang Amadeus) for 2 flutes, 5 trumpets and timpani |
1700 |
| Biblis (Massenet, Jules) for mezzosoprano, tenor, baritone, mixed chorus and orchestra |
1800 |
| Divertimento in B-flat major, K.186/159b (Mozart, Wolfgang Amadeus) for 2 oboes, 2 English horns, 2 clarinets, 2 bassoons and 2 horns |
1700 |
| Symphony in B-flat major, L1.10 (Benda, Franz) for orchestra |
|
| Symphony in D major, L1.4 (Benda, Franz) for orchestra |
|
| Symphony in C major, L1.1 (Benda, Franz) for orchestra |
|
| Cello Suite No. 1 in G major, BWV 1007 (Bach, Johann Sebastian) for cello |
|
| Book 3 from Ayres and Dialogues (Gamble, John) for voice and continuo |
|
| Flute Concerto in G major, GroF 244 (Hasse, Johann Adolph) for flute, strings and continuo |
|
Version from String Quintet, Op. 121 (Lachner, Franz Paul) for 2 violins, viola and 2 cellos
2 violins, viola, cello and double bass |
1834 |
| Die Auferstehung und Himmelfahrt Jesu, H.777 (Bach, Carl Philipp Emanuel) for voices, mixed chorus and orchestra |
1774 |
| Die Auferstehung und Himmelfahrt Jesu, H.777 (Bach, Carl Philipp Emanuel) for voices, mixed chorus and orchestra |
1774 |
| Die Auferstehung und Himmelfahrt Jesu, H.777 (Bach, Carl Philipp Emanuel) for voices, mixed chorus and orchestra |
1787 |
| Ouverture in C major, GWV 401 (Graupner, Christoph) for 3 chalumeaus |
1700 |
| Dir, Seele des Weltalls, K.429/468a (Mozart, Wolfgang Amadeus) for tenor, male chorus and piano |
1700 |
| Ouverture in F major, GWV 443 (Graupner, Christoph) for 3 chalumeaus |
1700 |
| Arrangement of Chaconne, Op. 62 (Durand, Auguste) for string quartet |
1886 |
| Symphony in D major, WV 368 (Wagenseil, Georg Christoph) for orchestra |
|
| Flute Concerto, Op. 283 (Reinecke, Carl) for flute and orchestra |
|
| Schon lacht der holde Frühling, K.580 (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1789 |
| Moscow, TH 69 (Tchaikovsky, Pyotr) for mezzosoprano, baritone, mixed chorus and orchestra |
|
| Die Schwestern von Prag (Müller, Wenzel) for voices, male chorus and orchestra |
|
| Hymn for Violin and Orchestra (Diepenbrock, Alphons) for violin and orchestra |
|
| Christ, der du bist der helle Tag, BWV 766 (Bach, Johann Sebastian) for organ |
1700 |
| Autograph Version, BWV 769a from Vom Himmel hoch, da komm ich her, BWV 769 (Bach, Johann Sebastian) for organ |
1700 |
| Sinfonia concertante, Op. 125 (Prokofiev, Sergey) for cello and orchestra |
|
| Sinfonia concertante, Op. 125 (Prokofiev, Sergey) for cello and orchestra |
|
| Joconde (Isouard, Nicolo) for voices and orchestra |
|
| Deucalion og Pyrrha (Sarti, Giuseppe) for voices and orchestra |
|
| Deucalion og Pyrrha (Sarti, Giuseppe) for voices and orchestra |
|
| Deucalion og Pyrrha (Sarti, Giuseppe) for voices and orchestra |
|
| Deucalion og Pyrrha (Sarti, Giuseppe) for voices and orchestra |
|
| Tronfølgen i Sidon (Sarti, Giuseppe) for voices and orchestra |
|
| Tronfølgen i Sidon (Sarti, Giuseppe) for voices and orchestra |
|
| Tronfølgen i Sidon (Sarti, Giuseppe) for voices and orchestra |
|
| Musica per l'esequie di Louisa Regina di Danemarca, SchW B2:430 (Scheibe, Johann Adolph) for voices and orchestra |
1752 |
72 Organ Preludes (Binder, Christlieb Siegmund) for organ
harpsichord |
|
72 Organ Preludes (Binder, Christlieb Siegmund) for organ
harpsichord |
|
| L'impresario in angustie (Cimarosa, Domenico) for voices and orchestra |
1786 |
| L'impresario in angustie (Cimarosa, Domenico) for voices and orchestra |
|
| L'impresario in angustie (Cimarosa, Domenico) for voices and orchestra |
|
| Double String Quartet No. 2, Op. 77 (Spohr, Louis) for 4 violins, 2 violas and 2 cellos |
|
| Sinfonia in B-flat major, GraunWV A:XII:30 (Graun, Johann Gottlieb) for 2 violins, viola and continuo |
|
Nouvelles suites de pièces d'orgue (Lasceux, Guillaume) for organ
harpsichord |
|
| Sinfonia in A major, GraunWV Cv:XII:87 (Graun, Johann Gottlieb) for strings and continuo |
|
| Original version from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1879 |
| Original version from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1879 |
| Original version from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1879 |
| Original version from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1880 |
| Original version from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1886 |
| Inveni David, WAB 20 (Organ verse) from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
1879 |
| Inveni David, WAB 20 (Organ verse) from Os justi, WAB 30 (Bruckner, Anton) for mixed chorus |
|
| Zémire et Azor (Grétry, André Ernest Modeste) for voices and orchestra |
|
| Zémire et Azor (Grétry, André Ernest Modeste) for voices and orchestra |
|
| Violin Concerto in G minor, RV 326 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
1885 |
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
1885 |
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
|
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
|
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
|
| Virga Jesse, WAB 52 (Bruckner, Anton) for mixed chorus |
1902 |
| Dir, Herr, dir will ich mich ergeben, WAB 12 (Bruckner, Anton) for mixed chorus |
1800 |
| Dir, Herr, dir will ich mich ergeben, WAB 12 (Bruckner, Anton) for mixed chorus |
|
Ouverture in C major, GWV 409 (Graupner, Christoph) for orchestra
3 chalumeaus, strings and continuo |
1700 |
| Ouverture in C minor, GWV 413 (Graupner, Christoph) for strings and continuo |
1700 |
| Prelude for Violin and Organ (Willner, Arthur) for violin and organ |
1938 |
| Ouverture in G major, GWV 458 (Graupner, Christoph) for viola damore and orchestra |
1700 |
| Ouverture in E major, GWV 432 (Graupner, Christoph) for strings and continuo |
1700 |
| Ouverture in A minor, GWV 478 (Graupner, Christoph) for flute, strings and continuo |
1700 |
| Sinfonia in A major, GWV 612 (Graupner, Christoph) for orchestra |
1700 |
| Ouverture in G major, GWV 464 (Graupner, Christoph) for orchestra |
1700 |
| Piano Sonata No. 3 (Willner, Arthur) for piano |
|
| Ouverture in A major, GWV 474 (Graupner, Christoph) for strings and continuo |
1735 |
| Suite in F major (Finger, Gottfried) for orchestra |
|
| Entrata per la Musica di Tavola in A major, GWV 472 (Graupner, Christoph) for strings and continuo |
1700 |
| Ouverture in A major, GWV 477 (Graupner, Christoph) for orchestra |
1700 |
| B.522-524 from Arrangement of B.522-524 from 6 Violin Duos, B.519-524 (Pleyel, Ignaz) for 2 harpsichords |
|
| Cassation in G major, K.63 (Mozart, Wolfgang Amadeus) for orchestra |
1769 |
| 9 Organ Pieces (Willner, Arthur) for organ |
|
| Erwählte Pleissenstadt, BWV 216a (Bach, Johann Sebastian) for soprano, alto and orchestra |
|
| Toccata and Fugue in C major, BWV 566a (Bach, Johann Sebastian) for organ |
|
| Toccata and Fugue in C major, BWV 566a (Bach, Johann Sebastian) for organ |
|
| Sinfonia from Artaserse (Scalabrini, Paolo) for voices and orchestra |
|
| Kjærlighed uden Strømper (Scalabrini, Paolo) for voices and orchestra |
|
| Kjærlighed uden Strømper (Scalabrini, Paolo) for voices and orchestra |
|
| Kjærlighed uden Strømper (Scalabrini, Paolo) for voices and orchestra |
|
| Kjærlighed uden Strømper (Scalabrini, Paolo) for voices and orchestra |
|
| Kjærlighed uden Strømper (Scalabrini, Paolo) for voices and orchestra |
|
| Sinfonia from Alessandro Severo (Sacchini, Antonio) for voices, mixed chorus and orchestra |
|
| Sinfonia in E major (Sarti, Giuseppe) for orchestra |
|
| Arrangement of 12 Canoni (Martín y Soler, Vicente) for 3 voices and keyboard |
|
| Ouverture in D major (Sacchini, Antonio) for orchestra |
|
| Pot-Pourri for 2 Violins (Schall, Claus) for 2 violins |
|
| 2 Flute Concerti (Scheibe, Johann Adolph) for flute, strings and continuo |
1946 |
| 2 Flute Concerti (Scheibe, Johann Adolph) for flute, strings and continuo |
1954 |
| Ouverture - Sinfonia from Vologeso (Sarti, Giuseppe) for voices, mixed chorus and orchestra |
|
Oden Sammlung 1753 (Various) for voice and continuo
2 voices and continuo |
|
| Sonata No.2 'La Cesta' from 6 Violin Sonatas, Op. 3 (Pandolfi Mealli, Giovanni Antonio) for violin and continuo |
1662 |
| Sinfonia from Ciro riconosciuto (Sarti, Giuseppe) for voices and orchestra |
|
| Missa Sincere in Memoriam, Op. 187 (Rheinberger, Josef Gabriel) for female chorus and organ |
1897 |
| Symphony in C major, M.A4/I:4 (Rosetti, Antonio) for orchestra |
|
| Piano Sonata No. 1 (Willner, Arthur) for piano |
|
| Suite in A major, TWV 32:14 (Telemann, Georg Philipp) for harpsichord |
|
| Suite in A major, TWV 32:14 (Telemann, Georg Philipp) for harpsichord |
|
| Die musikalische Schlittenfahrt (Mozart, Leopold) for orchestra |
|
Samson trahi par Dalila (Brossard, Sébastien de) for voice and continuo
soprano and continuo |
|
La chute de Salomon (Brossard, Sébastien de) for voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo |
|
Judith ou la mort d'Holopherne (Brossard, Sébastien de) for voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo |
|
Baltassar (Brossard, Sébastien de) for 2 violins, continuo and bass
bass, 2 flutes and continuo
bass, 2 recorders and continuo
bass, 2 oboes and continuo |
|
| Les trois enfants de la fournaise (Brossard, Sébastien de) for voice and orchestra |
|
| Arrangement of 2 Songs (Ullman, Carl Fredrik) for guitar |
|
| Concerto for Strings in G major, RV 151 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Ouverture-Suite, TWV 55:Es3 'La Lyra' (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:Es3 'La Lyra' (Telemann, Georg Philipp) for strings and continuo |
|
| 12 Flute Duos (Zielche, Hans Hinrich) for 2 flutes |
|
| Flute Quartet in C major, W.B 64 (Bach, Johann Christian) for 2 flutes, violin and cello |
|
| 6 Symphonies, 1774 (Zielche, Hans Hinrich) for orchestra |
|
| Symphony in D major, H.651 (Bach, Carl Philipp Emanuel) for orchestra |
|
| Divertissement in C major for Harp and Piano (Lorentz, Johan Henrik) for harp and piano |
|
| 34 Examples and a Theme and Variations for Harp (Lammi, F) for harp |
|
Flute Quartet in A major, W.B 59 (Bach, Johann Christian) for flute, violin, viola and continuo
2 violins, viola and continuo
flute, violin, viola and cello
2 violins, viola and cello |
|
Flute Quartet in D major, W.B 57 (Bach, Johann Christian) for flute, violin, viola and cello
2 violins, viola and cello |
|
Flute Quartet in C major, W.B 58 (Bach, Johann Christian) for flute, violin, viola and cello
2 violins, viola and cello
flute, violin, viola and continuo
2 violins, viola and continuo |
|
| Quartets B.337 and 338 from Arrangement of Quartets B.337 and 338 from 12 String Quartets, B.331-342 (Pleyel, Ignaz) for 2 harpsichords |
|
| 6 Divertimenti da camera (Schuster, Joseph) for violin and harpsichord |
|
| Nun gibst du Gott einen gnädigen Regen, GWV 1138/21 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1721 |
| Sinfonia in F major, GWV 563 (Graupner, Christoph) for orchestra |
|
| Sinfonia in E-flat major, GWV 560 (Graupner, Christoph) for orchestra |
1700 |
| Preise Jerusalem den Herrn, GWV 1174/20 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass and orchestra |
1700 |
| Halleluja denn der allmächtige Gott, GWV 1136/21 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass and orchestra |
1723 |
| Pelopida (Abos, Girolamo) for voices and orchestra |
|
Quartet in D major, H.538 (Bach, Carl Philipp Emanuel) for flute, viola, cello and keyboard
flute, viola and keyboard |
1700 |
| Sørgekantate (Scheibe, Johann Adolph) for 2 mixed chorus and orchestra |
|
| Arrangement of Symphony in C major, 'Hungarian' (Wranitzky, Paul) for piano 4 hands |
|
| Missa octo vocibus duobus alternantibus choris (Capuana, Mario) for 2 mixed chorus and continuo |
|
Geistliche Madrigal mit 4. und 5. Stimmen (Möhlich, Gabriel) for 4 voices
5 voices |
1819 |
| Oberon, König der Elfen (Wranitzky, Paul) for voices and orchestra |
|
| Ach Gott ach Vater sieh, GWV 1137/44 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1739 |
| Ach welchen Jammer bringt die Sünde, GWV 1153/43 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1743 |
| Alle die sich demütigen, GWV 1152/45 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1745 |
| Auf schmücket euch, GWV 1161/45 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1745 |
| Auf zündet eure Lampen an, GWV 1168/42 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1742 |
| Aus Gottes reichen Allmachtshänden, GWV 1123/44 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1744 |
| Ach Herr ach Heiland hilf, GWV 1131/43 (Graupner, Christoph) for alto, bass, mixed chorus, strings and continuo |
1743 |
| Ach Gott wie manches Herzeleid, GWV 1133/44 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1744 |
| La contesa dei numi, Wq.14 (Gluck, Christoph Willibald) for voices and strings |
|
| La contesa dei numi, Wq.14 (Gluck, Christoph Willibald) for voices and strings |
|
| Alle Schrift von Gott eingegeben ist, GWV 1159/45 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1745 |
| Ach eitle Herzen, GWV 1142/45 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1738 |
| Ach dass die Hülfe aus Zion über Israel käme, GWV 1154/53 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1753 |
| Le prisonnier (Della-Maria, Dominique) for voices and orchestra |
|
| Auf Zion schreie Hosianna, GWV 1101/53 (Graupner, Christoph) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
1753 |
| Barmherzig und gnädig ist der Herr, GWV 1163/35 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1735 |
| Ach Herr Gott wie reich, GWV 1162/42b (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1742 |
| Ach Herr die Frommen warten deiner, GWV 1167/42 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1742 |
| 6 Violin Sonatas, G.25-30 (Boccherini, Luigi) for violin and keyboard |
|
| Ziehet den alten Menschen, GWV 1101/42 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1742 |
| Ach Jesu wir sind wund, GWV 1154/46 (Graupner, Christoph) for tenor, bass, mixed chorus, strings and continuo |
1746 |
| Ach Gott dein Rat ist wunderbar, GWV 1133/42 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1742 |
| Befiehl dem Herrn deine Wege, GWV 1156/53 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1753 |
| Trio in A major for 3 Flutes (Dôthel, Niccolò) for 3 flutes |
|
| Sinfonia Concertante in D major (Devienne, François) for 2 flutes and orchestra |
|
| Flute Concerto d'Airs connus, Op. 5 (Devienne, François) for flute and orchestra |
|
| Befiehl dem Herrn deine Wege, GWV 1123/36 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1736 |
| Flute Concerto in D major (Filtz, Johann Anton) for flute and orchestra |
|
| Symphony in E-flat major, Op. 1 No. 4 (Filtz, Johann Anton) for strings and continuo |
|
| Flute Concerto in G major (Filtz, Johann Anton) for flute and orchestra |
|
| Concerto for 2 Violins in C major (Dittersdorf, Carl Ditters von) for 2 violins and strings |
|
| Concerto for 2 Violins in D major, Kr.155 (Dittersdorf, Carl Ditters von) for 2 violins and orchestra |
|
| Symphonies after Ovid's Metamorphoses, Kr.73-84 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Arrangement of 6 Sonate da camera (Filtz, Johann Anton) for 2 flutes and cello |
|
| Symphony in F major, Op. 1 No. 5 (Filtz, Johann Anton) for orchestra |
|
| Sinfonia from L'uomo femina (Galuppi, Baldassare) for voices and orchestra |
|
| Sinfonia from L'uomo femina (Galuppi, Baldassare) for voices and orchestra |
1762 |
| Preussischer Marsch (Graun, Karl Heinrich) for 2 violins |
|
| Sinfonia in D major (Galuppi, Baldassare) for orchestra |
|
| Ouverture in F major (Galuppi, Baldassare) for orchestra |
|
| Ouverture in G major (Galuppi, Baldassare) for orchestra |
|
| Te Deum in D major, HWV 280 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Preise Jerusalem den Herrn, GWV 1101/43 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1743 |
| Soliman den Anden (Walter, Thomas Christian) for voices and orchestra |
1775 |
| Soliman den Anden (Walter, Thomas Christian) for voices and orchestra |
|
| Soliman den Anden (Walter, Thomas Christian) for voices and orchestra |
1775 |
| Symphony No.1 in G major from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Symphony No.2 in D major from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Symphony No.3 in F major from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Symphony No.4 in Bmajor from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Symphony No.5 in G major from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Symphony No.6 in Emajor from 6 Symphonies, Op. 2 (Greiner, Johann Theodor) for orchestra |
|
| Trio Sonata in C major (Weiss, Karl) for flute, violin and continuo |
|
| 12 Violin Duos (Viotti, Giovanni Battista) for 2 violins |
|
| Sinfonia from Un pazzo ne fa cento (Gassmann, Florian Leopold) for voices and orchestra |
|
| Sinfonia from Un pazzo ne fa cento (Gassmann, Florian Leopold) for voices and orchestra |
1763 |
| Il puntiglio amoroso (Galuppi, Baldassare) for 7 voices and orchestra |
|
| Sinfonia from Il puntiglio amoroso (Galuppi, Baldassare) for 7 voices and orchestra |
1762 |
| Sinfonia from Il puntiglio amoroso (Galuppi, Baldassare) for 7 voices and orchestra |
1763 |
| Den Forliebte Skildrer (Scalabrini, Paolo) for voices and orchestra |
|
| Concerto for 2 Horns in E-flat major (Wratny, Venceslav) for 2 horns and orchestra |
|
| Symphony in C major, RH 10 (Gossec, François Joseph) for orchestra |
|
| Symphony in F major, RH 9 (Gossec, François Joseph) for orchestra |
|
| Symphony in E major, RH 11 (Gossec, François Joseph) for orchestra |
|
| Symphony in E major, RH 8 (Gossec, François Joseph) for orchestra |
|
| Arrangement of 6 Trios, GUN 4 (Wendling, Johann Baptist) for 2 flutes and continuo |
|
| 3 Concertante Flute Quartets, GUN 23 (Wendling, Johann Baptist) for flute, violin, viola and cello |
|
| Amore in caricatura (Ciampi, Vincenzo Legrenzio) for 8 voices and orchestra |
|
| Zinck's Klaviersammlung No. 11, DK-Kk C I,90 2° 1943-44.80 (Various) for |
1780 |
| Symphony in D major, RH 7 (Gossec, François Joseph) for orchestra |
|
| Symphony in D minor, RH 12 (Gossec, François Joseph) for orchestra |
|
| Symphony in D major (Asplmayr, Franz) for orchestra |
|
| Capriccio in C major, K.395 (Mozart, Wolfgang Amadeus) for piano |
1700 |
| No.13 in D major from Arrangement of No.13 in D major from 20 Exercises for Cello, Op. 11 (Merk, Joseph) for cello and continuo |
1838 |
| Rodelinda regina de' Longobardi, GraunWV B:I:6 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Rodelinda regina de' Longobardi, GraunWV B:I:6 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Rodelinda regina de' Longobardi, GraunWV B:I:6 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Rodelinda regina de' Longobardi, GraunWV B:I:6 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Sinfonia from Rodelinda regina de' Longobardi, GraunWV B:I:6 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
Sonatas Nos.1-5 from 6 Trio Sonatas (Oliver y Astorga, Juan) for 2 flutes and continuo
2 violins and continuo |
|
| Der Tod Jesu, GraunWV B:VII:2 (Graun, Karl Heinrich) for voices, mixed chorus and orchestra |
|
| Der Tod Jesu, GraunWV B:VII:2 (Graun, Karl Heinrich) for voices, mixed chorus and orchestra |
|
| La Zingarella (Leo, Leonardo) for soprano, bass, strings and continuo |
1731 |
| Mosè in Egitto (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
1849 |
| Mosè in Egitto (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Concerto for 2 Flutes in E minor, GWV 321 (Graupner, Christoph) for 2 flutes, strings and continuo |
1700 |
| Concerto for 2 Flutes in E minor, GWV 321 (Graupner, Christoph) for 2 flutes, strings and continuo |
1700 |
| Partita in C minor, GWV 131 (Graupner, Christoph) for harpsichord |
|
| Partita in C minor, GWV 132 (Graupner, Christoph) for harpsichord |
|
| Partita in C major, GWV 130 (Graupner, Christoph) for harpsichord |
|
| Partita in A major, GWV 149 (Graupner, Christoph) for harpsichord |
|
| Partita in C major, GWV 128 (Graupner, Christoph) for harpsichord |
|
| Partita in C major, GWV 129 (Graupner, Christoph) for harpsichord |
|
| Sinfonia in C major, ZieC 3.31 (Camerloher, Placidus von) for strings and continuo |
|
| Sinfonia in B-flat major, ZieC 3.43 (Camerloher, Placidus von) for strings and continuo |
|
| Sinfonia in B-flat major, ZieC 3.43 (Camerloher, Placidus von) for strings and continuo |
|
| Partita in C major, GWV 127 (Graupner, Christoph) for harpsichord |
|
| Canon in B-flat major, GWV 218 (Graupner, Christoph) for 2 oboes, cello and continuo |
1700 |
| Sinfonia in G major, TalA 35 (Alberti, Giuseppe Matteo) for strings and continuo |
|
| Violin Concerto in A major, TalA 36 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Violin Concerto in A major, TalA 36 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Violin Concerto in C major, TalA 22 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Concerto for 2 Chalumeaux in C major, GWV 303 (Graupner, Christoph) for 2 chalumeaus, strings and continuo |
1700 |
| Oboe Concerto in F major, GWV 324 (Graupner, Christoph) for oboe, strings and continuo |
1700 |
| Bei Jesu ist recht viel Vergnügen, GWV 1112/44 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1744 |
| Christus der uns selig macht, GWV 1121/41 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1741 |
| Concerto for 2 Violins in G minor, GWV 335 (Graupner, Christoph) for 2 violins, strings and continuo |
1700 |
| Bassoon Concerto in C major, GWV 301 (Graupner, Christoph) for bassoon, strings and continuo |
1700 |
| Concerto for 2 Flutes in E minor, GWV 322 (Graupner, Christoph) for 2 flutes, strings and continuo |
1700 |
| Concerto for 2 Violins in A major, GWV 338 (Graupner, Christoph) for 2 violins, strings and continuo |
1700 |
| Bassoon Concerto in G major, GWV 328 (Graupner, Christoph) for bassoon, strings and continuo |
1700 |
| Sinfonia in F major (Fasch, Karl Friedrich Christian) for orchestra |
|
| Violin Concerto in D major, TalA 28 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Herr wer wird wohnen, GWV 1145/53 (Graupner, Christoph) for alto, tenor, bass, strings and continuo |
1700 |
| Violin Concerto in B-flat major, TalA 21 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Danket mit Jauchzen dem Herrscher der Höhen, GWV 1174/27 (Graupner, Christoph) for soprano, alto, tenor and orchestra |
1727 |
| Das ist das ewige Leben, GWV 1104/23 (Graupner, Christoph) for soprano, alto, tenor, bass, organ, strings and continuo |
1700 |
| Sinfonia in C major, ZieC 3.34 (Camerloher, Placidus von) for orchestra |
|
| Sinfonia in C major, ZieC 3.34 (Camerloher, Placidus von) for orchestra |
|
| Sinfonia in C major, ZieC 3.34 (Camerloher, Placidus von) for orchestra |
|
| Violin Concerto in B-flat major, TalA 20 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Sinfonia in D major, TalA 26 (Alberti, Giuseppe Matteo) for strings and continuo |
|
| Darum preiset Gott seine Liebe gegen uns, GWV 1132/40 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1740 |
| Diomedes (Stölzel, Gottfried Heinrich) for |
|
| Capriccio in B-flat major, BWV 992 (Bach, Johann Sebastian) for keyboard |
|
| Capriccio in B-flat major, BWV 992 (Bach, Johann Sebastian) for keyboard |
|
| Auf ihr Herzen schickt euch an, GWV 1138/45 (Graupner, Christoph) for tenor, bass, mixed chorus and orchestra |
1745 |
| Hört Jesus will zum Vater gehen, GWV 1134/42 (Graupner, Christoph) for alto, tenor, bass and orchestra |
1742 |
| Machet die Tore weit, GWV 1101/27 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1727 |
| Gott du labest die Elenden, GWV 1161/37 (Graupner, Christoph) for soprano, alto, tenor and orchestra |
1737 |
| Gott sei uns gnädig, GWV 1109/41 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1740 |
| Vater ich befehle meinen Geist, GWV 1127/43 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1743 |
| Der Herr ist gross zu Zion, GWV 1101/47 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1747 |
| Der Herr ist König des freue sich, GWV 1101/31 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1731 |
| The Firebird, K010 (Stravinsky, Igor) for orchestra |
|
| The Firebird, K010 (Stravinsky, Igor) for orchestra |
|
| Der arge Feind der Fürst der Finsternis, GWV 1120/42 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1742 |
| The Rite of Spring, K015 (Stravinsky, Igor) for orchestra |
1900 |
| Die Gerechten werden sich des Herrn freuen, GWV 1101/39 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1739 |
| Fantasia and Fugue in C minor, BWV 906 (Bach, Johann Sebastian) for keyboard |
1700 |
| Höchster Formierer, GWV 1153/53 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1753 |
| Wer nach Gottes Wort fraget, GWV 1159/29 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1729 |
| Der Herr ist mein Hirt, GWV 1132/53 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1753 |
| Die auf den Herrn harren, GWV 1174/36 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1736 |
| Trio Sonata in C minor (Tůma, František Ignác Antonín) for 2 violins and continuo |
|
| Trio Sonata in C minor (Tůma, František Ignác Antonín) for 2 violins and continuo |
|
| Vespers (Perotti, Giovanni Agostino) for voices, organ and strings |
1845 |
| Violin Concerto in B minor, P.A.2.3.6 (Torelli, Giuseppe) for violin and orchestra |
|
| Sinfonia in C major, KapM Jiranek 1 (Jiránek, František) for orchestra |
|
| Teofane (Lotti, Antonio) for 8 voices and orchestra |
1719 |
| Sinfonia from Teofane (Lotti, Antonio) for 8 voices and orchestra |
|
| Selections: Instrumental Music from Aréthuse (Campra, André) for voices, mixed chorus and orchestra |
|
| Violin Concerto in E minor, TalA 6 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Vom Himmel hoch da komm' ich her (Knüpfer, Sebastian) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Wer wälzet uns den Stein (Rödel, J.E.) for voices and orchestra |
|
| Segne alle die dir fluchen, GWV 1147/22 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, orchestra and continuo |
1722 |
| Was betrübst du dich meine Seele, GWV 1134/53 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1753 |
| Singet Gott lobsinget seinem Namen, GWV 1101/37 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1737 |
| Bassoon Concerto in F major, KapM Jiranek 18 (Jiránek, František) for bassoon, strings and continuo |
|
| Bassoon Concerto in C major, KapM Jiranek 19 (Jiránek, František) for bassoon, strings and continuo |
|
| Oboe Concerto in F major, K.293/416f (Mozart, Wolfgang Amadeus) for oboe and orchestra |
|
| Galimathias musicum, K.32 (Mozart, Wolfgang Amadeus) for orchestra |
1766 |
| Singet Gott lobsinget seinem Namen, GWV 1101/44 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1744 |
| In Zion tönen Freudenchöre, GWV 1101/46 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1746 |
| Kommet lasset uns anbeten, GWV 1101/40 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1740 |
| Les noces, K040 (Stravinsky, Igor) for soprano, mezzosoprano, tenor, bass, mixed chorus, percussion and 4 pianos |
|
| L'histoire du soldat, K029 (Stravinsky, Igor) for narrator, clarinet, bassoon, cornet, trombone, percussion, violin and double bass |
|
| Mache dich auf Gott, GWV 1106/40 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1740 |
| Frohlocke werte Christenheit, GWV 1105/45 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1745 |
| Was willst du dich betrüben, GWV 1103/42 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1742 |
| Allemande in A minor, EngK 74 (Kirnberger, Johann Philipp) for harpsichord |
1750 |
| Wache auf meine Ehre, GWV 1101/12 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1712 |
| Ein König der die Armen, GWV 1101/49 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1749 |
| Der Herr wird König sein, GWV 1101/36 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1736 |
| Der Herr ist König und herrlich geschmückt, GWV 1101/30 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1730 |
| Gott eilet mit den Seinen, GWV 1157/24 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
1724 |
| Ach Jesus' Stunde ist gekommen, GWV 1126/34 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1734 |
| Toccata in F-sharp minor, BWV 910 (Bach, Johann Sebastian) for keyboard |
|
| O Mensch verachtest du den Reichtum, GWV 1124/35 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1735 |
| Herr der König freuet sich in deiner Kraft, GWV 1165/35 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1735 |
| Der Herr ist Hirt, GWV 1132/35 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1735 |
| 5 Kleine Präludien, BWV 939-943 (Bach, Johann Sebastian) for keyboard |
|
| Vergib deinem Nächsten, GWV 1163/45 (Graupner, Christoph) for mixed chorus, strings and continuo |
1745 |
| Das Gesetz des Herrn ist ohne Wandel, GWV 1118/31 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1731 |
| Siehe ich komme im Buch ist von mir, GWV 1119/31 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1731 |
| Fugue in A major, BWV 949 (Bach, Johann Sebastian) for keyboard |
|
| Fugue in A major, BWV 949 (Bach, Johann Sebastian) for keyboard |
|
| Der Sieg ist da, GWV 1128/43 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1743 |
Harpsichord Concerto in G minor, H.442 (Bach, Carl Philipp Emanuel) for harpsichord and strings
harpsichord and orchestra |
|
Harpsichord Concerto in G minor, H.442 (Bach, Carl Philipp Emanuel) for harpsichord and strings
harpsichord and orchestra |
|
| Suite in E major, BWV 1006a (Bach, Johann Sebastian) for lute |
1700 |
| Harpsichord Concerto in F major, H.443 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
1755 |
| Harpsichord Concerto in F major, H.443 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in F major, H.443 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Prelude in C minor, BWV 999 (Bach, Johann Sebastian) for lute |
|
| Suite in G minor, BWV 995 (Bach, Johann Sebastian) for lute |
|
| Suite in E minor, BWV 996 (Bach, Johann Sebastian) for lautenwerck |
|
| Suite in E minor, BWV 996 (Bach, Johann Sebastian) for lautenwerck |
|
| Suite in C minor, BWV 997 (Bach, Johann Sebastian) for lute and lautenwerck |
|
| Suite in C minor, BWV 997 (Bach, Johann Sebastian) for lute and lautenwerck |
1836 |
| Meine Lieben wir sind nun Gottes Kinder, GWV 1126/35 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1735 |
| Es stehen Jesus Augen offen, GWV 1123/42 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1742 |
| Du kleine Herde freue dich, GWV 1136/42 (Graupner, Christoph) for soprano, tenor, bass, strings and continuo |
1742 |
| Auf gehet dem Höchsten mit Danken, GWV 1109/35 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1735 |
| Trio Sonata in B-flat major, GWV 217 (Graupner, Christoph) for flute, viola damore and continuo |
1735 |
| Trio Sonata in D major, GWV 204 (Graupner, Christoph) for 2 violins and continuo |
1700 |
| Trio Sonata in D minor, GWV 207 (Graupner, Christoph) for flute, viola damore and continuo |
1700 |
| Wir haben einen Gott der da hilft, GWV 1165/24 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, strings and continuo |
1724 |
| Violin Sonata in G major, BWV 1021 (Bach, Johann Sebastian) for violin and continuo |
|
| Fürwahr er trug unsre Krankheit, GWV 1119/25 (Graupner, Christoph) for tenor and orchestra |
1700 |
| Violin Sonata in C minor, BWV 1024 (Bach, Johann Sebastian) for violin and continuo |
|
| Freude Freude über Freude, GWV 1128/35 (Graupner, Christoph) for voices and orchestra |
1735 |
| Violin Sonata in E minor, BWV 1023 (Bach, Johann Sebastian) for violin and continuo |
|
| Die Nacht ist vergangen, GWV 1101/22 (Graupner, Christoph) for 2 sopranos, tenor, bass and orchestra |
1722 |
| Die Nacht ist vergangen, GWV 1101/22 (Graupner, Christoph) for 2 sopranos, tenor, bass and orchestra |
1722 |
| Die Andacht fragt nach dir, GWV 1111/42 (Graupner, Christoph) for tenor, bass, strings and continuo |
1742 |
| 12 Sinfonie da chiesa, Op. 1 (Fioré, Andrea Stefano) for 2 violins, cello and continuo |
|
| Selections (Nos.2, 4, 5, 6) from 6 Trio Sonatas, Op. 6 (Gianotti, Pietro) for 2 violins and continuo |
|
| Trio Sonata in G major, BWV 1039 (Bach, Johann Sebastian) for 2 flutes and continuo |
|
| Trio Sonata in C major, DürG 13 (Goldberg, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in C major, DürG 13 (Goldberg, Johann Gottlieb) for 2 violins and continuo |
|
| Arrangement of Trio Sonata in C major, DürG 13 (Goldberg, Johann Gottlieb) for violin and harpsichord |
|
| Fiori Musicali, Op. 12 (Frescobaldi, Girolamo) for organ |
|
| Trio Sonata in G major, BWV 1038 (Bach, Johann Sebastian) for flute, violin and continuo |
1732 |
| Arrangement of Trio Sonata in G major, BWV 1038 (Bach, Johann Sebastian) for violin and harpsichord |
|
| Flute Sonata in B minor, BWV 1030 (Bach, Johann Sebastian) for flute and harpsichord |
1700 |
| Flute Sonata in B minor, BWV 1030 (Bach, Johann Sebastian) for flute and harpsichord |
|
| Flute Sonata in B minor, BWV 1030 (Bach, Johann Sebastian) for flute and harpsichord |
|
| Flute Sonata in B minor, BWV 1030 (Bach, Johann Sebastian) for flute and harpsichord |
|
| Flute Sonata in E-flat major, H.545 (Bach, Carl Philipp Emanuel) for flute and harpsichord |
1700 |
| Flute Sonata in C major, BWV 1033 (Bach, Johann Sebastian) for flute and continuo |
1731 |
| Flute Sonata in E minor, BWV 1034 (Bach, Johann Sebastian) for flute and continuo |
|
| Flute Sonata in E minor, BWV 1034 (Bach, Johann Sebastian) for flute and continuo |
|
2 Arias (Mysliveček, Josef) for soprano and orchestra
tenor and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
| Soliman den Anden (Sarti, Giuseppe) for voices and orchestra |
|
O anima mea (Leonarda, Isabella) for continuo and 2 sopranos
soprano, tenor and continuo
2 tenors and continuo |
|
| String Quartet in A major, K.Anh.72/464a (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
|
| Clarinet Quintet, K.Anh.91 (Mozart, Wolfgang Amadeus) for clarinet, 2 violins, viola and cello |
1700 |
| Compositions for Oboe and Piano (Bendix, Victor) for oboe and piano |
1863 |
| Sinfonia à 7 viole (Tunder, Franz) for 7 viols |
1664 |
| Qui non diligit te (Brossard, Sébastien de) for soprano, 2 viols and continuo |
|
| 24 Songs, StWV 91 (Sterkel, Johann Franz Xaver) for voice and piano |
|
| Violin Concerto, TWV 51:F4 (Telemann, Georg Philipp) for violin and orchestra |
1730 |
Sonata à 4, TWV 43:d1 (Telemann, Georg Philipp) for 2 flutes, recorder and continuo
2 flutes, bassoon and continuo
2 flutes, cello and continuo |
|
| Sonata à 4, TWV 43:e2 (Telemann, Georg Philipp) for flute, violin, cello and continuo |
|
| Concerto for Flute, Violin and Cello, TWV 53:A2 (Telemann, Georg Philipp) for flute, violin, cello, strings and continuo |
|
| Concerto for Strings in G minor, RV 154 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Duo for 2 Flutes, WoO 26 (Beethoven, Ludwig van) for 2 flutes |
1792 |
| I. Ouverture from Suite No. 4, Op. 129 (Lachner, Franz Paul) for orchestra |
1854 |
| Double Bass Concerto No. 1 in G major (Keyper, Franz Joseph) for double bass and orchestra |
1786 |
| Double Bass Concerto No. 2 in G major (Keyper, Franz Joseph) for double bass and orchestra |
|
| Double Bass Concerto No. 3 in C major (Keyper, Franz Joseph) for double bass and orchestra |
|
| Double Bass Concerto No. 4 in G major (Keyper, Franz Joseph) for double bass and orchestra |
|
| Double Bass Concerto No. 5 in G major (Keyper, Franz Joseph) for double bass and orchestra |
|
| Double Bass Concerto No. 6 in C major (Keyper, Franz Joseph) for double bass and orchestra |
1803 |
| Double Bass Concerto No. 7 in G major (Keyper, Franz Joseph) for double bass and orchestra |
1804 |
| Harp Concerto in G major (Keyper, Franz Joseph) for harp and orchestra |
|
Rondo for Double Bass and Cello in G major (Keyper, Franz Joseph) for cello and double bass
viola and double bass |
1700 |
| Allegro (No.1) (Dietrich) from F-A-E Sonata (Various) for violin and piano |
|
| Intermezzo (No.2) (Schumann) from F-A-E Sonata (Various) for violin and piano |
|
| Finale (No.4) (Schumann) from F-A-E Sonata (Various) for violin and piano |
|
| Agnese (Paër, Ferdinando) for voices and orchestra |
|
| Agnese (Paër, Ferdinando) for voices and orchestra |
|
| Agnese (Paër, Ferdinando) for voices and orchestra |
|
| 11 Anglaises (Croubelis, Simoni dall) for 2 flutes, 2 violins and continuo |
|
| Sørge-Cantate ved Christi Grav (Scheibe, Johann Adolph) for voices, mixed chorus and orchestra |
1769 |
| Sørge-Cantate ved Christi Grav (Scheibe, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Sørge-Cantate ved Christi Grav (Scheibe, Johann Adolph) for voices, mixed chorus and orchestra |
1943 |
| Vor harpe er bleven til sorrig (Scheibe, Johann Adolph) for voices, mixed chorus and orchestra |
1768 |
| Vor harpe er bleven til sorrig (Scheibe, Johann Adolph) for voices, mixed chorus and orchestra |
1770 |
| Violin Concerto in G major (Holzbauer, Ignaz) for violin, strings and continuo |
|
| Das Halleluja der Schöpfung (Kunzen, Friedrich Ludwig Aemilius) for voices, mixed chorus and orchestra |
|
| Das Halleluja der Schöpfung (Kunzen, Friedrich Ludwig Aemilius) for voices, mixed chorus and orchestra |
|
| Symphony in D major, ZakP 17 (Pichl, Vaclav) for orchestra |
|
| 6 Violin Duos (Croubelis, Simoni dall) for 2 violins |
|
| Concerto for 2 Flutes in D major (Croubelis, Simoni dall) for 2 flutes and orchestra |
|
Divertimento in D major (Croubelis, Simoni dall) for 2 oboes, 2 horns and strings
2 flutes, 2 horns and strings |
|
| Duo champêtre for 2 Flutes in D minor (Croubelis, Simoni dall) for 2 flutes |
|
| Flute Concerto in G major 1 (Croubelis, Simoni dall) for flute and orchestra |
|
| Christus der ist mein Leben, TWV 1:138 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 6 Divertissements for Harpsichord and Flute (Croubelis, Simoni dall) for flute and harpsichord |
|
Divertimento in A major, S.113 (Dušek, František Xaver) for 2 violins, viola and cello
2 violins, viola and double bass |
|
| Kyrie in G major, 1765 (Valli, Pietro) for soprano, alto, tenor, bass, 2 oboes, 2 horns, strings and continuo |
|
| Symphony in D major (Mysliveček, Josef) for orchestra |
|
| 6 Quartets (Croubelis, Simoni dall) for flute, violin, viola and cello |
|
| Sinfonie Périodique No. 2 in E-flat major (Gyrowetz, Adalbert) for orchestra |
|
| 6 Sonatas for 2 Flutes (Croubelis, Simoni dall) for 2 flutes |
|
| Flute Concerto in G major 2 (Croubelis, Simoni dall) for flute and orchestra |
|
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1769 |
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1780 |
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Leiden des Erlösers, H.776 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Harpsichord Sonata in B-flat major, S.742 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in B-flat major, S.742 (Marcello, Benedetto) for harpsichord |
|
| Chor til Concerten for de Blinde (Weyse, Christoph Ernst Friedrich) for mixed chorus, 2 flutes, 2 clarinets, 2 bassoons, 2 horns and piano |
|
| Quintetto di un ognuno (Mascia, Giuseppe) for flute, bassoon, violin, viola and cello |
1800 |
10 Trios (Croubelis, Simoni dall) for 2 flutes and continuo
flute, violin and continuo
3 flutes |
|
| String Quintet, Op. 107 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
1867 |
| String Quintet, Op. 102 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
1867 |
String Quintet, Op. 100 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos
2 violins, viola, cello and double bass |
|
| String Quintet, Op. 109 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
1868 |
| String Quintet, Op. 54 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
|
| String Quintet, Op. 54 (Mascia, Giuseppe) for 2 violins, viola and 2 cellos |
1800 |
| Quartet I, 'Le bien venu de Monsieur le Chambelan de Giedde' (Croubelis, Simoni dall) for flute, violin, viola and cello |
|
| String Quintet, Op. 40a (Mascia, Giuseppe) for 2 violins, 2 violas and cello |
|
| 3 String Quartets, Op. a110 (Mascia, Giuseppe) for 2 violins, viola and cello |
1869 |
| Flute Sonata, A 503 (Donizetti, Gaetano) for flute and piano |
1819 |
| Hymne patriotique (Méhul, Etienne Nicolas) for mixed chorus and orchestra |
|
| C major version from Concerto for Flute, Oboe and Bassoon (Reichardt, Johann Friedrich) for flute, oboe, bassoon and orchestra |
|
| C major version from Concerto for Flute, Oboe and Bassoon (Reichardt, Johann Friedrich) for flute, oboe, bassoon and orchestra |
|
| D major version from Concerto for Flute, Oboe and Bassoon (Reichardt, Johann Friedrich) for flute, oboe, bassoon and orchestra |
|
| Violin Concerto in A major (Vodička, Václav) for violin and strings |
1783 |
| Flute Concerto in G major (Righini, Vincenzo) for flute and orchestra |
|
| Bella movet Israel bella terris (Förster, Kaspar) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| Concerto Bravoure for Flute in D major (Klöffler, Johann Friedrich) for flute and orchestra |
|
| Concerto Bravoure for Flute in D major (Klöffler, Johann Friedrich) for flute and orchestra |
|
| Flute Concerto in D major No. 1 (Klöffler, Johann Friedrich) for flute and orchestra |
|
| Ti seguirò con l'alma (Stradella, Alessandro) for voice, strings and continuo |
|
| Trio Sonata in D major (Holzbauer, Ignaz) for flute, violin and continuo |
|
| Trio Sonata in G major (Holzbauer, Ignaz) for flute, violin and continuo |
|
| Duet for Violin and Cello in C major (Hofmann, Leopold) for violin and cello |
|
| Flute Concerto in D major, GroF 440 (Hoffmeister, Franz Anton) for flute and orchestra |
|
| 7 Concerti (Valentini, Giuseppe) for 2 horns, 2 violins and continuo |
|
| Prokris und Cephalus (Scheibe, Johann Adolph) for soprano, tenor and orchestra |
1747 |
| Trio Sonata in F major, H.576 (Bach, Carl Philipp Emanuel) for 2 violins and continuo |
1700 |
12 Polonaises, F.12 (Bach, Wilhelm Friedemann) for keyboard
clavichord |
|
12 Polonaises, F.12 (Bach, Wilhelm Friedemann) for keyboard
clavichord |
1700 |
| Violin Sonata in C minor, Schrank II/34/53 (Anonymous) for violin and continuo |
|
| Violin Sonata in A minor, Schrank II/34/84 (Anonymous) for violin and continuo |
|
| Symphony No. 5, Op. 100 (Prokofiev, Sergey) for orchestra |
|
| Symphony No. 5, Op. 100 (Prokofiev, Sergey) for orchestra |
|
| Oboe Concerto in C major, Hob.VIIg:C1 (Haydn, Joseph) for oboe and orchestra |
|
| Mozart (Hahn, Reynaldo) for voices and orchestra |
1925 |
| Fugue in E minor, EngK 35 (Kirnberger, Johann Philipp) for keyboard |
|
| Arrangement of Selections from Fanchon das Leyermädchen (Himmel, Friedrich Heinrich) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trumpet and double bass |
|
| Arrangement of Selections from Fanchon das Leyermädchen (Himmel, Friedrich Heinrich) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Walz from Arrangement of Walz from Fanchon das Leyermädchen (Himmel, Friedrich Heinrich) for piano |
|
Sonata No.3 in C major from 6 Trio Sonatas (Deller, Florian Johann) for 2 violins and continuo
2 violins and continuo
2 violins and cello |
|
| Ecce sacerdos magnus, WAB 13 (Bruckner, Anton) for mixed chorus, 3 trombones and organ |
1905 |
| Ecce sacerdos magnus, WAB 13 (Bruckner, Anton) for mixed chorus, 3 trombones and organ |
|
| Ecce quomodo moritur iustus (Handl, Jacob) for 4 voices |
|
| Adelasia e Aleramo (Mayr, Giovanni Simone) for voices, mixed chorus and orchestra |
|
| Ginevra di Scozia (Mayr, Giovanni Simone) for voices and orchestra |
|
| Flute Sonata in G major (Patoni, Giovanni Battista) for flute and continuo |
|
| Trio Sonata in G major (Freithoff, Johan Henrik) for 2 violins and continuo |
|
| Notturno in E major (Freithoff, Johan Henrik) for 2 violins and continuo |
|
| 6 Flute Duets (Cannabich, Christian) for 2 flutes |
|
3 Sonatas for Keyboard and Flute (Tromlitz, Johann George) for flute and harpsichord
flute and piano
violin and harpsichord
violin and piano
flute, cello and harpsichord
flute, cello and piano
violin, cello and harpsichord
violin, cello and piano |
|
| Artemisia (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Sinfonia from Artemisia (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| La gara amorosa, S.498 (Marcello, Benedetto) for soprano, alto, tenor, strings and continuo |
|
| Flute Sonata in G major (Freithoff, Johan Henrik) for flute and continuo |
|
| Notturno in B-flat major (Freithoff, Johan Henrik) for 2 violins and continuo |
|
| Violin Sonata in E major (Freithoff, Johan Henrik) for violin and continuo |
|
Sonata No.7 in F major from 12 Violin Sonatas, Op. 1 (Leclair, Jean-Marie) for violin and continuo
flute and continuo |
|
| Sinfonia in G major (Cannabich, Christian) for orchestra |
|
10 Flute Sonatas (Ræhs, Martin) for flute and cello
flute and continuo |
|
| 6 Flute Partitas (Tromlitz, Johann George) for flute |
|
Flute Concerto No. 3 in E-flat major (Vanhal, Johann Baptist) for flute and orchestra
oboe and orchestra |
|
| 6 Trio Sonatas (Jommelli, Niccolò) for 2 flutes and continuo |
|
| Flute Sonata in D major (Hasse, Johann Adolph) for flute and continuo |
|
Concerto No.1 in G major from 7 Concertos (Lebrun, Ludwig August) for oboe and strings
oboe and orchestra
flute and strings |
|
Concerto No.2 in C major from 7 Concertos (Lebrun, Ludwig August) for oboe and strings
oboe and orchestra
flute and strings |
|
6 Flute Sonatas, Op. 1 (Bon, Anna) for flute and continuo
flute and cello |
|
| Ezio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Ezio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from Ezio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Ezio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Flute Concerto in D major No. 2 (Klöffler, Johann Friedrich) for flute and orchestra |
|
| Grave Sostenuto from Quartet for Solo Violin (Bull, Ole) for violin |
1837 |
| 6 Flute Duets (Klöffler, Johann Friedrich) for 2 flutes |
|
| L'amore artigiano (Latilla, Gaetano) for 7 voices and orchestra |
|
| L'amore artigiano (Latilla, Gaetano) for 7 voices and orchestra |
|
| Symphony in B-flat major, Bb5 (Hofmann, Leopold) for orchestra |
|
| Flute Quintet in D major, VB 188 (Kraus, Joseph Martin) for flute, 2 violins, viola and cello |
|
| Symphony in C major, C1 (Hofmann, Leopold) for orchestra |
|
| Sinfonia from Merope (Latilla, Gaetano) for 7 voices and orchestra |
|
| Sinfonia from Merope (Latilla, Gaetano) for 7 voices and orchestra |
1763 |
Sonata for 3 Violins in D major (Keiser, Reinhard) for 3 violins
3 sopranos
3 flutes |
|
| Fugue in E-flat minor (Feininger, Lyonel) for piano |
1921 |
Quintet in E-flat major (Klöffler, Johann Friedrich) for flute, violin, 2 violas and cello
flute, bassoon, violin and 2 violas |
|
| Symphony in C major, C2 (Hofmann, Leopold) for orchestra |
|
| Symphony in D major, D9 (Hofmann, Leopold) for orchestra |
|
| Symphony in E-flat major, DTB 3/1 Es 1 (Holzbauer, Ignaz) for orchestra |
|
| Symphony in F major, DTB 3/1 F 4 (Holzbauer, Ignaz) for orchestra |
|
| Sinfonia from La donna Girandola (Perillo, Salvatore) for |
1763 |
| Brockes-Passion (Keiser, Reinhard) for voices, mixed chorus and orchestra |
|
| Flute Quartet in D major (Klöffler, Johann Friedrich) for flute, violin, viola and cello |
|
| 6 Sonatas for 2 Flutes (Hofmann, Leopold) for 2 flutes |
|
Symphony No.5 in Bmajor from 6 Symphonies, Op. 2 (Holzbauer, Ignaz) for strings and continuo
orchestra |
|
| Ouverture in A minor (Kunzen, Adolph Carl) for orchestra |
|
| Commentary by G. Schubuhr from Über die Theorie der Musik (Forkel, Johann Nikolaus) for |
|
| Rondo from Arrangement of Rondo from Der dreyfache Liebhaber (Kunzen, Friedrich Ludwig Aemilius) for clarinet and orchestra |
1954 |
| Ouverture in D major (Kunzen, Friedrich Ludwig Aemilius) for orchestra |
|
| Sinfonia in F major (Latilla, Gaetano) for orchestra |
|
| Vinhøsten eller Hvem fører Bruden hjem (Kunzen, Friedrich Ludwig Aemilius) for voices and orchestra |
|
| Ouverture in C major (Kunzen, Friedrich Ludwig Aemilius) for orchestra |
|
| Ouverture in C major (Kunzen, Friedrich Ludwig Aemilius) for orchestra |
|
| Flute Sonatas, Sonatinas and Rondos (Tromlitz, Johann George) for flute and continuo |
|
3 Sonatas for Flute and Keyboard (Tromlitz, Johann George) for flute and harpsichord
flute and piano
violin and harpsichord
violin and piano |
|
| 3 Chorales (Kunzen, Adolph Carl) for keyboard |
|
Sammling af 60 yndede Melodier (Various) for violin
flute |
|
| The Blind Boy (Stanley, John) for voice and continuo |
|
| The Blind Boy (Stanley, John) for voice and continuo |
|
Suite in E minor, BuxWV 235 (Buxtehude, Dietrich) for keyboard
organ
harpsichord |
1712 |
| Gross ist Gott! (Spazier, Karl) for mixed chorus |
|
| Selected Arias (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections: "Görer portarna vida" from Arrangement of Selections: "Görer portarna vida" from Musicus Apparatus Academicus (Croft, William) for |
|
| Complete (1751 Version) from L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Complete (1751 Version) from L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Complete (Never produced version) from L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
1700 |
| L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from L'Ipermestra (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Poche ma buone (Paër, Ferdinando) for voices and orchestra |
|
| Ouverture from Poche ma buone (Paër, Ferdinando) for voices and orchestra |
|
Jephte (Carissimi, Giacomo) for 2 sopranos, alto, tenor, bass and continuo
mixed chorus and continuo |
|
Jephte (Carissimi, Giacomo) for 2 sopranos, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| Achille (Paër, Ferdinando) for voices, mixed chorus and orchestra |
|
| Aline, Reine de Golconde (Berton, Henri-Montan) for voices and orchestra |
|
| L'Amant anonime (Saint-Georges, Joseph Bologne) for voices, mixed chorus and orchestra |
|
| 3 Compositions for Organ (Parker, Horatio) for organ |
1800 |
| Roberto Devereux (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Requiem (Chadwick, George Whitefield) for organ |
1895 |
| 6 Flute Sonatas, Giedde I.19 (Quantz, Johann Joachim) for flute and continuo |
|
Gleichwie das Feuer (Schildt, Melchior) for organ
keyboard |
|
| Pavana lachrymae (Schildt, Melchior) for keyboard |
|
| Beatus vir qui timet Dominum (Förster, Kaspar) for soprano, alto, bass, 2 violins and continuo |
|
| Ad arma fideles (Förster, Kaspar) for 2 sopranos, bass, organ and continuo |
|
| Ah peccatores graves (Förster, Kaspar) for 2 sopranos, alto, 2 tenors, bass, 2 violins, 2 violas and continuo |
|
| Overture from Les mousquetaires de la reine (Halévy, Fromental) for voices, mixed chorus and orchestra |
|
| Mass in B-flat major, Hob.XXII:10 (Haydn, Joseph) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1796 |
| Sinfonia in D major (Boroni, Antonio) for orchestra |
|
| Spring Greeting (Allen, Nathan Hale) for organ |
1800 |
| Selections (Nos.4-6) from 6 Flute Trios (Hoffmeister, Franz Anton) for flute, violin and cello |
|
Suite in E minor, BuxWV 236 (Buxtehude, Dietrich) for keyboard
organ
harpsichord |
1712 |
| Flute Duet in D major (Hoffmeister, Franz Anton) for 2 flutes |
|
| Trio for 2 Flutes and Cello in D major, Op. 7 No. 1 (Hoffmeister, Franz Anton) for 2 flutes and cello |
|
| Wachet, betet, seid bereit allezeit!, BWV 70a (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 6 Flute Sonatas (Ruge, Filippo) for flute and continuo |
|
| Concerto for 2 Flutes, GroF 446 (Hoffmeister, Franz Anton) for 2 flutes and orchestra |
|
| Ich will den Kreuzweg gerne gehen, TWV 1:884 (Telemann, Georg Philipp) for bass, violin and continuo |
|
5 Quartets (Janitsch, Johann Gottlieb) for 2 violins, viola and continuo
oboe, violin, viola and continuo
flute, violin, viola and continuo
flute, 2 violas and continuo |
|
| Flute Quartet in F major (Vanhal, Johann Baptist) for flute, violin, viola and cello |
|
| Flute Sonata in G major (Ruge, Filippo) for flute and continuo |
|
| 6 Flute Duets (Ruge, Filippo) for 2 flutes |
|
| Symphony in G major, Bryan G10 (Vanhal, Johann Baptist) for orchestra |
|
Sonata No.1 in C minor from 3 Sonate da Camera, Op. 1 (Janitsch, Johann Gottlieb) for flute, oboe, viola and continuo
flute, violin, viola and continuo
2 flutes, viola and continuo |
|
| Flute Concerto in B minor, QV 5:Anh.26 (Quantz, Johann Joachim) for flute and strings |
|
| 8 Flute Sonatas, Giedde I.13 (Quantz, Johann Joachim) for flute and continuo |
|
| 6 Flute Sonatas, Giedde I.20 (Quantz, Johann Joachim) for flute and continuo |
|
| Seele, lerne dich erkennen, TWV 1:1258 (Telemann, Georg Philipp) for voice, recorder and continuo |
|
| Wandelt in der Liebe, TWV 1:1498 (Telemann, Georg Philipp) for voice, flute and continuo |
|
| 8 Capriccios, Giedde I.17 (Quantz, Johann Joachim) for flute |
|
| 6 Flute Sonatinas (Eisel, Johann Philipp) for flute and continuo |
|
| Schmecket und sehet unsres Gottes Freundlichkeit, TWV 1:1252 (Telemann, Georg Philipp) for voice, oboe and continuo |
|
| Te Deum from Arrangement of Te Deum from The Booke of Common Praier Noted (Merbecke, John) for voices and organ |
1917 |
| L'incontro improvviso, Hob.XXVIII:6 (Haydn, Joseph) for voices, mixed chorus and orchestra |
1775 |
| Ouverture / Sinfonia from L'incontro improvviso, Hob.XXVIII:6 (Haydn, Joseph) for voices, mixed chorus and orchestra |
1700 |
| Ouverture / Sinfonia from L'incontro improvviso, Hob.XXVIII:6 (Haydn, Joseph) for voices, mixed chorus and orchestra |
|
| Dal sigre ahi mia (Scarlatti, Alessandro) for mezzosoprano and continuo |
|
| Wünschet Jerusalem Glück, TWV 1:1726 (Telemann, Georg Philipp) for mixed chorus and orchestra |
|
| Courant Saraband (Radeck, Johann Rudolf) for keyboard |
|
| I tré amanti ridicoli (Galuppi, Baldassare) for voices and orchestra |
|
| Chi non ode e chi non vede, P.117 (Pergolesi, Giovanni Battista) for mezzosoprano, strings and continuo |
|
| Chi non ode e chi non vede, P.117 (Pergolesi, Giovanni Battista) for mezzosoprano, strings and continuo |
|
Incomplete from 12 Quartets (Toeschi, Carl Joseph) for flute, violin, viola and cello
2 violins, viola and cello |
|
Quartet No.6 in C major from 12 Quartets (Toeschi, Carl Joseph) for flute, violin, viola and cello
2 violins, viola and cello |
|
Quartet No.7 in D major from 12 Quartets (Toeschi, Carl Joseph) for flute, violin, viola and cello
2 violins, viola and cello |
|
Incomplete from 5 Quartets (Toeschi, Carl Joseph) for flute, violin, viola and cello
2 violins, viola and cello |
|
Quartet No.2 in D major from 5 Quartets (Toeschi, Carl Joseph) for flute, violin, viola and cello
2 violins, viola and cello |
|
| Attalo (Galuppi, Baldassare) for voices and orchestra |
|
| Attalo (Galuppi, Baldassare) for voices and orchestra |
|
| Sinfonia from Attalo (Galuppi, Baldassare) for voices and orchestra |
1755 |
| Ich muss im Leben immer wandeln, TWV 1:852 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo |
|
| Singet dem Herrn, TWV 1:1748 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Singet dem Herrn, TWV 1:1748 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Singet dem Herrn, TWV 1:1748 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
Englische Mascarada oder Judentanz, WV 108 (Scheidemann, Heinrich) for organ
harpsichord |
1642 |
| Bella d'amore nemiche (Bernardi, Bartolomeo) for soprano and continuo |
|
| Sorte era l'alba (Bernardi, Bartolomeo) for soprano and continuo |
|
Flute Sonata in G major, WV 514 (Wagenseil, Georg Christoph) for flute and continuo
flute and cello |
|
| 12 Flute Sonatas (Frederick II) for flute and continuo |
|
Engellischer Mascharada (Radeck, Johann Rudolf) for organ
keyboard |
|
| In Christo Jesu gilt weder Beschneidung, TWV 1:930 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
|
| Es ist ein köstlich Ding, TWV 1:504 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Es ist ein köstlich Ding, TWV 1:504 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| 2 Sextets (Toeschi, Carl Joseph) for flute, oboe, bassoon, violin, viola and cello |
|
| Symphony in F major 'Urbs Roma' (Saint-Saëns, Camille) for orchestra |
1856 |
| Hirt und Bischof unsrer Seelen, TWV 1:805 (Telemann, Georg Philipp) for voice, violin and continuo |
|
| Hirt und Bischof unsrer Seelen, TWV 1:805 (Telemann, Georg Philipp) for voice, violin and continuo |
|
| Meine Seele soll verzagen, TWV 1:deest (Telemann, Georg Philipp) for bass, 2 oboes, strings and continuo |
|
| Die Auferstehung und Himmelfahrt Jesu, TWV 6:6 (Telemann, Georg Philipp) for voices and orchestra |
|
| Wollen wir nicht eins musiciren? (Telemann, Georg Philipp) for 2 violins, continuo and bass |
|
| Duet for 2 Flutes, TWV 42:fis1 (Telemann, Georg Philipp) for 2 flutes |
|
| Duet for 2 Flutes, TWV 42:e13 (Telemann, Georg Philipp) for 2 flutes |
|
| Hier finde ich ein unvergleichlich Stücke (Telemann, Georg Philipp) for 2 violins, continuo and bass |
|
| Ouverture from Il Ritorno di Tobia, Hob.XXI:1 (Haydn, Joseph) for voices, mixed chorus and orchestra |
|
| Piece in F major, K.33b (Mozart, Wolfgang Amadeus) for piano |
1766 |
Messe Solennelle No. 3, Op. 11 (Guilmant, Alexandre) for soprano, tenor, bass, mixed chorus and orchestra
soprano, tenor, bass, mixed chorus and organ |
1893 |
Concerto No.1 in F major from 6 Keyboard Concertos (Wagenseil, Georg Christoph) for 2 violins, harpsichord and continuo
2 violins, organ and continuo
harpsichord, strings and continuo
organ, strings and continuo |
|
Concerto No.2 in C major from 6 Keyboard Concertos (Wagenseil, Georg Christoph) for 2 violins, harpsichord and continuo
2 violins, organ and continuo
harpsichord, strings and continuo
organ, strings and continuo |
|
| Arrangement of Grand Sonata in B-flat major for Keyboard, Violin and Cello (Elsner, Józef) for 2 keyboards |
|
| On Improvisation at the Piano (Braithwaite, Walter Heurtley) for piano |
|
| On Improvisation at the Piano (Braithwaite, Walter Heurtley) for piano |
|
| 6 Duets for Violin and Cello (Campioni, Carlo Antonio) for violin and cello |
|
| Symphony in A major (Saint-Saëns, Camille) for orchestra |
1850 |
| Symphony in A major (Saint-Saëns, Camille) for orchestra |
1850 |
| Symphony No. 7, Op. 121 (Spohr, Louis) for 2 orchestras |
|
| Arrangement of Symphony No. 7, Op. 121 (Spohr, Louis) for flute, 3 violins, 2 violas, 3 cellos and double bass |
|
| Arrangement of Symphony No. 9, Op. 143 (Spohr, Louis) for flute, 3 violins, viola, 2 cellos and double bass |
|
| Der Stern von Bethlehem, Op. 164 (Rheinberger, Josef Gabriel) for voices, mixed chorus and orchestra |
|
| Symphony No. 10 in D major (Fodor, Carel Anton) for orchestra |
|
2 Piano Sonatas, Op. 8 (Cramer, Johann Baptist) for keyboard
piano
harpsichord |
1832 |
| Andante in D major (Lachner, Franz Paul) for orchestra |
1800 |
| Fantasia per oboe sopra lo spartito dei Masnadieri (Belpasso, Giovanni Battista) for oboe and orchestra |
|
| Arrangement of Fantasia per oboe sopra lo spartito dei Masnadieri (Belpasso, Giovanni Battista) for oboe and piano |
|
| Fantasia per corno inglese sopra lo spartito dei Masnadieri (Belpasso, Giovanni Battista) for English horn and orchestra |
|
| Manfredi trovatore (Cordella, Giacomo) for voices, mixed chorus and orchestra |
|
Overture from Arrangement of Overture from Le Huron (Grétry, André Ernest Modeste) for violin and harpsichord
violin and piano |
|
| L'ami de la maison (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
|
| Emma (Boieldieu, François Adrien) for voices, mixed chorus and orchestra |
|
| Anacréon chez Polycrate (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
|
| La somnambule (Hérold, Ferdinand) for orchestra |
|
| La somnambule (Hérold, Ferdinand) for orchestra |
|
| Concerto for Recorder and Viola da Gamba, TWV 52:a1 (Telemann, Georg Philipp) for recorder, viol, strings and continuo |
|
| Mina (Thomas, Ambroise) for voices, mixed chorus and orchestra |
1847 |
| Ines de Castro (Zingarelli, Niccolò Antonio) for voices and orchestra |
|
| Concerto for 2 Flutes in G major, G.1077 (Cimarosa, Domenico) for 2 flutes and orchestra |
1793 |
| Symphony in D major, Op. 25 (Kospoth, Otto Carl Erdmann) for orchestra |
|
| 6 Symphonies, Op. 3 (Rosetti, Antonio) for orchestra |
|
| Symphony in D major, Op. 12 (Kospoth, Otto Carl Erdmann) for orchestra |
|
| Oboe Concertino (Falcone, Luigi) for oboe and orchestra |
|
| Oboe Concertino (Falcone, Luigi) for oboe and orchestra |
|
| Fantasia on Verdi's 'I Lombardi' (Falcone, Luigi) for oboe and orchestra |
1849 |
| Divertimento sul Poliuto for Flute, Oboe and Piano (Cirillo, Vincenzo) for flute, oboe and piano |
1860 |
| Das ängstliche Harren der Kreatur wartet, GWV 1145/23 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1723 |
| Das hochbetrübte Fürstenhaus, GWV 1175/16b (Graupner, Christoph) for 2 sopranos, alto, tenor, bass and orchestra |
1716 |
| Freue dich und sei fröhlich du Tochter Zion, GWV 1101/20 (Graupner, Christoph) for 2 sopranos, tenor, bass, orchestra and continuo |
1720 |
| Fantasia in F major (Kittel, Johann Christian) for piano |
1789 |
| Arrangement of Chansons de mer (Widor, Charles-Marie) for voice and orchestra |
1903 |
Solfeggio in C major (Zinck, Hartenack Otto Conrad) for piano
clavichord |
|
Keyboard Sonata in C major (Zinck, Hartenack Otto Conrad) for piano
clavichord |
1785 |
Keyboard Sonata in D major (Zinck, Hartenack Otto Conrad) for piano
clavichord |
1785 |
| Songs, Op. 35 (Floridia, Pietro) for voice and piano |
1916 |
Divertimento in C major (Hiller, Johann Adam) for keyboard
clavichord
piano |
1790 |
| Die Israeliten in der Wüste, H.775 (Bach, Carl Philipp Emanuel) for voices, mixed chorus and orchestra |
|
| Miserere (Platti, Giovanni Benedetto) for soprano, alto, tenor, bass, oboe, strings and continuo |
|
| Fantasia in F major, H.279 (Bach, Carl Philipp Emanuel) for keyboard |
1785 |
| Keyboard Sonata in A major, H.270 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Rondo in F major, H.266 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Rondo in G major, H.271 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Alexander Nevsky (cantata), Op. 78 (Prokofiev, Sergey) for mezzosoprano, mixed chorus and orchestra |
|
| Fanfare from The Sea Hawk (Korngold, Erich Wolfgang) for orchestra |
|
| Arrangement of 6 Keyboard Concertos, Op. 13 (Bach, Johann Christian) for 2 harpsichords |
|
| Keyboard Sonata in E minor, H.281 (Bach, Carl Philipp Emanuel) for keyboard |
1785 |
| Das rote Käppchen, Kr.298 (Dittersdorf, Carl Ditters von) for voices and orchestra |
1824 |
| Faniska (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Overture from Faniska (Cherubini, Luigi) for voices, mixed chorus and orchestra |
1800 |
| Crux alma veneranda from Arrangement of Crux alma veneranda from Faniska (Cherubini, Luigi) for |
1816 |
| Athalie (Beck, Franz Ignaz) for voices, mixed chorus and orchestra |
|
| Athalie (Beck, Franz Ignaz) for voices, mixed chorus and orchestra |
|
12 Variations from Variations on 'God Save the King' (Forkel, Johann Nikolaus) for clavichord
piano |
|
| Scala per pianoforte (Paganini, Niccolò) for piano |
1829 |
| An Fanny (Haeser, August Ferdinand) for bass and piano |
|
| Maometto secondo (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Schottische Melodie (Joachim, Joseph) for violin |
1916 |
| Romeo and Juliet (1st suite), Op. 64bis (Prokofiev, Sergey) for orchestra |
|
| Selim og Mirza (Zinck, Hartenack Otto Conrad) for voices and orchestra |
|
| Selim og Mirza (Zinck, Hartenack Otto Conrad) for voices and orchestra |
|
| Dance: Tempo di Minuetto from Selim og Mirza (Zinck, Hartenack Otto Conrad) for voices and orchestra |
|
| 6 Liriche, Series 2 (Respighi, Ottorino) for voice and piano |
1905 |
| Daphnis et Eglé, RCT 34 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
|
| Concerto for 2 Violas, TWV 52:G3 (Telemann, Georg Philipp) for 2 violas, strings and continuo |
|
| Concerto for 2 Violas, TWV 52:G3 (Telemann, Georg Philipp) for 2 violas, strings and continuo |
|
| Faut-il chanter? (Delibes, Léo) for voice and piano |
1890 |
| Divertimento in B-flat major, Hob.II:46 (Haydn, Joseph) for 2 oboes, 3 bassoons, contrabassoon and 2 horns |
|
6 Sonate a tre strumenti (Delange, François) for 2 violins and continuo
flute, violin and continuo |
|
Sonata Nos.1-3 from 6 Sonate a tre strumenti (Delange, François) for 2 violins and continuo
flute, violin and continuo |
|
Sonata Nos.4-6 from 6 Sonate a tre strumenti (Delange, François) for 2 violins and continuo
flute, violin and continuo |
|
| Arrangement of Languir me fais (Sermisy, Claudin de) for lute |
1552 |
| Meditation (Allen, Nathan Hale) for organ |
1800 |
| String Quartet No. 3 in A-flat major, Op. 6 (Pappalardo, Salvatore) for 2 violins, viola and cello |
1835 |
| Double Bass Concerto (Scontrino, Antonio) for double bass and orchestra |
1908 |
| Arrangement of Double Bass Concerto (Scontrino, Antonio) for double bass and piano |
1908 |
| Symphony No. 3, Op. 153 (Raff, Joachim) for orchestra |
1869 |
| Melodia italiana (Giorgetti, Ferdinando) for violin and piano |
|
| Cantate Domino canticum novum, BuxWV 12 (Buxtehude, Dietrich) for 2 sopranos, bass and continuo |
|
| Cantate Domino canticum novum, BuxWV 12 (Buxtehude, Dietrich) for 2 sopranos, bass and continuo |
|
| String Quintet No. 1 in D major (Pappalardo, Salvatore) for 2 violins, 2 violas and cello |
1844 |
| String Quintet, Op. 81 (Pappalardo, Salvatore) for 2 violins, 2 violas and cello |
1878 |
| Tantum Ergo No. 4 in A-flat major, Op. 22 (Pappalardo, Salvatore) for baritone and orchestra |
1879 |
| String Quintet in E minor, Op. 103 (Mascia, Giuseppe) for 2 violins, 2 violas and cello |
|
| Vertice del Parnaso, Op. 86 (Pappalardo, Salvatore) for double bass |
1878 |
| Salve Regina No. 1 in B-flat major (Pappalardo, Salvatore) for tenor and orchestra |
|
| String Quartet in C minor, Op. 45 (Pappalardo, Salvatore) for 2 violins, viola and cello |
1879 |
| String Quintet No. 2 in G minor, Op. 25 (Pappalardo, Salvatore) for 2 violins, viola and 2 cellos |
1844 |
| Piano Trio in G minor, Op. 78 (Pappalardo, Salvatore) for violin, cello and piano |
1869 |
| Grand Duet for 2 Violins in C major, Op. 84 (Pappalardo, Salvatore) for 2 violins |
1877 |
| Grand Duet No. 1 for 2 Violins in D minor, Op. 11 (Pappalardo, Salvatore) for 2 violins |
1837 |
| String Quartet No. 1 in C major, Op. 4 (Pappalardo, Salvatore) for 2 violins, viola and cello |
|
| String Quartet No. 2 in G minor, Op. 5 (Pappalardo, Salvatore) for 2 violins, viola and cello |
|
| String Quintet in C major, Op. 104 (Mascia, Giuseppe) for 2 violins, 2 violas and cello |
|
| String Quintet in D minor, Op. 101 (Mascia, Giuseppe) for 2 violins, 2 violas and cello |
|
| String Quintet No. 1, Op. 39a (Mascia, Giuseppe) for 2 violins, 2 violas and cello |
|
| Tantum Ergo No. 3 in D major (Pappalardo, Salvatore) for tenor, mixed chorus and orchestra |
|
| Arrangement of Symphony No. 8, Op. 137 (Spohr, Louis) for flute, 3 violins, 2 violas, cello and double bass |
|
| Symphony No. 1 in D minor, Op. 75 (Martucci, Giuseppe) for orchestra |
1895 |
| Arrangement of Symphony No. 1 in D minor, Op. 75 (Martucci, Giuseppe) for piano 4 hands |
1896 |
| Arrangement of Symphony No. 1 in D minor, Op. 75 (Martucci, Giuseppe) for piano |
1889 |
| Nascondiglio (Mascia, Giuseppe) for 2 sopranos, tenor, 3 basses and orchestra |
|
| Samuel (Martucci, Giuseppe) for voices, mixed chorus and orchestra |
|
| Arrangement of Tema con variazioni, Op. 58 (Martucci, Giuseppe) for 2 pianos |
|
| Stabat Mater (Scarlatti, Alessandro) for soprano, alto, strings and continuo |
|
| Symphony No. 2 in F major, Op. 81 (Martucci, Giuseppe) for orchestra |
|
| Arrangement of Symphony No. 2 in F major, Op. 81 (Martucci, Giuseppe) for piano 4 hands |
|
| Arrangement of Symphony No. 2 in F major, Op. 81 (Martucci, Giuseppe) for piano 4 hands |
|
| Divertimento in D major, MH 319 (Haydn, Michael) for 2 violins, viola and double bass |
1782 |
| The Gairdyn Manuscript (Various) for soprano |
|
| Miserere (Lotti, Antonio) for 4 voices |
|
| Feuillet d'album in F major (Bazzini, Antonio) for 2 violins, viola and cello |
1868 |
Vital Spark of Heav'nly Flame (Harwood, Edward) for 3 voices
4 voices
mixed chorus |
|
| Suite for Harp (Mayr, Giovanni Simone) for harp |
|
| Make room for the great god of wine from Dioclesian, Z.627 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| The Indian Queen, Z.630 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Les bayadères (Catel, Charles-Simon) for voices, mixed chorus and orchestra |
|
| La Esmeralda (Pugni, Cesare) for orchestra |
1846 |
| Arrangement of La Esmeralda (Pugni, Cesare) for 2 violins |
1846 |
Elegy for String Quartet, Op. 62 (Achron, Joseph) for 2 violins, viola and cello
strings |
1927 |
| Flute Concerto in E minor (Scherer, Johann) for flute, strings and continuo |
|
| Solfeggi, Giedde I.16 (Quantz, Johann Joachim) for flute |
|
| Bassoon Concerto in C major, GraunWV C:XIII:66 (Graun, Johann Gottlieb) for bassoon, strings and continuo |
|
| 3 Sonatas for 3 Flutes (Scherer, Johann) for 3 flutes |
|
| Ouverture burlesque, TWV 32:2 (Telemann, Georg Philipp) for keyboard |
|
| Ertönet, ihr seligen Völker, F.88 (Bach, Wilhelm Friedemann) for mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| Cerere placata (Jommelli, Niccolò) for 5 voices, mixed chorus and orchestra |
|
| 6 Variations on 'A Schüsserl und a Rein'dl' J.49 (Weber, Carl Maria von) for viola and orchestra |
|
| Arrangement of 6 Variations on 'A Schüsserl und a Rein'dl' J.49 (Weber, Carl Maria von) for viola and piano |
|
| 6 Männerchöre (Urspruch, Anton) for male chorus |
|
| Sinfonia in D major (Schuster, Joseph) for orchestra |
|
| Flute Sonata in D major, Op. 77 (Schneider, Georg Abraham) for flute and piano |
|
| Mass No. 6 in G major (Schuster, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1772 |
| Max-Walzer, J. Anh.81 (Weber, Carl Maria von) for piano |
1825 |
| Variationen über "Das Fest der Handwerker", Op. 115 (Hummel, Johann Nepomuk) for piano and orchestra |
|
| Gesellschafts Rondo, Op. 117 (Hummel, Johann Nepomuk) for piano and orchestra |
|
| Concerto for 2 Pianos in E major, MWV O 5 (Mendelssohn, Felix) for 2 pianos and orchestra |
1823 |
| Piano Concerto No. 5, Op. 113 (Hummel, Johann Nepomuk) for piano and orchestra |
1829 |
| Cello Concerto in G major, G.480 (Boccherini, Luigi) for cello and strings |
|
| Concerto for 2 Pianos in A-flat major, MWV O 6 (Mendelssohn, Felix) for 2 pianos and orchestra |
1824 |
| Bassoon Concerto in E-flat major (Horneck, Franz) for bassoon, strings and continuo |
|
| Arrangement of Der Schulmeister in der Singschule (Fehre, Christoph Ludwig) for voices, mixed chorus and orchestra |
|
| Arrangement of Der Schulmeister in der Singschule (Fehre, Christoph Ludwig) for voices, mixed chorus and orchestra |
|
| String Symphony No. 2 in D major, MWV N 2 (Mendelssohn, Felix) for strings |
1821 |
| String Symphony No. 3 in E minor, MWV N 3 (Mendelssohn, Felix) for strings |
1821 |
| String Symphony No. 4 in C minor, MWV N 4 (Mendelssohn, Felix) for strings |
1821 |
| Hans Sachs (Lortzing, Albert) for voices, mixed chorus and orchestra |
1839 |
| Sargino (Paër, Ferdinando) for voices, mixed chorus and orchestra |
|
| Sargino (Paër, Ferdinando) for voices, mixed chorus and orchestra |
|
| String Symphony No. 1 in C major, MWV N 1 (Mendelssohn, Felix) for strings |
1821 |
| String Symphony No. 6 in E-flat major, MWV N 6 (Mendelssohn, Felix) for strings |
1821 |
| String Symphony No. 5 in B-flat major, MWV N 5 (Mendelssohn, Felix) for strings |
1821 |
| String Symphony No. 13 in C minor, MWV N 14 (Mendelssohn, Felix) for strings |
1824 |
| String Symphony No. 7 in D minor, MWV N 7 (Mendelssohn, Felix) for strings |
1821 |
| String Orchestra Version from String Symphony No. 8 in D major, MWV N 8 (Mendelssohn, Felix) for strings |
1822 |
| Orchestral Version from String Symphony No. 8 in D major, MWV N 8 (Mendelssohn, Felix) for strings |
1822 |
| Orchestral Version from String Symphony No. 8 in D major, MWV N 8 (Mendelssohn, Felix) for strings |
1823 |
| Es werden nicht alle die zu mir sagen (Fehre, Christoph Ludwig) for soprano, alto, tenor, bass, oboe, strings and continuo |
|
| Benedictus (Seixas, Carlos) for alto, tenor and 3 violins |
|
| Ouverture from Faust (Seyfried, Ignaz) for voices and orchestra |
|
| Christus ist getötet nach dem Fleisch (Fehre, Christoph Ludwig) for soprano, bass, mixed chorus and orchestra |
|
| Kyrie, Gott Vater in Ewigkeit, P.233 (Pachelbel, Johann) for organ |
|
| Alles mit Gott und nichts ohn' ihn, BWV 1127 (Bach, Johann Sebastian) for soprano, strings and continuo |
|
| Symphony in D major, WK 7 (Abel, Carl Friedrich) for strings and continuo |
|
| Symphony in B-flat major, WK 8 (Abel, Carl Friedrich) for orchestra |
|
Fugue in B minor, P.141 (Pachelbel, Johann) for keyboard
organ |
|
| String Symphony No. 11 in F minor, MWV N 11 (Mendelssohn, Felix) for percussion and strings |
1823 |
| String Symphony No. 12 in G minor, MWV N 12 (Mendelssohn, Felix) for strings |
1823 |
| String Symphony No. 9 in C major, MWV N 9 (Mendelssohn, Felix) for strings |
1823 |
| String Symphony No. 10 in B minor, MWV N 10 (Mendelssohn, Felix) for strings |
1823 |
| 12 Toccatas for Harpsichord (Seixas, Carlos) for harpsichord |
|
| Sonatas anónimas de la Catedral de México (Various) for keyboard |
|
Glogauer Liederbuch (Various) for 3 voices
3 Unspecified instruments |
|
| Cantate auf die Ankunft der hohen Landesherrschaft (Hiller, Johann Adam) for voices, mixed chorus and orchestra |
|
| Violin Sonata in A major 'La Montanari' (Valentini, Giuseppe) for violin and continuo |
1700 |
| Concerto for 2 Violins in A major (Valentini, Giuseppe) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in A major (Valentini, Giuseppe) for 2 violins, strings and continuo |
|
| Sinfonia in D minor (Valentini, Giuseppe) for violin, strings and continuo |
|
| Gavotte in B-flat major, K.300 (Mozart, Wolfgang Amadeus) for orchestra |
1700 |
| Violin Concerto in F major, Zuc5 (Zuccari, Carlo) for violin, strings and continuo |
|
| Violin Concerto in F major, Zuc5 (Zuccari, Carlo) for violin, strings and continuo |
|
Violin Sonata in G minor, HWV 364a (Handel, George Frideric) for violin and continuo
viol and continuo |
1700 |
| Le rêve (Gastinel, Léon) for orchestra |
|
| The Holy City, Op. 36 (Gaul, Alfred Robert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Violin Sonata in A major, HWV 361 (Handel, George Frideric) for violin and continuo |
|
Concerto in E minor (Dieupart, Charles) for 2 recorders, strings and continuo
2 flutes, strings and continuo |
|
| Capriccio in G major, ZWV 190 (Zelenka, Jan Dismas) for orchestra |
1729 |
| Violin Concerto in A major, D.1.5 (Locatelli, Pietro Antonio) for violin, strings and continuo |
|
Concerto in A minor (Dieupart, Charles) for piccolo and orchestra
recorder and orchestra
flute and orchestra
oboe and orchestra |
|
| Capriccio in F major, ZWV 184 (Zelenka, Jan Dismas) for orchestra |
1700 |
| Concerto for 2 Violins in B-flat major (Dieupart, Charles) for 2 violins and orchestra |
|
| Concerto in B minor (Dieupart, Charles) for orchestra |
|
| Violin Concerto in A major (Dieupart, Charles) for violin and orchestra |
|
| Violin Concerto in A major (Meneghetti, Gaetano) for violin, strings and continuo |
|
| Christus factus est, WAB 11 (Bruckner, Anton) for mixed chorus |
|
| Christus factus est, WAB 11 (Bruckner, Anton) for mixed chorus |
|
| Christus factus est, WAB 11 (Bruckner, Anton) for mixed chorus |
|
| 6 Ave Regina Coelorum, ZWV 128 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1737 |
| Capriccio in A major, ZWV 185 (Zelenka, Jan Dismas) for orchestra |
1718 |
| I. Allegro from Concerto Grosso in B-flat major, HWV 312 (Handel, George Frideric) for orchestra |
|
| Concerto Grosso in B-flat major, HWV 312 (Handel, George Frideric) for orchestra |
|
| Concerto Grosso in F major, HWV 315 (Handel, George Frideric) for orchestra |
|
| Concerto Grosso in F major, HWV 315 (Handel, George Frideric) for orchestra |
|
| Violin Concerto in D major (Somis, Giovanni Battista) for violin, strings and continuo |
|
| Violin Concerto in E major, D.1.1 (Locatelli, Pietro Antonio) for violin, strings and continuo |
|
| Stabat Mater, RV 621 (Vivaldi, Antonio) for alto and orchestra |
|
| 12 Concerti grossi à 4 e à 5, Op. 1 (Locatelli, Pietro Antonio) for strings and continuo |
|
| 24 Instrumental Pieces (Carazzi, Lorenzo) for orchestra |
|
| Violin Concerto in A major, VeiI Tes33 (Tessarini, Carlo) for violin, strings and continuo |
|
| Sinfonia funebre in F minor, D.2.2 (Locatelli, Pietro Antonio) for strings and continuo |
|
| Sinfonia funebre in F minor, D.2.2 (Locatelli, Pietro Antonio) for strings and continuo |
|
| Arrangement of Sinfonia funebre in F minor, D.2.2 (Locatelli, Pietro Antonio) for orchestra |
|
| Selections (I. Largo, II. Alla breve) from Arrangement of Selections (I. Largo, II. Alla breve) from Sinfonia funebre in F minor, D.2.2 (Locatelli, Pietro Antonio) for orchestra |
|
| Violin Sonata in B-flat major, T.So 34 (Albinoni, Tomaso) for violin and continuo |
1700 |
Violin Concerto in C major, T.Co 2b (Albinoni, Tomaso) for violin and orchestra
violin, strings and continuo |
|
Violin Concerto in C major, T.Co 2b (Albinoni, Tomaso) for violin and orchestra
violin, strings and continuo |
|
| Concerto for Flute and Oboe in E minor (Stölzel, Gottfried Heinrich) for flute, oboe, strings and continuo |
|
| Intrada in D minor (Pez, Johann Christoph) for orchestra |
|
| Intrada in F major (Pez, Johann Christoph) for orchestra |
|
| Ouverture-Suite in E minor (Pez, Johann Christoph) for orchestra |
|
| Ouverture-Suite in G major (Pez, Johann Christoph) for orchestra |
|
| Sinfonia in A major (Dall'Oglio, Domenico) for strings and continuo |
|
| Sinfonia in B-flat major (Dall'Oglio, Domenico) for strings and continuo |
|
| Sinfonia in D major (Dall'Oglio, Domenico) for orchestra |
|
Sinfonia in D major No. 1 (Porsile, Giuseppe) for strings and continuo
orchestra |
|
| Sinfonia in D major No. 2 (Porsile, Giuseppe) for orchestra |
|
| Sinfonia in E-flat major (Stölzel, Gottfried Heinrich) for orchestra |
|
| Sinfonia in G major (Dall'Oglio, Domenico) for strings and continuo |
|
| Sonata for Strings and Continuo in D major (Leo, Leonardo) for 2 violins and continuo |
|
| Violin Concerto in C major, VeiI Tes5 (Tessarini, Carlo) for violin, strings and continuo |
|
| Violin Concerto in D minor, VeiI Tes14 (Tessarini, Carlo) for violin, strings and continuo |
|
| Violin Concerto in G major, Tes26 (Tessarini, Carlo) for violin, strings and continuo |
|
| Arrangement of Hainz von Stain (Gleissner, Franz) for keyboard |
1790 |
| Ouverture-Suite in D minor No. 2 (Pez, Johann Christoph) for strings and continuo |
|
| Solfeggi (Leo, Leonardo) for soprano and continuo |
|
| Solfeggi (Leo, Leonardo) for soprano and continuo |
|
| Solfeggi (Leo, Leonardo) for soprano and continuo |
|
| Solfeggi (Leo, Leonardo) for soprano and continuo |
|
| Solfeggi (Leo, Leonardo) for soprano and continuo |
|
| Sonata for 2 Oboes, Strings and Continuo in D major (Leo, Leonardo) for orchestra |
|
| Sinfonia in E-flat major, MenH 4.67 (Dall'Oglio, Domenico) for orchestra |
|
| Sinfonia in E-flat major, MenH 4.67 (Dall'Oglio, Domenico) for orchestra |
|
| Violin Concerto in C major, VeiI Tes4 (Tessarini, Carlo) for violin, strings and continuo |
|
| Violin Concerto in G major, T.Co 4 (Albinoni, Tomaso) for violin and orchestra |
|
| Violin Concerto in G major, T.Co 4 (Albinoni, Tomaso) for violin and orchestra |
|
| Arrangement of Ciocârlia (Dinicu, Angheluș) for piano |
|
12 Balletti à tre, Op. 3 (Albinoni, Tomaso) for 2 violins and continuo
2 violins, cello and continuo |
|
| Violin Concerto in A major, T.Co 5 (Albinoni, Tomaso) for violin, strings and continuo |
|
| Violin Concerto in A major, T.Co 5 (Albinoni, Tomaso) for violin, strings and continuo |
|
| Violin Concerto in D minor, T.Mi 10 (Albinoni, Tomaso) for violin, strings and continuo |
|
| O wie sanft!, WoO 26 (Brahms, Johannes) for 2 sopranos and 2 altos |
1800 |
| Sinfonia in B-flat major, T.Si 6 (Albinoni, Tomaso) for strings and continuo |
|
| 12 Cello Sonatas (Platti, Giovanni Benedetto) for cello and continuo |
1725 |
Divertissement for Flute and Orchestra (Frøhlich, Johannes Frederik) for flute and orchestra
flute and piano |
1844 |
| 2 Marches, WoO 206 (Kuhlau, Friedrich) for wind ensemble, brass ensemble and percussion |
|
| Violin Sonata in D minor, I.A.2.D2 (Veracini, Francesco Maria) for violin and continuo |
|
| Flute Duet in C minor (Frøhlich, Johannes Frederik) for 2 flutes |
1847 |
| Violin Sonata in G major, I.A.2.D1 (Veracini, Francesco Maria) for violin and continuo |
|
| Violin Concerto in D major (Veracini, Francesco Maria) for violin, strings and continuo |
|
| Marsch og Jagtstykke for 9 Horns, Op. 40 (Frøhlich, Johannes Frederik) for 9 horns |
|
| Extase (Ganne, Louis) for orchestra |
|
| Symphony in D major (Stölzel, Gottfried Heinrich) for orchestra |
|
| Violin Concerto in A major, Zuc8 (Zuccari, Carlo) for violin, strings and continuo |
|
| Violin Concerto in C major (Montanari, Antonio Maria) for violin, strings and continuo |
|
| Violin Concerto in C major, Zuc2 (Zuccari, Carlo) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, Zuc4 (Zuccari, Carlo) for violin, strings and continuo |
|
| Violin Concerto in F major, Zuc6 (Zuccari, Carlo) for violin, strings and continuo |
|
| Oboe Concertino (Molique, Bernhard) for oboe and orchestra |
|
| Violin Concerto in A major, GT 1.A02 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in A major, GT 1.A02 (Tartini, Giuseppe) for violin, strings and continuo |
1724 |
| Violin Concerto in G minor, GT 1.g01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in G minor, GT 1.g01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Sonata in E major, B.E6 (Tartini, Giuseppe) for violin and continuo |
|
| Divertimento in G major, H.642 (Bach, Carl Philipp Emanuel) for flute, violin, viola and continuo |
|
| Violin Concerto in B-flat major, GT 1.Bb01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in C major, GT 1.C01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in D major, GT 1.D02 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Sonata in A minor, GT 2.a12 (Tartini, Giuseppe) for violin and continuo |
|
| Sinfonia in D major, G.4 (Torelli, Giuseppe) for trumpet, violin, strings and continuo |
|
| Violin Sonata in B-flat major, B.B5 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in B-flat major, B.B5 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in G major, GT 2.G31 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in E minor, B.e5 (Tartini, Giuseppe) for violin and continuo |
|
| Frühlingswogen, Op. 87 (Scharwenka, Philipp) for orchestra |
|
| Verschiedene Empfindungen an einem Platze, G.37 (Gerson, Georg) for soprano, 2 tenors, bass and piano |
1823 |
| Verschiedene Empfindungen an einem Platze, G.37 (Gerson, Georg) for soprano, 2 tenors, bass and piano |
|
| Die Erwartung, G.28 (Gerson, Georg) for voice and piano |
1825 |
| Cantate til Kongen's Fødselsdag, G.173 (Gerson, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
1823 |
| Capriccio for Violin and Orchestra, G.67 (Gerson, Georg) for violin and orchestra |
1823 |
Recitative and Aria from 'La morte di Comala', G.73 (Gerson, Georg) for soprano and orchestra
soprano and piano |
1823 |
| Version II from Ouverture in D major, G.60 (Gerson, Georg) for orchestra |
|
| Ouverture in E-flat major, G.147 (Gerson, Georg) for orchestra |
1819 |
| Ouverture in E-flat major, G.147 (Gerson, Georg) for orchestra |
|
| String Quintet in E-flat major, G.41 (Gerson, Georg) for 2 violins, 2 violas and cello |
1823 |
Frühlings Orakel, G.39 (Gerson, Georg) for soprano, tenor and piano
2 sopranos and piano |
1823 |
Frühlings Orakel, G.39 (Gerson, Georg) for soprano, tenor and piano
2 sopranos and piano |
|
| Il Ratto impedito, G.59 (Gerson, Georg) for soprano, tenor, bass and orchestra |
1823 |
| Il Ratto impedito, G.59 (Gerson, Georg) for soprano, tenor, bass and orchestra |
|
| Piano Trio in C major, G.23 (Gerson, Georg) for violin, cello and piano |
1823 |
| Symphony in E-flat major, G.76 (Gerson, Georg) for orchestra |
|
| Symphony in E-flat major, G.76 (Gerson, Georg) for orchestra |
|
| Vorschlag zur Güte, G.35 (Gerson, Georg) for soprano, tenor, bass and orchestra |
1823 |
| Verzeichnis über 200 meiner Compositionen (Gerson, Georg) for |
|
| 2 Chorals, JA 67-68 (Alain, Jehan) for organ |
|
| Piano Trio No. 3, Op. 87 (Sinding, Christian) for violin, cello and piano |
1900 |
| Violin Concerto No. 3 (Röntgen, Julius) for violin and orchestra |
1931 |
| Triple Concerto (Röntgen, Julius) for violin, viola, cello and strings |
|
| 2 Piano Concertos (Röntgen, Julius) for piano and orchestra |
1929 |
| Inleiding (Röntgen, Julius) for piano |
|
| Symphony in G minor (Röntgen, Julius) for orchestra |
1930 |
| Phoenix Expirans (Chadwick, George Whitefield) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1892 |
| Herr Gott Zebaoth, GWV 1131/24 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1724 |
| Credo a 8 voci (Cherubini, Luigi) for 2 sopranos, 2 altos, 2 tenors and 2 basses |
1806 |
| Menuetto for Cello and Piano (Melartin, Erkki) for cello and piano |
1899 |
Pyhäaamun rauha (Hannikainen, Pekka Juhani) for voice, cello, piano and harmonium
voice, harp, cello and harmonium |
1854 |
| Cantilene (No.2) from Arrangement of Cantilene (No.2) from Pieces for Violin and Piano, Op. 44 (Melartin, Erkki) for cello and orchestra |
|
| Regina coeli, ZWV 130 (Zelenka, Jan Dismas) for 2 sopranos, mixed chorus, violin and continuo |
|
| Alma redemptoris Mater, ZWV 126 (Zelenka, Jan Dismas) for alto and orchestra |
1700 |
| Adriano in Siria (Ferrandini, Giovanni Battista) for 6 voices, mixed chorus and orchestra |
|
| String Trio, Op. 133 (Melartin, Erkki) for violin, viola and cello |
1969 |
| Kansanlaulu 2 (No.4) from 5 Pieces for Violin and Piano, Op. 3a (Kuula, Toivo) for violin and piano |
|
| Alma redemptoris Mater, ZWV 124 (Zelenka, Jan Dismas) for mixed chorus, strings and continuo |
1728 |
| Alma redemptoris Mater, ZWV 127 (Zelenka, Jan Dismas) for soprano, alto, oboe, violin and continuo |
1700 |
| Regina coeli, ZWV 134 (Zelenka, Jan Dismas) for 2 sopranos, alto and orchestra |
1700 |
| Rondo for String Quartet (Kuula, Toivo) for 2 violins, viola and cello |
1906 |
| La Vestale (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| La Vestale (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1851 |
| 6 Little Pieces, Op. 121 (Melartin, Erkki) for cello and piano |
1923 |
| 6 Little Pieces, Op. 121 (Melartin, Erkki) for cello and piano |
1924 |
| 6 Violin Sonatas, Op. 1 (Ferrari, Domenico) for violin and continuo |
1722 |
| No.1. Quartet in E minor from 3 String Quartets, Op. 36 (Melartin, Erkki) for 2 violins, viola and cello |
1896 |
| Salve Regina, ZWV 140 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Variations on a Theme in G major (Rolla, Alessandro) for violin and strings |
|
| Pietà Signore, H.Anh.42 (Jommelli, Niccolò) for 2 sopranos, strings and continuo |
|
| Pietà Signore, H.Anh.42 (Jommelli, Niccolò) for 2 sopranos, strings and continuo |
|
| Pietà Signore, H.Anh.42 (Jommelli, Niccolò) for 2 sopranos, strings and continuo |
|
| Pietà Signore, H.Anh.42 (Jommelli, Niccolò) for 2 sopranos, strings and continuo |
|
| Pietà Signore, H.Anh.42 (Jommelli, Niccolò) for 2 sopranos, strings and continuo |
|
| 6 Harpsichord Sonatas, Op. 4 (Platti, Giovanni Benedetto) for harpsichord |
1746 |
| Cortège religieux (Lacombe, Paul) for orchestra |
|
| 6 Harpsichord Sonatas 'sur le goût italien', Op. 1 (Platti, Giovanni Benedetto) for harpsichord |
1746 |
| 6 Harpsichord Sonatas 'sur le goût italien', Op. 1 (Platti, Giovanni Benedetto) for harpsichord |
|
| Missa a più cori con più cori di strumenti (Colonna, Giovanni Paolo) for voices, mixed chorus and orchestra |
|
| Quartet in B-flat major (Avondano, Pedro António) for flute, violin, cello and continuo |
|
| Piano Concerto, Op. 7 (Schumann, Clara) for piano and orchestra |
|
| Oboe Concerto in B-flat major (Postel, Christian Gottlieb) for oboe, strings and continuo |
|
| 6 Trio Sonatas, Op. 2 (Campioni, Carlo Antonio) for 2 violins and continuo |
|
| Also hat Gott geliebt die Welt, HoWV II.Anh.22 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Also hat Gott geliebt die Welt, HoWV II.Anh.22 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Keyboard Sonata in G minor, H.47 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Ouverture in G minor, BeRI 43 (Roman, Johan Helmich) for orchestra |
|
| Overture from Alessandro Severo, HWV A13 (Handel, George Frideric) for voices and orchestra |
|
| Overture from Alessandro Severo, HWV A13 (Handel, George Frideric) for voices and orchestra |
|
| A Portuguesa (Keil, Alfredo) for voice and piano |
|
| Mass in B-flat major, Hob.XXII:14 (Haydn, Joseph) for voices, mixed chorus and orchestra |
1802 |
Trio Sonata in G minor, BeRI 101 (Roman, Johan Helmich) for 2 oboes and continuo
2 violins and continuo |
|
Trio Sonata in G minor, BeRI 101 (Roman, Johan Helmich) for 2 oboes and continuo
2 violins and continuo |
|
| Instrumental Selections from Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Christi Grablegung, Op. 49 (Neukomm, Sigismund) for voices, mixed chorus and orchestra |
|
| La testa riscaldata (Paër, Ferdinando) for voices and orchestra |
|
| Heilig ist unser Gott, HoWV II.96 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Heilig ist unser Gott, HoWV II.96 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Il Cinna (Paër, Ferdinando) for voices and orchestra |
|
| Höchster, deine Macht und Güte, HoWV II.178 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Bassoon Concerto in C major, M.C67 (Rosetti, Antonio) for bassoon, orchestra and continuo |
|
| Symphony Concertante in D major, Kr.127 (Dittersdorf, Carl Ditters von) for viola, double bass and orchestra |
|
| String Quartet No. 6 (Cherubini, Luigi) for 2 violins, viola and cello |
1835 |
| Symphony in D major (Cherubini, Luigi) for orchestra |
1815 |
| Double Bass Concerto No. 2, Kr.172 (Dittersdorf, Carl Ditters von) for double bass and orchestra |
|
| Overture from Das unterbrochene Opferfest (Winter, Peter von) for voices and orchestra |
|
| Overture from Das unterbrochene Opferfest (Winter, Peter von) for voices and orchestra |
|
| Arrangement of Selections from Das unterbrochene Opferfest (Winter, Peter von) for 2 violins |
|
| Bianca e Falliero (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| La cambiale di matrimonio (Rossini, Gioacchino) for voices and orchestra |
|
| La cambiale di matrimonio (Rossini, Gioacchino) for voices and orchestra |
|
| Demetrio e Polibio (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Ermione (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Ricciardo e Zoraide (Rossini, Gioacchino) for voices and orchestra |
|
| Torvaldo e Dorliska (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Zelmira (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Elisabetta, regina d'Inghilterra (Rossini, Gioacchino) for voices and orchestra |
|
| Elisabetta, regina d'Inghilterra (Rossini, Gioacchino) for voices and orchestra |
|
| Elisabetta, regina d'Inghilterra (Rossini, Gioacchino) for voices and orchestra |
|
| Sinfonia No. 5 in B-flat major (Schuster, Joseph) for orchestra |
|
| La Bersabea (Orlandi, Vincenzo Maria) for voices and orchestra |
|
| Selections (1742 Bologna Version) from Eumene (Jommelli, Niccolò) for 6 voices and orchestra |
1742 |
| Complete (1747 Naples Version) from Eumene (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sinfonia from Eumene (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sinfonia concertante No. 2 (Stamitz, Carl Philipp) for violin, cello and orchestra |
|
| Axur re d'Ormus (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| 5 act version from Axur re d'Ormus (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Jephta, Op. 29 (Klein, Bernhard) for voices and orchestra |
|
| Selections (Nos.13-22) from Jephta, Op. 29 (Klein, Bernhard) for voices and orchestra |
|
| La notte critica (Boroni, Antonio) for voices and orchestra |
|
| La notte critica (Boroni, Antonio) for voices and orchestra |
|
| String Quintet, WAB 112 (Bruckner, Anton) for 2 violins, 2 violas and cello |
1879 |
| String Quintet, WAB 112 (Bruckner, Anton) for 2 violins, 2 violas and cello |
|
| String Quintet, WAB 112 (Bruckner, Anton) for 2 violins, 2 violas and cello |
|
| String Quartet in D minor, Hob.III:83 (Haydn, Joseph) for 2 violins, viola and cello |
|
| Arrangement of Die Worte des Erlösers am Kreuze, Hob.XX:1 (Haydn, Joseph) for keyboard |
|
| The London Sketchbook, K.15a-15ss (Mozart, Wolfgang Amadeus) for piano |
1764 |
| La liberalità di Numa Pompilio (Ristori, Giovanni Alberto) for voices and orchestra |
1746 |
| La Calamita de’ cuori (Salieri, Antonio) for voices and orchestra |
|
| Arianna (Ristori, Giovanni Alberto) for voices and orchestra |
1736 |
| Arianna (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Arianna (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Dai crini omai scuotete (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Sinfonia from Dai crini omai scuotete (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, orchestra and continuo |
1736 |
| Dai crini omai scuotete (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Sinfonia from Dai crini omai scuotete (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Potpourri on a Theme from Mehul's 'Joseph', G.172 (Gerson, Georg) for violin and orchestra |
1820 |
Pater noster, G.174 (Gerson, Georg) for 2 tenors, 2 basses, trombone and cello
2 tenors, 2 basses, trombone, cello and double bass
2 tenors and 2 basses
2 tenors, 2 basses and trombone
2 tenors, 2 basses and cello |
|
Pater noster, G.174 (Gerson, Georg) for 2 tenors, 2 basses, trombone and cello
2 tenors, 2 basses, trombone, cello and double bass
2 tenors and 2 basses
2 tenors, 2 basses and trombone
2 tenors, 2 basses and cello |
1823 |
| S. Giovanni Battista, G.3.3 (Stradella, Alessandro) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Eugenia (Nasolini, Sebastiano) for voices and orchestra |
|
| I lamenti di Orfeo (Ristori, Giovanni Alberto) for voices and orchestra |
1749 |
| I lamenti di Orfeo (Ristori, Giovanni Alberto) for voices and orchestra |
|
4 Keyboard Trios, Op. 5 (Vanhal, Johann Baptist) for violin, cello and keyboard
viola, cello and keyboard
violin and keyboard
viola and keyboard |
|
| L'assedio di Calais (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Oratorio per la Passione di Nostro Signore Gesù Cristo (Scarlatti, Alessandro) for 3 voices and orchestra |
|
| Nun aber gibst du Gott einen gnädigen Regen (Zachow, Friedrich Wilhelm) for soprano, alto, tenor, bass and orchestra |
1719 |
| Le fate (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Le fate (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Selections: Sacred Parody 'Schleuß dich auf, du Tor der Freuden' from Arrangement of Selections: Sacred Parody 'Schleuß dich auf, du Tor der Freuden' from Le fate (Ristori, Giovanni Alberto) for |
|
| 26 Cantatas, D-Dl Mus.2398-I-1 (Heinichen, Johann David) for voices and orchestra |
|
| 26 Cantatas, D-Dl Mus.2398-I-1 (Heinichen, Johann David) for voices and orchestra |
|
| Alina, regina di Golconda (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Temistocle (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Arrangement of Le soir (Gounod, Charles) for voice, horn and piano |
1800 |
| Partita for Viola d'amore, 2 Oboes, Lituus and Continuo (Brentner, Johann) for 2 oboes, horn, viola damore and continuo |
|
| English Horn Concertino, A 459 (Donizetti, Gaetano) for English horn and orchestra |
1816 |
| Das Antlitz des Herrn, GWV 1150/25 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1725 |
| Eröffnet euch ihr Augenquellen, GWV 1127/25 (Graupner, Christoph) for 2 sopranos, alto, tenor, bass, strings and continuo |
1725 |
| Ivanhoé (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
1826 |
| Matilde di Shabran (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Es naheten aber zu Jesu allerlei Zöllner und Sünder (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
|
| Jauchzet dem Herrn alle Welt (Hiller, Johann Adam) for soprano, alto, tenor, bass and orchestra |
|
| Leonora (Paër, Ferdinando) for voices and orchestra |
|
| Leonora (Paër, Ferdinando) for voices and orchestra |
|
| Leonora (Paër, Ferdinando) for voices and orchestra |
|
| L'eroe cinese (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| L'eroe cinese (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Licenza from L'eroe cinese (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Gelobet sei der Herr der Gott Israel (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Der Herr ist nahe (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Der Segen des Herrn (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
|
| Ich will dich all mein Leben lang (Vierling, Johann Gottfried) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Ich will dich all mein Leben lang (Vierling, Johann Gottfried) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Laß dich's nicht irren (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
|
| Lobe den Herrn meine Seele (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
|
| Mag auch ein Blinder den Weg weisen (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
|
Pastorale per la Notte di Natale, S.242 (Heinichen, Johann David) for 2 oboe damores and orchestra
2 chalumeaus and orchestra |
1720 |
Pastorale per la Notte di Natale, S.242 (Heinichen, Johann David) for 2 oboe damores and orchestra
2 chalumeaus and orchestra |
1700 |
| 6 Violin Sonatas (Kress, Johann Jakob) for violin and continuo |
|
| Machet die Tore weit (Liebe, Christian) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Il signor dottore (Fischietti, Domenico) for voices and orchestra |
|
| Il signor dottore (Fischietti, Domenico) for voices and orchestra |
|
| 1757 Version from Il mercato di Malmantile (Fischietti, Domenico) for voices and orchestra |
|
| 1766 Version from Il mercato di Malmantile (Fischietti, Domenico) for voices and orchestra |
1766 |
| 1766 Version from Il mercato di Malmantile (Fischietti, Domenico) for voices and orchestra |
1766 |
| Calandro (Schürer, Johann Georg) for voices and orchestra |
|
| Giove in Argo (Lotti, Antonio) for voices and orchestra |
|
| Sinfonia from Giove in Argo (Lotti, Antonio) for voices and orchestra |
|
| Der Herr ist Gott der uns erleuchtet (Liebe, Christian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Das neugeborne Kindelein (Liebe, Christian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sinfonia from Andromaca (Feo, Francesco) for 6 voices, mixed chorus and orchestra |
|
| Concerto for Oboe, Chalumeau, Bassoon and Continuo in F major (Hasse, Johann Adolph) for oboe, chalumeau, bassoon and continuo |
|
| Overtura from Demetrio (Giai, Giovanni Antonio) for voices and orchestra |
|
| Demetrio (Giai, Giovanni Antonio) for voices and orchestra |
|
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
1731 |
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sinfonia from Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Original version from La permission de dix heures (Offenbach, Jacques) for voices, mixed chorus and orchestra |
1867 |
| Sinfonia in C major (Giai, Giovanni Antonio) for strings and continuo |
|
| Sinfonia in C major (Giai, Giovanni Antonio) for strings and continuo |
|
| Sinfonia in D major (Giai, Giovanni Antonio) for orchestra |
|
| Sinfonia in D major (Giai, Giovanni Antonio) for orchestra |
|
| Sinfonia from Memet (Sammartini, Giovanni Battista) for voices and orchestra |
|
| Sinfonia from Arrangement of Sinfonia from Memet (Sammartini, Giovanni Battista) for 2 oboes, bassoon, strings and continuo |
|
| La spartana generosa (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La spartana generosa (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La spartana generosa (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| La spartana generosa (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Sinfonia from La spartana generosa (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Concerto No.2 in D major from 12 Flute Concertos, Op. 3 (Hasse, Johann Adolph) for flute, strings and continuo |
|
| Concerto No.10 in B minor from 12 Flute Concertos, Op. 3 (Hasse, Johann Adolph) for flute, strings and continuo |
|
| La gazzetta (Rossini, Gioacchino) for voices and orchestra |
|
| O Heiland aller Welt ich muß dir sehnlich klagen (Liebe, Christian) for soprano, alto, tenor, bass, strings and continuo |
|
| Symphony in C major, M.A1 (Rosetti, Antonio) for orchestra |
|
| Symphony in E-flat major, M.A29/I:9 (Rosetti, Antonio) for orchestra |
|
| Symphony in F major, M.A32/I:10 (Rosetti, Antonio) for orchestra |
|
| Ezio (Sacchini, Antonio) for voices and orchestra |
|
| Des Herrn Rat ist wunderbarlich, R 5.1.30 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Enea in Caonia (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Bianca e Gernando (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
1826 |
| Il giocatore (Sacchini, Antonio) for 4 sopranos, bass and orchestra |
|
| Il Vologeso (Sacchini, Antonio) for voices and orchestra |
1785 |
Alessandro nelle Indie (Sacchini, Antonio) for 7 voices, mixed chorus and orchestra
7 voices and orchestra |
|
| Piramo e Tisbe (Hasse, Johann Adolph) for voices and orchestra |
|
| Piramo e Tisbe (Hasse, Johann Adolph) for voices and orchestra |
|
| Il Creso (Sacchini, Antonio) for voices and orchestra |
|
| Aria: So che fedele non e quel core from Il Creso (Sacchini, Antonio) for voices and orchestra |
|
| Der Himmel singt dem Held und Engel freuen sich (Krebs, Johann Gottfried) for voices, mixed chorus and orchestra |
|
| Der Himmel singt dem Held und Engel freuen sich (Krebs, Johann Gottfried) for voices, mixed chorus and orchestra |
|
| Die Hoffnung des Heuchlers wird verloren sein (Krebs, Johann Gottfried) for voices, mixed chorus and orchestra |
|
| Die Hoffnung des Heuchlers wird verloren sein (Krebs, Johann Gottfried) for voices, mixed chorus and orchestra |
|
| Symphony in F major, M.A38/I:40 (Rosetti, Antonio) for orchestra |
|
| Symphony in F major, M.A38/I:40 (Rosetti, Antonio) for orchestra |
|
| Symphony in G major, M.A36/I:41 (Rosetti, Antonio) for orchestra |
|
| Symphony in G major, M.A36/I:41 (Rosetti, Antonio) for orchestra |
|
| Sinfonia in B-flat major, HWV 339 (Handel, George Frideric) for strings and continuo |
|
| Sinfonia in B-flat major, HWV 339 (Handel, George Frideric) for strings and continuo |
|
| Sinfonia in B-flat major, HWV 339 (Handel, George Frideric) for strings and continuo |
|
| Sinfonia in B-flat major, HWV 339 (Handel, George Frideric) for strings and continuo |
|
| Original Version (1742) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Revised Version (1747) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
1800 |
| Revised Version (1747) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Revised Version (1747) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Posthumous Version (1784) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Revised Version (1747) from I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
1757 |
| I pellegrini al sepolcro di Nostro Signore (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Oedipe à Colone (Sacchini, Antonio) for voices, mixed chorus and orchestra |
|
| La contadina in corte (Sacchini, Antonio) for voices and orchestra |
|
| 1735 Pesaro Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1735 Pesaro Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1738 Dresden Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
1738 |
| 1738 Dresden Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1738 Dresden Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1738 Dresden Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
1747 |
| 1759 Naples Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1759 Naples Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1759 Naples Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| 1759 Naples Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Violin Sonata in A minor, L3.121 (Benda, Franz) for violin and continuo |
|
| Arrangement of Violin Sonata in A minor, L3.121 (Benda, Franz) for flute and continuo |
|
| 3 Marches triomphales (Rastrelli, Joseph) for wind ensemble, brass ensemble and percussion |
|
| Lo Spirito di contradizione (Schuster, Joseph) for voices, mixed chorus and orchestra |
|
| Lo Spirito di contradizione (Schuster, Joseph) for voices, mixed chorus and orchestra |
|
| Scipione in Cartagine nuova (Giacomelli, Geminiano) for voices and orchestra |
|
| Sinfonia from Scipione in Cartagine nuova (Giacomelli, Geminiano) for voices and orchestra |
|
| Laudate pueri in C major (Durante, Francesco) for soprano, alto, tenor, bass and continuo |
|
| Litaniae Xaverianae, ZWV 154 (Zelenka, Jan Dismas) for soprano, alto, tenor, 3 basses, mixed chorus and orchestra |
1723 |
| Semiramide, GraunWV B:I:28 (Graun, Karl Heinrich) for voices and orchestra |
|
| Sinfonia from Semiramide, GraunWV B:I:28 (Graun, Karl Heinrich) for voices and orchestra |
1755 |
| Sinfonia from Semiramide, GraunWV B:I:28 (Graun, Karl Heinrich) for voices and orchestra |
|
| Magnificat cum 4 vocibus, Liber 1 (Morales, Cristóbal de) for 4 voices |
1718 |
Mass in A major (Schuster, Joseph) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
1793 |
| Litaniae Xaverianae, ZWV 156 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1729 |
| Impromptu in C minor (Seyfried, Ignaz) for piano |
1838 |
| Dixit Dominus in B-flat major (Rastrelli, Joseph) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Il Desiderio (Morlacchi, Francesco) for voice and piano |
|
| Laudate Dominum in D major, BC.161 (Morlacchi, Francesco) for soprano, alto, tenor, bass and orchestra |
|
| Laudate Dominum in G major (Rastrelli, Joseph) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Overture in F major (Ballabene, Gregorio) for orchestra |
|
| Overture in F major (Falcari, Ferdinando) for orchestra |
|
| Pangue Lingua in E minor (Leo, Leonardo) for soprano, alto, tenor, bass, strings and continuo |
|
Ricercari, Op. 3 (Battiferri, Luigi) for 4 Unspecified instruments
5 Unspecified instruments
6 Unspecified instruments |
1719 |
| 3 Harpsichord Trios, Op. 13 (Graf, Christian Ernst) for violin, cello and harpsichord |
|
| Il Parnaso confuso, Wq.33 (Gluck, Christoph Willibald) for voices and orchestra |
|
| Il Parnaso confuso, Wq.33 (Gluck, Christoph Willibald) for voices and orchestra |
|
| La corona, Wq.35 (Gluck, Christoph Willibald) for voices and orchestra |
|
| L'eroismo ridicolo (Spontini, Gaspare) for voices and orchestra |
|
La clemenza di Tito, Wq.16 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra
voices and orchestra |
|
La clemenza di Tito, Wq.16 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra
voices and orchestra |
|
| Judith (Parry, Charles Hubert Hastings) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1888 |
| Judith (Parry, Charles Hubert Hastings) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1888 |
| Arrangement of Bataille d'Austerlitz (Beauvarlet-Charpentier, Jacques-Marie) for wind band |
|
| Symphony No. 4, Op. 86 (Spohr, Louis) for orchestra |
1832 |
| L'assedio di Leida (Petrella, Errico) for voices, mixed chorus and orchestra |
|
| L'assedio di Leida (Petrella, Errico) for voices, mixed chorus and orchestra |
|
| Ifigenia in Aulide (Cherubini, Luigi) for voices and orchestra |
1788 |
| Ifigenia in Aulide (Cherubini, Luigi) for voices and orchestra |
|
| Waltz from Arrangement of Waltz from Olimpie (Spontini, Gaspare) for piano |
|
| In quest'ora tremenda, suprema from La prigione di Edimburgo (Ricci, Federico) for voices, mixed chorus and orchestra |
|
| Exaudiat te Dominus in die tribulationis (Gervais, Charles-Hubert) for 4 voices, mixed chorus and orchestra |
1700 |
| Variations on a Romance from Mehul's 'Une Folie' (Ferguson, Ludwig Wilhelm Tepper von) for keyboard |
|
| Theme and Variations in C major (Ferguson, Ludwig Wilhelm Tepper von) for keyboard |
|
| Variations on 'See the conqu'ring hero comes' (Ferguson, Ludwig Wilhelm Tepper von) for keyboard |
|
Grand Fantasia, Op. 14 (Bomtempo, João Domingos) for piano
piano and strings |
|
| Beatus quem elegisti (Gilles, Jean) for voices, mixed chorus and orchestra |
1734 |
Domine probasti me (Beretta, Francesco) for 2 mixed chorus and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo |
|
| Kyrie and Gloria from Missa a 4 Cori (Benevoli, Orazio) for 4 mixed chorus |
|
| Kyrie and Gloria from Missa Si Deus pro nobis (Benevoli, Orazio) for 4 mixed chorus |
|
| Elementos de Música, Op. 19 (Bomtempo, João Domingos) for piano |
|
| Arrangement of Mandolinata (Paladilhe, Émile) for flute and piano |
|
| O sacrum convivium à 4 (Victoria, Tomás Luis de) for 3 sopranos and alto |
|
| Nun lob mein Seel den Herren, GWV 1171/27 (Graupner, Christoph) for alto, tenor, bass, strings and continuo |
1727 |
| Adriano in Siria (Ristori, Giovanni Alberto) for voices and orchestra |
1700 |
| Adriano in Siria (Ristori, Giovanni Alberto) for voices and orchestra |
|
| Ouverture in A minor, TWV 32:12 (Telemann, Georg Philipp) for harpsichord |
1719 |
| Ouverture in A minor, TWV 32:12 (Telemann, Georg Philipp) for harpsichord |
|
| Ouverture in C major, TWV 32:11 (Telemann, Georg Philipp) for harpsichord |
|
| Sinfonia in D major, GWV 530 (Graupner, Christoph) for orchestra |
|
| Sinfonia in G major, GWV 578 (Graupner, Christoph) for orchestra |
|
| Oboe Concerto in B-flat major, MWV 6.23 (Molter, Johann Melchior) for oboe, strings and continuo |
1700 |
| Flute Concerto in E minor, RV 430 (Vivaldi, Antonio) for flute, strings and continuo |
|
| Ouverture in G major, TWV 32:13 (Telemann, Georg Philipp) for harpsichord |
|
6 Quartets, Op. 8 (Bach, Johann Christian) for 2 violins, viola and continuo
flute, violin, viola and continuo
oboe, violin, viola and continuo
2 violins, viola and cello
oboe, violin, viola and cello
flute, violin, viola and cello |
|
| Ach was soll ich Sünder machen, GWV 1144/24 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1724 |
| Preludio, Fuga and Gigue (Kuhnau, Johann) for keyboard |
|
| Suite in B-flat major, HWV 440 (Handel, George Frideric) for harpsichord |
|
| Suite in C major, HWV 443 (Handel, George Frideric) for harpsichord |
|
| Quoniam iniquitatem (Fasch, Karl Friedrich Christian) for soprano, alto, tenor and bass |
|
| Keyboard Sonata in F major, HWV 427a (Handel, George Frideric) for harpsichord |
|
| Arrangement of Harpsichord Concerto in B-flat major, GraunWV B:XIII:45 (Graun, Karl Heinrich) for 2 harpsichords |
|
Musikalische Klavierkunst und Vorratskammer (Buttstett, Johann Heinrich) for keyboard
harpsichord
clavichord
organ |
|
Musikalische Klavierkunst und Vorratskammer (Buttstett, Johann Heinrich) for keyboard
harpsichord
clavichord
organ |
|
| Cajo Fabricio, GraunWV B:I:14 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Cajo Fabricio, GraunWV B:I:14 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Cajo Fabricio, GraunWV B:I:14 (Graun, Karl Heinrich) for 7 voices and orchestra |
|
| Sinfonia concertante in D major, MWV 8.1 (Molter, Johann Melchior) for 2 oboes, bassoon, 2 horns and trumpet |
1700 |
| Concerto for 2 Violins in G major, GraunWV C:XIII:87 (Graun, Johann Gottlieb) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in G major, GraunWV C:XIII:87 (Graun, Johann Gottlieb) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in G major, GraunWV C:XIII:87 (Graun, Johann Gottlieb) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in D major, GraunWV C:XIII:74 (Graun, Johann Gottlieb) for 2 violins, strings and continuo |
|
| Concerto in D major, MWV 6.43 (Molter, Johann Melchior) for strings and continuo |
|
| Sinfonietta, Op. 188 (Raff, Joachim) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Jauchze du Tochter Zion, GWV 1101/24 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1724 |
| Concerto for 2 Violins in G major, GraunWV C:XIII:84 (Graun, Johann Gottlieb) for 2 violins and orchestra |
|
| Concerto for 2 Violins in G major, GraunWV C:XIII:84 (Graun, Johann Gottlieb) for 2 violins and orchestra |
|
| Che ti dirò Regina (Hasse, Johann Adolph) for soprano, orchestra and continuo |
|
| Violin Concerto in A major, GraunWV A:XIII:10 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Trio Sonata in G major, MWV 10.8 (Molter, Johann Melchior) for 2 violins and continuo |
1700 |
| Concertino for 2 Flutes in B-flat major, MWV 10.34 (Molter, Johann Melchior) for 2 flutes and continuo |
1700 |
| Violin Concerto in E major, GraunWV A:XIII:5 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
Trio Sonata in A major, GraunWV A:XV:13 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
Trio Sonata in A major, GraunWV A:XV:13 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
| Concertino for 2 Flutes in C major, MWV 10.29 (Molter, Johann Melchior) for 2 flutes and cello |
1700 |
| Violin Concerto in A minor, GraunWV Cv:XIII:155 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in A minor, GraunWV Cv:XIII:155 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Concerto in C major, GraunWV C:XIII:62 (Graun, Johann Gottlieb) for 2 flutes, 2 oboes, 2 bassoons, 3 violins, strings and continuo |
|
| Violin Concerto in A major, GraunWV C:XIII:91 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in A major, GraunWV C:XIII:91 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, GraunWV C:XIII:76 (Graun, Johann Gottlieb) for violin and orchestra |
|
| Violin Concerto in E-flat major, GraunWV C:XIII:76 (Graun, Johann Gottlieb) for violin and orchestra |
|
Concerto in G minor, GraunWV C:XIII:9 (Graun, Johann Gottlieb) for violin, strings and continuo
flute, strings and continuo |
|
| Concerto for Flute and Bassoon in D major, GroF 765 (Bodinus, Sebastian) for flute, bassoon, strings and continuo |
|
| Concerto in A major, GroF 766 (Bodinus, Sebastian) for flute, violin, viola and continuo |
|
| Flute Concerto in E minor, GroF 767 (Bodinus, Sebastian) for flute and strings |
|
| Flute Sonata in A major, MWV 11.12 (Molter, Johann Melchior) for flute and continuo |
1700 |
| 2 Flute Duets (Bodinus, Sebastian) for 2 flutes |
|
6 Piano Sonatas (Wolf, Ernst Wilhelm) for piano
clavichord |
|
6 Keyboard Sonatas, 1774 (Wolf, Ernst Wilhelm) for keyboard
clavichord |
1774 |
6 Kurze Sonaten (Wolf, Ernst Wilhelm) for clavichord
piano |
|
| Médée et Jason (Salomon, Joseph-François) for voices, mixed chorus and orchestra |
1713 |
| Ouverture in D major (Anonymous) for orchestra |
|
Violin Concerto in A major, GraunWV Cv:XIII:149 (Graun, Johann Gottlieb) for violin, strings and continuo
violin and orchestra |
|
Violin Concerto in A major, GraunWV Cv:XIII:149 (Graun, Johann Gottlieb) for violin, strings and continuo
violin and orchestra |
|
| Violin Concerto in B-flat major, GraunWV A:XIII:15 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in A major, GraunWV C:XIII:147 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Oboe Concerto in G minor, GraunWV Cv:XIII:144 (Graun, Johann Gottlieb) for oboe, strings and continuo |
|
| Violin Concerto in B-flat major, GraunWV C:XIII:94 (Graun, Johann Gottlieb) for violin and orchestra |
|
| Violin Concerto in B-flat major, GraunWV Cv:XIII:158 (Graun, Johann Gottlieb) for violin and orchestra |
|
| Violin Concerto in B-flat major, GraunWV Cv:XIII:158 (Graun, Johann Gottlieb) for violin and orchestra |
|
| Violin Concerto in C major, GraunWV C:XIII:65 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in C major, GraunWV C:XIII:65 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV C:XIII:80 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:83 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, GraunWV C:XIII:93 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E minor, GraunWV Cv:XIII:121 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:88 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G minor, GraunWV C:XIII:89 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, GraunWV Cv:XIII:156 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D minor, GraunWV C:XIII:75 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Trio Sonata in B minor, MWV 10.19 (Molter, Johann Melchior) for 2 flutes and continuo |
1700 |
13 Madrigals, D-Dl Mus.2170-G-1 (Caldara, Antonio) for 4 voices and continuo
5 voices and continuo |
1731 |
| Embarquez-vous ! (No.12) from Arrangement of Embarquez-vous ! (No.12) from 12 Songs, Op. 11 (Godard, Benjamin) for voice and orchestra |
|
| Violin Concerto in C major, GraunWV C:XIII:60 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in C major, GraunWV C:XIII:64 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:70 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in C major, GraunWV C:XIII:61 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Benedictus (Gilles, Jean) for voices, mixed chorus, strings and continuo |
|
| Ach grosser Gott mein Herz, GWV 1152/26 (Graupner, Christoph) for tenor, bass, mixed chorus, strings and continuo |
1726 |
| Befiehl du deine Wege, GWV 1156/27 (Graupner, Christoph) for soprano, alto, tenor, mixed chorus, strings and continuo |
1727 |
| Tota pulchra es, WAB 46 (Bruckner, Anton) for tenor, mixed chorus and organ |
1878 |
| Original Version (1846) from 4 Tantum ergo, WAB 41 (Bruckner, Anton) for mixed chorus |
1800 |
| Original Version (1846) from 4 Tantum ergo, WAB 41 (Bruckner, Anton) for mixed chorus |
|
| Revised Version (1888) from 4 Tantum ergo, WAB 41 (Bruckner, Anton) for mixed chorus |
|
| Revised Version (1888) from 4 Tantum ergo, WAB 41 (Bruckner, Anton) for mixed chorus |
|
| Piano Quartet in E-flat major, FuhM 124 (Vogler, Georg Joseph) for violin, viola, cello and piano |
|
| Trio Sonata in G minor, MWV 10.18 (Molter, Johann Melchior) for 2 flutes and continuo |
1717 |
| Ouverture in F major, GraunWV A:XI:3 (Graun, Johann Gottlieb) for orchestra |
|
| Complete Work from Ouverture in F major, GraunWV A:XI:3 (Graun, Johann Gottlieb) for orchestra |
|
| I. No indication / Allegro from Ouverture in F major, GraunWV A:XI:3 (Graun, Johann Gottlieb) for orchestra |
|
| Flute Concerto in G major, GroF 680 (Adam, Johann) for flute, strings and continuo |
|
| Sinfonia in C major, GraunWV Av:XII:34 (Graun, Johann Gottlieb) for orchestra |
|
| Ouverture in D minor, GraunWV A:XI:2 (Graun, Johann Gottlieb) for orchestra |
|
| Ouverture in D major, GraunWV A:XI:7 (Graun, Johann Gottlieb) for strings and continuo |
|
| Ouverture in D major, GraunWV A:XI:7 (Graun, Johann Gottlieb) for strings and continuo |
|
| Ouverture in G major, GraunWV A:XI:5 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV A:XII:10 (Graun, Johann Gottlieb) for strings and continuo |
|
| Variations for Horn and String Quartet, Op. 24 (Böhner, Johann Ludwig) for horn, 2 violins, viola and cello |
|
| Piano Concerto No. 4, Op. 64 (Moscheles, Ignaz) for piano and orchestra |
1823 |
| Book 1 from 16 Violin Duets, Op. 17 (Vanhal, Johann Baptist) for 2 violins |
|
| Doktor Faust, JB 1:85 (Smetana, Bedřich) for orchestra |
|
| Oldřich and Božena, JB 1:88 (Smetana, Bedřich) for orchestra |
|
| Arrangement of Mephistopheles’s Song in Auerbach’s Cellar (Mussorgsky, Modest) for voice and orchestra |
|
| Violin Concerto in C major, GraunWV Av:XIII:16 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
Trio Sonata in G major (Vogel, Johann Christoph) for 2 flutes and continuo
2 violins and continuo |
|
| Violin Concerto in C minor, GraunWV C:XIII:68 (Graun, Johann Gottlieb) for violin and orchestra |
|
| Violin Concerto in C minor, GraunWV Cv:XIII:98 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Piano Quintet, Op. 67 (Beach, Amy Marcy) for 2 violins, viola, cello and piano |
1907 |
| Locus iste, WAB 23 (Bruckner, Anton) for mixed chorus |
|
| Locus iste, WAB 23 (Bruckner, Anton) for mixed chorus |
|
| Locus iste, WAB 23 (Bruckner, Anton) for mixed chorus |
|
| Locus iste, WAB 23 (Bruckner, Anton) for mixed chorus |
|
Les Muses (Campra, André) for voices and orchestra
voices, strings and continuo |
|
| 30 Minuets for 2 Mandolins (Lo Forte, Epifanio) for 2 mandolins |
|
| 12 Minuets (Silva, João Cordeiro da) for harpsichord |
|
| Les Guelfes, Op. 70 (Godard, Benjamin) for voices, mixed chorus and orchestra |
1880 |
| Pedro de Zalamea, Op. 79 (Godard, Benjamin) for voices, mixed chorus and orchestra |
1800 |
6 Keyboard Concertos, Op. 1 (Bach, Johann Christian) for harpsichord and strings
harp and strings |
1765 |
| Violin Concerto in E major, GraunWV Cv:XIII:119 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV C:XIII:78 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV C:XIII:78 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
Ach Jesu teure Rettungsquelle, GWV 1121/29 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo
alto, tenor, bass, mixed chorus and orchestra |
1729 |
Arrangement of Sinfonia concertante No. 12 (Stamitz, Carl Philipp) for harpsichord
piano |
|
| Jesus' Augen stehn voll Tränen, GWV 1151/34 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1734 |
| Violin Concerto in D major, GraunWV C:XIII:73 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:73 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV C:XIII:77 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV C:XIII:77 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV C:XIII:77 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:71 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:71 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:71 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV C:XIII:79 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV C:XIII:79 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in D major, GraunWV C:XIII:69 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV Cv:XIII:124 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV Cv:XIII:126 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Flute Sonata in D major, GraunWV B:XVII:54 (Graun, Karl Heinrich) for flute and continuo |
|
| Flute Sonata in D major, GraunWV B:XVII:54 (Graun, Karl Heinrich) for flute and continuo |
|
| Flute Sonata in C major, GraunWV Av:XVII:10 (Graun, Karl Heinrich) for flute and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:85 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| One-act version (1836) from Betly (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| One-act version (1836) from Betly (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1840 |
| Two-act version (1837) from Betly (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Adelia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Adelia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Elisabetta (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| Violin Concerto in G major, GraunWV C:XIII:86 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:86 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV Cv:XIII:137 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:82 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV C:XIII:82 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV Cv:XIII:133 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in G major, GraunWV Cv:XIII:133 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Elvida (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
Operatic Selections (Graun, Karl Heinrich) for 2 voices and orchestra
3 voices and orchestra
6 voices and orchestra
mixed chorus and orchestra |
1773 |
| Gianni di Calais (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Emilia di Liverpool (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1824 |
| Gianni di Parigi (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Gianni di Parigi (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Gianni di Parigi (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| I pazzi per progetto (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Il borgomastro di Saardam (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Il borgomastro di Saardam (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Complete (1756 Version) from L'Olimpiade (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Complete (1756 Version) from L'Olimpiade (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Complete (1761 Version) from L'Olimpiade (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| L'Olimpiade (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| L'Olimpiade (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Lucio Papirio, GraunWV B:I:11 (Graun, Karl Heinrich) for voices and orchestra |
|
| Lucio Papirio, GraunWV B:I:11 (Graun, Karl Heinrich) for voices and orchestra |
|
| Sinfonia from Lucio Papirio, GraunWV B:I:11 (Graun, Karl Heinrich) for voices and orchestra |
|
| Silla, GraunWV B:I:27 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Silla, GraunWV B:I:27 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Silla, GraunWV B:I:27 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Silla, GraunWV B:I:27 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Silla, GraunWV B:I:27 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Artaserse, GraunWV B:I:8 (Graun, Karl Heinrich) for 6 voices and orchestra |
|
| Artaserse, GraunWV B:I:8 (Graun, Karl Heinrich) for 6 voices and orchestra |
|
| Artaserse, GraunWV B:I:8 (Graun, Karl Heinrich) for 6 voices and orchestra |
|
| Artaserse, GraunWV B:I:8 (Graun, Karl Heinrich) for 6 voices and orchestra |
|
| Artaserse, GraunWV B:I:8 (Graun, Karl Heinrich) for 6 voices and orchestra |
|
| Mitridate, GraunWV B:I:22 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| Mitridate, GraunWV B:I:22 (Graun, Karl Heinrich) for 7 voices, mixed chorus and orchestra |
|
| 18 Cantate da Camera (Albinoni, Tomaso) for soprano and continuo |
1780 |
| Keyboard Concerto in F major (Wolf, Ernst Wilhelm) for keyboard and orchestra |
|
| Violin Sonata in D minor, GraunWV C:XVII:63 (Graun, Johann Gottlieb) for violin and continuo |
|
| Symphony in C major (Kaffka, Johann Christoph) for orchestra |
|
| Symphony in D major (Kaffka, Johann Christoph) for orchestra |
1784 |
| Symphony in E-flat major (Kaffka, Johann Christoph) for orchestra |
1785 |
| Symphony in F major (Kaffka, Johann Christoph) for orchestra |
|
| Violin Sonata in D minor (Graun, Johann Gottlieb) for violin and continuo |
|
| Ombra adorata aspetta (Crescentini, Girolamo) for soprano and orchestra |
|
| Violin Sonata in A major, GraunWV C:XVII:72 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in A minor, GraunWV deest (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in A minor, GraunWV C:XVII:73 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in D minor, GraunWV C:XVII:61 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in D minor, GraunWV C:XVII:62 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in E-flat major, GraunWV C:XVII:64 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in E-flat major, GraunWV C:XVII:65 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in F minor, GraunWV C:XVII:66 (Graun, Johann Gottlieb) for violin and continuo |
|
Sonata for Keyboard 3-Hands in C major (Wolf, Ernst Wilhelm) for keyboard 3 hands
piano 3 hands |
|
Sonata for Keyboard 4-Hands in G major (Wolf, Ernst Wilhelm) for keyboard 4 hands
clavichord 4 hands
piano 4 hands |
|
Sonata for Keyboard 3-Hands in G major (Wolf, Ernst Wilhelm) for keyboard 3 hands
piano 3 hands
clavichord 3 hands |
|
Sonata for Keyboard 3-Hands in F major (Wolf, Ernst Wilhelm) for keyboard 3 hands
piano 3 hands
clavichord 3 hands |
|
| Violin Sonata in G major, GraunWV Av:XVII:35 (Graun, Johann Gottlieb) for violin and continuo |
|
| Violin Sonata in G major, GraunWV Av:XVII:35 (Graun, Johann Gottlieb) for violin and continuo |
|
Aus Gnade seid ihr selig worden, GWV 1139/29 (Graupner, Christoph) for soprano, alto, bass, mixed chorus, strings and continuo
mixed chorus, strings and continuo |
1729 |
| Viola da Gamba Sonata, BuxWV 268 (Buxtehude, Dietrich) for viol and continuo |
|
| Auf Zion schreie Hosianna, GWV 1101/29 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1729 |
| 6 Klavierstücke, Op. 109 (Lachner, Franz Paul) for piano |
1800 |
Concerto No.1 in D major from 12 Concertos, Op. 4 (Zani, Andrea) for violin, strings and continuo
strings and continuo |
|
| Concerto for 2 Oboes and Violin in F major (Linike, Johann Georg) for 2 oboes, violin, strings and continuo |
|
| Concerto for 2 Oboes and Violin in G major (Linike, Johann Georg) for 2 oboes, violin, strings and continuo |
|
| Oboe Concerto in B-flat major, GraunWV Cv:XIII:159 (Graun, Johann Gottlieb) for oboe, strings and continuo |
|
| Violin Concerto in D major, CG.7 (Zani, Andrea) for violin, strings and continuo |
|
| No.1 in D major from 6 Overtures, Op. 1 (Erskine, Thomas Alexander) for orchestra |
|
| No.4 in E flat major from 6 Overtures, Op. 1 (Erskine, Thomas Alexander) for orchestra |
|
6. Concerto No.3 in G minor from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
2. Concerto No.1 in A minor from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
4. Concerto No.2 in Bmajor from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
6. Concerto No.3 in G minor from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
8. Concerto No.4 in C major from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
12. Concerto No.6 in E minor from 6 Sinfonias and 6 Concertos, Op. 2 (Zani, Andrea) for strings and continuo
violin, strings and continuo |
|
| Violin Concerto in G major, CG.23 (Zani, Andrea) for violin, strings and continuo |
|
| 6 Concerti Grossi, Op. 3 (Hellendaal, Pieter) for strings and continuo |
|
| Gott der Herr der Mächtige redet, GWV 1101/33 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1733 |
| 2 Songs (Salieri, Antonio) for 2 voices |
1825 |
Membra Jesu Nostri, BuxWV 75 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, violone and continuo
alto, tenor, bass, 2 violins, violone and continuo
2 sopranos, bass, 5 viols and continuo |
1680 |
Membra Jesu Nostri, BuxWV 75 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, violone and continuo
alto, tenor, bass, 2 violins, violone and continuo
2 sopranos, bass, 5 viols and continuo |
|
| Nocturne for Clarinet and Piano (Baermann, Heinrich) for clarinet and piano |
|
| Militär-Conzert für die Clarinette, Op. 6 (Baermann, Carl) for clarinet and orchestra |
|
| O fons amoris (Cherubini, Luigi) for tenor and male chorus |
1822 |
| Regina coeli (Cherubini, Luigi) for 4 voices and orchestra |
1818 |
Missa Et ecce terræ motus (Brumel, Antoine) for mixed chorus
3 sopranos, 3 altos, 3 tenors and 3 basses |
|
| Ach guter Hirte lass dich finden, GWV 1140/32 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1732 |
| 6 Concertos in 7 Parts, Op. 10 (Avison, Charles) for strings and continuo |
|
Quadro Sonata in F major 'Echo' (Lotti, Antonio) for 2 oboes, cello and continuo
2 oboes and 2 bassoons |
|
| Los magyares (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
1857 |
| Los magyares (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
Il fiore (No.5) from Soirées d’automne à l'Infrascata, A 195-200 (Donizetti, Gaetano) for voice and piano
2 voices and piano |
1800 |
| Trio Sonata in C major (Linike, Johann Georg) for oboe, violin and continuo |
|
Sinfonia in B flat major (No.4) from 6 Sinfonias, Op. 1 (Agrell, Johan) for strings and continuo
2 violins, viola and continuo
orchestra |
|
6 Sinfonias, Op. 1 (Agrell, Johan) for strings and continuo
2 violins, viola and continuo
orchestra |
|
| Symphony in D major, G.490 (Boccherini, Luigi) for orchestra |
|
| 6 Symphonies, Op. 4 (Abel, Carl Friedrich) for orchestra |
|
| 6 Symphonies, Op. 7 (Abel, Carl Friedrich) for orchestra |
1772 |
| Solimano (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Solimano (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Solimano (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Solimano (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| A questa pellegrina (Hasse, Johann Adolph) for alto, strings and continuo |
|
| Violin Concerto in E-flat major (Leclair, Jean-Marie) for violin, strings and continuo |
|
Oboe Concerto in E-flat major (Förster, Christoph) for oboe and strings
oboe, strings and continuo |
|
| Aria of Larinda: Accanto al mio bel foco from Larinda e Vanesio (Hasse, Johann Adolph) for alto and orchestra |
|
| Viola Concerto, Op. 10 (Amon, Johann Andreas) for viola and orchestra |
|
| Overture from Adonis (Walter, Thomas Christian) for voices and orchestra |
|
| Overture from Adonis (Walter, Thomas Christian) for voices and orchestra |
|
Musikalischer Beitrag für Liebhaber des deutschen Singspiels (Kaffka, Johann Christoph) for voices and strings
voices and keyboard |
1785 |
| La Pesca, VB 44 (Kraus, Joseph Martin) for soprano and orchestra |
|
| Segreto tormento (Pergolesi, Giovanni Battista) for soprano, strings and continuo |
|
| Indtoget (Schulz, Johann Abraham Peter) for voices and orchestra |
|
| Indtoget (Schulz, Johann Abraham Peter) for voices and orchestra |
|
| Il Ciro riconosciuto (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Sinfonia from Il Ciro riconosciuto (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Senocrita (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Senocrita (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Senocrita (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Senocrita (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Peters Bryllup (Schulz, Johann Abraham Peter) for voices and orchestra |
|
| Høstgildet (Schulz, Johann Abraham Peter) for voices and orchestra |
|
| Alfonso (Hasse, Johann Adolph) for 8 voices, mixed chorus and orchestra |
1738 |
| Alfonso (Hasse, Johann Adolph) for 8 voices, mixed chorus and orchestra |
|
| Alfonso (Hasse, Johann Adolph) for 8 voices, mixed chorus and orchestra |
|
| Alfonso (Hasse, Johann Adolph) for 8 voices, mixed chorus and orchestra |
|
| Sinfonia from Alfonso (Hasse, Johann Adolph) for 8 voices, mixed chorus and orchestra |
|
| Selections (1732 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Selections (1734 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Selections (1734 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Selections (1734 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Selections (1734 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Selections (1732 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Complete (1734 Version) from Cajo Fabricio (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
1734 |
Trio Sonata in G major, GraunWV D:XV:150 (Graun, Karl Heinrich) for 2 flutes and continuo
flute, violin and continuo |
|
Trio Sonata in G major, GraunWV D:XV:150 (Graun, Karl Heinrich) for 2 flutes and continuo
flute, violin and continuo |
|
| Fantasie, FaWV O:F1 (Fasch, Johann Friedrich) for orchestra |
|
| Complete (1734 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1700 |
| Complete (1734 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1734 |
| Complete (1734 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Complete (1774 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1775 |
| Complete (1774 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1775 |
| Complete (1774 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Complete (1774 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Complete (1774 Version) from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| Sinfonia from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
|
| 1774 Version from Il cantico de' tre fanciulli (Hasse, Johann Adolph) for 5 voices, mixed chorus and orchestra |
1775 |
| Isacco, figura del Redentore (Himmel, Friedrich Heinrich) for voices and orchestra |
|
| Crucifixus a 10 voci (Lotti, Antonio) for 10 voices |
1881 |
| L'amor volubile e tiranno (Scarlatti, Alessandro) for voices and orchestra |
|
| Complete (1749 Rome Version) from Artaserse (Jommelli, Niccolò) for 6 voices and orchestra |
1748 |
| Complete (1756 Stuttgart Version) from Artaserse (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Artaserse (Jommelli, Niccolò) for 6 voices and orchestra |
|
Symphony No.2 in D major from 6 Symphonies (Filtz, Johann Anton) for orchestra
strings and continuo |
|
Symphony No.6 in E-flat major from 6 Symphonies (Filtz, Johann Anton) for orchestra
strings and continuo |
|
| Violin Sonata in F minor (Albicastro, Henricus) for violin and continuo |
|
| Violin Concerto in G major (Guignon, Jean-Pierre) for violin, strings and continuo |
|
| Die lustigen Weiber von Windsor, Kr.306 (Dittersdorf, Carl Ditters von) for voices and orchestra |
1796 |
| Die lustigen Weiber von Windsor, Kr.306 (Dittersdorf, Carl Ditters von) for voices and orchestra |
1796 |
| Sonata No.4 in A minor from 6 Violin Sonatas, Op. 5 (Albicastro, Henricus) for violin and continuo |
|
3 Trietti methodichi e 3 Scherzi (Telemann, Georg Philipp) for 2 violins and continuo
2 flutes and continuo
2 oboes and continuo |
|
| Duetti da camera (Handel, George Frideric) for 2 voices and continuo |
|
| Duetti da camera (Handel, George Frideric) for 2 voices and continuo |
|
| Il diluvio universale (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Il giovedì grasso (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| Il Paria (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| Thora på Rimol, Op. 7 (Borgstrøm, Hjalmar) for voices, mixed chorus and orchestra |
1800 |
| Thora på Rimol, Op. 7 (Borgstrøm, Hjalmar) for voices, mixed chorus and orchestra |
1800 |
| Thora på Rimol, Op. 7 (Borgstrøm, Hjalmar) for voices, mixed chorus and orchestra |
1800 |
| Thora på Rimol, Op. 7 (Borgstrøm, Hjalmar) for voices, mixed chorus and orchestra |
1800 |
| Flute Sonata in E minor (Vogel, Johann Christoph) for flute and continuo |
|
| Das Liebesmahl der Apostel, WWV 69 (Wagner, Richard) for male chorus and orchestra |
1843 |
| Stille Betrachtung an einem Herbstabend, WAB 123 (Bruckner, Anton) for piano |
1863 |
| Stille Betrachtung an einem Herbstabend, WAB 123 (Bruckner, Anton) for piano |
|
| Trio Sonata in D major (Valentini, Giuseppe) for 2 flutes and continuo |
|
| Arrangement of Grande ouverture et marche triomphale, Op. 172 (Ries, Ferdinand) for wind band |
1833 |
| Requiem (Jommelli, Niccolò) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem (Jommelli, Niccolò) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem (Jommelli, Niccolò) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem (Jommelli, Niccolò) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Catalogue Thematique (Ries, Ferdinand) for |
|
Since First I Saw Your Face (Ford, Thomas) for mixed chorus
soprano, alto, tenor and bass |
|
| Overture (Act I) from The Fairy Queen, Z.629 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Suite (21 numbers) from The Fairy Queen, Z.629 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Fantaisie et variations de bravoure sur un thème de Bellini, Op. 3 (Bull, Ole) for violin and orchestra |
|
| Christi Auferstehung (Neukomm, Sigismund) for voices, mixed chorus and orchestra |
|
| Symphony in B-flat major, WV 344 (Wagenseil, Georg Christoph) for strings |
|
| Concerto for 2 Mandolins in G major, RV 532 (Vivaldi, Antonio) for 2 mandolins, strings and continuo |
1700 |
| Jubilate, o amoeni chori, RV 639 (Vivaldi, Antonio) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
1700 |
| Symphony in D major, WV 367 (Wagenseil, Georg Christoph) for orchestra |
|
| Symphony in D major, WV 367 (Wagenseil, Georg Christoph) for orchestra |
|
| Symphony in D major, WV 375 (Wagenseil, Georg Christoph) for orchestra |
|
| Ich bin der Erste und der Letzte, TWV 1:816 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ach Herr, strafe mich nicht, TWV 7:3 (Telemann, Georg Philipp) for 4 voices, strings and continuo |
1723 |
| Sinfonia in A major, MWV 7.107 (Molter, Johann Melchior) for orchestra |
1700 |
| Sinfonia in A major, MWV 7.116 (Molter, Johann Melchior) for orchestra |
1700 |
| Boccaccio (Suppé, Franz von) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Boccaccio (Suppé, Franz von) for guitar, 2 mandolins and mandola |
1930 |
| Arrangement of Ondine (Pugni, Cesare) for 2 violins |
|
| Blah (Rzewski, Frederic) for 8 Unspecified instruments |
2009 |
| Flute Sonata in F major, SpiF 11 (Frederick II) for flute and continuo |
|
| La donna di genio volubile (Portugal, Marcos) for voices and orchestra |
|
| Concertino à 3, ReiF 11.02 (Fiala, Joseph) for violin, viol and cello |
|
| The Legend of Don Munio, Op. 62 (Buck, Dudley) for voices, mixed chorus and orchestra |
1873 |
| Es erhub sich ein Streit (Bach, Johann Christoph) for soprano, alto, tenor, 2 basses, 2 mixed chorus and orchestra |
|
| 3 Piano Quintets, B67-69 (Bomtempo, João Domingos) for 2 violins, viola, cello and piano |
|
| O amor Brazileiro, Op. 45 (Neukomm, Sigismund) for piano |
1819 |
| Chaconne in D major (Capricornus, Samuel) for violin, viol and continuo |
1662 |
| Bei Gott ist mein Heil, GWV 1174/35 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1735 |
| Konzertstück, Op. 12 (Ruygrok, Leo) for cello and orchestra |
1900 |
| John Gabriel Borchman, Op. 15 (Borgstrøm, Hjalmar) for orchestra |
1900 |
| John Gabriel Borchman, Op. 15 (Borgstrøm, Hjalmar) for orchestra |
1900 |
| John Gabriel Borchman, Op. 15 (Borgstrøm, Hjalmar) for orchestra |
|
| Menuet I-II (Nos.4-5) from Arrangement of Menuet I-II (Nos.4-5) from Violin Partita No. 3 in E major, BWV 1006 (Bach, Johann Sebastian) for organ and orchestra |
1982 |
| Herr wie lange willst du mein so gar vergessen, GWV 1121/31 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo |
1731 |
| La passione di Gesù Cristo (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| La passione di Gesù Cristo (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1816 |
| La passione di Gesù Cristo (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1790 |
| Sinfonia in C minor (Burney, Charles) for orchestra |
|
| Sinfonia in C minor (Burney, Charles) for orchestra |
|
| Flute Concerto in A major, SchW A1:005 (Scheibe, Johann Adolph) for flute, strings and continuo |
|
| Flute Concerto in G major, SchW A1:007 (Scheibe, Johann Adolph) for flute, strings and continuo |
|
| Flute Concerto in D major, SchW A1:006 (Scheibe, Johann Adolph) for flute, strings and continuo |
|
Trio Sonata in B-flat major (Heinichen, Johann David) for 2 oboes and continuo
oboe, violin and continuo |
|
| L'archet, Op. 26 (Loeffler, Charles Martin) for soprano, female chorus, viola damore and piano |
|
| Mass in A major (Lotti, Antonio) for soprano, alto, tenor and bass |
1700 |
| Divertimento in D major, H.641 (Bach, Carl Philipp Emanuel) for flute, violin, viola and continuo |
|
| 3 Kleine Vortragsstücke, WAB 124 (Bruckner, Anton) for piano 4 hands |
1853 |
| Falstaff (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Pièces d’orgue sur les 8 tons (Chaumont, Lambert) for organ |
1695 |
| Stabat Mater in C minor (Astorga, Emanuele) for voices and orchestra |
|
| Cello Sonata in A minor, RV 44 (Vivaldi, Antonio) for cello and continuo |
|
| Demofoonte, Wq.3 (Gluck, Christoph Willibald) for 7 voices and orchestra |
|
| Demofoonte, Wq.3 (Gluck, Christoph Willibald) for 7 voices and orchestra |
|
| La Sechia Rapita (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Pièces d'orgue (Dornel, Antoine) for organ |
|
| Concerto in D major, GroF 1231 (Anderssen) for orchestra |
|
| Concerto in D major, GroF 1231 (Anderssen) for orchestra |
|
| Concerto in D major, GroF 1231 (Anderssen) for orchestra |
|
| Cinderella, Op. 87 (Prokofiev, Sergey) for orchestra |
|
| Ungarische Fantasie, Op. 45 (Lehár, Franz) for violin and orchestra |
|
| Ungarische Fantasie, Op. 45 (Lehár, Franz) for violin and orchestra |
|
| Sinfonia from L'eroe cinese (Uttini, Francesco Antonio Baldassare) for voices and orchestra |
|
| Sinfonia from L'eroe cinese (Uttini, Francesco Antonio Baldassare) for voices and orchestra |
|
| Zum goldenen Löwen (Seyfried, Ignaz) for voices and orchestra |
|
| Sinfonia from L'Olimpiade (Uttini, Francesco Antonio Baldassare) for voices and orchestra |
|
| Sinfonia from L'Olimpiade (Uttini, Francesco Antonio Baldassare) for voices and orchestra |
|
| Violin Concerto in E minor, RV 275 (Vivaldi, Antonio) for violin, strings and continuo |
|
Viola Sonata (Clarke, Rebecca) for viola and piano
cello and piano |
|
Concerto in G major, GroF 1232 (Anderssen) for 2 flutes, 2 violins, viola and continuo
2 flutes, strings and continuo |
|
Concerto in G major, GroF 1232 (Anderssen) for 2 flutes, 2 violins, viola and continuo
2 flutes, strings and continuo |
|
Concerto in G major, GroF 1232 (Anderssen) for 2 flutes, 2 violins, viola and continuo
2 flutes, strings and continuo |
|
| Lesson in D major (Nares, James) for keyboard |
|
| Maria de Rudenz (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Maria Padilla (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Responsoria pro Hebdomada Sancta, ZWV 55 (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1723 |
| Responsoria pro Hebdomada Sancta, ZWV 55 (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1850 |
| Responsoria pro Hebdomada Sancta, ZWV 55 (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1833 |
| Violin Sonata, Op. 19 (Mayer, Emilie) for violin and piano |
1800 |
Recercada (Cavazzoni, Marco Antonio) for organ
harpsichord |
|
| Violin Sonata No. 1, Op. 1 (Thuille, Ludwig) for violin and piano |
1880 |
| Alto Trombone Sonata (Anonymous) for trombone and continuo |
|
| Walzerfolge No. 1 aus 'Der Rosenkavalier', TrV 227c (Strauss, Richard) for orchestra |
1944 |
| Complete (1731 Version) from Farnace, RV 711 (Vivaldi, Antonio) for voices and orchestra |
1731 |
| Selections (1731 Version) from Farnace, RV 711 (Vivaldi, Antonio) for voices and orchestra |
1700 |
| Selections (1738 Version) from Farnace, RV 711 (Vivaldi, Antonio) for voices and orchestra |
1738 |
| Hieronymus Knicker, Kr.297 (Dittersdorf, Carl Ditters von) for voices and orchestra |
|
| Sinfonia (Iversen, Johannes Erasmus) for orchestra |
|
| Sinfonia (Iversen, Johannes Erasmus) for orchestra |
|
| Sinfonia (Iversen, Johannes Erasmus) for orchestra |
|
| 6 Sonatas for Harpsichord and Violin, Op. 4 (Graf, Christian Ernst) for violin and harpsichord |
|
| Berenice (Araja, Francesco) for voices and orchestra |
|
| Festliches Preludium, EM 46 (Melartin, Erkki) for organ |
1931 |
| Idaspe (Broschi, Riccardo) for 7 voices and orchestra |
|
| Pastorel che trova al fine from Idaspe (Broschi, Riccardo) for 7 voices and orchestra |
|
| Pia de' Tolomei (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Otto mesi in due ore (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Maria Stuarda (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Maria Stuarda (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1865 |
| Marino Faliero (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Marino Faliero (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Poliuto (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Parisina (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
24 Sonatas (Bertouch, Georg von) for 2 violins and continuo
2 violins, cello and continuo |
|
| Sancia di Castiglia (Donizetti, Gaetano) for voices and orchestra |
1832 |
| Sinfonia from Arrangement of Sinfonia from Rosmonda d'Inghilterra (Donizetti, Gaetano) for piano |
1859 |
| Torquato Tasso (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| String Quartet, Op. 70 (Sinding, Christian) for 2 violins, viola and cello |
1900 |
| Buondelmonte (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1834 |
| Piano Trio No. 2, Op. 64a (Sinding, Christian) for violin, cello and piano |
1900 |
| Ugo, Conte di Parigi (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
| Partita in A major, GWV 148 (Graupner, Christoph) for keyboard |
|
| Ouverture-Suite, TWV 55:a2 (Telemann, Georg Philipp) for recorder, strings and continuo |
|
| Symphony No. 2, Op. 57 (Godard, Benjamin) for orchestra |
1800 |
| 26 Variations on 'La folia di Spagna' (Salieri, Antonio) for orchestra |
1815 |
| Fantasia from Arrangement of Fantasia from Die Csárdásfürstin (Kálmán, Emmerich) for guitar, 2 mandolins and mandola |
1930 |
| In enchiridion de principiis musicae (Podio, Guillermo de) for |
|
| Anacreonte in Samo (Mercadante, Saverio) for voices and orchestra |
1820 |
| Anacreonte in Samo (Mercadante, Saverio) for voices and orchestra |
|
| Costanzo ed Almeriska (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1800 |
| Elena da Feltre (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Adriano in Siria (Mercadante, Saverio) for voices and orchestra |
|
| Elisa e Claudio (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Elisa e Claudio (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Caritea regina di Spagna (Mercadante, Saverio) for voices and orchestra |
|
| Overture from Arrangement of Overture from Caritea regina di Spagna (Mercadante, Saverio) for guitar, 2 mandolins and mandola |
|
| Emma d'Antiochia (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Emma d'Antiochia (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Orazi e Curiazi (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Francesca Donato (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Francesca Donato (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Overture-Suite from Thétis et Pélée (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Taras Bulba (Lysenko, Mykola) for voices, mixed chorus and orchestra |
|
| Giannina e Bernardone (Cimarosa, Domenico) for voices and orchestra |
1781 |
| Arrangement of The Three Ravens (Ravenscroft, Thomas) for voice and piano |
1800 |
| Didone abbandonata (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1822 |
| Didone abbandonata (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Didone abbandonata (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il proscritto (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il podestà di Burgos (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il podestà di Burgos (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il podestà di Burgos (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il geloso ravveduto (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1800 |
| Concerto â 6, Gunnerus XM 55 (Ræhs, Christian) for violin, strings and continuo |
|
| Violin Concerto, Gunnerus XM 56 (Ræhs, Christian) for violin, strings and continuo |
|
| I normanni a Parigi (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il bravo (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il bravo (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1851 |
| Il trionfo della pratica musicale (Veracini, Francesco Maria) for |
|
| Concerto a 6, Gunnerus XM 57 (Ræhs, Christian) for violin, strings and continuo |
|
| Il reggente (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Sinfonia from Il reggente (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il vascello de Gama (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Bianca e Fernando (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| La testa di bronzo (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Messa di Gloria (Mercadante, Saverio) for 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Mottetto per San Gaudenzio (Mercadante, Saverio) for 2 tenors, bass and orchestra |
|
| Le due illustri rivali (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| La rappresaglia (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Ipermestra (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1825 |
| Ipermestra (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Leonora (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| La schiava saracena (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Medea (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Trio Sonata in B-flat major, HWV 388 (Handel, George Frideric) for 2 oboes and continuo |
|
| Trio Sonata in B-flat major, HWV 388 (Handel, George Frideric) for 2 oboes and continuo |
|
| Violenza e costanza (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Statira (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Omaggio a Pacini (Mercadante, Saverio) for orchestra |
1868 |
| Pelagio (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1857 |
| Pelagio (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Kyrie and Gloria ('Missa brevis') from Arrangement of Kyrie and Gloria ('Missa brevis') from Missa Beata Dei genetrix (Palestrina, Giovanni Pierluigi da) for voices and orchestra |
|
| Violetta (Mercadante, Saverio) for voices, mixed chorus and orchestra |
1800 |
| Violetta (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Il pianto di Aretusa (Mercadante, Saverio) for soprano, tenor, mixed chorus and orchestra |
|
| Zaira (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Virginia (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
| Amazilia (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
Keyboard Sonata in D major, CzaR 11 (Rust, Friedrich Wilhelm) for clavichord
piano |
1700 |
| Berta di Varnol (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Furio Camillo (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| L'Eraclea, R.IV.B.5.5 (Albinoni, Tomaso) for |
|
| Son ferito d'un labro di ciglio (Aldrovandini, Giuseppe Antonio Vincenzo) for voice, oboe and continuo |
|
| Gli arabi nelle Gallie (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Gli arabi nelle Gallie (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Bondelmonte (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Bondelmonte (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Gli Elvezi (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Gli Elvezi (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Il barone di Dolsheim (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Il barone di Dolsheim (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Il barone di Dolsheim (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Suite in G major (Pfeiffer, Johann) for orchestra |
|
Sonata in G minor, BeRI 224 (Roman, Johan Helmich) for oboe and continuo
violin and continuo |
|
| Overture in G major (Pfeiffer, Johann) for orchestra |
|
| Capirola Lutebook (Capirola, Vincenzo) for lute |
|
| La Royal (Piroye, Charles) for organ |
|
| Il falegname di Livonia (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La gelosia corretta (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La gioventù di Enrico V (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La schiava in Bagdad (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La schiava in Bagdad (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Ivanhoe (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Agar dans le désert (Arriaga, Juan Crisóstomo de) for soprano and orchestra |
|
| Où vais-je, malheureux (Arriaga, Juan Crisóstomo de) for tenor and orchestra |
|
| Herminie (Arriaga, Juan Crisóstomo de) for soprano and orchestra |
|
| Missa Sancta No. 1, Op. 75a (Weber, Carl Maria von) for soprano, alto, tenor, bass and orchestra |
1818 |
| Missa Sancta No. 1, Op. 75a (Weber, Carl Maria von) for soprano, alto, tenor, bass and orchestra |
1820 |
| Missa Sancta No. 1, Op. 75a (Weber, Carl Maria von) for soprano, alto, tenor, bass and orchestra |
1820 |
| La sposa fedele (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| La sposa fedele (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Sonata for 3 Violins (Oswald, Andreas) for 3 violins and continuo |
|
| Lorenzino de'Medici (Pacini, Giovanni) for voices and orchestra |
|
| Sonata à 3 in D minor, IAB 4 (Bertali, Antonio) for 2 violins, viol and continuo |
|
| Arrangement of Trio Sonata in F major, H.588 (Bach, Carl Philipp Emanuel) for bassoon, viola and continuo |
|
| La regina di Cipro (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Love-Canzonettes (St. Clair, Richard) for mixed chorus |
1990 |
Freut euch, ihr lieben Christen II (Schröter, Leonhard) for voices
mixed chorus |
|
| Margherita Pusterla (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Tutti in maschera (Pedrotti, Carlo) for guitar, 2 mandolins and mandola |
1930 |
| Merope (Pacini, Giovanni) for voices and orchestra |
|
| Cello Sonata in B-flat major, RV 47 (Vivaldi, Antonio) for cello and continuo |
|
| Saffo (Pacini, Giovanni) for voices, mixed chorus and orchestra |
1840 |
| Saffo (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| Stella di Napoli (Pacini, Giovanni) for voices, mixed chorus and orchestra |
|
| 27 Pieces for Bass Viol (Abel, Carl Friedrich) for viol |
|
| Caecilia (Schuyt, Cornelis) for mixed chorus |
|
| Lentezang, Op. 19 (Loots, Philip) for mixed chorus and orchestra |
|
| The Love that Casteth out Fear (Parry, Charles Hubert Hastings) for alto, bass, mixed chorus and orchestra |
1904 |
| A Song of Darkness and Light (Parry, Charles Hubert Hastings) for soprano, mixed chorus and orchestra |
1898 |
| Ouverture-Suite from Issé (Destouches, André Cardinal) for voices, mixed chorus and orchestra |
|
| Petites Pièces d'Orgue (Lanes, Mathieu) for organ |
|
Das newgebohrne Kindelein, BuxWV 13 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, bassoon, 3 violins and continuo
mixed chorus, bassoon, 3 violins and continuo
soprano, alto, tenor, bass, 3 violins, violone and continuo
mixed chorus, 3 violins, violone and continuo
soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
|
| Cello Sonata in E-flat major, RV 39 (Vivaldi, Antonio) for cello and continuo |
|
| First version from Die Wallfahrt nach Kevlaar (Humperdinck, Engelbert) for mezzosoprano, tenor, mixed chorus and orchestra |
|
| Questo silentio ombroso, H.616 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Arrangement of Selections from Didon (Piccinni, Niccolò) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
6 Concertos, Op. 7 (Geminiani, Francesco) for strings and continuo
2 flutes, strings and continuo |
|
| Harpsichord Concerto in C major (Nichelmann, Christoph) for harpsichord and strings |
|
| Violin Concerto in D major (Dubourg, Matthew) for violin, strings and continuo |
|
| Sinfonia in F major (Nichelmann, Christoph) for strings |
|
| Sinfonia in F major (Nichelmann, Christoph) for strings |
|
| Fra i due litiganti il terzo gode (Sarti, Giuseppe) for voices, mixed chorus and orchestra |
|
| Fra i due litiganti il terzo gode (Sarti, Giuseppe) for voices, mixed chorus and orchestra |
|
| Fra i due litiganti il terzo gode (Sarti, Giuseppe) for voices, mixed chorus and orchestra |
|
| Il filosofo di campagna (Galuppi, Baldassare) for voices and orchestra |
|
| Il filosofo di campagna (Galuppi, Baldassare) for voices and orchestra |
|
| Il filosofo di campagna (Galuppi, Baldassare) for voices and orchestra |
|
| Nisi Dominus, HWV 238 (Handel, George Frideric) for alto, tenor, bass, mixed chorus, strings and continuo |
1707 |
6 Lamentationes pro hebdomada sancta, ZWV 53 (Zelenka, Jan Dismas) for alto and orchestra
tenor and orchestra
bass and orchestra
tenor, 2 flutes, 2 cellos and continuo
alto, bassoon, chalumeau, violin and continuo
alto, oboe, bassoon, violin and continuo |
1722 |
6 Lamentationes pro hebdomada sancta, ZWV 53 (Zelenka, Jan Dismas) for alto and orchestra
tenor and orchestra
bass and orchestra
tenor, 2 flutes, 2 cellos and continuo
alto, bassoon, chalumeau, violin and continuo
alto, oboe, bassoon, violin and continuo |
|
| Divertimento in A major, W.Va:A1 (Vanhal, Johann Baptist) for 2 violins, viola and cello |
|
| Cello Sonata in G minor, RV 42 (Vivaldi, Antonio) for cello and continuo |
|
| Cello Sonata in E minor, RV 40 (Vivaldi, Antonio) for cello and continuo |
|
| Elena di Tolosa (Petrella, Errico) for voices, mixed chorus and orchestra |
|
| Celinda (Petrella, Errico) for voices, mixed chorus and orchestra |
1865 |
| Messa e salmi concertati, Op. 4 (Albergati, Pirro Capacelli Conte) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1715 |
| Fragment af Hjemvee, G.48 (Gerson, Georg) for voice and piano |
1825 |
| All'ombra di sospetto, RV 678 (Vivaldi, Antonio) for soprano, flute and continuo |
1700 |
| God is Our Hope and Strength, Op. 8 (Stanford, Charles Villiers) for voices, mixed chorus and orchestra |
1875 |
| Arrangement of España, Op. 236 (Waldteufel, Emile) for guitar, 2 mandolins and mandola |
|
| Duo for Violin and Cello, Op. 2 (Titz, Anton Ferdinand) for violin and cello |
|
| Eden, Op. 40 (Stanford, Charles Villiers) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
1890 |
Sonata No.7 in G minor from 12 Violin Sonatas, Op. 1 (Bigaglia, Diogenio) for violin and continuo
flute and continuo |
|
| Cello Sonata in B-flat major, RV 46 (Vivaldi, Antonio) for cello and continuo |
|
| I. Allegro from Cello Concerto No. 6 in D minor (Duport, Jean-Louis) for cello and strings |
|
| Trio in B major (Bach, Wilhelm Friedemann) for violin and harpsichord |
|
Inclina Domine (Martin, François) for bass, flute, bassoon, 2 violins and continuo
bass and orchestra |
|
| Tiento lleno 5° tono (Bruna, Pablo) for organ |
|
| Pange lingua (Bruna, Pablo) for organ |
|
| Tiento de falsas 2° tono (Bruna, Pablo) for organ |
|
| 6 Organ Trios (Anonymous) for organ |
|
| Les Nations (Couperin, François) for 2 violins and continuo |
|
Allegro in G major, EngK 18 (Kirnberger, Johann Philipp) for keyboard
clavichord |
|
| Concerto for 2 Violins in A major, RV 552 (Vivaldi, Antonio) for violin, strings and continuo |
1740 |
| Modulierendes Präludium (F-e), K.deest (Mozart, Wolfgang Amadeus) for piano |
|
| Kleiner Trauermarsch in C minor, K.453a (Mozart, Wolfgang Amadeus) for piano |
1784 |
| Trio Sonata, TWV 42:E4 (Telemann, Georg Philipp) for flute, violin, cello and continuo |
|
| Gesellschaftslieder, Op. 73 (Reissiger, Carl Gottlieb) for male chorus |
|
6 Fugues, HWV 605-610 (Handel, George Frideric) for harpsichord
keyboard |
|
| Ave Maria (No.1) from Arrangement of Ave Maria (No.1) from 5 Lieder und Gesänge, Op. 19 (Kücken, Friedrich Wilhelm) for viola and piano |
|
| 16 Minuets, K.176 (Mozart, Wolfgang Amadeus) for orchestra |
1773 |
| Arioso (Bull, Ole) for violin and orchestra |
|
| Trio Sonata in G major, S.252 (Heinichen, Johann David) for 2 oboes and continuo |
|
| Der Heilige Berg, Op. 111 (Sinding, Christian) for voices, mixed chorus and orchestra |
1900 |
| Der Heilige Berg, Op. 111 (Sinding, Christian) for voices, mixed chorus and orchestra |
1900 |
| Clarinet Quintet, Op. 34 (Weber, Carl Maria von) for clarinet, 2 violins, viola and cello |
1812 |
| Clarinet Quintet, Op. 34 (Weber, Carl Maria von) for clarinet, 2 violins, viola and cello |
|
| Arrangement of Clarinet Quintet, Op. 34 (Weber, Carl Maria von) for clarinet and piano |
|
| Quintet in E-flat major, G.352 (Op.43/1) from 3 String Quintets, G.352-354 (Op. 43) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Quintet in D major, G.353 (Op.43/2) from 3 String Quintets, G.352-354 (Op. 43) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| String Quintet in B flat major , G.327 from 6 String Quintets, G.325-330 (Op. 31) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| String Quintet in A major , G.329 from 6 String Quintets, G.325-330 (Op. 31) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Selections: G.375 and 372 (Op.50/6 and 3) from 6 String Quintets, G.370-375 (Op. 50) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| Mass No. 1 in D minor (Schuster, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Giacinta ed Ernesto (Benedict, Julius) for voices, mixed chorus and orchestra |
|
| Un anno ed un giorno (Benedict, Julius) for |
|
| Missa 'Salve Regina' (Tinel, Jef) for mixed chorus and organ |
1960 |
8 Fugues (Kirnberger, Johann Philipp) for harpsichord
organ |
|
| Missa e Offertorio in D minor (Naumann, Johann Gottlieb) for 4 voices, mixed chorus and orchestra |
1778 |
| Missa Solennis, KWV 3101 (Kreutzer, Conradin) for soprano, alto, tenor, bass and orchestra |
|
| Ninfe in belli semplicete (Haydn, Michael) for soprano, tenor, mixed chorus and orchestra |
|
| Il Giuseppe riconosciuto (Hasse, Johann Adolph) for 2 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Il Giuseppe riconosciuto (Hasse, Johann Adolph) for 2 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Il Giuseppe riconosciuto (Hasse, Johann Adolph) for 2 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Gli Orazi e i Curiazi (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Gli Orazi e i Curiazi (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Quelle pupille tenere from Arrangement of Quelle pupille tenere from Gli Orazi e i Curiazi (Cimarosa, Domenico) for piano |
|
| Saulle (Andreozzi, Gaetano) for 3 sopranos, tenor and orchestra |
|
| Saulle (Andreozzi, Gaetano) for 3 sopranos, tenor and orchestra |
|
| Jugement de Midas (Grétry, André Ernest Modeste) for voices and orchestra |
|
| Concerto for 2 Violins in C major (Campioni, Carlo Antonio) for 2 violins and orchestra |
|
| Keyboard Sonata in A major, K.113 (Scarlatti, Domenico) for keyboard |
|
Cancionero de Palacio (Various) for voice
2 voices
3 voices
4 voices |
|
| Violin Sonata, VB 157 (Kraus, Joseph Martin) for violin and continuo |
1800 |
| Symphony No. 1, Op. 21 (Sinding, Christian) for orchestra |
1892 |
| Fugue in D minor, K.deest (Mozart, Wolfgang Amadeus) for piano |
|
| Le roi et le fermier (Monsigny, Pierre-Alexandre) for voices, mixed chorus and orchestra |
|
| Le roi et le fermier (Monsigny, Pierre-Alexandre) for voices, mixed chorus and orchestra |
|
| Symphony No. 3, Op. 121 (Sinding, Christian) for orchestra |
1900 |
| 6 Sonatas for Flute, Violin and Harpsichord (Corri, Domenico) for flute, violin and harpsichord |
|
| Choralparaphrase 'Vom Himmel hoch' (Drilo, Danijel) for organ |
1999 |
| Waltzes for Harp (Corsin) for harp |
|
| Adelaide, G.64 (Gerson, Georg) for voice and piano |
1823 |
| Adelaide, G.64 (Gerson, Georg) for voice and piano |
|
4 Variations in F major (Dalvimare, Martin Pierre) for horn and harp
harp and violin |
|
| Colascione Sonatina (August, Peter) for lute |
|
| Autumn Waltz (Foster, Stephen) for piano |
1846 |
| Arrangement of Ob sie meiner wohl, gedenkt, Op. 22 (Proch, Heinrich) for viola and piano |
|
| Flute Concerto in G major, GroF 2143 (Agrell, Johan) for flute, strings and continuo |
|
| Albumblatt in F major (Humperdinck, Engelbert) for violin and piano |
|
| Il Giosuè (Bononcini, Giovanni) for voices, mixed chorus, strings and continuo |
|
| Trio for Flute, Viola and Cello in D major (Croubelis, Simoni dall) for flute, viola and cello |
|
| Sinfonia in C major, T.Mi 2 (Albinoni, Tomaso) for orchestra |
|
| Recorder Concerto in C minor, RV 441 (Vivaldi, Antonio) for recorder, strings and continuo |
1700 |
| Keyboard Sonata in C major, K.159 (Scarlatti, Domenico) for keyboard |
|
| Sonata for Harpsichord and Violin in A major (Agrell, Johan) for violin and harpsichord |
|
Harpsichord Concerto in A major (Felici, Alessandro) for harpsichord and strings
harpsichord and orchestra |
|
| Symphony 1903 (Marteau, Henri) for orchestra |
|
Sonata in D major (No.3) from 6 Harpsichord Sonatas (Campioni, Carlo Antonio) for harpsichord
violin and harpsichord |
|
Sonata in G major (No.6) from 6 Harpsichord Sonatas (Campioni, Carlo Antonio) for harpsichord
violin and harpsichord |
|
| Giuseppe riconosciuto (Duni, Egidio) for voices and orchestra |
|
| Reverie (Parma, Viktor) for violin and piano |
|
| Sinfonia in D major, G.9 (Torelli, Giuseppe) for trumpet, strings and continuo |
|
| Sonata à 5 in E-flat major (Furchheim, Johann Wilhelm) for bassoon, 2 violins, 2 violas and continuo |
|
| 6 Harpsichord Trios (Filtz, Johann Anton) for violin, cello and harpsichord |
|
| 6 Harpsichord Trios (Filtz, Johann Anton) for violin, cello and harpsichord |
|
| Ode to Music (Parry, Charles Hubert Hastings) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1901 |
Cello Concerto in D major (Silva, Policarpo José António da) for cello and strings
cello, strings and continuo |
|
| Beyond These Voices There is Peace (Parry, Charles Hubert Hastings) for soprano, bass, mixed chorus and orchestra |
1908 |
| In jener letzten der Nächte, WAB 17 (Bruckner, Anton) for voice and organ |
1800 |
| In jener letzten der Nächte, WAB 17 (Bruckner, Anton) for voice and organ |
|
| Arrangement of In jener letzten der Nächte, WAB 17 (Bruckner, Anton) for mixed chorus |
|
| Arrangement of In jener letzten der Nächte, WAB 17 (Bruckner, Anton) for mixed chorus |
|
| In jener letzten der Nächte, WAB 17 (Bruckner, Anton) for voice and organ |
|
| String Quartet No. 2 (Heise, Peter) for 2 violins, viola and cello |
1852 |
| The Vision of Life (Parry, Charles Hubert Hastings) for soprano, bass, mixed chorus and orchestra |
1907 |
| Harpsichord Concerto in E-flat major, G.487 (Boccherini, Luigi) for harpsichord and orchestra |
|
| Ode on St. Cecilia's Day (Parry, Charles Hubert Hastings) for soprano, baritone, mixed chorus and orchestra |
|
| Lyrik II, Op. 127 (Melartin, Erkki) for piano |
1900 |
| Cello Sonata No. 2, Op. 79 (Gernsheim, Friedrich) for cello and piano |
1906 |
| Allegro giusto, Op. 39 (Thuille, Ludwig) for violin and piano |
|
| 7 Variations, Op. 15 (Nitschmann, Heinrich) for violin and piano |
|
| Prediget von denen Gerechten, GWV 1138/34 (Graupner, Christoph) for soprano, alto, tenor, bass, orchestra and continuo |
1734 |
| Sonata à 7 Flauti in G major (Schmelzer, Johann Heinrich) for 7 recorders and continuo |
1667 |
| Trio Sonata in G major, BuxWV 271 (Buxtehude, Dietrich) for 2 violins, viol and continuo |
|
| Partita in C minor (Anonymous) for viola damore, viol and continuo |
|
Wer unter dem Schirm des Höchsten, GWV 1120/51 (Graupner, Christoph) for soprano, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
1751 |
| Concerto for Recorder and Bassoon, TWV 52:F1 (Telemann, Georg Philipp) for recorder, bassoon, strings and continuo |
|
| O salutaris No. 2, AWV 69 (Auber, Daniel François Esprit) for mixed chorus and organ |
1800 |
| Concerto for 2 Violins and Bassoon, TWV 53:D4 (Telemann, Georg Philipp) for bassoon, 2 violins, strings and continuo |
|
| Ach sagt mir nichts von Gold und Schätzen, GWV 1142/34 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1734 |
Pièces de clavecin avec voix ou violon, Op. 5 (Mondonville, Jean-Joseph Cassanéa de) for harpsichord and soprano
violin and harpsichord
soprano, violin and harpsichord |
|
Meine Sünden betrüben mich, P.364 (Pachelbel, Johann) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Song of Saint Francis, Op. 36 (Davies, Walford) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1912 |
| Noble Numbers, Op. 28 (Davies, Walford) for soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
1909 |
Llibre Vermell de Montserrat (Various) for 2 voices
3 voices
4 voices |
|
| Concerto for 2 Oboes and Trumpet, TWV 53:D2 (Telemann, Georg Philipp) for 2 oboes, trumpet, strings and continuo |
|
| Concerto for 2 Oboes and Trumpet, TWV 53:D2 (Telemann, Georg Philipp) for 2 oboes, trumpet, strings and continuo |
|
| Trumpet Concerto, TWV 51:D7 (Telemann, Georg Philipp) for trumpet, strings and continuo |
|
Keyboard Concerto in C major, Hob.XVIII:1 (Haydn, Joseph) for organ and orchestra
harpsichord and orchestra |
|
| Concerto in C major, RV 555 (Vivaldi, Antonio) for orchestra |
1700 |
| Andante quasi allegretto (Backer-Grøndahl, Agathe) for piano and orchestra |
1800 |
| Oboe Concerto, FaWV L:d2 (Fasch, Johann Friedrich) for oboe, strings and continuo |
1735 |
| Ouverture-Suite, TWV 55:D8 (Telemann, Georg Philipp) for trumpet, strings and continuo |
|
| Meditatio (Drilo, Danijel) for organ |
2006 |
| Scherzo for Orchestra (Backer-Grøndahl, Agathe) for orchestra |
1869 |
| Arrangement of Scherzo for Orchestra (Backer-Grøndahl, Agathe) for piano 4 hands |
1869 |
| Arrangement of Scherzo for Orchestra (Backer-Grøndahl, Agathe) for piano |
1869 |
| Oboe Concerto, FaWV L:g1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Oboe Concerto, FaWV L:g1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
Concerto for 3 Trumpets and Timpani, TWV 54:D3 (Telemann, Georg Philipp) for 3 trumpets, timpani and orchestra
2 oboes, 3 trumpets and orchestra
orchestra |
|
| Ouverture-Suite, TWV 55:B8 (Telemann, Georg Philipp) for strings and continuo |
|
| Variations in E-flat major, Hob.XVII:3 (Haydn, Joseph) for keyboard |
|
| Morceau symphonique, Op. 88 (Guilmant, Alexandre) for trombone and piano |
1902 |
14 Canons, BWV 1087 (Bach, Johann Sebastian) for keyboard
2 Unspecified instruments
3 Unspecified instruments
4 Unspecified instruments
5 Unspecified instruments
6 Unspecified instruments |
1700 |
| Céphale et Procris (Jacquet de La Guerre, Elisabeth) for voices, mixed chorus and orchestra |
1694 |
| Prologue from Céphale et Procris (Jacquet de La Guerre, Elisabeth) for voices, mixed chorus and orchestra |
1696 |
| Medea, L.477 (Benda, Georg) for voices and orchestra |
1778 |
| Medea, L.477 (Benda, Georg) for voices and orchestra |
|
| Il prigioniero fortunato, R.346.36 (Scarlatti, Alessandro) for voices and orchestra |
|
| Il prigioniero fortunato, R.346.36 (Scarlatti, Alessandro) for voices and orchestra |
|
Notturno und Romanze, Op. 11 (Nitschmann, Heinrich) for violin and piano
viola and piano |
|
| Also ists geschrieben, GWV 1130/47 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1747 |
Fantasies and Preludes, Giedde I.45 (Quantz, Johann Joachim) for flute and continuo
flute |
|
| Alle die vor mir kommen sind, GWV 1140/47 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1747 |
Wo sich der Gottlose bekehret, GWV 1144/47 (Graupner, Christoph) for soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
1747 |
| Alla Mazurka, Op. 17 (Nitschmann, Heinrich) for violin and piano |
|
| Mass in C major, Hob.XXII:5 (Haydn, Joseph) for voices, mixed chorus and orchestra |
|
| Magnificat, RV 610 (Vivaldi, Antonio) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
1700 |
| Jeux à l’honneur de la Victoire (Jacquet de La Guerre, Elisabeth) for |
|
| Jeux à l’honneur de la Victoire (Jacquet de La Guerre, Elisabeth) for |
|
| Ouverture-Suite, TWV 55:f1 (Telemann, Georg Philipp) for orchestra |
|
| 6 String Quartets, Op. 12 (Kreusser, Georg Anton) for 2 violins, viola and cello |
|
| Concerto for Violin, Piano and Strings (Mendelssohn, Felix) for violin, piano and strings |
1823 |
| Concerto for Violin, Piano and Strings (Mendelssohn, Felix) for violin, piano and strings |
|
| Concerto for 2 Oboes, FaWV L:G9 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
1700 |
| Concerto for 2 Oboes, FaWV L:G9 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
|
| Allegro from Concerto for 2 Oboes, FaWV L:G9 (Fasch, Johann Friedrich) for 2 oboes, strings and continuo |
|
| Concerto, FaWV L:G10 (Fasch, Johann Friedrich) for 2 oboes, bassoon, strings and continuo |
|
| Canon for 4 Voices in B-flat major, K.562a (Mozart, Wolfgang Amadeus) for 4 voices |
1700 |
| Jesu corona virginum, ZWV 116 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
|
| Veni Creator Spiritus, ZWV 119 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
|
Haec dies, ZWV 170 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
1700 |
Romance (Balbastre, Claude-Bénigne) for organ
harpsichord
mechanical instrument
keyboard |
|
| Demofoonte (Galuppi, Baldassare) for 8 voices and orchestra |
|
| Demofoonte (Galuppi, Baldassare) for 8 voices and orchestra |
|
| Missa Paschalis, ZWV 7 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Missa Paschalis, ZWV 7 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa Sanctissimae Trinitatis, ZWV 17 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| L'Esprit Follet, Op. 48 (Sarasate, Pablo de) for violin and orchestra |
1902 |
| Armida (Traetta, Tommaso) for 7 voices, mixed chorus and orchestra |
|
| Armida (Traetta, Tommaso) for 7 voices, mixed chorus and orchestra |
|
Sonntag im Walde, Op. 13 (Nitschmann, Heinrich) for soprano, alto, tenor and bass
soprano, 2 altos and bass
mixed chorus |
|
Metodo per Violoncello (Dotzauer, Friedrich) for cello
2 cellos |
|
| Keyboard Sonata in G major, K.104 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in F major, K.106 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in F major, K.107 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in C minor, K.115 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in D minor, K.120 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in G minor, K.121 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in D major, K.122 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in E-flat major, K.123 (Scarlatti, Domenico) for keyboard |
|
| I matrimoni in maschera (Rutini, Giovanni Marco) for voices and orchestra |
|
| I matrimoni in maschera (Rutini, Giovanni Marco) for voices and orchestra |
|
| Keyboard Sonata in G major, K.124 (Scarlatti, Domenico) for keyboard |
|
| Salve Regina in E minor (Pergolesi, Giovanni Battista) for voice, strings and continuo |
|
| Ouverture-Suite, TWV 55:D15 (Telemann, Georg Philipp) for orchestra |
|
| Trio Sonata in E-flat major, GraunWV C:XV:82 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Concerto for 2 Oboes in F major, S.D940 (Marcello, Alessandro) for 2 oboes, strings and continuo |
|
| Herr, wenn ich nur Dich hab, BuxWV 38 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
1680 |
| In dulci jubilo, BuxWV 52 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins and continuo |
|
| Lágrima (Tárrega, Francisco) for guitar |
|
| Concerto Grosso in D major, R.533.2 (Scarlatti, Alessandro) for orchestra |
1715 |
| Harpsichord Trio in F major (Lang, Johann Georg) for violin, cello and harpsichord |
|
Lobe den Herrn meine Seele, BuxWV 71 (Buxtehude, Dietrich) for tenor, 3 violins, 2 violas and continuo
tenor, 3 violins, 2 violas, violone and continuo |
|
Fair Daffodils (Sullivan, Arthur) for mixed chorus and piano
soprano, alto, tenor, bass and piano |
1857 |
| Ouverture-Suite, FaWV K:D4 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D4 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto for 2 Flutes, Oboe and Violin, TWV 54:B1 (Telemann, Georg Philipp) for 2 flutes, oboe, violin, strings and continuo |
|
| Litaniae Lauretanae (Brentner, Johann) for soprano, alto, tenor, bass, strings and continuo |
|
| Flute Sonata in C minor, SpiF 190 (Frederick II) for flute and continuo |
|
| The Oak (Price, Florence) for orchestra |
|
Concerto No.4 in F major from 6 Concertos, Op. 8 (Pepusch, John Christopher) for 2 flutes, 2 recorders and continuo
2 recorders, 2 oboes and continuo
2 recorders, 2 violins and continuo |
|
| Thyrsis, Sleepest Thou (Bennet, John) for 4 voices |
|
| Missus est angelus Gabriel (Peranda, Marco Gioseppe) for 2 sopranos, bass, mixed chorus and orchestra |
|
| Fasciculus myrrhae (Peranda, Marco Gioseppe) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1690 |
| Sursum deorsum (Peranda, Marco Gioseppe) for 3 sopranos, 3 violins and continuo |
|
| L'amor coniugale (Mayr, Giovanni Simone) for voices, mixed chorus and orchestra |
1800 |
| Introduction from L'amor coniugale (Mayr, Giovanni Simone) for voices, mixed chorus and orchestra |
|
| Die Liebe Gottes ist ausgegossen in unser Herz (Erlebach, Philipp Heinrich) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Harpsichord Trio (Monza, Carlo) for violin, cello and harpsichord |
|
14 Sonates ou Concerts (Roger, Estienne) for trumpet, 3 violins and continuo
trumpet, 2 violins, viola and continuo
trumpet, strings and continuo
2 violins, strings and continuo
strings and continuo
4 violins, viola and continuo
3 violins and continuo
2 violins, viola and continuo
2 violins and continuo |
|
| Cadenzas from Arrangement of Cadenzas from Violin Sonata in G minor, GT 2.g05 (Tartini, Giuseppe) |
1871 |
Meslanges à 2, 3, 4 et 5 parties (Du Mont, Henry) for voices and continuo
organ
4 viols |
1661 |
| Alles was ihr bittet, GWV 1135/48 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1748 |
| Alles was mir mein Vater gibt, GWV 1141/48 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1748 |
| Ach lass dich unsers Elends jammern, GWV 1119/37 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1737 |
| Concerto for 2 Oboes and Bassoon, TWV 53:g1 (Telemann, Georg Philipp) for 2 oboes, bassoon, strings and continuo |
|
| Concerto à 4, TWV 43:D4 (Telemann, Georg Philipp) for flute, violin, viola and continuo |
|
| Concerto à 4, TWV 43:E2 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto à 4, TWV 43:B1 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Symphony in F major, K.Anh.223/19a (Mozart, Wolfgang Amadeus) for orchestra |
|
| Trio Sonata, TWV 42:A11 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Violin Concerto, TWV 51:A3 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Cello Sonata in A major (Vivaldi, Antonio) for cello and continuo |
|
| Ouverture-Suite, TWV 55:e2 (Telemann, Georg Philipp) for strings and continuo |
|
| Trio Sonata, TWV 42:g8 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Ouverture-Suite, TWV 55:G9 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:e4 (Telemann, Georg Philipp) for strings and continuo |
|
| Ich bin die Auferstehung und das Leben, BuxWV 44 (Buxtehude, Dietrich) for bass, 2 cornetts, bassoon, 2 trumpets, 2 violins, 2 violas and continuo |
|
| Ouverture-Suite, TWV 55:C1 (Telemann, Georg Philipp) for strings and continuo |
|
| Quanti sospiri quanti crudel martiri (Ariosti, Attilio) for soprano and continuo |
|
| Sinfonia in C major, ULB Mus Ms 121-1 (Brioschi, Antonio) for strings and continuo |
|
| Deh chi alla tetra idea (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Già la notte si avvicina (Ferrandini, Giovanni Battista) for soprano, orchestra and continuo |
|
| Grande Augusto ricevi fra tanti ardenti voti (Hasse, Johann Adolph) for soprano, orchestra and continuo |
|
| Senz'attender che di maggio (Hasse, Johann Adolph) for soprano, orchestra and continuo |
|
| Nice a Tirsi (Ristori, Giovanni Alberto) for soprano, orchestra and continuo |
|
| Posa d'un faggio all'ombra (Ristori, Giovanni Alberto) for soprano, orchestra and continuo |
|
| Lavinia a Turno, M.144 (Ristori, Giovanni Alberto) for soprano, orchestra and continuo |
|
| Didone abbandonata (Ristori, Giovanni Alberto) for soprano, strings and continuo |
|
| No, perdonami, oh Clori (Ferrandini, Giovanni Battista) for soprano, orchestra and continuo |
|
| Concertino For 2 Horns and Orchestra, Op. 45 (Kuhlau, Friedrich) for 2 horns and orchestra |
1945 |
| Cello Concerto No. 7, Op. 44 (Romberg, Bernhard) for cello and orchestra |
|
| Idyll, Op. 44 (Coleridge-Taylor, Samuel) for orchestra |
|
| The Old Bachelor, Z.607 (Purcell, Henry) for voice and orchestra |
|
| String Quartet, Op. 5 (Paine, John Knowles) for 2 violins, viola and cello |
1800 |
| Preludes and Fugues (Seger, Josef Ferdinand Norbert) for organ |
|
| Arrangement of 6 Norwegian Mountain Melodies (Grieg, Edvard) for orchestra |
|
| Che dura pena è questa, L.28 (Astorga, Emanuele) for soprano and continuo |
|
| Lontananza crudel (Ariosti, Attilio) for soprano and continuo |
|
| Quel Angel che sciolto (Ariosti, Attilio) for soprano and continuo |
|
| Lungi son io dal caro mio (Ariosti, Attilio) for soprano and continuo |
|
| Sento dirmi con placide (Ariosti, Attilio) for soprano and continuo |
|
| Incolte piante erbe odorose (Ariosti, Attilio) for soprano and continuo |
|
| Morto è Amor Ninfe piangete (Ariosti, Attilio) for soprano and continuo |
|
| Nice quella severa (Ariosti, Attilio) for soprano and continuo |
|
| Ecco che già ritorna (Ariosti, Attilio) for soprano and continuo |
|
| Mentre dormi à Nice (Ariosti, Attilio) for soprano and continuo |
|
| Con brachi assai (Giovanni da Cascia) for 3 voices |
|
Per larghi prati (Giovanni da Cascia) for 3 voices
soprano and 2 tenors |
|
| Per isparverare tolsi el mio sparvero (Jacopo da Bologna) for 3 voices |
|
| Ogelletto siluagio per stagione (Jacopo da Bologna) for 3 voices |
|
| La vendetta di Nino (Prati, Alessio) for |
|
| Tosto che l'alba (Gherardello da Firenze) for 3 voices |
|
| La Maddalena a'piedi di Cristo (Bononcini, Giovanni) for voices, mixed chorus and orchestra |
|
| Oboe Concerto in E-flat major, IGS 13 (Sammartini, Giuseppe) for oboe, strings and continuo |
|
| La messagera (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Non più silenzio o Muse (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Più facil trattener (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| All'apparir della vermiglia aurore (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Che non può (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Dell'idol mio traffitto (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Gelsomin che superbetto (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Serbar mi vuoi fedele (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Tinte à notte di sangue (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| An Wasserflüssen Babylon, P.18 (Pachelbel, Johann) for organ |
|
| Ihr Herzen räumt die Sünde aus, GWV 1138/39 (Graupner, Christoph) for soprano, alto, tenor, 2 basses and orchestra |
1739 |
Minuet in G major, BWV Anh.114 (Pezold, Christian) for harpsichord
keyboard |
|
| Romanze, Op. 7 (Volkmann, Robert) for cello and piano |
|
| Con troppo rigore (Ariosti, Attilio) for soprano and continuo |
|
| Lisetta mi tradisti (Ariosti, Attilio) for soprano and continuo |
|
| Tante e tante del ciel (Ariosti, Attilio) for soprano and continuo |
|
| Tante e tante del ciel (Ariosti, Attilio) for soprano and continuo |
|
| A te bella cagion (Ariosti, Attilio) for soprano and continuo |
|
| Luci voi siete quelle (Ariosti, Attilio) for soprano and continuo |
|
| Luci voi siete quelle (Ariosti, Attilio) for soprano and continuo |
|
| Sento il cor che dice spera (Ariosti, Attilio) for soprano, 2 chalumeaus and continuo |
|
| Solomon (Boyce, William) for soprano, tenor, mixed chorus and orchestra |
|
Trio Sonata, TWV 42:e5 (Telemann, Georg Philipp) for oboe, violin and continuo
oboe, viol and continuo |
|
| String Quartet No. 1, Op. 61 (Kalliwoda, Johann Wenzel) for 2 violins, viola and cello |
|
| Ach was hab ich ausgerichtet, GWV 1163/39 (Graupner, Christoph) for alto, tenor, bass, mixed chorus and orchestra |
1739 |
| E in sen mi resta (Ariosti, Attilio) for soprano and orchestra |
|
| Sinfonia in D major, ULB Mus Ms 121-2 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in D major, ULB Mus Ms 121-3 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in D major, ULB Mus Ms 121-4 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in D major, ULB Mus Ms 121-5 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in D major, ULB Mus Ms 121-6 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in E-flat major, ULB Mus Ms 121-7 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in E-flat major, ULB Mus Ms 121-8 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in E-flat major, ULB Mus Ms 121-9 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in E-flat major, ULB Mus Ms 121-10 (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in E-flat major, ZieC 3.46 (Camerloher, Placidus von) for strings and continuo |
|
| Electra (Cannabich, Christian) for narrator and orchestra |
1781 |
| Electra (Cannabich, Christian) for narrator and orchestra |
1781 |
| Full ULB Resolution from Electra (Cannabich, Christian) for narrator and orchestra |
1781 |
| Violin Sonata in A major (Schnittelbach, Nathanael) for violin and continuo |
1662 |
| Te Deum (Mercadante, Saverio) for mixed chorus and orchestra |
|
| La bella Arsene (Martín y Soler, Vicente) for orchestra |
|
| La Danza (Mercadante, Saverio) for orchestra |
|
| Psyché (Bolsène, Armand) for orchestra |
|
| Ifigenia in Aulide (Martín y Soler, Vicente) for 6 voices and orchestra |
|
| La danza augurale (Mercadante, Saverio) for soprano, tenor, bass and orchestra |
1800 |
| I puntigli delle donne (Spontini, Gaspare) for voices, male chorus and orchestra |
1700 |
| I portoghesi in Goa (Benedict, Julius) for voices, mixed chorus and orchestra |
|
| Trumpet Concerto, FaWV L:D1 (Fasch, Johann Friedrich) for trumpet and orchestra |
|
| March in C major, ULB Mus Ms 1223-10 (Wagner, Karl Jacob) for 6 trumpets and timpani |
|
| Romolo ed Ersilia, ED.10:G6 (Mysliveček, Josef) for 6 voices, mixed chorus and orchestra |
|
| 2 Marches, ULB Mus Ms 1223-12 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets |
|
| 2 Marches, ULB Mus Ms 1223-13 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons and trumpet |
|
| 7 Marches, ULB Mus Ms 1223-07 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 4 trumpets and timpani |
|
| Instrumental piece in C minor, ULB Mus.Ms.1223-09 (Anonymous) for 2 oboes, 2 bassoons and trumpet |
|
| March in B-flat major, ULB Mus Ms 1223-11 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets |
|
| March in D major, ULB Mus Ms 1223-32 (Chiarini, Pietro) for harpsichord |
|
| March in E-flat major, ULB Mus Ms 1223-03 (Anonymous) for 2 clarinets, 2 horns, 2 trumpets and continuo |
|
| March in E-flat major, ULB Mus Ms 1223-04 (Anonymous) for 2 oboes, 2 clarinets, 2 horns, 2 trumpets and continuo |
|
| March in E-flat major, ULB Mus Ms 1223-05 (Anonymous) for 2 clarinets, 2 horns, 2 trumpets and continuo |
|
| March in E-flat major, ULB Mus Ms 1223-06 (Anonymous) for 2 flutes, 2 clarinets, bassoon, 2 horns, 2 trumpets and serpent |
|
| March in E-flat major, ULB Mus Ms 1223-14 (Anonymous) for oboe, 2 clarinets, 2 bassoons and trumpet |
|
| March in E-flat major, ULB Mus Ms 1223-15 (Anonymous) for 2 clarinets, bassoon, 2 horns and trumpet |
|
| March in E-flat major, ULB Mus Ms 1223-16 (Anonymous) for 2 clarinets, 2 bassoons, 2 horns and trumpet |
|
| Echo à 6 in B-flat major, ULB Mus Ms 1223-23 (Gross) for 3 oboes, 2 bassoons and trumpet |
|
| Parade in E-flat major, ULB Mus Ms 1223-24 (Brösel) for 2 oboes, 2 bassoons and trumpet |
|
| Parade in E-flat major, ULB Mus Ms 1223-2 (Brösel) for 2 oboes, 2 bassoons and trumpet |
|
| Parade in E-flat major, ULB Mus Ms 1223-1 (Brösel) for 2 oboes, 2 bassoons and trumpet |
|
| 20 Dances (Graupner, Christoph) for harpsichord |
|
| March in G major, ULB Mus Ms 1223-27 (Anonymous) for 2 flutes, 2 clarinets, 2 horns and trumpet |
|
| 6 Marches, ULB Mus Ms 1223-19 (Anonymous) for oboe, 2 clarinets, bassoon, 2 horns and 2 trumpets |
|
| 2 Marches, ULB Mus Ms 1223-20 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets |
|
| 2 Marches, ULB Mus Ms 1223-21 (Anonymous) for 4 clarinets, bassoon, 2 horns and 2 trumpets |
|
2 Marches, ULB Mus Ms 1223-22 (Anonymous) for 2 clarinets, bassoon, 2 horns and trumpet
2 oboes, 2 clarinets, bassoon and trumpet |
|
| 4 Marches, ULB Mus Ms 1223-31 (Anonymous) for 2 sopranos and bass |
|
| March in B-flat major, ULB Mus Ms 1223-30 (Anonymous) for 2 oboes, bassoon and 2 trumpets |
|
| March in C major, ULB Mus Ms 1223-25 (Anonymous) for piccolo, 4 clarinets, bassoon, 2 horns and 2 trumpets |
|
| March in C major, ULB Mus Ms 1223-26 (Anonymous) for wind ensemble and brass ensemble |
|
| March in C major, ULB Mus Ms 1223-28 (Anonymous) for 2 clarinets, bassoon, 2 horns and trumpet |
|
| March in C major, ULB Mus Ms 1223-29 (Anonymous) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and trumpet |
|
| March in F major, ULB Mus Ms 1223-18 (Anonymous) for 2 oboes, 2 bassoons and 2 trumpets |
|
| Trio Sonata in G minor (Chelleri, Fortunato) for 2 oboes and continuo |
|
Non più! Tutto ascoltai, K.490 (Mozart, Wolfgang Amadeus) for 2 sopranos and orchestra
soprano, tenor and orchestra |
|
| Overture from Le carnaval de Venise (Thomas, Ambroise) for voices, mixed chorus and orchestra |
|
La diavolessa (Galuppi, Baldassare) for 8 voices and orchestra
8 voices, mixed chorus and orchestra |
|
La diavolessa (Galuppi, Baldassare) for 8 voices and orchestra
8 voices, mixed chorus and orchestra |
|
Overture from La diavolessa (Galuppi, Baldassare) for 8 voices and orchestra
8 voices, mixed chorus and orchestra |
|
| Missa sopra 'Ein Kindelein so löbelich', TWV 9:5 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and continuo |
|
| Arrangement of Selections from Bohemios (Vives, Amadeo) for guitar, lute and bandurria |
|
| Doctor und Apotheker, Kr.292 (Dittersdorf, Carl Ditters von) for voices, mixed chorus and orchestra |
|
| Doctor und Apotheker, Kr.292 (Dittersdorf, Carl Ditters von) for voices, mixed chorus and orchestra |
|
| Doctor und Apotheker, Kr.292 (Dittersdorf, Carl Ditters von) for voices, mixed chorus and orchestra |
1700 |
| Arrangement of Selections from Doctor und Apotheker, Kr.292 (Dittersdorf, Carl Ditters von) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Violin Concerto in G major, MH 52 (Haydn, Michael) for violin and strings |
|
| Méthode de guitare et divertissements favoris (Huerta, Francisco Trinidad) for guitar |
1861 |
| Cello Concerto, Op. 7 (Marteau, Henri) for cello and orchestra |
|
| Juditha Triumphans, RV 644 (Vivaldi, Antonio) for voices, female chorus and orchestra |
|
| Sonata à 8 in C major (Höffner, Anton) for bassoon, 2 trumpets, 2 violins, 3 violas and continuo |
|
| Befleissige dich Gott zu erzeigen, GWV 1117/40 (Graupner, Christoph) for soprano, tenor, bass and orchestra |
1740 |
| Qual cara fiamma io senta (Ariosti, Attilio) for soprano and continuo |
|
| Se lontan stà l'Idol mio (Ariosti, Attilio) for soprano and continuo |
|
| Giulio Sabino (Sarti, Giuseppe) for voices and orchestra |
|
| Giulio Sabino (Sarti, Giuseppe) for voices and orchestra |
|
| Revision (Mazzinghi) from Arrangement of Revision (Mazzinghi) from Giulio Sabino (Sarti, Giuseppe) for |
|
| Wilhelm Tell (Anonymous) for orchestra |
|
| Ouverture-Suite, TWV 55:g2 'La Changeante' (Telemann, Georg Philipp) for strings and continuo |
|
| Ach sagt mir nichts von Gold und Schätzen, GWV 1142/40 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1700 |
| Concerto for Flute and Oboe in G minor, S.238 (Heinichen, Johann David) for flute, oboe, strings and continuo |
|
| Oboe Concerto in G minor, S.237 (Heinichen, Johann David) for oboe, strings and continuo |
|
Trio Sonata, FaWV N:F5 (Fasch, Johann Friedrich) for recorder, bassoon and continuo
violin, viola and continuo |
|
| Concerto in D major (Lazzari, Ferdinando Antonio) for 2 trumpets, strings and continuo |
|
| Overture from Euphrosine (Méhul, Etienne Nicolas) for voices, mixed chorus and orchestra |
|
| Baryton Trio in A minor, Hob.XI:87 (Haydn, Joseph) for viola, cello and baryton |
|
| Concerto for 2 Oboes in E minor, S.222 (Heinichen, Johann David) for 2 oboes, strings and continuo |
|
| Flute Concerto in D major, S.225 (Heinichen, Johann David) for flute, strings and continuo |
|
| Violin Concerto in D major, S.224 (Heinichen, Johann David) for violin, strings and continuo |
|
| Sonata in B-flat major, S.257 (Heinichen, Johann David) for 2 oboes, bassoon and continuo |
|
| Trio Sonata in C minor, S.258 (Heinichen, Johann David) for oboe, violin and continuo |
|
| Trio Sonata in G major, S.243 (Heinichen, Johann David) for flute, oboe and continuo |
|
| Concerto in G major, S.217 (Heinichen, Johann David) for orchestra |
|
| Concerto in G major, S.215 (Heinichen, Johann David) for orchestra |
|
| Oboe Concerto in G major, S.216 (Heinichen, Johann David) for oboe, strings and continuo |
|
| Ouverture-Suite in C minor, Mus Ms 261-04 (Endler, Johann Samuel) for strings and continuo |
1700 |
| Trio Sonata in G major, S.246 (Heinichen, Johann David) for oboe, violin and continuo |
|
| Trio Sonata in G major, S.246 (Heinichen, Johann David) for oboe, violin and continuo |
|
| Sinfonia in G major, IJJ 18 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in G major, IJJ 18 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in G major, IJJ 17 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in E major, IJJ 10 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in B-flat major, IJJ 7 (Janitsch, Johann Gottlieb) for orchestra |
|
| Sinfonia in E-flat major, IJJ 13 (Janitsch, Johann Gottlieb) for orchestra |
|
| Sinfonia in F major, IJJ 15 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Concerto in G major, S.214 (Heinichen, Johann David) for 2 oboes, violin, strings and continuo |
|
| Concerto in C major, S.211 (Heinichen, Johann David) for flute and orchestra |
|
| Oboe Concerto, FaWV L:C1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Oboe Concerto, FaWV L:G2 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Ouverture-Suite in D major, Mus Ms 261-07 (Endler, Johann Samuel) for violin and orchestra |
1700 |
| Concerto for Oboe and Violin, FaWV L:d4 (Fasch, Johann Friedrich) for oboe, violin, strings and continuo |
|
| Concerto for Oboe and Violin, FaWV L:d4 (Fasch, Johann Friedrich) for oboe, violin, strings and continuo |
|
| Asperges me Domine (Gregorian Chant) for voices |
|
| Ouverture-Suite in E-flat major, Mus Ms 261-08 (Endler, Johann Samuel) for orchestra |
1700 |
| Recorder Concerto, TWV 51:C1 (Telemann, Georg Philipp) for recorder, strings and continuo |
|
| Bassoon Concerto, FaWV L:C2 (Fasch, Johann Friedrich) for bassoon, strings and continuo |
|
| Bassoon Concerto, FaWV L:C2 (Fasch, Johann Friedrich) for bassoon, strings and continuo |
|
| Violin Concerto, FaWV L:A3 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Violin Concerto, FaWV L:A3 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Concerto for 3 Violins in F major, RV 551 (Vivaldi, Antonio) for 3 violins, strings and continuo |
|
| Parts I-III from Evangelischer Blumengarten (Briegel, Wolfgang Carl) for voices and continuo |
|
| Baryton Trio in D major, Hob.XI:39 (Haydn, Joseph) for viola, cello and baryton |
|
| Pastime with Good Company (Henry VIII) for soprano, alto and bass |
1518 |
Horn Concerto in E-flat major (Neruda, Johann Baptist Georg) for horn, strings and continuo
trumpet, strings and continuo |
1750 |
| Arrangement of Horn Concerto in E-flat major (Neruda, Johann Baptist Georg) for trumpet, strings and continuo |
|
| Oboe Concerto, FaWV L:d3 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Oboe Concerto, FaWV L:d3 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Concerto for Flute and Oboe, FaWV L:h1 (Fasch, Johann Friedrich) for flute, oboe, strings and continuo |
|
| Gaude laetare turba fidelis, ZWV 168 (Zelenka, Jan Dismas) for tenor, strings and continuo |
1731 |
16 Variations for Keyboard in F major (Vogler, Georg Joseph) for harpsichord
clavichord |
|
| Concerto for Flute and Oboe, FaWV L:D11 (Fasch, Johann Friedrich) for flute, oboe, strings and continuo |
|
| Oboe Concerto, FaWV L:a1 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Concerto for Flute and Oboe, FaWV L:G8 (Fasch, Johann Friedrich) for flute, oboe, strings and continuo |
|
| Concerto for Flute and Oboe, FaWV L:e1 (Fasch, Johann Friedrich) for flute, oboe, strings and continuo |
|
| Alle Dinge sind möglich, GWV 1121/40 (Graupner, Christoph) for soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo |
1740 |
| Oboe Concerto, FaWV L:G3 (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Flute Concerto, FaWV L:h2 (Fasch, Johann Friedrich) for flute, strings and continuo |
|
| I misteri eleusini (Mayr, Giovanni Simone) for voices and orchestra |
|
| Kyrie, Sanctus and Agnus Dei, ZWV 26 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1722 |
| Come, Ye Sons of Art Away, Z.323 (Purcell, Henry) for soprano, 2 altos, bass, mixed chorus and orchestra |
1765 |
| Sound the Trumpet (No.3) from Come, Ye Sons of Art Away, Z.323 (Purcell, Henry) for soprano, 2 altos, bass, mixed chorus and orchestra |
|
| Ouverture-Suite, FaWV K:G19 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Sinfonia, FaWV M:a1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:a1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:D1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:D1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G6 (Fasch, Johann Friedrich) for strings and continuo |
|
| Violin Concerto, FaWV L:D3 (Fasch, Johann Friedrich) for violin and orchestra |
|
| Violin Concerto, FaWV L:D4a (Fasch, Johann Friedrich) for violin and orchestra |
|
| Ouverture-Suite, FaWV K:B5 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D14 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D14 (Fasch, Johann Friedrich) for orchestra |
|
| Sinfonia, FaWV M:g1 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Sinfonia, FaWV M:g1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:g1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G5 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Sinfonia, FaWV M:G5 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G5 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G5 (Fasch, Johann Friedrich) for strings and continuo |
|
| Ouverture-Suite, FaWV K:d2 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Violin Concerto, FaWV L:G7 (Fasch, Johann Friedrich) for violin, strings and continuo |
|
| Ouverture-Suite, FaWV K:B4 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:B4 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G16 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G16 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto, Op. 3 (Hegar, Friedrich) for violin and orchestra |
|
| Mariée (Soubre, Etienne) for voice and piano |
1852 |
| Missa in D major, S.3 (Heinichen, Johann David) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Missa in D major, S.3 (Heinichen, Johann David) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Concerto for 2 Trumpets in C major, RV 537 (Vivaldi, Antonio) for 2 trumpets, strings and continuo |
1700 |
| Sonata for Violin, Oboe, Bassoon and Continuo, FaWV N:F4 (Fasch, Johann Friedrich) for oboe, bassoon, violin and continuo |
|
Sonata for 2 Oboes and 2 Bassoons, FaWV N:F1 (Fasch, Johann Friedrich) for 2 oboes and 2 bassoons
2 oboes, bassoon and continuo |
|
| Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:F6 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo |
|
| Sonata for 2 Violins, Viola and Continuo, FaWV N:d3 (Fasch, Johann Friedrich) for 2 violins, viola and continuo |
|
| Trio Sonata, FaWV N:G2 (Fasch, Johann Friedrich) for flute, violin and continuo |
|
| Sonata for Flute, Violin, Bassoon and Continuo, FaWV N:D1 (Fasch, Johann Friedrich) for flute, bassoon, violin and continuo |
|
| Sonata for 2 Violins and Continuo, FaWV N:E1 (Fasch, Johann Friedrich) for 2 violins and continuo |
1730 |
| Sonata for Oboe, Recorder, Violin and Continuo, FaWV N:B1 (Fasch, Johann Friedrich) for recorder, oboe, violin and continuo |
|
| Sonata for 2 Oboes, Bassoon and Continuo, FaWV N:d2 (Fasch, Johann Friedrich) for 2 oboes, bassoon and continuo |
|
Canzonette italiane e spagnole á tre e quattro voci (Trabaci, Giovanni Maria) for 3 voices
4 voices |
|
| Care luci che regnate (Federici, Francesco) for voice, oboe, bassoon, horn and violin |
|
| Sinfonia, FaWV M:A3 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:A3 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:C1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:C1 (Fasch, Johann Friedrich) for strings and continuo |
|
| En Soupirant (Malibrán, María) for 2 voices and piano |
|
Sinfonia, FaWV M:B2 (Fasch, Johann Friedrich) for strings and continuo
orchestra |
|
Sinfonia, FaWV M:B2 (Fasch, Johann Friedrich) for strings and continuo
orchestra |
|
| Bassoon Concerto in F major, GraunWV Cv:XIII:125 (Graun, Johann Gottlieb) for bassoon, strings and continuo |
|
| Violin Concerto in E major, GraunWV Cv:XIII:117 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Concerto for Recorder and Violin in C major, GraunWV Cv:XIII:96 (Graun, Johann Gottlieb) for recorder, violin, strings and continuo |
|
| Flute Concerto in A major, GraunWV Cv:XIII:153 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Harpsichord Concerto in C minor, GraunWV Bv:XIII:50 (Graun, Karl Heinrich) for harpsichord, strings and continuo |
|
| Sinfonia in G major, GraunWV A:XII:22 (Graun, Johann Gottlieb) for orchestra |
|
| Trio Sonata in C major, GraunWV Cv:XV:93 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Sinfonia in G major, GraunWV Av:XII:56 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in G major, GraunWV Av:XII:57 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV A:XII:5 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV A:XII:5 (Graun, Johann Gottlieb) for orchestra |
|
Trio Sonata in F major, GraunWV B:XV:59 (Graun, Karl Heinrich) for 2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
|
2 Flutes and Continuo Version from Trio Sonata in F major, GraunWV B:XV:59 (Graun, Karl Heinrich) for 2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
|
| Trio Sonata in G major, GraunWV B:XV:53 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Trio Sonata in D major, GraunWV B:XV:57 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Trio Sonata in D major, GraunWV B:XV:57 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Trio Sonata in D major, GraunWV B:XV:58 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Sinfonia in G major, GraunWV A:XII:21 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in G major, GraunWV A:XII:21 (Graun, Johann Gottlieb) for orchestra |
|
| Pie Jesu ad te refugi (Conti, Francesco Bartolomeo) for tenor, strings and continuo |
|
| Concerto for 3 Trumpets and Timpani, TWV 54:D4 (Telemann, Georg Philipp) for 3 trumpets, timpani and orchestra |
|
| El amor y la amistad (Moretti, Federico) for voice, guitar and piano |
1815 |
Benedicam Dominum, BuxWV 113 (Buxtehude, Dietrich) for 3 sopranos, 2 altos, 2 tenors, 2 basses and orchestra
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Trio Sonata in G major, GraunWV Cv:XV:114 (Graun, Johann Gottlieb) for 2 flutes and continuo |
|
| Trio Sonata in G major, GraunWV Cv:XV:116 (Graun, Johann Gottlieb) for 2 flutes and continuo |
|
| Trio Sonata in E-flat major, GraunWV A:XV:7 (Graun, Johann Gottlieb) for 2 flutes and continuo |
|
| Mondnacht (Drilo, Danijel) for voice and piano |
1999 |
| Sinfonia, FaWV M:B1 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Sinfonia, FaWV M:B1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:B1 (Fasch, Johann Friedrich) for strings and continuo |
|
| Ach Seelen wacht der Wolf kommt, GWV 1149/40 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1740 |
| Partita in A major, GWV 851 (Graupner, Christoph) for harpsichord |
|
| Ave Regina (Reichenauer, Antonín) for alto, 2 violas and continuo |
|
| Missa non tota (Reichenauer, Antonín) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Suite in D minor, GWV 702 (Graupner, Christoph) for harpsichord |
1700 |
| Quartet-Sonata in G major (Pfeiffer, Johann) for flute, oboe, horn and continuo |
|
Missa Sancti Petri (Reichenauer, Antonín) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, strings and continuo |
|
| Suite in B-flat major, GWV 857 (Graupner, Christoph) for harpsichord |
|
| Overture in D major (Pfeiffer, Johann) for orchestra |
|
| Partita in C major, GWV 804 (Graupner, Christoph) for harpsichord |
|
| Partita in D major, GWV 819 (Graupner, Christoph) for harpsichord |
|
| Partita in F major, GWV 835 (Graupner, Christoph) for harpsichord |
|
| Suite in D minor, GWV 824 (Graupner, Christoph) for harpsichord |
|
| Suite in E minor, GWV 829 (Graupner, Christoph) for harpsichord |
|
| Begürtet eure Lenden, GWV 1136/41 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1741 |
| Alle die vor mir kommen sind, GWV 1140/41 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1741 |
| Trio Sonata in A major, GraunWV Av:XV:42 (Graun, Johann Gottlieb) for violin, viola and continuo |
|
| 27 Harpsichord Pieces (Graupner, Christoph) for harpsichord |
|
| Concerto Grosso in F minor, HWV Anh.B 321 (Handel, George Frideric) for orchestra |
|
| Violin Concerto in D major, RV 206 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Piano Trio (Chapí, Ruperto) for violin, cello and piano |
|
| Impromptu sur un thème de Beethoven (Saint-Lubin, Léon de) for violin |
1834 |
| Koraalvoorspelen Evang. Gezangen (Bastiaans, Johannes Gijsbertus) for organ |
|
| Piano Trio in G major (Debussy, Claude) for violin, cello and piano |
1800 |
| Piano Trio in G major (Debussy, Claude) for violin, cello and piano |
1800 |
| Master Speaker (Baildon, Joseph) for |
|
| Fantasie No. 5, Op. 176 (Merkel, Gustav Adolf) for organ |
1936 |
| Sinfonie in E major (Ferrandini, Giovanni Battista) for strings and continuo |
|
| Es ist gewisslich an der Zeit, GWV 1167/41 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, orchestra and continuo |
1741 |
| Pur al fin gentil Viola (Ariosti, Attilio) for soprano, viola damore and continuo |
|
Cantatas, ULB Mus.Ms.920-25 (Anonymous) for mixed chorus
organ |
|
| Symphony in C major, VB 1 (Richter, Franz Xaver) for strings and continuo |
|
| Symphony in C major, VB 9 (Richter, Franz Xaver) for strings |
|
| Symphony in D major, VB 52 (Richter, Franz Xaver) for orchestra |
|
| Trio Sonata in A major, ULB Mus Ms 1022-11 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in A minor, ULB Mus Ms 1022-08 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in C major, ULB Mus Ms 1022-07 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in D major, ULB Mus Ms 1022-09 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in D major, ULB Mus Ms 1022-10 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in D minor, Op. 2 No. 4 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in G major, ULB Mus Ms 1022-05 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in G major, ULB Mus Ms 1022-12 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in B-flat major, ULB Mus Ms 1022-02 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in E minor, ULB Mus Ms 1022-06 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in F major, ULB Mus Ms 1022-01 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Trio Sonata in D major, ULB Mus Ms 1022-03 (Solnitz, Anton Wilhelm) for 2 violins and continuo |
|
| Alle Schrift von Gott eingegeben ist, GWV 1147/41 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1741 |
| Lungi dall'idol mio (Steffani, Agostino) for soprano, alto and continuo |
|
| Valli secrete deh m'accogliete (Steffani, Agostino) for soprano, tenor and continuo |
|
| Placidissime catene (Steffani, Agostino) for soprano, alto and continuo |
|
| Rio destin che a tutte l'ore (Steffani, Agostino) for soprano, alto and continuo |
|
| Troppo cruda é la mia sorte (Steffani, Agostino) for soprano, alto and continuo |
|
| Che volete o crude pene (Steffani, Agostino) for soprano, alto and continuo |
|
| Dolce è per voi soffrire (Steffani, Agostino) for soprano, tenor and continuo |
|
| Occhi perche piangete (Steffani, Agostino) for soprano, alto and continuo |
|
| Saldi marmi che coprite (Steffani, Agostino) for continuo and 2 sopranos |
|
| Flute Sonata in B-flat major, SpiF 182 (Frederick II) for flute and continuo |
|
| Flute Sonata in B-flat major, SpiF 182 (Frederick II) for flute and continuo |
|
| Trio Sonata, TWV 42:a1 (Telemann, Georg Philipp) for recorder, violin and continuo |
|
| Organ Sonata (Bellini, Vincenzo) for organ |
1800 |
| Crucifixus a 8 voci (Lotti, Antonio) for 2 sopranos, 2 altos, 2 tenors and 2 basses |
1880 |
| Sinfonia in G major, WolS III.QS-3 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in B-flat major, WolS I. Bb-4 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in B-flat major, WolS I. Bb-4 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in B-flat major, WolS I. Bb-4 (Stamitz, Johann) for strings and continuo |
|
Sinfonia in E-flat major, WolS I. Eb-10 (Stamitz, Johann) for strings and continuo
strings |
|
Sinfonia in E-flat major, WolS I. Eb-10 (Stamitz, Johann) for strings and continuo
strings |
|
| Sinfonia in D major, WolS III.QS-9 (Stamitz, Johann) for orchestra |
|
| Sinfonia in D major, WolS I. D-24 (Stamitz, Johann) for orchestra |
|
| Sinfonia in E-flat major, WolS I. Eb-9 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in E-flat major, WolS I. Eb-9 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in D major, WolS I. D-25 (Stamitz, Johann) for orchestra |
|
| Horn Concerto, TWV 51:D8 (Telemann, Georg Philipp) for horn, strings and continuo |
|
| Sinfonia in D major, WolS I. D-21 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in D major, WolS I. D-21 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in F major, WolS I. F-7 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in A major, WolS I. A-3 (Stamitz, Johann) for strings and continuo |
|
| Trio in C minor, GraS 349.15 (Stamitz, Johann) for 2 violins and continuo |
|
| Sinfonia in D major, WolS I. D-23 (Stamitz, Johann) for orchestra |
|
| Sinfonia in D major, WolS I. D-23 (Stamitz, Johann) for orchestra |
1752 |
| Flute Concerto, TWV 51:E1 (Telemann, Georg Philipp) for flute, strings and continuo |
|
| Auf Zion auf nimm Schmuck für Asche, GWV 1101/41 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1741 |
| Ach harter Stand für Gottes Freunde, GWV 1103/41 (Graupner, Christoph) for soprano, bass, mixed chorus, strings and continuo |
1741 |
| Oboe Concerto, TWV 51:e1 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Sinfonia in G major, WolS I. G-8 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in G major, WolS I. G-8 (Stamitz, Johann) for strings and continuo |
|
| Sinfonia in G major, WolS I. G-8 (Stamitz, Johann) for strings and continuo |
|
| Oboe Concerto, TWV 51:D5 (Telemann, Georg Philipp) for oboe, 2 violins and continuo |
|
| Concerto for 2 Flutes and Bassoon, TWV 53:a1 (Telemann, Georg Philipp) for 2 flutes, bassoon, strings and continuo |
|
| Concerto for 2 Flutes and Violin, TWV 53:e1 (Telemann, Georg Philipp) for 2 flutes, violin, strings and continuo |
|
| Concerto for 2 Flutes, Violin and Cello, TWV 54:D1 (Telemann, Georg Philipp) for 2 flutes, violin, cello, strings and continuo |
|
| Concerto for 2 Violins, TWV 52:C2 (Telemann, Georg Philipp) for 2 violins, strings and continuo |
|
| Oboe Concerto, TWV 51:Es1 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Sonata à 4, TWV 43:g2 (Telemann, Georg Philipp) for oboe, violin, viol and continuo |
|
| Sonata à 4, TWV 43:g2 (Telemann, Georg Philipp) for oboe, violin, viol and continuo |
|
| Concerto for Flute and Violin, TWV 52:e3 (Telemann, Georg Philipp) for flute, violin, strings and continuo |
|
| Dom Sébastien (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Concerto à 4, TWV 43:a3 (Telemann, Georg Philipp) for recorder, oboe, violin and continuo |
|
| La costanza vince l'inganno (Graupner, Christoph) for voices, mixed chorus and orchestra |
1700 |
| Violin Concerto, TWV 51:fis1 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:fis1 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ach Gott vom Himmel sieh darein, GWV 1106/42 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1742 |
| Ach Seelenfreund wo bist du hingegangen, GWV 1129/42 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1742 |
| Cantigas de Santa Maria (Alfonso X of Castile) for voice |
|
| Cantigas de Santa Maria (Alfonso X of Castile) for voice |
|
| Recorder Concerto, TWV 51:F1 (Telemann, Georg Philipp) for recorder, strings and continuo |
|
| E puoi crudel lasciarmi (Porpora, Nicola Antonio) for 2 sopranos, strings and continuo |
|
| Quartetto, TWV 43:D5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Quartetto, TWV 43:D5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Concerto for 2 Flutes and Bassoon, TWV 53:G1 (Telemann, Georg Philipp) for 2 flutes, bassoon, strings and continuo |
|
| Concerto for 2 Oboes d'amore and Cello, TWV 53:D3 (Telemann, Georg Philipp) for 2 oboe damores, cello, strings and continuo |
|
| Flute Concerto, TWV 51:D1 (Telemann, Georg Philipp) for flute, strings and continuo |
|
| Oboe Concerto, TWV 51:D6 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Flute Concerto, TWV 51:D2 (Telemann, Georg Philipp) for flute, strings and continuo |
|
| Canone scherzoso a quattro soprani democratici (Rossini, Gioacchino) for soprano and piano |
1849 |
| Leçons de Ténèbres, S.118, 121, 124 (Lalande, Michel Richard de) for voice and continuo |
|
| 1706 version from Miserere, S.87 (Lalande, Michel Richard de) for voice and continuo |
|
| 1711 version from Miserere, S.87 (Lalande, Michel Richard de) for voice and continuo |
1711 |
| 1711 version from Miserere, S.87 (Lalande, Michel Richard de) for voice and continuo |
|
| Concerto for 2 Chalumeaux and 2 Bassoons, TWV 52:C1 (Telemann, Georg Philipp) for 2 chalumeaus, 2 bassoons, strings and continuo |
|
| Concerto for 2 Chalumeaux and 2 Bassoons, TWV 52:C1 (Telemann, Georg Philipp) for 2 chalumeaus, 2 bassoons, strings and continuo |
|
Musica Sacra (Croft, William) for 2 voices and continuo
3 voices and continuo
4 voices and continuo
6 voices and continuo
8 voices and continuo
voices and organ
4 voices and orchestra
4 voices, strings and continuo |
|
8 Italian Arias, ZWV 176 (Zelenka, Jan Dismas) for soprano, 2 violins, viola and continuo
alto, 2 violins, viola and continuo
2 violins, viola, continuo and bass
voice, strings and continuo |
1733 |
8 Italian Arias, ZWV 176 (Zelenka, Jan Dismas) for soprano, 2 violins, viola and continuo
alto, 2 violins, viola and continuo
2 violins, viola, continuo and bass
voice, strings and continuo |
1733 |
| Mass No. 12 in A minor (Reissiger, Carl Gottlieb) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Les soirées d'Auteuil, Op. 23 (Coste, Napoléon) for guitar |
|
| Les élémens, S.153 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
1752 |
| String Quartet No. 6, Op. 82 (Bazzini, Antonio) for 2 violins, viola and cello |
|
| In the Lord put I my Trust, HWV 247 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Violin Concerto (Dubois, Théodore) for violin and orchestra |
|
| Arrangement of Violin Concerto in G major (Johann Ernst Prinz von Sachsen-Weimar) for organ |
|
6 Italian Songs, Book 1 (Millico, Giuseppe) for soprano and harp
harpsichord and soprano
soprano and piano |
|
6 Italian Songs, Book 1 (Millico, Giuseppe) for soprano and harp
harpsichord and soprano
soprano and piano |
|
6 Italian Songs, Book 1 (Millico, Giuseppe) for soprano and harp
harpsichord and soprano
soprano and piano |
|
6 Italian Songs, Book 2 (Millico, Giuseppe) for voice and harp
voice and piano
voice and harpsichord |
|
| Concerto for 2 Horns, TWV 52:D1 (Telemann, Georg Philipp) for 2 horns, strings and continuo |
|
| Concerto for 2 Horns, TWV 52:D1 (Telemann, Georg Philipp) for 2 horns, strings and continuo |
|
| 4 Marches (Marcucci, Curzio) for harp |
|
| Concerto di Camera, TWV 43:g3 (Telemann, Georg Philipp) for recorder, 2 violins and continuo |
|
| Concerto for 4 Violins, TWV 54:A1 (Telemann, Georg Philipp) for 4 violins, strings and continuo |
|
| Flute Concerto, TWV 51:G1 (Telemann, Georg Philipp) for flute, strings and continuo |
|
| Harpsichord Sonata in B-flat major (Ferretti, Liveretto) for harpsichord |
|
| Harpsichord Sonata in C major (Ferretti, Liveretto) for harpsichord |
|
| Harpsichord Sonata in F major (Ferretti, Liveretto) for harpsichord |
|
| Violin Concerto, TWV 51:G4 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Concerto for Oboe d'amore, TWV 51:G3 (Telemann, Georg Philipp) for oboe damore, strings and continuo |
|
| Trio Sonata, TWV 42:F4 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Trio: Pria che l'impegno from Arrangement of Trio: Pria che l'impegno from L’amor marinaro (Weigl, Joseph) for piano |
|
| Flute Concerto, TWV 51:h1 (Telemann, Georg Philipp) for flute, strings and continuo |
|
| Concerto for 2 Chalumeaux, TWV 52:d1 (Telemann, Georg Philipp) for 2 chalumeaus, strings and continuo |
|
| Violin Concerto, TWV 51:G5 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:G5 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:G7 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:F3 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Ouverture-Suite, TWV 55:G1 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:G1 (Telemann, Georg Philipp) for orchestra |
|
| Ach Jesu wie bist du so treu, GWV 1132/45 (Graupner, Christoph) for tenor, bass, mixed chorus and orchestra |
1745 |
| Achtet es eitel Freude, GWV 1133/45 (Graupner, Christoph) for alto, tenor, bass, mixed chorus, strings and continuo |
1745 |
| Alles was ihr bittet, GWV 1135/43 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1743 |
| Ouverture-Suite, TWV 55:D4 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:D4 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:D3 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D3 (Telemann, Georg Philipp) for strings and continuo |
|
| Concerto for 2 Oboes and Bassoon, TWV 53:C1 (Telemann, Georg Philipp) for 2 oboes, bassoon, strings and continuo |
|
| Concerto à 4, TWV 43:G8 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
Violin Concerto, TWV 51:B2 (Telemann, Georg Philipp) for violin, strings and continuo
3 violins and continuo |
|
Violin Concerto, TWV 51:B2 (Telemann, Georg Philipp) for violin, strings and continuo
3 violins and continuo |
|
| Concerto à 4, TWV 43:C2 (Telemann, Georg Philipp) for flute, bassoon, viol and continuo |
|
| Concerto à 4, TWV 43:h3 (Telemann, Georg Philipp) for flute, bassoon, viol and continuo |
|
| Concerto for 2 Horns, TWV 52:F3 (Telemann, Georg Philipp) for 2 horns, strings and continuo |
|
| Concerto for 2 Horns, TWV 52:F4 (Telemann, Georg Philipp) for 2 horns, strings and continuo |
|
| Concerto for 2 Oboes and Bassoon, TWV 53:d1 (Telemann, Georg Philipp) for 2 oboes, bassoon, strings and continuo |
|
| Orchestra Pieces, ULB Mus-Ms 1192 (Endler, Johann Samuel) for orchestra |
|
| Orchestra Pieces, ULB Mus-Ms 1193 (Endler, Johann Samuel) for orchestra |
|
| Violin Concerto, TWV 51:D9 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Concerto à 3, TWV 43:A7 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Vive Henri IV, S.239 (Liszt, Franz) for piano |
1800 |
| Concerto for 3 Oboes, 3 Violins and Continuo, TWV 44:43 (Telemann, Georg Philipp) for 3 oboes, 3 violins and continuo |
|
| Concerto for 2 Trombe selvatiche and 2 Violins, TWV 54:Es1 (Telemann, Georg Philipp) for 2 horns, 2 violins, strings and continuo |
|
| Violin Concerto, TWV 51:h2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Camilla (Paër, Ferdinando) for voices and orchestra |
|
| Act I from Camilla (Paër, Ferdinando) for voices and orchestra |
|
| Act III from Camilla (Paër, Ferdinando) for voices and orchestra |
|
| Camilla (Paër, Ferdinando) for voices and orchestra |
|
| Concerto for Recorder and Flute, TWV 52:e1 (Telemann, Georg Philipp) for flute, recorder, strings and continuo |
|
| Violin Concerto, TWV 51:a1 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:D10 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Violin Concerto, TWV 51:D10 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Laudate Dominum (Vogler, Georg Joseph) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Ouverture-Suite, TWV 55:g3 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:d2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:Es2 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:a4 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:B2 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:B3 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:d1 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:E1 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:F3 (Telemann, Georg Philipp) for orchestra |
|
Ouverture à 5 in F major, TWV 44:8 (Telemann, Georg Philipp) for bassoon, 2 horns and 2 violins
2 oboes, bassoon and 2 horns |
|
| Ouverture-Suite, TWV 55:Es4 (Telemann, Georg Philipp) for strings and continuo |
|
| Arrangement of Ouverture-Suite, TWV 55:Es4 (Telemann, Georg Philipp) for keyboard |
|
| Frithiof, WoO.7 (Draeseke, Felix) for orchestra |
1862 |
| Parzengesang aus Goethe's 'Iphigenie', WoO 33 (Draeseke, Felix) for alto and orchestra |
1907 |
| Ouverture à 5 in F major, TWV 44:6 (Telemann, Georg Philipp) for 2 chalumeaus, 2 violas and continuo |
|
| No Song, No Supper (Storace, Stephen) for voices and orchestra |
|
| Overture and Selections from Rosina (Shield, William) for voices and orchestra |
1783 |
| Overture and Selections from Rosina (Shield, William) for voices and orchestra |
|
Ouverture à 5 in F major, TWV 44:7 (Telemann, Georg Philipp) for 2 horns, 2 violins and continuo
2 oboes, 2 horns and continuo |
|
| Ouverture-Suite, TWV 55:G4 (Telemann, Georg Philipp) for strings and continuo |
|
Ouverture-Suite, TWV 55:D6 (Telemann, Georg Philipp) for cello, strings and continuo
viol, strings and continuo |
|
| Feenzauber, WoO 36 (Draeseke, Felix) for harp and orchestra |
1910 |
| Missa di S. Conradi (Kreutzer, Conradin) for 2 sopranos, alto, tenor, bass and orchestra |
|
| 12 Violin Sonatas (Meneghetti, Gaetano) for violin and continuo |
|
| Fantasia from Arrangement of Fantasia from L'amico Fritz (Mascagni, Pietro) for guitar, 2 mandolins and mandola |
|
| Intermezzo from Arrangement of Intermezzo from L'amico Fritz (Mascagni, Pietro) for guitar, 2 mandolins and mandola |
|
| Der Traum ein Leben, WoO 29 (Draeseke, Felix) for orchestra |
1904 |
| Ouverture-Suite, TWV 55:G5 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:G5 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:G5 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:D7 (Telemann, Georg Philipp) for trumpet, strings and continuo |
|
| Ouverture-Suite, TWV 55:B4 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D21 (Telemann, Georg Philipp) for orchestra |
1767 |
| Ouverture-Suite, TWV 55:D21 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:e5 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:F6 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:F7 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:C5 'La Bouffonne' (Telemann, Georg Philipp) for strings and continuo |
|
Neue Allemanden, Couranten, Sarabanden, Giguen, Cavoten und Canarien (Anonymous) for keyboard
harpsichord |
1674 |
| Bassoon Concerto in B-flat major (Mayr, Giovanni Simone) for bassoon and orchestra |
|
| Ouverture-Suite, TWV 55:D11 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D12 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D10 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D9 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:Es5 (Telemann, Georg Philipp) for orchestra |
|
| Concerto à 7 in A minor, TWV 44:42 (Telemann, Georg Philipp) for 2 recorders, 2 oboes, 2 violins and continuo |
|
| Concerto à 7 in A minor, TWV 44:42 (Telemann, Georg Philipp) for 2 recorders, 2 oboes, 2 violins and continuo |
|
| 6 Violin Sonatas, Op. 3 (Pugnani, Gaetano) for violin and continuo |
|
| Ouverture-Suite, TWV 55:B5 (Telemann, Georg Philipp) for strings and continuo |
|
| Flute Concerto in F major, GraunWV Cv:XIII:129 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Ouverture à 5 in F major, TWV 44:9 (Telemann, Georg Philipp) for 2 oboes, 2 horns and continuo |
|
| Ouverture-Suite, TWV 55:G6 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Keyboard Concerto in C major, R.8.10 (Paisiello, Giovanni) for harpsichord and orchestra |
1700 |
| Harpsichord Sonata in C major, ED.1:C2 (Mysliveček, Josef) for harpsichord |
|
| Have Mercy upon Me, O God, HWV 248 (Handel, George Frideric) for voices and orchestra |
1812 |
| Julius Caesar, WoO 6 (Draeseke, Felix) for orchestra |
1860 |
| Julius Caesar, WoO 6 (Draeseke, Felix) for orchestra |
1865 |
| Ouverture-Suite, TWV 55:fis1 (Telemann, Georg Philipp) for strings and continuo |
|
| Regole per bene accompagnare il partimento (Paisiello, Giovanni) for continuo |
|
| Ouverture-Suite, TWV 55:A5 (Telemann, Georg Philipp) for strings and continuo |
|
| Sinfonia in G major (Frederick II) for strings and continuo |
|
| Sinfonia in A major (Frederick II) for strings and continuo |
|
| Keyboard Concerto in F major, R.8.11 (Paisiello, Giovanni) for harpsichord and orchestra |
|
| Schwur im Rütli, WoO 9 (Draeseke, Felix) for soprano, male chorus and orchestra |
1800 |
| Admirons notre jeune et charmante déesse (Lambert, Michel) for continuo and 3 sopranos |
1669 |
| Te Deum, MülH 171/17 (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Nun freut euch, lieben Christen g'mein, BuxWV 210 (Buxtehude, Dietrich) for organ |
|
| Timon of Athens, Z.632 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Timon of Athens, Z.632 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Ouverture-Suite, TWV 55:e7 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:F10 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV Anh. 55:G1 'La Putaine' (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:B6 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:c3 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:G8 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:e6 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D13 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:D13 (Telemann, Georg Philipp) for strings and continuo |
|
| Miserere, ZWV 57 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
1738 |
| Miserere, ZWV 57 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
|
| Miserere, ZWV 57 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
1738 |
| Ouverture à 5 in F major, TWV 44:10 (Telemann, Georg Philipp) for 2 oboes, bassoon and 2 horns |
|
| Ripieno (Bossi, Pietro) for organ |
|
| Tambourin (No.8) from Arrangement of Tambourin (No.8) from Suite in E minor, RCT 2 (Rameau, Jean-Philippe) for piano |
|
| Ouverture-Suite, TWV 55:h3 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV Anh. 55:A1 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:Es1 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:c4 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:C6 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:D17 (Telemann, Georg Philipp) for 2 trumpets, strings and continuo |
|
| Ouverture-Suite, TWV 55:D18 (Telemann, Georg Philipp) for orchestra |
|
| Ouverture-Suite, TWV 55:G11 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:G12 (Telemann, Georg Philipp) for strings and continuo |
|
| Ouverture-Suite, TWV 55:h2 (Telemann, Georg Philipp) for strings and continuo |
|
| Sinfonia in F major, TWV 50:3 (Telemann, Georg Philipp) for orchestra |
|
Sonata in D major, TWV 44:1 (Telemann, Georg Philipp) for trumpet, 2 violins, viola and continuo
2 violins, viola and continuo
orchestra
strings and continuo |
|
| Sonate-tableau No. 3 (Besset, Julian Raoul) for piano |
2012 |
The Sufferings of the Queen of France, Op. 23 (Dussek, Jan Ladislav) for piano
harpsichord |
|
| Trio Sonata, TWV 42:G7 (Telemann, Georg Philipp) for violin, cello and continuo |
|
Sonata à 4 in A major, TWV 40:200 (Telemann, Georg Philipp) for 2 violins, viola and continuo
2 violins, viola and violone |
|
| Grisélidis (Adam, Adolphe) for orchestra |
|
| Arrangement of Grisélidis (Adam, Adolphe) for violin and cello |
|
| Trio Sonata, TWV 42:f2 (Telemann, Georg Philipp) for recorder, violin and continuo |
|
| Trio Sonata, TWV 42:h5 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Sonata in E minor, TWV 50:4 (Telemann, Georg Philipp) for orchestra |
|
| Sonata à 4, TWV 43:G9 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Sonata à 6 in B-flat major, TWV 44:34 (Telemann, Georg Philipp) for 2 violins, 2 violas, cello and continuo |
|
| Trio Sonata, TWV 42:e6 (Telemann, Georg Philipp) for recorder, oboe and continuo |
|
| Sonata à 6 in F minor, TWV 44:32 (Telemann, Georg Philipp) for 2 violins, 2 violas, cello and continuo |
|
| Sonata à 6 in F minor, TWV 44:32 (Telemann, Georg Philipp) for 2 violins, 2 violas, cello and continuo |
|
| Trio Sonata, TWV 42:g6 (Telemann, Georg Philipp) for oboe, viol and continuo |
|
| Colectânea de peças para tecla do século XVIII (Various) for keyboard |
|
| Trio Sonata, TWV 42:F5 (Telemann, Georg Philipp) for flute, viol and continuo |
|
Sonata à 4, TWV 43:F2 (Telemann, Georg Philipp) for 2 chalumeaus, violin and continuo
2 chalumeaus, strings and continuo |
|
| Trio Sonata, TWV 42:B5 (Telemann, Georg Philipp) for bassoon, violin and continuo |
|
| Concerto for 2 Violins, TWV 52:B2 (Telemann, Georg Philipp) for 2 violins, strings and continuo |
|
Sonata à 4, TWV 43:d3 (Telemann, Georg Philipp) for flute, bassoon, violin and continuo
flute, violin, cello and continuo
2 violins, cello and continuo
bassoon, 2 violins and continuo |
|
| Concerto à 4, TWV 43:A5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Sonata à 4, TWV 43:G10 (Telemann, Georg Philipp) for flute, 2 viols and continuo |
|
| Trio Sonata, TWV 42:c5 (Telemann, Georg Philipp) for oboe, viola and continuo |
|
| Trio Sonata, TWV 42:e10 (Telemann, Georg Philipp) for flute, violin and continuo |
|
| Trio Sonata, TWV 42:g1 (Telemann, Georg Philipp) for violin, viol and continuo |
|
| Trio Sonata, TWV 42:F9 (Telemann, Georg Philipp) for recorder, oboe and continuo |
|
| Sonata à 6 in G minor, TWV 44:33 (Telemann, Georg Philipp) for 2 violins, 2 violas, cello and continuo |
|
| Sonata à 4, TWV 43:F4 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
Trio Sonata, TWV 42:A10 (Telemann, Georg Philipp) for flute, violin and continuo
flute, viol and continuo |
|
| Trio Sonata, TWV 42:B1 (Telemann, Georg Philipp) for oboe, violin and continuo |
|
| Trio Sonata, TWV 42:d7 (Telemann, Georg Philipp) for recorder, viol and continuo |
|
| Trio Sonata, TWV 42:F6 (Telemann, Georg Philipp) for recorder, viol and continuo |
|
| Trio Sonata, TWV 42:c3 (Telemann, Georg Philipp) for oboe, viol and continuo |
|
Trio Sonata, TWV 42:F1 (Telemann, Georg Philipp) for bassoon, violin and continuo
violin, cello and continuo |
|
| Trio Sonata, TWV 42:F10 (Telemann, Georg Philipp) for violin, viol and continuo |
|
| Trio Sonata, TWV 42:g10 (Telemann, Georg Philipp) for violin, viol and continuo |
|
| Trio Sonata, TWV 42:F8 (Telemann, Georg Philipp) for recorder, violin and continuo |
|
Trio Sonata, TWV 42:F7 (Telemann, Georg Philipp) for 2 recorders and continuo
continuo and 2 sopranos |
|
Trio Sonata, TWV 42:F7 (Telemann, Georg Philipp) for 2 recorders and continuo
continuo and 2 sopranos |
|
| Trio Sonata, TWV 42:h4 (Telemann, Georg Philipp) for flute, viol and continuo |
|
| Trio Sonata, TWV Anh.42:g (Telemann, Georg Philipp) for 2 recorders and continuo |
|
| Trio Sonata, TWV 42:e8 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
|
| Sonata à 5 in E minor, TWV 44:5 (Telemann, Georg Philipp) for 2 violins, 2 violas and continuo |
|
| Trio Sonata, TWV 42:h6 (Telemann, Georg Philipp) for violin, viol and continuo |
|
| Sonata à 4, TWV 43:F3 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Complete (1733 Version) from Siroe, re di Persia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Selections (1733 Version) from Siroe, re di Persia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Selections (1763 Version) from Siroe, re di Persia (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Lukas Passion, TWV 5:33 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Alles was ihr wollet, GWV 1145/45 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1745 |
| Trio Sonata, TWV 42:g11 (Telemann, Georg Philipp) for violin, viol and continuo |
|
| Ouverture-Suite, FaWV K:G9 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G9 (Fasch, Johann Friedrich) for orchestra |
|
| Sonata à 4, TWV 43:G12 (Telemann, Georg Philipp) for flute, 2 viols and continuo |
|
| Sonata à 4, TWV 43:F5 (Telemann, Georg Philipp) for 2 violins, viola and continuo |
|
| Trio Sonata, TWV 42:c7 (Telemann, Georg Philipp) for recorder, oboe and continuo |
|
| Trio Sonata, TWV 42:e11 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Violin Sonata, TWV 41:A4 (Telemann, Georg Philipp) for violin and continuo |
|
| Ouverture-Suite, FaWV K:D3 (Fasch, Johann Friedrich) for orchestra |
|
| Sonata à 4, TWV 43:G11 (Telemann, Georg Philipp) for flute, bassoon, violin and continuo |
|
| Trio Sonata, TWV 42:c6 (Telemann, Georg Philipp) for flute, viol and continuo |
|
| Trio Sonata, TWV 42:a7 (Telemann, Georg Philipp) for flute, viol and continuo |
|
| Arrangement of Bist du bei mir, BWV 508 (Bach, Johann Sebastian) for voice and strings |
|
| Sinfonia in D major, CobE 1 (Endler, Johann Samuel) for orchestra |
1758 |
| Sinfonia in D major, CobE 2 (Endler, Johann Samuel) for orchestra |
1750 |
| Sinfonia in D major, CobE 3 (Endler, Johann Samuel) for orchestra |
1760 |
| Sinfonia in D major, CobE 3 (Endler, Johann Samuel) for orchestra |
1760 |
| Sinfonia in D minor, CobE 4 (Endler, Johann Samuel) for strings and continuo |
1700 |
| Sinfonia in D major, CobE 5 (Endler, Johann Samuel) for orchestra |
1756 |
| Sinfonia in D major, CobE 8 (Endler, Johann Samuel) for orchestra |
1700 |
| Dolce sonno, tu spiegasti (Caldara, Antonio) for bass and continuo |
1730 |
| Concerto for Oboe d'amore, BeRI 53 (Roman, Johan Helmich) for oboe damore, strings and continuo |
|
| Sinfonia in A major, ULB Mus Ms 1190-01 (Bodinus, Sebastian) for strings and continuo |
|
| Sinfonia in B-flat major, ULB Mus Ms 1190-02 (Bodinus, Sebastian) for strings and continuo |
|
| Quegli occhi vezzosi pietosi (Caldara, Antonio) for voice, 2 violins and continuo |
1712 |
| Ouverture-Suite, FaWV K:B8 (Fasch, Johann Friedrich) for orchestra |
|
| La Lotta d'Ercole con Acheloo (Steffani, Agostino) for voices and orchestra |
|
Apostolische Chor-Music (Briegel, Wolfgang Carl) for 3 voices, 2 violins and continuo
soprano, alto, tenor, bass, 2 violins and continuo |
|
Sammelband (Briegel, Wolfgang Carl) for voice, 2 violins and continuo
2 voices, 2 violins and continuo
2 voices, continuo and 2 sopranos
3 voices, 2 violins and continuo
4 voices, 2 violins and continuo
2 voices, 2 violins, 2 violas, violone and continuo
5 voices, 2 violins and continuo
voice, mixed chorus, 2 violins and continuo
4 voices, 2 cornetts, 2 trumpets and continuo
4 voices, 3 viols, violone and continuo
4 voices, 4 viols and continuo
4 voices, 2 cornetts, 3 trombones and continuo
5 voices and continuo |
1658 |
Sammelband (Briegel, Wolfgang Carl) for voice, 2 violins and continuo
2 voices, 2 violins and continuo
2 voices, continuo and 2 sopranos
3 voices, 2 violins and continuo
4 voices, 2 violins and continuo
2 voices, 2 violins, 2 violas, violone and continuo
5 voices, 2 violins and continuo
voice, mixed chorus, 2 violins and continuo
4 voices, 2 cornetts, 2 trumpets and continuo
4 voices, 3 viols, violone and continuo
4 voices, 4 viols and continuo
4 voices, 2 cornetts, 3 trombones and continuo
5 voices and continuo |
|
| Alle Kreatur Gottes, GWV 1148/49 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1749 |
| Alles was einen Fehl hat, GWV 1147/49 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1749 |
| Merope (Giacomelli, Geminiano) for voices, mixed chorus and orchestra |
|
| Merope (Giacomelli, Geminiano) for voices, mixed chorus and orchestra |
|
| Merope (Giacomelli, Geminiano) for voices, mixed chorus and orchestra |
|
| Merope (Giacomelli, Geminiano) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major, CobE 9 (Endler, Johann Samuel) for orchestra |
1755 |
| Sinfonia in F major, CobE 13 (Endler, Johann Samuel) for orchestra |
1749 |
| Sinfonia in D major, CobE 16 (Endler, Johann Samuel) for orchestra |
1754 |
| Sinfonia in F major, CobE 15 (Endler, Johann Samuel) for orchestra |
1748 |
| Horn Concerto No. 2 in D major, Hob.VIId:4 (Haydn, Joseph) for horn and strings |
|
| Viola da Gamba Concerto in D major, GraunWV A:XIII:4 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
Sinfonia in E-flat major, CobE 14 (Endler, Johann Samuel) for orchestra
violin and orchestra |
1700 |
| Alessandro Severo (Lotti, Antonio) for voices, mixed chorus and orchestra |
|
| Behüte dein Herz mit allem Fleiss, GWV 1122/50 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1750 |
| Caterina di Guisa (Coccia, Carlo) for voices, mixed chorus and orchestra |
1834 |
| Sonata for 3 Violins in F major, ULB Mus.Ms.334 (Fux, Johann Joseph) for 3 violins |
|
| Sonata for 3 Violins in F major, ULB Mus.Ms.334 (Fux, Johann Joseph) for 3 violins |
|
| L'esule di Roma (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1800 |
Manuscript Tune Book No. 6 (Farrow, James Edmond) for soprano
piano
harp
flute
violin |
|
Manuscript Tune Book No. 8 (Farrow, James Edmond) for soprano
piano |
|
| Sinfonia in C minor, CobE 19 (Endler, Johann Samuel) for strings and continuo |
1700 |
| Sinfonia in D major, CobE 22 (Endler, Johann Samuel) for orchestra |
1700 |
| Sinfonia in D major, CobE 23 (Endler, Johann Samuel) for orchestra |
1759 |
| Sinfonia in E-flat major, CobE 18 (Endler, Johann Samuel) for orchestra |
1700 |
| Notre-Dame de la mer (Dubois, Théodore) for voices, mixed chorus and orchestra |
|
| Motetti, madrigali et canzone francese (Bassano, Giovanni) for voice |
1890 |
William Calvert's Manuscript Tune Book (Various) for violin
soprano |
|
| Ten Days that Shook the World (Kortchmariov, Klimenty) for voices and orchestra |
1930 |
| Violin Sonata in A major, GT 2.A16 (Tartini, Giuseppe) for violin and continuo |
|
| Julia Florida (Barrios Mangoré, Agustín) for guitar |
1942 |
| Violin Sonata in A major, B.A18 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in B-flat major, B.B10 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in E-flat major, B.Es1 (Tartini, Giuseppe) for violin and continuo |
|
Suite No. 1 in A minor (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
| Suite No. 3 in G major (Valoix, Etienne) for orchestra |
1689 |
Suite No. 4 in D minor (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
Suite No. 5 in B-flat major (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
| Suite No. 6 in F major (Valoix, Etienne) for orchestra |
1689 |
| Concerto in A minor (Valoix, Etienne) for strings and continuo |
|
| Astarto (Bononcini, Giovanni) for voices, mixed chorus and orchestra |
|
8 Cantatas, ULB Mus.Ms.1230-1 (Anonymous) for soprano, strings and continuo
soprano, orchestra and continuo |
1690 |
8 Cantatas, ULB Mus.Ms.1230-1 (Anonymous) for soprano, strings and continuo
soprano, orchestra and continuo |
|
Suite No. 12 in G minor (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
| Suite No. 11 in A minor (Valoix, Etienne) for orchestra |
1689 |
| Suite No. 10 in D major (Valoix, Etienne) for orchestra |
1689 |
Suite No. 9 in G major (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
| Suite No. 8 in C major (Valoix, Etienne) for orchestra |
1689 |
| Suite No. 7 in D minor (Valoix, Etienne) for orchestra |
1689 |
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
1777 |
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| L'Olimpiade, P.145 (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| The Three Holy Children, Op. 22 (Stanford, Charles Villiers) for voices, mixed chorus and orchestra |
1885 |
James Barlow's Manuscript Tune Book (Various) for clarinet
2 clarinets
soprano |
|
| Symphony in D minor (Rachmaninoff, Sergei) for orchestra |
|
| In dir ist Freude, BWV 615 (Bach, Johann Sebastian) for organ |
1700 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Bach, Johann Sebastian) for organ |
1700 |
Ann Winnington's Music Manuscript Book (Various) for piano
keyboard
voice and keyboard |
|
Clarke, Woodall and Skelton's Manuscript Tunebook (Various) for soprano
2 sopranos |
1770 |
| Siroe re di Persia (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Der Gottlose ist wie ein Wetter, TWV 1:251 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo |
|
| Der Gottlose ist wie ein Wetter, TWV 1:251 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo |
|
| Petites Pieces per il Cembalo Solo (Bach, Carl Philipp Emanuel) for keyboard |
|
| Petites Pieces per il Cembalo Solo (Bach, Carl Philipp Emanuel) for keyboard |
1777 |
6 Sonatas, TWV 40:124-129 (Telemann, Georg Philipp) for 2 flutes
2 violins
2 oboes |
|
| Valdemaro (Sarro, Domenico Natale) for 7 voices and orchestra |
|
| Trattenimento musicale sopra il violoncello (Galli, Domenico) for cello |
1691 |
| Serenata (Dall'Abaco, Joseph) for 4 voices, oboe and strings |
|
| Norma (No.5) from 8 Fantaisies faciles, Op. 39 (Alard, Jean Delphin) for violin and piano |
|
| Clarinet Concertino (Hanssens, Charles-Louis) for clarinet and orchestra |
|
| 20 Variations on 'Ich schlief, da träumte mir', W.YA 43 (Bach, Johann Christian) for keyboard |
|
| Harpsichord Concerto in G major, Op. 9 (Schobert, Johann) for harpsichord and orchestra |
|
| 3 Symphonies (Agrell, Johan) for orchestra |
|
| Médor et Angélique (Cannabich, Christian) for orchestra |
1773 |
| Also hat Gott die Welt geliebt, GWV 1139/51 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1751 |
| La fedeltà coronata (Porta, Giovanni) for 5 voices, mixed chorus and orchestra |
|
Divertissements melodieux (Erbach, Friedrich Karl zu) for 2 violins and continuo
2 recorders and continuo
2 flutes and continuo
2 cellos
2 bassoons |
|
28 Dances, D-DS Mus.ms.17 (Strobel, Valentin) for harpsichord
keyboard |
|
| L'arte vinta della natura (Angiolini, Gasparo) for orchestra |
|
| Verlaß uns, die uns unsre Tage, L.582 (Benda, Georg) for soprano, alto, tenor, bass, strings and continuo |
|
| Ode auf den Sterbemorgen der Herzogin zu Sachsen-Gotha und Altenburg, L.501 (Benda, Georg) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Romeo und Julie (Benda, Georg) for voices, mixed chorus and orchestra |
|
| Romeo und Julie (Benda, Georg) for voices, mixed chorus and orchestra |
1776 |
| L'Endimione, W.G 15 (Bach, Johann Christian) for 4 voices, mixed chorus and orchestra |
|
Musicalische Trostquelle (Briegel, Wolfgang Carl) for soprano, alto, tenor, bass, 2 viols and continuo
soprano, alto, tenor, bass, 4 viols and continuo |
|
Dixit Dominus (Bertali, Antonio) for 2 sopranos, alto, tenor, bass, strings and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses, strings and continuo |
|
| L'obbedienza di Gionata (Bertoni, Ferdinando) for voices, mixed chorus and orchestra |
|
| Sinfonia in B-flat major, IJJ 8 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Trio Sonata in D major, DTB 16 D 3 (Holzbauer, Ignaz) for 2 violins and continuo |
|
| Mass, ULB Mus.Ms.325 (Fuchs, Valentin) for soprano, alto, tenor, bass, strings and continuo |
|
| Mass, ULB Mus.Ms.326 (Fuchs, Valentin) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Confitebur, K.79 (Fux, Johann Joseph) for soprano, alto, tenor, bass, strings and continuo |
|
Nisi Dominus, K.deest (Fux, Johann Joseph) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| Semiramis, Wq.Anh.C/1 (Gluck, Christoph Willibald) for orchestra |
|
| Ouverture in D minor, K.deest (Fux, Johann Joseph) for orchestra |
|
| Ouverture in B-flat major, K.deest (Fux, Johann Joseph) for orchestra |
|
Harpsichord Sonata in C minor, L.626q (Benda, Georg) for harpsichord
clavichord |
|
Harpsichord Sonata in C minor, L.626q (Benda, Georg) for harpsichord
clavichord |
|
| Symphony in E-flat major, Op. 25 (André, Johann Anton) for orchestra |
|
| Trio Sonata in G minor, K.deest (Fux, Johann Joseph) for 2 viols and continuo |
|
| Laudate pueri, K.deest (Fux, Johann Joseph) for alto, tenor, bass, strings and continuo |
|
| Adoramus te (Perti, Giacomo Antonio) for 4 voices |
|
| Versuchet euch selbst, ob ihr im Glauben seid, TWV 1:1473 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Clorinda False (Morley, Thomas) for 4 voices |
|
| Symphony in F major, B.136 (Pleyel, Ignaz) for orchestra |
|
| Complete (1779 St. Petersburg Version) from Gli astrologi immaginari, R.1.58 (Paisiello, Giovanni) for 7 voices and orchestra |
1778 |
| Sinfonia in D major, GWV 515 (Graupner, Christoph) for orchestra |
|
| Sinfonia in D major, GWV 526 (Graupner, Christoph) for orchestra |
|
| Sinfonia in D major, GWV 547 (Graupner, Christoph) for orchestra |
1751 |
| Sinfonia in F major, GWV 576 (Graupner, Christoph) for orchestra |
|
| Sinfonia in G major, GWV 588 (Graupner, Christoph) for orchestra |
|
| Sinfonia in G major, GWV 604 (Graupner, Christoph) for orchestra |
|
| Ecco a voi cari sassi, GraunWV A:III:1 (Graun, Johann Gottlieb) for soprano, strings and continuo |
|
| Viola da Gamba Concerto in A major, GraunWV A:XIII:11 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
| Viola da Gamba Concerto in A major, GraunWV Anh.2/XIII (Graun, Johann Gottlieb) for viol, strings and continuo |
|
| Trio Sonata in G major, GraunWV Cv:XV:118 (Graun, Johann Gottlieb) for violin and harpsichord |
|
| Die schmachtende Verspottung des zum Tode verurteilten Heilandes (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
|
| Fantasie in G major, WAB 118 (Bruckner, Anton) for piano |
1868 |
| Fantasie in G major, WAB 118 (Bruckner, Anton) for piano |
|
| Partita in C major, GWV 805 (Graupner, Christoph) for harpsichord |
|
| 6 Flute Sonatas, RISM Q.19 (Quantz, Johann Joachim) for flute and continuo |
|
| 5 Lieder for Voice, Cello and Piano (Lachner, Franz Paul) for voice, cello and piano |
1851 |
| Kommt her und schaut, GraunWV B:VII:5 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Kommt her und schaut, GraunWV B:VII:5 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Kommt her und schaut, GraunWV B:VII:5 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Kommt her und schaut, GraunWV B:VII:5 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
8 Partitas, GWV 101-108 (Graupner, Christoph) for keyboard
clavichord |
|
| Harpsichord Concerto in C minor, H.407 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Fugue in A major, H.101 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Fugue in A major, H.101 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Ich bin arm und elend (Anonymous) for mixed chorus and orchestra |
|
Messa in pastorale (Bencini, Antonio) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
|
| Wohl uns der Heiland (Hoffmann, Johann Georg) for soprano, alto, tenor, bass, strings and continuo |
|
| Ihr Christen findet euch zu Gott (Hoffmann, Johann Georg) for soprano, alto, tenor, bass, strings and continuo |
|
| 4 Arias (Handel, George Frideric) for flute, strings and continuo |
|
| Jauchzet ihr Himmel freue dich Erde, L.607 (Benda, Georg) for soprano, alto, tenor, bass and orchestra |
|
| Matthäus-Passion (Sebastiani, Johann) for voices, mixed chorus, strings and continuo |
|
| Lobe den Herrn meine Seele, TWV deest (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Willkomm' du Licht aus Licht geboren, FaWV deest (Fasch, Johann Friedrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Was fehlt dir doch, TWV 1:1507 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| In den Wunden Jesu sterben (Graun, Karl Heinrich) for soprano, alto, tenor, bass, strings and continuo |
|
| Siehe der Bräut'gam kommt gehet ihm entgegen (Haller) for 2 mixed chorus |
|
Mass in C minor (Filtz, Johann Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
Miserere (Carapella, Tommaso) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| Wie lieblich sind doch deine Hütten, TWV 2:13 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Opus musices (Tinctoris, Johannes) for |
|
| La passione di Gesù Cristo (Jommelli, Niccolò) for 4 voices and orchestra |
|
| 12 Violin Concertos, Op. 6 (Gentili, Giorgio) for violin, strings and continuo |
1716 |
| Piano Sonata in D major, Op. 85 (Steibelt, Daniel) for piano |
|
| Symphony in B-flat major (Zander, Johan David) for orchestra |
|
| Höre mein Volk (Petri, Balthasar Abraham) for soprano, alto, tenor, bass, oboe, violin and continuo |
1730 |
| Symphony in D major, DTB 3/1 D 9 (Holzbauer, Ignaz) for orchestra |
|
| Symphony in D major, DTB 3/1 D 10 (Holzbauer, Ignaz) for orchestra |
|
| Symphony in E-flat major, DTB 3/1 Es 7 (Holzbauer, Ignaz) for orchestra |
|
| Baryton Trio in D major, Hob.XI:36 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:35 (Haydn, Joseph) for viola, cello and baryton |
|
| Ouverture from Kaspar der Fagottist (Müller, Wenzel) for voices and orchestra |
1834 |
| Arrangement of Selections from Kaspar der Fagottist (Müller, Wenzel) for 2 clarinets, 2 bassoons and 2 horns |
|
| Una cosa rara (Martín y Soler, Vicente) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Una cosa rara (Martín y Soler, Vicente) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Overture from Arrangement of Overture from Una cosa rara (Martín y Soler, Vicente) for piano |
|
| Baryton Trio in G major, Hob.XI:37 (Haydn, Joseph) for viola, cello and baryton |
|
| Duett af 'Fiskerne' af Johannes Evald, G.167 (Gerson, Georg) for 2 voices and piano |
1819 |
| Duett af 'Fiskerne' af Johannes Evald, G.167 (Gerson, Georg) for 2 voices and piano |
|
| Duett af 'Fiskerne' af Johannes Evald, G.167 (Gerson, Georg) for 2 voices and piano |
|
| Baryton Trio in G major, Hob.XI:26 (Haydn, Joseph) for viola, cello and baryton |
|
| Magnificat (Drew, Harry) for tenor, bass, mixed chorus and orchestra |
|
| Violin Concerto in E-flat major, BeRI 50 (Roman, Johan Helmich) for violin, strings and continuo |
|
| Canon in F minor, B.129a (Chopin, Frédéric) for piano |
1839 |
| 32 Variations for Horn Solo (Strauss, Franz) for horn |
|
| Baryton Trio in D major, Hob.XI:45 (Haydn, Joseph) for viola, cello and baryton |
|
| Dixit Dominus in G major, MülH 164/3 (Hasse, Johann Adolph) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Germania mit ihrem Chor, TWV 12:1c (Telemann, Georg Philipp) for 5 voices and orchestra |
1716 |
| Armida abbandonata, HWV 105 (Handel, George Frideric) for soprano, strings and continuo |
1700 |
14 Cantatas, D-DS Mus.ms.1046 (Various) for soprano, strings and continuo
soprano, flute, 2 oboes, bassoon, 2 violins and continuo
soprano and orchestra
soprano and continuo
soprano, 2 flutes and continuo
soprano, continuo and soprano
soprano, violin and continuo
soprano, 2 violins and continuo
soprano, flute and continuo
soprano, 2 oboes, bassoon, 2 violins and continuo
soprano, viola damore and continuo
soprano, cello and harpsichord |
|
| La Tempesta, TWV 20:42 (Telemann, Georg Philipp) for soprano, orchestra and continuo |
|
| Viola da Gamba Concerto in D minor, ULB Mus Ms 1017 (Anonymous) for viol, strings and continuo |
|
| Viola da Gamba Concerto in D minor, ULB Mus Ms 1017 (Anonymous) for viol, strings and continuo |
|
| Brockes Passion, TWV 5:1 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra |
|
29 Canons (Haydn, Joseph) for 2 voices
3 voices
4 voices
5 voices
6 voices
7 voices
8 voices |
|
| Overture from Helena und Paris (Winter, Peter von) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Helena und Paris (Winter, Peter von) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Fra queste umbrese piante (Conti, Francesco Bartolomeo) for soprano and orchestra |
|
| Sinfonia in D major, ULB Mus Ms 1191 (Bodinus, Sebastian) for strings and continuo |
|
| Trio in D major (Kölbel) for clarinet, horn and cello |
|
| 15 Choräle, ULB Mus Ms 1199 (Reich, Johann Baptist) for soprano, alto, tenor and bass |
|
| Gar sehr hoch von des Himmels Thron (Reich, Johann Baptist) for 5 voices |
|
| Schaff und wirk o Herr Gott (Philipp III) for soprano, alto, tenor and bass |
|
| Apollo in Tempe (Porta, Giovanni) for 4 voices and orchestra |
|
| Singt dem Herrn ein neues Lied (Anonymous) for 5 voices |
|
| Benedicta sit (Reich, Johann Baptist) for soprano, bass and continuo |
1625 |
| 15 Choräle, ULB Mus Ms 1200 (Reich, Johann Baptist) for mixed chorus |
|
| Pracht Hoffart Stolz (Reich, Johann Baptist) for 6 voices |
|
| Der Herr mein getreuer Hirte (Anonymous) for 5 voices |
|
| Die Gottseligkeit ist zu allen Dingen nütz (Anonymous) for 4 voices |
|
| 6 Duos for 2 Violins, BI 233, 192, 113, 173, 145, 128 (Rolla, Alessandro) for 2 violins |
|
| 5 Ballets, D-DS Mus.Ms 1197 (Anonymous) for keyboard |
|
| Violin Concerto in E-flat major, BeRI 51 (Roman, Johan Helmich) for violin, strings and continuo |
|
| Grand Duo for 2 Clarinets (Rolla, Alessandro) for 2 clarinets |
|
12 Ouverture-Suites, D-DS Mus.ms.1221 (Anonymous) for strings and continuo
orchestra |
1689 |
| 3 Courantes communes, D-DS Mus.ms.1198 (Anonymous) for keyboard |
|
| 2 Arias, D-DS Mus.ms.1195 (Anonymous) for soprano and continuo |
|
| La grotta di Trofonio (Salieri, Antonio) for voices and orchestra |
|
Ballets, D-DS Mus.ms.1196 (Farina, Carlo) for keyboard
organ
soprano, bass and organ |
|
| Arrangement of Der Spiegel von Arkadien, SmWV 213 (Süssmayr, Franz Xaver) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Symphony in D minor (Savi, Alfonso) for orchestra |
|
| Medonte, re di Epiro (Sarti, Giuseppe) for 4 voices and orchestra |
|
| 24 Solfeggios for Soprano (Sborgi, Gasparo) for soprano and continuo |
|
Festa musicale, BeRI 32 (Roman, Johan Helmich) for soprano, bass, mixed chorus and orchestra
soprano, baritone, mixed chorus and orchestra |
|
12 Concertos, D-DS Mus.ms.1226 (Anonymous) for strings and continuo
orchestra |
1690 |
260 Marches, D-DS Mus.ms.1222 and 1225 (Anonymous) for Unspecified instrument
2 Unspecified instruments |
|
260 Marches, D-DS Mus.ms.1222 and 1225 (Anonymous) for Unspecified instrument
2 Unspecified instruments |
|
| 12 Cantatas, D-DS Mus.ms.1228 (Anonymous) for voice and continuo |
|
Quartetto in G minor, GraunWV Av:XIV:10 (Graun, Johann Gottlieb) for 2 violins, viol and continuo
2 violins, viola and continuo |
|
Quartetto in G minor, GraunWV Av:XIV:10 (Graun, Johann Gottlieb) for 2 violins, viol and continuo
2 violins, viola and continuo |
|
Quartetto in G minor, GraunWV Av:XIV:10 (Graun, Johann Gottlieb) for 2 violins, viol and continuo
2 violins, viola and continuo |
|
Minuet and Variations for Harpsichord (Sborgi, Gaetano) for harpsichord
piano |
|
| Sinfonia in F major, GraunWV D:XII:104 (Graun, Johann Gottlieb) for orchestra |
|
| Viola da Gamba Concerto in D major, ULB Mus Ms 1234 (Anonymous) for viol, strings and continuo |
1769 |
Rondo in A major (Schröter, Johann Samuel) for harpsichord
piano |
|
| Marches, D-DS Mus.ms.1224 (Various) for |
|
| Partita in F major (Sperger, Johann Matthias) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns and 2 trumpets |
1700 |
8 Concertos (Jiránek, František) for oboe, strings and continuo
bassoon, strings and continuo
violin, strings and continuo |
|
| Il Talismano (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
Sonata in G minor, RV 28 (Vivaldi, Antonio) for violin and continuo
oboe and continuo |
|
| Sinfonia in B-flat major, J.III.1 (Pisendel, Johann Georg) for orchestra |
|
| Arrangement of Sinfonia in F major, RV 135 (Vivaldi, Antonio) for orchestra |
|
| Sinfonia/Concerto for Strings in F major, RV 140 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Arrangement of Sinfonia/Concerto for Strings in F major, RV 140 (Vivaldi, Antonio) for orchestra |
|
| Violin Concerto in B-flat major, RV 366 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Palmira (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Trio Sonata in C minor (Stölzel, Gottfried Heinrich) for oboe, violin and continuo |
|
| Der Schnee (Kreutzer, Conradin) for voices and orchestra |
|
| Concerto for Violin and Viola da Gamba in C minor, GraunWV A:XIII:3 (Graun, Johann Gottlieb) for violin, viol, strings and continuo |
|
| Herr ich trau auf dich (Anonymous) for voices and orchestra |
|
| Viola da Gamba Sonata in G major, GraunWV C:XVII:67 (Graun, Johann Gottlieb) for viol and continuo |
|
| Alleluia in D major (Mozart, Wolfgang Amadeus) for mixed chorus |
|
| Oboe Concerto in F major (Lebrun, Ludwig August) for oboe and orchestra |
|
Quartet in D major, GraunWV A:XIV:1 (Graun, Johann Gottlieb) for 2 violins, viola pomposa and continuo
flute, violin, viola pomposa and continuo
flute, 2 violins and continuo
2 violins, viola and continuo
flute, violin, viola and continuo
flute, violin, viol and continuo
2 violins, viol and continuo
2 violins, cello and harpsichord |
|
Quartet in D major, GraunWV A:XIV:1 (Graun, Johann Gottlieb) for 2 violins, viola pomposa and continuo
flute, violin, viola pomposa and continuo
flute, 2 violins and continuo
2 violins, viola and continuo
flute, violin, viola and continuo
flute, violin, viol and continuo
2 violins, viol and continuo
2 violins, cello and harpsichord |
|
Quartet in D major, GraunWV A:XIV:1 (Graun, Johann Gottlieb) for 2 violins, viola pomposa and continuo
flute, violin, viola pomposa and continuo
flute, 2 violins and continuo
2 violins, viola and continuo
flute, violin, viola and continuo
flute, violin, viol and continuo
2 violins, viol and continuo
2 violins, cello and harpsichord |
|
Quartet in D major, GraunWV A:XIV:1 (Graun, Johann Gottlieb) for 2 violins, viola pomposa and continuo
flute, violin, viola pomposa and continuo
flute, 2 violins and continuo
2 violins, viola and continuo
flute, violin, viola and continuo
flute, violin, viol and continuo
2 violins, viol and continuo
2 violins, cello and harpsichord |
|
6 Keyboard Sonatas, Wq.63 (Bach, Carl Philipp Emanuel) for keyboard
clavichord |
1766 |
Cancioneiro musical de Belém (Various) for 3 voices
4 voices |
|
| Sonata a quattro in G major (Terreni, Bonaventura) for flute, violin, cello and harpsichord |
|
| Sonata a quattro in G major (Terreni, Bonaventura) for flute, violin, cello and harpsichord |
|
| Salve Regina, MWV C 2 (Mendelssohn, Felix) for strings and soprano |
1800 |
| Andromeda (Bononcini, Antonio Maria) for 4 voices and orchestra |
|
| Litanie a 4 voci (Cimarosa, Domenico) for soprano, alto, tenor, bass, strings and continuo |
1775 |
| Um Mitternacht, WAB 90 (Bruckner, Anton) for tenor and male chorus |
1800 |
| Um Mitternacht, WAB 90 (Bruckner, Anton) for tenor and male chorus |
1886 |
| Um Mitternacht, WAB 90 (Bruckner, Anton) for tenor and male chorus |
|
| Arrangement of Um Mitternacht, WAB 90 (Bruckner, Anton) for tenor, male chorus and harp |
|
| Concerto for 2 Flutes in G major (Albertini, Thomas Anton) for 2 flutes and orchestra |
|
Chansonnier Cordiforme (Various) for voices
3 voices |
|
Chansonnier Cordiforme (Various) for voices
3 voices |
|
| No.2 from Naples et Florence, Op. 145 (Duvernoy, Jean-Baptiste) for piano 4 hands |
|
See, See, Myne Own Sweet Jewell (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
| Lullay My Liking, Op. 34 No. 2 (Holst, Gustav) for mixed chorus |
1919 |
| Violin Sonata in G minor, GraunWV A:XVII:39 (Graun, Johann Gottlieb) for violin and continuo |
|
| Fantasia sull'opera 'La sonnambula' (Braga, Gaetano) for cello and orchestra |
|
| La Belle au Bois Dormant (Carafa, Michele) for voices, male chorus and orchestra |
|
| Aus Oehlenschlägers Sanct Hansaftenspil, G.66 (Gerson, Georg) for voice and piano |
1823 |
| Symphony No. 1, Op. 20 (Spohr, Louis) for orchestra |
1800 |
| Psalm 23 (Esser, Heinrich) for mixed chorus |
1838 |
| Mass for Double Chorus in B major (Grund, Friedrich Wilhelm) for 2 mixed chorus |
1822 |
| Pergaminho Sharrer (Dinis I, Dom) for voice |
|
| Violin Sonata in G minor (Antinori, Domenico) for violin and continuo |
|
| Te Deum laudamus, Op. 38 (Grell, Eduard) for voices, mixed chorus and orchestra |
|
| Gebed voor de Predicatie (Wassenaer, Unico Wilhelm) for organ |
|
| Harpsichord Concerto in D major, Š.116 (Štěpán, Josef Antonín) for harpsichord and orchestra |
|
| Overture-Sketches in E major (Hiller, Ferdinand) for orchestra |
1826 |
| Sonata for Orchestra in C minor, J.III.2b (Pisendel, Johann Georg) for orchestra |
|
| Sonata for Orchestra in C minor, J.III.2b (Pisendel, Johann Georg) for orchestra |
|
| Les Boréades, RCT 31 (Rameau, Jean-Philippe) for voices and orchestra |
|
| Cello Concerto in E-flat major, RV 408 (Vivaldi, Antonio) for cello, strings and continuo |
1720 |
| Seccion Tercera - Estudios from Nuevo método para guitarra (Aguado, Dionisio) for guitar |
|
24 Concertos for Recorder, Strings and Continuo (Various) for recorder, 2 violins and continuo
recorder, strings and continuo |
|
24 Concertos for Recorder, Strings and Continuo (Various) for recorder, 2 violins and continuo
recorder, strings and continuo |
|
| Cello Concerto in D minor, RV 406 (Vivaldi, Antonio) for cello, strings and continuo |
1700 |
| Cello Concerto in A minor, RV 418 (Vivaldi, Antonio) for cello, strings and continuo |
1700 |
| Cello Concerto in C minor, RV 401 (Vivaldi, Antonio) for cello, strings and continuo |
1700 |
| Horn Concerto in E-flat major (Förster, Christoph) for horn, strings and continuo |
|
| Horn Concerto in E-flat major (Förster, Christoph) for horn, strings and continuo |
|
| Piano Sonata No. 3, Op. 3 (Feinberg, Samuil) for piano |
1916 |
| Piano Sonata No. 3, Op. 3 (Feinberg, Samuil) for piano |
|
Consort of Four Parts (Locke, Matthew) for 4 viols
4 viols and continuo |
1661 |
| Cancionero de Juana I de Castilla (Various) for 4 voices |
|
| Sonata for 2 Violins 'Intimus' (Kocakov, Drago) for 2 violins |
1951 |
| Lasciami un sol momento (Bononcini, Giovanni) for alto and continuo |
|
12 Sinfonie, Op. 3 (Bononcini, Giovanni) for strings and continuo
trumpet, strings and continuo
2 trumpets, strings and continuo |
|
| Tantum ergo (Stradella, Alessandro) for soprano, alto and continuo |
|
| Violin Concerto in D major, B.103A (Pleyel, Ignaz) for violin and orchestra |
|
| Arrangement of Violin Concerto in D major, B.103A (Pleyel, Ignaz) for harpsichord and strings |
|
| Ave Regina coelorum (Stradella, Alessandro) for soprano, alto and continuo |
|
| O vos omnes (Stradella, Alessandro) for alto, 2 violins and continuo |
|
| Care Jesu (Stradella, Alessandro) for soprano, alto, 2 violins and continuo |
|
| Dixit Angelis suis (Stradella, Alessandro) for soprano and continuo |
|
| Exultate in Deo (Stradella, Alessandro) for 2 violins, continuo and bass |
|
| Lamentatione per il Mercoledì Santo (Stradella, Alessandro) for voice and continuo |
|
Modena Codex (Various) for voice
2 voices
3 voices |
|
| 6 Violin Sonatas (Pleyel, Ignaz) for violin and piano |
|
| Harpsichord Sonata in B-flat major (Pescetti, Giovanni Battista) for harpsichord |
|
Cancionero de la Colombina (Various) for voice
2 voices
3 voices
4 voices |
|
| Piano Concerto in E minor, MWV O 13 (Mendelssohn, Felix) for piano and orchestra |
1800 |
Codex Chantilly (Various) for 2 voices
3 voices
4 voices |
|
6 Variations in G major, W.XId:8 (Vanhal, Johann Baptist) for violin and piano
flute and piano |
|
Keyboard Trio in G major (Stamitz, Carl Philipp) for violin, cello and harpsichord
violin, harpsichord and bass |
|
Overture in A major (Babell, William) for harpsichord, strings and continuo
strings and continuo |
|
Harpsichord Concerto in D major, WV 279 (Wagenseil, Georg Christoph) for 2 violins, cello and harpsichord
harpsichord and strings |
|
Harpsichord Concerto in D major, WV 279 (Wagenseil, Georg Christoph) for 2 violins, cello and harpsichord
harpsichord and strings |
|
| Al voler del bene amato (Ariosti, Attilio) for soprano and continuo |
|
| Belle stille che grondate (Ariosti, Attilio) for soprano and continuo |
|
5 Sinfonias à 4 (Zellbell Jr., Ferdinand) for 2 violins, viola and continuo
strings and continuo |
|
| Die Hirten bey der Krippe zu Bethlehem (Agricola, Johann Friedrich) for voices and orchestra |
|
| Harpsichord Concerto in C major, W.IIa:C3 (Vanhal, Johann Baptist) for harpsichord and orchestra |
|
| Ode on the Spirits of Shakespeare (Linley Jr., Thomas) for voices and orchestra |
|
Keyboard Sonata in F major 'Lieblings Sonate' (Hartmann, Christoph Heinrich) for keyboard
piano |
|
| 2 Harpsichord Toccatas (Durante, Francesco) for keyboard |
|
| 1922 (Nazareth, Ernesto) for piano |
1900 |
| Le gelosie villane (Sarti, Giuseppe) for voices and orchestra |
|
| Le gelosie villane (Sarti, Giuseppe) for voices and orchestra |
|
Fantasie sus orgue ou espinette (Costeley, Guillaume) for harpsichord
organ |
|
| Timoteo, SF 396 (Marcello, Benedetto) for alto, bass and continuo |
|
| Timoteo, SF 396 (Marcello, Benedetto) for alto, bass and continuo |
|
| Timoteo, SF 396 (Marcello, Benedetto) for alto, bass and continuo |
|
6 Duetti latini (Porpora, Nicola Antonio) for soprano, alto and continuo
continuo and 2 sopranos
soprano, bass and continuo |
|
| Symphony, Op. 20 (Henkel, Andreas) for orchestra |
1860 |
| Symphony, Op. 20 (Henkel, Andreas) for orchestra |
|
| Sinfonia in F major (Adam, Johann) for orchestra |
|
| Violin Sonata in G major (Agrell, Johan) for violin and continuo |
|
Sinfonia a 3 in D major (Alberti, Giuseppe Matteo) for 2 violins and continuo
strings and continuo |
|
| Il Cleomene (Araja, Francesco) for voices and orchestra |
|
Keyboard Trio, W.V:10a-19 (Vanhal, Johann Baptist) for violin, cello and harpsichord
violin, cello and keyboard |
|
| Symphony in F minor (Hiller, Ferdinand) for orchestra |
|
Cancionero de El Escorial IV.a.24 (Various) for 3 Unspecified instruments
3 voices |
|
| La Didone (Paër, Ferdinando) for voices and orchestra |
|
| L'idolo cinese (Schuster, Joseph) for voices and orchestra |
|
| Ginevra degli Almieri (Paër, Ferdinando) for voices and orchestra |
|
| L'amante servitore (Paër, Ferdinando) for voices and orchestra |
|
Sonate sentimentale, Op. 169 (Ries, Ferdinand) for flute and piano
clarinet and piano |
1814 |
| L'eroismo in amore (Paër, Ferdinando) for voices and orchestra |
|
| Arrangement of Raoul Barbe-bleue (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
|
| Cello Concerto No. 2, Op. 3 (Romberg, Bernhard) for cello and orchestra |
|
| Cello Concerto No. 2, Op. 3 (Romberg, Bernhard) for cello and orchestra |
1986 |
| Violin Concerto in A major, RV 817 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Sinfonia in D major (Araja, Francesco) for strings and continuo |
|
| Il matrimonio improvviso (Paër, Ferdinando) for voices and orchestra |
|
| Sinfonia in D major from Bellerofonte (Araja, Francesco) for voices and orchestra |
|
| I molinari (Paër, Ferdinando) for voices and orchestra |
|
| Fugue in C major, ULB Mus.Ms.1425 (Anonymous) for orchestra |
|
17 Pieces for Harpsichord (Various) for harpsichord
keyboard |
|
| Fugue in E minor, ULB Mus.Ms.1426 (Anonymous) for harpsichord |
|
| Sinfonia a 3 in G major (Zani, Andrea) for 2 violins and continuo |
|
| Sinfonia a 3 in A major (Zani, Andrea) for 2 violins and continuo |
|
| Jauchze dem Herrn alle Welt, ULB Mus.Ms.1452 (Anonymous) for |
|
16 Canons, ULB Mus.Ms.1455 (Various) for 3 voices
4 voices
8 voices |
|
| Sinfonia in D major (Zellbell Sr., Ferdinand) for 3 violins and continuo |
|
| Sinfonia in D major (Zellbell Sr., Ferdinand) for 3 violins and continuo |
|
| Julius Caesar (Seyfried, Ignaz) for voices and orchestra |
|
| French Lute Tablature, ULB MUs.Ms.1655 (Anonymous) for lute |
|
| Sinfonia from Arrangement of Sinfonia from Demofonte (Weigl, Joseph) for piano |
|
| Harpsichord Trio in A major (Zach, Jan) for violin, cello and harpsichord |
|
| Litaniae de Venerabili Sacramento (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Litaniae de Venerabili Sacramento (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
4 Canons, ULB Mus.Ms.1525 (Various) for 3 voices
4 voices
5 voices |
|
| Skilsmissen, G.101 (Gerson, Georg) for 2 voices and piano |
1820 |
| Skilsmissen, G.101 (Gerson, Georg) for 2 voices and piano |
1823 |
| Skilsmissen, G.101 (Gerson, Georg) for 2 voices and piano |
|
| Skilsmissen, G.101 (Gerson, Georg) for 2 voices and piano |
|
| Il barbiere di Siviglia (Morlacchi, Francesco) for voices and orchestra |
|
| Magnificat in F major, S.91 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Magnificat in F major, S.91 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Theme and 7 Variations for Viola and Violin (Fodor, Carel Anton) for violin and viola |
|
| Coriolano, GraunWV B:I:20 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Coriolano, GraunWV B:I:20 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Coriolano, GraunWV B:I:20 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Coriolano, GraunWV B:I:20 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Coriolano, GraunWV B:I:20 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
30 Dances for Keyboard (Favier, Alessandro) for harpsichord
piano |
|
| Divertimenti for Harp, RicP 240 (Anonymous) for harp |
|
| Minuet and Variations for Harpsichord (Anonymous) for harpsichord |
|
| Harp Sonata in B-flat major, US-LOu Profana 242 (Anonymous) for harp |
|
| Harpsichord Sonata in D major, US-LOu Profana 250 (Anonymous) for harpsichord |
|
| 146 Dances for Harpsichord, US-Lou Profana 248 (Anonymous) for harpsichord |
|
Sonate da mandorlino, US-LOu Profana 238 (Anonymous) for mandolin
2 mandolins |
|
Arrangement of Harp Duets (Anonymous) for harp
harpsichord |
|
| La capricciosa pentita (Morlacchi, Francesco) for voices and orchestra |
|
Quartet in D major (Reichard, Heinrich Gottfried) for 2 violins, viola and continuo
2 violins, viola and cello |
|
| Isabella e Rodrigo (Anfossi, Pasquale) for voices and orchestra |
|
| Isabella e Rodrigo (Anfossi, Pasquale) for voices and orchestra |
|
| Quartet in C major (Reichard, Heinrich Gottfried) for 2 violins, viola and cello |
|
Quintet in B-flat major (Reichard, Heinrich Gottfried) for 2 violins, viola, cello and continuo
2 violins, viola and 2 cellos |
|
| Partita in G minor (Tischer, Johann Nikolaus) for keyboard |
|
| 15 Instrumental Pieces, Schrank II/31/1 (Anonymous) for orchestra |
|
| La serva padrona, R.1.63 (Paisiello, Giovanni) for voices and orchestra |
|
| La serva padrona, R.1.63 (Paisiello, Giovanni) for voices and orchestra |
|
| 12 Trio Sonatas (Maximilian III Joseph) for 2 violins and continuo |
|
| 12 Trio Sonatas (Maximilian III Joseph) for 2 violins and continuo |
|
| 12 Violin Concertos, Op. 1 (D'Alai, Mauro) for violin, strings and continuo |
|
| 12 Violin Concertos, Op. 1 (D'Alai, Mauro) for violin, strings and continuo |
|
| 12 Violin Concertos, Op. 1 (D'Alai, Mauro) for violin, strings and continuo |
|
Concerto for 2 Violins in D minor, IMA 1 (D'Alai, Mauro) for violin, strings and continuo
strings and continuo |
|
| Violin Concerto in D major, IMA 4 (D'Alai, Mauro) for violin, strings and continuo |
|
Udite lacrimosi spiriti d'averno (Cherubini, Luigi) for soprano, alto, tenor, bass and continuo
soprano, alto, tenor, bass and organ |
1811 |
| Sonata for Harpsichord and Violin in G major (Anonymous) for violin and harpsichord |
|
| Harpsichord Concerto in F major, US-LOu Profana 251 (Anonymous) for harpsichord and strings |
|
| Harpsichord Sonata in G major, US-LOu Profana 253 (Anonymous) for harpsichord |
|
| 12 Symphonies (Maximilian III Joseph) for orchestra |
|
| 12 Symphonies (Maximilian III Joseph) for orchestra |
|
| 12 Symphonies (Maximilian III Joseph) for orchestra |
|
| March in C major, US-LOu Profana 252 (Anonymous) for keyboard |
|
| Postlude in D minor, WAB 126/1 (Bruckner, Anton) for organ |
1800 |
| Flute Sonata in G major (Čart, Jiří) for flute and continuo |
|
| Concerto in G minor, RV 576 (Vivaldi, Antonio) for orchestra |
|
| Le trame deluse (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1786 |
| Le trame deluse (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Harpsichord Concerto in C minor, H.474 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
|
| Harpsichord Concerto in C minor, H.474 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
|
| Arrangement of Harpsichord Concerto in C minor, H.474 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Harpsichord Sonata in B-flat major, H.25 (Bach, Carl Philipp Emanuel) for harpsichord |
|
| Harpsichord Sonata in B-flat major, H.25 (Bach, Carl Philipp Emanuel) for harpsichord |
|
| Harpsichord Sonata in B-flat major, H.25 (Bach, Carl Philipp Emanuel) for harpsichord |
|
| Symphony in E major, H.662 (Bach, Carl Philipp Emanuel) for strings and continuo |
1773 |
| Arrangement of Il conte Ugolino, In.371 (Donizetti, Gaetano) for voice and strings |
1838 |
| Le Danaidi (Morlacchi, Francesco) for voices and orchestra |
|
| La semplicetta di Pirna (Morlacchi, Francesco) for voices and orchestra |
|
| Rübezahl (Schuster, Joseph) for voices, mixed chorus and orchestra |
|
| Rübezahl (Schuster, Joseph) for voices, mixed chorus and orchestra |
|
| Violin Concerto in B-flat major, IMA 2 (D'Alai, Mauro) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, IMA 3 (D'Alai, Mauro) for violin, strings and continuo |
|
| Trio Sonata in C major, TalB S2V1 (Bitti, Martino) for 2 violins and continuo |
|
| Violin Sonata in C major, TalB SV9 (Bitti, Martino) for violin and continuo |
|
| Violin Sonata in D major, TalB SV10 (Bitti, Martino) for violin and continuo |
|
| Violin Sonata in G minor, TalB SV11 (Bitti, Martino) for violin and continuo |
|
| Violin Sonata in A major, TalB SV12 (Bitti, Martino) for violin and continuo |
|
| Scanderberg (Francœur, François) for voices, mixed chorus and orchestra |
1779 |
164 Motets, D-Dl Mus.1-D-8 (Various) for 3 voices
4 voices
5 voices
6 voices
3 voices and continuo
4 voices and continuo
5 voices and continuo
6 voices and continuo |
|
| Feitiço não mata (Nazareth, Ernesto) for voice and piano |
|
| Tebaldo e Isolina (Morlacchi, Francesco) for voices, mixed chorus and orchestra |
|
| Divertimenti for Harp, RicP 257b (Anonymous) for harp |
|
| Padedù, RicP 258 (Anonymous) for piano |
|
| Rondo for Harpsichord in G major (Botti, Antonio) for harpsichord |
|
| Vari pezzi di musica per arpa (Marcucci, Curzio) for harp |
|
| Sinfonia concertante No. 10 (Stamitz, Carl Philipp) for violin, cello and orchestra |
1700 |
| Piano Concerto No. 1, W453 (Villa-Lobos, Heitor) for piano and orchestra |
1945 |
| Harpsichord Sonata in G major, RicP 203a-9 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in B-flat major, RicP 203a-3 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in B-flat major (Mattei, Beatrice) for harpsichord |
|
| Harpsichord Sonata in D major, RicP 203a-4 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in D major, RicP 203a-5 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in C major, RicP 203a-6 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in D major, RicP 203a-7 (Sborgi, Gasparo) for harpsichord |
|
| Harpsichord Sonata in F major, RicP 203a-8 (Sborgi, Gasparo) for harpsichord |
|
| 17 Pieces for Harpsichord, RicP 203c (Sborgi, Gasparo) for harpsichord |
|
| Corradino (Morlacchi, Francesco) for voices and orchestra |
|
| La Gioventù di Enrico V (Morlacchi, Francesco) for voices and orchestra |
|
| Gli amanti canuti (Anfossi, Pasquale) for voices and orchestra |
|
| Gli amanti canuti (Anfossi, Pasquale) for voices and orchestra |
|
| Litanie di S. Francesco Xaverio (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Violin Concerto in F major, RV 285 (Vivaldi, Antonio) for violin, strings and continuo |
|
Harpsichord Sonata in C major, RicP 263 (Anonymous) for harpsichord
piano |
|
| Demofoonte, R.1.45 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Demofoonte, R.1.45 (Paisiello, Giovanni) for 7 voices and orchestra |
1775 |
| Variations for Harpsichord in D major, RicP 260 (Anonymous) for harpsichord |
|
| The Chariot Race (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
|
| Gymnastikskolens Marsch (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
1919 |
| Gymnastikskolens Marsch (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
|
| Arrangement of Gymnastikskolens Marsch (Olsen, Ole) for flute and clarinet |
|
| Arrangement of Gymnastikskolens Marsch (Olsen, Ole) for piano |
|
| Arrangement of Gymnastikskolens Marsch (Olsen, Ole) for piano |
|
Trio Sonata in C minor, HWV 386a (Handel, George Frideric) for recorder, violin and continuo
flute, violin and continuo
2 violins and continuo |
|
Trio Sonata in C minor, HWV 386a (Handel, George Frideric) for recorder, violin and continuo
flute, violin and continuo
2 violins and continuo |
|
| Overture in B-flat major (Wesström, Anders) for orchestra |
|
| Artemisia regina di Caria (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1797 |
| Artemisia regina di Caria (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Artemisia regina di Caria (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Artemisia regina di Caria (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
6 Quartets (Wesström, Anders) for 2 violins, viola and cello
flute, violin, viola and cello
oboe, violin, viola and cello |
|
Joy, Joy doth so Arise (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
| Organ Concerto in F major (Allegri, Filippo) for organ and orchestra |
|
| Overture in D minor (Wesström, Anders) for orchestra |
|
| Recorder Sonata in C major, HWV 365 (Handel, George Frideric) for recorder and continuo |
|
Ladie, Those Eyes (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
Crewell You Pull Away to Soone (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
Hould Out, My Hart (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
God Morrow, Fayre Ladies (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
| Trio Sonata in F major, HWV 392 (Handel, George Frideric) for 2 violins and continuo |
|
| Trio Sonata in F major, HWV 392 (Handel, George Frideric) for 2 violins and continuo |
|
| Trio Sonata in F major, HWV 392 (Handel, George Frideric) for 2 violins and continuo |
|
| Excerpts from Veni sancte spiritus reple, TWV 3:86 (Telemann, Georg Philipp) for soprano, mixed chorus and orchestra |
|
| Veni sancte spiritus reple, TWV 3:86 (Telemann, Georg Philipp) for soprano, mixed chorus and orchestra |
|
| Lo sposo disperato (Anfossi, Pasquale) for voices and orchestra |
|
| Lo sposo disperato (Anfossi, Pasquale) for voices and orchestra |
|
| Sieg der Liebe, G.152 (Gerson, Georg) for 2 voices and piano |
1823 |
| Sieg der Liebe, G.152 (Gerson, Georg) for 2 voices and piano |
1820 |
| Sieg der Liebe, G.152 (Gerson, Georg) for 2 voices and piano |
|
| Cantata per S. Natale (Allegrini, Giovanni) for 2 sopranos, bass and orchestra |
|
O Flye Not, O Take Some Pittie (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
| Die Kleine Myris, G.99 (Gerson, Georg) for voice and piano |
|
| Thirza und ihre Söhne (Rolle, Johann Heinrich) for 3 sopranos, alto, 3 tenors, 2 basses, 2 mixed chorus and orchestra |
|
| Thirza und ihre Söhne (Rolle, Johann Heinrich) for 3 sopranos, alto, 3 tenors, 2 basses, 2 mixed chorus and orchestra |
1790 |
| Thirza und ihre Söhne (Rolle, Johann Heinrich) for 3 sopranos, alto, 3 tenors, 2 basses, 2 mixed chorus and orchestra |
1781 |
| Jehova pascit me, TWV 7:23 (Telemann, Georg Philipp) for soprano, bass and orchestra |
|
| Mass in G major (Bassani, Giovanni Battista) for soprano, alto, tenor, bass, orchestra and continuo |
|
| La capricciosa corretta (Martín y Soler, Vicente) for voices, mixed chorus and orchestra |
|
| La capricciosa corretta (Martín y Soler, Vicente) for voices, mixed chorus and orchestra |
|
| Confitebor (Bassani, Giovanni Battista) for soprano, alto, violin, cello and continuo |
|
| Le pazzie de' gelosi (Anfossi, Pasquale) for voices and orchestra |
|
| Le pazzie de' gelosi (Anfossi, Pasquale) for voices and orchestra |
|
| Concerto in D major (Valentini, Giuseppe) for orchestra |
|
| Concerto for 2 Violins in G major (Valentini, Giuseppe) for 2 violins, strings and continuo |
|
| Le lac (Niedermeyer, Louis) for voice and piano |
|
| Concerto for 2 Violins in D major (Valentini, Giuseppe) for 2 violins, strings and continuo |
|
| Concerto for Oboe and Violin in D major (Valentini, Giuseppe) for oboe, violin, strings and continuo |
|
| Arsene (Gallenberg, Wenzel Robert von) for orchestra |
|
| 10 Violin Sonatas, Op. 7 (Bonporti, Francesco Antonio) for violin and continuo |
|
Sammlung von Choralvorspielen, ausgeführten Chorälen und anderen Stücken (Kittel, Johann Christian) for organ
clavichord
keyboard |
1800 |
| Partita in C major (Endler, Johann Samuel) for harpsichord |
|
| Il Santo Sepolcro (Paër, Ferdinando) for voices and orchestra |
|
Arrangement of 3 Violin Concertos, Op. 2 (Sirmen, Maddalena Laura) for harpsichord and orchestra
piano and orchestra |
|
| I viaggiatori felici (Anfossi, Pasquale) for voices and orchestra |
|
| I viaggiatori felici (Anfossi, Pasquale) for voices and orchestra |
|
| Ouverture from Arrangement of Ouverture from I viaggiatori felici (Anfossi, Pasquale) for harpsichord |
1792 |
| Jubel-Ouverture, Op. 67 (Reissiger, Carl Gottlieb) for orchestra |
|
| Sei tu Lidippe, o il sole (Hasse, Johann Adolph) for voices and orchestra |
|
| L'Amor prigioniero (Hasse, Johann Adolph) for 2 sopranos and orchestra |
1700 |
| Concerto No.2 in F major from Arrangement of Concerto No.2 in F major from 12 Concerti a cinque, Op. 5 (Albinoni, Tomaso) for orchestra |
|
| Concerto No.5 in A minor from Arrangement of Concerto No.5 in A minor from 12 Concerti a cinque, Op. 5 (Albinoni, Tomaso) for orchestra |
|
University of Munich MSS 328-331 partbooks (Various) for 4 voices
5 voices
6 voices
4 Unspecified instruments
5 Unspecified instruments
6 Unspecified instruments |
|
| Il poeta di campagna (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| La lanterna di Diogene (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| La lanterna di Diogene (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Ninette à la cour (Duni, Egidio) for voices and orchestra |
|
| L'amante di tutte (Galuppi, Baldassare) for voices and orchestra |
|
| Les troqueurs (Dauvergne, Antoine) for voices and orchestra |
|
| Le diable à quatre (Gluck, Christoph Willibald) for voices and orchestra |
|
| Incomplete from Alessandro nell'Indie, W.G 3 (Bach, Johann Christian) for voices, mixed chorus and orchestra |
|
| Te Deum (Bagnacavallo, Francesco Antonio da) for 2 tenors, bass and organ |
|
| Magnificat (Barbieri, Luigi) for soprano, tenor, bass, mixed chorus and orchestra |
1796 |
| 1775 Version from L'Avaro (Anfossi, Pasquale) for voices and orchestra |
|
| La pastorella nobile (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Ave Maria (Miltitz, Carl Borromäus von) for soprano, tenor and bass |
|
| Harpsichord Concerto in B-flat major, RicP 204c (Sborgi, Gasparo) for harpsichord and orchestra |
|
| Harpsichord Concerto in D major, RicP 204a (Sborgi, Gasparo) for harpsichord and orchestra |
|
Nocturne No. 2 in D major (Miltitz, Carl Borromäus von) for cello and harp
cello and piano |
|
| String Quartet in G minor (Miltitz, Carl Borromäus von) for 2 violins, viola and cello |
1838 |
| Ouverture dans le genre de poésie d'Ossian (Miltitz, Carl Borromäus von) for orchestra |
|
| Harpsichord Concerto in C major, RicP 204b (RicS 87) (Sborgi, Gasparo) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major, RicP 204b (RicS 87) (Sborgi, Gasparo) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major, RicP 204b (RicS 87) (Sborgi, Gasparo) for harpsichord and orchestra |
|
| Manuscript, I-Bc MS Q.21 (Various) for soprano, alto, tenor and bass |
|
| Arrangement of Violin Concerto, WoO 15 (Draeseke, Felix) for violin and piano |
|
Messa canonica (Marcello, Benedetto) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
1711 |
Messa canonica (Marcello, Benedetto) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
1711 |
| 43 Pieces for Viola d'amore, D-Dl Mus.2-R-2 (Anonymous) for viola damore |
|
| Mein Alter kömmt, ich kann nicht sterben (Kuhnau, Johann) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Es steh Gott auf (Kuhnau, Johann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Complete (1772 Version) from Buovo d'Antona (Traetta, Tommaso) for voices and orchestra |
|
| Die kleine Ährenleserin (Hiller, Johann Adam) for voices and orchestra |
|
| Die kleine Ährenleserin (Hiller, Johann Adam) for voices and orchestra |
|
| Bone Jesu, care Jesu (Kuhnau, Johann) for soprano, 2 violins and continuo |
|
| Ach es geht mir wie einem, GWV 1117/46 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1746 |
| Die Jagd (Hiller, Johann Adam) for voices, mixed chorus and orchestra |
|
| Die Jagd (Hiller, Johann Adam) for voices, mixed chorus and orchestra |
|
| Die Jagd (Hiller, Johann Adam) for voices, mixed chorus and orchestra |
|
| Choruses from Die Jagd (Hiller, Johann Adam) for voices, mixed chorus and orchestra |
|
| Clarinet Concerto No. 2, Op. 57 (Spohr, Louis) for clarinet and orchestra |
|
| Das Donauweibchen (Kauer, Ferdinand) for voices and orchestra |
|
| Arrangement of Selections from Das Donauweibchen (Kauer, Ferdinand) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Herr, was muß ich tun, daß ich das ewige Leben erbe, TWV 1:775 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, orchestra and continuo |
|
| Waltz for Piano, G.130 (Gerson, Georg) for piano |
1818 |
| Waltz for Piano, G.129 (Gerson, Georg) for piano |
1818 |
| Waltz for Piano, G.131 (Gerson, Georg) for piano |
1818 |
| Waltz for Piano, G.144 (Gerson, Georg) for piano |
1818 |
| Waltzes for Piano (Gerson, Georg) for piano |
1818 |
| Erster Theil etlicher Choräle (Pachelbel, Johann) for organ |
|
| Double Bass Concerto in E-flat major (Vanhal, Johann Baptist) for double bass and orchestra |
|
| Allegro moderato (No.1) from Arrangement of Allegro moderato (No.1) from Double Bass Concerto in E-flat major (Vanhal, Johann Baptist) for |
|
| Le Vicende d'amore (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Gli stravaganti (Scarlatti, Giuseppe) for voices and orchestra |
|
| Statt up, du trogna folck (Roman, Johan Helmich) for soprano, bass, 2 violins and continuo |
|
| Ach wo soll ich Jesum finden, GWV 1129/49 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus, strings and continuo |
1749 |
| Carlo re d'Allemagna (Scarlatti, Alessandro) for voices and orchestra |
|
| Carlo re d'Allemagna (Scarlatti, Alessandro) for voices and orchestra |
|
| Festival Jubilate, Op. 17 (Beach, Amy Marcy) for 7 voices and orchestra |
1892 |
| Das Reich Gottes ist nicht Essen und Trinken, GWV 1131/49 (Graupner, Christoph) for alto, tenor, bass, strings and continuo |
1749 |
| Characterstück (Zitterbart Jr., Fidelis) for cello and piano |
1800 |
| Juni (No.3) from Arrangement of Juni (No.3) from 4 Songs, Op. 51 (Beach, Amy Marcy) for voice and orchestra |
1903 |
| Piano Sonata No. 2, Op. 44 (Sjögren, Emil) for piano |
1904 |
| Gli stravaganti (Piccinni, Niccolò) for 4 voices and orchestra |
1765 |
| Che originali! (Mayr, Giovanni Simone) for voices and orchestra |
|
6 Keyboard Quintets (Soler, Antonio) for 2 violins, viola, cello and keyboard
2 violins, viola, cello and organ |
|
| La semplice ad arte (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| L'astrologa (Piccinni, Niccolò) for voices and orchestra |
|
| Oboe Sonata in B-flat major, IGS 17 (Sammartini, Giuseppe) for oboe and continuo |
|
| Recorder Sonata in C major, IGS 29 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in C major, IGS 29 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in C major, IGS 30 (Sammartini, Giuseppe) for recorder and continuo |
|
| Oboe Sonata in B-flat major, IGS 18 (Sammartini, Giuseppe) for oboe and continuo |
|
| Die Liebe auf dem Lande (Hiller, Johann Adam) for voices and orchestra |
|
| Die Liebe auf dem Lande (Hiller, Johann Adam) for voices and orchestra |
|
| The Minstrel and the King, Op. 16 (Beach, Amy Marcy) for tenor, baritone, male chorus and orchestra |
1894 |
| Trauer-Symphonie, Op. 23 (Romberg, Bernhard) for orchestra |
|
Superius from Chansonnier de Zeghere van Male (Various) for voice
2 voices
4 voices
5 voices
4 Unspecified instruments |
1542 |
Contratenor from Chansonnier de Zeghere van Male (Various) for voice
2 voices
4 voices
5 voices
4 Unspecified instruments |
1542 |
Tenor from Chansonnier de Zeghere van Male (Various) for voice
2 voices
4 voices
5 voices
4 Unspecified instruments |
1542 |
Bassus from Chansonnier de Zeghere van Male (Various) for voice
2 voices
4 voices
5 voices
4 Unspecified instruments |
1542 |
| Oboe Sonata in C major (Sammartini, Giuseppe) for oboe and continuo |
|
| Oboe Sonata in E-flat major (Sammartini, Giuseppe) for oboe and continuo |
|
| Il barone di Torreforte (Piccinni, Niccolò) for voices and orchestra |
|
| Il barone di Torreforte (Piccinni, Niccolò) for voices and orchestra |
1765 |
| Airs de danse (Castillon, Alexis de) for orchestra |
1800 |
| Fugue in G minor (Castillon, Alexis de) for piano |
1900 |
| Der Einsiedler (Fränzl, Ferdinand) for voices and orchestra |
|
| La Quakera spiritosa (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Il medico di Lucca (Nasolini, Sebastiano) for voices and orchestra |
|
| Venite ad me omnes (Zachow, Friedrich Wilhelm) for soprano, alto, tenor, bass, bassoon, 2 violins and continuo |
|
| I finti amori (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| I finti amori (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| L'inganno amoroso (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Oboe Sonata in G minor (Sammartini, Giuseppe) for oboe and continuo |
|
| Flute Sonata in C major (Sammartini, Giuseppe) for flute and continuo |
|
| Flute Sonata in A minor (Sammartini, Giuseppe) for flute and continuo |
|
| Flute Sonata in D major (Sammartini, Giuseppe) for flute and continuo |
|
| Die Herrlichkeit des Herrn (Zachow, Friedrich Wilhelm) for 2 sopranos, 2 violins and continuo |
|
| Version from Symphony in G major, K.Anh.221/45a (Mozart, Wolfgang Amadeus) for orchestra |
|
Divertimento in C major for Keyboard Quintet (Seckendorff, Karl Siegmund von) for 2 violins, viola, cello and piano
2 violins, viola, cello and harpsichord |
|
| Filandro e Carolina (Gnecco, Francesco) for voices and orchestra |
|
Divertimento in F major for Keyboard Quintet (Seckendorff, Karl Siegmund von) for 2 violins, viola, cello and piano
2 violins, viola, cello and harpsichord |
|
Divertimento in A major for Keyboard and Violin (Seckendorff, Karl Siegmund von) for violin and harpsichord
violin and piano |
|
| Oboe Sonata in G major (Sammartini, Giuseppe) for oboe and continuo |
|
| Recorder Sonata in F major, IGS 34 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGS 34 (Sammartini, Giuseppe) for recorder and continuo |
|
| Flute Sonata in G major (Sammartini, Giuseppe) for flute and continuo |
|
| Recorder Sonata in F minor (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in D major (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGS 35 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in D minor (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in G major, IGS 43 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in B-flat major, IGS 26 (Sammartini, Giuseppe) for recorder and continuo |
|
| Violin Sonata in C major (Sammartini, Giuseppe) for violin and continuo |
|
| Recorder Sonata in G minor (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in B-flat major, IGS 27 (Sammartini, Giuseppe) for recorder and continuo |
|
| Violin Sonata in F major (Sammartini, Giuseppe) for violin and continuo |
|
| Recorder Sonata in F major, IGS 38 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in C major, IGS 31 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGS 37 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGS 36 (Sammartini, Giuseppe) for recorder and continuo |
|
| Symphony in F major, Op. 3 (Holter, Iver) for orchestra |
|
| Recorder Sonata in F major, IGS 39 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGS 39 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in B-flat major, IGS 28 (Sammartini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in B-flat major, IGS 28 (Sammartini, Giuseppe) for recorder and continuo |
|
| 4 Recorder Sonatas (Sammartini, Giuseppe) for recorder and continuo |
|
| El puñao de rosas (Chapí, Ruperto) for voices, mixed chorus and orchestra |
1902 |
| Antigono, Wq.21 (Gluck, Christoph Willibald) for 6 voices and orchestra |
|
| Da sete ardente afflitto, HWV 100 (Handel, George Frideric) for soprano and continuo |
|
| Lungi dal mio bel nume, HWV 127a (Handel, George Frideric) for soprano and continuo |
|
| Piano Quintet, Op. 22 (Glass, Louis) for 2 violins, viola, cello and piano |
|
| O lucenti, o sereni occhi, HWV 144 (Handel, George Frideric) for soprano and continuo |
|
| Sento là che ristretto, HWV 161b (Handel, George Frideric) for soprano and continuo |
|
| Immisit Dominus pestilentiam, ZWV 58 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1709 |
| Chi la dura la vince (Farinelli, Giuseppe) for voices and orchestra |
|
| Carlo Fioras (Fränzl, Ferdinand) for voices, mixed chorus and orchestra |
|
Libro secondo, A-Wn Mus.Hs.18706 (Froberger, Johann Jacob) for harpsichord
organ |
1649 |
| Romance (Enna, August) for violin and orchestra |
|
| Madrigali, Libri 1-2 (Zamboni, Giovanni) for soprano, alto, tenor, bass and continuo |
|
| Beatus vir in C major, INP 13 (Porpora, Nicola Antonio) for soprano, alto, tenor and bass |
|
Libro quarto, A-Wn Mus.Hs.18707 (Froberger, Johann Jacob) for harpsichord
clavichord
organ |
1656 |
| Baryton Trio in D major, Hob.XI:34 (Haydn, Joseph) for viola, cello and baryton |
|
| La festa della rosa (Pavesi, Stefano) for voices and orchestra |
|
| Oboe Concerto in A minor (Postel, Christian Gottlieb) for oboe, strings and continuo |
|
Eton Choirbook (Various) for 4 voices
5 voices
6 voices
7 voices
8 voices
9 voices
13 voices |
|
| Il trionfo delle belle (Pavesi, Stefano) for voices and orchestra |
|
| Erstanden ist der heil′ge Christ (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
| Ecce quam bonum (Knüpfer, Sebastian) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Gott sei mir gnädig nach deiner Güte (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
Jesus Christus, unser Heiland (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, strings and continuo
2 sopranos, alto, tenor, bass and orchestra |
|
| Ser Marcantonio (Pavesi, Stefano) for voices, mixed chorus and orchestra |
|
| Choruses from Ser Marcantonio (Pavesi, Stefano) for voices, mixed chorus and orchestra |
|
| La bella pescatrice (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Christ lag in Todesbanden (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
| Die Ochsenmenuette (Seyfried, Ignaz) for voices and orchestra |
1800 |
Muzico e moderno systema para solfejar sem confuzão (Pinto, Luís Álvares) for voice and continuo
voice and bass |
1776 |
| Horn Concerto in E major (Du Puy, Edouard) for horn and orchestra |
|
| Komm du schöne Freudenkrone (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, orchestra and continuo |
|
| Die Turteltaube lässet sich hören (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
| Wie seh' ich dich mein Jesu bluten (Knüpfer, Sebastian) for soprano and continuo |
|
| Ach mein herzliebes Jesulein (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
| Ach mein herzliebes Jesulein (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus, orchestra and continuo |
|
Lambeth Choirbook (Various) for 5 voices
6 voices |
|
| Figlie del ciel sereno (Colonna, Giovanni Paolo) for soprano and continuo |
|
| Rochus Pumpernickel (Seyfried, Ignaz) for voices and orchestra |
|
| Lo sposo burlato (Piccinni, Niccolò) for 4 voices and orchestra |
1769 |
| Lo sposo burlato (Piccinni, Niccolò) for 4 voices and orchestra |
|
| Incomplete from Lo sposo burlato (Piccinni, Niccolò) for 4 voices and orchestra |
|
| Lo sposo burlato (Piccinni, Niccolò) for 4 voices and orchestra |
|
Fantasia in F-sharp minor, H.300 (Bach, Carl Philipp Emanuel) for keyboard
clavichord |
1787 |
| Sinfonia in C major (1) (Camerloher, Joseph Anton) for strings and continuo |
|
| Sinfonia in C major (2) (Camerloher, Joseph Anton) for strings and continuo |
|
| Wer ist der so von Edom kömmet (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Wer ist der so von Edom kömmet (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Talestri (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sinfonia in B-flat major (Camerloher, Joseph Anton) for strings and continuo |
|
| Sinfonia in B-flat major (Camerloher, Joseph Anton) for strings and continuo |
|
| Matthäus-Passion, H.802 (Bach, Carl Philipp Emanuel) for 2 sopranos, 2 tenors, 2 basses, mixed chorus and orchestra |
1788 |
| Garoto (Nazareth, Ernesto) for piano |
|
Dijon Chansonnier (Various) for 2 voices
3 voices
4 voices |
|
| L'amor perfetto (Pavesi, Stefano) for voices and orchestra |
|
| Das Fischermädchen (Schmidt, Johann Philipp Samuel) for voices and orchestra |
|
| Das verborgene Fenster (Schmidt, Johann Philipp Samuel) for voices and orchestra |
1822 |
| Die Alpenhütte (Schmidt, Johann Philipp Samuel) for voices and orchestra |
|
| Komm du schöne Freudenkrone (Bästel, Johann Ernst) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Wenn mein Stündlein vorhanden ist (Knüpfer, Sebastian) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Siehe, eine Jungfrau ist schwanger (Rosenmüller, Johann) for 6 voices, mixed chorus and orchestra |
|
| Jauchzet dem Herrn alle Welt (Knüpfer, Sebastian) for 8 voices, mixed chorus and orchestra |
|
Danksaget dem Vater (Zachow, Friedrich Wilhelm) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
|
Choirbook, GB-Lbl Royal 11 E. xi (Various) for 3 voices
4 voices
5 voices |
1516 |
| Concerto, FaWV L:c2 (Fasch, Johann Friedrich) for 2 oboes, bassoon, strings and continuo |
|
| Il convito (Cimarosa, Domenico) for 7 voices and orchestra |
1781 |
| Il convito (Cimarosa, Domenico) for 7 voices and orchestra |
|
| Il credulo (Cimarosa, Domenico) for voices and orchestra |
1786 |
| Il credulo (Cimarosa, Domenico) for voices and orchestra |
|
| La ballerina amante (Cimarosa, Domenico) for voices and orchestra |
1782 |
| La ballerina amante (Cimarosa, Domenico) for voices and orchestra |
|
| La ballerina amante (Cimarosa, Domenico) for voices and orchestra |
|
| Welt Vater du! O Adam deine Kinder (Knüpfer, Sebastian) for 2 sopranos, 3 violas, violone and continuo |
|
| Le astuzie femminili (Cimarosa, Domenico) for voices and orchestra |
1794 |
| Le astuzie femminili (Cimarosa, Domenico) for voices and orchestra |
|
| Le astuzie femminili (Cimarosa, Domenico) for voices and orchestra |
|
Jauchzet dem Herrn alle Welt, TWV 8:10 (Telemann, Georg Philipp) for 2 mixed chorus
2 sopranos, 2 altos, 2 tenors and 2 basses |
|
O benignissime Jesu (Knüpfer, Sebastian) for alto, tenor, bass, mixed chorus, 2 violins, viol and continuo
alto, tenor, bass, mixed chorus, bassoon, 2 cornetts and continuo
alto, tenor, bass, mixed chorus, 2 cornetts, viol and continuo
alto, tenor, bass, mixed chorus, trombone, 2 violins and continuo |
|
| Die Großmut des Scipio, Op. 63 (Romberg, Andreas) for voices, mixed chorus and orchestra |
|
Evangelische Gespräche (Briegel, Wolfgang Carl) for 3 voices, recorder, bassoon, 3 cornetts, 2 violins, 2 violas, violone and continuo
3 voices, recorder, 3 cornetts, trombone, 2 violins, 2 violas, violone and continuo
3 voices, recorder, bassoon, 3 cornetts, 2 violins, 2 viols, violone and continuo
3 voices, recorder, 3 cornetts, trombone, 2 violins, 2 viols, violone and continuo
4 voices, 2 violins and continuo
5 voices, 2 violins and continuo
6 voices, 2 violins and continuo
4 voices, 2 violins, 2 violas, violone and continuo
4 voices, 2 cornetts, 3 trombones and continuo
4 voices, 2 cornetts, 3 trombones, 2 violins, 2 violas, violone and continuo
4 voices, cornett, violin and continuo
3 voices, 2 violins and continuo
5 voices, 2 violins, 2 violas, violone and continuo
4 voices, 2 violins, 2 violas and continuo
3 voices, 3 violins and continuo
5 voices, 2 violins, 2 violas and continuo
3 voices, 2 violins, 2 violas and continuo
2 voices, 2 violins and continuo
2 voices, continuo and 2 sopranos
3 voices, continuo and 2 sopranos
4 voices, continuo, 2 violins and continuo
4 voices, continuo and 2 sopranos
4 voices, 2 violins, viola and continuo
4 voices, violin, 2 violas and continuo |
1949 |
Concerto for 2 Flutes and Harpsichord in D major (Frederick II) for 2 flutes and harpsichord
2 violins and harpsichord |
|
| Celanira (Pavesi, Stefano) for voices and orchestra |
|
| Rules How to Compose (Coperario, John) for |
|
Pange Lingua (Pereira, Bento) for mixed chorus
soprano, alto, tenor and bass |
1837 |
| Choirbook, GB-Lbl Royal 8 G. vii (Various) for 4 voices |
1500 |
| Musicalische Sterbens-Gedancken (Pachelbel, Johann) for organ |
|
Lykkelig (Moller, Carl) for viola and orchestra
cello and orchestra |
|
| Pange lingua (Oliveira, Manoel Dias de) for mixed chorus |
|
| Revised Version (1888) from Tantum ergo, WAB 42 (Bruckner, Anton) for mixed chorus and organ |
|
| Teresa e Claudio (Farinelli, Giuseppe) for voices and orchestra |
|
| 7 Variations for 2 Harpsichords (Schuster, Joseph) for 2 harpsichords |
|
| La ritornata di Londra (Fischietti, Domenico) for voices and orchestra |
|
| Amor, ben ragion hai (Schuster, Joseph) for soprano and orchestra |
|
| Die falsche Primadonna in Krähwinkel (Schuster, Ignaz) for voices and orchestra |
|
| Die Lieb' auf der Alm (Riotte, Philipp Jakob) for voices and orchestra |
|
| Singet dem Herrn, TWV 1:1345 (Telemann, Georg Philipp) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Il marito indolente (Schuster, Joseph) for voices and orchestra |
|
| Il marito indolente (Schuster, Joseph) for voices and orchestra |
|
| L'une pour l'autre (Isouard, Nicolo) for voices and orchestra |
|
| Missa de Segunda-feira Santa (Bemfica, Antônio Martiniano da Silva) for soprano, alto, tenor, bass and orchestra |
1898 |
| Le cadi dupé (Monsigny, Pierre-Alexandre) for voices and orchestra |
|
| Arrangement of Suite ancienne, Op. 31 (Halvorsen, Johan) for wind band |
1900 |
| L'avaro (Orlandi, Ferdinando) for voices and orchestra |
|
| L'avaro (Orlandi, Ferdinando) for voices and orchestra |
|
| Le lettere (Orlandi, Ferdinando) for voices and orchestra |
|
| Der verliebte Maler (Rohm, Johann Huldreich) for voices and orchestra |
|
| Zaira (Federici II, Francesco) for voices and orchestra |
|
Sanctus (Röllig, Johann Christian) for 2 mixed chorus and orchestra
2 sopranos, 2 altos, 2 tenors, 2 basses and orchestra |
|
| Les deux maris (Isouard, Nicolo) for voices and orchestra |
|
| Bønderne og herrerne på lystgården (Schall, Claus) for orchestra |
|
Sende dein Licht und deine Wahrheit (Knüpfer, Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra
soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Dies est lætitiæ (Knüpfer, Sebastian) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Dies est lætitiæ (Knüpfer, Sebastian) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Le trame zingaresche (Piccinni, Niccolò) for 8 voices and orchestra |
1772 |
| Le trame zingaresche (Piccinni, Niccolò) for 8 voices and orchestra |
|
| Messe für den Gründonnerstag, WAB 9 (Bruckner, Anton) for mixed chorus |
1844 |
| Messe für den Gründonnerstag, WAB 9 (Bruckner, Anton) for mixed chorus |
|
| Messe für den Gründonnerstag, WAB 9 (Bruckner, Anton) for mixed chorus |
|
| Mathilde von Guise, Op. 100 (Hummel, Johann Nepomuk) for voices, mixed chorus and orchestra |
1819 |
| Dies ist der Tag der Herr macht (Knüpfer, Sebastian) for 2 sopranos, alto, tenor, bass and orchestra |
|
| L'avviso ai maritati (Isouard, Nicolo) for voices and orchestra |
|
| Gli amanti consolati (Sarti, Giuseppe) for voices and orchestra |
|
Violin Concerto No. 2 in G major (Alberghi, Paolo Tommaso) for 3 violins and continuo
violin, strings and continuo |
|
| Trio, Op. 76 (Glass, Louis) for violin, viola and guitar |
1934 |
| La giardiniera brillante (Sarti, Giuseppe) for voices and orchestra |
|
| La giardiniera brillante (Sarti, Giuseppe) for voices and orchestra |
|
| Symphony in D minor 'Nullte', WAB 100 (Bruckner, Anton) for orchestra |
1869 |
| Symphony in D minor 'Nullte', WAB 100 (Bruckner, Anton) for orchestra |
|
| Arrangement of Symphony in D minor 'Nullte', WAB 100 (Bruckner, Anton) for piano 4 hands |
1900 |
| Ich habe dich zum Licht der Heiden gemacht (Knüpfer, Sebastian) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Quare fremuerunt gentes (Knüpfer, Sebastian) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
Ach wenn kommet doch die Stunde (Knüpfer, Sebastian) for alto, tenor, strings and continuo
alto, tenor, 3 violas and continuo |
|
| Herr lehre mich tun nach deinem Wohlgefallen (Knüpfer, Sebastian) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Herr strafe mich nicht in deinem Zorn (Knüpfer, Sebastian) for soprano, alto, tenor, bass, strings and continuo |
|
| Jesu du mein liebstes Leben (Knüpfer, Sebastian) for 2 sopranos, 2 violins and continuo |
|
| Dialogus Poenitentis animae cum Deo (Brossard, Sébastien de) for soprano, alto, bassoon, 2 violins and organ |
|
| Lobe den Herrn meine Seele (Kuhnau, Johann) for alto, bass, oboe damore, violin and continuo |
|
| Ouverture zum Namenstage, WoO 8 (Draeseke, Felix) for orchestra |
1862 |
| Lute Concerto, FaWV L:d1 (Fasch, Johann Friedrich) for lute, strings and continuo |
1735 |
| Lembrae-vos (Braun S.V.D., George) for 2 sopranos, alto, 2 violins and organ |
1964 |
In te Domine speravi (Kuhnau, Johann) for soprano, bassoon, 2 violins, 2 violas and continuo
soprano, bassoon, 2 violins, 2 viols and continuo |
|
| Symphony in E-flat major, Kr.6 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Polonaise, WoO 10 (Draeseke, Felix) for piano |
1864 |
| Die Hermannsschlacht, WoO 4 (Draeseke, Felix) for male chorus and orchestra |
1800 |
| Die Hermannsschlacht, WoO 4 (Draeseke, Felix) for male chorus and orchestra |
1800 |
| Germania-Marsch, WoO 3c (Draeseke, Felix) for orchestra |
1800 |
| La scuffiara (Tritto, Giacomo) for 10 voices and orchestra |
1783 |
| La scuffiara (Tritto, Giacomo) for 10 voices and orchestra |
|
| Arrangement of Air Louis XIII (Beaujoyeulx, Balthazar de) for 4 violins |
1882 |
| I contrattempi (Sarti, Giuseppe) for voices, mixed chorus and orchestra |
|
| Magnificat, ZWV 108 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra |
1725 |
| Magnificat, ZWV 108 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra |
|
| Magnificat, ZWV 108 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra |
|
| Arrangement of 6 Flute Quartets, Op. 4 (Eichner, Ernst) for 2 harpsichords |
|
| Erforsche mich erfahr mein Herz (Hiller, Johann Adam) for soprano, alto, tenor, bass and orchestra |
|
| Antífona de Nossa Senhora (Pedro I, Dom) for soprano, alto, tenor, bass and orchestra |
|
Choirbook, B-MEa s.s. (Various) for 4 voices
5 voices |
|
| Sinfonia in D major, GraunWV A:XII:6 (Graun, Johann Gottlieb) for strings and continuo |
|
| Credo (Pedro I, Dom) for soprano, alto, tenor, bass and orchestra |
|
Responsório para São Pedro de Alcântara (Pedro I, Dom) for mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
|
| Hino imperial e constitucional (Pedro I, Dom) for voice and piano |
1822 |
Te Deum laudamus (Pedro I, Dom) for mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
1820 |
| Mass in C major (Schubert, Joseph) for soprano, alto, tenor, bass and orchestra |
|
| Mass in C minor (Schubert, Joseph) for soprano, alto, tenor, bass and orchestra |
|
| Mass in E minor (Schubert, Joseph) for soprano, alto, tenor, bass and orchestra |
|
| Die Eselshaut, S.101 (Hummel, Johann Nepomuk) for voices, mixed chorus and orchestra |
|
| Intermezzo (Fabini, Eduardo) for piano |
|
| Arrangement of Romance, Op. 11 (Nielsen, Ludolf) for cello and piano |
1905 |
| Symphony No. 2 (Schmidt, Franz) for orchestra |
1911 |
| 28 Pieces for Organ (Barbieri, Luigi) for organ |
|
| Ballo delle Amazoni (Garzia, Urbano) for |
|
| Christe in E-flat major (Barbieri, Luigi) for soprano, bass and orchestra |
|
| Christe in E-flat major (Barbieri, Luigi) for soprano, bass and orchestra |
|
| Nisi Dominus (Barbieri, Luigi) for soprano, tenor, bass and orchestra |
|
| Organ Concerto in C major (Barbieri, Luigi) for organ and orchestra |
|
| Postcummunio, RicP 266b (Botti, Antonio) for organ |
|
| Variations brillantes, Op. 89 (Kalliwoda, Johann Wenzel) for 3 violins, viola and cello |
|
Viola d'Amore Album (Rung, Henrik) for viola and viola damore
viola damore
harp and viola damore
guitar and viola damore |
|
| Cello Sonata, Op. 18 (Daffner, Hugo) for cello and piano |
1909 |
| L'Olandese in Italia (Rutini, Giovanni Marco) for voices and orchestra |
|
| Le nozze in contrasto (Valentini, Giovanni @classical era^) for voices and orchestra |
|
| Le nozze in contrasto (Valentini, Giovanni @classical era^) for voices and orchestra |
|
| Gradual, F-LA Ms 239 (Gregorian Chant) for voice |
|
| Gradual, F-LA Ms 239 (Gregorian Chant) for voice |
|
| Triste No. 3 (Fabini, Eduardo) for orchestra |
|
| Cantatorium, CH-SGs Cod. Sang. 359 (Gregorian Chant) for voice |
|
| I finti eredi (Sarti, Giuseppe) for voices and orchestra |
|
6 Pieces for Keyboard (Sborgi, Gaetano) for harpsichord
piano |
|
| Lied, G.29 (Gerson, Georg) for voice and piano |
|
| Triste No. 4 (Fabini, Eduardo) for voice and orchestra |
|
Magnus Liber Organi (Various) for voice
2 voices
3 voices
4 voices |
|
| Der Storch, G.30 (Gerson, Georg) for voice and piano |
|
| Mass in D major, P.46 (Pergolesi, Giovanni Battista) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Mass in D major, P.46 (Pergolesi, Giovanni Battista) for 2 sopranos, alto, tenor, bass and orchestra |
1700 |
| Keyboard Sonata in C major, K.132 (Scarlatti, Domenico) for keyboard |
|
| The Pagoda of Flowers (Woodforde-Finden, Amy) for voices, mixed chorus and orchestra |
1922 |
| Mass in D major (Bioni, Antonio) for soprano, alto, tenor, bass and orchestra |
|
| La Griselda (Piccinni, Niccolò) for voices and orchestra |
|
Codex de Madrid (Various) for 2 voices
3 voices
4 voices |
|
| Sehnsucht, G.33 (Gerson, Georg) for voice and piano |
1823 |
| Montpellier Codex (Various) for voices |
|
| Keyboard Sonata in C major, K.133 (Scarlatti, Domenico) for keyboard |
|
| Le cognate in contesa (Zannetti, Francesco) for voices and orchestra |
|
| Harpsichord Concerto in C major (Schuster, Joseph) for harpsichord and orchestra |
|
| Was Gott tut das ist wohlgetan (Kuhnau, Johann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Barcarole (Olsen, Ole) for piano |
1911 |
| Arrangement of Barcarole (Olsen, Ole) for wind band |
1914 |
12 Concerti à 5, Op. 1 (Marcello, Benedetto) for violin, strings and continuo
violin, cello, strings and continuo |
|
| Væringetog, Op. 28 (Olsen, Ole) for piano |
1885 |
| Arrangement of Væringetog, Op. 28 (Olsen, Ole) for orchestra |
|
| Fantasía para violín y orquesta (Fabini, Eduardo) for violin and orchestra |
|
| Fantasía para violín y orquesta (Fabini, Eduardo) for violin and orchestra |
|
| In Exitu Israel de Egipto (Basili, Francesco) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Spindevise, Op. 1 (Olsen, Ole) for piano and orchestra |
|
| Spindevise, Op. 1 (Olsen, Ole) for piano and orchestra |
1884 |
| Das Lied vom Glücke von A. G. von Halem, G.31 (Gerson, Georg) for voice and piano |
1809 |
| Romanze von Tiedge, G.74 (Gerson, Georg) for voice and piano |
1823 |
| Trost in Thränen, G.58 (Gerson, Georg) for voice and piano |
1823 |
| Trio Sonata, FaWV N:c2 (Fasch, Johann Friedrich) for 2 violins and continuo |
|
| Gli avari in trappola (Schuster, Joseph) for voices and orchestra |
|
| Das ist das ewige Leben, GWV 1107/51 (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1751 |
| Arrangement of Ce que dit le silence (Guilmant, Alexandre) for voice and orchestra |
|
| Die kleine Ida von Tiedge, G.75 (Gerson, Georg) for voice and piano |
1813 |
| Mein Vaterland, G.82 (Gerson, Georg) for voice and piano |
1823 |
| Piano Sonata in E-flat major (Weyse, Christoph Ernst Friedrich) for piano |
|
| Osmano dey d'Algeri (Schuster, Joseph) for voices and orchestra |
|
| Aria in E minor for Tenor and String Quartet (Croubelis, Simoni dall) for voice, 2 violins, viola and cello |
|
| Sang ved Frøken Buchwalds Vugge af D. N. David, G.78 (Gerson, Georg) for voice and piano |
1823 |
| 6 Symphonies, Op. 1 (Beck, Franz Ignaz) for strings and continuo |
|
| Overture in D major (Wilms, Johann Wilhelm) for orchestra |
1800 |
| Gebet während der Schlacht, G.83 (Gerson, Georg) for voice and piano |
1823 |
| Gebet während der Schlacht, G.83 (Gerson, Georg) for voice and piano |
|
| Elisa (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
| Das unschuldige Weib, G.89 (Gerson, Georg) for voice and piano |
1814 |
| Keyboard Sonata in D minor, K.138 (Scarlatti, Domenico) for keyboard |
|
| Das Mädchen, G.96 (Gerson, Georg) for voice and piano |
1815 |
| Das Mädchen, G.96 (Gerson, Georg) for voice and piano |
|
First version (?), S.15/1a from Psalm 23, S.15 (Liszt, Franz) for voice and harp
voice and harmonium
voice, piano and organ
voice, male chorus and harp
voice, male chorus, piano and organ
voice, male chorus and harmonium |
1880 |
First version (?), S.15/1a from Psalm 23, S.15 (Liszt, Franz) for voice and harp
voice and harmonium
voice, piano and organ
voice, male chorus and harp
voice, male chorus, piano and organ
voice, male chorus and harmonium |
|
| Symphony in F major, WK 5 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in F major, WK 5 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in F major, WK 5 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in F major, WK 5 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in F major, WK 5 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in D major, WK 3 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in D major, WK 3 (Abel, Carl Friedrich) for orchestra |
|
Harpsichord Trio in C major (Enderle, Wilhelm Gottfried) for flute, cello and harpsichord
violin, cello and harpsichord |
|
| Symphony in C major, WK 2 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in C major, WK 2 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in C major, WK 2 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in C major, WK 2 (Abel, Carl Friedrich) for orchestra |
|
| Sinfonia in D major, S.D:151515 (Agrell, Johan) for strings and continuo |
|
| Sinfonia in G major, S.G:511234 (Agrell, Johan) for orchestra |
|
| I due vedovi (Winter, Peter von) for voices and orchestra |
|
| Tutto per amore (Naumann, Johann Gottlieb) for voices and orchestra |
|
| Dixit Dominus (Barbieri, Luigi) for voices, mixed chorus and orchestra |
1796 |
| Dixit Dominus (Barbieri, Luigi) for voices, mixed chorus and orchestra |
1796 |
| Il Turco in Italia (Seydelmann, Franz) for voices and orchestra |
|
| Il mostro (Seydelmann, Franz) for voices and orchestra |
|
| Ich denke dein, G.97 (Gerson, Georg) for voice and piano |
1815 |
| Ich denke dein, G.97 (Gerson, Georg) for voice and piano |
|
| Romance aus der Heiligen Genoveva, G.95 (Gerson, Georg) for voice and piano |
1823 |
| Romance aus der Heiligen Genoveva, G.95 (Gerson, Georg) for voice and piano |
|
| Sinfonia in D major, S.D:123455 (Agrell, Johan) for orchestra |
|
| Sinfonia in E major, S.E:115153 (Agrell, Johan) for orchestra |
|
| Sinfonia in G major, S.G:111117 (Agrell, Johan) for orchestra |
|
| Sinfonia in E major, S.E:111233 (Agrell, Johan) for orchestra |
|
| L'ouverture du grand opéra italien à Nankin (Alessandri, Felice) for voices and orchestra |
|
| L'ouverture du grand opéra italien à Nankin (Alessandri, Felice) for voices and orchestra |
|
| Il servo padrone (Schuster, Joseph) for voices and orchestra |
|
| Il francese bizzarro (Astarita, Gennaro) for voices and orchestra |
|
| Il falegname (Cimarosa, Domenico) for 8 voices and orchestra |
1780 |
| Il falegname (Cimarosa, Domenico) for 8 voices and orchestra |
|
| Organ Mass in F major (Botti, Antonio) for organ |
|
Sanctus (Bianciardi, Vincenzio) for 2 tenors, bass, male chorus and orchestra
voices, mixed chorus and orchestra |
|
| Amor per oro (Seydelmann, Franz) for voices and orchestra |
|
| La Villanella di Misnia (Seydelmann, Franz) for voices and orchestra |
|
| Agnus Dei (Bianciardi, Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
|
| Agnus Dei (Bianciardi, Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
|
| Variationen, Op. 121 (Koch, K.) for horn and piano |
1808 |
| Mass in A minor (Brunetti, Giovan Gualberto) for tenor, bass, male chorus and organ |
|
Litanie a 2 voci (Brunetti, Giovan Gualberto) for soprano, bass, mixed chorus and continuo
soprano, bass, mixed chorus and organ |
|
Tantum ergo (Carozzi, Ferdinando) for bass and orchestra
2 basses and orchestra |
1823 |
| Organ Mass in C major (Ceracchini, Pietro) for organ |
|
| Wiegenlied, G.117 (Gerson, Georg) for voice and piano |
1823 |
| Wiegenlied, G.117 (Gerson, Georg) for voice and piano |
|
| Missa e Credo in E-flat major (Cunha, Antônio dos Santos) for 2 sopranos, alto, tenor, bass and orchestra |
|
Chansonnier, GB-Cmc MS 1760 (Various) for 3 voices
4 voices
5 voices
12 voices |
|
Chansonnier, GB-Cmc MS 1760 (Various) for 3 voices
4 voices
5 voices
12 voices |
|
Ardo, è ver, per te d'amore, H.62 (Scarlatti, Alessandro) for soprano, flute and continuo
soprano, recorder and continuo |
|
| Andante, Op. 94 (Mann, Gottfried) for cello and orchestra |
|
| Keyboard Sonata in D minor, K.141 (Scarlatti, Domenico) for keyboard |
|
| Psalm 130 (Matthison-Hansen, Hans) for voices, mixed chorus and orchestra |
1859 |
| Arrangement of Cello Concerto in C major, B.104 (Pleyel, Ignaz) for clarinet and orchestra |
|
| Arrangement of Cello Concerto in C major, B.104 (Pleyel, Ignaz) for harpsichord and orchestra |
|
| Lauda Ierusalem (Casini, Giovanni Maria) for tenor, bass, mixed chorus and strings |
|
| Mass in G minor (Clari, Giovanni Carlo Maria) for tenor, bass and organ |
|
Ave maris stella (Clari, Giovanni Carlo Maria) for tenor, 2 basses and organ
male chorus and organ |
|
| Das Lied von der Glocke, Op. 25 (Romberg, Andreas) for voices, mixed chorus and orchestra |
|
| Keyboard Sonata in C major, K.143 (Scarlatti, Domenico) for keyboard |
|
| Divagaciones (Cluzeau Mortet, Luis) for piano |
|
| La Secchia rapita (Zingarelli, Niccolò Antonio) for voices and orchestra |
|
| An die Entfernte, G.111 (Gerson, Georg) for voice and piano |
1823 |
| An die Entfernte, G.111 (Gerson, Georg) for voice and piano |
|
| Das Mädchen aus der Fremde, G.110 (Gerson, Georg) for voice and piano |
1817 |
| Nachtgesang, G.112 (Gerson, Georg) for voice and piano |
1823 |
| 6 Lieder, Op. 47 (Weber, Carl Maria von) for voice and piano |
1800 |
| 2 Preludios regionales (Cluzeau Mortet, Luis) for piano |
|
| Il mercato di Monfregoso (Zingarelli, Niccolò Antonio) for voices and orchestra |
|
| Overture from Arrangement of Overture from Il mercato di Monfregoso (Zingarelli, Niccolò Antonio) for harpsichord |
1792 |
| Ave verum, Op. 1 (Guilmant, Alexandre) for mixed chorus and organ |
1856 |
| Gradual, CH-Es Codex 121(1151) (Gregorian Chant) for voice |
|
| Il burbero di buon cuore (Martín y Soler, Vicente) for voices and orchestra |
|
| Il burbero di buon cuore (Martín y Soler, Vicente) for voices and orchestra |
|
| Keyboard Sonata in A minor, K.148 (Scarlatti, Domenico) for keyboard |
|
| Wechsel, G.113 (Gerson, Georg) for voice and piano |
1817 |
| Am Flusse, G.114 (Gerson, Georg) for voice and piano |
1823 |
| Am Flusse, G.114 (Gerson, Georg) for voice and piano |
|
| Arrangement of Concert-Stück in G minor (Baermann, Heinrich) for clarinet and orchestra |
|
| Arrangement of Clarinet Concertino, Op. 29 (Baermann, Heinrich) for clarinet and orchestra |
|
| Arrangement of Konzertstück in B-flat major (Baermann, Heinrich) for clarinet and orchestra |
|
| Keyboard Sonata in A minor, K.149 (Scarlatti, Domenico) for keyboard |
|
| Antiphoner, E-L Ms. 8 (Gregorian Chant) for voice |
|
| Keyboard Sonata in F major, K.150 (Scarlatti, Domenico) for keyboard |
|
Daniel Davies' Manuscript Hymn Book (Various) for 3 voices
4 voices
mixed chorus |
|
| Vaarwel! (Tinel, Jef) for organ |
|
Alter Christus (Tinel, Jef) for female chorus and piano
2 sopranos, alto and piano |
|
| Lioba (Lange, Daniël de) for soprano, tenor, baritone, female chorus and orchestra |
|
| Keyboard Sonata in F major, K.151 (Scarlatti, Domenico) for keyboard |
|
| String Quartet, Op. 12 (Vierne, Louis) for 2 violins, viola and cello |
|
| Keyboard Sonata in G major, K.153 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in B-flat major, K.154 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in G major, K.152 (Scarlatti, Domenico) for keyboard |
|
| Gradual, CH-SGs Cod. Sang. 339 (Gregorian Chant) for voice |
|
Chansonnier, I-MOe alfa.f.9.9 (Various) for 2 voices
3 voices
4 voices
4 Unspecified instruments |
1496 |
| Keyboard Sonata in C major, K.156 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in B-flat major, K.155 (Scarlatti, Domenico) for keyboard |
|
| Sehnsucht, G.115 (Gerson, Georg) for voice and piano |
|
Basevi Codex (Various) for 3 voices
4 voices
5 voices |
|
| Toccata in A major (Kuhnau, Johann) for organ |
1750 |
| Herdenking No. 1 (Tinel, Jef) for organ |
|
| Keyboard Sonata in C major, K.157 (Scarlatti, Domenico) for keyboard |
|
| Arrangement of Il Bosco Magico (Garzia, Urbano) for harpsichord |
1807 |
| Die kleine Adelaide, G.116 (Gerson, Georg) for voice and piano |
1817 |
| Selene, G.40 (Gerson, Georg) for voice and piano |
1823 |
| Selene, G.40 (Gerson, Georg) for voice and piano |
|
| Wiegelied in E-flat major (Tinel, Jef) for piano |
|
| Gebeden (Tinel, Jef) for organ |
|
Chansonnier Nivelle de la Chaussée (Various) for 3 voices
4 voices |
|
| Ave Regina Coelorum (Xavier, José Maria) for mixed chorus and orchestra |
1860 |
| Die Junggesellen-Wirtschaft (Gyrowetz, Adalbert) for voices and orchestra |
|
| I Ratti Sabini (Martín y Soler, Vicente) for orchestra |
|
Divertimento in B-flat major, MH 199 (Haydn, Michael) for oboe, bassoon, violin, viola and double bass
oboe, bassoon, violin, viola and cello |
|
100 Pièces brèves nouvelles (Gigout, Eugène) for organ
harmonium |
|
| Keyboard Sonata in C minor, K.158 (Scarlatti, Domenico) for keyboard |
|
| Sonata No.1 in A major from 6 Trio Sonatas, Op. 1 (Sammartini, Giovanni Battista) for 2 violins and continuo |
|
| Sonata No.1 in A major from Arrangement of Sonata No.1 in A major from 6 Trio Sonatas, Op. 1 (Sammartini, Giovanni Battista) for orchestra |
|
| Seid barmherzig, Krebs-WV 112 (Krebs, Johann Ludwig) for soprano, alto, tenor, bass, strings and continuo |
|
| Jesu meine Freude, Krebs-WV 110 (Krebs, Johann Ludwig) for soprano, alto, tenor, bass, oboe, strings and continuo |
|
| Keyboard Sonata in D major, K.161 (Scarlatti, Domenico) for keyboard |
|
| Keyboard Sonata in D major, K.160 (Scarlatti, Domenico) for keyboard |
|
Stabat Mater (Sousa, José Alexandrino de) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
1949 |
| La Principessa d'Amalfi (Weigl, Joseph) for voices and orchestra |
|
| Tropary, Gradual and Sequentiary, CH-SGs Cod. Sang. 376 (Gregorian Chant) for voice |
|
| Horn Concerto in D major (Haydn, Michael) for horn and orchestra |
|
| Haelewijnfantasie (Tinel, Jef) for organ |
1900 |
| Violin Duo in F major, Op. 38 No. 3 (Hänsel, Peter) for 2 violins |
1800 |
| Popule meus No. 2 (Oliveira, Manoel Dias de) for mixed chorus |
|
| Aladin (Gyrowetz, Adalbert) for voices and orchestra |
|
| Organ Sonata in C major, RicS 86 (Sborgi, Gasparo) for organ |
|
| Organ Sonata in C major, RicS 86b (Sborgi, Gasparo) for organ |
|
| Organ Sonata in C major, RicS 86c (Sborgi, Gasparo) for organ |
|
| Organ Sonata in D major, RicS 86a (Sborgi, Gasparo) for organ |
|
| Edwina, G.42 (Gerson, Georg) for voice and piano |
1810 |
Mass in C major (Cerruti, Giuseppe) for 2 tenors, bass and organ
male chorus and organ |
1900 |
Mass in C major (Cerruti, Giuseppe) for 2 tenors, bass and organ
male chorus and organ |
1898 |
| Weet ge 't nog (Tinel, Jef) for piano |
1934 |
| Angiolina (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Wiegelied in G-flat major (Tinel, Jef) for piano |
|
| 2 Avondliederen for Piano (Tinel, Jef) for piano |
1932 |
| De kerels (Tinel, Jef) for piano |
1921 |
| Kabouters in F minor (Tinel, Jef) for piano |
1923 |
| Completoria in A major (Felici, Bartolomeo) for 4 voices and strings |
1739 |
Mass in F major (Emiliani, Emiliano) for tenor, bass and orchestra
tenor, bass, strings and continuo |
|
| Vexilla regis prodeunt (Fanfani, Luigi) for 2 tenors, bass, mixed chorus, horn, organ and strings |
|
| Vexilla Regis prodeunt (Felici, Bartolomeo) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1759 |
| 32 Pieces for Organ, RicS 89 (Sborgi, Gasparo) for organ |
|
| Wiegenlied, G.45 (Gerson, Georg) for voice and piano |
1811 |
Laudate Pueri (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and organ
2 sopranos, bass, mixed chorus and orchestra |
|
| Ave maris stella (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and organ |
|
| Cesare in Farmacusa (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Suite in A major, HWV 454 (Handel, George Frideric) for harpsichord |
|
| Hans Sachs im vorgerückten Alter (Gyrowetz, Adalbert) for voices and orchestra |
|
| Uit het leven van een jongentje (Tinel, Jef) for piano |
|
| Uit een kinderleven (Tinel, Jef) for piano |
|
| Herdenking No. 2 (Tinel, Jef) for organ |
|
| Gij frissche lelie op het veld (Tinel, Jef) for organ |
|
| Scherzando for Organ (Tinel, Jef) for organ |
|
| 3 Duos Concertantes for 2 Violins (Trindade, Gabriel Fernandes da) for 2 violins |
|
| Gli equivoci (Storace, Stephen) for voices and orchestra |
|
| Felix und Adele (Gyrowetz, Adalbert) for voices, mixed chorus and orchestra |
|
| Ballade and Meditatie (Tinel, Jef) for organ |
|
| Ismène (Francœur, François) for voices, mixed chorus and orchestra |
|
| Easy Pieces for Organ (Tinel, Jef) for organ |
|
Keyboard Concerto in C major, R.8.20 (Paisiello, Giovanni) for harpsichord and orchestra
piano and orchestra |
|
Kronstorfer Messe, WAB 146 (Bruckner, Anton) for mixed chorus
soprano, alto, tenor and bass |
1800 |
| Didon (Desmarets, Henri) for voices and orchestra |
|
| Didon (Desmarets, Henri) for voices and orchestra |
|
| Didon (Desmarets, Henri) for voices and orchestra |
|
| Koraalfantasie (Tinel, Jef) for organ |
|
| Nähe des Geliebten, G.57 (Gerson, Georg) for voice and piano |
1811 |
| Il disertore (Bianchi, Francesco) for 6 voices and orchestra |
|
| Il disertore (Bianchi, Francesco) for 6 voices and orchestra |
|
Choirbook, D-Ju MS 12 (La Rue, Pierre de) for 4 voices
5 voices |
|
Choirbook, D-Ju MS 4 (Various) for 4 voices
5 voices
6 voices |
|
Choirbook, D-Ju MS 5 (Various) for 4 voices
5 voices
6 voices |
|
| Choirbook, D-Ju MS 7 (Various) for 4 voices |
|
Choirbook, D-Ju MS 8 (Various) for 4 voices
5 voices |
|
Choirbook, D-Ju MS 9 (Various) for 4 voices
5 voices |
|
Choirbook, D-Ju MS 2 (Various) for 4 voices
5 voices
6 voices |
|
| Das gestörte Glück, G.119 (Gerson, Georg) for voice and piano |
1817 |
| Das gestörte Glück, G.119 (Gerson, Georg) for voice and piano |
|
| Der Lebensmüde, G.118 (Gerson, Georg) for voice and piano |
1817 |
| Choirbook, D-Ju MS 3 (Various) for 4 voices |
|
| Ouverture-Suite from Orphée (Lully, Louis) for voices, mixed chorus and orchestra |
|
| 2-act version from Il Ricco d'un giorno (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| Original version from La Scuola de' gelosi (Salieri, Antonio) for voices, mixed chorus and orchestra |
1778 |
| Original version from La Scuola de' gelosi (Salieri, Antonio) for voices, mixed chorus and orchestra |
|
| La Partenza inaspettata (Salieri, Antonio) for 5 voices and orchestra |
|
Choirbook, D-Ju MS 31 (Various) for 3 voices
4 voices
5 voices |
|
| Joaz, S.692 (Marcello, Benedetto) for voices and orchestra |
|
| Choirbook, D-Ju MS 21 (Various) for 4 voices |
|
| Choirbook, D-Ju MS 22 (Various) for 4 voices |
1500 |
12 Canzoni o sianno ariette a solo (Crescentini, Girolamo) for voice and piano
voice and harpsichord |
|
| Choirbook, D-Ju MS 30 (Various) for voices |
|
| Choirbook, D-Ju MS 33 (Various) for mixed chorus |
|
| Choirbook, D-Ju MS 32 (Various) for mixed chorus |
|
| Sinfonietta, FP 141 (Poulenc, Francis) for orchestra |
|
| Tercio (Lobo de Mesquita, Emerico) for mixed chorus and strings |
1783 |
| Der Türkische Arzt (Miltitz, Carl Borromäus von) for voices, mixed chorus and orchestra |
1831 |
| Dixit Dominus (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and organ |
|
| Dixit Dominus (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and organ |
|
| Nisi Dominus (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and continuo |
|
| Domine ad Adjuvandum (Sborgi, Gasparo) for 3 voices, mixed chorus and orchestra |
|
| Choirbook, D-Ju MS 36 (Various) for mixed chorus |
|
| Choirbook, D-Ju MS 35 (Various) for mixed chorus |
|
| Choirbook, D-Ju MS 34 (Various) for mixed chorus |
|
| 8 Lute Sonatas (Weiss, Sylvius Leopold) for lute |
|
| Symphony in B-flat major, VB 59 (Richter, Franz Xaver) for strings |
|
| Confitebor (Sborgi, Gasparo) for soprano, bass, mixed chorus and orchestra |
|
| Laetatus Sum (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, organ and orchestra |
|
| Deus Tuorum Militum (Sborgi, Gasparo) for 2 tenors, bass, strings and organ |
|
| Lauda Jerusalem (Sborgi, Gasparo) for 2 sopranos, bass, mixed chorus, strings and continuo |
|
| Laudate Dominum (Sborgi, Gasparo) for soprano, bass, mixed chorus and orchestra |
|
| Il geloso in cimento (Anfossi, Pasquale) for 7 voices and orchestra |
|
| Selections (Overture and Arias) from Il geloso in cimento (Anfossi, Pasquale) for 7 voices and orchestra |
|
| Sinfonia in B-flat major (Anfossi, Pasquale) for orchestra |
|
| Minuet and 2 Variations in E-flat major (Anonymous) for keyboard |
|
| Trio Sonata in B minor (Avondano, Pedro António) for 2 violins and continuo |
|
Missa Assumpta est Maria, H.11 (Charpentier, Marc-Antoine) for mixed chorus, strings and continuo
6 voices, strings and continuo
mixed chorus and orchestra |
|
| Te Deum (Sborgi, Gasparo) for soprano, bass and continuo |
|
| Sinfonia in F major (Almeida, Francisco António de) for orchestra |
|
| Litanie in D major (Sborgi, Gasparo) for soprano, bass and strings |
|
Mass in C major, RicS 105 (Sborgi, Gasparo) for soprano, bass, double bass and organ
soprano, bass and organ |
|
Stabat Mater (Sborgi, Gasparo) for 3 voices, mixed chorus and organ
2 sopranos, bass, mixed chorus, double bass and organ |
|
| Das Söhnchen, G.123 (Gerson, Georg) for voice and piano |
1823 |
| Das Söhnchen, G.123 (Gerson, Georg) for voice and piano |
|
| Der blinde Harfenspieler, G.47 (Gerson, Georg) for voice and piano |
1823 |
| Der blinde Harfenspieler, G.47 (Gerson, Georg) for voice and piano |
|
| Violin Concerto in A major, L2.13 (Benda, Franz) for violin, strings and continuo |
|
| Violin Concerto in A major, L2.13 (Benda, Franz) for violin, strings and continuo |
1756 |
| La Candaule (Ziani, Pietro Andrea) for 10 voices and orchestra |
|
| Symphony in A major, L1.8 (Benda, Franz) for strings and continuo |
|
| Trio Sonata in A minor, BuxWV 272 (Buxtehude, Dietrich) for violin, viol and continuo |
|
| Post Partum Virgo (Sborgi, Gasparo) for soprano, bass, double bass and organ |
|
| Postcommunio for Organ (Sborgi, Gasparo) for organ |
|
| Adagio, Toccata, and Allegro for Organ in G major, RicS 112 (Sborgi, Gasparo) for organ |
|
| Dent Voces Organa Lire (Sborgi, Gasparo) for 2 tenors, bass and continuo |
|
| Marche héroïque de Szabadi (Massenet, Jules) for orchestra |
1879 |
| Trombone Concertino, Op. 4 (David, Ferdinand) for trombone and orchestra |
1800 |
| Trombone Concertino, Op. 4 (David, Ferdinand) for trombone and orchestra |
|
| Violin Sonata in E minor, L3.61 (Benda, Franz) for violin and continuo |
|
| Trio for Viola d'amore, Oboe d'amore and Bassoon (Böhm, Johann Michael) for oboe damore, bassoon and viola damore |
|
| Arrangement of Trio for Viola d'amore, Oboe d'amore and Bassoon (Böhm, Johann Michael) for oboe, viola and viola damore |
|
| Violin Sonata in F major, L3.70 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in C minor, L3.10 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in B-flat major, L3.132 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in A major, L3.98 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in B-flat minor, L3.138 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in B-flat minor, L3.138 (Benda, Franz) for violin and continuo |
|
| Suite No. 1, AK 71 (Skalkottas, Nikos) for piano |
1936 |
| Violin Sonata in G major, L3.77 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in G major, L3.76 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in F major, L3.69 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E major, L3.47 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E major, L3.55 (Benda, Franz) for violin and continuo |
|
| Zur Nacht, G.120 (Gerson, Georg) for voice and piano |
1817 |
| Baryton Trio in D major, Hob.XI:74 (Haydn, Joseph) for viola, cello and baryton |
|
| Violin Sonata in E major, L3.46 (Benda, Franz) for violin and continuo |
|
| 12 Sacred Songs (Magnelli, Giuseppe) for 3 sopranos and piano |
1813 |
| 12 Sacred Songs (Magnelli, Giuseppe) for 3 sopranos and piano |
1813 |
| Violin Sonata in A major, L3.105 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in C major, L3.1 (Benda, Franz) for violin and continuo |
|
| 21 Sacred Songs (Mayr, Giovanni Simone) for 2 sopranos and mixed chorus |
1803 |
Salve Regina (Ligniville, Eugène de) for male chorus
2 tenors and bass |
|
| Einladung zum Tanze, G.121 (Gerson, Georg) for voice and piano |
1817 |
| An die Laura, G.122 (Gerson, Georg) for voice and piano |
1817 |
| An die Laura, G.122 (Gerson, Georg) for voice and piano |
|
| Violin Sonata in A major, L3.95 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in B minor, L3.139 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in D major, L3.19 (Benda, Franz) for violin and continuo |
|
| Czerny Georg (Miltitz, Carl Borromäus von) for voices, mixed chorus and orchestra |
|
| Violin Sonata in F major (Bümler, Georg Heinrich) for violin and continuo |
|
| Ouverture-Suite in E minor (Boste) for orchestra |
|
| Concerto No.4 in G major from 10 Concerti, Op. 1 (Motta, Artemio) for strings and continuo |
|
| Concerto No.5 in C major from 10 Concerti, Op. 1 (Motta, Artemio) for strings and continuo |
|
| Seufzer eines Ungeliebten, G.124 (Gerson, Georg) for voice and piano |
1823 |
| Seufzer eines Ungeliebten, G.124 (Gerson, Georg) for voice and piano |
1825 |
| Baryton Trio in C major, Hob.XI:76 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:75 (Haydn, Joseph) for viola, cello and baryton |
|
| Violin Sonata (Wertheim, Rosy) for violin and piano |
|
| Baryton Trio in G major, Hob.XI:77 (Haydn, Joseph) for viola, cello and baryton |
|
| Keyboard Sonata in E-flat major (Transchel, Christoph) for keyboard |
|
Sinfonia in D major (Biancolini, Michelangelo) for 2 violins, viola and continuo
strings and continuo |
|
| Wiegenlied (Beecke, Ignaz von) for voice and keyboard |
|
| Minuets and Polonaises (Transchel, Christoph) for keyboard |
|
| Harpsichord Concerto in C major (Hofmann, Leopold) for harpsichord and orchestra |
|
| Arrangement of Harpsichord Concerto in C major (Hofmann, Leopold) for 2 harpsichords |
|
| Die auf den Herrn hoffen, TWV 7:9 (Telemann, Georg Philipp) for tenor, bass, 2 oboes, strings and continuo |
|
| Harpsichord Concerto in A major (Hofmann, Leopold) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in A major (Hofmann, Leopold) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in A major (Hofmann, Leopold) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in A major (Hofmann, Leopold) for harpsichord, strings and continuo |
|
| Arrangement of Harpsichord Concerto in A major (Hofmann, Leopold) for 2 harpsichords |
|
2 Pièces parues dans 'Le Mercure Galant' (Westhoff, Johann Paul von) for violin and continuo
violin |
|
| Suite in A minor (Ardespin, Melchior d') for orchestra |
|
| 3 Nocturnes concertants, Op. 143 (Carulli, Ferdinando) for 2 guitars |
|
| Der Liebeskranke, G.125 (Gerson, Georg) for voice and piano |
1817 |
| Der Liebeskranke, G.125 (Gerson, Georg) for voice and piano |
|
Complete (1710 Vienna Version) from Muzio Scevola (Bononcini, Giovanni) for 9 voices and orchestra
11 voices and orchestra |
|
Concerto for Violin and Organ in G minor (Bigaglia, Diogenio) for organ, strings and continuo
violin, organ, strings and continuo |
|
| Assiso in riva (Salieri, Antonio) for voice, mixed chorus and orchestra |
|
| Hummel-Lied, G.126 (Gerson, Georg) for voice and piano |
1823 |
De profundis in G minor (Salieri, Antonio) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Athalia (Poißl, Johann Nepomuk von) for voices, mixed chorus and orchestra |
|
| Concerto for Second Horn (Domnich, Heinrich) for horn and orchestra |
|
| 4 Pieces for Organ (Mattei, Stanislao) for organ |
|
| Sinfonia in A major (Beyer, Johann Ignaz) for orchestra |
|
| Sinfonia in B-flat major (Beyer, Johann Ignaz) for orchestra |
|
| Symphony in F major, 'Kaiserliche Schlittenfahrt' (Waßmuth, Johann Georg Franz) for orchestra |
|
| La rappresaglia (Poißl, Johann Nepomuk von) for voices and orchestra |
|
| Recorder Sonata in C major, SVAcoll 13 (Anonymous) for recorder and continuo |
|
Stabat mater (Abos, Girolamo) for 3 voices, 2 violins and organ
3 voices, 2 violins and continuo |
|
| Violin Concerto in F major (Cattaneo, Francesco Maria) for violin and orchestra |
|
| Recorder Sonata in C major (Drejer, Domenico Maria) for recorder and continuo |
|
| Recorder Sonata in C major (Pellegrini, Pietro) for recorder and continuo |
|
| Recorder Sonata in F major (Ferronati, Giacomo) for recorder and continuo |
|
| Recorder Sonata in G minor (Ferronati, Giacomo) for recorder and continuo |
|
| Recorder Sonata in F major (Rosa, Filippo) for recorder and continuo |
|
| Recorder Sonata in F major (Bottigoni, Paolo) for recorder and continuo |
|
| Recorder Sonata in F major (Somis, Giovanni Battista) for recorder and continuo |
|
| Recorder Sonata in C major (Valentini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major (Canuti, Giovanni Antonio) for recorder and continuo |
|
| Die Jahreszeiten, G.137 (Gerson, Georg) for voice and piano |
1818 |
| Recorder Sonata in G major (Albinoni, Tomaso) for recorder and continuo |
|
| Werbungslied, G.136 (Gerson, Georg) for voice and piano |
1823 |
| Recorder Sonata in A minor (Drejer, Domenico Maria) for recorder and continuo |
|
| Recorder Sonata in F major, IA 728 (Anonymous) for recorder and continuo |
|
Recorder Sonata in F major, IA 729 (Anonymous) for recorder and continuo
2 recorders and continuo |
|
26 Sonatas, Partita and Divertimento for Recorder (Parensi, Paolo) for flute and continuo
2 flutes and continuo
2 recorders |
|
| Die Wettkampf zu Olympia (Poißl, Johann Nepomuk von) for voices and orchestra |
|
| Belisa (Winter, Peter von) for voices and orchestra |
|
| Die Nachtwandlerin (Blum, Carl Wilhelm August) for voices and orchestra |
|
| Der Untersberg (Poißl, Johann Nepomuk von) for voices, mixed chorus and orchestra |
|
| Die Prinzessin von Provence (Poißl, Johann Nepomuk von) for voices, mixed chorus and orchestra |
|
| Caro padre ah forse è questo (Manna, Gennaro) for soprano, strings and continuo |
|
| Dixit Dominus in B-flat major (Meucci, Giovanni Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
1700 |
| Dixit Dominus in B-flat major (Meucci, Giovanni Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
|
| Das Töchterchen, G.138 (Gerson, Georg) for voice and piano |
1818 |
| Recorder Sonata in F major, IA 730 (Anonymous) for recorder and continuo |
|
| Colas, toujours Colas (Swieten, Gottfried van) for voices and orchestra |
|
Recorder Sonata in F major (Colombani, Quirino) for oboe and continuo
recorder and continuo |
|
| La convalescente (Couperin, François) for 2 violins and continuo |
|
| Recorder Sonata in F major, IGV 15 (Valentini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGV 16 (Valentini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major, IGV 17 (Valentini, Giuseppe) for recorder and continuo |
|
| Recorder Sonata in F major (Sarro, Domenico Natale) for recorder and continuo |
|
| Recorder Sonata in G minor (Sarro, Domenico Natale) for recorder and continuo |
|
| Divertimento for 2 Recorders (Anonymous) for 2 recorders |
|
| Der Heimliche, G.140 (Gerson, Georg) for voice and piano |
1823 |
| Der Heimliche, G.140 (Gerson, Georg) for voice and piano |
|
| Hylas will kein Weib haben, G.139 (Gerson, Georg) for voice and piano |
|
| Recorder Sonata in D major (Sarro, Domenico Natale) for recorder and continuo |
|
| Partite di Follia per flauto (Anonymous) for recorder and continuo |
|
| Der Bettelstudent (Winter, Peter von) for voices and orchestra |
|
| Erklärungen, G.141 (Gerson, Georg) for voice and piano |
1818 |
| Erklärungen, G.141 (Gerson, Georg) for voice and piano |
|
| Violin Concerto in C minor (Kozák, Wenzel) for violin, strings and continuo |
|
| Der Sturm, Hob.XXIVa:8 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1818 |
| Der Sturm, Hob.XXIVa:8 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Le astuzie di Bettina (Stabinger, Mathias) for voices and orchestra |
|
| Le astuzie di Bettina (Stabinger, Mathias) for voices and orchestra |
|
| La testa meravigliosa (Generali, Pietro) for voices and orchestra |
|
| Ottaviano in Sicilia (Poißl, Johann Nepomuk von) for voices, mixed chorus and orchestra |
|
| Le lagrime d'una vedova (Generali, Pietro) for voices and orchestra |
|
| Completoria (Meucci, Giovanni Vincenzio) for 2 tenors, bass, male chorus, strings and organ |
|
| Dixit Dominus in D major (Meucci, Giovanni Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
1795 |
| Dixit Dominus in D major (Meucci, Giovanni Vincenzio) for 2 tenors, bass, mixed chorus and orchestra |
1795 |
| Die Bekehrte, G.146 (Gerson, Georg) for voice and piano |
1823 |
| Die Bekehrte, G.146 (Gerson, Georg) for voice and piano |
|
| Die Bekehrte, G.146 (Gerson, Georg) for voice and piano |
|
| Clarinet Concerto in A major (Lacher, Joseph) for clarinet and orchestra |
|
| La Contessa di Novaluna (Gazzaniga, Giuseppe) for voices and orchestra |
|
| La moglie capricciosa (Gazzaniga, Giuseppe) for voices and orchestra |
|
| Pamela nubile (Generali, Pietro) for voices and orchestra |
|
| Sinfonia in C major (Caldara, Antonio) for orchestra |
|
| La Contessa di Colle Erboso (Generali, Pietro) for voices and orchestra |
|
| Adelina (Generali, Pietro) for voices and orchestra |
|
| Suite in F major, K.335 (Fux, Johann Joseph) for orchestra |
|
| Die drey Sterne, G.153 (Gerson, Georg) for voice and piano |
1823 |
| Der vergnügte Bauer, G.150 (Gerson, Georg) for voice and piano |
1823 |
| Das ungetreue Mädchen, G.149 (Gerson, Georg) for voice and piano |
1817 |
| Das ungetreue Mädchen, G.149 (Gerson, Georg) for voice and piano |
|
| La vendemmia (Gazzaniga, Giuseppe) for voices and orchestra |
|
| Partita in G minor, K.324 (Fux, Johann Joseph) for 2 violins and continuo |
|
Jubilate Domino, BuxWV 64 (Buxtehude, Dietrich) for alto, viol and continuo
voice, viol and continuo |
|
| An die Lerche, G.159 (Gerson, Georg) for voice and piano |
1823 |
| An die Lerche, G.159 (Gerson, Georg) for voice and piano |
|
| Laudate Pueri (Pelleschi, Luigi) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Revised version (1757) from Les Surprises de l'amour, RCT 58 (Rameau, Jean-Philippe) for voices and orchestra |
1757 |
| Sinfonia in G major (Fiorillo, Ignatio) for orchestra |
|
| Sinfonia in G major (Fiorillo, Ignatio) for orchestra |
|
| La Naissance d'Osiris, RCT 48 (Rameau, Jean-Philippe) for voices and orchestra |
1754 |
| Beatus Vir (Pelleschi, Luigi) for soprano, tenor, bass, mixed chorus and orchestra |
1700 |
| Guitar Quintet in D major, G.448 (Boccherini, Luigi) for guitar, 2 violins, viola and cello |
|
| Oboe Sonata in E-flat major (Platti, Giovanni Benedetto) for oboe and continuo |
|
| Sinfonia in D major (Fabbrini, Giuseppe) for orchestra |
|
| Die Nachtigall im April, G.161 (Gerson, Georg) for voice and piano |
1823 |
| Die Nachtigall im April, G.161 (Gerson, Georg) for voice and piano |
|
| Die Nachtigall im April, G.161 (Gerson, Georg) for voice and piano |
|
| Trost, G.160 (Gerson, Georg) for voice and piano |
1823 |
| Trost, G.160 (Gerson, Georg) for voice and piano |
|
| Trost, G.160 (Gerson, Georg) for voice and piano |
|
| 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
1804 |
| Sonata No.1 in G major from 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
|
| Sonata No.2 in A major from 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
|
| Sonata No.3 in C major from 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
|
| Sonata No.4 in B flat major from 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
|
| Sonata No.5 in E flat major from 6 Sonate a quattro (Rossini, Gioacchino) for 2 violins, cello and double bass |
|
| An meine Frau Pathe, G.162 (Gerson, Georg) for voice and piano |
1823 |
| An meine Frau Pathe, G.162 (Gerson, Georg) for voice and piano |
|
| L'Arbace (Bianchi, Francesco) for 6 voices and orchestra |
|
| Magnificat, WAB 24 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Magnificat, WAB 24 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Magnificat, WAB 24 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Magnificat, WAB 24 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Potpourri for Horn and String Quartet, Op. 29 (Fesca, Friedrich Ernst) for horn, 2 violins, viola and cello |
|
| Erinnerung, WAB 117 (Bruckner, Anton) for piano |
1800 |
| Perger Präludium in C major, WAB 129 (Bruckner, Anton) for organ |
1884 |
| Perger Präludium in C major, WAB 129 (Bruckner, Anton) for organ |
|
| Perger Präludium in C major, WAB 129 (Bruckner, Anton) for organ |
|
| Perger Präludium in C major, WAB 129 (Bruckner, Anton) for organ |
|
| Perger Präludium in C major, WAB 129 (Bruckner, Anton) for organ |
|
| String Quintet in F major, MH 411 (Haydn, Michael) for 2 violins, 2 violas and cello |
|
| Klavierstück, WAB 119 (Bruckner, Anton) for piano |
1800 |
| Klavierstück, WAB 119 (Bruckner, Anton) for piano |
|
| Kristianiensernes sangerhilsen, EG 173 (Grieg, Edvard) for baritone and male chorus |
|
| Kristianiensernes sangerhilsen, EG 173 (Grieg, Edvard) for baritone and male chorus |
|
| En Fjern Hilsen (Bull, Ole) for violin and orchestra |
|
| Vilspel i Lio (Bull, Ole) for violin and orchestra |
|
| Niagara (Bull, Ole) for violin and orchestra |
|
| Niagara (Bull, Ole) for violin and orchestra |
|
| Kunstens Magt (Bull, Ole) for male chorus and orchestra |
|
| Scotch Fantasie (Bull, Ole) for violin and piano |
|
| Scotch Fantasie (Bull, Ole) for violin and piano |
|
| Près de la Source (Ocio, Giovanni) for orchestra |
|
| Vision (Bull, Ole) for |
|
| Arrangement of Siciliano e Tarantella (Bull, Ole) for violin and piano |
|
| 6 Partitas (Muffat, Georg) for harpsichord |
|
| Violin Concerto No. 1, Op. 4 (Bull, Ole) for violin and orchestra |
1834 |
| Erinnerung an Havanna (Bull, Ole) for violin and piano |
1844 |
| Halling Springdans (Bull, Ole) for violin and orchestra |
1800 |
| Halling Springdans (Bull, Ole) for violin and orchestra |
1800 |
| Norges Fjelde (Bull, Ole) for violin and orchestra |
1833 |
| An den Frühling, G.168 (Gerson, Georg) for voice and piano |
1823 |
| An den Frühling, G.168 (Gerson, Georg) for voice and piano |
1825 |
| An den Frühling, G.168 (Gerson, Georg) for voice and piano |
1825 |
| Meine Leibfarben, G.170 (Gerson, Georg) for voice and piano |
1820 |
| Meine Leibfarben, G.170 (Gerson, Georg) for voice and piano |
|
| Meine Leibfarben, G.170 (Gerson, Georg) for voice and piano |
|
| Arkansas The Way It Wouldn't Do (Bull, Ole) for violin |
|
| Fjeldstuen (Bull, Ole) for |
|
| La Marseillaise (Rauchenecker, Georg Wilhelm) for unison chorus and orchestra |
|
Libro terzo, A-Wn Mus.Hs.16560 (Froberger, Johann Jacob) for harpsichord
organ |
1600 |
| Concerto, FaWV L:D17 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:D17 (Fasch, Johann Friedrich) for 2 oboes, 2 bassoons, 2 horns, strings and continuo |
|
| Concerto, FaWV L:D21 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Concerto, FaWV L:D21 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto, FaWV L:D21 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto, FaWV L:G13 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Concerto, FaWV L:G13 (Fasch, Johann Friedrich) for orchestra |
|
Version from Concerto, FaWV L:D15 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, bassoon, 2 horns, strings and continuo
orchestra |
1700 |
Version from Concerto, FaWV L:D15 (Fasch, Johann Friedrich) for 2 flutes, 2 oboes, bassoon, 2 horns, strings and continuo
orchestra |
|
| Violin Concerto, FaWV L:D8 (Fasch, Johann Friedrich) for violin and orchestra |
1700 |
| Violin Concerto, FaWV L:D8 (Fasch, Johann Friedrich) for violin and orchestra |
|
| Violin Concerto, FaWV L:G4 (Fasch, Johann Friedrich) for violin and orchestra |
|
| Suite in G minor (Finger, Gottfried) for orchestra |
|
| Lied, G.176 (Gerson, Georg) for voice and piano |
1823 |
| Suite in B-flat major (Finger, Gottfried) for 2 oboes, bassoon, strings and continuo |
|
| Ouverture-Suite, FaWV K:D17 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Ouverture-Suite, FaWV K:D17 (Fasch, Johann Friedrich) for orchestra |
|
| Concerto, FaWV L:D22 (Fasch, Johann Friedrich) for orchestra |
|
| Violin Concerto, FaWV L:B2 (Fasch, Johann Friedrich) for violin and orchestra |
1700 |
| Violin Concerto, FaWV L:B2 (Fasch, Johann Friedrich) for violin and orchestra |
|
| Lied, G.184 (Gerson, Georg) for voice and piano |
1821 |
| Negatives Ständchen, G.177 (Gerson, Georg) for voice and piano |
1821 |
| Widerschein, G.178 (Gerson, Georg) for voice and piano |
1821 |
| Widerschein, G.178 (Gerson, Georg) for voice and piano |
|
| Wunsch und Entsagung, G.182 (Gerson, Georg) for voice and piano |
1823 |
| Wunsch und Entsagung, G.182 (Gerson, Georg) for voice and piano |
|
| Wunsch und Entsagung, G.182 (Gerson, Georg) for voice and piano |
|
| Violin Concerto, FaWV L:D4 (Fasch, Johann Friedrich) for violin and orchestra |
1700 |
| Concerto, FaWV L:D14 (Fasch, Johann Friedrich) for 2 oboes, bassoon, 2 horns, 2 trumpets, strings and continuo |
|
| Dichterlied, G.188 (Gerson, Georg) for voice and piano |
1822 |
| Heut triumphieret Gottes Sohn, GWV 1129/15 (Graupner, Christoph) for 3 sopranos, alto, tenor, bass and orchestra |
|
| Ouverture-Suite, FaWV K:C1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:C1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:C1 (Fasch, Johann Friedrich) for orchestra |
|
| Du und Ich, G.197 (Gerson, Georg) for voice and piano |
1823 |
| Gretchen in der Stadt, G.194 (Gerson, Georg) for voice and piano |
1823 |
| Gretchen in der Stadt, G.194 (Gerson, Georg) for voice and piano |
|
| Gretchen in der Stadt, G.194 (Gerson, Georg) for voice and piano |
|
| Warum ich ein Junggeselle bin, G.192 (Gerson, Georg) for voice and piano |
1823 |
| Warum ich ein Junggeselle bin, G.192 (Gerson, Georg) for voice and piano |
|
| Wie soll ich dich empfangen, GWV 1101/X (Graupner, Christoph) for soprano, bass, strings and continuo |
|
| 5 Masses (Agricola, Alexander) for 4 voices |
|
| Ouverture-Suite, FaWV K:G22 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:a1 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D1 (Fasch, Johann Friedrich) for orchestra |
|
| L'Organiste (Weckerlin, Jean-Baptiste) for voices, mixed chorus and orchestra |
|
| Ich bin dein, G.198 (Gerson, Georg) for voice and piano |
1823 |
| Marie, G.199 (Gerson, Georg) for voice and piano |
1823 |
| Arrangement of Cello Concerto (Rauchenecker, Georg Wilhelm) for cello and piano |
|
| Arrangement of Oboe Concerto (Rauchenecker, Georg Wilhelm) for oboe and piano |
1905 |
| Der unschuldige Zweifel, G.200 (Gerson, Georg) for voice and piano |
1823 |
| Der unschuldige Zweifel, G.200 (Gerson, Georg) for voice and piano |
|
| Ouverture-Suite, FaWV K:d6 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G3 (Fasch, Johann Friedrich) for orchestra |
|
| Immer mehr, WoO 2 (Gerson, Georg) for voice and piano |
1823 |
| Anfrage, WoO 4 (Gerson, Georg) for voice and piano |
1824 |
| Anfrage, WoO 4 (Gerson, Georg) for voice and piano |
|
| Anfrage, WoO 4 (Gerson, Georg) for voice and piano |
|
| 6 Duos for Violin and Viola, Op. 10 (Stamitz, Carl Philipp) for violin and viola |
|
| Ouverture-Suite, FaWV K:D12 (Fasch, Johann Friedrich) for orchestra |
|
| Mein Alter, WoO 5 (Gerson, Georg) for voice and piano |
1824 |
| Mein Alter, WoO 5 (Gerson, Georg) for voice and piano |
|
| Die Gottheit, WoO 8 (Gerson, Georg) for voice and piano |
1824 |
| Die Gottheit, WoO 8 (Gerson, Georg) for voice and piano |
|
| Die Gottheit, WoO 8 (Gerson, Georg) for voice and piano |
|
| Symphonisches Tonwerk im Stil einer Ouvertüre (Rauchenecker, Georg Wilhelm) for orchestra |
1880 |
| Liebeszauber, WoO 10 (Gerson, Georg) for tenor and piano |
1824 |
| Arrangement of Liebeszauber, WoO 10 (Gerson, Georg) |
1823 |
| Violin Concerto in G minor, RV 332 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 210 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Fenesta che lucivi (Cottrau, Guillaume Louis) for voice and piano |
1840 |
| Symphony in D major (Arriaga, Juan Crisóstomo de) for orchestra |
|
Sonata in C major (Lang, Johann Georg) for flute, violin, cello and harpsichord
flute, violin, viola and harpsichord |
|
| Trio Sonata in F major (Leo, Georgio) for flute, viola and cello |
|
| 23 Divertissements (Brunetti, Gaetano) for violin, viola and cello |
|
| Sonata for Viola and Cello in C major (Albrechtsberger, Johann Georg) for viola and cello |
|
| Das Brummen, WoO 9 (Gerson, Georg) for 2 tenors and 2 basses |
1824 |
| Der Schiffer, G.165 (Gerson, Georg) for voice and piano |
1823 |
| Der Schiffer, G.165 (Gerson, Georg) for voice and piano |
|
Allegro moderato from Keyboard Concerto in D major, W.C 54 (Bach, Johann Christian) for harpsichord and strings
piano and strings |
|
| Cello Sonata in C major, IAV 5 (Vandini, Antonio) for cello and continuo |
|
| Der Schiffer (Bornhardt, Johann Heinrich Carl) for voice and piano |
|
| Angelica e Medoro (Millico, Giuseppe) for voices, mixed chorus and orchestra |
|
| La prisonnière (Cherubini, Luigi) for voices and orchestra |
|
| Oratorio della Passione (Zingarelli, Niccolò Antonio) for voices and orchestra |
|
| Stabat Mater (Platti, Giovanni Benedetto) for bass, recorder, oboe, 2 violas and organ |
|
| Il reo per amore (Niedermeyer, Louis) for voices, mixed chorus and orchestra |
|
| Missa di requiem (Durante, Francesco) for voices, strings and continuo |
|
| Iris, G.154 (Gerson, Georg) for 2 tenors and 2 basses |
1819 |
| Iris, G.154 (Gerson, Georg) for 2 tenors and 2 basses |
1847 |
| Arrangement of Trumpet Tune in C major, ZT 678 (Purcell, Henry) for strings |
|
Musikalisches Kunstbuch (Theile, Johann) for 2 Unspecified instruments
3 Unspecified instruments
4 Unspecified instruments
soprano, alto, tenor and bass
2 violins, cello and continuo
continuo and 3 Unspecified instruments
continuo and 4 Unspecified instruments |
|
| Piano Concerto (Rauchenecker, Georg Wilhelm) for piano and orchestra |
|
| Credo in D major (Pelleschi, Luigi) for 2 tenors, bass, mixed chorus and orchestra |
1700 |
Die menschliche Stimme, G.155 (Gerson, Georg) for 2 tenors and 2 basses
male chorus |
1823 |
| 6 Harpsichord Sonatas (August, Peter) for harpsichord |
|
| The Shepherd King, Op. 1 (Fauche, Mary) for voices, mixed chorus and orchestra |
|
| Ouverture-Suite, FaWV K:G18 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:D21 (Fasch, Johann Friedrich) for orchestra |
|
| Alexis und Nettchen, WoO 11 (Gerson, Georg) for voice and piano |
1823 |
| Minuetto e Trio (No.3) from String Quintet in E major, G.275 (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
| 2 Keyboard Sonatas (Schubert, Joseph) for keyboard |
1800 |
| Ouverture-Suite, FaWV K:G11 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Ouverture-Suite, FaWV K:G11 (Fasch, Johann Friedrich) for orchestra |
|
| Mass in D minor (Righini, Vincenzo) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nina pazza per amore (Coppola, Pietro Antonio) for voices, mixed chorus and orchestra |
|
| Vexilla Regis Prodeunt (Pelleschi, Luigi) for soprano, tenor, bass, mixed chorus, orchestra and continuo |
|
| Domine ad Adjuvandum (Pelleschi, Luigi) for 3 voices, mixed chorus and orchestra |
|
| Duett aus den Unglückbringenden Pantoffeln, G.164 (Gerson, Georg) for soprano, tenor and piano |
1823 |
| Duett aus den Unglückbringenden Pantoffeln, G.164 (Gerson, Georg) for soprano, tenor and piano |
|
| Ouverture-Suite, FaWV K:D9 (Fasch, Johann Friedrich) for orchestra |
|
| La clochette (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1800 |
| Overture from La clochette (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1837 |
| Variations on 'Ich schlief da träumte mir', H.69 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Kantate II, Op. 31 (Webern, Anton) for soprano, baritone, mixed chorus and orchestra |
1941 |
| Das Augenlicht, Op. 26 (Webern, Anton) for mixed chorus and orchestra |
1900 |
| Das Augenlicht, Op. 26 (Webern, Anton) for mixed chorus and orchestra |
1900 |
| Lied, G.175 (Gerson, Georg) for voice and piano |
1823 |
| Herminie (Panseron, Auguste Mathieu) for soprano and orchestra |
|
| Romance, G.15 (Gerson, Georg) for soprano, tenor and bass |
1823 |
| Jazz Sonata, W.43 (Antheil, George) for piano |
|
| Geständnis eines getreuen Liebhabers, G.16 (Gerson, Georg) for soprano, tenor and bass |
1808 |
| Lied in Scala von D bis b und wieder zurück, G.13 (Gerson, Georg) for voice and bass |
1808 |
| Oedipe, Op. 23 (Enescu, George) for voices, mixed chorus and orchestra |
1931 |
| Gratias agimus tibi (Guglielmi, Pietro Alessandro) for soprano and orchestra |
|
| Gratias agimus tibi (Guglielmi, Pietro Alessandro) for soprano and orchestra |
|
| Ouverture-Suite, FaWV K:F6 (Fasch, Johann Friedrich) for orchestra |
|
| Trasgression e pentimento di David (Grassi, Bartolomeo) for voice, mixed chorus and continuo |
|
| 2 Arias (Pelleschi, Salvadore) for organ and soprano |
|
| Der Glückliche, G.17 (Gerson, Georg) for soprano, tenor and bass |
1808 |
| Ouverture-Suite, FaWV K:G12 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G1 (Fasch, Johann Friedrich) for violin and orchestra |
|
6 Flute Sonatas, Op. 5 (Hasse, Johann Adolph) for flute and continuo
violin and continuo |
|
| Aufmunterung zur Freude, G.18 (Gerson, Georg) for soprano, tenor and bass |
1823 |
| Ouverture-Suite, FaWV K:D8 (Fasch, Johann Friedrich) for orchestra |
|
| 10 Psalms (Zannetti, Francesco) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Symphony in C major 'Bayerische National' (Vogler, Georg Joseph) for orchestra |
1799 |
| Symphony in C major 'Bayerische National' (Vogler, Georg Joseph) for orchestra |
|
Le Tre ore di agonia (Zingarelli, Niccolò Antonio) for 2 tenors, bass, strings and organ
2 tenors, bass and organ |
1813 |
Le Tre ore di agonia (Zingarelli, Niccolò Antonio) for 2 tenors, bass, strings and organ
2 tenors, bass and organ |
|
Litanie della B.V., RicS 125 (Anonymous) for tenor, bass, male chorus, organ and strings
tenor, bass, male chorus, strings and continuo |
|
Litanie della B.V., RicS 126 (Anonymous) for 3 voices, mixed chorus, organ and strings
3 voices, mixed chorus and orchestra |
|
| Harpsichord Sonatas (August, Peter) for harpsichord |
|
| Mass (Tomeoni, Pellegrino) for tenor, bass, male chorus, organ and strings |
|
Keyboard Concerto in C major, Op. 8 (Vogler, Georg Joseph) for harpsichord and orchestra
piano and orchestra |
|
| String Quartet No. 4 (Heise, Peter) for 2 violins, viola and cello |
|
| String Quartet No. 4 (Heise, Peter) for 2 violins, viola and cello |
|
| String Quartet No. 3 (Heise, Peter) for 2 violins, viola and cello |
|
| Compendio musicale (Bismantova, Bartolomeo) for continuo |
1677 |
| Compendio musicale (Bismantova, Bartolomeo) for continuo |
1677 |
| Keyboard Concerto in G minor (Benda, Georg) for keyboard and strings |
|
| Regole per Sonare su la parte (Gaffi, Tommaso Bernardo) for continuo |
|
| Regole del Contrapunto (Stradella, Alessandro) for continuo |
|
| L'Astianatte (Gasparini, Francesco) for 6 voices and orchestra |
|
| String Quartet No. 3 in F major (Vogler, Georg Joseph) for 2 violins, viola and cello |
|
| String Quartet No. 4 in E-flat major (Vogler, Georg Joseph) for 2 violins, viola and cello |
|
| Ouverture-Suite, FaWV K:D24 (Fasch, Johann Friedrich) for orchestra |
|
| String Quartet No. 2 in F minor (Vogler, Georg Joseph) for 2 violins, viola and cello |
|
| String Quartet No. 1 in F minor (Vogler, Georg Joseph) for 2 violins, viola and cello |
|
| 6 Piano Trios, Op. 1 (Vogler, Georg Joseph) for violin, cello and piano |
|
6 Sonatas, Op. 6 (Vogler, Georg Joseph) for violin, cello and harpsichord
violin, cello and piano
violin and harpsichord
violin and piano
harpsichord
piano |
|
| Ouverture-Suite, FaWV K:G21 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:B1 (Fasch, Johann Friedrich) for 2 orchestras |
|
Recorder Sonata in D minor, HWV 367a (Handel, George Frideric) for recorder and continuo
soprano and continuo |
1700 |
| 2 Sange, Op. 47 (Nielsen, Ludolf) for voice and piano |
|
| Ouverture-Suite, FaWV K:G17 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:A2 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:A3 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:B2 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:G15 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:B3 (Fasch, Johann Friedrich) for orchestra |
|
| Ouverture-Suite, FaWV K:B7 (Fasch, Johann Friedrich) for orchestra |
|
| 2 Clarinet Quartets (Hartmann, Emil) for clarinet, violin, viola and cello |
|
| Sketchbooks (Beethoven, Ludwig van) for |
1806 |
| Canzonetta, G.22 (Gerson, Georg) for voice, guitar and piano |
1823 |
| Violin Sonata in E-flat major, L3.40 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E-flat major, L3.40 (Benda, Franz) for violin and continuo |
|
| Viola d'amore Sonata in D major (Toeschi, Carl Joseph) for viola damore and continuo |
|
| String Quartet No. 3 (Violette, Andrew) for 2 violins, viola and cello |
1986 |
| Ouverture-Suite, FaWV K:D5 (Fasch, Johann Friedrich) for orchestra |
|
| Regole di canto figurato, contrappunto, d'accompagnare (Anonymous) for continuo |
|
| Ouverture-Suite, FaWV K:G10 (Fasch, Johann Friedrich) for orchestra |
1700 |
| Ouverture-Suite, FaWV K:G10 (Fasch, Johann Friedrich) for orchestra |
|
| 3 Organ Sonatas (Valenti, Niccolò) for organ |
1700 |
| Litanie della Madonna (Turchi, Francesco) for 2 sopranos, bass, mixed chorus, strings and organ |
|
| Mass in D major (Zannetti, Francesco) for tenor, bass, male chorus and orchestra |
|
Vexilla Regis Prodeunt (Valenti, Niccolò) for 2 tenors, bass, strings and organ
2 tenors and bass |
|
| Mass in B-flat major (Anonymous) for 2 tenors, bass, male chorus and orchestra |
|
6 Keyboard Sonatas, Op. 1 (Blasco de Nebra, Manuel) for harpsichord
piano
keyboard |
|
| Arminio (Pavesi, Stefano) for voices, mixed chorus and orchestra |
|
| Marc Antonio (Romani, Pietro) for voices, mixed chorus and orchestra |
|
| Giardiniera abruzzese (Pavesi, Stefano) for voices, mixed chorus and orchestra |
|
| L'Orfana Riconosciuta (Paër, Ferdinando) for |
|
| String Quartet in A minor (Janser, Emil Karl) for 2 violins, viola and cello |
|
| L'Accortezza materna (Pavesi, Stefano) for voices, mixed chorus and orchestra |
|
Sonata for Violin, Oboe, Horn and Continuo, FaWV N:F3 (Fasch, Johann Friedrich) for oboe, horn, violin and continuo
oboe damore, horn, violin and continuo |
|
| Chorale Preludes (Parry, Charles Hubert Hastings) for organ |
1911 |
| Chorale Preludes (Parry, Charles Hubert Hastings) for organ |
1915 |
| Double Clarinet Concerto No. 2, Op. 26 (Tausch, Franz) for 2 clarinets and orchestra |
|
| Brunetta e Burlotto (Sarro, Domenico Natale) for soprano, bass, strings and continuo |
|
| Le loup-garou (Bertin, Louise) for voices, mixed chorus and orchestra |
|
| Trio Sonata in G minor, CSWV E:18 (Schaffrath, Christoph) for oboe, violin and continuo |
1760 |
| Trio Sonata in G minor, CSWV E:18 (Schaffrath, Christoph) for oboe, violin and continuo |
|
Lieder für 3 Männerstimmen (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
1800 |
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
1882 |
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
|
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
|
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
1913 |
| Tantum ergo, WAB 32 (Bruckner, Anton) for mixed chorus |
1930 |
| Sinfonia, FaWV M:Ges (Fasch, Johann Friedrich) for strings and continuo |
|
Sonata for 2 Violins, Viola and Continuo, FaWV N:c1 (Fasch, Johann Friedrich) for 2 violins, viola and continuo
2 violins, cello and continuo
2 violins, violoncello piccolo and continuo |
|
| Trio Sonata, FaWV N:F7 (Fasch, Johann Friedrich) for 2 violins and continuo |
1700 |
| Sinfonia, FaWV M:A2 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G2 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:D2 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Sinfonia, FaWV M:D2 (Fasch, Johann Friedrich) for strings and continuo |
|
| Sinfonia, FaWV M:G3 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Sinfonia, FaWV M:G3 (Fasch, Johann Friedrich) for strings and continuo |
|
| Pater noster, G.46 (Gerson, Georg) for 2 tenors and bass |
1823 |
| Cello Sonata, Op. 10 (Winding, August) for cello and piano |
|
| Sinfonia, FaWV M:G4 (Fasch, Johann Friedrich) for strings and continuo |
|
| Concerto in F major (Graziani, Leopoldo Cesare) for orchestra |
|
| Symphony No. 1, Op. 3 (Nielsen, Ludolf) for orchestra |
1903 |
| Dreystimmiges Canonisches Lied, G.36 (Gerson, Georg) for soprano, tenor and bass |
1823 |
| Violin Sonata in A minor (Bertali, Antonio) for violin and continuo |
1662 |
| Skovvandring, Op. 40 (Nielsen, Ludolf) for orchestra |
1922 |
Collection of Irish Music (Hudson, Henry Philerin) for soprano
piano |
|
| Violin Sonata in D major (Oswald, Andreas) for violin and continuo |
1662 |
| Keyboard Sonata in G major (Freixanet) for keyboard |
|
| Keyboard Sonata in A major (Freixanet) for keyboard |
|
Canons (Gerson, Georg) for 2 voices
3 voices
4 voices
soprano and bass |
1823 |
| Medea in Corinto (Mayr, Giovanni Simone) for voices and orchestra |
|
| Don Chisciotte della Mancia, R.1.21 (Paisiello, Giovanni) for |
1769 |
| Don Chisciotte della Mancia, R.1.21 (Paisiello, Giovanni) for |
|
| Sinfonia in B-flat major (Gasparini, Francesco) for orchestra |
|
| Praxinoë, Princesse d'Egypte, Op. 22 (Vierne, Louis) for 3 voices, female chorus and orchestra |
|
| Praxinoë, Princesse d'Egypte, Op. 22 (Vierne, Louis) for 3 voices, female chorus and orchestra |
|
| Praxinoë, Princesse d'Egypte, Op. 22 (Vierne, Louis) for 3 voices, female chorus and orchestra |
|
| Piano Quartet, Op. 35 (Frühling, Carl) for violin, viola, cello and piano |
|
| Violin Concerto in B-flat major, GraunWV Cv:XIII:157 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Bassoon Concerto in A minor, RV 498 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Violin Concerto in B-flat major (Gacia) for violin, strings and continuo |
|
| 2 Songs from Lalla Rookh, G.179-180 (Gerson, Georg) for voice and piano |
1823 |
| Kammersinfonie No. 2 (Colberg, Paul) for flute, oboe, clarinet, bassoon, horn, viola and piano |
|
| Dreams (Rzewski, Frederic) for piano |
2012 |
| Part I from Dreams (Rzewski, Frederic) for piano |
2012 |
| Oboe d'amore Concerto in A major (Anonymous) for oboe damore, strings and continuo |
|
| Oboe d'amore Concerto in D major, GraunWV Cv:XIII:108 (Graun, Johann Gottlieb) for oboe damore, strings and continuo |
|
| Arrangement of La Marseillaise (Rouget de Lisle, Claude-Joseph) for mixed chorus and orchestra |
|
| Arrangement of La Marseillaise (Rouget de Lisle, Claude-Joseph) for flute |
|
| Sinfonia in F major, GraunWV C:XII:68 (Graun, Johann Gottlieb) for orchestra |
|
| Cancionero de Segovia (Various) for |
|
Lieder für 4 Männerstimmen (Gerson, Georg) for 2 tenors and 2 basses
male chorus |
1823 |
| Sinfonia in D major, GraunWV A:XII:4 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV A:XII:4 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV A:XII:4 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in G major, GraunWV A:XII:24 (Graun, Johann Gottlieb) for orchestra |
|
| Chamber Concerto in G minor, RV 103 (Vivaldi, Antonio) for recorder, oboe and bassoon |
1700 |
| Sonata for Recorder, Bassoon and Continuo, RV 86 (Vivaldi, Antonio) for recorder, bassoon and continuo |
1700 |
Sinfonia in B-flat major, GraunWV A:XII:27 (Graun, Johann Gottlieb) for orchestra
strings and continuo |
|
Sinfonia in B-flat major, GraunWV A:XII:27 (Graun, Johann Gottlieb) for orchestra
strings and continuo |
|
| Trio Sonata in D major, GraunWV Cv:XV:100 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in D major, GraunWV Cv:XV:99 (Graun, Johann Gottlieb) for 2 flutes and continuo |
|
| Fugue in D minor, WAB 125 (Bruckner, Anton) for organ |
1861 |
| Fugue in D minor, WAB 125 (Bruckner, Anton) for organ |
|
| Fugue in D minor, WAB 125 (Bruckner, Anton) for organ |
|
| Fugue in D minor, WAB 125 (Bruckner, Anton) for organ |
1861 |
| Sinfonia in C major, GraunWV A:XII:1 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in C major, GraunWV A:XII:1 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in G major, GraunWV D:XII:108 (Graun, Johann Gottlieb) for strings and continuo |
|
| Flute Concerto in F major, GraunWV Cv:XIII:127 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Flute Concerto in G major, GraunWV D:XIII:178 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
Leiligheds Sang af Dr. David, WoO 19 (Gerson, Georg) for 2 tenors, 2 basses and piano
male chorus and piano |
1823 |
| Violin Sonata in A major, GraunWV A:XVII:8 (Graun, Johann Gottlieb) for violin and continuo |
|
| Bassoon Concerto in A minor, RV 497 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
Suite for Lute in A major (Hoffer, Johann Jacob) for lute
soprano and bass |
|
| Ouverture-Suite (Various) for orchestra |
|
| Trio Sonata in D major, Op. 2 No. 6 (Hasse, Johann Adolph) for 2 flutes and continuo |
|
| Violin Concerto in D minor (Horneck, Franz) for violin, strings and continuo |
|
| Chanson à boire (Drinking Song) from Arrangement of Chanson à boire (Drinking Song) from Fiametta (Minkus, Ludwig) for wind band |
|
| De navond komt zoo stille (Tinel, Jef) for piano |
|
| Varie Sonate e Concerti per Organo, US-Lou Sacra 137 (Various) for organ |
|
Recorder Concerto in B-flat major (Valentine, Robert) for recorder, 2 violins and continuo
recorder, strings and continuo |
1725 |
| Recorder Concerto in D minor (Mancini, Francesco) for recorder, 2 violins and continuo |
1725 |
| Oboe Concerto in D major, IGS 12 (Sammartini, Giuseppe) for oboe, strings and continuo |
|
| Oboe Concerto in D major, IGS 12 (Sammartini, Giuseppe) for oboe, strings and continuo |
|
| Beatus vir, RV 598 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus, strings and continuo |
1700 |
| Lorelei (Schumann, Clara) for voice and piano |
1843 |
| The Happy Couple, G.181 (Gerson, Georg) for voice and piano |
1821 |
| Oboe Concerto in E-flat major, IGS 14 (Sammartini, Giuseppe) for oboe, strings and continuo |
|
| Oboe Concerto in F major, Schrank II/33/97 (Anonymous) for oboe, strings and continuo |
|
| Tilge, Höchster, meine Sünden, BWV 1083 (Bach, Johann Sebastian) for 2 voices, strings and continuo |
1745 |
| Tilge, Höchster, meine Sünden, BWV 1083 (Bach, Johann Sebastian) for 2 voices, strings and continuo |
|
| Jefet (Generali, Pietro) for voices, mixed chorus and orchestra |
|
| Concerto con echo in G major (Richter, Johann Christoph) for 2 orchestras |
|
Trio Sonata in C major, DolP 3.24b (Pla, José) for 2 flutes and continuo
2 oboes and continuo |
|
Trio Sonata in D minor, DolP 3.6 (Pla, José) for 2 oboes and continuo
2 flutes and continuo |
|
Trio Sonata in D minor, DolP 3.2b (Pla, José) for oboe, violin and continuo
oboe, violin and cello |
|
| Trio Sonata in F major (Linike, Johann Georg) for oboe, violin and continuo |
|
| Trio Sonata in G major (Linike, Johann Georg) for oboe, violin and continuo |
|
| Trio Sonata in G minor (Linike, Johann Georg) for oboe, violin and continuo |
|
| The Sweet Little Girl that I Know, G.186 (Gerson, Georg) for voice and piano |
1823 |
| Bassoon Concerto in G minor, KapM Jiranek 21 (Jiránek, František) for bassoon, strings and continuo |
|
| Oboe Concerto in F major, KapM Jiranek 15 (Jiránek, František) for oboe, strings and continuo |
|
| Violin Concerto in A major, KapM Jiranek 10 (Jiránek, František) for violin, strings and continuo |
|
| Bassoon Concerto in G major, KapM Jiranek 20 (Jiránek, František) for bassoon, strings and continuo |
|
| Oboe Concerto in B-flat major, KapM Jiranek 16 (Jiránek, František) for oboe, strings and continuo |
|
| Oboe Concerto in B-flat major, KapM Jiranek 17 (Jiránek, František) for oboe, strings and continuo |
|
| Trio Sonata in G major (Richter, Johann Christoph) for flute, oboe and continuo |
|
| Trio Sonata in A minor, D-Dl Mus.2376-Q-3 (Linike, Johann Georg) for recorder, oboe and continuo |
|
| Trio Sonata in A minor, D-Dl Mus.2376-Q-6 (Linike, Johann Georg) for oboe, violin and continuo |
|
| Quartet in F major for Flute, Oboe, Violin and Continuo (Riedel, Fortunato) for flute, oboe, violin and continuo |
|
| Concerto in G major, J.II.2 (Pisendel, Johann Georg) for orchestra |
|
| The Time I’ve Lost in Wooing, G.187 (Gerson, Georg) for voice and piano |
1823 |
| Then, Fare Thee Well, G.189 (Gerson, Georg) for voice and piano |
1823 |
| Trio Sonata in G major (Pezold, Christian) for oboe, violin and continuo |
|
| Viola d'amore Suite in F major (Pezold, Christian) for viola damore |
|
Suite in G minor (Pfeiffer, Johann) for oboe, strings and continuo
violin, strings and continuo |
|
| Trio Sonata in C minor, S.254 (Heinichen, Johann David) for oboe, viol and continuo |
|
| Violin Sonata in C major, L3.2 (Benda, Franz) for violin and continuo |
|
| Chansonette, G.86 (Gerson, Georg) for voice and piano |
1823 |
| La Paille, G.77 (Gerson, Georg) for voice and piano |
1823 |
| La Paille, G.77 (Gerson, Georg) for voice and piano |
|
| Concertante (Strauss, Franz) for 2 horns and orchestra |
|
30 Keyboard Sonatas (Albero, Sebastián) for harpsichord
clavichord |
|
| Cello Sonata in C major, B:XVII:53 (Graun, Karl Heinrich) for cello and continuo |
|
| Arrangement of Violin Sonata in D major, L3.27 (Benda, Franz) for cello and continuo |
|
| Recorder Sonata in D minor (Carissimi, Giacomo) for recorder and continuo |
|
| Introduction and Polonaise (Strauss, Franz) for 2 horns and orchestra |
|
Sinfonia a tre in F major, DTB 16 F 2 (Holzbauer, Ignaz) for 2 violins and bass
2 violins and continuo
2 violins and cello |
|
| La faiseuse de Bouquets, G.91 (Gerson, Georg) for voice and piano |
1823 |
| La faiseuse de Bouquets, G.91 (Gerson, Georg) for voice and piano |
1825 |
| Romance, G.94 (Gerson, Georg) for voice and piano |
1823 |
| Romance, G.94 (Gerson, Georg) for voice and piano |
|
| Romance, G.94 (Gerson, Georg) for voice and piano |
|
Trio Sonata in G major, Op. 2 No. 4 (Hasse, Johann Adolph) for oboe, violin and continuo
flute, violin and continuo
2 flutes and continuo |
|
Möller Manuscript, D-B Mus.ms. 40644 (Various) for 2 violins and continuo
strings
continuo
keyboard
harpsichord
clavichord
piano
organ |
|
Möller Manuscript, D-B Mus.ms. 40644 (Various) for 2 violins and continuo
strings
continuo
keyboard
harpsichord
clavichord
piano
organ |
|
| Sonata for Oboe and Bassoon in C minor, S.277 (Heinichen, Johann David) for oboe and bassoon |
|
| Flute Concerto in C major, GraunWV Bv:XIII:48 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Flute Concerto in D major, GraunWV Cv:XIII:101 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Flute Concerto in A minor, L2.16 (Benda, Franz) for flute, strings and continuo |
|
| Flute Concerto in E major (Förster, Christoph) for flute, strings and continuo |
|
| Flute Concerto in G major (Förster, Christoph) for flute, strings and continuo |
|
| Flute Concerto in A major, GraunWV Cv:XIII:150 (Graun, Johann Gottlieb) for flute, strings and continuo |
|
| Violin Concerto in E major, L2.8 (Benda, Franz) for violin, strings and continuo |
|
| Violin Concerto in E major, GraunWV D:XIII:169 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Rondeau des Amants Prothée, G.102 (Gerson, Georg) for soprano, 2 violins, viola and cello |
1823 |
| Flute Concerto in E minor, L2.4 (Benda, Franz) for flute, strings and continuo |
|
| Oboe Concerto in E-flat major, H.468 (Bach, Carl Philipp Emanuel) for oboe, strings and continuo |
1765 |
| Concert-Fantasi, Op. 20 (Malling, Otto) for violin and orchestra |
1884 |
| Flute Concerto in E minor (Buffardin, Pierre-Gabriel) for flute, strings and continuo |
|
Il Dolcimelo (Virgiliano, Aurelio) for voice
viol
flute
recorder
violin
cornett
lute |
|
| Oboe Concerto in B-flat major, H.466 (Bach, Carl Philipp Emanuel) for oboe, strings and continuo |
1765 |
| Violin Sonata in E-flat major (Pisendel, Johann Georg) for violin and continuo |
1700 |
| Violin Sonata in E major (Pisendel, Johann Georg) for violin and continuo |
1700 |
| Concerto for Oboe and Harpsichord in C major (Hofmann, Leopold) for oboe, harpsichord and strings |
|
| Polidoro (Lotti, Antonio) for voices, mixed chorus and orchestra |
|
| Sinfonia from Polidoro (Lotti, Antonio) for voices, mixed chorus and orchestra |
|
| Il regno della luna (Piccinni, Niccolò) for 7 voices and orchestra |
1770 |
| Il regno della luna (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Sextet in E-flat major, Hob.II:40 (Haydn, Joseph) for oboe, bassoon, horn, violin, viola and cello |
|
| Horn Concerto (Hindemith, Paul) for horn and orchestra |
|
| Salve Regina, ZWV 137 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Salve Regina, ZWV 137 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Salve Regina, ZWV 141 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Violin Sonata in A major (Hunt, Franz) for violin and continuo |
|
| Andante varié, Op. 16 (Rode, Pierre) for 2 violins, viola and cello |
|
Violin Concerto in D major, RV 212 (Vivaldi, Antonio) for violin and orchestra
2 oboes, bassoon, violin, strings and continuo |
|
Violin Concerto in D major, RV 212 (Vivaldi, Antonio) for violin and orchestra
2 oboes, bassoon, violin, strings and continuo |
1700 |
| Litaniae Lauretanae, ZWV 151 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1744 |
| Litaniae Lauretanae, ZWV 151 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of String Quintet, Op. 47 (Scholz, Bernhard) for piano 4 hands |
1800 |
Mass in C minor (Škroup, František) for mixed chorus, organ and orchestra
soprano, alto, tenor, bass, organ and orchestra |
|
| Cello Sonata in F major, FraZ I-a1 (Zappa, Francesco) for cello and continuo |
|
| Flute Concerto in B-flat major, IGS 3 (Sammartini, Giuseppe) for flute, strings and continuo |
|
| Symphony in A major, J-C 65 (Sammartini, Giovanni Battista) for strings and continuo |
|
| Violin Concerto in B-flat major, RV 379 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in B-flat major, RV 379 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of Violin Concerto in B-flat major, RV 379 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in D major, Schrank II/33/46 (Anonymous) for violin, strings and continuo |
|
| Violin Sonata in A major, RV 29 (Vivaldi, Antonio) for violin and continuo |
1700 |
| Symphony in C major, J-C 7 (Sammartini, Giovanni Battista) for strings and continuo |
|
| 2 Chansons des Acteurs à l’épreuve, G.87-88 (Gerson, Georg) for voice, violin and piano |
1823 |
| Version from Violin Sonata in C minor (Pisendel, Johann Georg) for violin and continuo |
1700 |
| Version from Violin Sonata in C minor (Pisendel, Johann Georg) for violin and continuo |
1700 |
| Version from Violin Sonata in C minor (Pisendel, Johann Georg) for violin and continuo |
|
Violin Concerto in A minor, Schrank II/33/92 (Anonymous) for violin, strings and continuo
violin, cello, strings and continuo |
|
| Trio Sonata in A major (Schuchbauer, Franz Simon) for 2 viola damores and continuo |
|
Trio Sonata in C major (Schuchbauer, Franz Simon) for 2 viola damores and continuo
flute, viola damore and continuo |
|
| Concerto for 2 Oboes in G minor, Schrank II/33/1 (Anonymous) for 2 oboes, strings and continuo |
|
| Concerto for 2 Oboes in G minor, Schrank II/33/1 (Anonymous) for 2 oboes, strings and continuo |
|
| Concerto for Violin and Cello in G major, Schrank II/33/88 (Anonymous) for violin, cello, strings and continuo |
|
Concerto in D minor, Schrank II/33/95 (Anonymous) for violin, strings and continuo
flute, strings and continuo |
|
| Trio Sonata in G major (Schuchbauer, Franz Simon) for flute, viola damore and continuo |
|
| Trio Sonata in G major (Schuchbauer, Franz Simon) for flute, viola damore and continuo |
|
| Trio Sonata in A major, GroT 4650-A (Schuchbauer, Franz Simon) for flute, viola damore and continuo |
|
| Trio Sonata in D major, Schrank II/37/22 (Anonymous) for flute, viola damore and continuo |
|
Violin Concerto in D major, Schrank II/33/47 (Anonymous) for violin, strings and continuo
oboe, strings and continuo |
|
Violin Concerto in D major, Schrank II/33/47 (Anonymous) for violin, strings and continuo
oboe, strings and continuo |
|
Violin Concerto in G major, Schrank II (Anonymous) for violin and orchestra
2 oboes, violin, strings and continuo |
|
| Violin Concerto in G minor, Schrank II/33/58 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G minor, Schrank II/33/58 (Anonymous) for violin, strings and continuo |
|
| Violin Sonata in C major, RV 2 (Vivaldi, Antonio) for violin and continuo |
|
| Violin Concerto in C major, Schrank II/33/100 (Anonymous) for violin, strings and continuo |
|
| Concerto for Flute and Violin in C major, Schrank II/33/81 (Anonymous) for flute, violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/37 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/37 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/37 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in F major, Schrank II/33/35 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in D major, Schrank II/33/19 (Anonymous) for violin and orchestra |
|
| Violin Concerto in F major, Schrank II/33/77 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, Schrank II/33/103 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in C major, Schrank II/33/91 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/3 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in C minor, Schrank II/33/30 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in C minor, Schrank II/33/45 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in A major, Schrank II/33/21 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in D minor, Schrank II/33/24 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in D minor, Schrank II/33/67 (Anonymous) for violin, strings and continuo |
|
| First Version from String Quartet in E minor (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| Second Version from String Quartet in E minor (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| Second Version from String Quartet in E minor (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
Chigi Codex (Various) for 3 voices
4 voices
5 voices
6 voices |
|
| Violin Concerto in A major, Schrank II/33/22 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in A major, Schrank II/33/22 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in A major, Schrank II/33/22 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G minor, Schrank II/33/63 (Anonymous) for violin, strings and continuo |
|
Violin Concerto in B-flat major, Schrank II/33/9 (Anonymous) for violin and orchestra
2 oboes, violin, strings and continuo |
|
| Violin Concerto in B-flat major, Schrank II/33/32 (Anonymous) for violin and orchestra |
|
| Violin Concerto in B-flat major, Schrank II/33/80 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in C major, Schrank II/33/108 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in D major, Schrank II/33/69 (Anonymous) for violin and orchestra |
|
| Violin Concerto in E-flat major, Schrank II/33/14 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/17 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/17 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in G major, Schrank II/33/29 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in A major, Schrank II/33/34 (Anonymous) for violin, strings and continuo |
|
Concerto for 2 Flutes in G major, D-Dl Mus.2-O-20 (Anonymous) for 2 flutes, strings and continuo
2 oboes, strings and continuo |
|
| Trio Sonata in B-flat major, BuxWV 273 (Buxtehude, Dietrich) for violin, viol and continuo |
|
Sonata à 2 in G major (Nicolai, Johann Michael) for violin, viol and continuo
trombone, violin and continuo |
|
| Sonata à 5 in C major, Düben IMHS 5:09 (Pohle, David) for bassoon, 2 violins, 2 violas and continuo |
|
Sonata à 5 in C major, Düben IMHS 5:10 (Pohle, David) for 2 violins, 2 violas, violone and continuo
2 violins, 2 violas, cello and continuo |
|
| Sonata à 6 in D major (Furchheim, Johann Wilhelm) for bassoon, 3 violins, 2 violas and continuo |
|
| Violin Sonata in E major (Hien, Christian) for violin and continuo |
|
| Violin Sonata in G minor (Kindermann, Johann Erasmus) for violin and continuo |
|
| Violin Sonata in D minor (Kindermann, Johann Erasmus) for violin and continuo |
|
| Violin Sonata in A minor (Kindermann, Johann Erasmus) for violin and continuo |
|
| Sonata à 5 in A minor (Furchheim, Johann Wilhelm) for bassoon, 2 cornetts, 2 violins and continuo |
|
| Sonata à 4 in C major (Theile, Johann) for bassoon, trombone, 2 violins and continuo |
|
| Trio Sonata in G major (Schiatti, Giacinto) for oboe, violin and continuo |
|
| Sinfonia in G major (Schiassi, Gaetano Maria) for strings and continuo |
|
| Sinfonia à 4 in C major (Schiassi, Gaetano Maria) for strings and continuo |
|
| Violin Sonata in F major, B.F6 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in A minor (Van der Perre, Wilhelm) for violin and continuo |
|
| Violin Sonata in A major, B.A16 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in A major, B.A16 (Tartini, Giuseppe) for violin and continuo |
|
| Concerto for Oboe and Violin in G minor (Hassmann, Ernst August) for oboe, violin and orchestra |
|
| Romance des Étrennes de Mercure, G.142 (Gerson, Georg) for voice and piano |
1823 |
| Oboe Concerto in E-flat major, Schrank II/33/98 (Anonymous) for oboe, strings and continuo |
|
| Violin Sonata in C major (Bigaglia, Diogenio) for violin and continuo |
|
| Violin Sonata in D major, B.D15 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in D major, B.D15 (Tartini, Giuseppe) for violin and continuo |
|
| Oboe Concerto in B-flat major (Pepusch, John Christopher) for oboe, strings and continuo |
|
| Violin Sonata in D major, L3.17 (Benda, Franz) for violin and continuo |
|
| Violin Sonata in E major, L3.49 (Benda, Franz) for violin and continuo |
|
| Sinfonia in B-flat major (Tartini, Giuseppe) for strings and continuo |
|
Sinfonia pastorella in D major (Hupfeld, Bernhard) for orchestra
2 flutes, 2 horns, strings and continuo |
|
| Violin Sonata in G major, B.G21 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in C major, B.C4 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in A major, B.A21 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in D minor (Tartini, Giuseppe) for violin and continuo |
|
| Cancioneiro musical de Elvas (Various) for 3 voices |
|
| Violin Sonata in A major, B.A24 (Tartini, Giuseppe) for violin and continuo |
|
| Sinfonia in D major (2) (Tartini, Giuseppe) for strings and continuo |
|
| Sinfonia in G major (2) (Anonymous) for strings and continuo |
|
| Sonata à 4 in F major (Califano, Arcangelo) for 2 oboes, bassoon and continuo |
|
| Ouverture in B-flat major (Dall'Abaco, Evaristo Felice) for strings and continuo |
|
| Violin Concerto in B-flat major, GT 1.Bb05 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in G major, GT 1.G19 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in G major, GT 1.G19 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Sonata in G major, GT 2.G24 (Tartini, Giuseppe) for violin and continuo |
|
Violin Concerto in G major, GT 1.G08 (Tartini, Giuseppe) for violin, strings and continuo
flute, strings and continuo |
|
Violin Concerto in G major, GT 1.G08 (Tartini, Giuseppe) for violin, strings and continuo
flute, strings and continuo |
|
| Violin Concerto in D major, GT 1.D07 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D07 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in D major, GT 1.D07 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Sinfonia in G major (1) (Anonymous) for strings and continuo |
|
| Violin Sonata in A major, GT 2.A03 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in A minor, GT 2.a11 (Tartini, Giuseppe) for violin and continuo |
|
| Violin Sonata in B minor, GT 2.b05 (Tartini, Giuseppe) for violin and continuo |
|
| Sinfonia in D major (Tartini, Giuseppe) for strings and continuo |
|
| Violin Concerto in C minor, RV 202 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Bajazet/Il Tamerlano, RV 703 (Vivaldi, Antonio) for voices and orchestra |
1735 |
| Sinfonia from Bajazet/Il Tamerlano, RV 703 (Vivaldi, Antonio) for voices and orchestra |
|
| Violin Concerto in A major, RV 335 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in F major, GraunWV Cv:XIII:130 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Flute Sonata in C major, GraunWV Av:XVII:10 (Graun, Johann Gottlieb) for flute and continuo |
|
| Trio Sonata in A major (Postel, Christian Gottlieb) for 2 violins and continuo |
|
| Sinfonia in G major, GraunWV A:XII:20 (Graun, Johann Gottlieb) for orchestra |
|
| Sinfonia in D major, GraunWV D:XII:96 (Graun, Johann Gottlieb) for orchestra |
|
| Trio Sonata in G major (Kunzen, Johann Paul) for 2 violins and continuo |
|
| Sinfonia in B-flat major, GraunWV D:XII:116 (Graun, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in B-flat major, GraunWV D:XII:116 (Graun, Johann Gottlieb) for strings and continuo |
|
| Harpsichord Concerto in A major, GraunWV C:XIII:90 (Graun, Johann Gottlieb) for harpsichord, strings and continuo |
|
| Sinfonia in F major, GraunWV Av:XII:49 (Graun, Johann Gottlieb) for orchestra |
|
| Concerto for 2 Violins in A major, Schrank II/33/90 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in C major, Schrank II/33/102 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in C major, Schrank II/33/102 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in F minor, Schrank II/35/16 (Anonymous) for 2 violins, strings and continuo |
|
| Trio Sonata in E major, Schrank II/37/21 (Anonymous) for 2 violins and continuo |
|
| Trio Sonata in E major, Schrank II/37/42 (Anonymous) for 2 violins and continuo |
|
| Trio Sonata in F major, Schrank II/37/16 (Anonymous) for 2 violins and continuo |
|
| Trio Sonata in G major, Schrank II/38/32 (Anonymous) for flute, violin and continuo |
|
| Trio Sonata in A major, Schrank II/37/39 (Anonymous) for flute, violin and continuo |
|
| Lied, G.50 (Gerson, Georg) for voice and cello |
1823 |
Trio Sonata in D major, Schrank II/37/30 (Anonymous) for 2 violins and continuo
bassoon and 2 violins |
|
| Concerto for 2 Violins in B-flat major, Schrank II/33/105 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in A major, D-Dl Mus.2-O-8,6 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in A minor, Schrank II/33/39 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for 2 Violins in D major, Schrank II/33/68 (Anonymous) for 2 violins, strings and continuo |
|
| Concerto for Violin and Cello in B-flat major, Schrank II/33/74 (Anonymous) for violin, cello, strings and continuo |
|
| Trio Sonata in G minor, Schrank II/37/33 (Anonymous) for 2 violins and continuo |
|
| Trio Sonata in G minor, Schrank II/37/40 (Anonymous) for flute, violin and continuo |
|
Trio Sonata in A major, Schrank II/37/25 (Anonymous) for oboe, violin and continuo
oboe damore, violin and continuo
flute, violin and continuo
2 violins and continuo
soprano, violin and continuo |
|
| Trio Sonata in G major, Schrank II/37/28 (Anonymous) for 2 violins and continuo |
|
| Trio Sonata in E-flat major, Schrank II/38/30 (Anonymous) for 2 violins and continuo |
|
| Piano Quintet in G minor (Broqua, Alfonso) for 2 violins, viola, cello and piano |
|
| Ouverture-Suite in B-flat major, Schrank II/38/28 (Anonymous) for orchestra |
|
| Ouverture-Suite in G major, Schrank II/35/6 (Anonymous) for orchestra |
|
| Ouverture-Suite in G major, Schrank II/35/3 (Anonymous) for orchestra |
|
| Ouverture-Suite in G major, Schrank II/35/4 (Anonymous) for orchestra |
|
| Ouverture-Suite in C minor, Schrank II/35/15 (Anonymous) for orchestra |
|
| Ouverture-Suite in D major, Schrank II/35/21 (Anonymous) for orchestra |
|
| Ouverture-Suite in D major, Schrank II/38/33 (Anonymous) for orchestra |
|
| Ouverture-Suite in F major, Schrank II/35/22 (Anonymous) for violin and orchestra |
|
| Ouverture-Suite in F major, Schrank II/38/29 (Anonymous) for orchestra |
|
| Poiché al vago seren di due pupille, T.205 (Albinoni, Tomaso) for soprano and continuo |
|
| Ouverture-Suite in C major, Schrank II/36/13 (Anonymous) for orchestra |
|
| Symphonisch-heroischer Marsch, Op. 130 (Moscheles, Ignaz) for |
1861 |
| Ouverture-Suite in C major, Schrank II/38/35 (Anonymous) for orchestra |
|
| Ouverture-Suite in F major, Schrank II/36/9 (Anonymous) for orchestra |
|
| Il bel ciglio d’Irene, T.204.01 (Albinoni, Tomaso) for soprano and continuo |
|
| Ouverture-Suite in D major, Schrank II/35/2 (Anonymous) for orchestra |
|
| Ouverture-Suite in G minor, Schrank II/35/9 (Anonymous) for orchestra |
|
| Ouverture-Suite in F major, Schrank II/36/12 (Anonymous) for orchestra |
|
| Ouverture-Suite in G minor (Schmidt, Johann Christoph) for orchestra |
|
| Ouverture-Suite in A minor (Schmidt, Johann Christoph) for orchestra |
|
| Ouverture-Suite in D major (Schmidt, Johann Christoph) for orchestra |
|
| Ouverture-Suite in F major (Schmidt, Johann Christoph) for orchestra |
|
| Ouverture-Suite in G major (Schmidt, Johann Christoph) for orchestra |
|
| 42 Movements from Ouverture-Suites, Schrank II/31/3 (Various) for orchestra |
|
| Violin Concerto in C major, GT 1.C05 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, GT 1.C07 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, GT 1.C14 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, GT 1.C08 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D05 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D06 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Cello Sonata in F major (Čart, Jiří) for cello and continuo |
|
| Cello Sonata in D minor (Zyka, Joseph Benedikt) for cello and continuo |
|
| Cello Sonata in A major (Dalla Bella, Domenico) for cello and continuo |
|
| Mass in A minor (Schmidt, Johann Christoph) for mixed chorus and orchestra |
|
| Cello Sonata in G major (Zyka, Joseph Benedikt) for cello and continuo |
|
| Cello Sonata in C major (Zyka, Joseph Benedikt) for cello and continuo |
|
| Violin Sonata in G major (Graul, Markus Heinrich) for violin and harpsichord |
|
| Bassoon Sonata in B-flat major, D-B Mus.ms. 20518 (Schwarz, Andreas Gottlob) for bassoon and continuo |
|
| Niklaus von der Flüe (Rauchenecker, Georg Wilhelm) for soprano, bass, mixed chorus and orchestra |
|
| Niklaus von der Flüe (Rauchenecker, Georg Wilhelm) for soprano, bass, mixed chorus and orchestra |
|
| Thematic Catalog (Haydn, Michael) for |
|
| Arrangement of Sonata da Camera in G minor (Janitsch, Johann Gottlieb) for flute, 2 violas and continuo |
|
| Domine, tu mihi lavas pedes (Sousa, José Alexandrino de) for alto, tenor, clarinet, saxophone, trumpet, euphonium, violin and double bass |
1936 |
| Symphony in F major (Lösel, Johann Georg) for orchestra |
|
| Ouverture-Suite, FaWV K:g1a (Fasch, Johann Friedrich) for orchestra |
|
| Missa Sancti Spiritus, ZWV 4 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Missa Sancti Spiritus, ZWV 4 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa Sancti Spiritus, ZWV 4 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Flute Sonata in D minor (Čart, Jiří) for flute and continuo |
|
| Flute Concerto in G major (Čart, Jiří) for flute, strings and continuo |
|
| Ouverture-Suite in G major (Bach, Johann Bernhard) for strings and continuo |
|
| Ouverture-Suite in G major (Bach, Johann Bernhard) for strings and continuo |
|
| Violin Concerto in G major, GT 1.G11 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Flute Sonata in D major, SpiF 18 (Frederick II) for flute and continuo |
|
| Violin Concerto in B-flat major, GT 1.Bb04 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in B-flat major, GT 1.Bb04 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in A major, GT 1.A12 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A14 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A16 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F12 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D08 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D minor, GT 1.d02 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D17 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D27 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in E major, GT 1.E03 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
Violin Concerto in E major, GT 1.E05 (Tartini, Giuseppe) for violin, strings and continuo
flute, strings and continuo |
1700 |
Violin Concerto in E major, GT 1.E05 (Tartini, Giuseppe) for violin, strings and continuo
flute, strings and continuo |
|
| Violin Concerto in E major, GT 1.E07 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F04 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F13 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, GT 1.G07 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in G minor, GT 1.g03 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Ouverture-Suite in D major (Bach, Johann Bernhard) for strings and continuo |
|
| Prelude and Fugue in C-sharp minor, BWV 849 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in E-flat minor, BWV 853 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in C-sharp major, BWV 848 (Bach, Johann Sebastian) for keyboard |
|
| Ouverture-Suite in G minor (Bach, Johann Bernhard) for violin, strings and continuo |
|
| Ouverture-Suite in G minor (Bach, Johann Bernhard) for violin, strings and continuo |
|
| Prelude and Fugue in C minor, BWV 847 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in B-flat minor, BWV 867 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in D minor, BWV 851 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in C major, BWV 846 (Bach, Johann Sebastian) for keyboard |
|
| Violin Concerto in A minor, GT 1.a02 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A minor, GT 1.a03 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A23 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A21 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A13 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A19 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D09 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D10 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D12 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D13 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D18 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D24 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, GT 1.D28 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F07 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F08 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, GT 1.F09 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, GT 1.G06 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, GT 1.G09 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, GT 1.A09 (Tartini, Giuseppe) for violin, strings and continuo |
1700 |
| Keyboard Trio in E-flat major (Zach, Jan) for violin, viola and harpsichord |
|
| Trio Sonata in D minor (Handel, George Frideric) for 2 violins and continuo |
|
| Trio Sonata in D minor (Kirnberger, Johann Philipp) for 2 violins and continuo |
|
| Keyboard Trio in A major (Zach, Jan) for flute, violin and harpsichord |
|
| Harpsichord Concerto in G major (Müthel, Johann Gottfried) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto in B-flat major (Müthel, Johann Gottfried) for harpsichord, strings and continuo |
1700 |
| Harpsichord Concerto in C major, KomZ C26 (Zach, Jan) for harpsichord and orchestra |
|
| Oboe Concerto in A minor, S.212 (Heinichen, Johann David) for oboe, strings and continuo |
|
| Violin Concerto in E-flat major, Schrank II/18/16 (Meneghetti, Gaetano) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, Schrank II/18/17 (Meneghetti, Gaetano) for violin, strings and continuo |
|
| Overture in E minor (Miltitz, Carl Borromäus von) for orchestra |
1839 |
Wo ist ein solcher Gott wie du bist, HoWV V.32 (Homilius, Gottfried August) for 2 mixed chorus
2 sopranos, 2 altos, 2 tenors and 2 basses |
|
| Fest-Ouverture in D major (Roth, Gottlob) for orchestra |
|
| Harpsichord Concerto in F major, HoWV XI.Anh.1 (Homilius, Gottfried August) for harpsichord, strings and continuo |
1810 |
| Violin Sonata in E major (Meneghetti, Gaetano) for violin and continuo |
|
| Violin Sonata in E major (Meneghetti, Gaetano) for violin and continuo |
|
| Du rufst o Gott die Sterblichen der Erde, HoWV II.141 (Homilius, Gottfried August) for tenor, mixed chorus and orchestra |
|
| Lobet den Herren ihr seine Engel, HoWV II.166 (Homilius, Gottfried August) for soprano, bass, mixed chorus and orchestra |
|
| Arrangement of Partita in E-flat major, P 4:19 (Krommer, Franz) for oboe, violin, 2 violas and cello |
|
| Violin Sonata in C major (Meneghetti, Gaetano) for violin and continuo |
|
| 32 Chorale Preludes, HoWV VIII.2-33 (Homilius, Gottfried August) for organ |
|
| So gehst du nun mein Jesu hin, TWV 1:1744 (Telemann, Georg Philipp) for mixed chorus and orchestra |
|
| La serva bizzarra (Guglielmi, Pietro Carlo) for voices, mixed chorus and orchestra |
|
| I due gobbi (Portugal, Marcos) for voices, mixed chorus and orchestra |
|
| Manchester Sonatas (Vivaldi, Antonio) for violin and continuo |
|
| Chanson de Cordonnier, G.9 (Gerson, Georg) for voice and piano |
1823 |
| Prelude and Fugue in F minor, BWV 857 (Bach, Johann Sebastian) for keyboard |
|
| Flute Concerto in C major, GroF 668 (Stamitz, Johann) for flute, strings and continuo |
|
| Flute Concerto in C major, GUN 26 (Wendling, Johann Baptist) for flute, strings and continuo |
|
| Darum säet euch Gerechtigkeit, JLB 4 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Darum säet euch Gerechtigkeit, JLB 4 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1726 |
| Der Gottlosen Arbeit, JLB 2 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1726 |
| Gott ist unser Zuversicht, JLB 1 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1726 |
| Flute Concerto in D major, GroF 127 (Stamitz, Johann) for flute, strings and continuo |
|
| Trio in C major (Hofmann, Leopold) for violin, cello and continuo |
|
Violin Concerto in C major, RV 184 (Vivaldi, Antonio) for violin, strings and continuo
oboe, strings and continuo |
|
| Darum will ich auch erwählen, JLB 3 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich will meinen Geist, JLB 7 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ja, mir hast du Arbeit gemacht, JLB 5 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Trio in G major (Hofmann, Leopold) for flute, viola and continuo |
|
| Wie lieblich sind auf den Bergen, JLB 6 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Le retour du croisé, G.157 (Gerson, Georg) for voice, violin and piano |
1823 |
Flute Quartet in D major (Hofmann, Leopold) for flute, violin, viola and cello
flute, violin, viola and continuo |
|
Trio in A major (Hofmann, Leopold) for violin, cello and continuo
violin and 2 cellos |
|
Trio in E-flat major (Hofmann, Leopold) for viola, cello and continuo
viola and 2 cellos |
|
| L’Innocente, G.156 (Gerson, Georg) for voice and piano |
|
| L’Innocente, G.156 (Gerson, Georg) for voice and piano |
|
| Violin Concerto in B-flat major, Schrank II/33/93 (Anonymous) for violin, strings and continuo |
|
Duo in F major (Geminiani, Francesco) for 2 sopranos
2 recorders
2 flutes
2 violins |
|
| Violin Solo in C major (Geminiani, Francesco) for violin |
|
Sinfonia in G major, RV 149 (Vivaldi, Antonio) for strings and continuo
2 violins, viola and continuo |
1740 |
Sinfonia in G major, RV 149 (Vivaldi, Antonio) for strings and continuo
2 violins, viola and continuo |
1740 |
| Violin Concerto in A major, RV 349 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in A major, RV 349 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, RV 369 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Concerto in C major, RV 558 (Vivaldi, Antonio) for orchestra |
|
| Merope, GraunWV B:I:32 (Graun, Karl Heinrich) for voices and orchestra |
|
| Merope, GraunWV B:I:32 (Graun, Karl Heinrich) for voices and orchestra |
|
| Violin Concerto in C major (Höckh, Carl) for violin, strings and continuo |
|
| Horn Concerto in E-flat major, M.C49 (Rosetti, Antonio) for horn and orchestra |
1779 |
| Violin Sonata in G major, L3.84 (Höckh, Carl) for violin and continuo |
|
| Violin Sonata in A major, L3.110 (Höckh, Carl) for violin and continuo |
|
| Violin Concerto No. 10 in D minor (Kreutzer, Rodolphe) for violin and orchestra |
1817 |
| Concerto in D major, QV 6:Anh.1 (Quantz, Johann Joachim) for orchestra |
|
| Concerto in G major, QV 6:6 (Quantz, Johann Joachim) for orchestra |
|
Duo for Cello and Piano, Op. 11 (Kalkbrenner, Friedrich Wilhelm) for cello and piano
viola and piano
flute and piano |
|
| Ifigenia in Tauride (Traetta, Tommaso) for voices, mixed chorus and orchestra |
|
| Incomplete from Ifigenia in Tauride (Traetta, Tommaso) for voices, mixed chorus and orchestra |
|
| Incomplete from Ifigenia in Tauride (Traetta, Tommaso) for voices, mixed chorus and orchestra |
|
| Romance de Hortense à Napoléon, G.169 (Gerson, Georg) for voice and piano |
1823 |
| L’Amour et les Graces, G.166 (Gerson, Georg) for voice and piano |
1823 |
| L’Amour et les Graces, G.166 (Gerson, Georg) for voice and piano |
|
| Conzertstück in E-flat major, Op. 49 (Baermann, Carl) for clarinet and orchestra |
|
| Ni jamais, ni toujours, G.185 (Gerson, Georg) for voice and piano |
1823 |
| Ni jamais, ni toujours, G.185 (Gerson, Georg) for voice and piano |
|
6 Cello Sonatas, Op. 28 (Bréval, Jean-Baptiste) for cello and bass
2 cellos |
|
| Psalm 149, Op. 79 (Dvořák, Antonín) for mixed chorus and orchestra |
|
| Miserere in G major, S.682 (Marcello, Benedetto) for 2 tenors, bass and continuo |
|
| Harpsichord Sonata in G major (Marcello, Benedetto) for harpsichord |
|
| O d'un sasso umido figlio, S.222 (Marcello, Benedetto) for soprano and continuo |
|
| O d'un sasso umido figlio, S.222 (Marcello, Benedetto) for soprano and continuo |
|
| Legato da un bel crin, S.174 (Marcello, Benedetto) for soprano and continuo |
|
| Mie pecorelle l'erbe novelle, S.188 (Marcello, Benedetto) for soprano and continuo |
|
| Scherzo for Horn Quintet (Schissel, Eric) for horn, 2 violins, viola and cello |
1999 |
Pecorelle che pascete, S.248 (Marcello, Benedetto) for soprano and continuo
soprano, flute and continuo |
|
Pecorelle che pascete, S.248 (Marcello, Benedetto) for soprano and continuo
soprano, flute and continuo |
|
Pecorelle che pascete, S.248 (Marcello, Benedetto) for soprano and continuo
soprano, flute and continuo |
|
Pecorelle che pascete, S.248 (Marcello, Benedetto) for soprano and continuo
soprano, flute and continuo |
|
Pecorelle che pascete, S.248 (Marcello, Benedetto) for soprano and continuo
soprano, flute and continuo |
|
| Amor d'intorno mi sta scherzando, S.26 (Marcello, Benedetto) for soprano and continuo |
|
| Harpsichord Sonata in B-flat major, S.741 (Marcello, Benedetto) for harpsichord |
|
| Lontan dall'idol mio in F major, S.437 (Marcello, Benedetto) for 2 altos and continuo |
|
| Piano Quartet No. 2, Op. 203 (Taubert, Wilhelm) for violin, viola, cello and piano |
|
| Altro non bramo, S.20 (Marcello, Benedetto) for alto, strings and continuo |
|
| Flute Concerto in E minor, RV 431 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Teuzzone, RV 736 (Vivaldi, Antonio) for 8 voices and orchestra |
1719 |
| Teuzzone, RV 736 (Vivaldi, Antonio) for 8 voices and orchestra |
|
| Sinfonia from Teuzzone, RV 736 (Vivaldi, Antonio) for 8 voices and orchestra |
|
| Clarinet Concerto No. 2, Op. 5 (Crusell, Bernhard Henrik) for clarinet and orchestra |
|
| Harpsichord Sonata in D major, SF 717a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in D major, SF 717a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in D minor, S.720 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in D minor, S.720 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in G major, S.731 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in G major, S.731 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in G minor, S.736a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in G minor, S.736a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in C minor, S.712a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in C minor, S.712a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in C major, S.704 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in C major, S.704 (Marcello, Benedetto) for harpsichord |
|
| Bevo dai tuoi lumi, S.393 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Deh quando afflitti lumi, S.413 (Marcello, Benedetto) for soprano, bass and continuo |
|
| Giù ne' tartarei regni, S.423 (Marcello, Benedetto) for tenor, bass and continuo |
|
| Harpsichord Sonata in A major, S.739a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in A major, S.739a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in A minor, S.740 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in A minor, S.740 (Marcello, Benedetto) for harpsichord |
|
| Lontananza per me troppo acerba, S.438 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Tacete amanti addormentato, S.467 (Marcello, Benedetto) for soprano, bass and continuo |
|
| Per saettarmi non ha più strali, S.444 (Marcello, Benedetto) for 2 altos and continuo |
|
| Porto lungi le piante, SF 450 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Spiegasti troppo alto, S.466 (Marcello, Benedetto) for soprano, tenor and continuo |
|
| Romance, G.193 (Gerson, Georg) for voice and piano |
1823 |
| Romance, G.193 (Gerson, Georg) for voice and piano |
|
| L’attente, G.191 (Gerson, Georg) for voice and piano |
1823 |
| L’attente, G.191 (Gerson, Georg) for voice and piano |
|
| Harpsichord Sonata in F major, S.724a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in F major, S.724a (Marcello, Benedetto) for harpsichord |
|
| Violin Concerto in D major, SF 784 (Marcello, Benedetto) for violin, strings and continuo |
|
| La Femme, G.195 (Gerson, Georg) for voice and piano |
1823 |
| Le Plaisir des Larmes, WoO 6 (Gerson, Georg) for soprano, tenor and bass |
1824 |
| Concerto for 2 Violins in F major, S.797 (Marcello, Benedetto) for 2 violins, strings and continuo |
|
| Il giudizio di Paride, GraunWV B:I:26 (Graun, Karl Heinrich) for 6 voices, mixed chorus and orchestra |
|
| Flute Sonata in D major, GraunWV Cv:XVII:75 (Graun, Karl Heinrich) for flute and continuo |
|
| Pour toi, WoO 7 (Gerson, Georg) for voice and piano |
1824 |
| Pour toi, WoO 7 (Gerson, Georg) for voice and piano |
|
| Akademische Festouvertüre, Op. 63 (Draeseke, Felix) for orchestra |
|
| Flute Sonata in D major, DelK Deest (Kleinknecht, Jakob Friedrich) for flute and continuo |
|
| Flute Sonata in D major, DelK 03.2.22a (Kleinknecht, Jakob Friedrich) for flute and continuo |
|
| Messe de Requiem (Campra, André) for voices, strings and continuo |
|
| Violin Concerto in C major, GraS 296.1 (Stamitz, Johann) for violin, strings and continuo |
|
| Je n’ose pas vous le dire, WoO 12 (Gerson, Georg) for voice and piano |
1824 |
| Un peu de tout, WoO 14 (Gerson, Georg) for voice and piano |
1824 |
| Un peu de tout, WoO 14 (Gerson, Georg) for voice and piano |
|
| Salve Regina in B minor (Brunetti, Giovan Gualberto) for soprano, alto, tenor, bass, 2 violins and continuo |
|
| Kyrie in C major (Porta, Giovanni) for soprano, alto, tenor, bass, strings and continuo |
|
| La scelta dello sposo (Guglielmi, Pietro Carlo) for voices and orchestra |
|
| Cello Concerto in D major, G.478 (Boccherini, Luigi) for cello and orchestra |
|
| Fremunt venti (Sala, Carlo) for alto and orchestra |
|
| Doktor Fausts Mantel (Müller, Wenzel) for voices and orchestra |
|
| L'incanto superato, SmWV 210 (Süssmayr, Franz Xaver) for voices, mixed chorus and orchestra |
|
| Tu n'es pas lui, WoO 15 (Gerson, Georg) for voice and piano |
1824 |
| Tu n'es pas lui, WoO 15 (Gerson, Georg) for voice and piano |
|
| Trio Sonata in C major, RV 82 (Vivaldi, Antonio) for lute, violin and continuo |
1700 |
| 20 Trios (Enderle, Wilhelm Gottfried) for 2 flutes and continuo |
|
| Harmonische Belehrungen (Richter, Franz Xaver) for |
1784 |
| È pur dolce è pur soave, S.415 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Lumi dolenti, tempo è di piangere, S.180 (Marcello, Benedetto) for alto and continuo |
|
| Lumi dolenti, tempo è di piangere, S.180 (Marcello, Benedetto) for alto and continuo |
|
| A voi donna volando, S.380 (Marcello, Benedetto) for continuo and 2 sopranos |
|
6 Flute Sonatas (Dôthel, Niccolò) for flute and continuo
flute and bass |
|
| Ahi che in sentirlo io moro, S.384a (Marcello, Benedetto) for soprano, tenor and continuo |
|
| Ahi che in sentirlo io moro, S.384a (Marcello, Benedetto) for soprano, tenor and continuo |
|
| Ahi che in sentirlo io moro, S.384a (Marcello, Benedetto) for soprano, tenor and continuo |
|
| Ahi che posar non puote, G.4.2/1 (Stradella, Alessandro) for soprano, bass and continuo |
|
| D'un'infelice pietà vi muova, S.477 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Felice chi vi mira, S.420a (Marcello, Benedetto) for 2 altos and continuo |
|
| La dolcissima speranza, G.4.2/7 (Stradella, Alessandro) for soprano, bass and continuo |
|
| Ouverture in A major, TWV 32:16 (Telemann, Georg Philipp) for harpsichord |
|
| Placido e chiaro rio, SF 449 (Marcello, Benedetto) for continuo and 2 sopranos |
|
| Porto negl'occhi un mare, SF 451 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Se non volete la morte mia, SF 464 (Marcello, Benedetto) for continuo and 2 sopranos |
|
| Un guardo solo, S.472 (Marcello, Benedetto) for soprano, tenor and continuo |
|
| Hélas!, WoO 16 (Gerson, Georg) for voice and piano |
1824 |
| Hélas!, WoO 16 (Gerson, Georg) for voice and piano |
|
| 11 Violin Sonatas and Chaconne, Op. 8 (Marino, Carlo Antonio) for violin and continuo |
|
| In quel sol che trabocca nell'onde, S.429 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Che volete di più care pupille, S.401 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Io sempre t'amerò, S.617 (Marcello, Benedetto) for alto, tenor, bass and continuo |
|
| Della terra e di quanto in sè contiene, S.623 (Marcello, Benedetto) for alto, tenor, bass and continuo |
|
| Or che condannami falsa calunnia, S.625 (Marcello, Benedetto) for alto, tenor, bass and continuo |
|
| O prole nobile di magni principi, S.628 (Marcello, Benedetto) for alto, tenor, bass and continuo |
|
| Il Signor s'è la mia luce, S.626 (Marcello, Benedetto) for soprano, tenor, bass and continuo |
|
| Raddoppiate o cari sguardi, SF 460 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Rifiuta l'armi il cor le straggi abborre, S.462 (Marcello, Benedetto) for alto, bass and continuo |
|
| Quanto di spirto abbiam nel petto accolto, S.609 (Marcello, Benedetto) for alto, tenor, bass and continuo |
|
| J’étais bien jeune encore, WoO 18 (Gerson, Georg) for voice and piano |
1824 |
| J’étais bien jeune encore, WoO 18 (Gerson, Georg) for voice and piano |
|
| L'amour en sentinelle, WoO 17 (Gerson, Georg) for voice and piano |
1824 |
| Prelude and Fugue in F-sharp major, BWV 858 (Bach, Johann Sebastian) for keyboard |
|
| Pumpernickels Hochzeitstag (Seyfried, Ignaz) for voices and orchestra |
|
| Trajano (Mancini, Francesco) for voices, mixed chorus and orchestra |
|
| La fede tradita e vendicata (Gasparini, Francesco) for 7 voices and orchestra |
|
| Lucio Vero (Sarro, Domenico Natale) for voices, mixed chorus, strings and continuo |
1722 |
| Zelo animato, ovvero Il gran profeta Elia (Mancini, Francesco) for mixed chorus and orchestra |
|
| Alessandro il grande in Sidone (Mancini, Francesco) for voices and orchestra |
|
| Solimano (Naumann, Johann Gottlieb) for 6 voices and orchestra |
|
| Solimano (Naumann, Johann Gottlieb) for 6 voices and orchestra |
|
| Il Vespasiano (Sarro, Domenico Natale) for 9 voices and orchestra |
|
| Le gare generose tra Cesare e Pompeo (Sarro, Domenico Natale) for 9 voices and orchestra |
|
| Partenope (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Partenope (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Arsace (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Arsace (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Achille in Sciro (Sarro, Domenico Natale) for voices, mixed chorus and orchestra |
|
| Berenice (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Artemisia (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Quanto mai saria più bello (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| Complete (1730 version) from Didone abbandonata (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Selections (1724 version) from Didone abbandonata (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Selections (1724 version) from Didone abbandonata (Sarro, Domenico Natale) for 6 voices and orchestra |
|
| Flute Concerto in D major (Cannabich, Christian) for flute and orchestra |
|
| Theme and Variations, Op. 43 (Schoenberg, Arnold) for wind ensemble, brass ensemble and percussion |
1943 |
| Violin Sonata in D minor (Cattaneo, Francesco Maria) for violin and continuo |
|
| Violin Sonata in E major (Cattaneo, Francesco Maria) for violin and continuo |
|
| Tito Sempronio Gracco (Sarro, Domenico Natale) for 7 voices and orchestra |
|
| Violin Sonata in D major (Cattaneo, Francesco Maria) for violin and continuo |
|
| Prelude and Fugue in G major, BWV 860 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in G-sharp minor, BWV 863 (Bach, Johann Sebastian) for keyboard |
|
| Gli equivoci in amore (Scarlatti, Alessandro) for voices and orchestra |
|
| Non han core from Gli equivoci in amore (Scarlatti, Alessandro) for voices and orchestra |
|
Regole musicali per i principianti di cembalo (Fenaroli, Fedele) for harpsichord
keyboard
continuo |
|
| Gli sposi malcontenti (Storace, Stephen) for voices, mixed chorus and orchestra |
|
| Gli sposi malcontenti (Storace, Stephen) for voices, mixed chorus and orchestra |
|
| 12 Trios (Besozzi, Alessandro) for 2 flutes and continuo |
|
| Symphony in B-flat major, WK 1 (Abel, Carl Friedrich) for orchestra |
|
| Symphony in E-flat major, WK 4 (Abel, Carl Friedrich) for orchestra |
|
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni (Guaynard, Stephani) for 4 voices
mixed chorus |
|
| 6 Flute Concertos, WK 46-51 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Symphony in G major, WK 6 (Abel, Carl Friedrich) for orchestra |
|
| Il trionfo della fedeltà (Walpurgis, Maria Antonia) for voices, mixed chorus and orchestra |
|
| Il trionfo della fedeltà (Walpurgis, Maria Antonia) for voices, mixed chorus and orchestra |
|
| Chamber Concerto in D major, RV 90 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
|
| Am Abend (Rauchenecker, Georg Wilhelm) for mixed chorus |
|
| Violin Sonata in B-flat major, Schrank II/34/10 (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, Schrank II/34/19 (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, Schrank II/34/26 (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, Schrank II/34/106 (Anonymous) for violin and continuo |
|
| Violin Sonata in B-flat major, Schrank II/34/23 (Anonymous) for violin and continuo |
|
| Violin Sonata in B-flat major, Schrank II/34/101 (Anonymous) for violin and continuo |
|
| Violin Sonata in D major, Schrank II/34/75 (Anonymous) for violin and continuo |
|
| Violin Sonata in D major, Schrank II/34/74 (Anonymous) for violin and continuo |
|
| Violin Sonata in D major, Schrank II/34/20 (Anonymous) for violin and continuo |
|
| Violin Sonata in B minor, Schrank II/34/35 (Anonymous) for violin and continuo |
|
| Violin Sonata in G minor, Schrank II/34/66 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/32 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/71 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/107 (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Schrank II/34/22 (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Schrank II/34/22 (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Schrank II/34/55 (Anonymous) for violin and continuo |
|
| Harpsichord Sonata in D major, Schrank II/34/113 (Anonymous) for harpsichord |
|
| Violin Sonata in A major, Schrank II/34/78 (Anonymous) for violin and continuo |
|
| Violin Sonata in A minor, Schrank II/34/5 (Anonymous) for violin and continuo |
|
| Violin Sonata in B-flat major, Schrank II/34/47 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/38 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/37 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/37 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/117 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/33 (Anonymous) for violin and continuo |
|
| Violin Sonata in C major, Schrank II/34/79 (Anonymous) for violin and continuo |
|
| Violin Sonata in E minor, Schrank II/34/80 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/30 (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, Schrank II/34/82 (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Schrank II/34/81 (Anonymous) for violin and continuo |
|
| Violin Sonata in E minor, Schrank II/34/85 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/27 (Anonymous) for violin and continuo |
|
| Concerto for Strings in C minor, RV 120 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in D minor, RV 128 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in D minor, RV 129 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in D major, RV 126 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C minor, RV 118 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in D minor, RV 127 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C minor, RV 119 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Chamber Concerto in A minor, RV 108 (Vivaldi, Antonio) for recorder, 2 violins and continuo |
1700 |
Chamber Concerto in G minor, RV 104 (Vivaldi, Antonio) for flute, bassoon, 2 violins and continuo
bassoon, 3 violins and continuo |
1700 |
| Chamber Concerto in F major, RV 100 (Vivaldi, Antonio) for flute, bassoon, violin and continuo |
1700 |
| Chamber Concerto in G minor, RV 105 (Vivaldi, Antonio) for recorder, oboe, bassoon, violin and continuo |
1700 |
| Chamber Concerto in G major, RV 101 (Vivaldi, Antonio) for recorder, oboe, bassoon, violin and continuo |
|
| Chamber Concerto in G minor, RV 106 (Vivaldi, Antonio) for flute, bassoon, violin and continuo |
1700 |
| Chamber Concerto in F major, RV 99 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
|
| Concerto for Strings in D major, RV 123 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C major, RV 115 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C major, RV 117 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C major, RV 109 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in C major, RV 110 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Chamber Concerto in C major, RV 87 (Vivaldi, Antonio) for recorder, oboe, 2 violins and continuo |
1700 |
| Oboe Concerto in C major, RV 451 (Vivaldi, Antonio) for oboe, strings and continuo |
1700 |
| Chamber Concerto in C major, RV 88 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
1700 |
| Chamber Concerto in D major, RV 91 (Vivaldi, Antonio) for flute, bassoon, violin and continuo |
1700 |
Chamber Concerto in D major, RV 92 (Vivaldi, Antonio) for flute, bassoon and violin
flute, violin and cello
recorder, bassoon and violin
recorder, violin and cello |
1700 |
| Violin Sonata in A major, Schrank II/34/50 (Anonymous) for violin and continuo |
|
| Chamber Concerto in D major, RV 94 (Vivaldi, Antonio) for recorder, oboe, bassoon, violin and continuo |
1700 |
| Violin Sonata in G minor, Schrank II/34/62 (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Schrank II/34/7 (Anonymous) for violin and continuo |
|
| Violin Sonata in D major (Alberti, Giuseppe Matteo) for violin and continuo |
|
| Violin Concerto in G major, Tes24 (Tessarini, Carlo) for violin, strings and continuo |
|
| Sinfonia in B-flat major, TalA 38 (Alberti, Giuseppe Matteo) for strings and continuo |
|
| Violin Sonata in D major, Schrank II/34/52 (Anonymous) for violin and continuo |
|
| Violin Sonata in C minor, TalB SV15 (Bitti, Martino) for violin and continuo |
|
| Violin Sonata in E-flat major, Schrank II/34/4 (Anonymous) for violin and continuo |
|
| Violin Sonata in G minor, Schrank II/34/57 (Anonymous) for violin and continuo |
|
| Trio Sonata in F minor (Orschler, Johann Georg) for 2 violins and continuo |
|
Sonata in G major, Schrank II/37/38 (Anonymous) for 2 violins and continuo
2 oboes and continuo |
|
| 3 Violin Concertos (Tessarini, Carlo) for violin, strings and continuo |
|
| Violin Sonata in A major, TalB SV14 (Bitti, Martino) for violin and continuo |
|
| Trio Sonata in A major (Frey, Johann) for flute, violin and continuo |
|
| Trio Sonata in F minor (2) (Orschler, Johann Georg) for 2 violins and continuo |
|
| Violin Concerto in D major, Schrank II/1/32 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Violin Sonata in A major, Schrank II/34/118 (Anonymous) for violin and continuo |
|
| Violin Sonata in A minor, Schrank II/34/16 (Anonymous) for violin and continuo |
|
| Violin Sonata in B-flat major, Schrank II/34/48 (Anonymous) for violin and continuo |
|
| Violin Sonata in G minor, Schrank II/34/15 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/93 (Anonymous) for violin and continuo |
|
| Violin Sonata in F minor, Schrank II/34/14 (Anonymous) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/92 (Anonymous) for violin and continuo |
|
| Quadro Sonata in A minor, Schrank II/33/31 (Anonymous) for flute, violin, cello and continuo |
|
| Quadro Sonata in D major, Schrank II/33/104 (Anonymous) for flute, violin, cello and continuo |
|
| Quadro Sonata in D major, Schrank II/33/116 (Anonymous) for flute, violin, cello and continuo |
|
| Quadro Sonata in G major, Schrank II/33/8 (Anonymous) for flute, violin, cello and continuo |
|
| Quadro Sonata in G minor, Schrank II/33/7 (Anonymous) for flute, violin, cello and continuo |
|
| Violin Sonata in D major, Schrank II/34/18 (Anonymous) for violin and continuo |
|
| Violin Sonata in D major, Schrank II/34/112 (Anonymous) for violin and continuo |
|
| Violin Sonata in D minor, Schrank II/34/17 (Anonymous) for violin and continuo |
|
| Quadro Sonata in B-flat major, Schrank II/33/13 (Anonymous) for flute, violin, cello and continuo |
|
| Quadro Sonata in D major, Schrank II/33/10 (Anonymous) for flute, violin, cello and continuo |
|
| Violin Sonata in D major, Schrank II/34/44 (Anonymous) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/64 (Anonymous) for violin and continuo |
|
| Violin Sonata in E-flat major, Schrank II/34/95 (Anonymous) for violin |
|
| Sonata in F major, Schrank II/38/36 (Anonymous) for 2 violins and orchestra |
|
| Concerto/Sinfonia for Strings in E minor, RV 134 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Sinfonia in E major, RV 131 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in F major, RV 141 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in F major, RV 142 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G major, RV 145 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 152 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 155 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in B-flat major, RV 164 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in F major, RV 136 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in A major, RV 160 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in B-flat major, RV 166 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 157 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Oboe Concerto in F major, RV 457 (Vivaldi, Antonio) for oboe, strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 156 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 153 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G minor, RV 153 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in A minor, RV 161 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in F major, RV 138 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in F minor, RV 143 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in G major, RV 150 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for Strings in B-flat major, RV 163 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Oboe Concerto in D major, RV 453 (Vivaldi, Antonio) for oboe, strings and continuo |
1700 |
| Concerto for Strings in B-flat major, RV 167 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Concerto for 2 Violins in C major, RV 505 (Vivaldi, Antonio) for 2 violins, strings and continuo |
1700 |
| Bassoon Concerto in B-flat major, RV 501 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Bassoon Concerto in B-flat major, RV 501 (Vivaldi, Antonio) for bassoon, strings and continuo |
1720 |
| Recorder Concerto in F major, RV 442 (Vivaldi, Antonio) for recorder, strings and continuo |
1700 |
| Sonata No.5 in E flat major from 6 Trio Sonatas, Set 1 (Lampugnani, Giovanni Battista) for 2 violins and continuo |
|
| Son cosi geloso, WM 170 (Mancini, Francesco) for soprano and continuo |
|
| Quando la notte impera, WM 174 (Mancini, Francesco) for soprano and continuo |
|
| Tormentata da cruda lontananza, WM 186 (Mancini, Francesco) for soprano and continuo |
|
| L'Epaminonda (Torri, Pietro) for voices, mixed chorus and orchestra |
|
| Catone in Utica (Torri, Pietro) for voices, strings and continuo |
|
| Catone in Utica (Torri, Pietro) for voices, strings and continuo |
|
| Merope (Torri, Pietro) for voices, mixed chorus and orchestra |
|
| Fetonte (Torri, Pietro) for voices and orchestra |
1689 |
| Astianatte (Torri, Pietro) for voices, mixed chorus and orchestra |
|
| Adelaide (Torri, Pietro) for voices, mixed chorus and orchestra |
1722 |
| Torneo (Torri, Pietro) for voices, mixed chorus and orchestra |
1702 |
| Gli Dei festeggianti (Torri, Pietro) for 5 voices and orchestra |
1721 |
| Enone (Torri, Pietro) for voices and orchestra |
1705 |
| Per l'anniversario della nascità (Torri, Pietro) for voices, mixed chorus and orchestra |
1721 |
| Gli oracoli di Pallade e di Nemesi (Torri, Pietro) for 5 voices and orchestra |
1690 |
| Solitudini care voi consolate il core (Mancini, Francesco) for soprano and continuo |
|
| Ippolito (Torri, Pietro) for voices and orchestra |
1731 |
| Griselda (Torri, Pietro) for 6 voices, strings and continuo |
|
| Giunto del mio morire, WM 95 (Mancini, Francesco) for soprano and continuo |
|
| Ecco a voi cari sassi, WM 79 (Mancini, Francesco) for soprano and continuo |
|
| Ecco a voi cari sassi, WM 79 (Mancini, Francesco) for soprano and continuo |
|
| Nel fatale momento, WM 119 (Mancini, Francesco) for soprano and continuo |
|
| Esamina mio core, WM 81 (Mancini, Francesco) for soprano and continuo |
|
| Esamina mio core, WM 81 (Mancini, Francesco) for soprano and continuo |
|
| Esamina mio core, WM 81 (Mancini, Francesco) for soprano and continuo |
|
| Il Gedeone (Porpora, Nicola Antonio) for voices, mixed chorus and orchestra |
1700 |
| Venceslao (Torri, Pietro) for 9 voices and orchestra |
1725 |
| Edippo (Torri, Pietro) for voices and orchestra |
1729 |
| Symphony No.2 in B flat major from 12 Symphonies, Op. 3 (Camerloher, Placidus von) for strings and continuo |
|
| Symphony No.5 in C major from 12 Symphonies, Op. 3 (Camerloher, Placidus von) for strings and continuo |
|
| Abramo (Torri, Pietro) for 2 sopranos, alto, tenor, mixed chorus and strings |
|
| Abramo (Torri, Pietro) for 2 sopranos, alto, tenor, mixed chorus and strings |
1731 |
| Gelosia che dell'alme toglie la cara pace, WM 89 (Mancini, Francesco) for soprano and continuo |
|
| Pirro e Demetrio (Torri, Pietro) for voices, mixed chorus, strings and continuo |
|
| Act I: Sinfonia from Arrangement of Act I: Sinfonia from Pirro e Demetrio (Torri, Pietro) for keyboard |
|
| Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for voice and piano |
1823 |
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for orchestra |
1823 |
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for wind band |
|
| Arrangement of Dansk National Sang af Juliane Marie Jessen, G.158 (Gerson, Georg) for male chorus |
|
| Sea-Drift (Delius, Frederick) for baritone, mixed chorus and orchestra |
|
| String Quartet No. 2 (Hartmann, Karl Amadeus) for 2 violins, viola and cello |
1949 |
| Symphony No.4 in C major from 12 Symphonies, Op. 4 (Camerloher, Placidus von) for strings and continuo |
|
| Symphony No.4 in C major from 12 Symphonies, Op. 4 (Camerloher, Placidus von) for strings and continuo |
|
| Symphony No.4 in C major from 12 Symphonies, Op. 4 (Camerloher, Placidus von) for strings and continuo |
|
| Lasciami solo in pene, WM 105 (Mancini, Francesco) for soprano and continuo |
|
| Lasciami solo in pene, WM 105 (Mancini, Francesco) for soprano and continuo |
|
| Poro (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Poro (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| E qual pieta' crudele, WM 74 (Mancini, Francesco) for soprano and continuo |
|
| Quanto piace agl'occhi miei, H.602 (Scarlatti, Alessandro) for soprano and continuo |
|
| Deh volate all'idol mio, S.86 (Marcello, Benedetto) for soprano and continuo |
|
| Sonata for 2 Violins in C major (Barbella, Emanuele) for 2 violins |
|
| Fille tu parti oh Dio (Vinci, Leonardo) for soprano and continuo |
|
| Parto ma con qual core (Vinci, Leonardo) for soprano and continuo |
|
| Partenope (Mancia, Luigi) for voices, mixed chorus and orchestra |
|
| Veggo il ciel turbato e nero (Araja, Francesco) for soprano and continuo |
|
| Dalsigre ahi mia Dalsigre, P.114 (Pergolesi, Giovanni Battista) for soprano and continuo |
|
| Dalsigre ahi mia Dalsigre, P.114 (Pergolesi, Giovanni Battista) for soprano and continuo |
|
| Rendimi, oh bella Irene (Leo, Leonardo) for soprano and continuo |
|
Dorme la rosa, WM 66 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Dorme la rosa, WM 66 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Dorme la rosa, WM 66 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
| O pace del mio cor, H.48 (Hasse, Johann Adolph) for soprano and continuo |
|
| Se a languir ti condanna, WM 157 (Mancini, Francesco) for soprano and continuo |
|
| In questo core più va crescendo, L.93 (Astorga, Emanuele) for soprano and continuo |
|
| Amor crudele Amore, S.7 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Amor crudele Amore, S.7 (Porpora, Nicola Antonio) for soprano and continuo |
|
| L'incoronazione di Dario, Z.10 (Freschi, Domenico) for voices, mixed chorus and orchestra |
|
| Adriano in Siria (Bernasconi, Andrea) for voices and orchestra |
|
| Adriano in Siria (Bernasconi, Andrea) for voices and orchestra |
|
| Adriano in Siria (Bernasconi, Andrea) for voices and orchestra |
|
| Adriano in Siria (Conforto, Nicola) for 6 voices and orchestra |
|
| Adriano in Siria (Conforto, Nicola) for 6 voices and orchestra |
|
| Ezio (Conforto, Nicola) for 6 voices and orchestra |
|
| Ezio (Conforto, Nicola) for 6 voices and orchestra |
1754 |
| Ezio (Conforto, Nicola) for 6 voices and orchestra |
|
| Radamisto, PR.18 (Legrenzi, Giovanni) for voices, strings and continuo |
|
| Ave Maria (Braun S.V.D., George) for soprano, alto, violin and organ |
|
| Original version (5 voices) from Magnificat in B-flat major (Durante, Francesco) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Qui dove alfin m’assido, H.618 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui dove alfin m’assido, H.618 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui dove alfin m’assido, H.618 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui dove alfin m’assido, H.618 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mentre in grembo al riposo, WM 114 (Mancini, Francesco) for soprano and continuo |
|
| Mentre in grembo al riposo, WM 114 (Mancini, Francesco) for soprano and continuo |
|
Sinfonia in D major, Schrank II/19/1 (Porta, Giovanni) for strings and continuo
orchestra |
|
| Sinfonia in B-flat major, Schrank II/19/3 (Porta, Giovanni) for oboe, strings and continuo |
|
Sinfonia in D major, Schrank II/19/4 (Porta, Giovanni) for trumpet, strings and continuo
orchestra |
|
| Sinfonia in D major, Schrank II/19/2 (Porta, Giovanni) for orchestra |
|
| Incomplete from Violin Concerto in C major, RV 183 (Vivaldi, Antonio) for violin, strings and continuo |
1728 |
| Concerto for 2 Violins in A minor, RV 523 (Vivaldi, Antonio) for 2 violins, strings and continuo |
1700 |
| Violin Concerto in E major, RV 271 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in E major, RV 271 (Vivaldi, Antonio) for violin, strings and continuo |
1728 |
| Violin Concerto in F major, RV 286 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Io sperai del porto in seno (Broschi, Carlo) for soprano and orchestra |
|
| Nitocri, regina d'Egitto (Giacomelli, Geminiano) for |
|
| Il natal di Giove (Broschi, Carlo) for |
|
| Adriano in Siria (Giacomelli, Geminiano) for 6 voices, mixed chorus and orchestra |
|
| Adriano in Siria (Giacomelli, Geminiano) for 6 voices, mixed chorus and orchestra |
|
| Sabrina (Various) for 2 sopranos and strings |
|
| Il martirio di Santa Caterina (Caldara, Antonio) for 5 voices and orchestra |
|
| La morte d'Abel (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| La morte d'Abel (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Lucio Papirio dittatore (Giacomelli, Geminiano) for 6 voices, mixed chorus and orchestra |
|
| Lucio Papirio dittatore (Giacomelli, Geminiano) for 6 voices, mixed chorus and orchestra |
|
| Violin Concerto in E minor, RV 277 (Vivaldi, Antonio) for violin, strings and continuo |
1728 |
| Il nascimento dell’Aurora (Albinoni, Tomaso) for voices, mixed chorus, strings and continuo |
|
| Ogni di più molesto dunque Tirsi ti fai (Broschi, Carlo) for soprano, strings and continuo |
|
| La Statira, T.201 (Albinoni, Tomaso) for 7 voices and orchestra |
|
| Non in aequore turbato (Manna, Gennaro) for soprano and orchestra |
1700 |
| Violin Concerto in B minor, RV 387 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Cara qual'or mi giri, WM 26 (Mancini, Francesco) for soprano and continuo |
|
| L'amante muto loquace, Z.11 (Freschi, Domenico) for |
|
| Berenice vendicativa, Z.6 (Freschi, Domenico) for voices, mixed chorus, strings and continuo |
|
| Ermelinda, Z.12 (Freschi, Domenico) for voices, strings and continuo |
|
| Helena rapita da Paride, Z.2 (Freschi, Domenico) for voices, mixed chorus and orchestra |
|
| Olimpia vendicata, Z.9 (Freschi, Domenico) for voices and orchestra |
|
| Pompeo Magno in Cilicia, Z.7 (Freschi, Domenico) for voices, mixed chorus and orchestra |
|
| Sardanapalo, Z.5 (Freschi, Domenico) for voices, mixed chorus and orchestra |
|
| Tullia superba, Z.3 (Freschi, Domenico) for voices, mixed chorus and orchestra |
|
| Amo infelice e pur amando (Mancini, Francesco) for soprano and continuo |
|
| La fille mal gardée (Hérold, Ferdinand) for orchestra |
1827 |
| Symphony No. 37 in G major, K.444/425a (Mozart, Wolfgang Amadeus) for orchestra |
|
| Mottetto a voce sola per la Resurrezione (Anonymous) for alto and continuo |
|
| Xerse (Bononcini, Giovanni) for voices, mixed chorus and orchestra |
|
| Ariodante (Pollarolo, Carlo Francesco) for 6 voices and orchestra |
|
| Concerto for 2 Harpsichords in D major (Schuster, Joseph) for 2 harpsichords and orchestra |
|
| Concerto for 2 Harpsichords in D major (Schuster, Joseph) for 2 harpsichords and orchestra |
|
| Concerto for 2 Harpsichords in D major (Schuster, Joseph) for 2 harpsichords and orchestra |
|
| Arrangement of Concerto for 2 Harpsichords in D major (Schuster, Joseph) for 2 harpsichords |
|
Trio Sonata in G major (Pepusch, John Christopher) for recorder, bassoon and violin
recorder, violin and continuo |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| L'Olimpiade (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Violin Sonata in E major (Pepusch, John Christopher) for violin and continuo |
|
| Concerto Grosso in D major (Pepusch, John Christopher) for 2 violins, strings and continuo |
|
| Trio Sonata in D major (Pepusch, John Christopher) for flute, violin and continuo |
|
| Messa di Gloria (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Ho mille smanie in petto (Tozzi, Antonio) for |
|
| Credo a due tenori e basso con strumenti (Rossini, Gioacchino) for |
|
| Duetto della Semiramide, G.19 (Gerson, Georg) for soprano, tenor, 2 violins, viola and cello |
|
| Arrangement of Duetto della Semiramide, G.19 (Gerson, Georg) for soprano, tenor and piano |
|
Bauyn Manuscript, F-Pn Rés. Vm7 674-675 (Various) for harpsichord
organ |
|
| Confitebor tibi Domine, P.66 (Pergolesi, Giovanni Battista) for soprano, alto, mixed chorus and orchestra |
|
| Confitebor tibi Domine, P.66 (Pergolesi, Giovanni Battista) for soprano, alto, mixed chorus and orchestra |
|
3 Trio Sonatas (Pepusch, John Christopher) for flute, violin and continuo
recorder, oboe and continuo |
|
| Concerto Grosso in E minor, H.78 (Geminiani, Francesco) for strings and continuo |
|
| Concerto Grosso in D minor, H.76 (Geminiani, Francesco) for strings and continuo |
|
| Concerto Grosso in B-flat major, H.77 (Geminiani, Francesco) for strings and continuo |
|
| Concerto Grosso in E minor, H.75 (Geminiani, Francesco) for strings and continuo |
|
| Concerto Grosso in G minor, H.74 (Geminiani, Francesco) for strings and continuo |
|
| Aria Napolitana, G.38 (Gerson, Georg) for voice and piano |
1823 |
| Concerto Grosso in D major, H.73 (Geminiani, Francesco) for strings and continuo |
|
| Concerto Grosso in D major, H.73 (Geminiani, Francesco) for strings and continuo |
|
| Sinfonia in G major, P.35 (Pergolesi, Giovanni Battista) for strings and continuo |
|
| Huru kort och ont är dock vårt liv (Düben, Anders von) for soprano and orchestra |
1707 |
| I will Exalt Thee (Tye, Christopher) for 4 voices |
|
| Concerts à deux violes esgales (Monsieur de Sainte-Colombe) for 2 viols |
|
| Concerts à deux violes esgales (Monsieur de Sainte-Colombe) for 2 viols |
|
| Concerts à deux violes esgales (Monsieur de Sainte-Colombe) for 2 viols |
|
| Concerts à deux violes esgales (Monsieur de Sainte-Colombe) for 2 viols |
|
| Bassoon Concerto in C major, RV 478 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 321 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Bassoon Concerto in F major, RV 485 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Bassoon Concerto in D minor, RV 481 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Bassoon Concerto in A minor, RV 500 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
Clarinet Concerto No. 4 in B-flat major (Stamitz, Carl Philipp) for clarinet and orchestra
clarinet and strings |
|
| Ich will wiederkommen, H.331 (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Gli amanti generosi (Mancini, Francesco) for voices, mixed chorus and orchestra |
|
Trio Sonata in G major (Chelleri, Fortunato) for flute, viol and continuo
violin, viol and continuo |
|
| Duetto VI from 6 Duets, Op. 5 (Sirmen, Maddalena Laura) for 2 violins |
|
| Bassoon Concerto in C major, RV 474 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| Gott aber sei Dank der uns den Sieg gegeben (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
|
| Gott sei Dank der uns den Sieg gegeben hat (Stölzel, Gottfried Heinrich) for alto, tenor, bass, mixed chorus and orchestra |
|
| Ich war tot und siehe ich bin lebendig, H.325 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die Liebe Gottes ist ausgegossen in unser Herz (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Siehe hie bin ich (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
|
| Wende meine Augen ab (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Halte im Gedächtnis Jesum Christum (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Selig sind die Gottes Wort hören (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Romance, Op. 20 (Nielsen, Ludolf) for violin and orchestra |
1908 |
| Arrangement of Romance, Op. 20 (Nielsen, Ludolf) for violin and piano |
|
| Bleibe bei uns denn es will Abend werden (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Lehre mich tun nach deinem Wohlgefallen (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Also hat Gott die Welt geliebet (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Ich will meinen Geist ausgießen (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Der hinunter gefahren ist (Stölzel, Gottfried Heinrich) for alto, tenor, bass, mixed chorus and orchestra |
|
| Bassoon Concerto in C major, RV 473 (Vivaldi, Antonio) for bassoon, strings and continuo |
1700 |
| O Land höre des Herren Wort (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
Version for Contralto from Tu partisti o del core (Vinci, Leonardo) for alto and continuo
soprano and continuo |
|
| Drei sind die da zeugen im Himmel (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Es ist hie kein Unterschied sie sind allzumal Sünder (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus, strings and continuo |
|
| Es werden nicht alle die zu mir sagen (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Es wird Freude sein vor den Engeln Gottes (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Herr gehe nicht ins Gericht (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr wie lange willst du mein so gar vergessen (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus, strings and continuo |
|
| Ich habe einen Held erwecket (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
| Das ist je gewißlich wahr (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Complete (1723 Version) from Nerone (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| Selections (1721 Version) from Nerone (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| L'Olimpiade (Gassmann, Florian Leopold) for 7 voices, mixed chorus and orchestra |
|
| L'Olimpiade (Gassmann, Florian Leopold) for 7 voices, mixed chorus and orchestra |
|
| L'Olimpiade (Gassmann, Florian Leopold) for 7 voices, mixed chorus and orchestra |
|
| Mi costa tante lacrime (Vinci, Leonardo) for soprano and continuo |
|
| Mi costa tante lacrime (Vinci, Leonardo) for soprano and continuo |
|
| L'Olimpiade (Cafaro, Pasquale) for voices, mixed chorus and orchestra |
1768 |
| L'Olimpiade (Cafaro, Pasquale) for voices, mixed chorus and orchestra |
|
| La Cimotoe (Araja, Francesco) for 3 sopranos, tenor and orchestra |
|
| 1775 Naples Version from Demofoonte, ED.10:D18 (Mysliveček, Josef) for 7 voices and orchestra |
|
| 1775 Naples Version from Demofoonte, ED.10:D18 (Mysliveček, Josef) for 7 voices and orchestra |
1775 |
| Calliroe, ED.10:D22 (Mysliveček, Josef) for 6 voices and orchestra |
|
| Incomplete from L'Olimpiade, ED.10:C12 (Mysliveček, Josef) for voices, mixed chorus and orchestra |
|
| Farnace, ED.10:D5 (Mysliveček, Josef) for 6 voices and orchestra |
1767 |
| Artaserse, ED.10:B.b5 (Mysliveček, Josef) for 6 voices and orchestra |
|
| 1775 Naples Version from Ezio, ED.10:C8 (Mysliveček, Josef) for 6 voices and orchestra |
1775 |
| 1775 Naples Version from Ezio, ED.10:C8 (Mysliveček, Josef) for 6 voices and orchestra |
|
| 1777 Munich Version from Ezio, ED.10:C8 (Mysliveček, Josef) for 6 voices and orchestra |
|
| Demetrio, ED.10:D15 (Mysliveček, Josef) for 6 voices and orchestra |
1773 |
| Demetrio, ED.10:D15 (Mysliveček, Josef) for 6 voices and orchestra |
|
| La morte di san Giuseppe (Pergolesi, Giovanni Battista) for 2 sopranos, alto, tenor and orchestra |
|
| La morte di san Giuseppe (Pergolesi, Giovanni Battista) for 2 sopranos, alto, tenor and orchestra |
1732 |
| La morte di san Giuseppe (Pergolesi, Giovanni Battista) for 2 sopranos, alto, tenor and orchestra |
|
| Geht hin und lehret alle Völker (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Complete (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Complete (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Incomplete (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Selections (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Selections (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Selections (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Selections (Version 1 / 1786 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
|
| Incomplete (Version 2 / 1793 Naples) from Olimpiade, R.1.70 (Paisiello, Giovanni) for voices and orchestra |
1786 |
| Trio Sonata in D major (Pez, Johann Christoph) for flute, violin and continuo |
|
| Concerto for 2 Harpsichords in D major (Binder, Christlieb Siegmund) for 2 harpsichords and orchestra |
1700 |
| Suite in G minor (Pezold, Christian) for harpsichord |
1700 |
| Ich will Wasser gießen (Erlebach, Philipp Heinrich) for 4 voices and orchestra |
|
| Partita No. 2 (Guzinger, Johann Peter) for flute, viola damore and continuo |
1726 |
| Trio Sonata in F major (Pezold, Christian) for horn, violin and continuo |
|
Dettingen Te Deum, Utrecht Te Deum and Utrecht Jubilate (Handel, George Frideric) for alto, tenor, bass, mixed chorus and orchestra
2 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra
mixed chorus and orchestra |
|
| Complete (Version 2) from Catone in Utica, R.1.77 (Paisiello, Giovanni) for 6 voices, mixed chorus and orchestra |
1788 |
| Catone in Utica, R.1.77 (Paisiello, Giovanni) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica, R.1.77 (Paisiello, Giovanni) for 6 voices, mixed chorus and orchestra |
|
| Violin Sonata, TWV 41:g9 (Telemann, Georg Philipp) for violin and continuo |
|
| Er hat alles wohl gemacht (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
|
| Fürchte dich nicht du hast Gnade bei Gott funden (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
|
| Du sollt Gott deinen Herren lieben (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
|
| Meister was muß ich tun (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Niemand kann zweien Herren dienen (Stölzel, Gottfried Heinrich) for soprano, bass, mixed chorus and orchestra |
|
| Ich bin arm und elend (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Catone in Utica (Hasse, Johann Adolph) for voices and orchestra |
|
| Catone in Utica (Hasse, Johann Adolph) for voices and orchestra |
|
| Catone in Utica (Hasse, Johann Adolph) for voices and orchestra |
|
| Partita for Winds in F major (Wranitzky, Paul) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Die da reich werden wollen, H.308 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr lehre doch mich daß es ein Ende, H.310 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Catone in Utica, W.G 2 (Bach, Johann Christian) for voices and orchestra |
|
| 10 Violin Concertos, Op. 1 (Alberti, Giuseppe Matteo) for violin, strings and continuo |
|
| Violin Sonata in E minor (Schreyfogel, Johan Friedrich) for violin and continuo |
|
| Ouverture-Suite, TWV 55:D20 (Telemann, Georg Philipp) for orchestra |
|
| Sonata No.7 from Arrangement of Sonata No.7 from 12 Violin Sonatas, Op. 1 (Piani, Giovanni Antonio) for recorder and continuo |
|
| Paride (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| Paride (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| Paride (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| 8 Sonatas à 4 in F major (Stölzel, Gottfried Heinrich) for oboe, horn, violin and continuo |
|
| Catone in Utica (Ottani, Bernardo) for voices and orchestra |
|
| Capriccio for Harpsichord in F major (1) (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in A major (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in B-flat major (1) (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in F major (2) (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in D minor (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in C major (1) (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in C major (2) (Araja, Francesco) for harpsichord |
|
| Capriccio for Harpsichord in B-flat major (2) (Araja, Francesco) for harpsichord |
|
| Lenore (Javůrek, Josef) for voice and harpsichord |
|
| Symphony in E-flat major (Sonnleithner, Christoph) for orchestra |
|
| Toccata for Harpsichord in B-flat major (Majo, Gian Francesco de) for harpsichord |
1700 |
| Der Engel des Herrn lagert sich (Stölzel, Gottfried Heinrich) for 2 voices, mixed chorus and orchestra |
|
| Sie sind allzumal dienstbare Geister (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Wir haben hier keine bleibende Stätte (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
|
| Demofoonte (Majo, Gian Francesco de) for 5 voices and orchestra |
|
Trio Sonata in A major, GraunWV C:XV:90 (Graun, Johann Gottlieb) for violin and harpsichord
flute, violin and continuo |
|
| Ipermestra (Majo, Gian Francesco de) for voices, mixed chorus and orchestra |
|
| Ipermestra (Majo, Gian Francesco de) for voices, mixed chorus and orchestra |
|
| Artaserse (Majo, Gian Francesco de) for 6 voices and orchestra |
|
| Ricimero, re de' Goti (Majo, Gian Francesco de) for 6 voices and orchestra |
|
| Ricimero, re de' Goti (Majo, Gian Francesco de) for 6 voices and orchestra |
|
| Recitative and Aria: Ombre dolenti e pallide from Motezuma (Majo, Gian Francesco de) for 6 voices and orchestra |
|
| Il prigionier superbo, P.143i (Pergolesi, Giovanni Battista) for voices, mixed chorus and orchestra |
|
6 Harpsichord Sonatas (Brühl, Hans Moritz von) for harpsichord
keyboard |
|
Trio Sonata in B-flat major, GraunWV Av:XV:47 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
Trio Sonata in B-flat major, GraunWV Av:XV:47 (Graun, Johann Gottlieb) for 2 violins and continuo
violin and harpsichord |
|
| Del più fiero rigore (Mancini, Francesco) for soprano and continuo |
|
| Trio Sonata, TWV 42:F11 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Wer seine Missetat leugnet (Stölzel, Gottfried Heinrich) for soprano, bass, mixed chorus and orchestra |
|
| Widerstehet dem Teufel (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
| Vitae forma, K.278 (Fux, Johann Joseph) for mixed chorus and orchestra |
|
| Parla al ritratto della amata, HV I.D.5 (Veracini, Francesco Maria) for soprano and continuo |
|
| Complete (1736 Version) from La forza dell'amore e dell'odio (Araja, Francesco) for voices and orchestra |
|
| Missa Corpus Domini, ZWV 9 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa Corpus Domini, ZWV 9 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ardo tacito amante, WM 21 (Mancini, Francesco) for soprano and continuo |
|
Arrangement of Symphony in A major 'nel gusto di cinque nazioni', Kr.18 (Dittersdorf, Carl Ditters von) for harpsichord
piano |
|
| Trio Sonata, TWV 42:A12 (Telemann, Georg Philipp) for 2 violins and continuo |
|
| Partita in E-flat major, M.B10 (Rosetti, Antonio) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Seid barmherzig wie auch euer Vater barmherzig ist, H.318 (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Symphony in D major (Vitzthumb, Ignaz) for orchestra |
|
| Symphony in D major (Vitzthumb, Ignaz) for orchestra |
|
| Salve Regina in G major (Hasse, Johann Adolph) for soprano, strings and continuo |
|
| Gott du Gott Israel deinem Namen sei ewig Ehr', P.173 (Pachelbel, Johann) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Jauchzt ihr frohen Christenscharen (Förster, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dixit Dominus in A major (Feo, Francesco) for soprano, alto, tenor, bass, 2 violins, viola and continuo |
|
| Du Tochter Zion freue dich sehr, H.411 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr tue meine Lippen auf (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
|
| Tue Rechnung von deinem Haushalten (Stölzel, Gottfried Heinrich) for soprano, alto, bass, mixed chorus and orchestra |
|
| Missa sopra 'Komm heiliger Geist', TWV 9:11 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and continuo |
|
| Missa sopra 'Erbarm dich mein o Herre Gott', TWV 9:6 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and continuo |
|
Missa sopra 'Es wird schier der letzte Tag herkommen', TWV 9:7 (Telemann, Georg Philipp) for mixed chorus and continuo
soprano, alto, tenor, bass and continuo |
|
Missa sopra 'Ach Gott im Himmel sieh darein', TWV 9:1 (Telemann, Georg Philipp) for mixed chorus and continuo
soprano, alto, tenor, bass and continuo |
|
Missa sopra 'Durch Adams Fall ist ganz', TWV 9:4 (Telemann, Georg Philipp) for mixed chorus and continuo
soprano, alto, tenor, bass and continuo |
|
| Ehre sei Gott in der Höhe, H.342 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Befiehl dem Herrn deine Wege (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
| Saget der Tochter Zion siehe dein Heil kommt (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
| Komm herein du Gesegneter des Herrn (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
|
| Ehre sei Gott in der Höhe, H.352 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Uns ist ein Kind geboren (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Küsset den Sohn daß er nicht zürne (Stölzel, Gottfried Heinrich) for alto, tenor, mixed chorus and orchestra |
|
| Sehet welch eine Liebe hat uns der Vater erzeiget (Stölzel, Gottfried Heinrich) for alto, tenor, mixed chorus and orchestra |
|
| Sind wir denn Kinder so sind wir auch Erben (Stölzel, Gottfried Heinrich) for soprano, bass, mixed chorus and orchestra |
|
| Erkennet doch daß der Herr seine Heiligen wunderlich führet (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
|
| Jauchzet ihr Himmel freue dich Erde (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
|
| Temistocle (Orlandini, Giuseppe Maria) for 7 voices and orchestra |
|
| 6 Violin Duets, Op. 3 (Barbella, Emanuele) for 2 violins |
|
| Arrangement of 6 Violin Duets, Op. 3 (Barbella, Emanuele) for 2 violas |
|
| Machet die Tore weit (Förster, Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Violin Sonata in D minor (Litzkau, Heinrich) for violin and continuo |
1657 |
| Trio Sonata in B-flat major (Litzkau, Heinrich) for 2 violins and continuo |
|
| Es danken dir Gott die Völker, H.362 (Stölzel, Gottfried Heinrich) for alto, bass, mixed chorus and orchestra |
|
| Das ist die Freudigkeit die wir haben zu Gott (Stölzel, Gottfried Heinrich) for soprano, tenor, mixed chorus and orchestra |
|
| Erhalt uns Herr bei deinem Wort, BuxWV 27 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, violone and continuo |
|
| Erhalt uns Herr bei deinem Wort, BuxWV 27 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, violone and continuo |
1690 |
| Herr auf dich traue ich, BuxWV 35 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
|
| Herr auf dich traue ich, BuxWV 35 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
|
| Jesu dulcis memoria, BuxWV 57 (Buxtehude, Dietrich) for alto, tenor, bass, 2 violins and continuo |
|
Jesulein du Tausendschön, BuxWV 63 (Buxtehude, Dietrich) for alto, tenor, bass, 2 violins, violone and continuo
alto, tenor, bass, bassoon, 2 violins and continuo |
|
Mein Herz ist bereit, BuxWV 73 (Buxtehude, Dietrich) for bass, 3 violins, violone and organ
bass, 3 violins and continuo |
|
| Meine Seele willtu ruhn, BuxWV 74 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
|
| Oboe Concerto in C major (Hoffmeister, Franz Anton) for oboe and orchestra |
1791 |
| Was mich auf dieser Welt betrübt, BuxWV 105 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
|
| Gen Himmel zu dem Vater mein, BuxWV 32 (Buxtehude, Dietrich) for soprano, violin, viol and continuo |
|
| Gen Himmel zu dem Vater mein, BuxWV 32 (Buxtehude, Dietrich) for soprano, violin, viol and continuo |
1680 |
| Oboe Concerto in B-flat major, K.deest (Mozart, Wolfgang Amadeus) for oboe and orchestra |
|
| Gehet zu seinen Toren ein (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
|
| So nimm doch nun Herr meine Seele von mir (Stölzel, Gottfried Heinrich) for alto, tenor, bass, mixed chorus and orchestra |
|
| Der Herr hat Großes an uns getan (Stölzel, Gottfried Heinrich) for tenor, bass, mixed chorus and orchestra |
|
| Oboe Concerto in F major (Kozeluch, Jan Antonín) for oboe and orchestra |
1794 |
| Wer ist der, so von Edom kömmt (Altnikol, Johann Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Bassoon Concerto in F major (Wolf, Franz Xaver) for bassoon and orchestra |
|
| Thétis, RCT 28 (Rameau, Jean-Philippe) for bass, violin and continuo |
|
Violin Sonata in B-flat major (Knahl, Bernardo) for violin and continuo
violin and cello |
|
| Semiramide riconosciuta (Lampugnani, Giovanni Battista) for 6 voices and orchestra |
|
| Incomplete (1753 Naples Version) from La Didone abbandonata (Lampugnani, Giovanni Battista) for 6 voices and orchestra |
|
| La Didone abbandonata (Lampugnani, Giovanni Battista) for 6 voices and orchestra |
|
| Violin Concerto in B-flat major, GraS 300.6 (Stamitz, Johann) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, GraS 300.6 (Stamitz, Johann) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, GraS 300.6 (Stamitz, Johann) for violin, strings and continuo |
|
| Stanco di sostener (Torano, Francesco) for soprano and continuo |
|
| Comodo Antonino (Scarlatti, Alessandro) for voices and orchestra |
|
| Comodo Antonino (Scarlatti, Alessandro) for voices and orchestra |
|
| Christus ist des Gesetzes Ende (Kirnberger, Johann Philipp) for tenor, mixed chorus, strings and continuo |
|
| Tiberio imperatore d'Oriente, R.349.44 (Scarlatti, Alessandro) for voices and orchestra |
|
| Là dove il bel Sebeto, WM 102 (Mancini, Francesco) for soprano and continuo |
|
| Pecorelle correte a quel fonte, WM 136 (Mancini, Francesco) for soprano and continuo |
|
| Siedi Amarilli, S.108 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Se la rosa fresca e bella, S.101 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Se la rosa fresca e bella, S.101 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Fedeltà s'è tanto bella, L.B79 (Astorga, Emanuele) for soprano and continuo |
|
| Penelope la casta, R.344.28 (Scarlatti, Alessandro) for 4 sopranos, 2 tenors, bass, strings and continuo |
|
| Massimo Puppieno, R.343.27 (Scarlatti, Alessandro) for voices and orchestra |
|
| Massimo Puppieno, R.343.27 (Scarlatti, Alessandro) for voices and orchestra |
|
| Dice che m'ami la speme al core, B.25 (Sarro, Domenico Natale) for soprano and continuo |
|
| Nerone fatto Cesare, R.343.26 (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| Mutio Scevola, R.346.34 (Scarlatti, Alessandro) for voices and orchestra |
|
| L'Olimpiade (Cimarosa, Domenico) for 6 voices and orchestra |
1784 |
| L'Olimpiade (Cimarosa, Domenico) for 6 voices and orchestra |
|
| Così mesta ho l'alma in seno, L.52 (Astorga, Emanuele) for soprano and continuo |
|
| Così mesta ho l'alma in seno, L.52 (Astorga, Emanuele) for soprano and continuo |
|
| Incomplete from La Statira, R.339.17 (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| La Statira, R.339.17 (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| La Statira, R.339.17 (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| Trio Sonata in G major, GraunWV Cv:XV:121 (Graun, Johann Gottlieb) for flute, violin and continuo |
|
| La donna ancora è fedele (Scarlatti, Alessandro) for 6 voices, strings and continuo |
|
| La donna ancora è fedele (Scarlatti, Alessandro) for 6 voices, strings and continuo |
|
| L'Emireno, R.345.32 (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| L'Emireno, R.345.32 (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| L'Emireno, R.345.32 (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| L'Emireno, R.345.32 (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| La Didone delirante, R.344.30 (Scarlatti, Alessandro) for voices, strings and continuo |
|
| Ruscelletto che vai scherzando, L.B163 (Astorga, Emanuele) for soprano and continuo |
|
| Sopra d'un verde prato, S.331 (Marcello, Benedetto) for soprano and continuo |
|
| So che mi chiami ingrato (Tinazzoli, Agostino) for soprano and continuo |
|
| T'intendo sì mio cor, S.119 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Pianger vidi appresso, B.60a (Sarro, Domenico Natale) for soprano and continuo |
|
| Clori vorrei narrarti, L.42 (Astorga, Emanuele) for soprano and continuo |
|
| Clori vorrei narrarti, L.42 (Astorga, Emanuele) for soprano and continuo |
|
| Col tuo dolce mormorio, S.15 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Nuovo dardo il sen m'impiaga, L.B119 (Astorga, Emanuele) for soprano and continuo |
|
| Nuovo dardo il sen m'impiaga, L.B119 (Astorga, Emanuele) for soprano and continuo |
|
| Questo è il platano frondoso, S.98 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Questo è il platano frondoso, S.98 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Passaggier che dell'onde paventa (Porpora, Nicola Antonio) for soprano and continuo |
|
| Guerra, o pensier, all'armi, TriCo 70 (Corsi da Celano, Giuseppe) for soprano |
|
| La stravaganza, TriCo 60 (Corsi da Celano, Giuseppe) for soprano, violin and continuo |
|
| Il Corispero (Stradella, Alessandro) for |
|
| Il Seleuco (Sartorio, Antonio) for |
|
| L'Adelaide (Sartorio, Antonio) for voices, mixed chorus and orchestra |
|
| Giulio Cesare in Egitto (Sartorio, Antonio) for voices, mixed chorus and orchestra |
|
| L'Orfeo (Sartorio, Antonio) for voices, mixed chorus and orchestra |
|
| L'Orfeo (Sartorio, Antonio) for voices, mixed chorus and orchestra |
|
| Son giovinetta spiritosetta (Albinoni, Tomaso) for soprano, strings and continuo |
|
| Figlia d'un dolce amore (Albinoni, Tomaso) for soprano, strings and continuo |
|
| Vago del tuo sembiante (Errichelli, Pasquale) for soprano, strings and continuo |
|
| Non perché è il sol turbato (Albinoni, Tomaso) for soprano and orchestra |
|
| Non perdo la calma (Sala, Nicola) for soprano, strings and continuo |
|
| In rea procella di mar infido (Albinoni, Tomaso) for soprano and orchestra |
|
| Sistite sidera caeli motus ostiamini, G.6.2/13 (Stradella, Alessandro) for soprano, 2 violins and continuo |
|
| La Susanna (Stradella, Alessandro) for |
|
| Concerto for Harpsichord and Fortepiano in E-flat major, H.479 (Bach, Carl Philipp Emanuel) for harpsichord, piano and orchestra |
1788 |
| Inquietudine amorosa, TriCo 66 (Corsi da Celano, Giuseppe) for soprano and continuo |
|
| Deine Gnade müsse mein Trost sein (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Deine Hand hat mich gemacht und bereitet (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Laß meinen Mund deines Ruhmes (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nun merke ich daß der Herr seinen Gesalbten hilft (Stölzel, Gottfried Heinrich) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Laß meinen Gang gewiß sein (Stölzel, Gottfried Heinrich) for 2 sopranos, alto, bass, mixed chorus and orchestra |
|
| Verbirg dein Antlitz nicht für mir (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lucio Papirio dittatore (Manna, Gennaro) for voices, mixed chorus and orchestra |
1700 |
| Trio Sonata in D major, QV 2:8 (Quantz, Johann Joachim) for 2 flutes and continuo |
1762 |
| Siroe (Manna, Gennaro) for 6 voices and orchestra |
|
| In te Domine speravi (Schieferdecker, Johann Christian) for tenor, violin and continuo |
|
| Flute Concerto in D major, QV 4:1 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in D major, QV 5: Anh.8 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in D major, QV 5:51 (Quantz, Johann Joachim) for flute, strings and continuo |
1768 |
| Flute Concerto in E minor, QV 5:124 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in G minor, QV 5:206 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Sonata in A major, QV 1:145 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in B-flat major, QV 1:161 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in C minor, QV 1:18 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in G minor, QV 1:126 (Quantz, Johann Joachim) for flute and continuo |
|
| La conversione di Maddalena (Bononcini, Giovanni) for 4 voices, strings and continuo |
|
| La conversione di Maddalena (Bononcini, Giovanni) for 4 voices, strings and continuo |
|
| Il Faraone Sommerso (Fago, Francesco Nicola) for 4 voices, strings and continuo |
|
| Lungi della mia Filli (Bononcini, Giovanni) for soprano and continuo |
|
| Flute Concerto in G major, QV 5:173 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in G major, QV 5:173 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in G minor, QV 5:193 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in E minor, QV 5:121 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Arrangement of Flute Concerto in E minor, QV 5:121 (Quantz, Johann Joachim) for harpsichord, strings and continuo |
|
| Flute Concerto in E minor, QV 5:120 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Sonata in B minor, QV 1:168 (Quantz, Johann Joachim) for flute and continuo |
|
| Violin Sonata in C major, Op. 2 No. 6 (Naumann, Johann Gottlieb) for violin and harpsichord |
|
| Flute Concerto in A minor, QV 5:236 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in A minor, QV 5:236 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Sonata in D major, QV 1:42 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in B minor, QV 1:169 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in F major, QV 1:82 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in G major, QV 1:109 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in F major, QV 1:93 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Concerto in A major, QV 5:218 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in A major, QV 5:218 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Sonata in A major, QV 1:143 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in E-flat major, QV 1:54 (Quantz, Johann Joachim) for flute and continuo |
|
| Harpsichord Concerto in C minor (Du Grain, Johann Jeremias) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in E minor (Du Grain, Johann Jeremias) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in F minor (Du Grain, Johann Jeremias) for harpsichord, strings and continuo |
|
| Amo sì mà non so dire (Bononcini, Giovanni) for soprano and continuo |
|
| Ouverture-Suite, TWV 55:D22 (Telemann, Georg Philipp) for orchestra |
1767 |
| Sinfonia in E-flat major, TWV 50:21 (Telemann, Georg Philipp) for orchestra |
1767 |
Harpsichord Concerto in F major, H.454 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo
harpsichord and orchestra |
|
| Harpsichord Concerto in B-flat major, H.447 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| La Madre Ebrea famelica (Cesti, Antonio) for soprano and continuo |
|
| Harpsichord Concerto in C minor, H.448 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
|
| Harpsichord Concerto in A major, H.411 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
1750 |
Keyboard Concerto in E-flat major, H.446 (Bach, Carl Philipp Emanuel) for organ and strings
organ and orchestra
harpsichord and strings
harpsichord and orchestra |
|
Keyboard Concerto in E-flat major, H.446 (Bach, Carl Philipp Emanuel) for organ and strings
organ and orchestra
harpsichord and strings
harpsichord and orchestra |
|
| Flute Concerto in D minor, H.484.1 (Bach, Carl Philipp Emanuel) for flute, strings and continuo |
|
| Flute Concerto in D minor, H.484.1 (Bach, Carl Philipp Emanuel) for flute, strings and continuo |
|
| Gloria in C major (Porta, Giovanni) for voices and orchestra |
|
Fantasia in F-sharp minor, H.536 (Bach, Carl Philipp Emanuel) for violin and keyboard
violin and piano |
1787 |
| 6 Duos concertans (Ozi, Étienne) for 2 bassoons |
|
| Harpsichord Concerto in D minor, H.420 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
1745 |
| Jesus kommt zum Trost der Sünder, GWV 1151/53 (Graupner, Christoph) for voices, mixed chorus and orchestra |
1753 |
| Sonata for Viola da Gamba in G major (Marais, Roland) for viol and continuo |
|
| Qual dall'orto un'aurora (De Giosa, Nicola) for 2 tenors, bass, male chorus and orchestra |
1853 |
| Harpsichord Concerto in C minor, H.441 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
1753 |
| Der Herr hats gegeben, GWV 1175/16a (Graupner, Christoph) for soprano, bass, mixed chorus and orchestra |
1716 |
| Ach! Hoe vluchtig is het leven (Tinel, Jef) for organ |
|
| Ihr sollt nicht sorgen, GWV 1156/39 (Graupner, Christoph) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1739 |
| Volad suspiros (Nebra, José de) for soprano, 2 violins and continuo |
|
| Ya rasga la esphera flamante (Nebra, José de) for soprano, 2 trumpets, 2 violins and continuo |
|
| Alienta fervorosa (Nebra, José de) for soprano, oboe, 2 violins and continuo |
|
| Ay que alegre festivo alborozo (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 violins and continuo |
1800 |
| Entre cándidos (Nebra, José de) for soprano, 2 violins and continuo |
|
| Bello Pastor (Nebra, José de) for alto, oboe, 2 violins and continuo |
|
| El celeste combite (Nebra, José de) for 4 voices, 2 violins and continuo |
|
Grave en mi pecho, tu nombre santo (Nebra, José de) for soprano, violin and continuo
soprano, 2 violins and continuo |
|
Llegad llegad Creyentes (Nebra, José de) for soprano, violin and continuo
soprano, 2 violins and continuo |
|
| Miserere mei deus (Nebra, José de) for 2 mixed chorus, 2 violins and continuo |
1743 |
| Quando el Manà llovia (Nebra, José de) for soprano, oboe, 2 violins and continuo |
1734 |
| Que contario señor (Nebra, José de) for soprano, 2 violins and continuo |
|
| Rompan los Vagos (Nebra, José de) for 4 voices, 2 violins and continuo |
|
| Venid almas creyentes (Nebra, José de) for alto, oboe, 2 violins and continuo |
|
| Vamos vamosle buscando (Nebra, José de) for 2 sopranos, tenor, oboe, 2 violins and continuo |
|
Para un triunfo que el orbe festeja (Nebra, José de) for 2 mixed chorus, 2 violins and continuo
3 sopranos, 2 altos, 2 tenors, bass, 2 violins and continuo |
|
Robustas trompas Violines suaves (Nebra, José de) for 2 mixed chorus, 2 trumpets, 2 violins and continuo
3 sopranos, 2 altos, 2 tenors, bass, 2 trumpets, 2 violins and continuo |
|
| Canten acordes los Angeles y hombres (Nebra, José de) for soprano, alto, tenor, bass, trumpet, 2 violins and continuo |
|
| Pues el sol divino se mira (Nebra, José de) for 2 sopranos, alto, tenor, 2 trumpets, 2 violins and continuo |
|
| Aromatica rosa Americana (Nebra, José de) for soprano, alto, tenor, bass, trumpet, 2 violins and continuo |
1771 |
| Pues nuestros maridos (Nebra, José de) for 3 sopranos, tenor, 2 trumpets, 2 violins and continuo |
|
Con jubilo en el orbe (Nebra, José de) for 2 mixed chorus, 2 violins and continuo
3 sopranos, 2 altos, 2 tenors, bass, 2 violins and continuo |
|
Sonoras liras festivas trompas (Nebra, José de) for 3 sopranos, 2 altos, 2 tenors, bass and orchestra
2 mixed chorus and orchestra |
|
| Ach daß doch Zions Hülfe käme, HoWV II.156 (Homilius, Gottfried August) for alto, tenor, bass, mixed chorus and orchestra |
1777 |
| Auf ihr Herzen seid bereit, HoWV II.7 (Homilius, Gottfried August) for 3 voices, mixed chorus and orchestra |
1836 |
| Alle die gottselig leben wollen, HoWV II.79 (Homilius, Gottfried August) for alto, tenor, bass, mixed chorus and orchestra |
|
| Nun kommt er der König der Ehre, HoWV II.64 (Homilius, Gottfried August) for tenor, mixed chorus and orchestra |
|
| Der Herr zeucht Gerechtigkeit an, HoWV II.120 (Homilius, Gottfried August) for soprano, tenor, bass, mixed chorus and orchestra |
|
| O Herr dein herzliches Erbarmen, HoWV II.54 (Homilius, Gottfried August) for soprano, tenor and orchestra |
|
| Steig Allgewaltiger von deinem festen Sitze, HoWV II.43 (Homilius, Gottfried August) for tenor, bass, mixed chorus and orchestra |
|
| Es el poder del hombre limitado (Francés de Iribarren, Juan) for alto, oboe, 2 violins and continuo |
|
| A el golfo del mundo (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Amantes serafines que ardeis (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 horns, 2 violins and continuo |
|
| Bello sol rutilante (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| De Amor la ofizina (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 oboes, 2 violins and continuo |
|
| El zefiro suave (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Que le diremos a el (Francés de Iribarren, Juan) for 2 sopranos, 2 violins and continuo |
|
| Marino roque surcas (Francés de Iribarren, Juan) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Was suchet ihr den Lebendigen bei den Toten, HoWV II.66 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Vaya de Xacara (Francés de Iribarren, Juan) for alto, tenor, mixed chorus, 2 violins and continuo |
1771 |
| Digo que no e de cantarla (Francés de Iribarren, Juan) for tenor, mixed chorus, 2 violins and continuo |
1770 |
| Ne recorderis (Quiroz, Manuel José de) for 2 sopranos, alto, tenor and orchestra |
|
| Despierta Bato dormilon (Jerusalem, Ignacio) for soprano, alto, tenor, 2 violins and continuo |
|
| Rompa alegre el aire (Jerusalem, Ignacio) for soprano, 2 violins and continuo |
|
| O golpe suave (Jerusalem, Ignacio) for soprano, 2 violins and continuo |
|
| Que admirais mortales (Jerusalem, Ignacio) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Quel amor quel valor quel honor (Jerusalem, Ignacio) for soprano, alto, tenor, 2 violins and continuo |
|
| Sea Maria tierna sagrada (Jerusalem, Ignacio) for soprano, 2 oboes and continuo |
|
| Sanctus Deus (Quiroz, Manuel José de) for 2 sopranos, alto, tenor, bassoon, 2 horns, 2 violins and continuo |
|
| Ea feliz vagel (Jerusalem, Ignacio) for 2 sopranos, 2 violins and continuo |
|
| Pues esta para grasias (Jerusalem, Ignacio) for |
|
| In deinem Schmuck gehen der Könige Töchter, HoWV II.Anh.34 (Homilius, Gottfried August) for soprano, tenor, bass, mixed chorus and orchestra |
|
Al que en solio de rayas (Nebra, José de) for 2 mixed chorus and orchestra
3 sopranos, 2 altos, 2 tenors, bass and orchestra |
|
Salve Regina (Nebra, José de) for 2 mixed chorus, 2 violins and continuo
3 sopranos, 2 altos, 2 tenors, bass and continuo |
|
| Dulzura espiritual comunicada (Nebra, José de) for alto, oboe, 2 violins and continuo |
|
| Sepulto Domino (Festa, Ottavio) for 2 male chorus, 2 flutes and 2 clarinets |
|
| Griselda (Scarlatti, Alessandro) for voices, mixed chorus and orchestra |
|
Miserere (Quiroz, Manuel José de) for mixed chorus, 2 violins and continuo
soprano, alto, tenor, 2 violins and continuo |
|
Ay Jesús (Quiroz, Manuel José de) for soprano, alto, tenor and continuo
mixed chorus and continuo |
|
| Vagelillo que al viento (Quiroz, Manuel José de) for 2 voices, 2 violins and continuo |
1761 |
| Yo la tengo de cantar (Quiroz, Manuel José de) for alto and continuo |
|
| A el pan de los cielos (Quiroz, Manuel José de) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Clarines suaves (Quiroz, Manuel José de) for continuo and 2 sopranos |
|
| Venid, venid (Quiroz, Manuel José de) for soprano and continuo |
|
| Que bien (Quiroz, Manuel José de) for 2 sopranos, alto, tenor and continuo |
|
| Oygan los triunfos (Quiroz, Manuel José de) for alto and continuo |
|
| Joseph Antonio (Quiroz, Manuel José de) for soprano, alto and continuo |
1723 |
| Jesus, Jesus, y lo que subes (Quiroz, Manuel José de) for continuo and 2 sopranos |
1743 |
| Oy que en las sacras liras (Quiroz, Manuel José de) for continuo and 2 sopranos |
|
| Iod manum suam (Quiroz, Manuel José de) for soprano and continuo |
|
| Parce mihi Domine (Quiroz, Manuel José de) for 2 mixed chorus, 2 violins and continuo |
|
Leccion parce mihi (Quiroz, Manuel José de) for voices, 2 violins and continuo
2 mixed chorus, 2 violins and continuo |
|
| Los monacillos (Quiroz, Manuel José de) for 3 sopranos, bassoon, 2 violins and continuo |
|
| Fuego fuego (Torrejón y Velasco, Tomás de) for 3 voices and continuo |
|
| Ha de el ver (Torrejón y Velasco, Tomás de) for 3 voices and continuo |
|
| Atencion (Quiroz, Manuel José de) for 4 voices, bassoon, 2 trumpets, 2 violins and continuo |
1758 |
| Cantarico, cantarico (Torrejón y Velasco, Tomás de) for 3 sopranos, tenor and continuo |
|
| Barquero que surcas (Torrejón y Velasco, Tomás de) for voice and continuo |
|
| Aves flores (Torrejón y Velasco, Tomás de) for 11 voices and continuo |
1683 |
| El Alcalde de Belén (Quiroz, Manuel José de) for 2 sopranos, alto, tenor and continuo |
1742 |
| Digo a Siola negla (Quiroz, Manuel José de) for continuo and 3 sopranos |
|
| La gayta (Quiroz, Manuel José de) for 5 voices, 2 violins and continuo |
1751 |
| Jesuclisa Mangalena (Quiroz, Manuel José de) for 5 voices and continuo |
|
| A Bethlem aquesta noche (Quiroz, Manuel José de) for soprano, 2 violins and continuo |
1754 |
| Al relox seas compara (Torrejón y Velasco, Tomás de) for 2 sopranos, alto, tenor and continuo |
|
| Angelicas milicias (Torrejón y Velasco, Tomás de) for 12 voices and continuo |
1687 |
| Atencion que para hacer en todo (Torrejón y Velasco, Tomás de) for 2 sopranos, alto, tenor and continuo |
1772 |
| Vengo turo flanciquillo (Quiroz, Manuel José de) for 3 sopranos, alto, tenor and continuo |
|
| Vaya de tonadilla (Quiroz, Manuel José de) for 3 sopranos, alto, tenor, 2 violins and continuo |
1751 |
| Pues que de Pascuas estamos (Quiroz, Manuel José de) for soprano, mixed chorus and continuo |
1745 |
| Luz a luz, y gracia a gracia (Quiroz, Manuel José de) for 2 sopranos, alto, tenor and continuo |
|
| Los anises de la fiesta (Quiroz, Manuel José de) for 2 sopranos, alto, tenor and continuo |
1747 |
| Candidos cisnes (Quiroz, Manuel José de) for soprano and continuo |
|
| Pastoras alegres (Castellanos, Rafael Antonio) for 2 sopranos, alto, 2 violins and continuo |
|
| Vaya de Xacara amigos (Castellanos, Rafael Antonio) for alto, 2 violins and continuo |
1784 |
| Ténganmele, señores (Torrejón y Velasco, Tomás de) for 2 sopranos, alto, tenor and continuo |
|
| Desta Rossa tan bella (Torrejón y Velasco, Tomás de) for continuo and 2 sopranos |
1744 |
| Es mi Rosa bella (Torrejón y Velasco, Tomás de) for 2 sopranos, tenor and continuo |
1679 |
| Luzeros volad (Torrejón y Velasco, Tomás de) for bass and continuo |
|
| Entro no lucido de bello esplendor (Badajoz, Miguel) for 2 sopranos, 2 violins and continuo |
1760 |
| Entro no lucido de bello esplendor (Badajoz, Miguel) for 2 sopranos, 2 violins and continuo |
|
| Para que te disfrazas (Castellanos, Rafael Antonio) for soprano, alto, tenor, 2 violins and continuo |
1784 |
Madre la de los primores (Juana Inés de la Cruz) for 2 sopranos, alto and continuo
2 sopranos, alto and tenor |
1694 |
| Una escuela de muchachos (Quiroz, Manuel José de) for soprano, mixed chorus, bassoon, 2 horns, 2 violins and continuo |
1757 |
| Quien es quien luce con raro brillar (Quiroz, Manuel José de) for 2 sopranos, 2 violins and continuo |
|
| Avesilla, que alegre volais (Quiroz, Manuel José de) for continuo and 2 sopranos |
1751 |
| Dos ruyseñores (Dallo y Lana, Miguel Matheo) for alto and continuo |
|
| Robadas las potencias (Dallo y Lana, Miguel Matheo) for continuo and 2 sopranos |
1746 |
Alados Gerarquias (Torrejón y Velasco, Tomás de) for 7 voices and continuo
soprano, alto, tenor, mixed chorus and continuo |
|
| Venturosos amantes (Quiroz, Manuel José de) for alto and continuo |
|
| Lamento amoroso, G.132 (Gerson, Georg) for voice and piano |
1823 |
| Lamento amoroso, G.132 (Gerson, Georg) for voice and piano |
|
| A Señor que se acerca (Torrejón y Velasco, Tomás de) for 2 sopranos, alto, tenor and continuo |
|
| Amor obligado poco fino es (Durango y de los Arcos, Matías) for 2 sopranos, alto, tenor and continuo |
|
| Ha del olvido (Durón, Sebastián) for 2 sopranos, alto, tenor and continuo |
|
Que dulce, que suave (Durón, Sebastián) for 2 sopranos, alto, tenor and continuo
soprano, alto, 2 tenors and continuo |
|
Salve Regina (Durón, Sebastián) for 2 mixed chorus and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo |
|
| Al dulze nombre de Jesus (Duni, Antonio) for soprano and continuo |
|
| Al mexor zenit (Dallo y Lana, Miguel Matheo) for soprano, alto, tenor and continuo |
1744 |
| Ay de mi, que el llanto y la tristeza (Durón, Sebastián) for soprano and continuo |
|
Aveja para labrar (Dallo y Lana, Miguel Matheo) for 2 sopranos, alto, 2 tenors and continuo
soprano, alto, 2 tenors and continuo |
|
| Es toda pura (Delgado, Francisco) for soprano, oboe, 2 violins and continuo |
|
| Ayresillos suaves (Durón, Sebastián) for soprano and continuo |
|
| Zenobia (Arena, Giuseppe) for strings and soprano |
|
| Yo que soy (Dallo y Lana, Miguel Matheo) for alto, 2 violins and continuo |
1751 |
| Vasta (Duruelo, Fransisco) for 2 sopranos, alto, tenor and continuo |
|
| Aves, ay ves (Dallo y Lana, Miguel Matheo) for continuo and 2 sopranos |
|
| Los Mercaderes se asoman (Davila, Francisco) for soprano, alto, tenor, 2 violins and continuo |
|
| Orlen orlen ya los triumphales (Dallo y Lana, Miguel Matheo) for 2 sopranos, alto, tenor, 2 violins and continuo |
1781 |
| Oigan miren (Dallo y Lana, Miguel Matheo) for 2 sopranos, alto, tenor and continuo |
|
| Si queriendo a mi amante (Dallo y Lana, Miguel Matheo) for 2 sopranos, tenor and continuo |
|
| Pascualillo que me quieles (Dallo y Lana, Miguel Matheo) for 2 tenors and continuo |
|
| Dichosos Ruyseñores (Dueñas) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Dueño adorado (Delgado, Francisco) for 2 sopranos, alto, tenor, 2 violins and continuo |
1760 |
| Vaya pues rompiendo el ayre (Durón, Sebastián) for soprano and continuo |
|
| Si olo helmano flacico (Durón, Sebastián) for 3 sopranos, alto and continuo |
1738 |
| Aveja misteriosa (Davila, Francisco) for 2 sopranos, 2 flutes, 2 horns, 2 violins and continuo |
|
Yo soy un amolador (Dueñas) for 2 sopranos, alto, tenor and continuo
2 sopranos, alto, bassoon and continuo |
|
| A lo dulce de estas aguas (Davila, Francisco) for soprano, 2 violins, 2 cellos and continuo |
|
| Quomodo sedet (Durón, Sebastián) for 3 mixed chorus and continuo |
|
| El pelicano amante (Dallo y Lana, Miguel Matheo) for soprano, tenor and continuo |
|
| Al grande francisco (Dallo y Lana, Miguel Matheo) for continuo and 2 sopranos |
|
| El eco vagoroso (Duni, Antonio) for soprano, 2 violins and continuo |
|
| Ni de amor (Duni, Antonio) for soprano, violin and continuo |
|
| Veni Sancte Spiritus (Delgado) for 2 sopranos, alto, 2 tenors, bass, 2 violins and continuo |
1724 |
| Prevenga amor (Dallo y Lana, Miguel Matheo) for 2 voices and continuo |
1726 |
| Achille in Sciro (Arena, Giuseppe) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Arena, Giuseppe) for 7 voices, mixed chorus and orchestra |
|
| Doña Flor (Westerhout, Niccolò van) for voices, mixed chorus and orchestra |
|
| Miserere (Durán, José) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
1772 |
| Redde mihi laetitiam & Auditui meo from Miserere (Durán, José) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
|
| Selections (1761 Version) from L'Olimpiade (Jommelli, Niccolò) for voices and orchestra |
1761 |
| Artaserse (Arena, Giuseppe) for voices, mixed chorus and orchestra |
|
| Artaserse (Arena, Giuseppe) for voices, mixed chorus and orchestra |
|
| Requiem in C minor (Fago, Francesco Nicola) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Requiem in C minor (Fago, Francesco Nicola) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Hoy es el día (Durán, José) for soprano, violin and continuo |
|
| L’Amante timido, G.133 (Gerson, Georg) for voice and piano |
1823 |
| L’Amante timido, G.133 (Gerson, Georg) for voice and piano |
|
| L’Amante timido, G.133 (Gerson, Georg) for voice and piano |
|
| Alegres Pastores (Delgado, Francisco) for 2 sopranos, alto, tenor, bass, 2 violins and continuo |
1758 |
| Pues en constantes ansias ardientes (Delgado, Francisco) for 2 sopranos, alto, tenor, 2 violins and continuo |
1760 |
Organ Sonata in F major, B 4.I.12 (Martini, Giovanni Battista) for organ
harpsichord |
|
The Carlo G Manuscript (Anonymous) for voice and organ
2 voices and organ
2 voices, violin and organ
voice and lute
voice, lute and organ
4 voices, violin and 2 organs
organ
2 organs
lute and 2 viols
lute, violin and 2 viols
violin and 2 continuos
lute, violin and viol |
|
| Catone in Utica (Leo, Leonardo) for 6 voices and orchestra |
|
| Catone in Utica (Leo, Leonardo) for 6 voices and orchestra |
|
| Fundamenta compositionis (Adlgasser, Anton Cajetan) for |
|
El pronostico nuebo (Galán, Cristóbal) for 2 mixed chorus and continuo
4 sopranos, 2 altos, 2 tenors and continuo |
|
Piedrecita sin mares (García Pacheco, Fabián) for 2 mixed chorus and orchestra
3 sopranos, 2 altos, 2 tenors, bass and orchestra |
|
Obscuras funestas sombras (García Pacheco, Fabián) for 2 mixed chorus and orchestra
3 sopranos, 2 altos, 2 tenors, bass and orchestra |
|
Oygan que unas gitanillas (Gavino Leal, Joseph) for 2 mixed chorus and continuo
4 sopranos, alto, 2 tenors, bass and continuo |
1738 |
| Porque los Negros celebren (Gómez del Valle, José Lorenzo) for 2 sopranos, 2 altos, tenor and orchestra |
1790 |
| Pues en un portal (Gómez del Valle, José Lorenzo) for 2 sopranos, 2 altos, tenor and orchestra |
1788 |
| Violin Sonata in A major, GraunWV A:XVII:9 (Graun, Johann Gottlieb) for violin and continuo |
|
| Confitebor in D major (Durante, Francesco) for alto, strings and continuo |
|
| Zagales que los montes (Granados) for soprano, alto and continuo |
|
| Magnificat in A minor (Durante, Francesco) for 5 voices, mixed chorus, strings and continuo |
|
| Sagrada piedra (Galuppi, Baldassare) for soprano, 2 violins and continuo |
|
| De Dios esposa amante (Galuppi, Baldassare) for soprano, 2 oboes, 2 horns, 2 violins and continuo |
|
Presurosa llegue el alma (Galuppi, Baldassare) for soprano, 2 recorders, 2 horns, 2 violins and continuo
soprano, 2 flutes, 2 horns, 2 violins and continuo |
|
| Laudate pueri a 8 in G major (Durante, Francesco) for mixed chorus and orchestra |
|
| Litanies a 4 in G minor (Durante, Francesco) for 4 voices, strings and continuo |
|
| Aria: Son qual fiume che gonfio d'umori from Sesostri (Galuppi, Baldassare) for soprano, 2 trumpets, 2 violins and continuo |
|
| El sacristan del barbero (Gómez del Valle, José Lorenzo) for 2 sopranos, 2 altos, tenor, 2 flutes, 2 trumpets, 2 violins and 2 cellos |
1789 |
| A dorad vendidos (García, Joaquín) for 2 sopranos, alto, tenor and continuo |
1757 |
| A lucir por el amor (García Pacheco, Fabián) for 6 voices and continuo |
|
| Ande ande la rueda (Gavino Leal, Joseph) for 2 sopranos, 2 violins and continuo |
|
Ave Maris Stella (Durón, Sebastián) for 2 mixed chorus and continuo
3 sopranos, 2 altos, 2 tenors, bass and continuo |
|
| Lauda Ierusalem (Quiroz, Manuel José de) for 2 mixed chorus and continuo |
1740 |
| Que es esto dulce dueño (González Gaitán y Arteaga, Juan Manuel) for soprano, 2 violins and continuo |
1788 |
| Ola! Anton (Estrada, Mariano) for 2 sopranos, 2 altos, tenor, 2 violins and continuo |
1786 |
| Lauda Sion (Escalada, Fransisco) for 2 mixed chorus, 2 violins and continuo |
|
| A la nave (Scolari, Giuseppe) for tenor, 2 oboes, 2 horns, 2 violins and continuo |
1786 |
| Villanciquito de negros (Espinosa, Nicolás) for 2 sopranos, 2 altos, 2 horns, 3 violins and continuo |
1757 |
Un nuevo milagro (García Pacheco, Fabián) for 2 mixed chorus, 2 horns, 2 violins and continuo
3 sopranos, 2 altos, 2 tenors, bass, 2 horns, 2 violins and continuo |
|
Alegrando los cielos y tierra (González, Gerónimo) for 6 voices and continuo
soprano, alto, mixed chorus and continuo |
1703 |
| Incipit lamentatio (González, Gerónimo) for 2 mixed chorus and continuo |
|
| Atended sonoras aves (Durón, Sebastián) for soprano and continuo |
|
Quando en el oriente (Facco, Giacomo) for tenor, violone and continuo
tenor, cello and continuo
tenor, viol and continuo |
|
| Donde era amor (Durón, Sebastián) for soprano and continuo |
|
| Entre nubes de accidentes (González, Gerónimo) for |
|
| O que lindo preñado (Fuente, Estevan de la) for soprano, alto, bass and continuo |
1704 |
| Válgame Dios (García Pacheco, Fabián) for soprano, alto, tenor, 2 violins and continuo |
|
| Quedito airecillo (Durón, Sebastián) for 2 sopranos, alto, tenor and continuo |
|
| Si me ciega la fe (Durón, Sebastián) for soprano and continuo |
|
| Si temblais de mis culpas (González, Gerónimo) for continuo, 2 sopranos, alto and bass |
|
| No son rayos (Frías, Francisco de) for soprano and continuo |
|
De los triunphos (Gavino Leal, Joseph) for 2 voices, 2 violins, viola and cello
2 voices, 2 violins, viola and continuo
2 voices, strings and continuo |
|
| Stanca di più soffrire dell'estivo leon, WM 172 (Mancini, Francesco) for soprano and continuo |
|
| Stanca di più soffrire dell'estivo leon, WM 172 (Mancini, Francesco) for soprano and continuo |
|
| Cessent corda lamenta formare (Durante, Francesco) for soprano, mixed chorus and orchestra |
1700 |
| Dixit Dominus a 8 in D major (Durante, Francesco) for 8 voices and orchestra |
|
| Amor t'intendo sì, WM 18 (Mancini, Francesco) for soprano and continuo |
|
| Amor t'intendo sì, WM 18 (Mancini, Francesco) for soprano and continuo |
|
| Para que te disfrazas (Frías, Francisco de) for soprano, 2 violins and continuo |
|
| Ahi che sarà di me (Durante, Francesco) for soprano, alto and continuo |
|
| Lytanie Lauretana (Adlgasser, Anton Cajetan) for soprano, alto, tenor, bass and orchestra |
|
| Ah non v'è maggior tormento, WM 5 (Mancini, Francesco) for soprano and continuo |
|
| Ah non v'è maggior tormento, WM 5 (Mancini, Francesco) for soprano and continuo |
|
| Daliso anima mia (Mancini, Francesco) for soprano and continuo |
|
| Daliso anima mia (Mancini, Francesco) for soprano and continuo |
|
| Si duerme el amor (Zumaya, Manuel de) for alto, tenor and continuo |
|
| Pura eyntacta (Zumaya, Manuel de) for soprano, 2 horns, 2 violins and continuo |
|
Resuenen los clarines (Zumaya, Manuel de) for 2 mixed chorus and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo |
1738 |
| La nave Santa Maria preñada (Tello, Miguel) for 2 sopranos, alto, tenor and continuo |
1745 |
| Vengan todas las flores (Urruela y Arteaga, Lorenzo de) for 2 sopranos, alto, tenor and continuo |
1747 |
| Al prodigio mayor de la gracia (Zumaya, Manuel de) for 2 sopranos, alto, tenor and continuo |
|
| Solo con ver su luz (Soler, Francisco) for soprano, 2 oboes, 2 violins and continuo |
1765 |
| La asención triunfante (Selgue, Raymundo) for continuo and 2 sopranos |
|
| O Pedro quien pudiera llegar (Zumaya, Manuel de) for soprano, 2 violins and continuo |
|
| Suspendase las vozes (Zumaya, Manuel de) for soprano, alto and continuo |
1715 |
| Suspendase las vozes (Zumaya, Manuel de) for soprano, alto and continuo |
1755 |
| Vengan vengan vengan (Soberanis, Gregorio Mariano de) for 3 sopranos, 2 violins and continuo |
1747 |
| Logre sacro Hymeneo (Soberanis, Gregorio Mariano de) for alto, 2 violins and continuo |
|
| Quien a mi enamoradito (Sanz, Francisco) for 2 sopranos, alto, tenor and continuo |
|
| Octava Kalenda (Torres y Martínez Bravo, Joseph de) for soprano, 2 violins and continuo |
|
El amor divino (Soberanis, Gregorio Mariano de) for 2 voices and continuo
soprano and continuo |
|
| Risueña la fuente las glorias (Zumaya, Manuel de) for soprano, 2 violins and continuo |
|
| Niño hermoso dulcissimo esposo (Soberanis, Gregorio Mariano de) for continuo and 2 sopranos |
1744 |
| Venid anurar (Serrano, Mateo) for soprano and continuo |
|
| Tronara entre mulo ruido (Torices, Alonso) for 2 sopranos, alto and continuo |
|
Qual antorcha al orbe (Soberanis, Gregorio Mariano de) for 2 sopranos, 2 violins and continuo
2 sopranos, strings and continuo |
|
| La rica espiga de oro (Ximeno, Fabián) for soprano, alto and tenor |
|
| Vella Aurora (Hasse, Johann Adolph) for |
|
| La esphera de estos claustros (Soberanis, Gregorio Mariano de) for 2 sopranos, 2 violins and continuo |
|
| Missa per il Santissimo Natale di Nostro Signore (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Al desnudo ynfante que oy nace en la tierra (Zumaya, Manuel de) for |
|
| Tormento del mio seno (Bononcini, Giovanni) for soprano and continuo |
|
| Ay que abismo de luzes (Veana, Matías Juan de) for soprano, tenor and continuo |
|
| En la cama de la culpa doliente (Veana, Matías Juan de) for 2 sopranos, alto, tenor and continuo |
|
| Vaya de Xacara (Veana, Matías Juan de) for 2 sopranos, tenor, 3 violins and continuo |
1779 |
| Oygan al modo del sacris solemnis (Veana, Matías Juan de) for 2 mixed chorus and continuo |
1726 |
| Ribellatevi o pensieri, IAS 11 (Steffani, Agostino) for continuo and 2 sopranos |
|
| Ahi che in sentirlo io moro, S.384b (Marcello, Benedetto) for continuo and 2 sopranos |
|
| L'Artaxerse, S.2 (Grossi, Carlo) for voices, mixed chorus and orchestra |
|
| Il Nicomede in Bitinia, S.4 (Grossi, Carlo) for |
|
| L'Odoacre (Varischino, Giovanni) for voices, mixed chorus and orchestra |
|
| In due pupille nere, S.147 (Marcello, Benedetto) for soprano and continuo |
|
| In due pupille nere, S.147 (Marcello, Benedetto) for soprano and continuo |
1700 |
| 14 Duets, I-Vnm It.IV.952 (Various) for |
|
| Lamento d’un Amante, G.134 (Gerson, Georg) for voice and piano |
1823 |
| Lamento d’un Amante, G.134 (Gerson, Georg) for voice and piano |
|
| Sinfonia in A major (Leo, Leonardo) for strings and continuo |
|
| Symphony in A major (Neruda, Johann Baptist Georg) for strings and continuo |
|
| Sinfonia in D major (Pisano, Nicola) for violin, strings and continuo |
|
| Sinfonia in G major (Negrillo) for orchestra |
|
| Virgen siempre sois para Virgen (Hidalgo, Juan) for soprano, alto, tenor, bass and continuo |
|
| Xacara va (Viveras, Pedro de) for soprano, alto, tenor, bass and continuo |
|
| De un Christo que atesora (Hernández Illana, Francisco) for soprano and continuo |
|
| Nace el rey prometido (Té y Sagáu, Jayme de la) for 2 sopranos, 2 violins and continuo |
|
| En la suprema eleccion (Sarro, Domenico Natale) for soprano, 2 violins, viola and continuo |
|
| Ay ay a Belen (Jalón, Luis Bernardo) for 2 mixed chorus and continuo |
|
| Harpones del amor (Hidalgo, Juan) for voices |
|
| Livia Claudia vestale (Conforto, Nicola) for 6 voices and orchestra |
1700 |
| La Nitteti (Conforto, Nicola) for 6 voices, mixed chorus and orchestra |
1756 |
| La Nitteti (Conforto, Nicola) for 6 voices, mixed chorus and orchestra |
|
| Detente ligera nube (Jalón, Luis Bernardo) for 2 mixed chorus |
1738 |
| Detente ligera nube (Jalón, Luis Bernardo) for 2 mixed chorus |
|
| Llorad por Dios llorad (Hidalgo, Juan) for soprano, tenor and continuo |
1742 |
| Antigono (Conforto, Nicola) for voices, mixed chorus and orchestra |
|
| Antigono (Conforto, Nicola) for voices, mixed chorus and orchestra |
|
| Antigono (Conforto, Nicola) for voices, mixed chorus and orchestra |
|
| Antigono (Conforto, Nicola) for voices, mixed chorus and orchestra |
|
| La vera felicità, G.135 (Gerson, Georg) for voice and piano |
1823 |
| La vera felicità, G.135 (Gerson, Georg) for voice and piano |
|
| La vera felicità, G.135 (Gerson, Georg) for voice and piano |
|
| Violin Sonata in D major (Lenzi, Girolamo) for violin and continuo |
|
| Violin Sonata in C minor (Lomperich) for violin and continuo |
|
| 14. Heil uns wir seh'n euch wieder from Das Weltgericht, Op. 46 (Schneider, Friedrich) for voices, mixed chorus and orchestra |
|
| Sinfonia in G major (Pickel) for orchestra |
|
| Al solemne de augusto (Literes, Antonio) for soprano, oboe, 2 violins and continuo |
|
| Atalaya divina (Literes, Antonio) for soprano, oboe, 2 violins and continuo |
|
| Si el viento busca el Ave (Literes, Antonio) for soprano, oboe, 2 violins and continuo |
|
| Si eras que el Monte (Literes, Antonio) for 2 sopranos, alto, tenor, 2 violins and continuo |
|
| Duet: Ne giorni tuoi felici from L'Olimpiade (Logroscino, Nicola Bonifacio) for 2 sopranos, 2 trumpets, 2 violins and continuo |
1766 |
| Pajaros deste pensil (Literes, Antonio) for 4 voices, 2 violins and continuo |
|
| Ya te proclaman los cielos (Leo, Leonardo) for strings and soprano |
1789 |
| La mariposa que ama (Literes, Antonio) for soprano, oboe, 2 violins and continuo |
|
| De aquel fatal bocado (Literes, Antonio) for alto, oboe, 2 violins and continuo |
|
| Pater noster (Literes, Antonio) for 2 mixed chorus, 2 violins and continuo |
1717 |
| Quando apique señor (Literes, Antonio) for alto, oboe, 2 violins and continuo |
1733 |
| Sigue amante afecto mio (Literes, Antonio) for soprano, 2 violins and continuo |
|
| Júpiter y Dánae (Literes, Antonio) for 8 voices, mixed chorus, 3 violins and continuo |
|
Fecunda tierra que en puro seno (Literes, Antonio) for 2 sopranos, alto, tenor, violin and continuo
2 sopranos, alto, tenor, violone and continuo |
|
| Ruidosas trompas sonoros eccos (Literes, Antonio) for 2 sopranos, alto, tenor, oboe, 2 horns, 2 violins and continuo |
1736 |
| Ya por el orizonte (Literes, Antonio) for alto, oboe, trumpet, 2 violins and continuo |
|
| Ya es tiempo dulzes liras (Literes, Antonio) for 2 sopranos, alto, tenor, bass, trumpet, 2 violins and continuo |
|
| Mortales gozemos (Literes, Antonio) for 2 sopranos, alto, tenor, oboe, 2 violins and continuo |
1718 |
| Me sabran de lastima (Literes, Antonio) for soprano and continuo |
|
| Al festivo aplauso heroyco (Literes, Antonio) for 2 sopranos, alto, tenor, oboe, 2 violins and continuo |
|
| O Jesus, que finezas (Leo, Leonardo) for tenor and orchestra |
|
| De Dios el afecto procuramos (Leo, Leonardo) for soprano, strings and continuo |
|
| O Pedro peregrino de Dios (Leo, Leonardo) for soprano, alto and orchestra |
|
| O tu que piedra os haze Christo (Leo, Leonardo) for soprano, strings and continuo |
|
| No me aflixas memoria (Layna, Thomas de) for soprano and continuo |
|
| 9 Adventsmotetten, Op. 176 (Rheinberger, Josef Gabriel) for mixed chorus |
1893 |
| 10 Barcarole (Millico, Giuseppe) for soprano and piano |
|
| Ven a venerar afecto mio (Literes, Antonio) for soprano, oboe, 2 violins and continuo |
1716 |
| Si centro heroico (Literes, Antonio) for soprano, 2 violins and continuo |
|
| Sinfonia in F major (Capua, Rinaldo di) for orchestra |
|
Seconda Marcia (Millico, Giuseppe) for 2 sopranos, bass, 2 oboes, 2 clarinets, 2 bassoons, 2 horns and percussion
2 sopranos, bass, wind ensemble, brass ensemble and percussion |
|
| Canzonetta per Marcia (Millico, Giuseppe) for 2 sopranos, bass, 2 clarinets, 2 bassoons, 2 horns and percussion |
|
| Overture from Los esclavos felices (Arriaga, Juan Crisóstomo de) for voices, mixed chorus and orchestra |
1889 |
| Overture from Los esclavos felices (Arriaga, Juan Crisóstomo de) for voices, mixed chorus and orchestra |
|
| Overture from Los esclavos felices (Arriaga, Juan Crisóstomo de) for voices, mixed chorus and orchestra |
|
| Violin Concerto in G minor (Ragazzi, Angelo) for violin, strings and continuo |
|
| Dixit Dominus (López del Río, Manuel Antonio) for 2 sopranos, 2 altos, tenor, bass, trumpet, 2 violins and continuo |
|
Te det animam meam (López de Velasco, Sebastián) for 2 mixed chorus and continuo
soprano, 2 altos, 3 tenors, 2 basses and continuo |
|
| El pan de la vida (Losada, Francisco) for voice and continuo |
|
Sonate militaire 'La conquête d'Oczakow' (Kauer, Ferdinand) for harpsichord
piano |
|
| Villancico (Lopez, Diego) for soprano, alto and 2 tenors |
1672 |
| Duo in A minor (Rieck, Karl Friedrich) for oboe and violin |
|
Sonata in G major (Reinhardt, Johann Georg) for 4 violins and continuo
strings and continuo
2 violins, strings and continuo |
|
| Sinfonia in G major (Brioschi, Antonio) for strings and continuo |
|
| Sinfonia in G major (Rutha) for orchestra |
|
| Duets Nos.4-6 from 6 Flute Duets, Op. 2 (Graeff, Johann Georg) for 2 flutes |
|
| Violin Concerto in A major (Salvini) for violin, strings and continuo |
|
| Violin Concerto in B-flat major (Schachhofer, A.) for violin, strings and continuo |
|
| Violin Concerto in E-flat major (Toeschi, Alessandro) for violin, strings and continuo |
|
| Introduction et Allegro (Cartan, Jean) for flute, oboe, clarinet, bassoon, horn and piano |
|
Carne de donsella (Madre de Deus, Filipe da) for 2 sopranos, tenor and continuo
4 voices and continuo |
|
O que bien si a la escarcha (Madre de Deus, Filipe da) for soprano, 2 mixed chorus and continuo
4 sopranos, 2 altos, 2 tenors, bass and continuo |
|
| Nitocri (Sellitto, Giuseppe) for 7 voices and orchestra |
|
| Nitocri (Sellitto, Giuseppe) for 7 voices and orchestra |
|
| Nitocri (Sellitto, Giuseppe) for 7 voices and orchestra |
|
| Nitocri (Sellitto, Giuseppe) for 7 voices and orchestra |
|
| Sinfonia from Nitocri (Sellitto, Giuseppe) for 7 voices and orchestra |
|
| 12 Duetti (Asioli, Bonifazio) for soprano, alto, tenor and piano |
|
| Violin Concerto in D major (Schulz) for violin, strings and continuo |
|
| Violin Concerto in A major (Schulz) for violin, strings and continuo |
|
| Sinfonia in D minor (Reutter, Georg) for orchestra |
|
| Violin Concerto in B-flat major (Horn, Johann Ludwig) for violin, strings and continuo |
|
| Concerto for 2 Violins in A major (Toeschi, Alessandro) for 2 violins, strings and continuo |
|
Arrangement of Trio Sonata in B minor (Veracini, Antonio) for 2 violins, cello and harpsichord
2 violins, cello and piano |
|
| Fantasia e Fuga Tragica, Op. 42 (Fährmann, Hans) for organ |
1900 |
Recorder Sonata, TWV 41:a4 (Telemann, Georg Philipp) for recorder and continuo
bassoon and continuo
cello and continuo
violin and continuo |
|
6 Pedaletuden, Op. 14 (Fährmann, Hans) for organ
pedal piano |
|
| Piano Trio (Longfellow, William Pitt Preble) for violin, cello and piano |
1905 |
| 29 Instrumental Pieces, Schrank II/29/3 (Various) for orchestra |
|
| 29 Instrumental Pieces, Schrank II/29/3 (Various) for orchestra |
|
| 31 Instrumental Pieces, Schrank II/29/2 (Various) for orchestra |
|
| Diavolina (Pugni, Cesare) for orchestra |
|
| Diavolina (Pugni, Cesare) for orchestra |
|
| Diavolina (Pugni, Cesare) for orchestra |
|
| Arrangement of Diavolina (Pugni, Cesare) for 2 violins |
|
| Trio Sonata in E major (Schachhofer, A.) for 2 violins and continuo |
|
| Violin Sonata in E major (Schachhofer, A.) for violin and continuo |
|
| 35 Instrumental Pieces, Schrank II/29/1 (Various) for orchestra |
|
| Vorspiel und Doppelfuge über B.A.C.H., Op. 11 (Fährmann, Hans) for organ |
1900 |
| Armida, Hob.XXVIII:12 (Haydn, Joseph) for voices and orchestra |
|
| 34 Instrumental Pieces, Schrank II/29/4 (Various) for orchestra |
|
6 Colascioncino Sonatas (Colla, Domenico) for lute and continuo
mandolin and continuo
2 lutes
mandolin and lute |
|
| 6 Preludes (Ferreri, Ernesto) for guitar |
1974 |
| Arrangement of Angelica beltà (Landini, Francesco) for soprano and continuo |
|
| Arrangement of 3 Villanelle a 3 voci (Fiorino, Gasparo) for mixed chorus |
|
| 18 Colascione Partitas (Brescianello, Giuseppe Antonio) for lute |
|
| 34 Instrumental Pieces, Schrank II/30/1 (Various) for orchestra |
|
| Duetto di Metastasio, G.183 (Gerson, Georg) for soprano, tenor and piano |
1823 |
| Duetto di Metastasio, G.183 (Gerson, Georg) for soprano, tenor and piano |
|
Credo in C major (Naumann, Johann Gottlieb) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| O vos omnes (Ribeiro, Francisco Gomes) for soprano |
1937 |
| Duetto d’Adriano, G.53 (Gerson, Georg) for soprano, tenor and harpsichord |
1823 |
| Duetto d’Adriano, G.53 (Gerson, Georg) for soprano, tenor and harpsichord |
|
| Larghetto from Arrangement of Larghetto from Symphony No. 3, Op. 55 (Hesse, Adolf Friedrich) for piano |
1834 |
| 24 Instrumental Pieces, Schrank II/30/2 (Balch, George Christoph) for orchestra |
|
| 9 Toccatas and Fugues (Eberlin, Johann Ernst) for organ |
1793 |
| 13 Keyboard Sonatas (Seixas, Carlos) for keyboard |
|
| 8 Trio Sonatas (Desaubrys, John Phillip) for 2 violins and continuo |
|
| 13 Instrumental Pieces, Schrank II/31/2 (Anonymous) for orchestra |
|
| Violin Concerto in A major, Schrank II/33/5 (Anonymous) for violin, strings and continuo |
|
| Sinfonia in G major (Gallo, Alberto) for orchestra |
|
| 22 Instrumental Pieces, Schrank II/31/4 (Various) for orchestra |
|
| Overture and Menuet from Penelope (Anonymous) for orchestra |
|
| Halewijncantate (Tinel, Jef) for voices, mixed chorus and orchestra |
1911 |
| Flute Concerto, FaWV deest (Fasch, Johann Friedrich) for flute, strings and continuo |
|
| Symphony in C major, G.523 (Boccherini, Luigi) for orchestra |
1799 |
| 'O surdatiello (Scotto Pagliara, Gennaro) for voice and piano |
|
Colectânea de peças para tecla do século XVIII (Baptista, Francisco Xavier) for organ
harpsichord
keyboard |
|
| Kybèle (Dubois, Théodore) for soprano, mixed chorus and orchestra |
1906 |
| Herdenking for Orchestra (Tinel, Jef) for orchestra |
1941 |
| Arrangement of Violin Sonata in D major, P.IX:2 (Nardini, Pietro) for 2 violins |
|
| Violin Concerto in A major, Schrank II/33/25 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in E-flat major, Schrank II/33/15 (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in F major, Schrank II/33/118 (Anonymous) for violin, strings and continuo |
|
| 2 Violin Sonatas, Schrank II/34/2 (Various) for violin and continuo |
|
| Oenone (Kalkbrenner, Christian) for voices, mixed chorus and orchestra |
|
| Flute Concerto in D major, Schrank II/33/72 (Anonymous) for flute, strings and continuo |
|
| Chaconne in C major (Meder, Johann Valentin) for continuo and 2 sopranos |
|
| Wind Octet (Wailly, Paul de) for flute, oboe, 2 clarinets, 2 bassoons, horn and trumpet |
|
| Wind Octet (Wailly, Paul de) for flute, oboe, 2 clarinets, 2 bassoons, horn and trumpet |
|
| Violin Sonata in B-flat major, TalB SV13 (Bitti, Martino) for violin and continuo |
|
| Violin Concerto in F major (Kubasch) for violin, strings and continuo |
|
| Instrumental Piece in D major, Schrank II/33/54 (Anonymous) for orchestra |
|
| Violin Concerto in D minor, Schrank II/33/70 (Anonymous) for violin, strings and continuo |
|
| Violin Sonata in A major (Castrucci, Pietro) for violin and continuo |
|
| Violin Sonata in C minor, Schrank II/34/34 (Anonymous) for violin and continuo |
|
| Violin Sonata in D minor (Laurenti, Girolamo Nicolò) for violin and continuo |
|
| 9 Instrumental Pieces (Various) for 2 chalumeaus and 2 horns |
|
2 Sonatas, Schrank II/34/8 (Anonymous) for violin
violin and continuo |
|
| 9 Violin Sonatas, Schrank II/34/56 (Pisendel, Johann Georg) for violin and continuo |
|
| 2 Gigues, Schrank II/34/49 (Anonymous) for violin and continuo |
|
| Miserere in G minor, H C1.23 (Jommelli, Niccolò) for 5 voices, mixed chorus and continuo |
|
| Miserere in G minor, H C1.23 (Jommelli, Niccolò) for 5 voices, mixed chorus and continuo |
|
| Violin Sonata in G major (Toeschi, Alessandro) for violin and continuo |
|
| Concertino for 2 Chalumeaux and 2 Horns in C major, MWV 8.8 (Molter, Johann Melchior) for 2 chalumeaus, bassoon and 2 horns |
1742 |
| La finta parigina (Cimarosa, Domenico) for voices and orchestra |
1773 |
| Le stravaganze del conte (Cimarosa, Domenico) for voices and orchestra |
1772 |
| La frascatana nobile (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1776 |
| Arianna abbandonata, S.98 (Marcello, Benedetto) for soprano, strings and continuo |
|
| Artaserse (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1784 |
| I sdegni per amore (Cimarosa, Domenico) for voices and orchestra |
1776 |
| La vergine del sole (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1700 |
| La vergine del sole (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| La vergine del sole (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
Uns ist ein Kind geboren (Bach, Johann Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra
2 mixed chorus and orchestra |
|
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
1766 |
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
|
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
|
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
|
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
|
| Arianna e Teseo (Cafaro, Pasquale) for voices and orchestra |
|
| A quest'ombre che di pena son cagione (Ristori, Giovanni Alberto) for alto, violin and continuo |
1700 |
| L'amor costante (Cimarosa, Domenico) for 6 voices and orchestra |
1782 |
| L'amor costante (Cimarosa, Domenico) for 6 voices and orchestra |
|
| I due supposti conti (Cimarosa, Domenico) for 8 voices, mixed chorus and orchestra |
1784 |
| I due supposti conti (Cimarosa, Domenico) for 8 voices, mixed chorus and orchestra |
|
| I tre amanti (Cimarosa, Domenico) for voices and orchestra |
1776 |
| I tre amanti (Cimarosa, Domenico) for voices and orchestra |
|
| I tre amanti (Cimarosa, Domenico) for voices and orchestra |
1777 |
| L'italiana in Londra (Cimarosa, Domenico) for voices and orchestra |
1779 |
| L'italiana in Londra (Cimarosa, Domenico) for voices and orchestra |
|
| Creso (Cafaro, Pasquale) for voices and orchestra |
1777 |
| Creso (Cafaro, Pasquale) for voices and orchestra |
|
| Alessandro nell'Indie (Cimarosa, Domenico) for voices and orchestra |
1781 |
| Sinfonia from Alessandro nell'Indie (Cimarosa, Domenico) for voices and orchestra |
|
| Requiem in G minor (Cimarosa, Domenico) for 4 voices, mixed chorus and orchestra |
1787 |
| Il pittore parigino (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1781 |
| Il pittore parigino (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Il pittore parigino (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Il pittore parigino (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| L'eroe cinese (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1782 |
| L'eroe cinese (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| L'eroe cinese (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
13 Vocal pieces, I-MC 1-E-5 (Cimarosa, Domenico) for voice and orchestra
2 voices and orchestra |
|
| L'Armida immaginaria (Cimarosa, Domenico) for voices and orchestra |
1777 |
| L'Armida immaginaria (Cimarosa, Domenico) for voices and orchestra |
|
| La Cleopatra (Cimarosa, Domenico) for voices and orchestra |
1789 |
| La Cleopatra (Cimarosa, Domenico) for voices and orchestra |
|
| La Cleopatra (Cimarosa, Domenico) for voices and orchestra |
|
| La vanità delusa (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1784 |
| La vanità delusa (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Il fanatico per gli antichi romani (Cimarosa, Domenico) for 7 voices and orchestra |
|
| Il fanatico per gli antichi romani (Cimarosa, Domenico) for 7 voices and orchestra |
1777 |
Works of Jommelli, C.P.E. Bach, Cocchi and Majo (Various) for harpsichord
2 violins, viola and continuo
soprano and continuo
soprano, 2 oboes, 2 violins, viola and continuo
soprano, 2 trumpets, 2 violins, viola and continuo |
|
| Incomplete from Catone in Utica (Piccinni, Niccolò) for voices and orchestra |
|
| Artemisia (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1800 |
| Artemisia (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Artemisia (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
|
| Il ritorno di Don Calandrino (Cimarosa, Domenico) for voices and orchestra |
1778 |
| Il ritorno di Don Calandrino (Cimarosa, Domenico) for voices and orchestra |
|
| Il ritorno di Don Calandrino (Cimarosa, Domenico) for voices and orchestra |
|
| Barcarolle (Boëllmann, Léon) for piano |
1884 |
| Wachet auf, ruft uns die Stimme, BWV 645 (Bach, Johann Sebastian) for organ |
|
| Ouverture Royale in D major (Porpora, Nicola Antonio) for wind ensemble and percussion |
1763 |
| Dal povero mio cor, S.21 (Porpora, Nicola Antonio) for alto and continuo |
|
| Destatevi, o pastori, S.31 (Porpora, Nicola Antonio) for alto, violin and continuo |
|
| Ninfe e pastori (Porpora, Nicola Antonio) for soprano and continuo |
|
| Oh Dio che non è vero, S.73 (Porpora, Nicola Antonio) for alto and continuo |
|
| Oh se fosse il mio core in libertà, S.74 (Porpora, Nicola Antonio) for alto and continuo |
|
| Or che una nube ingrata, S.81 (Porpora, Nicola Antonio) for alto and continuo |
|
| Queste che miri o Nice, S.97 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Scrivo in te l'amato nome, S.100 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Veggo la selva e il monte, S.129 (Porpora, Nicola Antonio) for alto and continuo |
|
| Salve regina in F major (Porpora, Nicola Antonio) for alto, strings and continuo |
1700 |
| D'amore il primo dardo, S.23 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Tirsi chiamare a nome, S.121 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Nel mio sonno almen talora, S.63 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Già la notte s'avvicina, S.45 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Hino da Carta (Pedro I, Dom) for voice and piano |
|
| Arrangement of Hino da Carta (Pedro I, Dom) for orchestra |
|
| Arrangement of Hino da Carta (Pedro I, Dom) for voice and piano |
|
The American Harmony (Cowling, Aaron) for 2 voices
3 voices
4 voices
mixed chorus |
|
Adeste fideles in A-flat major (Tinel, Jef) for 2 voices and organ
2 sopranos and organ
2 tenors and organ
female chorus and organ
male chorus and organ |
1920 |
| Sonata in A minor, Op. 1 No. 5 (Venturini, Francesco) for orchestra |
|
| Sul margine adorato (Bononcini, Antonio Maria) for soprano, 2 violins and continuo |
|
| Vorrei pupille belle (Bononcini, Antonio Maria) for soprano, 2 violins and continuo |
|
| Troppo, troppo rigore (Bononcini, Antonio Maria) for soprano, 2 violins and continuo |
|
| Lontananza (Bononcini, Antonio Maria) for alto, 2 violins and continuo |
|
| Tanto avezzo ho il core (Bononcini, Antonio Maria) for alto, 2 violins and continuo |
|
| Sopra l'orme d'Irene (Bononcini, Antonio Maria) for alto, 2 violins and continuo |
|
6 Cantatas, A-Wn Mus.Hs.17607 (Bononcini, Antonio Maria) for soprano, 2 violins and continuo
alto, 2 violins and continuo |
|
| Griselda (Conti, Francesco Bartolomeo) for voices and orchestra |
|
| Weint, ihr Sünder, weint vor Freuden (Fehre, Christoph Ludwig) for soprano, alto, tenor, bass and orchestra |
|
| Weint, ihr Sünder, weint vor Freuden (Fehre, Christoph Ludwig) for soprano, alto, tenor, bass and orchestra |
|
| Magnificat in F major (Pollarolo, Carlo Francesco) for 2 sopranos, 2 altos, tenor, bass, strings and continuo |
|
| Magnificat in F major (Pollarolo, Carlo Francesco) for 2 sopranos, 2 altos, tenor, bass, strings and continuo |
|
| Penelope la casta (Perti, Giacomo Antonio) for voices and orchestra |
|
| Penelope la casta (Perti, Giacomo Antonio) for voices and orchestra |
|
| Astarto (Conti, Francesco Bartolomeo) for voices and orchestra |
|
| Alleluia dicite in C major (Caldara, Antonio) for soprano, alto, 2 mixed chorus, strings and continuo |
1710 |
| Io soffrirò tacendo (Caldara, Antonio) for soprano and continuo |
1712 |
| Io soffrirò tacendo (Caldara, Antonio) for soprano and continuo |
|
| Lobet den Herrn in seinem Heiligtum, B.130 (Doles, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
|
| Lobet den Herrn in seinem Heiligtum, B.130 (Doles, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
|
Codex Faenza (Various) for 2 voices
3 voices
4 voices
keyboard |
|
Dies Irae, W.E 12 (Bach, Johann Christian) for 2 mixed chorus and orchestra
8 voices and orchestra |
|
| Violin Sonata in E-flat major (Vilsmayr, Johann Joseph) for violin and continuo |
1700 |
| Prelude and Fugue in A-flat major, BWV 862 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in A major, BWV 864 (Bach, Johann Sebastian) for keyboard |
|
| Prelude and Fugue in A minor, BWV 865 (Bach, Johann Sebastian) for keyboard |
|
| La Rosmene, R.337.11 (Scarlatti, Alessandro) for 4 sopranos, 2 tenors, bass, strings and continuo |
|
| La Rosmene, R.337.11 (Scarlatti, Alessandro) for 4 sopranos, 2 tenors, bass, strings and continuo |
|
Selve, placide selve (Bononcini, Antonio Maria) for soprano and continuo
alto and continuo |
|
Selve, placide selve (Bononcini, Antonio Maria) for soprano and continuo
alto and continuo |
|
| Maddalena ai piedi di Cristo (Caldara, Antonio) for 6 voices and orchestra |
1713 |
| Maddalena ai piedi di Cristo (Caldara, Antonio) for 6 voices and orchestra |
|
| Prelude and Fugue in B-flat major, BWV 866 (Bach, Johann Sebastian) for keyboard |
|
| Parant arma stellae iratae (Feo, Francesco) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Dies irae in G minor (Feo, Francesco) for voices, mixed chorus and orchestra |
|
| Magnificat in F major (Feo, Francesco) for mixed chorus, strings and continuo |
|
| Requiem, Op. 76 (Fine, Marshall) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1992 |
Musical playing cards (Espírito Santo e Oliveira, José do) for soprano
violin |
|
| Laudate pueri in B-flat major (Feo, Francesco) for 5 voices, strings and continuo |
|
| Laudate pueri in B-flat major (Feo, Francesco) for 5 voices, strings and continuo |
|
| Missa Sacrum (Anonymous) for mixed chorus and orchestra |
1750 |
| Confitebor in F major (Feo, Francesco) for voices, mixed chorus and orchestra |
|
| Suite de l'iris (Geng, Shiqi) for piano |
2014 |
The Fayrfax Manuscript (Various) for 3 voices
4 voices
mixed chorus
organ |
|
| Beatus vir in A major (Feo, Francesco) for mixed chorus, strings and continuo |
|
| Euristeo (Caldara, Antonio) for 7 voices and orchestra |
|
| Euristeo (Caldara, Antonio) for 7 voices and orchestra |
|
| Euristeo (Caldara, Antonio) for 7 voices and orchestra |
|
| Euristeo (Caldara, Antonio) for 7 voices and orchestra |
|
| Euristeo (Caldara, Antonio) for 7 voices and orchestra |
|
| Responsórios para a festividade de Santo António (Espírito Santo e Oliveira, José do) for mixed chorus, 2 bassoons, 2 cellos, double bass and organ |
1800 |
| Duet for Viola and Double Bass, M.C I:08 (Sperger, Johann Matthias) for viola and double bass |
1700 |
| Man singet mit Freuden vom Sieg, TWV 1:1088 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Complete (1768 Version) from Artaserse (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1768 |
| Complete (1768 Version) from Artaserse (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1762 Version) from Artaserse (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1768 Version) from Artaserse (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Le donne vendicate (Piccinni, Niccolò) for voice and orchestra |
1763 |
| Le donne vendicate (Piccinni, Niccolò) for voice and orchestra |
|
| Del pigro Lete ecco le sponde (Leo, Leonardo) for alto, strings and continuo |
|
| Triumph des Vaterherzens, Op. 51 (Brandl, Johann Evangelist) for voices and orchestra |
|
| Ouverture from Triumph des Vaterherzens, Op. 51 (Brandl, Johann Evangelist) for voices and orchestra |
|
| Siface (Leo, Leonardo) for 6 voices and orchestra |
|
| Siface (Leo, Leonardo) for 6 voices and orchestra |
|
| Complete (1758 Version) from Alessandro nell'Indie (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1758 |
| Complete (1774 Version) from Alessandro nell'Indie (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1774 Version) from Alessandro nell'Indie (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Herr wenn Trübsal da ist (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1710 |
| Rinaldo (Skokov, Pyotr) for voices, mixed chorus and orchestra |
|
| Magnificat in D major (Fago, Francesco Nicola) for 5 voices and orchestra |
1700 |
| Lagrime di cordoglio (Fago, Francesco Nicola) for soprano and continuo |
|
| Alessandro nell'Indie (Hasse, Johann Adolph) for voices and orchestra |
|
| Ich will euch wiedersehen (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich will euch wiedersehen (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1708 |
| Adriano in Siria (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Adriano in Siria (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Adriano in Siria (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Antigono (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Antigono (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Sonata for Viola and Double Bass, M.C I:06 (Sperger, Johann Matthias) for viola and double bass |
1700 |
| Sonata for Viola and Double Bass, M.C I:09 (Sperger, Johann Matthias) for viola and double bass |
1789 |
| Achille in Sciro (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Hasse, Johann Adolph) for 7 voices, mixed chorus and orchestra |
|
| Der Tod Abels (Rolle, Johann Heinrich) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| Double Bass Concerto No. 1 in E-flat major, Kr.171 (Dittersdorf, Carl Ditters von) for double bass and orchestra |
|
| L'inganno trionfante in amore, RV 721 (Vivaldi, Antonio) for 6 voices and orchestra |
|
| Ercole su'l Termodonte, RV 710 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
|
| La virtù trionfante dell'amore e dell'odio, ovvero il Tigrane, RV 740 (Various) for 7 voices, strings and continuo |
|
| Tieteberga, RV 737 (Vivaldi, Antonio) for voices and orchestra |
|
| L'Atenaide, RV 702 (Vivaldi, Antonio) for 7 voices and orchestra |
1700 |
| La fede tradita e vendicata, RV 712 (Vivaldi, Antonio) for 6 voices and orchestra |
1700 |
| Orlando finto pazzo, RV 727 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
1714 |
| Sentire che nel sen from Orlando finto pazzo, RV 727 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
|
| 6 Violin Sonatas, Op. 1 (Vodička, Václav) for violin and continuo |
|
| Dorilla in Tempe, RV 709 (Vivaldi, Antonio) for voices, mixed chorus and orchestra |
1726 |
Choral-Vorspiele für die Orgel und das Klavier (Kühnau, Johann Christoph) for organ
keyboard
clavichord |
|
| Dalisa (Hasse, Johann Adolph) for 4 voices and orchestra |
1700 |
| Dalisa (Hasse, Johann Adolph) for 4 voices and orchestra |
|
| Dalisa (Hasse, Johann Adolph) for 4 voices and orchestra |
|
| Dalisa (Hasse, Johann Adolph) for 4 voices and orchestra |
|
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
1740 |
| Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
1740 |
| Selections (1732 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Selections (1740 Version) from Il Demetrio (Hasse, Johann Adolph) for voices and orchestra |
|
| Hier ist mein Herz, geliebter Jesu, TWV 1:795 (Telemann, Georg Philipp) for soprano, tenor, strings and continuo |
|
| Die Vier Jahreszeiten (Tischer, Johann Nikolaus) for keyboard |
|
| Pletro Armonico, Op. 5 (Albergati, Pirro Capacelli Conte) for 2 violins, cello and continuo |
|
| Pletro Armonico, Op. 5 (Albergati, Pirro Capacelli Conte) for 2 violins, cello and continuo |
|
| Ach Gott und Herr, EngK 207 (Kirnberger, Johann Philipp) for organ |
|
| Ach, wo bin ich hingeraten, TWV 1:41 (Telemann, Georg Philipp) for tenor, oboe, strings and continuo |
|
| Violin Sonata in D major, IA 1005 (Anonymous) for violin and continuo |
1662 |
| Violin Sonata in D minor (Bertali, Antonio) for violin and continuo |
1662 |
| Ciaccona in C major (Bertali, Antonio) for violin and continuo |
1662 |
| Partita in A minor, FbWV 628 (Froberger, Johann Jacob) for harpsichord |
|
| Arrangement of Partita in A minor, FbWV 628 (Froberger, Johann Jacob) for violin and viol |
1662 |
| Anniversary Overture (Chadwick, George Whitefield) for orchestra |
1922 |
| Violin Sonata in E minor (Oswald, Andreas) for violin and continuo |
1662 |
| Arrangement of Violin Sonata in D major, Anh.34 (Corelli, Arcangelo) for recorder and continuo |
|
Partiturbuch Ludwig (Ludwig, Jakob) for violin and continuo
violin and viol
viol and continuo
bassoon, violin and continuo
violin, viol and continuo
2 violins and continuo
trombone, violin and continuo
2 violins, viol and continuo
2 violins, viola and continuo
bassoon, 2 violins and continuo
violin, viola, viol and continuo
bassoon, trombone, violin and continuo
trombone, violin, viol and continuo
2 violins, viola, violone and continuo
bassoon, 2 violins, viola and continuo
2 violins, viol, violone and continuo
bassoon, violin, 2 violas and continuo
4 viols and continuo
violin, 2 violas, violone and continuo
bassoon, trombone, 2 violins and continuo
4 violins, viola and continuo
2 violins, 2 violas, violone and continuo
bassoon, 2 violins, 2 violas and continuo
3 violins, viola, violone and continuo
2 violins, 2 violas, viol and continuo
2 violins, 3 violas, violone and continuo
4 cornetts, 2 trombones and continuo
4 violins, 2 viols and continuo
2 cornetts, 3 trombones, 2 violins and continuo
2 violins, 4 violas, violone and continuo
bassoon, 2 cornetts, 3 trombones and continuo
bassoon, 3 trombones, 2 violins and continuo
bassoon, 4 trombones, 3 violins and continuo
4 trombones, 3 violins, violone and continuo |
1662 |
| Die Gemsenjäger (Bierey, Gottlob Benedict) for voices, mixed chorus and orchestra |
|
| Christus' dood en verrijzenis (Tinel, Jef) for childrens chorus and piano |
|
| 2 Valses de concert, Op. 4 (Draeseke, Felix) for piano |
1867 |
| Rosette, das Schweizer Hirtenmädchen (Bierey, Gottlob Benedict) for voices, mixed chorus and orchestra |
|
| Suite in D major (Froberger, Johann Jacob) for violin and viol |
1662 |
| Suite in D minor (Bernhard, Christoph) for violin and viol |
1662 |
| Suite in G major (Froberger, Johann Jacob) for |
1662 |
| 6 Harpsichord Sonatas (Durante, Francesco) for harpsichord |
|
Floræ Memoriæ (Baker, L. H.) for soprano
voice
voices
voices and piano |
1825 |
| In quel primiero istante (Leo, Leonardo) for soprano and continuo |
|
| Il cor che vive oppresso (Leo, Leonardo) for soprano and continuo |
|
| Or che barbara sorte (Leo, Leonardo) for soprano and continuo |
|
T'intendo sì mio cor (Leo, Leonardo) for soprano and continuo
alto and continuo |
|
T'intendo sì mio cor (Leo, Leonardo) for soprano and continuo
alto and continuo |
|
| Agnellino innocente (Leo, Leonardo) for soprano and continuo |
|
| Violin Concerto in D minor, RV 247 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D minor, RV 248 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Caricia a mi madre, Op. 1 (Olmedo de la Lama, Guadalupe) for piano |
|
| L'addolorato Eurillo, TriCo 62 (Corsi da Celano, Giuseppe) for soprano and continuo |
|
| String Quartet No. 1, Op. 1 (Chadwick, George Whitefield) for 2 violins, viola and cello |
1878 |
Manuscript Volumes from J.B. Millet & Co. (Various) for organ
piano |
|
| String Quartet No. 2, Op. 2 (Chadwick, George Whitefield) for 2 violins, viola and cello |
1878 |
| Symphony No. 1, Op. 5 (Chadwick, George Whitefield) for orchestra |
1881 |
| La selvaggia nel Messico (Nicolini, Giuseppe) for voices, mixed chorus and orchestra |
|
| Cleopatra (Chadwick, George Whitefield) for orchestra |
1904 |
| Il geloso sincerato (Nicolini, Giuseppe) for voices, mixed chorus and orchestra |
1804 |
| Il geloso sincerato (Nicolini, Giuseppe) for voices, mixed chorus and orchestra |
|
| Il matrimonio per raggiro (Cimarosa, Domenico) for voices and orchestra |
|
| Le stravaganze d'amore (Cimarosa, Domenico) for voices, mixed chorus and orchestra |
1778 |
| La serva per amore (Galuppi, Baldassare) for voices and orchestra |
1773 |
| Il mondo alla roversa (Galuppi, Baldassare) for voices and orchestra |
|
| Il mondo alla roversa (Galuppi, Baldassare) for voices and orchestra |
|
| Complete (1749 Version) from Artaserse (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Selections (1749 Version) from Artaserse (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Selections (1754-55 Versions) from Artaserse (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Ciro riconosciuto (Galuppi, Baldassare) for 7 voices and orchestra |
1737 |
| Ciro riconosciuto (Galuppi, Baldassare) for 7 voices and orchestra |
|
| La clemenza di Tito (Galuppi, Baldassare) for 6 voices and orchestra |
|
| La clemenza di Tito (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Missa pastoralis in D major (Durante, Francesco) for 4 voices, strings and continuo |
|
| Sextet, Op. 133 (Stöhr, Richard) for clarinet, horn, violin, cello and 2 pianos |
1950 |
| Sextet, Op. 133 (Stöhr, Richard) for clarinet, horn, violin, cello and 2 pianos |
1950 |
| String Quartet No. 5 (Chadwick, George Whitefield) for 2 violins, viola and cello |
1903 |
| Concerto im alten Stil, Op. 68 (Stöhr, Richard) for percussion, piano and strings |
|
| Complete (1748 Version) from Demetrio (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Sinfonia (1761 Version) from Demetrio (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Sinfonia (1761 Version) from Demetrio (Galuppi, Baldassare) for 6 voices and orchestra |
1761 |
| Artaserse (Alessandri, Felice) for voices, mixed chorus and orchestra |
1783 |
| Artaserse (Curcio, Giuseppe) for voices and orchestra |
|
| Sonata à 5 in C major (Löwe, Johann Jacob) for 2 violins, viola, violone and continuo |
1665 |
| Artaserse, R.1.30 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1771 |
| Artaserse, W.G 1 (Bach, Johann Christian) for voices and orchestra |
|
| Incomplete (Unidentified Version) from La Semiramide riconosciuta (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Selections (1749 Version) from La Semiramide riconosciuta (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Postlude in C major (Laselle, Mary A.) for organ |
1800 |
| Postlude in C major (Laselle, Mary A.) for organ |
|
| Nocturne et Scherzo (Debussy, Claude) for cello and piano |
1882 |
| Rondo all'Ongarese. Presto (No.3) from Arrangement of Rondo all'Ongarese. Presto (No.3) from Piano Trio in G major, Hob.XV:25 (Haydn, Joseph) for 4 violins |
|
| Serenade (Chadwick, George Whitefield) for strings |
1890 |
| Rip van Winkle Overture (Chadwick, George Whitefield) for orchestra |
1879 |
| Assumpta est Maria (Tinel, Jef) for 2 voices and organ |
1900 |
| Ave Maria, gratia plena (Tinel, Jef) for 2 voices and organ |
1923 |
| Benedic, anima mea (Tinel, Jef) for 2 voices and organ |
1923 |
| Confirma hoc Deus (Tinel, Jef) for 2 voices and organ |
1923 |
| Giuditio universale (Carissimi, Giacomo) for soprano and continuo |
|
| 6 String Quartets, Op. 7 (Förster, Emanuel Aloys) for 2 violins, viola and cello |
1794 |
| Arrangement of Passione (Ranzato, Virgilio) for guitar, 2 mandolins and mandola |
1927 |
| A Quiet Lodging (Chadwick, George Whitefield) for voices and orchestra |
1892 |
| Af underdånig nytt (Düben, Anders von) for soprano, continuo and 2 sopranos |
1708 |
| The Peer and the Pauper (Chadwick, George Whitefield) for voices, mixed chorus and orchestra |
1884 |
| Trio Sonata in D minor (Düben, Anders von) for 2 cornetts and continuo |
1692 |
| Sonata in E-flat major (Düben, Anders von) for 2 violins, viol and continuo |
1692 |
| Tände Sveas arvprinsessa blida himlens nådepant (Düben, Anders von) for soprano, strings and continuo |
1714 |
| Love's Sacrifice (Chadwick, George Whitefield) for voices, mixed chorus and orchestra |
1917 |
| Te Deum Laudamus (Chadwick, George Whitefield) for mixed chorus and organ |
1874 |
| Sinfonia in B-flat major (Düben, Anders von) for continuo and 2 sopranos |
|
Nu bör oss prisa Gud för det framlidna år (Düben, Anders von) for 2 sopranos, 2 violins and continuo
2 sopranos, continuo and 2 sopranos |
|
| Gottes Güte sei gepriesen (Düben, Anders von) for soprano, strings and continuo |
|
| Vi fägnar mycket oss vid detta nya år (Düben, Anders von) for soprano, strings and continuo |
|
Vi kan ej nogsamt betyga vår fägnad (Düben, Anders von) for soprano, 2 violins and continuo
soprano, 2 flutes and continuo |
|
| Prinsessa vars nåd är utan like (Düben, Anders von) for soprano, 2 violins and continuo |
|
| Högsta himmel vi dig sjunga (Düben, Anders von) for soprano, continuo and 2 sopranos |
|
Swea Rijket näplig har sedt så härlig dagh (Düben, Anders von) for soprano, 2 flutes and continuo
soprano, continuo and 2 sopranos |
|
| Fathers of the Free (Chadwick, George Whitefield) for mixed chorus and orchestra |
1927 |
Trio Sonata in A major, GraunWV B:XV:62 (Graun, Karl Heinrich) for oboe damore, violin and continuo
flute, violin and continuo
2 flutes and continuo |
|
Lev väl i långa tider Konung Carl (Düben, Anders von) for soprano, 2 violins and continuo
soprano, 2 flutes and continuo
soprano, 2 oboes and continuo |
1704 |
| Du runda himlavalv låt nu ditt silver (Düben, Gustaf) for soprano and continuo |
1690 |
| Alla med en mun och röst (Düben, Anders von) for soprano and orchestra |
1714 |
| O store allmakts Gud (Düben, Anders von) for soprano, mixed chorus and orchestra |
|
Wy Önskom wår monark (Düben, Anders von) for soprano, 2 flutes and continuo
soprano, 2 violins and continuo |
1701 |
| Heut freut sich der Himmel (Düben, Gustaf) for soprano and continuo |
1688 |
Alles Leben dieser Erde (Düben, Gustaf) for 2 sopranos, strings and continuo
2 sopranos, bass, strings and continuo |
|
Wie bist du Davids Sohn (Düben, Gustaf) for soprano, alto, tenor, bass, strings and continuo
soprano, alto, tenor, bass, 4 viols and continuo |
1690 |
| Sinfonia in C major (Düben, Gustaf) for 2 violins, viol, keyboard, harpsichord and continuo |
1654 |
| Alt vad i Sverige bor det stämme med oss in (Düben, Gustaf) for soprano and continuo |
1688 |
| Välkommen käraste nu (Düben, Gustaf) for soprano, bass, 2 violins and continuo |
1684 |
| Nun so ist es denn geschehen (Düben, Gustaf) for tenor, 2 violins and continuo |
1672 |
6 Sonatas (Bertali, Antonio) for 2 violins, 3 violas and continuo
2 violins, 3 viols and continuo
2 cornetts, 3 trombones and continuo |
|
| Trio Sonata in D minor (Bertali, Antonio) for violin, viol and continuo |
|
| Sonata à 4 in G minor (Bach, Johann Michael) for violin, 2 violas and continuo |
|
| String Quartet in C minor (Smyth, Ethel) for 2 violins, viola and cello |
1881 |
Erinnerung von Göthe, G.27 (Gerson, Georg) for 4 voices
2 sopranos and 2 tenors |
1823 |
Vierstimmiger Canon, G.55 (Gerson, Georg) for 4 voices
4 tenors |
1823 |
| Vierstimmiger Canon, G.11 (Gerson, Georg) for 4 voices |
1823 |
Vierstimmiger Canon, G.56 (Gerson, Georg) for 4 voices
4 basses |
1823 |
| Räthsel Canon, G.61 (Gerson, Georg) for soprano, alto and tenor |
1823 |
| Zweystimmiger Canon, G.62 (Gerson, Georg) for 2 voices |
1823 |
| Canonischer Satz in der Quinte, WoO 1 (Gerson, Georg) for soprano and bass |
1823 |
| Violin Sonata in A major, Schrank II/34/68 (Anonymous) for violin and continuo |
|
Canon für 4 Tenor oder Baß Stimmen, G.24 (Gerson, Georg) for 4 voices
4 tenors
4 basses |
1823 |
| Canone al revescio, G.25 (Gerson, Georg) for 2 voices |
1823 |
| Flute Concerto in G minor, GUN 1 (Wendling, Johann Baptist) for flute, strings and continuo |
|
| Die Hussiten vor Naumburg (Salieri, Antonio) for voices and orchestra |
|
| Violin Concerto in C major, GT 1.C17 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Concerto for Harpsichord and Violin in B-flat major (Lang, Johann Georg) for violin, harpsichord, strings and continuo |
|
| Sonata for Flute and Harp in E-flat major (Saint-Georges, Joseph Bologne) for flute and harp |
|
| Trio Sonata in G major, DelK p.299 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Trio Sonata in C major, DelK p.283 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Trio Sonata in G major, DelK p.282 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Trio Sonata in B-flat major, DelK p.283 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Trio Sonata in D major, DelK p.284 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Flute Concerto in D major (Köhler, Johann Hermann) for flute, strings and continuo |
|
| Trio Sonata in E minor (Köhler, Johann Hermann) for 2 flutes and continuo |
|
| Trio Sonata in D major (Köhler, Johann Hermann) for 2 flutes and continuo |
|
| Trio Sonata in G major (Köhler, Johann Hermann) for 2 flutes and continuo |
|
| Babelstaarnet, Op. 35 (Nielsen, Ludolf) for voices, mixed chorus and orchestra |
1913 |
| Es schallen, Kunst der Töne, dir Lobgesänge hier! (Salieri, Antonio) for voices and orchestra |
1818 |
| 12 Songs, Op. 91 (Stöhr, Richard) for voice and piano |
1900 |
| 10 Songs, Op. 96 (Stöhr, Richard) for voice and piano |
1943 |
| Trio Sonata in A major, DelK p.299 (Kleinknecht, Jakob Friedrich) for 2 flutes and continuo |
|
| Duet for Flute and Violin, G.3 (Gerson, Georg) for flute and violin |
1823 |
| 12 Songs, Op. 110 (Stöhr, Richard) for voice and piano |
1900 |
| Complete (1765 Version) from Demetrio (Perez, Davide) for voices and orchestra |
|
| Solimano (Perez, Davide) for 6 voices and orchestra |
|
| Concerto for Harpsichord and Oboe in B minor, Krebs-WV 204 (Krebs, Johann Ludwig) for oboe, harpsichord, strings and continuo |
|
| Siroe, re di Persia (Perez, Davide) for 6 voices and orchestra |
|
| Siroe, re di Persia (Perez, Davide) for 6 voices and orchestra |
|
| Demetrio, R.1.25 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1774 |
| Demetrio, R.1.59 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1779 |
| Concerto Grosso in G major, GraunWV Bv:XIII:55 (Graun, Karl Heinrich) for flute, violin, cello, viol, strings and continuo |
|
| Waltz for Flute, Violin and Piano, G.10 (Gerson, Georg) for flute, violin and piano |
|
Concerto for Oboe and Bassoon, HWV Anh.B 308 (Handel, George Frideric) for oboe, bassoon, strings and continuo
flute, bassoon, strings and continuo
bassoon, violin, strings and continuo |
|
| Gloria in C major (Caldara, Antonio) for 2 mixed chorus and orchestra |
1707 |
| Il montanaro (Mercadante, Saverio) for voices, mixed chorus and orchestra |
|
Trio Sonata in D major (Janitsch, Johann Gottlieb) for 2 violins and continuo
flute, violin and continuo |
|
| Trio Sonata in G minor (Janitsch, Johann Gottlieb) for violin, viola and continuo |
1700 |
| Atalipa e Doriene fratelli indiani (Caldara, Antonio) for 2 sopranos, flute, lute, 2 violins and continuo |
1700 |
| Sonata da Camera in D major, Op. 5 (Janitsch, Johann Gottlieb) for flute, oboe, viola and continuo |
|
| Alta nubes illustrata (Hasse, Johann Adolph) for soprano, strings and continuo |
|
| Ah ingrato pastorello (Caldara, Antonio) for soprano, 2 violins and continuo |
|
| Waltz for Flute, 2 Violins and Bass, G.21 (Gerson, Georg) for flute, 2 violins and cello |
1823 |
| Waltz for Flute, 2 Violins and Bass, G.34 (Gerson, Georg) for flute, 2 violins and cello |
1823 |
Trio Sonata in F-sharp minor (Janitsch, Johann Gottlieb) for 2 violins and continuo
oboe, violin and continuo
flute, violin and continuo |
1700 |
| Adriano in Siria (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Adriano in Siria (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Adriano in Siria (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
Trio Sonata in A minor (Janitsch, Johann Gottlieb) for oboe, violin and continuo
2 violins and continuo |
1700 |
| Temistocle (Alberti, Domenico) for soprano, strings and continuo |
|
Salve Regina in F major (Filtz, Johann Anton) for soprano and orchestra
soprano, 2 trumpets, 2 violins and continuo |
|
| Farnace (Franchi, Carlo) for voices, mixed chorus and orchestra |
|
| Mass in E-flat major, GraunWV A:VI:1 (Graun, Johann Gottlieb) for soprano, alto, tenor, bass, strings and continuo |
|
| Mass in E-flat major, GraunWV A:VI:1 (Graun, Johann Gottlieb) for soprano, alto, tenor, bass, strings and continuo |
|
6 Flute Sonatas, GUN 3 (Wendling, Johann Baptist) for flute and cello
flute and continuo |
|
| Achille in Sciro (Amicone, Antonio) for voices, mixed chorus and orchestra |
|
| Galatea (Alberti, Domenico) for voices and orchestra |
|
| Galatea (Alberti, Domenico) for voices and orchestra |
|
| Temistocle (Caldara, Antonio) for voices, mixed chorus and orchestra |
|
| Balletti (Nicola Mattheis Jr.) from Temistocle (Caldara, Antonio) for voices, mixed chorus and orchestra |
|
| Waltz for Dance Orchestra, G.70 (Gerson, Georg) for orchestra |
1823 |
| Artaserse (Leo, Leonardo) for voices and orchestra |
|
| Achille in Sciro, R.1.56 (Paisiello, Giovanni) for 7 voices, mixed chorus and orchestra |
1777 |
| Flute Concerto No. 3 in C major, SpiF 90 (Frederick II) for flute, strings and continuo |
|
| 3 Romances, Op. 6 (Glière, Reinhold) for voice and piano |
|
| Missa in D major (Hasse, Johann Adolph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Miserere in C minor (Hasse, Johann Adolph) for 2 sopranos, 2 altos, female chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in C major (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Requiem in C major (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
1763 |
| Missa in G minor (Hasse, Johann Adolph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Magnificat in F major, GraunWV D:VI:11 (Graun, Johann Gottlieb) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Variations in A major, Op. 222a (Czerny, Carl) for piano and orchestra |
|
| Variations in A major, Op. 222a (Czerny, Carl) for piano and orchestra |
|
| Quadrille allemande, G.92 (Gerson, Georg) for piccolo, clarinet and strings |
1823 |
| Ecossaise for Dance Orchestra, G.98 (Gerson, Georg) for orchestra |
1823 |
| Valse-carillon, Op. 20 (Boëllmann, Léon) for piano |
1800 |
| Ave Maria (Veccia, Francesco) for tenor and piano |
1923 |
| Ercole al Termedonte (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Rondeau, G.88 (Gerson, Georg) for voice, violin and piano |
1823 |
| Tell Me Not of Joys Above, G.179 (Gerson, Georg) for voice and piano |
1823 |
| A Spirit There Is, G.180 (Gerson, Georg) for voice and piano |
1823 |
| Romance, G.87 (Gerson, Georg) for voice, violin and piano |
1823 |
| Complete (1768 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1768 |
| Complete (1774 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1761 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1768 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1774 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1774 |
| Selections (1774 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Selections (1774 Version) from L'Olimpiade (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Complete (1771 Version) from Antigono (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1771 |
| Tigrane (Piccinni, Niccolò) for voices and orchestra |
1700 |
| Lied in drey Thönen, G.81 (Gerson, Georg) for voice and piano |
1823 |
| Lied in drey Thönen, G.81 (Gerson, Georg) for voice and piano |
|
| Didone abbandonata (Traetta, Tommaso) for voices and orchestra |
|
| Il re alla caccia (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Il re alla caccia (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Ipermestra (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Ezio (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Antigona (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Complete (1753 Version) from Ricimero (Galuppi, Baldassare) for voices and orchestra |
|
| Selections (1753 Version) from Ricimero (Galuppi, Baldassare) for voices and orchestra |
|
| Christus, der uns selig macht, BWV 747 (Bach, Johann Sebastian) for organ |
|
| Didone abbandonata (Galuppi, Baldassare) for voices and orchestra |
|
| Didone abbandonata (Galuppi, Baldassare) for voices and orchestra |
1763 |
| Didone abbandonata (Galuppi, Baldassare) for voices and orchestra |
1700 |
| Didone abbandonata (Galuppi, Baldassare) for voices and orchestra |
1700 |
| Il marchese villano (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Sinfonia from Il marchese villano (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
1765 |
Das Lachen, G.104 (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
Die lange und kurze Zeit, G.106 (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
Ermunterung im Herbst, G.105 (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
Aufmunterung zur Freude, G.108 (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
Lied aus Göthe's Divan, G.190 (Gerson, Georg) for 2 tenors and bass
male chorus |
1823 |
| Symphony in G major, H.666 (Bach, Carl Philipp Emanuel) for orchestra |
1776 |
| Canon à 4, WoO 20 (Gerson, Georg) for 4 voices |
|
| Bassoon Concerto in F major, P.237 (Danzi, Franz) for bassoon and orchestra |
|
Fantasia in C major, H.291 (Bach, Carl Philipp Emanuel) for keyboard
piano |
1700 |
| Demofoonte (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1762 |
| Demofoonte (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Ipermestra (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1772 |
| Ipermestra (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Ipermestra (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Suite for Winds (Patterson, Robert G.) for piccolo clarinet, bass clarinet and alto saxophone |
1981 |
Das Lachen, WoO 13 (Gerson, Georg) for 2 tenors and 2 basses
male chorus |
1824 |
| Se ardire, e speranza, K.82/73o (Mozart, Wolfgang Amadeus) for soprano and orchestra |
1770 |
| Kleine Solfeggios für Goetze componiert, WoO 3 (Gerson, Georg) for voice and piano |
1823 |
| Er ist gesetzt zum Auferstehn und Falle, L.517 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Das Jahr stürzt hin ins Meer der Ewigkeiten, L.515 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Welch ein jämmerliches Klagen, L.516 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Violin Concerto No. 3 in G major (Giornovichi, Giovanni Mane) for violin and orchestra |
1798 |
| Flute Sonata in C minor, SpiF 63 (Frederick II) for flute and continuo |
|
| Symphony No. 3, Op. 32 (Nielsen, Ludolf) for orchestra |
1900 |
| I viaggiatori (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| I viaggiatori (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
|
| Flute Sonata in G major, SpiF 65 (Frederick II) for flute and continuo |
|
| Wir stehn mit Ernst im Blicke, L.519 (Benda, Georg) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| Bringt ihm auf den Altären, L.524 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Bringt ihm auf den Altären, L.524 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Dein Wort ist da erwarte du Allmächtiger, L.527 (Benda, Georg) for alto, tenor, bass, mixed chorus, strings and continuo |
|
| Du wagst es du Lästerer, L.523 (Benda, Georg) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Erwache von dem Sündenschlafe, L.528 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Der Feinde schäumende Menge stürzt wütend auf dich her, L.530 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr wenn deine Wunder eilen, L.520 (Benda, Georg) for soprano, bass, mixed chorus, strings and continuo |
|
| Ihr brausenden Wogen, L.518 (Benda, Georg) for alto, tenor, bass, mixed chorus, strings and continuo |
|
| Im Blute wird er dir erscheinen, L.522 (Benda, Georg) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| Sein Auge hat dich nun gesehen, L.531 (Benda, Georg) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Sieh die Tränen die die Deinen über deinen Hingang weinen, L.529 (Benda, Georg) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| Sterblicher durch deine Kräfte, L.525 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Die Stimme des Herrn im einzigen Worte, L.521 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Wie Flammen auf Gottes Altären, L.526 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Sesostri re d'Egitto (Sellitto, Giuseppe) for voices, mixed chorus and orchestra |
|
| Catone in Utica (Jommelli, Niccolò) for 6 voices and orchestra |
|
24 Chinese Solar Terms, Book 1 (Zhang, Shuwen) for piano
harpsichord |
2011 |
| Overture (Rome, Teatro delle Dame, carnival 1773) from L'incognita perseguitata (Anfossi, Pasquale) for voices, mixed chorus and orchestra |
1773 |
| Piano Concerto in E-flat major (Schmidt, Franz) for piano left hand and orchestra |
1934 |
| Fantasiestück for Piano and Orchestra (Schmidt, Franz) for piano and orchestra |
1899 |
| Chaconne (Schmidt, Franz) for organ |
1925 |
| Arrangement of Chaconne (Schmidt, Franz) for orchestra |
1931 |
| Flute Sonata in B-flat major, SpiF 112 (Frederick II) for flute and continuo |
1700 |
| Flute Sonata in C minor, SpiF 84 (Frederick II) for flute and continuo |
|
| Ich hebe meine Augen auf zu den Bergen, TWV 7:17 (Telemann, Georg Philipp) for soprano, bass, oboe, violin and continuo |
1700 |
| Gott steigt herab, L.511 (Benda, Georg) for 2 sopranos, tenor, mixed chorus and orchestra |
|
| Sei uns gesegnet du festlicher Tag, L.513 (Benda, Georg) for soprano, mixed chorus and orchestra |
|
| Ich will dir mein Hort lobsingen, L.510 (Benda, Georg) for soprano, tenor, mixed chorus and orchestra |
1700 |
| Reißt Zweifler Trost und Glauben ein, L.512 (Benda, Georg) for 2 sopranos, bass, mixed chorus and orchestra |
|
| Mit Gott im Gnadenbunde stehen, TWV 1:1141 (Telemann, Georg Philipp) for soprano, bass and orchestra |
|
| Grand Fantasia 'The End of the World' (Zhang, Shuwen) for piano |
2011 |
Perché mai ben mio, SmWV 327 (Süssmayr, Franz Xaver) for 2 sopranos and bass
2 tenors and bass
3 sopranos
3 tenors |
1803 |
| Flute Sonata in B-flat major, SpiF 76 (Frederick II) for flute and continuo |
|
| Flute Sonata in G major, SpiF 38 (Frederick II) for flute and continuo |
|
| Canon in H. Beer's Stammbuch, G.72 (Gerson, Georg) for 4 voices |
|
| Flute Sonata in G major, SpiF 41 (Frederick II) for flute and continuo |
|
| Flute Sonata in B minor, SpiF 37 (Frederick II) for flute and continuo |
|
| Flute Sonata in D major, SpiF 32 (Frederick II) for flute and continuo |
|
| Flute Sonata in D major, SpiF 61 (Frederick II) for flute and continuo |
|
| Flute Sonata in C major, SpiF 58 (Frederick II) for flute and continuo |
|
| Flute Sonata in D major, SpiF 90 (Frederick II) for flute and continuo |
|
| Flute Sonata in E minor, SpiF 75 (Frederick II) for flute and continuo |
|
| Flute Sonata in B minor, SpiF 83 (Frederick II) for flute and continuo |
|
| Flute Sonata in B minor, SpiF 62 (Frederick II) for flute and continuo |
|
| Flute Sonata in B minor, SpiF 62 (Frederick II) for flute and continuo |
|
| Flute Sonata in E major, SpiF 55 (Frederick II) for flute and continuo |
|
| No non turbarti o Nice, Op. 4 (Rutini, Giovanni Marco) for soprano, strings and continuo |
|
| Preis dem Stifter des neueren Bundes, L.532 (Benda, Georg) for mixed chorus and orchestra |
|
| Des Jünglinges heilige Lehren, L.533 (Benda, Georg) for soprano, alto, bass, mixed chorus and orchestra |
|
| Variations in Rondo Form (Zhang, Shuwen) for piano |
2013 |
| Piano Sonata No. 2 in F-sharp minor (Zhang, Shuwen) for piano |
2013 |
| Piano Sonata No. 1 in E minor (Zhang, Shuwen) for piano |
2013 |
| Bewaffnet mit Schrecken erfüllet die Nacht, L.542 (Benda, Georg) for soprano, alto, tenor, mixed chorus, strings and continuo |
|
| Du öffnest deine Hand, L.541 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Er öffnet euch Himmel, L.538 (Benda, Georg) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Erschallet ihr Tempel, L.536 (Benda, Georg) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Gerechtigkeit ihr Fürsten, L.537 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Der Himmel majestätischer Lieder, L.539 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Himmel und Erde sind voll seiner Güte, L.535 (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| In Kedars bangen Hütten, L.534 (Benda, Georg) for soprano, tenor, mixed chorus and orchestra |
|
| Nun ist er da wohlauf zum Blutvergießen, L.540 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nun ist er da wohlauf zum Blutvergießen, L.540 (Benda, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 10 Variations faciles (Vanhal, Johann Baptist) for piano |
|
| 6 Harpsichord Sonatas, D-Dl Mus.2967-T-1 (Pescetti, Giovanni Battista) for harpsichord |
|
| Violin Sonata in A major, BWV Anh.II 153 (Bach, Johann Sebastian) for violin and continuo |
|
Toque, toque repique (Zumaya, Manuel de) for 2 mixed chorus, strings and continuo
2 mixed chorus, organ and strings |
|
| 28 Arias, I-Nc Rari 2.3.1 (Piccinni, Niccolò) for voice and orchestra |
1700 |
| Cesare in Egitto (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1770 |
| Ciro riconosciuto (Piccinni, Niccolò) for 7 voices and orchestra |
1759 |
| Ciro riconosciuto (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Ciro riconosciuto (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Ciro riconosciuto (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Contino amabilissimo (Piccinni, Niccolò) for soprano, bass and orchestra |
|
| Dov'è la morte perché non viene (Piccinni, Niccolò) for soprano, strings and continuo |
|
| Alessandro nell'Indie (Abos, Girolamo) for 6 voices and orchestra |
|
| Alessandro nell'Indie (Abos, Girolamo) for 6 voices and orchestra |
|
| Arianna e Teseo (Abos, Girolamo) for 6 voices and orchestra |
|
| Veo a' buje (Piccinni, Niccolò) for alto, strings and continuo |
|
| Antigono (Latilla, Gaetano) for voices, mixed chorus and orchestra |
|
| Siroe (Latilla, Gaetano) for 6 voices and orchestra |
|
| Zenobia (Piccinni, Niccolò) for 6 voices and orchestra |
1756 |
| Zenobia (Piccinni, Niccolò) for 6 voices and orchestra |
|
| Zenobia (Piccinni, Niccolò) for 6 voices and orchestra |
1756 |
| Zenobia (Piccinni, Niccolò) for 6 voices and orchestra |
|
| Romolo (Latilla, Gaetano) for 7 voices and orchestra |
|
| Zenobia (Latilla, Gaetano) for voices and orchestra |
|
| Zenobia (Latilla, Gaetano) for voices and orchestra |
|
| Missa in G major (Abos, Girolamo) for voices, mixed chorus and orchestra |
|
| Attalo re di Bitinia (Alessandri, Felice) for voices and orchestra |
|
| Creso (Alessandri, Felice) for voices and orchestra |
|
| Ezio (Alessandri, Felice) for voices, mixed chorus and orchestra |
|
| Alessandro nell'Indie (Alessandri, Felice) for voices, mixed chorus and orchestra |
|
| Calliroe (Alessandri, Felice) for voices, mixed chorus and orchestra |
|
| Fantasia in C major (Bach, Johann Michael III) for piano |
|
| Tito Manlio (Abos, Girolamo) for 6 voices and orchestra |
|
| Complete (1756 Vicenza Version) from Il Siroe (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Il Siroe (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Il Siroe (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Catone in Utica (Gassmann, Florian Leopold) for 6 voices and orchestra |
|
| Catone in Utica (Gassmann, Florian Leopold) for 6 voices and orchestra |
|
| Guitar Sonatina No. 1 (Soriano Thebas, Alberto) for guitar |
1951 |
| Guitar Sonatina No. 2 (Soriano Thebas, Alberto) for guitar |
1900 |
Fuga in G major (Manfredini, Vincenzo) for harpsichord
organ |
|
| Arrangement of Piano Concerto in C major (Pilati, Mario) for 2 pianos |
|
| Il martirio di S. Giovanni Nepomuceno (Porpora, Nicola Antonio) for voices, mixed chorus and orchestra |
|
| Il martirio di S. Giovanni Nepomuceno (Porpora, Nicola Antonio) for voices, mixed chorus and orchestra |
|
Toccate, Canzoni, Ricercari et altre Galanterie (Techelmann, Franz Matthias) for harpsichord
organ |
1600 |
| Artaserse (Manfredini, Vincenzo) for voices, mixed chorus and orchestra |
|
| Artaserse (Manfredini, Vincenzo) for voices, mixed chorus and orchestra |
|
| 10 Harpsichord Sonatas, D-B Mus.ms.18165 (Reggio, Antonino) for harpsichord |
|
| Harpsichord Sonata in D major, Hr.56 (Reggio, Antonino) for harpsichord |
|
Festival Overture (Buck, Dudley) for orchestra
unison chorus and orchestra |
1879 |
| Trio Sonata in C minor (Neruda, Johann Baptist Georg) for 2 violins and continuo |
1810 |
Trio Sonata in F major (Neruda, Johann Baptist Georg) for 2 violins and continuo
flute, violin and continuo |
1810 |
| Trio Sonata in G major (Neruda, Johann Baptist Georg) for 2 violins and continuo |
1810 |
| Trio Sonata in B-flat major (Neruda, Johann Baptist Georg) for 2 violins and continuo |
1810 |
| Oboe Concerto in E-flat major (2) (Förster, Christoph) for oboe, strings and continuo |
|
Quadro Sonata in B-flat major (Handel, George Frideric) for 2 violins, viola and continuo
flute, violin, viola and continuo
oboe, violin, viola and continuo |
|
| Sonata da Camera in C major (Janitsch, Johann Gottlieb) for flute, violin, viola and continuo |
|
| Trio Sonata in E-flat major (Handel, George Frideric) for 2 violins and continuo |
|
| Gerone tiranno di Siracusa (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Grilletta e Porsugnacco (Intermezzi) from Gerone tiranno di Siracusa (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Grilletta e Porsugnacco (Intermezzi) from Gerone tiranno di Siracusa (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Missa Divi Xaverii, ZWV 12 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1729 |
| Missa Divi Xaverii, ZWV 12 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Asteria (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Asteria (Hasse, Johann Adolph) for 7 voices and orchestra |
|
Sonatina in B-flat major, H.459 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra
2 harpsichords and orchestra
harpsichord, piano and orchestra |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
1800 |
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
1906 |
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus
mixed chorus and 3 trombones |
|
| Arrangement of Afferentur regi, WAB 1 (Bruckner, Anton) for mixed chorus and organ |
|
| Trio Sonata in A minor (Neruda, Johann Baptist Georg) for 2 violins and continuo |
1810 |
| Trio Sonata in A major (Neruda, Johann Baptist Georg) for 2 violins and continuo |
1810 |
| Inveni David, WAB 19 (Bruckner, Anton) for male chorus and 4 trombones |
1868 |
| Inveni David, WAB 19 (Bruckner, Anton) for male chorus and 4 trombones |
|
| Organ Sonata in D minor (Janitsch, Johann Gottlieb) for organ |
|
| Symphony in F major (Neruda, Johann Baptist Georg) for orchestra |
1763 |
| Sinfonia in E-flat major, GraunWV A:XII:13 (Graun, Johann Gottlieb) for orchestra |
1763 |
| Pange lingua, WAB 33 (Bruckner, Anton) for mixed chorus |
1868 |
| Pange lingua, WAB 33 (Bruckner, Anton) for mixed chorus |
|
| Pange lingua, WAB 33 (Bruckner, Anton) for mixed chorus |
1930 |
| Vexilla regis, WAB 51 (Bruckner, Anton) for mixed chorus |
1892 |
| Vexilla regis, WAB 51 (Bruckner, Anton) for mixed chorus |
1892 |
| Vexilla regis, WAB 51 (Bruckner, Anton) for mixed chorus |
|
| Vexilla regis, WAB 51 (Bruckner, Anton) for mixed chorus |
|
| Vexilla regis, WAB 51 (Bruckner, Anton) for mixed chorus |
|
| Grilletta e Porsugnacco (Hasse, Johann Adolph) for voices and orchestra |
|
| Grilletta e Porsugnacco (Hasse, Johann Adolph) for voices and orchestra |
|
| Gesù sotto il peso della croce (Majo, Gian Francesco de) for voices, mixed chorus and orchestra |
|
| 10 Songs, Op. 104a (Stöhr, Richard) for voice and piano |
1944 |
| Kammersymphonie, Op. 32 (Stöhr, Richard) for oboe, clarinet, bassoon, horn, harp, 2 violins, viola and cello |
|
| La finta sposa (Logroscino, Nicola Bonifacio) for 5 voices and orchestra |
|
| Demofoonte (Manna, Gennaro) for voices, mixed chorus and orchestra |
1700 |
| Lucio Vero (Manna, Gennaro) for 6 voices and orchestra |
1700 |
| Tito Manlio (Manna, Gennaro) for 6 voices and orchestra |
1700 |
| Astianatte (Vinci, Leonardo) for voices and orchestra |
|
| Astianatte (Vinci, Leonardo) for voices and orchestra |
|
| Tema con Variaciones (Brunetti, Francisco) for cello and orchestra |
1800 |
| Pássaro cativo (Sousa, José Alexandrino de) for wind ensemble and brass ensemble |
1956 |
| Trio Sonata in G minor, RV 81 (Vivaldi, Antonio) for 2 oboes and continuo |
|
| Bellerofonte (Gasparini, Francesco) for voices, mixed chorus and orchestra |
|
| String Quartet No. 2 in E major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Quartet No. 4 in E minor (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Quartet No. 4 in E minor (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| String Quartet No. 5 in C major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| Violin Sonata No. 2 in A minor (Praeger, Ferdinand) for violin and piano |
1885 |
| Cello Sonata in G major (Praeger, Ferdinand) for cello and piano |
|
| Violin Sonata No. 1 in D major (Praeger, Ferdinand) for violin and piano |
1800 |
| String Quartet No. 1 in E major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Octet in C major (Praeger, Ferdinand) for 4 violins, 2 violas and 2 cellos |
1800 |
| Piano Trio No. 2 in D minor (Praeger, Ferdinand) for violin, cello and piano |
1800 |
| Piano Trio No. 3 in A minor (Praeger, Ferdinand) for violin, cello and piano |
|
| Marsch, G.49 (Gerson, Georg) for piano |
1823 |
| Erifile (Abos, Girolamo) for 6 voices and orchestra |
|
| Divertimento in G major 'L'uccellaja' (Speranza, Alessandro) for harpsichord |
|
| Mourning March, G.163 (Gerson, Georg) for piano 4 hands |
1823 |
| Ein Lämmlein geht und trägt die Schuld, GraunWV B:VII:4 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ein Lämmlein geht und trägt die Schuld, GraunWV B:VII:4 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ein Lämmlein geht und trägt die Schuld, GraunWV B:VII:4 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ein Lämmlein geht und trägt die Schuld, GraunWV B:VII:4 (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Scherz, List und Rache, JWV 28 (Rheinberger, Josef Gabriel) for 3 voices and orchestra |
1854 |
| Romanza in C major for Viola and Piano (Praeger, Ferdinand) for viola and piano |
1885 |
| Bassoon Concerto in C minor (Winter, Peter von) for bassoon and orchestra |
1800 |
| Concertino for Clarinet, Cello and Orchestra (Winter, Peter von) for clarinet, cello and orchestra |
1800 |
| Symphony in A minor, Op. 24 (Vierne, Louis) for orchestra |
|
| 3 Romances for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1800 |
| Allegretto scherzando for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1800 |
| Allegro con brio in B minor (Praeger, Ferdinand) for violin, cello and piano |
1800 |
| Allegro in E minor (Praeger, Ferdinand) for cello and piano |
1800 |
| Cavatina in A major (Praeger, Ferdinand) for violin and piano |
1800 |
| Cavatina in E major (Praeger, Ferdinand) for violin and piano |
1800 |
| Ein Gesang (Praeger, Ferdinand) for cello and piano |
1800 |
| Morceau in C minor (Praeger, Ferdinand) for viola and piano |
1888 |
| Piano Quartet in F major (Praeger, Ferdinand) for violin, viola, cello and piano |
1800 |
| Romanza in A major for Cello and Piano (Praeger, Ferdinand) for cello and piano |
1800 |
| Romanza in D major for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1800 |
| Romanza in E major for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1800 |
| 3 Romanzas for Cello and Piano (Praeger, Ferdinand) for cello and piano |
1800 |
| Sweet Sorrow (Praeger, Ferdinand) for viola and piano |
1888 |
| Elegy in E minor for Viola and Piano (Praeger, Ferdinand) for viola and piano |
1885 |
| Elegy in A minor for Cello and Piano (Praeger, Ferdinand) for cello and piano |
1891 |
| Berceuse for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1800 |
| Elegy in D minor for Violin and Piano (Praeger, Ferdinand) for violin and piano |
1891 |
| Lamentation for Viola and Piano (Praeger, Ferdinand) for viola and piano |
1885 |
| Matinas do Apóstolo São Pedro, CPM 173 (Garcia, José Maurício Nunes) for 6 voices, mixed chorus, 2 bassoons, double bass and organ |
1815 |
| Arrangement of Matinas do Apóstolo São Pedro, CPM 173 (Garcia, José Maurício Nunes) for mixed chorus and orchestra |
|
| Arrangement of Matinas do Apóstolo São Pedro, CPM 173 (Garcia, José Maurício Nunes) for mixed chorus and orchestra |
|
| Cartina from Arrangement of Cartina from Matinas do Apóstolo São Pedro, CPM 173 (Garcia, José Maurício Nunes) for mixed chorus and orchestra |
|
| Issipile (Hasse, Johann Adolph) for voices, mixed chorus and orchestra |
|
| Magnificat in C major (Aldrovandini, Giuseppe Antonio Vincenzo) for voices, mixed chorus, strings and continuo |
|
| Two Chinese Pieces (Zhang, Shuwen) for piano |
2011 |
| De profundis, S.35 (Heinichen, Johann David) for bass, strings and continuo |
|
| Alma redemptoris Mater, S.22 (Heinichen, Johann David) for alto and orchestra |
1726 |
| Confitebor tibi Domine, S.33 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
|
| Interludio Americano (Soriano Thebas, Alberto) for piano |
1980 |
| Antonio e Cleopatra (Hasse, Johann Adolph) for soprano, alto and orchestra |
|
| Cantata al Sepolcro di nostro Signore, S.29 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1728 |
| Adagio and Allegro agitato (Praeger, Ferdinand) for piano |
1888 |
| Adagio in C major (Praeger, Ferdinand) for piano |
1891 |
| Adagio in E-flat major, IFP 4 (Praeger, Ferdinand) for piano |
1890 |
| Adagio in E-flat major, IFP 5 (Praeger, Ferdinand) for piano |
1800 |
| Adagio in F-sharp minor (Praeger, Ferdinand) for piano |
1800 |
| Album Leaf in E-flat major, IFP 8 (Praeger, Ferdinand) for piano |
1888 |
| Album Leaf in E-flat major, IFP 9 (Praeger, Ferdinand) for piano |
1884 |
| Albumblatt in E-flat major (Praeger, Ferdinand) for piano |
1888 |
| Allegretto grazioso (Praeger, Ferdinand) for piano |
1800 |
| Allegretto in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Allegretto in G minor (Praeger, Ferdinand) for piano |
1800 |
| Allegretto scherzando, IFP 15 (Praeger, Ferdinand) for piano |
1800 |
| Allegro maestoso in D major (Praeger, Ferdinand) for piano |
1891 |
| Allegro maestoso in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Adagio and Allegro con fuoco (Praeger, Ferdinand) for piano |
1891 |
| Three Lyric Pieces (Zhang, Shuwen) for piano |
2011 |
| Adagio religioso (Praeger, Ferdinand) for piano |
1800 |
| Pieces in Pop Styles (Zhang, Shuwen) for piano |
2006 |
| Legend Fantasie in A minor (Zhang, Shuwen) for piano |
2014 |
| Melody in G major (Zhang, Shuwen) for piano |
2011 |
Beati omnes in G minor, S.25 (Heinichen, Johann David) for soprano, tenor, 2 flutes and continuo
soprano, tenor, 2 oboes and continuo |
1723 |
| Childhood Fantasy (Zhang, Shuwen) for piano |
2011 |
Pon Dié! pon Dié! (No.11) from 14 Romancen, Lieder etc. in Amants Prothée, G.79 (Gerson, Georg) for voice and piano
2 voices and piano |
1820 |
| Winter Suite (Zhang, Shuwen) for piano |
2012 |
| Il trionfo di Clelia (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Il trionfo di Clelia (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Alma redemptoris Mater, S.23 (Heinichen, Johann David) for 4 voices and orchestra |
|
| Sollicitus fossor anhelat aurum, ZWV 209 (Zelenka, Jan Dismas) for alto and orchestra |
1730 |
| Confitebor tibi Domine, ZWV 71 (Zelenka, Jan Dismas) for 2 violins, viola, continuo and bass |
|
| Credo in F major (Galuppi, Baldassare) for soprano, mixed chorus and orchestra |
|
| Credo in F major (Galuppi, Baldassare) for soprano, mixed chorus and orchestra |
|
| Sum nimis irata (Galuppi, Baldassare) for tenor, strings and continuo |
|
Statio I from Statio quadruplex pro Processione Theophorica, ZWV 158 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
|
Sanctus and Agnus Dei, ZWV 34 (Zelenka, Jan Dismas) for soprano, 2 altos, tenor, bass and continuo
mixed chorus and continuo |
1700 |
| Lauda Jerusalem, ZWV 102 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, orchestra and continuo |
1700 |
| Sanctus, ZWV 35 (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1725 |
| Salve Regina, ZWV 204 (Zelenka, Jan Dismas) for soprano, oboe, violin and continuo |
1700 |
| Ancien menuet (Praeger, Ferdinand) for piano |
1800 |
| Ancient Maypole Dance (Praeger, Ferdinand) for piano |
1800 |
| Ancient Minuet (Praeger, Ferdinand) for piano |
1888 |
| Andante and Allegro in G major (Praeger, Ferdinand) for piano |
1890 |
| Andante in A minor (Praeger, Ferdinand) for piano |
1890 |
| Andante in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Andantino and Allegro agitato (Praeger, Ferdinand) for piano |
1800 |
| L'Aveu (Praeger, Ferdinand) for piano |
1800 |
| Ballet Louis XIV (Praeger, Ferdinand) for piano |
1800 |
| Kyrie in A minor, ZWV 27 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
1725 |
| Alte litanei (Praeger, Ferdinand) for piano |
1800 |
De profundis, ZWV 95 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, violin and continuo
soprano, alto, tenor, bass and orchestra |
1728 |
3 Lamentationes pro hebdomada sancta, ZWV 54 (Zelenka, Jan Dismas) for alto and continuo
tenor and continuo
bass and continuo |
1723 |
3 Lamentationes pro hebdomada sancta, ZWV 54 (Zelenka, Jan Dismas) for alto and continuo
tenor and continuo
bass and continuo |
|
| Missa Sancti Josephi, ZWV 14 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Alma redemptoris Mater, ZWV 123 (Zelenka, Jan Dismas) for soprano, 2 violins and continuo |
1700 |
| Missa Nativitatis Domini, ZWV 8 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Missa Nativitatis Domini, ZWV 8 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Barcarole in G major (Praeger, Ferdinand) for piano |
1800 |
| Barcarole in G minor (Praeger, Ferdinand) for piano |
1800 |
| Ecce nunc benedicite, ZWV 99 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Veni sancte spiritus reple, ZWV 210 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and orchestra |
1739 |
| Beatus vir in G major (Caldara, Antonio) for soprano, alto, mixed chorus, strings and continuo |
|
| Beatus vir in G major (Caldara, Antonio) for soprano, alto, mixed chorus, strings and continuo |
|
| Missa in G major, BurG I/9 (Galuppi, Baldassare) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| In exitu Israel (Galuppi, Baldassare) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Missa in G major, BurG I/20 (Galuppi, Baldassare) for soprano, alto, mixed chorus and orchestra |
|
| Missa in G major, BurG I/8 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Gaudio pleno, B.III.3 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| In hac pompa, BurG III/4 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Dum refulget in caelo, B.Anh.21 (Galuppi, Baldassare) for tenor, strings and continuo |
|
| Ave regina coelorum in G major (Galuppi, Baldassare) for alto, strings and continuo |
|
| Regina coeli, B.II.68 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Ecce volantem video Saggitam, B.Anh.22 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Gravi angore conturbata, B.Anh.23 (Galuppi, Baldassare) for soprano and orchestra |
|
| Prata colles plantes flores (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Violin Sonata No. 1, Op. 9 (Fine, Marshall) for violin and piano |
1979 |
| Spider-Silk, Op. 119 (Fine, Marshall) for violin and piano |
2010 |
| Train Ride, Op. 55 (Fine, Marshall) for violin |
1988 |
| Kadosh Adonoy, Op. 42 (Fine, Marshall) for violin and piano |
1985 |
| Follia Moderna, Op. 58 (Fine, Marshall) for violin and piano |
1988 |
| Quaerenti per fontes, BurG Anh.25 (Galuppi, Baldassare) for soprano, strings and continuo |
|
Laudate pueri, ZWV 81 (Zelenka, Jan Dismas) for tenor and orchestra
soprano and orchestra |
1729 |
| Blues, Op. 74 (Fine, Marshall) for violin and piano |
1992 |
| Blues, Op. 74 (Fine, Marshall) for violin and piano |
1900 |
Non torrentes, BurG Anh.24 (Galuppi, Baldassare) for soprano, strings and continuo
tenor, strings and continuo |
|
Non torrentes, BurG Anh.24 (Galuppi, Baldassare) for soprano, strings and continuo
tenor, strings and continuo |
|
| Harpsichord Sonata in C major, S.705 (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in D major, S.717a (Marcello, Benedetto) for keyboard |
|
| Harpsichord Sonata in D major, S.717b (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in D minor, S.721b (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in F major, S.724c (Marcello, Benedetto) for keyboard |
|
| Harpsichord Sonata in G major, S.732a (Marcello, Benedetto) for harpsichord |
|
| Harpsichord Sonata in G minor, S.737a (Marcello, Benedetto) for harpsichord |
|
| La partenza e il ritorno de' marinari (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| La partenza e il ritorno de' marinari (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Ab unda algente, B.IV/7 (Galuppi, Baldassare) for tenor, strings and continuo |
|
| Quae columna luminosa (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Harpsichord Sonata in G minor, S.736b (Marcello, Benedetto) for harpsichord |
|
| Violin Sonata No. 3, Op. 92 (Fine, Marshall) for violin and piano |
1998 |
| Violin Sonata No. 4, Op. 108 (Fine, Marshall) for violin and piano |
2006 |
| Harpsichord Sonata in D minor, S.721c (Marcello, Benedetto) for harpsichord |
|
| Missa in D major, BurG Anh. 2 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Missa in G major, BurG Anh.4 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Missa in B-flat major, BurG I/1 (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Missa in C major, BurG I/2 (Galuppi, Baldassare) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in F major, BurG I/51 (Galuppi, Baldassare) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in F major, BurG I/52a (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Magnificat in G major, B.II/61 (Galuppi, Baldassare) for soprano, alto, mixed chorus and orchestra |
|
| Alma redemptoris Mater in C minor (Galuppi, Baldassare) for alto, strings and continuo |
|
| Te Deum in C major, BurG IV/2 (Galuppi, Baldassare) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Te Deum in D major, BurG IV/3 (Galuppi, Baldassare) for alto, tenor and orchestra |
|
| Tantum ergo, BurG IV/7 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Sum offensa sum irata, BurG III/8 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Temistocle (Monza, Carlo) for voices, mixed chorus and orchestra |
|
| Sesostri, re d'Egitto (Monza, Carlo) for voices, mixed chorus and orchestra |
|
| Litaniae Lauretanae (Reichenauer, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Achille in Sciro (Monza, Carlo) for voices, mixed chorus and orchestra |
|
| Adriano in Siria (Monza, Carlo) for voices, mixed chorus and orchestra |
|
| Complete (1751 Version) from Ipermestra (Cafaro, Pasquale) for voices, mixed chorus and orchestra |
|
| Complete (1761 Version) from Ipermestra (Cafaro, Pasquale) for voices, mixed chorus and orchestra |
1761 |
3 Anthems (Beckwith, John) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo
mixed chorus and organ |
|
| Argippo (Denzio, Antonio) for voices, mixed chorus and orchestra |
|
| Aria: A' piedi miei svenato from Argippo (Denzio, Antonio) for voices, mixed chorus and orchestra |
|
| Anche in mezzo a perigliosa (Vivaldi, Antonio) for soprano, strings and continuo |
|
Volume I from Choirbook, D-Mbs Mus. MS A (Lassus, Orlande de) for 5 voices
6 voices |
|
Volume II from Choirbook, D-Mbs Mus. MS A (Lassus, Orlande de) for 5 voices
6 voices |
|
| Alla tromba della fama (Galuppi, Baldassare) for soprano and orchestra |
|
| L'Artaserse (Perez, Davide) for voices, mixed chorus and orchestra |
|
| L'Artaserse (Perez, Davide) for voices, mixed chorus and orchestra |
|
| Violin Concerto, Op. 84 (Fine, Marshall) for violin and orchestra |
1990 |
| Violin Concerto, Op. 84 (Fine, Marshall) for violin and orchestra |
1995 |
| Violin Concerto, Op. 84 (Fine, Marshall) for violin and orchestra |
1988 |
| Violin Concerto, Op. 84 (Fine, Marshall) for violin and orchestra |
1900 |
| Arrangement of Violin Concerto, Op. 84 (Fine, Marshall) for violin and piano |
1900 |
| Missa in C major, M.146.7 (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Gioas re di Giuda (Manna, Gennaro) for 6 voices and orchestra |
1747 |
| Ifigenia in Aulide (Majo, Gian Francesco de) for voices and orchestra |
|
| Alcide al bivio, R.1.62 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1780 |
| La Betulia liberata (Cafaro, Pasquale) for voices and orchestra |
1746 |
| Lucio Papirio dittatore, R.1.12 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1767 |
| Andromaca, R.1.90 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1796 |
| Didone abbandonata, R.1.88 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1794 |
| Sum in medio tempestatum, RV 632 (Vivaldi, Antonio) for soprano, strings and continuo |
1700 |
| Tango in Time of War, Op. 100 (Fine, Marshall) for orchestra |
2002 |
| Tango in Time of War, Op. 100 (Fine, Marshall) for orchestra |
2000 |
| Delbo e Dorina (Ristori, Giovanni Alberto) for soprano, alto, strings and continuo |
1700 |
| Lisetta e Castagnaccio (Ristori, Giovanni Alberto) for soprano, tenor, violin and continuo |
1700 |
| Laudate pueri, RV 601 (Vivaldi, Antonio) for soprano and orchestra |
|
| Bitte zu Gott um Frieden (Loewe, Carl) for voice and organ |
1854 |
| Agnus Dei, ZWV 38 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
1725 |
Sanctus and Agnus Dei, ZWV 202 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| De profundis (Fischer, Johann Caspar Ferdinand) for soprano, alto, tenor, bass, 2 violins and continuo |
|
| Adriano in Siria (Galuppi, Baldassare) for 6 voices and orchestra |
1758 |
| Adriano in Siria (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Bohemian Airs (Praeger, Ferdinand) for piano |
1800 |
| Bourrée in E minor (Praeger, Ferdinand) for piano |
1889 |
| Capriccio in G major (Praeger, Ferdinand) for piano |
1800 |
| Chanson à boire (Praeger, Ferdinand) for piano |
1800 |
| La chanson d'autrefois (Praeger, Ferdinand) for piano |
1800 |
| Chanson historique (Praeger, Ferdinand) for piano |
1800 |
| Chant d'amour (Praeger, Ferdinand) for piano |
1887 |
| Chant guerrier (Praeger, Ferdinand) for piano |
1800 |
| Character Sketches from Novels (Praeger, Ferdinand) for piano |
1800 |
| Danse moresque (Praeger, Ferdinand) for piano |
1800 |
| Annibale in Torino, R.1.26 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
1771 |
| Daydreams (Praeger, Ferdinand) for piano |
1800 |
| Daydream in F minor (no tempo indication) from Arrangement of Daydream in F minor (no tempo indication) from Daydreams (Praeger, Ferdinand) for wind band |
1800 |
| Capriccio in A major (Praeger, Ferdinand) for piano |
1800 |
| Violin Sonata in A major (Fasch, Johann Friedrich) for violin and continuo |
|
| Marsch für Militair Musik, G.196 (Gerson, Georg) for wind ensemble, brass ensemble and percussion |
1823 |
| Bulyowsky Manuscript, D-Dl Mus.1-T-595 (Bulyovszky, Mihály) for harpsichord |
|
| Ifigenia in Aulide (Caldara, Antonio) for voices and orchestra |
|
| Sedecia (Caldara, Antonio) for voices and orchestra |
|
| Sedecia (Caldara, Antonio) for voices and orchestra |
|
| Telemaco (Scarlatti, Alessandro) for voices and orchestra |
1717 |
| L'Angelica (Porpora, Nicola Antonio) for voices and orchestra |
|
| Scipione nelle Spagne (Caldara, Antonio) for 7 voices and orchestra |
|
| Scipione nelle Spagne (Caldara, Antonio) for 7 voices and orchestra |
|
| Scipione nelle Spagne (Caldara, Antonio) for 7 voices and orchestra |
|
| Dirge in A minor (Praeger, Ferdinand) for piano |
1889 |
| Dirge in F minor (Praeger, Ferdinand) for piano |
1889 |
| Dodlinette (Praeger, Ferdinand) for piano |
1800 |
| English Opera Themes (Praeger, Ferdinand) for piano |
1800 |
| Eventide (Praeger, Ferdinand) for piano |
1800 |
| Ex abrupto (Praeger, Ferdinand) for piano |
1800 |
| Feuille d'album in F major, IFP 61 (Praeger, Ferdinand) for piano |
1889 |
| Feuille d'album in F major, IFP 62 (Praeger, Ferdinand) for piano |
1891 |
| Finette (Praeger, Ferdinand) for piano |
1800 |
| Elegy in G minor (Praeger, Ferdinand) for piano |
1888 |
| Harpsichord Sonatas (Cinque, Filippo) for harpsichord |
|
| A Voice in the Forest (Taneyev, Sergey) for tenor and piano |
|
| Violin Sonata No. 5, Op. 95 (Stöhr, Richard) for violin and piano |
1943 |
| Nachtständchen (Loewe, Carl) for voice and piano |
|
| Brautlied ''Ich will die lauten Freuden nicht...'' (Loewe, Carl) for voice and piano |
1800 |
| Die engste Nähe (Loewe, Carl) for voice and piano |
1800 |
| 6 Sonatas for 2 Violins, Op. 4 (Borghi, Luigi) for 2 violins |
|
| Adriano in Siria (Mazziotti, Antonio) for voices and orchestra |
|
| Tango in Time of War, Op. 100a (Fine, Marshall) for flute, clarinet, violin, viola, cello and piano |
2002 |
| Tango in Time of War, Op. 100a (Fine, Marshall) for flute, clarinet, violin, viola, cello and piano |
2000 |
| Gioas re di Giuda (Caldara, Antonio) for voices and orchestra |
|
| Il nome più glorioso (Caldara, Antonio) for 5 voices and orchestra |
|
| I due dittatori (Caldara, Antonio) for 8 voices and orchestra |
|
| Aria: A te basti, o degno amante (Act IV) from I due dittatori (Caldara, Antonio) for 8 voices and orchestra |
|
| Gianguir (Caldara, Antonio) for 3 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Gianguir (Caldara, Antonio) for 3 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Gianguir (Caldara, Antonio) for 3 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Gianguir (Caldara, Antonio) for 3 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
|
| Andromaca (Caldara, Antonio) for 9 voices and orchestra |
|
| Andromaca (Caldara, Antonio) for 9 voices and orchestra |
|
| Andromaca (Caldara, Antonio) for 9 voices and orchestra |
|
| Nitocri (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Nitocri (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Nitocri (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Cello Sonata in B-flat major (Avondano, Pedro António) for cello and continuo |
|
| Cello Sonata in F major (Avondano, Pedro António) for cello and continuo |
|
| Deus dux fortissime, ZWV 60 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
1716 |
| Iste confessor (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
1700 |
| Iste confessor (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
1726 |
| Magnificat in B-flat major, S.95 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Beatus vir, S.26 (Heinichen, Johann David) for 2 tenors and orchestra |
1726 |
| Beatus vir, S.26 (Heinichen, Johann David) for 2 tenors and orchestra |
|
Nisi Dominus, S.99 (Heinichen, Johann David) for soprano, oboe and continuo
tenor, oboe and continuo |
1723 |
| Memento Domine David, S.97 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1724 |
| Domine probasti me, S.49 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Selve amene, antri ombrosi, S.185 (Heinichen, Johann David) for soprano and continuo |
1710 |
| Ave regina coelorum in G minor (Zeiler, Gallus) for soprano, strings and continuo |
|
| Alma redemptoris Mater in A major (Zeiler, Gallus) for tenor, strings and continuo |
|
Alma redemptoris Mater in D major (Zeiler, Gallus) for bass and orchestra
bass, strings and continuo |
|
Alma redemptoris Mater in D major (Zeiler, Gallus) for bass and orchestra
bass, strings and continuo |
|
2 Hymns, ZWV 120 & 113 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo
soprano, alto, bass, mixed chorus, violin and continuo |
|
| O magnum mysterium, ZWV 171 (Zelenka, Jan Dismas) for alto and orchestra |
|
| O magnum mysterium, ZWV 171 (Zelenka, Jan Dismas) for alto and orchestra |
1728 |
| Lauda Jerusalem, S.80 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lauda Jerusalem, S.78 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in D major (Pisani, Giovanni) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Angelus Domini descendit, ZWV 161 (Zelenka, Jan Dismas) for tenor, mixed chorus, strings and continuo |
1725 |
| Angelus Domini descendit, ZWV 161 (Zelenka, Jan Dismas) for tenor, mixed chorus, strings and continuo |
1725 |
| Gesang der Königin Maria Stuart auf den Tod Franz' II. (Loewe, Carl) for voice and piano |
|
| L'Anima del Filosofo, Hob.XXVIII:13 (Haydn, Joseph) for voices, mixed chorus and orchestra |
1791 |
| Christe eleison, ZWV 29 (Zelenka, Jan Dismas) for alto, strings and continuo |
1740 |
| 5 Harpsichord Lessons (Valente, Saverio) for harpsichord |
1711 |
| 3 Folk Songs of Great Russia, Op. 77 (Grechaninov, Aleksandr) for mixed chorus |
|
| Mass in D major (Duni, Antonio) for soprano, alto, bass, mixed chorus and orchestra |
1744 |
| Messa à Cinque Voci (Duni, Antonio) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1745 |
| Te Deum in D major (Duni, Antonio) for soprano, mixed chorus and orchestra |
1746 |
| Litaniae de Beatissimae Mariae Virginae (Duni, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1746 |
| Harpsichord Sonata in G major (Baldi, Benedetto) for harpsichord |
|
| Harpsichord Sonata in E-flat major (Baldi, Benedetto) for harpsichord |
|
| Harpsichord Sonata in C major (Baldi, Benedetto) for harpsichord |
|
| 9 Harpsichord Toccatas (Guglielmi, Pietro Alessandro) for harpsichord |
|
| Barbara dira effera, ZWV 164 (Zelenka, Jan Dismas) for alto and orchestra |
1700 |
| The Bee, Op. 66 (Grechaninov, Aleksandr) for childrens chorus and piano |
|
| 5 Songs after Hafiz, Op. 76 (Grechaninov, Aleksandr) for voice and piano |
|
| O quam suavis est (Ariosti, Attilio) for tenor and orchestra |
|
| Trio Sonata in F major (Fux, Johann Joseph) for 2 violins and continuo |
|
| Rondeau in C major (Fux, Johann Joseph) for bassoon, violin, strings and continuo |
|
| Scherzo for Trumpet and Piano (Stöhr, Richard) for trumpet and piano |
1949 |
| Violin Sonata No. 6, Op. 103 (Stöhr, Richard) for violin and piano |
1944 |
| Violin Sonata No. 7, Op. 107 (Stöhr, Richard) for violin and piano |
1945 |
| Violin Sonata No. 8, Op. 115 (Stöhr, Richard) for violin and piano |
1946 |
| Violin Sonata No. 9, Op. 118 (Stöhr, Richard) for violin and piano |
1947 |
| Violin Sonata No. 10, Op. 122 (Stöhr, Richard) for violin and piano |
1948 |
| Psaumes pour orgue, CH-Bu F IX 47-48 (Mareschal, Samuel) for organ |
1640 |
| Psaumes pour orgue, CH-Bu F IX 47-48 (Mareschal, Samuel) for organ |
1638 |
| Mass in A major 'Quia mihi et tibi' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Credo, ZWV 216 (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1726 |
| Inventarium rerum Musicarum Variorum Authorum Ecclesia Servientium (Zelenka, Jan Dismas) for |
1726 |
| Violin Sonata No. 11, Op. 125 (Stöhr, Richard) for violin and piano |
1948 |
| Violin Sonata No. 12, Op. 130 (Stöhr, Richard) for violin and piano |
1949 |
| La disfatta di Dario (Giordani, Giuseppe) for voices, mixed chorus and orchestra |
|
| Keyboard Concerto in C major (Salieri, Antonio) for harpsichord and orchestra |
1773 |
| Trio Sonata in C major, ÖNB EM.72.a (Anonymous) for violin, cello and continuo |
|
| Trio Sonata in C major, ÖNB EM.72.b (Anonymous) for violin, cello and continuo |
|
| Trio Sonata in D major, ÖNB EM.72.d (Anonymous) for violin, cello and continuo |
|
| Trio Sonata in E minor, ÖNB EM.72.e (Anonymous) for violin, cello and continuo |
|
| Trio Sonata in G major, ÖNB EM.72.f (Anonymous) for violin, cello and continuo |
|
Trio Sonata in G minor (Fedeli, Carlo) for violin, cello and continuo
violin, viol and continuo |
|
Trio Sonata in G minor (Fedeli, Carlo) for violin, cello and continuo
violin, viol and continuo |
|
| Trio Sonata in G minor, ÖNB EM.72.h (Anonymous) for violin, cello and continuo |
|
| Trio Sonata in B-flat major, ÖNB EM.72.k (Anonymous) for violin, cello and continuo |
|
Trio Sonata in C minor (Fedeli, Carlo) for violin, cello and continuo
violin, viol and continuo |
|
| 3 Trios for 2 Oboes and Bassoon (Salieri, Antonio) for 2 oboes and bassoon |
|
| Concerto for Flute and Oboe in C major (Salieri, Antonio) for flute, oboe and orchestra |
1700 |
7 Concerti (Umstatt, Joseph) for violin, strings and continuo
2 cellos and violone
2 cellos and double bass |
|
| Concerto for Oboe, Violin and Cello in D major (Salieri, Antonio) for oboe, violin, cello and orchestra |
1770 |
| Concerto for Oboe, Violin and Cello in D major (Salieri, Antonio) for oboe, violin, cello and orchestra |
1770 |
| Litaniae Lauretanae (Tůma, František Ignác Antonín) for voices, mixed chorus and orchestra |
|
| Picciola Serenata in B-flat major (Salieri, Antonio) for 2 oboes, bassoon and 2 horns |
1778 |
4 Wind Serenades (Salieri, Antonio) for 2 clarinets, 2 bassoons, 2 horns and violone
2 flutes, 2 oboes, bassoon and 2 horns
2 oboes, 2 clarinets, bassoon and 2 horns |
|
| Quintuple Concerto in C major, P II:2 (Kozeluch, Leopold) for flute, oboe, bassoon, cello, piano and orchestra |
|
| Isacco figura del Redentore (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| 7 Violin Sonatas, ÖNB EM.40 (Sanguinazzo, Niccolò) for violin and continuo |
1700 |
| 7 Cello Sonatas, ÖNB EM.41 (Sanguinazzo, Niccolò) for cello and continuo |
1700 |
Cello and Continuo from 3 Sonatas, ÖNB EM.42 (Sanguinazzo, Niccolò) for violin and continuo
cello and continuo
viol and continuo |
1700 |
Violin and Continuo from 3 Sonatas, ÖNB EM.42 (Sanguinazzo, Niccolò) for violin and continuo
cello and continuo
viol and continuo |
1700 |
Viola da Gamba and Continuo from 3 Sonatas, ÖNB EM.42 (Sanguinazzo, Niccolò) for violin and continuo
cello and continuo
viol and continuo |
1700 |
| Sonata a Sette in E-flat major (Weigl, Joseph) for 2 English horns, 2 trumpets, glockenspiel, viola damore, 2 cellos and harpsichord |
|
Agitato mio pensiero, WM 4 (Mancini, Francesco) for soprano and continuo
alto and continuo
bass and continuo |
|
Agitato mio pensiero, WM 4 (Mancini, Francesco) for soprano and continuo
alto and continuo
bass and continuo |
|
Agitato mio pensiero, WM 4 (Mancini, Francesco) for soprano and continuo
alto and continuo
bass and continuo |
|
| Violin Concerto in B-flat major, GT 1.Bb09 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Clarinet Concerto No. 2 in E-flat major (Kozeluch, Leopold) for clarinet and orchestra |
|
| Quadruple Concerto in E-flat major, P II:1 (Kozeluch, Leopold) for trumpet, mandolin, double bass, piano and orchestra |
|
| Clarinet Concerto No. 10 in B-flat major (Stamitz, Carl Philipp) for clarinet and orchestra |
|
| Clarinet Concerto No. 6 in E-flat major (Stamitz, Carl Philipp) for clarinet and orchestra |
|
| Clarinet Concerto No. 3 in B-flat major (Stamitz, Carl Philipp) for clarinet and orchestra |
|
| La Betulia liberata (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Litaniae de Venerabili Sacramento, ZWV 147 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Litaniae Xaverianae, ZWV 155 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Litaniae Lauretanae, ZWV 152 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1744 |
| Demofoonte (Perez, Davide) for 8 voices and orchestra |
|
| Gloria, ZWV 30 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Credo from Missa Judica me, ZWV 2 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1722 |
| Kyrie & Gloria from Missa Eucharistica, ZWV 15 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1733 |
| Alessandro nell'Indie (Perez, Davide) for 7 voices and orchestra |
|
| Sinfonia Intitolata 'Il Giorno Nomastico' (Salieri, Antonio) for orchestra |
1775 |
| Missa Fidei, ZWV 6 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Viola Concerto in D major (Filtz, Johann Anton) for viola and orchestra |
|
| Keyboard Concerto in B-flat major (Salieri, Antonio) for harpsichord and orchestra |
1773 |
| Officium defunctorum, ZWV 47 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1733 |
| Officium defunctorum, ZWV 47 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1733 |
| Officium defunctorum, ZWV 47 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Quaerite primum regnum Dei (Martini, Giovanni Battista) for mixed chorus |
1770 |
| Quaerite primum regnum Dei (Martini, Giovanni Battista) for mixed chorus |
1770 |
| Missa Circumcisionis, ZWV 11 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1728 |
Spenser's Amoretti (Greene, Maurice) for voice and continuo
voice and harpsichord
voice, violin and harpsichord
voice, violin and continuo |
1700 |
| Double Bass Concerto in D major (Kohaut, Karl) for double bass and orchestra |
|
| Missa Votiva, ZWV 18 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1739 |
12 Trio Sonatas, Op. 2 (Festing, Michael Christian) for 2 flutes and continuo
flute, violin and continuo
2 violins and continuo |
|
| L'Olimpiade (Bernasconi, Andrea) for voices and orchestra |
|
| L'Olimpiade (Bernasconi, Andrea) for voices and orchestra |
|
| Scipione nelle Spagne (Bertoni, Ferdinando) for voices, mixed chorus and orchestra |
|
Concerto for 7 Recorders in G major, S.D945 (Marcello, Alessandro) for recorder and strings
7 recorders |
|
| Galop in C major, IFP 64 (Praeger, Ferdinand) for piano |
1800 |
| La gioja (Praeger, Ferdinand) for piano |
1800 |
| Grande valse in E-flat major, IFP 66 (Praeger, Ferdinand) for piano |
1800 |
| Grande valse in E-flat major, IFP 67 (Praeger, Ferdinand) for piano |
1800 |
| Impromptu in B-flat major (Praeger, Ferdinand) for piano |
1889 |
| Jubilee Gavotte (Praeger, Ferdinand) for piano |
1800 |
| Jubilee March (Praeger, Ferdinand) for piano |
1800 |
| The Jubilee Trumpet Waltz (Praeger, Ferdinand) for piano |
1800 |
| Liebesbotschaft (Praeger, Ferdinand) for piano |
1800 |
| Mazurka in F major (Praeger, Ferdinand) for piano |
1800 |
| Minuet in G major (Praeger, Ferdinand) for piano |
1890 |
| Moderato assai in B-flat major (Praeger, Ferdinand) for piano |
1800 |
| Moderato in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Moderato in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Moderato in G major (Praeger, Ferdinand) for piano |
1800 |
| 6 Morceaux caractéristiques (Praeger, Ferdinand) for piano |
|
| Rhapsodie No. 2 (Praeger, Ferdinand) for piano |
1800 |
| Fidalba ed Artabano (Ristori, Giovanni Alberto) for soprano, bass, strings and continuo |
|
12 Sinfonias (Stradella, Alessandro) for strings and continuo
2 violins and continuo
violin and continuo
2 cornetts, 2 violins and continuo
lute, 3 violins, 2 violas and continuo |
|
| Demetrio (Bernasconi, Andrea) for voices and orchestra |
|
| Artaserse (Bernasconi, Andrea) for voices and orchestra |
|
| Artaserse (Bernasconi, Andrea) for voices and orchestra |
|
| Temistocle (Bernasconi, Andrea) for voices and orchestra |
|
| Temistocle (Bernasconi, Andrea) for voices and orchestra |
|
| Semiramide riconosciuta (Bernasconi, Andrea) for voices and orchestra |
|
| Semiramide riconosciuta (Bernasconi, Andrea) for voices and orchestra |
|
| Semiramide riconosciuta (Bernasconi, Andrea) for voices and orchestra |
|
| Volkslied in G major (Praeger, Ferdinand) for piano |
1891 |
| Scherzo in G major, IFP 92 (Praeger, Ferdinand) for piano |
1800 |
| Serenade in F major (Praeger, Ferdinand) for piano |
1800 |
| Stürm March (Praeger, Ferdinand) for piano |
1800 |
| Du angenehmer Fund, NesF A70 (Freislich, Johann Balthasar Christian) for soprano and orchestra |
1729 |
| Herz bedenke was du bist, NesF A71 (Freislich, Johann Balthasar Christian) for alto, tenor, mixed chorus and orchestra |
1700 |
| Ertönt ihr Hütten der Gerechten, NesF A76 (Freislich, Johann Balthasar Christian) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
1741 |
| O ewige Weisheit allmächtige Liebe, NesF E27 (Freislich, Johann Balthasar Christian) for alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Ehre sei Gott in der Höhe, NesF A72 (Freislich, Johann Balthasar Christian) for soprano, alto, tenor, bass, 2 mixed chorus and 2 orchestras |
1766 |
| Salir el amor del mundo (Durón, Sebastián) for voices, mixed chorus and orchestra |
|
| Coronis (Durón, Sebastián) for voices, mixed chorus and orchestra |
|
| Veneno es de amor la envidia (Durón, Sebastián) for voices, mixed chorus and orchestra |
|
| Apolo y Dafne (Durón, Sebastián) for voices, mixed chorus and orchestra |
|
Selva encantada de amor (Durón, Sebastián) for voices, mixed chorus, violin, viol and continuo
voices, mixed chorus, strings and continuo
voices, strings and continuo |
|
| Muerte en amor es la ausencia (Durón, Sebastián) for |
|
| Las nuevas armas de amor (Durón, Sebastián) for voices, mixed chorus and orchestra |
|
| Le portrait musical de la nature, LadK II/844-848 (Knecht, Justin Heinrich) for orchestra |
1884 |
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
40 Select Anthems in Score (Greene, Maurice) for voice, mixed chorus and continuo
voices, mixed chorus and continuo
8 voices and continuo
2 mixed chorus and continuo
mixed chorus and continuo |
|
| Habt nicht lieb die Welt, R 5.1.76 (Tag, Christian Gotthilf) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Ich halte es dafür, R 5.1.91 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ehre sei Gott in der Höhe, R 5.1.44b (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
|
| Mein Freund ist mein und ich bin sein, R 5.1.130 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| First version (1736) from Didone abbandonata (Bernasconi, Andrea) for voices and orchestra |
|
| First version (1736) from Didone abbandonata (Bernasconi, Andrea) for voices and orchestra |
|
| La clemenza di Tito (Bernasconi, Andrea) for voices and orchestra |
|
| Complete (1756 Version) from Demofoonte (Bernasconi, Andrea) for 7 voices and orchestra |
|
| Complete (1756 Version) from Demofoonte (Bernasconi, Andrea) for 7 voices and orchestra |
|
| Dennoch bleib' ich stets an dir, R 5.1.21 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Il Tabacco (San Martino d'Agliè, Filippo Giuseppe) for 4 Unspecified instruments |
|
| Kehret wieder kommt zurücke, R 5.1.108 (Tag, Christian Gotthilf) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Habt ihr nicht gesehen den meine Seele liebet, R 5.1.75 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Erwache doch mein Herze, R 5.1.50 (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dies ist der Tag den der Herr gemacht hat, R 1.38b (Tag, Christian Gotthilf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Piano Trio, Op. 77 (Stöhr, Richard) for violin, cello and piano |
1942 |
| Suite for Organ and Violin, Op. 102 (Stöhr, Richard) for violin and organ |
1900 |
| Suite for Flute, Violin, Cello and Piano, Op. 76 (Stöhr, Richard) for flute, violin, cello and piano |
1941 |
| Violin Sonata No. 13, Op. 131 (Stöhr, Richard) for violin and piano |
1949 |
| Violin Concerto in E-flat major (Timmer, Joseph Ferdinand) for violin, strings and continuo |
1735 |
| Violin Concerto in F major (Timmer, Joseph Ferdinand) for violin, strings and continuo |
1737 |
| Violin Concerto in E-flat major 'pour la nessances de son Altesse Royale' (Timmer, Joseph Ferdinand) for violin, strings and continuo |
1733 |
| Violin Concerto in B-flat major (Timmer, Joseph Ferdinand) for violin, strings and continuo |
1743 |
| Dixit Dominus, ZWV 68 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Dixit Dominus, ZWV 68 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ad te levavi animam meam (Hasse, Johann Adolph) for soprano, alto and orchestra |
1783 |
| Missa in G minor 'Ultima' (Hasse, Johann Adolph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Si disarmi quest'altiero arciero (Ristori, Giovanni Alberto) for soprano, 2 altos, tenor, mixed chorus and orchestra |
|
| Si disarmi quest'altiero arciero (Ristori, Giovanni Alberto) for soprano, 2 altos, tenor, mixed chorus and orchestra |
|
| Sinfonia from Si disarmi quest'altiero arciero (Ristori, Giovanni Alberto) for soprano, 2 altos, tenor, mixed chorus and orchestra |
|
| Si disarmi quest'altiero arciero (Ristori, Giovanni Alberto) for soprano, 2 altos, tenor, mixed chorus and orchestra |
|
| 10 Miniatures, Op. 89 (Stöhr, Richard) for violin and piano |
1942 |
| Piano Trio, Op. 97 (Stöhr, Richard) for violin, cello and piano |
1943 |
| Piano Trio, Op. 100 (Stöhr, Richard) for violin, cello and piano |
1944 |
| Quintet for 4 Recorders and Piano, Op. 87 (Stöhr, Richard) for 4 recorders and piano |
1942 |
| String Quartet No. 4, Op. 114 (Stöhr, Richard) for 2 violins, viola and cello |
1946 |
| Suite for Violin and Piano, Op. 117a (Stöhr, Richard) for violin and piano |
1900 |
| Suite for Violin and Piano, Op. 117b (Stöhr, Richard) for violin and piano |
1946 |
| Violin Sonata No. 14, Op. 134a (Stöhr, Richard) for violin and piano |
1950 |
| Violin Sonata No. 15, Op. 134b (Stöhr, Richard) for violin and piano |
1950 |
| 3 Waltzes, Op. 88 (Stöhr, Richard) for violin and piano |
1942 |
| Attendite et videte, ZWV 59 (Zelenka, Jan Dismas) for soprano, alto, bass, mixed chorus and orchestra |
1712 |
| Trio Sonata in D minor, S-Uu 58:7 (Schmelzer, Johann Heinrich) for violin, viol and continuo |
1672 |
| Sonata à 3 in G major, S-Uu 8:14 (Schmelzer, Johann Heinrich) for 2 violins, viol and continuo |
1682 |
| Sonata à 3 in G major, S-Uu 8:14 (Schmelzer, Johann Heinrich) for 2 violins, viol and continuo |
|
Sonata à 5 in A major, S-Uu 58:10 (Schmelzer, Johann Heinrich) for 2 violins, 2 violas and continuo
2 violins, viola, viol and continuo |
|
| Violin Sonata in A minor (Schmelzer, Johann Heinrich) for violin and continuo |
1673 |
| Trio Sonata in A minor, S-Uu 8:6 (Schmelzer, Johann Heinrich) for violin, viol and continuo |
|
| Arrangement of O Jesu mi amate (Leo, Leonardo) for |
|
| Sonata in E minor, S-Uu 8:10 (Schmelzer, Johann Heinrich) for violin, 4 violas and continuo |
|
Intrada con Trezza in D minor (Schmelzer, Johann Heinrich) for 4 Unspecified instruments
continuo and 3 Unspecified instruments |
|
| Venite omnes (Lefebvre, Louis Antoine) for voice and orchestra |
|
| Semiramide, RV 733 (Vivaldi, Antonio) for |
1700 |
| Trio Sonata in E minor, S-Uu 8:5 (Schmelzer, Johann Heinrich) for 2 violins and continuo |
|
| Trio Sonata in F major, S-Uu 8:7 (Schmelzer, Johann Heinrich) for 2 violins and continuo |
|
| Suite in D major (Schmelzer, Johann Heinrich) for violin and continuo |
|
| Motezuma, RV 723 (Vivaldi, Antonio) for voices and orchestra |
|
| Sonata à 3 in D major, S-Uu 8:9 (Schmelzer, Johann Heinrich) for 2 violins, viol and continuo |
|
| Sonata à 5 in D minor, S-Uu 58:9a (Schmelzer, Johann Heinrich) for 2 violins, 2 violas, viol and continuo |
|
| Piano Quintet, Op. 94 (Stöhr, Richard) for 2 violins, viola, cello and piano |
1943 |
| String Quartet No. 2, Op. 86 (Stöhr, Richard) for 2 violins, viola and cello |
1942 |
| String Quartet No. 2, Op. 86 (Stöhr, Richard) for 2 violins, viola and cello |
1942 |
| String Quartet No. 3, Op. 92 (Stöhr, Richard) for 2 violins, viola and cello |
1943 |
| String Quartet No. 3, Op. 92 (Stöhr, Richard) for 2 violins, viola and cello |
1943 |
| Suite for 2 Flutes, Violin and Piano, Op. 80 (Stöhr, Richard) for 2 flutes, violin and piano |
1942 |
Sonata à 3 in G major, S-Uu 8:12 (Schmelzer, Johann Heinrich) for 2 violins, viol and continuo
trombone, 2 violins and continuo |
|
Sonata à 4 in C major, S-Uu 8:21 (Schmelzer, Johann Heinrich) for 2 violins, viola and continuo
2 violins, viol and continuo |
1667 |
Sonata à 4 in C major, S-Uu 8:21 (Schmelzer, Johann Heinrich) for 2 violins, viola and continuo
2 violins, viol and continuo |
1668 |
| Sonata à 3 in G minor, S-Uu 8:8 (Schmelzer, Johann Heinrich) for 2 violins, viol and continuo |
|
| L'Ulderica (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| L'Ulderica (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| L'Ulderica (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| L'Ulderica (Hasse, Johann Adolph) for 7 voices and orchestra |
|
| Missa Dei Filii, ZWV 20 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
Sonata à 4 in F major, S-Uu 58:13 (Schmelzer, Johann Heinrich) for violin, 2 violas, viol and continuo
violin, 3 violas and continuo |
|
| Sonata à 7 in C major, S-Uu 8:16 (Schmelzer, Johann Heinrich) for 2 cornetts, 2 trumpets, 3 trombones and continuo |
1675 |
Sonata à 5 in D minor, S-Uu 58:12 (Schmelzer, Johann Heinrich) for 2 violins, 3 violas and continuo
2 violins, 2 violas, viol and continuo |
|
| Vaya de xácara nueva (San Juan, José de) for tenor, 2 mixed chorus, 2 violins and continuo |
|
Oye dueño de mi vida (San Juan, José de) for tenor, mixed chorus, 2 violins and continuo
2 sopranos, alto, 2 tenors, 2 violins and continuo |
|
| Una noche que los Reyes (San Juan, José de) for bass, mixed chorus, 2 violins and continuo |
|
| El portugués (San Juan, José de) for 2 mixed chorus and continuo |
|
| Llorad, Divino amor (Veana, Matías Juan de) for 2 mixed chorus and continuo |
|
| A la palma (Ortells, Antonio Teodoro) for 2 mixed chorus and continuo |
|
| Aguila que al sol intentas (Ortells, Antonio Teodoro) for 2 mixed chorus and continuo |
|
| Jiman los céfiros (Ortells, Antonio Teodoro) for 3 mixed chorus and continuo |
|
| Gloria Patri (Terradellas, Domingo) for mixed chorus and orchestra |
|
| Flanziquiyo (San Juan, José de) for tenor, 2 mixed chorus, 2 violins and continuo |
|
| Il Tobia (Mysliveček, Josef) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major (Terradellas, Domingo) for orchestra |
|
| Sinfonia from Sesostri re d'Egitto (Terradellas, Domingo) for 6 voices and orchestra |
|
| Cierto de Sacristan de Asturias (Veana, Matías Juan de) for 2 mixed chorus and continuo |
|
| Catone in Utica, RV 705 (Vivaldi, Antonio) for voices and orchestra |
1737 |
| Auf Danzig laß in jauchzenden Chören, NesF E20 (Freislich, Johann Balthasar Christian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1754 |
| Auf Danzig laß in jauchzenden Chören, NesF E20 (Freislich, Johann Balthasar Christian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1754 |
| Wünschet Jerusalem Glück, NesF A75 (Freislich, Johann Balthasar Christian) for soprano, bass, 2 mixed chorus and 2 orchestras |
1760 |
| Wünschet Jerusalem Glück, NesF A75 (Freislich, Johann Balthasar Christian) for soprano, bass, 2 mixed chorus and 2 orchestras |
1760 |
| Il trionfo della gratia, R.499.6 (Scarlatti, Alessandro) for 2 sopranos, alto and orchestra |
|
| Il trionfo della gratia, R.499.6 (Scarlatti, Alessandro) for 2 sopranos, alto and orchestra |
|
| Il trionfo della gratia, R.499.6 (Scarlatti, Alessandro) for 2 sopranos, alto and orchestra |
|
| Cambise, R.356.64 (Scarlatti, Alessandro) for voices and orchestra |
|
| Salve Regina, ZWV 135 (Zelenka, Jan Dismas) for soprano and orchestra |
1730 |
| Nisi Dominus, RV 803 (Vivaldi, Antonio) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Nocturno sinfonica, Op. 67 (Stöhr, Richard) for voices, mixed chorus and orchestra |
1923 |
| Ballet Suite, Op. 112 (Stöhr, Richard) for piano |
1944 |
| Ballet Suite, Op. 126b (Stöhr, Richard) for violin and piano |
1948 |
| 4 Choruses, Op. 83 (Stöhr, Richard) for mixed chorus and orchestra |
1943 |
| Divertimento for 2 Pianos, Op. 99 (Stöhr, Richard) for 2 pianos |
1944 |
| Divertimento for 2 Pianos, Op. 108 (Stöhr, Richard) for 2 pianos |
1945 |
| 10 Intermezzi, Op. 124 (Stöhr, Richard) for 2 violins, viola and cello |
1948 |
Millington Suite, Op. 123 (Stöhr, Richard) for 2 pianos
piano and harmonium |
1948 |
| Letzte Blüten, Op. 71 (Stöhr, Richard) for piano |
1941 |
| Piano Quintet, Op. 111b (Stöhr, Richard) for 2 violins, viola, cello and piano |
1945 |
| Piano Sonata, Op. 113a (Stöhr, Richard) for piano |
1946 |
| Piano Sonata, Op. 113b (Stöhr, Richard) for piano |
1946 |
| Piano Sonata, Op. 113c (Stöhr, Richard) for piano |
1946 |
| 4 Pieces, Op. 74 (Stöhr, Richard) for 2 pianos |
1941 |
| 12 Pieces, Op. 98 (Stöhr, Richard) for piano |
1944 |
| 12 Pieces, Op. 105 (Stöhr, Richard) for piano |
1948 |
| 6 Sketches, Op. 90 (Stöhr, Richard) for flute and piano |
1943 |
| Suite for 4 Recorders and Spinet, Op. 111a (Stöhr, Richard) for 4 recorders and keyboard |
1945 |
| Suite for Piano, Op. 116a (Stöhr, Richard) for piano |
1946 |
| Suite for Piano, Op. 116b (Stöhr, Richard) for piano |
1946 |
| Suite for Piano, Op. 132b (Stöhr, Richard) for piano |
1950 |
| 12 Pieces, Op. 121 (Stöhr, Richard) for piano |
1948 |
| Suite for Piano, Op. 116c (Stöhr, Richard) for piano |
1946 |
| Arrangement of Vermont Suite, Op. 72 (Stöhr, Richard) for 2 pianos |
1941 |
| Violin Concerto in G major, GT 1.G03 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in G major, RV 303 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, RV 303 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Harpsichord Concerto in D major (Umstatt, Joseph) for harpsichord, strings and continuo |
|
| Alma redemptoris Mater in B-flat major (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Ave regina coelorum in A major (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Domine ad adjuvandum in G major (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Confitebor tibi Domine in G major (Galuppi, Baldassare) for soprano, alto, strings and continuo |
|
| Concerto in G minor, RV 578a (Vivaldi, Antonio) for 2 violins, cello and orchestra |
|
| Credo in C major (Ristori, Giovanni Alberto) for mixed chorus and orchestra |
1700 |
| Willkommen, Erlöser der Erden, NesF A74 (Freislich, Johann Balthasar Christian) for soprano, bass, 2 mixed chorus and 2 orchestras |
1700 |
| Willkommen, Erlöser der Erden, NesF A74 (Freislich, Johann Balthasar Christian) for soprano, bass, 2 mixed chorus and 2 orchestras |
1700 |
| Beatus vir, RV 795 (Vivaldi, Antonio) for soprano, 2 altos, tenor, mixed chorus, strings and continuo |
|
| Laetatus sum (Pietragrua, Carlo Luigi) for mixed chorus, strings and continuo |
1713 |
| Laetatus sum (Pietragrua, Carlo Luigi) for mixed chorus, strings and continuo |
1726 |
| Laetatus sum (Pietragrua, Carlo Luigi) for mixed chorus, strings and continuo |
|
| Arrangement of Symphony No. 2, Op. 81 (Stöhr, Richard) for 2 pianos |
1942 |
| Arrangement of Symphony No. 3, Op. 93 (Stöhr, Richard) for 2 pianos |
1943 |
| Ach Gott wie lange soll der Widerwärtige, GWV 1122/53 (Graupner, Christoph) for soprano, tenor, bass, mixed chorus and orchestra |
1753 |
| 3 Chorale Fantasias (Parry, Charles Hubert Hastings) for organ |
1915 |
| The Birds (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
|
| Final Chorus from The Birds (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
1900 |
| Jephte et Helcana (Galuppi, Baldassare) for soprano, alto and orchestra |
1771 |
| Il mondo della luna (Galuppi, Baldassare) for voices and orchestra |
|
| L'oracolo del Vaticano (Galuppi, Baldassare) for 3 voices and orchestra |
1758 |
| La gelosia (Galuppi, Baldassare) for alto, strings and continuo |
|
| La scusa (Galuppi, Baldassare) for soprano and orchestra |
|
| La virtù liberata (Galuppi, Baldassare) for 5 voices and orchestra |
1765 |
| Salve regina in A major, 1774 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Salve regina in A major, 1775 (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Anfione (Galuppi, Baldassare) for 4 voices and orchestra |
|
| Venere al tempio (Galuppi, Baldassare) for 4 voices and orchestra |
|
| Credo in A major (Galuppi, Baldassare) for 2 sopranos, mixed chorus and orchestra |
|
| Sanctus in D major (Galuppi, Baldassare) for 5 voices and orchestra |
|
| Missa in C major, BurG I/3 (Galuppi, Baldassare) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Dixit Dominus in C major (Galuppi, Baldassare) for soprano, alto, tenor, bass and orchestra |
1763 |
| Domine probasti me in D major (Galuppi, Baldassare) for 2 mixed chorus and orchestra |
1775 |
| Lauda anima mea in G major (Galuppi, Baldassare) for 2 mixed chorus, strings and continuo |
1779 |
| Dixit Dominus in D major (Galuppi, Baldassare) for soprano, alto, tenor, bass and orchestra |
|
| Laudate pueri in G major (Galuppi, Baldassare) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
|
| Le nozze (Galuppi, Baldassare) for voices and orchestra |
|
| Laudate Dominum in A minor (Galuppi, Baldassare) for 2 mixed chorus, strings and continuo |
1780 |
| Aria: Stando a canto all'idol mio (Act III, Sc.5) from Gianguir (Giacomelli, Geminiano) for 7 voices, mixed chorus and orchestra |
|
| Kings Row Suite (Korngold, Erich Wolfgang) for orchestra |
|
| In convertendo Dominus in F major (Galuppi, Baldassare) for 4 voices, strings and continuo |
|
| Pastorale e rondino alla tedesco, Op. 35 (Marteau, Henri) for oboe and orchestra |
1924 |
| Pastorale e rondino alla tedesco, Op. 35 (Marteau, Henri) for oboe and orchestra |
|
| Tornate ancor vezzi d'amor (Giacomelli, Geminiano) for soprano, strings and continuo |
|
| Original Version from S'il est un charmant gazon (Saint-Saëns, Camille) for voice and piano |
1860 |
| Revised Version from S'il est un charmant gazon (Saint-Saëns, Camille) for voice and piano |
1860 |
| Triumphus divini amoris (Galuppi, Baldassare) for 7 voices and orchestra |
1765 |
| Judith (Galuppi, Baldassare) for 6 voices and orchestra |
1746 |
| Donna Flavia e Don Perichetto (Galuppi, Baldassare) for soprano, tenor and orchestra |
|
| Mundi salus (Galuppi, Baldassare) for 4 voices and orchestra |
1776 |
| Jesu corona virginum in C major (Galuppi, Baldassare) for voices and orchestra |
|
| Missa in E minor, BurG I/7 (Galuppi, Baldassare) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Gloria in D major (Galuppi, Baldassare) for soprano, alto, mixed chorus and orchestra |
|
| Requiem in E major (Galuppi, Baldassare) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Confitebor tibi Domine in C major, B.II.2 (Galuppi, Baldassare) for soprano, alto, strings and continuo |
1741 |
| Te Deum in D major (Galuppi, Baldassare) for soprano, alto, tenor, bass and orchestra |
|
| Passio secundum Joannem (Galuppi, Baldassare) for 5 voices and continuo |
1750 |
| Clarinet Concerto in E-flat major (Lindpaintner, Peter Joseph von) for clarinet and orchestra |
|
| Deianira, Iole, Ercole (Porpora, Nicola Antonio) for soprano, alto, bass and orchestra |
|
| Magnificat in D major (Agricola, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
|
| Bassoon Concertino in C major (Cramer, Franz Seraph) for bassoon and orchestra |
1813 |
| Missa Charitatis, ZWV 10 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Missa Charitatis, ZWV 10 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Kyrie in F major (Porpora, Nicola Antonio) for soprano, alto, tenor, bass, strings and continuo |
|
| Beatus vir in C major, INP 15 (Porpora, Nicola Antonio) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
|
6 Cello Sonatas (Ritter, Peter) for 2 cellos
cello and continuo |
|
| Alma redemptoris Mater in D major, R 300/7 (Rathgeber, Valentin) for soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo |
|
| 3 Sonatas for 3 Cellos (Cinque, Ermenegildo de) for 3 cellos |
|
| Harpsichord Sonata in A major (Nichelmann, Christoph) for harpsichord |
1741 |
| Albumblatt für Clara Schumann (Brahms, Johannes) for voice |
1868 |
| L'Ippocondriaco (Agricola, Johann Friedrich) for voices, mixed chorus and orchestra |
|
| Piano Quartet in D minor, MWV Q 10 (Mendelssohn, Felix) for violin, viola, cello and piano |
1821 |
| Piano Concerto in A minor, MWV O 2 (Mendelssohn, Felix) for piano and strings |
1800 |
| Violin Concerto in D minor, MWV O 3 (Mendelssohn, Felix) for violin and strings |
1822 |
| Dixit Dominus in B-flat major (Porpora, Nicola Antonio) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Dixit Dominus in B-flat major (Porpora, Nicola Antonio) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Sei vinto o ingiusto amor (Caldara, Antonio) for soprano and continuo |
|
| Ahi qual sembianza è quella (Caldara, Antonio) for alto and continuo |
|
| Sotto il bel di fiori e fronde (Caldara, Antonio) for alto, violin and continuo |
|
| Legge pria di non amanti (Caldara, Antonio) for soprano and continuo |
|
| Di queste ombrose selve (Caldara, Antonio) for alto and continuo |
|
| Scorrea presso un ruscello (Caldara, Antonio) for alto, 2 violins and continuo |
|
| Farfalletta sconsigliata che ti giova (Caldara, Antonio) for soprano and continuo |
|
| Voi che tanto splendore (Caldara, Antonio) for alto and continuo |
|
| In questi ameni colli (Caldara, Antonio) for alto, 2 violins and continuo |
|
| Christus kommt her von den Vätern (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr der Gott Israel (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Preiset mit mir den Herrn (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lobet den Herrn alle Heiden (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gottes Rat ist wunderbarlich (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
12 Cantatas, D-Dl Mus.1-I-7 (Various) for voice and continuo
soprano, strings and continuo
voice, flute and continuo |
|
| Risoluto son già tiranno amore (Caldara, Antonio) for soprano, violin and continuo |
|
| Risoluto son già tiranno amore (Caldara, Antonio) for soprano, violin and continuo |
|
| Vi perdei o luci belle (Caldara, Antonio) for soprano, 2 violins and continuo |
|
| Vi perdei o luci belle (Caldara, Antonio) for soprano, 2 violins and continuo |
|
| Miserere in F minor (Campioni, Carlo Antonio) for 2 mixed chorus, 2 horns, 2 violins and continuo |
|
Al sol de la tierra y cielo (Pillajo, Gonzalo) for 2 mixed chorus
8 voices |
|
| Vamos todos a ver (Hortuño, Joseph) for |
|
| Gelobet sei Gott und der Vater (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei Gott und der Vater (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott ist wundersam in seinem Heiligtum (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott ist wundersam in seinem Heiligtum (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr ich habe lieb die Stätte deines Hauses (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr ich habe lieb die Stätte deines Hauses (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr täglich (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr täglich (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Te Joseph celebrent, S.58 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1724 |
| Decora lux aeternitatis, S.57 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1725 |
| Tu mi chiedi s'io t'amo, S.146 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Tu mi chiedi s'io t'amo, S.146 (Heinichen, Johann David) for soprano and continuo |
|
| 22 Vocal pieces, F-Pn RES VMC MS-65 (Mancini, Francesco) for voice and continuo |
|
Innocente cor mio (Caldara, Antonio) for soprano, violin and continuo
soprano, 2 violins and continuo
soprano, strings and continuo |
|
Innocente cor mio (Caldara, Antonio) for soprano, violin and continuo
soprano, 2 violins and continuo
soprano, strings and continuo |
|
| Ich freue mich und bin fröhlich in dir (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
12 Cantatas, D-Dl Mus.1270-I-1 (Caldara, Antonio) for soprano and continuo
alto and continuo
soprano, violin and continuo
alto, violin and continuo
soprano, 2 violins and continuo
alto, 2 violins and continuo |
|
| Crudelis Herodes Deum, S.62 (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
1724 |
| Alles was ihr tut mit Worten oder mit Werken (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Resumen de acompañar la parte con la guitarra (Murcia, Santiago de) for guitar
guitar and continuo |
1726 |
| 18 Duets, D-Dl Mus.2110-L-1 (Various) for 2 voices and continuo |
|
| Laudate pueri in C minor (Caldara, Antonio) for soprano, mixed chorus and orchestra |
|
| Laudate pueri in C minor (Caldara, Antonio) for soprano, mixed chorus and orchestra |
|
| Wir dein Volk und Schafe deiner Weide (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei Gott und der Vater unsres Herrn Jesu Christi (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Singet Gott lobsinget seinen Namen (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Sehet welch eine Liebe (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Hilf deinem Volk und segne dein Erbe (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Heilig ist der Herr Zebaoth (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Wohl zu tun und mitzuteilen (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| Schmecket und sehet wie freundlich der Herr ist (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus, strings and continuo |
|
| O wie ist die Barmherzigkeit des Herrn so groß (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wer Barmherzigkeit übet (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wenn du 'gessen hast und satt bist (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott segnet den Frommen ihre Güter (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sprich nicht ich will Böses vergelten (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Der Herr wird seinem Volk Kraft geben (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die Lehrer werden mit viel Segen geschmückt (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Vergib uns alle Sünde und tue uns wohl (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| So wasche nun Jerusalem dein Herz (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Opfere Gott Dank (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich danke dir von rechtem Herzen (Stölzel, Gottfried Heinrich) for 2 sopranos, alto, bass, mixed chorus and orchestra |
|
| Ich danke dir Gott ewiglich (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
13 Arias, D-Dl Mus.1-F-21,1 (Various) for voice and orchestra
2 voices and orchestra |
|
| Was betrübst du dich meine Seele (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Siehe dein König kommt zu dir (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Siehe dein König kommt zu dir (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dazu ist erschienen der Sohn Gottes (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dazu ist erschienen der Sohn Gottes (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| L'Olimpiade (Perez, Davide) for 7 voices, mixed chorus and orchestra |
|
| Nehmet das Wort an mit Sanftmut (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Freuet euch der Barmherzigkeit Gottes (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr mein Hort (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gelobet sei der Herr mein Hort (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ihr Heiligen lobsinget dem Herren (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Ricercari à 3 voci, Libro 3 (Piochi, Cristoforo) for 3 Unspecified instruments
soprano, alto and tenor |
|
| Juvenilia (Stöhr, Richard) for piano |
1880 |
| Ich danke dir Herr dass du zornig bist gewesen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Ich danke dir Herr dass du zornig bist gewesen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Danke für alles dem der dich geschaffen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Adriano in Siria (Perez, Davide) for 6 voices and orchestra |
|
| Missa in C major (Traetta, Tommaso) for soprano, alto, tenor, bass and orchestra |
1700 |
| Didone abbandonata (Perez, Davide) for voices and orchestra |
|
| La clemenza di Tito (Platania, Ignazio) for voices and orchestra |
|
| Liebster Jesu deine Liebe findet ihresgleichen nicht (Stölzel, Gottfried Heinrich) for alto, violin, viola and continuo |
|
| Sirbace (Galuppi, Baldassare) for voices and orchestra |
|
| Enrico (Galuppi, Baldassare) for voices, mixed chorus and orchestra |
|
| Missa in D major, BurG I/11 (Galuppi, Baldassare) for 4 voices, mixed chorus and orchestra |
|
| Laetatus sum in A major (Galuppi, Baldassare) for voices, mixed chorus, strings and continuo |
|
| Vidi la navicella, S.131 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Tu ten vai così fastoso, S.127 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Fille se fiera sorte, S.43 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Lontananza non risana le ferite, S.57 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Va che tu sei felice, SF A361 (Marcello, Benedetto) for soprano and continuo |
|
| Ad onta del timore, S.2 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Alla caccia dell'alme, S.4 (Porpora, Nicola Antonio) for alto and continuo |
|
| La danza (Conforto, Nicola) for 2 sopranos and orchestra |
|
| La danza (Conforto, Nicola) for 2 sopranos and orchestra |
|
| La Pesca (Conforto, Nicola) for 2 sopranos and orchestra |
|
| La Pesca (Conforto, Nicola) for 2 sopranos and orchestra |
|
Ah nò che non si può, S.3 (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo |
|
| Sorge la bella Aurora, S.112 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Sorge la bella Aurora, S.112 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Laudate Dominum in F major (Galuppi, Baldassare) for mixed chorus and orchestra |
|
| La finta vedova (Conforto, Nicola) for voices and orchestra |
|
| Lettera a Clorinda (Lotti, Antonio) for soprano and continuo |
|
4 Cantatas, D-Dl Mus.3005-I-1 (Pergolesi, Giovanni Battista) for soprano and continuo
soprano, strings and continuo |
|
| Se non ponno i miei martiri (Anonymous) for soprano and continuo |
|
| Pena per voi il cor mio (Anonymous) for soprano and continuo |
|
| Luce degli occhi miei, P.110 (Pergolesi, Giovanni Battista) for soprano, strings and continuo |
|
| Luce degli occhi miei, P.110 (Pergolesi, Giovanni Battista) for soprano, strings and continuo |
|
| Ad onta del timore, S.6 (Marcello, Benedetto) for soprano and continuo |
|
| La finta contessina (Conforto, Nicola) for voices and orchestra |
|
| L'usignol colà cantado (Mancini, Francesco) for soprano and continuo |
|
| Aure che qui d'intorno (Bigaglia, Diogenio) for soprano and continuo |
|
| Aure che qui d'intorno (Bigaglia, Diogenio) for soprano and continuo |
|
| Aure che qui d'intorno (Bigaglia, Diogenio) for soprano and continuo |
|
| Didone abbandonata (Piccinni, Niccolò) for voices and orchestra |
1769 |
| In exitu Israël (Adolfati, Andrea) for soprano, alto, tenor, bass and orchestra |
|
| Nisi Dominus (Adolfati, Andrea) for soprano, alto, tenor, bass, 2 horns, strings and continuo |
|
| L'Origille (Piccinni, Niccolò) for voices and orchestra |
1760 |
| Apollo-Marsch, WAB 115 from Arrangement of Apollo-Marsch, WAB 115 from Mazzuchelli Marsch, Op. 22 (Kéler, Béla) for piano |
|
| Apollo-Marsch, WAB 115 from Arrangement of Apollo-Marsch, WAB 115 from Mazzuchelli Marsch, Op. 22 (Kéler, Béla) for piano |
|
| La scaltra letterata (Piccinni, Niccolò) for voices and orchestra |
1758 |
| Incomplete from Il re pastore (Piccinni, Niccolò) for voices and orchestra |
1760 |
| Caio Mario (Piccinni, Niccolò) for voices, mixed chorus and orchestra |
1765 |
| Incomplete from Lucio Vero (Jommelli, Niccolò) for voices, male chorus and orchestra |
1754 |
| Lucio Vero (Jommelli, Niccolò) for voices, male chorus and orchestra |
1754 |
| Einfache Praeludien für Schüler (Schumann, Clara) for piano |
1895 |
| Mangetsu no yaru (Geng, Shiqi) for 2 violins, viola and cello |
2014 |
| Praeludien (Schumann, Clara) for piano |
1800 |
| Etude in A-flat major, WoO 4 (Schumann, Clara) for piano |
1800 |
| Dixit Dominus in G minor (Manna, Gennaro) for soprano, alto, tenor, bass and orchestra |
1733 |
| Dixit Dominus in D major 1 (Manna, Gennaro) for 6 voices and orchestra |
1740 |
| Dixit Dominus in D major 2 (Manna, Gennaro) for soprano, alto, bass, mixed chorus and orchestra |
|
| In horrendo mare obscuro (Manna, Gaetano) for soprano, alto, mixed chorus and orchestra |
1774 |
| In voce canora in tono festivo (Manna, Gennaro) for soprano, alto, bass, mixed chorus and orchestra |
|
| Magnificat in B-flat major (Manna, Gennaro) for 5 voices, strings and continuo |
1737 |
| Dixit Dominus in F major (Manna, Gennaro) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1746 |
| Dixit Dominus in F major (Manna, Gennaro) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Fideles venite (Manna, Gennaro) for soprano, mixed chorus and orchestra |
|
| Lira cithara tuba canora (Manna, Gennaro) for soprano, alto, bass, mixed chorus and orchestra |
|
| Dixit Dominus in C major (Manna, Gennaro) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1752 |
| Dixit Dominus in C major (Manna, Gennaro) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Dixit Dominus in A major (Manna, Gennaro) for voice and orchestra |
|
| Magnificat in C major (Kuhnau, Johann) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Zenobia in Palmira, R.1.81 (Paisiello, Giovanni) for voices and orchestra |
1790 |
| Montezuma, R.1.32 (Paisiello, Giovanni) for voices and orchestra |
1700 |
| Calandro (Ristori, Giovanni Alberto) for 5 voices and orchestra |
1700 |
| Beispiele zum Generalbass (Vanhal, Johann Baptist) for continuo |
|
| Oronte re de' Sciti (Galuppi, Baldassare) for voices and orchestra |
|
| L'Olimpiade (Latilla, Gaetano) for 6 voices and orchestra |
|
| Griselda (Latilla, Gaetano) for 8 voices and orchestra |
|
| Bajazette (Jommelli, Niccolò) for 6 voices and orchestra |
1772 |
| Kurze Generalbass Regeln, WAB 258 (Bruckner, Anton) for continuo |
1800 |
| Orazio Curiazio (Sellitto, Giuseppe) for 6 voices and orchestra |
|
| Anweisung zum Generalbass (Anonymous) for continuo |
|
| Elisa, regina di Tiro (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Elisa, regina di Tiro (Galuppi, Baldassare) for 6 voices and orchestra |
1735 |
| Generalbass (Dessauer, Joseph) for continuo |
1815 |
| L'Euleo festeggiante (Bononcini, Giovanni) for voices and orchestra |
|
| La gara delle quattro stagioni (Bononcini, Giovanni) for 4 voices and orchestra |
|
| Il ritorno di Giulio Cesare (Bononcini, Giovanni) for 6 voices and orchestra |
|
| La fede publica (Bononcini, Giovanni) for 7 voices and orchestra |
|
| Stabat mater in F minor (Cafaro, Pasquale) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Gli affetti più grandi vinti dal più giusto (Bononcini, Giovanni) for 7 voices and orchestra |
|
| Proteo sul Reno (Bononcini, Giovanni) for 5 voices and orchestra |
|
| La profezia d'Eliseo nell'assedio di Samaria (Ariosti, Attilio) for 5 voices and orchestra |
|
| I gloriosi presagi di Scipione Africano (Ariosti, Attilio) for 7 voices and orchestra |
|
| Il fiore delle eroine (Bononcini, Giovanni) for 7 voices and orchestra |
|
| Generalbass Übungen (Panny, Jakob) for continuo |
|
| L'amor prigioniero (Ferrandini, Giovanni Battista) for 2 sopranos and orchestra |
|
| Sub coelo sereno (Galuppi, Baldassare) for soprano, strings and continuo |
|
| Tindaridi (Traetta, Tommaso) for voices, mixed chorus and orchestra |
|
| Nella dolce mia fiamma (Traetta, Tommaso) for 2 sopranos, strings and continuo |
|
| Solimano (Traetta, Tommaso) for 6 voices and orchestra |
|
| Beatus vir, ZWV 75 (Zelenka, Jan Dismas) for alto, mixed chorus and orchestra |
1725 |
| Lauda Jerusalem in C major (Galuppi, Baldassare) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Zijn laatste lied (Tinel, Jef) for piano |
1934 |
| 17 Songs, D-Dl Mus.1-F-21,3 (Various) for |
|
| Allerzielen-In Paradisum-Naar het graf (Tinel, Jef) for piano |
1934 |
| 'n Avond Blomkens (Tinel, Jef) for piano |
1933 |
| Begraving van Hansje (Tinel, Jef) for piano |
1932 |
| Begraving van een Held (Tinel, Jef) for piano |
1934 |
| Bij de wieg (Tinel, Jef) for piano |
1933 |
| Bosch Kapelleke and Dodenzang (Tinel, Jef) for piano |
1933 |
| Laudate pueri, ZWV 82 (Zelenka, Jan Dismas) for bass, mixed chorus and orchestra |
1700 |
| De lente komt (Tinel, Jef) for piano |
1933 |
| Heimwee (Tinel, Jef) for piano |
1934 |
| Il borgomastro di Schiedam (Rossi, Lauro) for voices, mixed chorus and orchestra |
|
| Kabbelend beekje (Tinel, Jef) for piano |
1934 |
| Kabouters in C minor (Tinel, Jef) for piano |
1934 |
| Nu zoetjes droomen (Tinel, Jef) for piano |
1934 |
| Op den elvenheuvel (Tinel, Jef) for piano |
1934 |
| Requiem for Piano (Tinel, Jef) for piano |
1934 |
| Soldaatje spelen (Tinel, Jef) for piano |
1933 |
| I penitenti al sepolcro del redentore, ZWV 63 (Zelenka, Jan Dismas) for alto, tenor, bass, mixed chorus and orchestra |
1736 |
| La caccia del cervo forzato (Ferrandini, Giovanni Battista) for soprano, mixed chorus and orchestra |
|
| Per pietà maggior tormento (Traetta, Tommaso) for soprano, strings and continuo |
|
| Beatus vir, ZWV 76 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Nice e Tirsi (Veracini, Francesco Maria) for 2 sopranos, strings and continuo |
|
| Currite ad aras, ZWV 166 (Zelenka, Jan Dismas) for tenor, mixed chorus and orchestra |
1716 |
| In convertendo, ZWV 91 (Zelenka, Jan Dismas) for soprano, alto, tenor, mixed chorus and orchestra |
1700 |
| 4 Antiphons, ZWV 163 (Zelenka, Jan Dismas) for mixed chorus and continuo |
1700 |
| Usignoletto bello, RV 796 (Vivaldi, Antonio) for soprano and continuo |
|
| Te Deum, ZWV 145 (Zelenka, Jan Dismas) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Confitebor tibi Domine, ZWV 100 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| In exitu Israel, ZWV 84 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Beati omnes, ZWV 94 (Zelenka, Jan Dismas) for soprano, alto, tenor, mixed chorus and orchestra |
1700 |
| Laetatus sum, ZWV 88 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra |
1700 |
| Memento Domine David, ZWV 98 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Wals II (Tinel, Jef) for piano |
1935 |
| Wals I (Tinel, Jef) for piano |
1935 |
| Wacht maar! (Tinel, Jef) for piano |
1935 |
| De Bietebau (Tinel, Jef) for piano |
1934 |
| Grootvader vertelt (Tinel, Jef) for piano |
1934 |
| Naar de Hoogmis (Tinel, Jef) for piano |
1935 |
| Wat zijt ge schoon! (Tinel, Jef) for piano |
1935 |
2 Hymns, ZWV 111-112 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra
soprano, alto, tenor, mixed chorus and continuo |
1722 |
Magnificat, ZWV 107 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
1700 |
Magnificat, ZWV 107 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
|
| Laudate Dominum, ZWV 87 (Zelenka, Jan Dismas) for tenor, mixed chorus and orchestra |
1700 |
| Een kleine geschiedenis (Tinel, Jef) for piano |
1935 |
| Credidi, ZWV 85 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Missa Corporis Domini, ZWV 3 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Ongestadig (Tinel, Jef) for piano |
1935 |
2 Hymns, ZWV 118 & 114 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra
soprano, alto, tenor, bass, violin and continuo |
1700 |
| Ballade in F minor (Tinel, Jef) for piano |
1934 |
| Era la notte, RV 655 (Vivaldi, Antonio) for soprano and continuo |
1700 |
| Dio sul Sinai (Chelleri, Fortunato) for voices, mixed chorus and orchestra |
|
| Miserere, ZWV 56 (Zelenka, Jan Dismas) for voices, mixed chorus and orchestra |
1700 |
| Credo, ZWV 32 (Zelenka, Jan Dismas) for 2 mixed chorus and orchestra |
1724 |
| De profundis, ZWV 97 (Zelenka, Jan Dismas) for alto, tenor, 3 basses, mixed chorus and orchestra |
1700 |
| Missa Gratias agimus tibi, ZWV 13 (Zelenka, Jan Dismas) for 2 sopranos, 2 altos, tenor, bass, mixed chorus and orchestra |
1730 |
| Fonti di pianto piangete, RV 656 (Vivaldi, Antonio) for soprano and continuo |
1730 |
| Missa in F major, P.47 (Pergolesi, Giovanni Battista) for 5 voices and orchestra |
|
| Missa in F major, P.47 (Pergolesi, Giovanni Battista) for 5 voices and orchestra |
1700 |
| Scherza di fronda in fronda, RV 663 (Vivaldi, Antonio) for soprano and continuo |
|
| Missa Omnium Sanctorum, ZWV 21 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Da pacem Domine, ZWV 167 (Zelenka, Jan Dismas) for 2 mixed chorus and orchestra |
|
| Nisi Dominus, ZWV 92 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Completorium in G major, B.Anh.34 (Galuppi, Baldassare) for soprano, alto, tenor and bass |
|
| Confitebor tibi Domine in G major, B.II.6 (Galuppi, Baldassare) for soprano, alto, strings and continuo |
|
| De profundis, ZWV 96 (Zelenka, Jan Dismas) for tenor, bass, mixed chorus, strings and continuo |
1700 |
| Confitebor tibi Domine, ZWV 72 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Missa Sancta Caeciliae, ZWV 1 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Qui tollis peccata mundi from Missa Sancta Caeciliae, ZWV 1 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Qui tollis peccata mundi from Missa Sancta Caeciliae, ZWV 1 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Qui tollis peccata mundi from Missa Sancta Caeciliae, ZWV 1 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lucio Papirio (Galuppi, Baldassare) for 7 voices and orchestra |
|
| Motezuma (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Amanti voi scherzate, S.6 (Porpora, Nicola Antonio) for alto and continuo |
|
| 42 Fugen und Chorale (Quehl, Hieronymus Florentinus) for organ |
1734 |
| Violin Concerto in F major, RV 296 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Mandolin Concerto in C major, RV 425 (Vivaldi, Antonio) for mandolin, strings and continuo |
1700 |
| Qual per ignoto calle, RV 677 (Vivaldi, Antonio) for alto and continuo |
1730 |
| Perfidissimo cor, RV 674 (Vivaldi, Antonio) for alto and continuo |
1730 |
| Pianti sospiri e dimandar mercede, RV 676 (Vivaldi, Antonio) for alto and continuo |
1730 |
| Sorge vermiglia in ciel, RV 667 (Vivaldi, Antonio) for soprano and continuo |
1727 |
| Violin Concerto in F major, RV 287 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, RV 171 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Flute Concerto in D major, RV 427 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Flute Concerto in D major, RV 429 (Vivaldi, Antonio) for flute, strings and continuo |
|
| Flute Concerto in A minor, RV 440 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Flute Concerto in G major, RV 436 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Flute Concerto in G major, RV 438 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Flute Concerto in G major, RV 438 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Violin Concerto in C major, RV 190 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 222 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, RV 283 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in F major, RV 282 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Il diamante, ZWV 177 (Zelenka, Jan Dismas) for 5 voices, mixed chorus and orchestra |
1737 |
| Laudate pueri in G major (Porpora, Nicola Antonio) for 4 voices, strings and continuo |
|
| Laudate pueri in G major (Porpora, Nicola Antonio) for 4 voices, strings and continuo |
|
| Beatus vir in C major, INP 14 (Porpora, Nicola Antonio) for 4 voices, strings and continuo |
1700 |
| Beatus vir in C major, INP 14 (Porpora, Nicola Antonio) for 4 voices, strings and continuo |
|
Dixit Dominus in G major (Porpora, Nicola Antonio) for 2 sopranos, 2 altos, female chorus, 2 violins and continuo
2 sopranos, 2 altos, female chorus, strings and continuo |
|
| Pigmalione (Asioli, Bonifazio) for voices and orchestra |
|
| Pigmalione (Asioli, Bonifazio) for voices and orchestra |
|
| Laudate pueri in F major, B.II.34 (Galuppi, Baldassare) for soprano, alto, bass, strings and continuo |
|
| Te Deum laudamus, S.118 (Heinichen, Johann David) for 3 voices, mixed chorus and orchestra |
1722 |
| Te Deum laudamus, S.118 (Heinichen, Johann David) for 3 voices, mixed chorus and orchestra |
1722 |
| Laudate pueri, S.82 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1726 |
| Laetatus sum, S.70 (Heinichen, Johann David) for alto, tenor and orchestra |
1726 |
| Missa in D major, S.8 (Heinichen, Johann David) for 4 voices, mixed chorus and orchestra |
1724 |
| Missa in D major, S.6 (Heinichen, Johann David) for 4 voices, mixed chorus and orchestra |
1728 |
| Mass in D major (Fago, Francesco Nicola) for voices, 2 mixed chorus and orchestra |
|
| Piano Concerto, SO 824 (Ornstein, Leo) for piano and orchestra |
|
| Piano Concerto, SO 824 (Ornstein, Leo) for piano and orchestra |
|
| Arrangement of Piano Concerto, SO 824 (Ornstein, Leo) for 2 pianos |
|
| Arrangement of Piano Concerto, SO 824 (Ornstein, Leo) for 2 pianos |
|
| In turbato mare irato, RV 627 (Vivaldi, Antonio) for soprano, strings and continuo |
1700 |
| L'Olimpiade (Anfossi, Pasquale) for 6 voices and orchestra |
|
Ode to the Deserter (Rzewski, Frederic) for mixed chorus and continuo
mixed chorus and keyboard |
2013 |
| Horn Concerto in F major, M.C53 (Rosetti, Antonio) for horn and orchestra |
|
| Horn Concerto in E-flat major, M.C40 (Rosetti, Antonio) for horn and orchestra |
|
| Oboe Concerto in C major, M.C29 (Rosetti, Antonio) for oboe and orchestra |
|
| Oboe Concerto in D major, M.C33 (Rosetti, Antonio) for oboe and orchestra |
1778 |
| Violin Concerto in F major, M.C11 (Rosetti, Antonio) for violin and orchestra |
|
| Lauda Jerusalem, S.79 (Heinichen, Johann David) for soprano, alto, mixed chorus and orchestra |
1726 |
| Nisi Dominus, S.98 (Heinichen, Johann David) for soprano, bass and orchestra |
1726 |
| Dixit Dominus, S.46 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1723 |
| Laudate pueri, S.81 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1724 |
| In exitu Israel, S.65 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1717 |
| Credidi propter quod locutus sum, S.34 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1723 |
| Ave regina, S.24 (Heinichen, Johann David) for soprano, alto and orchestra |
1727 |
| Mia Climene adorata, S.150 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Mia Climene adorata, S.150 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Mia Climene adorata, S.150 (Heinichen, Johann David) for soprano and continuo |
|
| Leggi bell'idol mio, S.154 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Sedea Fileno un giorno, S.155 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Sedea Fileno un giorno, S.155 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Dove fiorito impero, S.158 (Heinichen, Johann David) for soprano and continuo |
|
| Delizie del mio core, S.173 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Parto a te menzogniero, S.175 (Heinichen, Johann David) for alto and continuo |
1710 |
| Mio cor amante dimmi perchè, S.179 (Heinichen, Johann David) for soprano and continuo |
1710 |
| Or che stanco, S.182 (Heinichen, Johann David) for soprano and continuo |
1710 |
| Luci voi siete quelle, S.184 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Luci voi siete quelle, S.184 (Heinichen, Johann David) for soprano and continuo |
|
| Bella se pur gradite, S.191 (Heinichen, Johann David) for soprano and continuo |
1711 |
| Horn Concerto in E-flat major, M.C48 (Rosetti, Antonio) for horn and orchestra |
|
| Horn Concerto in E-flat major, M.C48 (Rosetti, Antonio) for horn and orchestra |
|
| Concerto for 2 Horns in E-flat major, M.C57 (Rosetti, Antonio) for 2 horns and orchestra |
|
| Oboe Concerto in C major, M.C30 (Rosetti, Antonio) for oboe and orchestra |
|
| Symphony in F major, M.A33 (Rosetti, Antonio) for orchestra |
|
| Trio for 2 Flutes and Viola d'amore, CzaR 105 (Rust, Friedrich Wilhelm) for 2 flutes and viola damore |
|
| Cello Concerto in B-flat major (Filtz, Johann Anton) for cello and orchestra |
|
| Arrighetto (Coccia, Carlo) for voices and orchestra |
|
Cello Concerto in F major (Filtz, Johann Anton) for cello, strings and continuo
cello and strings |
|
| Flute Sonata in C major (Nichelmann, Christoph) for flute and harpsichord |
|
| Divertissement espagnol (Loeffler, Charles Martin) for alto saxophone and orchestra |
|
| Sonata for 2 Bassoons in F major (Asplmayr, Franz) for 2 bassoons |
|
| Flute Sonata in G major, L.642.b (Benda, Georg) for flute and harpsichord |
|
| Violin Sonata in B-flat major, Š.88 (Štěpán, Josef Antonín) for violin and harpsichord |
|
| La Tempesta (Holzbauer, Ignaz) for soprano and orchestra |
|
| Laudate pueri in F major (Manna, Gennaro) for alto, mixed chorus and orchestra |
1740 |
| Thematische Verzeichnisse der Konzerte und Sonaten Giuseppe Tartinis (Tartini, Giuseppe) for |
|
| Sonatina in D major, H.449 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
1700 |
| Sonatina in D major, H.449 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
1700 |
| Cello Concerto in A major (Holzbauer, Ignaz) for cello, strings and continuo |
|
| Symphony in C major, DTB 3/1 C 7 (Holzbauer, Ignaz) for orchestra |
|
| Symphony in D major (Holzbauer, Ignaz) for orchestra |
|
| Symphony in E major (Holzbauer, Ignaz) for orchestra |
|
| Santa Geneviefa (Leo, Leonardo) for 7 voices and orchestra |
|
| Talestri, Regina delle Amazzoni (Walpurgis, Maria Antonia) for voices, mixed chorus and orchestra |
|
| March from Arrangement of March from Talestri, Regina delle Amazzoni (Walpurgis, Maria Antonia) for keyboard |
|
| Trio Sonata in B-flat major (Krause, Christian Gottfried) for flute, violin and continuo |
|
Trio Sonata in G major (Besozzi, Alessandro) for 2 oboes and continuo
flute, oboe and continuo |
|
| Horn Concerto in E-flat major, WK deest (Abel, Carl Friedrich) for horn, strings and continuo |
|
| Concertino-Scherzo (Soriano Thebas, Alberto) for 2 violins, viola and cello |
1958 |
Surrexit pastor bonus (Capricornus, Samuel) for alto, cornett and continuo
alto, violin and continuo |
1671 |
Sinfonia a tre in G major (Holzbauer, Ignaz) for strings and continuo
2 violins and continuo |
|
Divertimento in D major, DTB 16 D 4 (Holzbauer, Ignaz) for flute, violin and continuo
flute, violin and cello
2 violins and continuo
2 violins and cello |
|
Partita in D major, DTB 16 D 5 (Holzbauer, Ignaz) for 2 violins and continuo
2 violins and cello |
|
| Symphony in A major, DTB 3/1 A 4 (Holzbauer, Ignaz) for strings and continuo |
|
| Horn Concerto in E-flat major (Abel, Carl Friedrich) for horn, strings and continuo |
|
| Flute Concerto in G major (Holzbauer, Ignaz) for flute, strings and continuo |
|
| Violin Concerto in E minor, GT 1.e01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Violin Concerto in F major, GT 1.F01 (Tartini, Giuseppe) for violin, strings and continuo |
|
| Roma, Op. 65 (Żeleński, Władysław) for orchestra |
|
Oboe Concerto in G major (Dominico, Gianpaolo di) for oboe, strings and continuo
flute, strings and continuo |
|
| Adeste omnes fideles (Capricornus, Samuel) for alto, violin and continuo |
1671 |
| Andante cantabile for 4 Violas (Waelput, Hendrik) for 4 violas |
|
| Wenn ich fürs Gericht soll treten (Capricornus, Samuel) for 2 sopranos, bass, 2 violins and continuo |
|
| Magnificat (Capricornus, Samuel) for 2 sopranos, alto, tenor, bass, 2 violins and continuo |
|
| Wo wiltu hin weils Abend ist (2) (Capricornus, Samuel) for 2 sopranos, alto, 2 viols and continuo |
|
| Dulcissime amantissime benignissime (Capricornus, Samuel) for alto, tenor, bass, 4 viols and continuo |
|
| Suchet den Herrn weil er zu finden ist (Capricornus, Samuel) for 2 sopranos, bass, bassoon, 2 violins and continuo |
|
| O quanti labores, o quanti sudores (Capricornus, Samuel) for soprano, bass and continuo |
|
| Nichtig ist doch was wir schätzen (Capricornus, Samuel) for alto, tenor, 4 viols and continuo |
|
| Missa a 9 in G major (Capricornus, Samuel) for soprano, alto, tenor, mixed chorus, bassoon, 2 violins, 2 violas and continuo |
|
| Kommet laßt uns auf den Berg des Herrn gehen (Capricornus, Samuel) for 2 sopranos, tenor, 2 violins and continuo |
|
| Judica Domine iudica nocentes me (Capricornus, Samuel) for 2 sopranos, cornett, violin and continuo |
1671 |
| Jesu clemens pie Deus (Capricornus, Samuel) for 2 sopranos, alto, tenor, bass, 2 violins and continuo |
|
| Der Herr ist gerecht in allen seinen Wegen (Capricornus, Samuel) for alto, tenor, bass, 2 violins and continuo |
|
| Groß und wundersam sind deine Werk' (Capricornus, Samuel) for alto, tenor, bass, 2 violins and continuo |
|
| Exaudi me Domine (Capricornus, Samuel) for soprano, violin, continuo and bass |
|
| Celebrabo te Domine (Capricornus, Samuel) for 2 sopranos, 2 violins and continuo |
|
Jesu rex admirabilis (Capricornus, Samuel) for 2 sopranos, alto, tenor, bass, 4 viols and continuo
2 sopranos, alto, tenor, bass, 2 recorders, 4 viols and continuo |
|
| Ad te suspiro (Capricornus, Samuel) for soprano, alto, bass, 2 violins, 3 viols and continuo |
|
| Der Gerechten Seelen sind in Gottes Hand (Capricornus, Samuel) for soprano, alto, tenor, bass, 4 viols and continuo |
|
| Heilig ist Gott der Herr Zebaoth (Capricornus, Samuel) for 3 sopranos, alto, 2 tenors, bass and orchestra |
|
| Mass in G minor (Capricornus, Samuel) for soprano, alto, tenor, bass, 2 violins, 2 viols and continuo |
|
| Lobet ihr Völker unsern Gott (Capricornus, Samuel) for soprano, bass, 2 violas, 2 viols and continuo |
|
| Jesus in pace imperat (Capricornus, Samuel) for 2 sopranos, alto, tenor, bass, 4 viols and continuo |
|
| Jesu dulcedo cordium fons (Capricornus, Samuel) for 2 sopranos, alto, tenor, bass, 4 viols and continuo |
|
| Jesu du höchste Gütigkeit (Capricornus, Samuel) for soprano, alto, tenor, bass, 2 violins, 3 viols and continuo |
|
Jesu benigne â cuius igne (Capricornus, Samuel) for soprano, alto, tenor, bass, 2 violins, viola, viol and continuo
soprano, alto, tenor, bass, 2 violins, 2 viols and continuo |
|
Gaudens gaudebo (Capricornus, Samuel) for bass, violin, viol and continuo
bass, bassoon, violin and continuo |
|
Dulcis Christe bone Jesu (Capricornus, Samuel) for alto, tenor, bass, bassoon, violin, viola, 2 viols and continuo
alto, tenor, bass, bassoon, violin, 3 viols and continuo |
|
| Christus ist erstanden (Capricornus, Samuel) for 2 sopranos, bass, bassoon, 2 violins, 3 viols and continuo |
|
Adesto multitudo coelestis exercitus (Capricornus, Samuel) for soprano, viola, cello and continuo
soprano, cello, viol and continuo |
|
O venerabile sacramentum (Capricornus, Samuel) for 2 altos, 2 violins and continuo
2 altos, 2 cornetts and continuo |
|
| Salvum me fac Deus (Capricornus, Samuel) for bass, 2 violins, 3 viols and continuo |
|
| Wo wiltu hin weils Abend ist (1) (Capricornus, Samuel) for alto, tenor, 2 violins, 2 viols and continuo |
|
| Venite ad me (Capricornus, Samuel) for soprano, alto, tenor, 2 violins and continuo |
|
| Sirita (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Three Hill-land Poems (Zhang, Shuwen) for piano |
2012 |
| Herr Jesu Geist wahr' Mensch und Gott (Capricornus, Samuel) for 2 sopranos, alto, 2 tenors, bass, 2 violins, 3 viols and continuo |
|
Jauchzet dem Herrn alle Welt (Capricornus, Samuel) for soprano, bass, trombone, violin, viol and continuo
soprano, bass, violin, 2 viols and continuo |
|
| Paratum cor meum Deus (Capricornus, Samuel) for 2 sopranos, bass, cornett and continuo |
|
Der Herr ist mein Hirte (Capricornus, Samuel) for 6 voices, 2 cornetts, 4 trombones, 2 violins and continuo
6 voices, bassoon, 2 cornetts, 2 violins, 3 violas and continuo |
|
| Spanish Romance (Sor, Fernando) for |
|
| Lauda Jerusalem, ZWV 104 (Zelenka, Jan Dismas) for tenor, mixed chorus and orchestra |
1727 |
| Vergeh' doch nicht du armer Sünder, P.476b (Pachelbel, Johann) for tenor, strings and continuo |
|
| Merope (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
1756 |
| Merope (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Sub olea pacis, ZWV 175 (Zelenka, Jan Dismas) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Missa Dei Patris, ZWV 19 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1740 |
| Exsultet orbis gaudiis, ZWV 114 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, violin and continuo |
1700 |
| Ut queant laxis resonare fibris, ZWV 118 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1720 |
| Creator alme siderum, ZWV 111 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus and orchestra |
1725 |
| Crudelis Herodes Deum, ZWV 112 (Zelenka, Jan Dismas) for soprano, alto, tenor, mixed chorus and continuo |
1732 |
| Iste confessor, ZWV 117 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus, strings and continuo |
1700 |
3 Hymns, ZWV 113, 117 & 120 (Zelenka, Jan Dismas) for soprano, alto, mixed chorus, violin and continuo
soprano, alto, tenor, bass and continuo
soprano, alto, bass, mixed chorus, violin and continuo |
1700 |
| La deposizione della croce di Nostro Signore (Ristori, Giovanni Alberto) for soprano, 2 altos, bass, mixed chorus and orchestra |
|
| Veni creator spiritus, ZWV 120 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
1700 |
| Deus tuorum militum, ZWV 113 (Zelenka, Jan Dismas) for soprano, alto, bass, mixed chorus, violin and continuo |
1700 |
| String Quartet (Cras, Jean) for 2 violins, viola and cello |
1909 |
| Mass in D minor 'Providentiae' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Credo, ZWV 31 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Benedictus (Zelenka, Jan Dismas) for mixed chorus and orchestra |
1700 |
| Herr Christ, der einge Gottessohn, BWV 601 (Bach, Johann Sebastian) for organ |
1700 |
| Trio Sonata No. 1 in B-flat major (Stoss, Johann) for 2 violins and continuo |
|
| 6 Arias, D-Dl Mus.3037-I-7 (Ferrandini, Giovanni Battista) for soprano and orchestra |
|
| Laudate Dominum in G major (Leo, Leonardo) for mixed chorus, strings and continuo |
|
| Missa in G major (Leo, Leonardo) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Domine probasti me, ZWV 101 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1728 |
| Missa in G major (Feo, Francesco) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in E-flat major, S.18 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Magnificat in G major, S.89 (Heinichen, Johann David) for soprano, alto, mixed chorus and orchestra |
1727 |
| Magnificat in A major, S.90 (Heinichen, Johann David) for soprano, alto, tenor, mixed chorus and orchestra |
1729 |
| Magnificat in F major, S.92 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Magnificat in B-flat major, S.93 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Magnificat in B-flat major, S.94 (Heinichen, Johann David) for 4 voices, mixed chorus and orchestra |
1728 |
| Magnificat in E-flat major, S.96 (Heinichen, Johann David) for soprano, mixed chorus and orchestra |
1724 |
| Beatus vir, S.27 (Heinichen, Johann David) for soprano, tenor and orchestra |
1724 |
| Missa in D major, S.9 (Heinichen, Johann David) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
1721 |
| Missa in D major, S.9 (Heinichen, Johann David) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
1727 |
| Missa in D major, S.5 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Missa in D major, S.4 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| La pace di Kamberga, S.19 (Heinichen, Johann David) for 2 sopranos, tenor, bass and orchestra |
|
| La pace di Kamberga, S.19 (Heinichen, Johann David) for 2 sopranos, tenor, bass and orchestra |
1716 |
| Per svegliar nove fiamme, S.143 (Heinichen, Johann David) for soprano and continuo |
|
| Missa in F major, S.12 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1722 |
| Abbreviated version from Missa in F major, S.12 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1722 |
| Iste confessor in G minor (Heinichen, Johann David) for soprano, alto, tenor, bass and continuo |
|
Rost Codex (Rost, Franz) for 2 violins and continuo
violin and continuo
violin, viol and continuo
4 violins and continuo
violin, 2 violas and continuo
violin, 2 viols and continuo
lute, violin and continuo
violin, viola damore and continuo
viol
violin
2 violins, 2 viols and continuo
2 violins, 2 violas and continuo
violin, viola and continuo
tenor, 2 violins and continuo |
|
| La fida ninfa, RV 714 (Vivaldi, Antonio) for voices and orchestra |
1731 |
| La fida ninfa, RV 714 (Vivaldi, Antonio) for voices and orchestra |
1700 |
| Missa in D major (Mancini, Francesco) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Germanico (Bernasconi, Andrea) for 6 voices and orchestra |
|
| Lucio Silla (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Te Deum, ZWV 146 (Zelenka, Jan Dismas) for 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra |
1731 |
| Missa in D major, S.7 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1729 |
| Missa in D major, S.2 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Ouverture-Suite in G major, S.205 (Heinichen, Johann David) for orchestra |
|
Manuscript, E-Bbc MS 971 (Various) for 3 voices
4 voices |
|
| Il Vologeso (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Miserere in E-flat major (Galuppi, Baldassare) for 4 voices, mixed chorus and orchestra |
|
| Benedictio et claritas (Mielczewski, Marcin) for 2 sopranos, alto, 2 tenors, bass, 4 trombones, 2 violins and continuo |
|
| Veni Domine et noli tardare (Mielczewski, Marcin) for 2 sopranos, bass and continuo |
|
| Gustavo Primo re di Svezia (Galuppi, Baldassare) for 5 voices and orchestra |
|
6 Cello Sonatas (Various) for cello and continuo
viol and continuo |
1730 |
Manuscript, F-TLm 94 (Various) for voice
3 voices |
|
| Laetatus sum in C major, RV 827 (Vivaldi, Antonio) for mixed chorus, strings and continuo |
|
| Abul, SN12.4 (Nepomuceno, Alberto) for voices, mixed chorus and orchestra |
|
| Abul, SN12.4 (Nepomuceno, Alberto) for voices, mixed chorus and orchestra |
|
| Dixit Dominus in B-flat major (Galuppi, Baldassare) for soprano, alto, tenor, bass, strings and continuo |
|
| Dixit Dominus in B-flat major (Galuppi, Baldassare) for soprano, alto, tenor, bass, strings and continuo |
|
| Nisi Dominus in C minor, B.II.48 (Galuppi, Baldassare) for 2 sopranos, alto, mixed chorus, strings and continuo |
|
| Mass in A minor (Theile, Johann) for 2 sopranos, alto, tenor, bass and continuo |
|
Harpsichord Concerto in B-flat major (Binder, Christlieb Siegmund) for harpsichord, strings and continuo
harpsichord and strings |
1700 |
Gott hilf mir denn das Wasser geht mir bis an die Seele (Theile, Johann) for soprano, 2 viols and continuo
soprano, 2 violas and continuo |
|
Litanies (Theile, Johann) for 2 sopranos, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo
2 sopranos, alto, tenor, bass, bassoon, 2 violins, 2 viols and continuo |
1730 |
Beatus vir (Theile, Johann) for soprano, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, bassoon, 2 violins, 2 viols and continuo |
|
Benedicam Domino (Theile, Johann) for soprano, alto, tenor, bass, mixed chorus, bassoon, 3 violins, 2 violas and continuo
soprano, alto, tenor, bass, mixed chorus, bassoon, 3 violins, 2 viols and continuo |
|
| Laudate Dominum (Theile, Johann) for soprano, alto, tenor, bass, 2 violins, 3 viols and continuo |
|
Sonata à 4 in A major (Theile, Johann) for violin, 2 violas, violone and continuo
violin, 2 viols, violone and continuo |
|
| Dixit Dominus (Theile, Johann) for soprano, alto, tenor, bass, mixed chorus, bassoon, 3 violins, 2 viols and continuo |
|
| Cum invocarem (Theile, Johann) for soprano, alto, tenor, bass, 2 violins, 3 viols and continuo |
|
| Domine ne in furore tuo (Theile, Johann) for soprano, alto, tenor, bass, mixed chorus, 5 viols and continuo |
|
| Ich habe den Herrn alle Zeit für Augen (Theile, Johann) for soprano, alto, tenor, bass, 2 violins, 2 viols and continuo |
|
| Jauchzet Gott alle Lande (Theile, Johann) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Herr unser Herrscher wie herrlich ist dein Name (Theile, Johann) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Warum toben die Heiden und die Leute (Theile, Johann) for 2 sopranos, alto, tenor, bass and orchestra |
|
Ich preise dich Herr denn du hast mich erhöret (Theile, Johann) for 2 sopranos, alto, tenor, bass, 2 violins, 2 violas and continuo
2 sopranos, alto, tenor, bass, 2 violins, 2 viols and continuo |
|
Tröstet mein Volk (Theile, Johann) for 2 sopranos, alto, tenor, bass, 2 trumpets, 3 trombones, 2 violins and continuo
2 sopranos, alto, tenor, bass, 2 cornetts, 2 trumpets, 3 trombones and continuo |
1679 |
Ich will den Herren loben allezeit (2) (Theile, Johann) for 2 sopranos, alto, tenor, bass, 2 violins, 2 violas, violone and continuo
2 sopranos, alto, tenor, bass, 2 violins, 2 viols, violone and continuo
2 sopranos, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo
2 sopranos, alto, tenor, bass, bassoon, 2 violins, 2 viols and continuo |
|
Ach dass ich hören sollte (Theile, Johann) for soprano, 2 violins, 2 violas and continuo
soprano, 2 violins, 2 viols and continuo
tenor, 2 violins, 2 violas and continuo
tenor, 2 violins, 2 viols and continuo |
|
Ach dass ich hören sollte (Theile, Johann) for soprano, 2 violins, 2 violas and continuo
soprano, 2 violins, 2 viols and continuo
tenor, 2 violins, 2 violas and continuo
tenor, 2 violins, 2 viols and continuo |
|
Ich will den Herren loben allezeit (1) (Theile, Johann) for alto, bass, 2 violins, violone and continuo
alto, bass, bassoon, 2 violins and continuo
alto, bass, continuo, 2 sopranos and bass |
|
Schaffe in mir Gott ein reines Herz (Theile, Johann) for soprano, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, bassoon, 2 violins, 2 viols and continuo |
|
Triumph Halleluja der Tod erliegt (Theile, Johann) for 2 sopranos, bass, 2 violins and continuo
2 sopranos, bass, continuo and 2 sopranos |
|
Gott sei mir gnädig nach deiner Güte (Theile, Johann) for soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 viols and continuo |
|
Nun ich singe Gott ich knie (Theile, Johann) for soprano, alto, tenor, bass, 3 violas, violone and continuo
soprano, alto, tenor, bass, 3 viols, violone and continuo |
|
| Litania pro Festo San Francesco Xaverii, S.85 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Litania pro Festo Corporis Domini, S.86 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Dixit Dominus, S.47 (Heinichen, Johann David) for alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Dixit Dominus, S.48 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Confitebor tibi Domine, S.32 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1724 |
| Laudate pueri, S.84 (Heinichen, Johann David) for soprano, tenor, bass, mixed chorus, strings and continuo |
1717 |
| In exitu Israel, S.64 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1726 |
| Oratorio todesco al sepolcro santo, S.20 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Serenata nel giardino cinese, S.201 (Heinichen, Johann David) for 5 voices and orchestra |
1719 |
| Serenata nel giardino cinese, S.201 (Heinichen, Johann David) for 5 voices and orchestra |
|
| Serenata sull'Elba, S.200 (Heinichen, Johann David) for 5 voices and orchestra |
1719 |
| Serenata sull'Elba, S.200 (Heinichen, Johann David) for 5 voices and orchestra |
1719 |
| Missa in F major, S.14 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Double Bass Concerto (Cimador, Giambattista) for double bass and orchestra |
|
| Avis canora in fronde (Porpora, Nicola Antonio) for alto, strings and continuo |
|
| E quando mai cor mio (Caldara, Antonio) for soprano and continuo |
|
| Per comando del mio bene (Caldara, Antonio) for soprano, 2 violins and continuo |
|
| Statira (Gasparini, Francesco) for 7 voices and orchestra |
|
| L'amante povero (Caldara, Antonio) for soprano and continuo |
|
| Stanco del grave in carco (Caldara, Antonio) for soprano and continuo |
|
| È un martirio della costanza (Caldara, Antonio) for bass and continuo |
|
| 24 Arias, D-Dl Mus.3037-I-6 (Ferrandini, Giovanni Battista) for soprano, strings and continuo |
|
| Arias I-XII from 24 Arias, D-Dl Mus.3037-I-6 (Ferrandini, Giovanni Battista) for soprano, strings and continuo |
|
| Arias XIII-XXIV from 24 Arias, D-Dl Mus.3037-I-6 (Ferrandini, Giovanni Battista) for soprano, strings and continuo |
|
| Ecclisse (Caldara, Antonio) for soprano and continuo |
|
| Se mai Tirsi mio bene, S.180 (Heinichen, Johann David) for soprano, alto, strings and continuo |
1712 |
| La Sofonisba, Wq.5 (Gluck, Christoph Willibald) for 7 voices and orchestra |
|
| La Sofonisba, Wq.5 (Gluck, Christoph Willibald) for 7 voices and orchestra |
|
| La Sofonisba, Wq.5 (Gluck, Christoph Willibald) for 7 voices and orchestra |
|
| A voi, luci adorate (Caldara, Antonio) for soprano and continuo |
|
| Tiranne del mio cor (Caldara, Antonio) for soprano and continuo |
|
| Se bene a me non pensi (Caldara, Antonio) for soprano and continuo |
|
| Al bel pianto di Nice (Caldara, Antonio) for soprano and continuo |
|
| Versai delle pupille lagrime a mille (Caldara, Antonio) for soprano and continuo |
|
| Occhi, che vi dirò (Caldara, Antonio) for soprano and continuo |
|
| Correa dietro a Clori (Bononcini, Giovanni) for soprano and continuo |
|
| Anche i tronchi, anche le rupi (Bononcini, Giovanni) for soprano and continuo |
|
| Piano Trio, Op. 63 (Ries, Ferdinand) for flute, cello and piano |
1815 |
| 2 String Trios, WoO 70 (Ries, Ferdinand) for violin, viola and cello |
1800 |
Divertimento for Piano and Flute, Op. 62 (Ries, Ferdinand) for flute and piano
piano |
1815 |
| Piano Sonata, WoO 11 (Ries, Ferdinand) for piano |
1803 |
| Non v'è pena ne l'amore (Caldara, Antonio) for soprano, flute and continuo |
|
| Il Batista (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Al tribunal d'Amore (Ariosti, Attilio) for soprano and continuo |
|
| 3 Flute Quartets, WoO 35 (Ries, Ferdinand) for flute, violin, viola and cello |
1826 |
| O Salutaris (Jung, Alfred) for voice and piano |
|
| Va cogliendo la mia Clori (Hasse, Johann Adolph) for soprano and continuo |
|
| Concerto for 2 Horns, WoO 19 (Ries, Ferdinand) for 2 horns and orchestra |
1811 |
| Fama (Caldara, Antonio) for soprano and continuo |
|
| Tiento de falsas 6° tono (Bruna, Pablo) for organ |
|
| Quell'usignuol che in quella pianta (Leo, Leonardo) for soprano and continuo |
|
| Oimè che veggio? (Leo, Leonardo) for soprano and continuo |
|
| Vado dal piano al monte (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Vado dal piano al monte (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Dal di che in questo petto (Leo, Leonardo) for alto and continuo |
|
| Splende più dell'usato (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Sorge Lidia la notte (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Grazie agli Dei che al fine (Leo, Leonardo) for alto, 2 violins and continuo |
|
| Or che l'alba novella (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Che farai, Lidia cara? (Leo, Leonardo) for soprano, strings and continuo |
|
| Dite vedesti forse una donzella (Leo, Leonardo) for soprano, 2 violins and continuo |
|
| Oh Dio qual duolo sia (Leo, Leonardo) for soprano and continuo |
|
| Scipione nelle Spagne (Leo, Leonardo) for 6 voices and orchestra |
|
| Non potrei benché volessi (Leo, Leonardo) for soprano and continuo |
|
| Amo, peno, gioisco, H.45 (Scarlatti, Alessandro) for soprano and continuo |
|
| Vologeso re de' Parti (Leo, Leonardo) for 6 voices and orchestra |
|
| Vologeso re de' Parti (Leo, Leonardo) for 6 voices and orchestra |
|
| Agitato sen cade, H.14 (Scarlatti, Alessandro) for soprano and continuo |
|
| Amo e godo d'amare, H.41 (Scarlatti, Alessandro) for soprano and continuo |
|
| A chi t'inganna bella tiranna, H.2 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ahi che sarà di me, H.19 (Scarlatti, Alessandro) for continuo and 2 sopranos |
|
| Alme voi che provaste, H.35 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sinfonia in B-flat major, CSWV B:12 (Schaffrath, Christoph) for strings and continuo |
1700 |
| Sinfonia in C minor, CSWV B:2 (Schaffrath, Christoph) for strings and continuo |
1700 |
| Sinfonia in D minor, CSWV B:5 (Schaffrath, Christoph) for strings and continuo |
1700 |
| Sinfonia in D minor, CSWV B:6 (Schaffrath, Christoph) for strings and continuo |
1700 |
| Sinfonia in G minor, CSWV B:10 (Schaffrath, Christoph) for strings and continuo |
1700 |
| Amor, Mitilde è morta, H.49 (Scarlatti, Alessandro) for soprano and continuo |
|
| Amor, Mitilde è morta, H.49 (Scarlatti, Alessandro) for soprano and continuo |
|
| Bassoon Concerto in F major, W.IIi:F2 (Vanhal, Johann Baptist) for bassoon and orchestra |
|
| Al mormorio d'un vago ruscelletto, H.24 (Scarlatti, Alessandro) for soprano and continuo |
|
| Bassoon Concerto in B-flat major (Hoffmeister, Franz Anton) for bassoon and orchestra |
|
| Or ch'è dal sol difesa (Leo, Leonardo) for soprano, strings and continuo |
|
| Or ch'è dal sol difesa (Leo, Leonardo) for soprano, strings and continuo |
|
| Or ch'è dal sol difesa (Leo, Leonardo) for soprano, strings and continuo |
|
| Concertante in B-flat major (Ling, William) for oboe, bassoon and orchestra |
1796 |
| All'or ch'il dio di Delo, WM 9 (Mancini, Francesco) for soprano and continuo |
|
| All'or ch'il dio di Delo, WM 9 (Mancini, Francesco) for soprano and continuo |
|
| Sinfonia in D major (Anonymous) for cello and continuo |
|
| Oboe Concerto No. 4 in C major (Ling, William) for oboe and orchestra |
1797 |
| Oboe Concerto No. 1 in C major (Ling, William) for oboe and orchestra |
1794 |
| Oboe Concerto No. 2 in C major (Ling, William) for oboe and orchestra |
1794 |
| Oboe Concerto No. 3 in F major (Ling, William) for oboe and orchestra |
1794 |
| Oboe Concerto No. 5 in C major (Ling, William) for oboe and orchestra |
1799 |
| Oboe Concerto No. 6 in C major (Ling, William) for oboe and orchestra |
1800 |
| Al fin m'ucciderete, H.21 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Al fin m'ucciderete, H.21 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al fin m'ucciderete, H.21 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al fin m'ucciderete, H.21 (Scarlatti, Alessandro) for soprano and continuo |
|
| Emira (Leo, Leonardo) for 6 voices and orchestra |
|
| Diana ed Endimione, R.369.1 (Scarlatti, Alessandro) for soprano, alto, strings and continuo |
|
| Belle faci del cielo (Scarlatti, Alessandro) for |
|
| Nel silentio commune (Scarlatti, Alessandro) for soprano, strings and continuo |
|
| Già l'alba luminosa (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| L’Anacreonte tiranno, R.338.14 (Scarlatti, Alessandro) for voices and orchestra |
|
| Notte cara, ombre beate, H.479 (Scarlatti, Alessandro) for soprano and continuo |
|
| Notte cara, ombre beate, H.479 (Scarlatti, Alessandro) for soprano and continuo |
|
| Chiusa, tra fosche bende, H.117 (Scarlatti, Alessandro) for soprano and continuo |
|
| Voi che dell’alma mia havete il vanto, H.773 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ritardati momenti, egre dimore, H.624 (Scarlatti, Alessandro) for soprano and continuo |
|
| Disperatione amorosa, H.201 (Scarlatti, Alessandro) for soprano and continuo |
|
| Risoluzione di Tirsi, H.131 (Scarlatti, Alessandro) for soprano and continuo |
|
| Perché tacete, regolati concenti, H.551 (Scarlatti, Alessandro) for alto, 2 violins and continuo |
|
| Chi vedesse la ferita, H.113 (Scarlatti, Alessandro) for soprano and continuo |
|
| Luci care al mondo sole, H.400 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mentre Eurillo fedele, H.416 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mentre Eurillo fedele, H.416 (Scarlatti, Alessandro) for soprano and continuo |
|
Sono amante e m'arde il core, H.671 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Sono amante e m'arde il core, H.671 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Per saettar un seno, H.542 (Scarlatti, Alessandro) for soprano and continuo |
|
| Amante contento, H.733 (Scarlatti, Alessandro) for soprano and continuo |
|
| Clori, io tacqui a bastanza, H.126 (Scarlatti, Alessandro) for soprano and continuo |
|
| Piangi la lontananza della sua donna, H.535 (Scarlatti, Alessandro) for soprano and continuo |
|
| Già sul carro dorato, H.300 (Scarlatti, Alessandro) for soprano and continuo |
|
| Che pretendi, o tiranna, H.106 (Scarlatti, Alessandro) for soprano and continuo |
|
| Più veggio Lidia mia, H.566 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quanto, o Filli, t’inganni, H.601 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sazio di più soffrire, H.632 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sazio di più soffrire, H.632 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sul margine d'un rio, H.706 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sul margine d'un rio, H.706 (Scarlatti, Alessandro) for soprano and continuo |
|
| Per formare la bella ch'adoro, H.538 (Scarlatti, Alessandro) for soprano and continuo |
|
| Per formare la bella ch'adoro, H.538 (Scarlatti, Alessandro) for soprano and continuo |
|
| Per formare la bella ch'adoro, H.538 (Scarlatti, Alessandro) for soprano and continuo |
|
| Benché o sirena bella, H.83 (Scarlatti, Alessandro) for soprano and continuo |
|
| Benché o sirena bella, H.83 (Scarlatti, Alessandro) for soprano and continuo |
|
| Bella rosa adorata, H.78 (Scarlatti, Alessandro) for soprano and continuo |
|
Caro laccio, dolce nodo, H.94 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Caro laccio, dolce nodo, H.94 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Lascia omai di tormentarmi, o memoria, H.371 (Scarlatti, Alessandro) for soprano and continuo |
|
| Lascia omai di tormentarmi, o memoria, H.371 (Scarlatti, Alessandro) for soprano and continuo |
|
Che fai, mio cor, H.101 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Che fai, mio cor, H.101 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Care selve gradite, H.91 (Scarlatti, Alessandro) for soprano and continuo |
|
| Che Sisifo infelice, H.108 (Scarlatti, Alessandro) for soprano and continuo |
|
| Che Sisifo infelice, H.108 (Scarlatti, Alessandro) for soprano and continuo |
|
| Chiudea presso d'un fonte, H.115 (Scarlatti, Alessandro) for soprano and continuo |
|
| Chiudetevi per sempre, H.116 (Scarlatti, Alessandro) for soprano and continuo |
|
| Chiudetevi per sempre, H.116 (Scarlatti, Alessandro) for soprano and continuo |
|
| Chiudetevi per sempre, H.116 (Scarlatti, Alessandro) for soprano and continuo |
|
| Cinta dei più bei fiori, H.118 (Scarlatti, Alessandro) for soprano and continuo |
|
Bella, per te d'amore, H.76 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Bella, per te d'amore, H.76 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Aure io son di voi geloso, H.70 (Scarlatti, Alessandro) for soprano and continuo |
|
| Arder per due pupille, H.59 (Scarlatti, Alessandro) for soprano and continuo |
|
| Arder per due pupille, H.59 (Scarlatti, Alessandro) for soprano and continuo |
|
| Appena chiudo gl’occhi, H.56 (Scarlatti, Alessandro) for soprano, violin and continuo |
|
| Appena chiudo gl’occhi, H.56 (Scarlatti, Alessandro) for soprano, violin and continuo |
|
| Ch'io ti manchi di fede, H.100 (Scarlatti, Alessandro) for soprano and continuo |
|
| Filen, mio caro bene, H.263 (Scarlatti, Alessandro) for alto, flute, 2 violins and continuo |
|
| Silenzio aure volanti, H.662 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Bei prati, freschi rivi, H.72 (Scarlatti, Alessandro) for soprano and continuo |
|
| Bei prati, freschi rivi, H.72 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.54 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.54 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.54 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.53 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.53 (Scarlatti, Alessandro) for soprano and continuo |
|
| Andate, o miei sospiri, H.53 (Scarlatti, Alessandro) for soprano and continuo |
|
| Giulietta e Romeo (Zingarelli, Niccolò Antonio) for voices, mixed chorus and orchestra |
|
| Augellin, sospendi i vanni, H.67 (Scarlatti, Alessandro) for soprano and continuo |
|
| Augellin, sospendi i vanni, H.67 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al voler del bene amato, H.28 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al voler del bene amato, H.28 (Scarlatti, Alessandro) for soprano and continuo |
|
| A piè d'un verde colle, H.4 (Scarlatti, Alessandro) for soprano and continuo |
|
| A piè d'un verde colle, H.4 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mario fuggitivo (Bononcini, Giovanni) for 8 voices and orchestra |
|
| Missa in F major, S.11 (Heinichen, Johann David) for voices, mixed chorus and orchestra |
1721 |
| Abbreviated version from Missa in F major, S.11 (Heinichen, Johann David) for voices, mixed chorus and orchestra |
1727 |
Laetatus sum, S.69 (Heinichen, Johann David) for alto, tenor, bass, strings and continuo
alto, tenor, bass, 2 violins and continuo |
1723 |
| Haec dies quam fecit Dominus, S.56 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1700 |
| Jesu redemptor omnium, S.60 (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
1728 |
Ave maris stella, S.59 (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
1723 |
| Calfurnia, S.121 (Heinichen, Johann David) for 8 voices and orchestra |
1712 |
| Te Deum, S.116 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1728 |
| Te Deum, S.117 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Missa in D major, S.10 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa in D major, S.10 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Serenata di Moritzburg, S.204 (Heinichen, Johann David) for 5 voices and orchestra |
1719 |
| Serenata di Moritzburg, S.204 (Heinichen, Johann David) for 5 voices and orchestra |
1719 |
| Regina caeli, S.101 (Heinichen, Johann David) for soprano, alto, tenor, mixed chorus and orchestra |
1727 |
| Ouverture-Suite in E minor (Bach, Johann Bernhard) for strings and continuo |
|
| Cantata al sepolcro di nostro signore, S.30 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1724 |
| Laudate Dominum, S.83 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Dixit Dominus, S.44 (Heinichen, Johann David) for alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Confitebor tibi Domine, S.31 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1727 |
| Beatus vir, S.28 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1717 |
3 Lamentationes Jeremiae in Coena Domini, S.71-73 (Heinichen, Johann David) for alto and orchestra
tenor and orchestra
bass and orchestra |
1700 |
| Litania pro Festo Corporis Domini, S.88 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Litania pro Festo San Francesco Xaverii, S.87 (Heinichen, Johann David) for voices, mixed chorus and orchestra |
1724 |
| Musica da tavola per il giorno del nome di Federico Augusto, S.267 (Heinichen, Johann David) for 2 sopranos, 2 altos, tenor, bass and orchestra |
1727 |
| Musica da tavola per il giorno del nome di Federico Augusto, S.267 (Heinichen, Johann David) for 2 sopranos, 2 altos, tenor, bass and orchestra |
1725 |
| Ruscelletto che vai scherzando, S.166 (Heinichen, Johann David) for soprano, 2 violins and continuo |
|
| Ruscelletto che vai scherzando, S.166 (Heinichen, Johann David) for soprano, 2 violins and continuo |
|
| Tiento de mano derecha y al medio a dos tiples (Bruna, Pablo) for organ right hand |
|
| L'Atenaide, 1709 (Various) for 7 voices and orchestra |
|
| Symphonisches Andante, WoO 11 (Draeseke, Felix) for cello and orchestra |
1876 |
| 6 Harpsichord Divertimentos (Binder, Christlieb Siegmund) for harpsichord |
|
| 6 Harpsichord Divertimentos (Binder, Christlieb Siegmund) for harpsichord |
|
| 5 Arias, D-Dl Mus.3037-I-9 (Ferrandini, Giovanni Battista) for soprano and orchestra |
1700 |
6 Harpsichord Sonatas (Binder, Christlieb Siegmund) for harpsichord
keyboard |
|
| Ormisda, re di Persia (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Ormisda, re di Persia (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Ouverture from Nanthild das Mädchen aus Valbella, Op. 50 (Brandl, Johann Evangelist) for voices, mixed chorus and orchestra |
1827 |
| Regole del contrappunto pratico (Sala, Nicola) for |
1794 |
| Schwalbenpost, Op. 203 (Strauss, Josef) for orchestra |
|
| Sturmlauf, Op. 136 (Strauss, Josef) for orchestra |
|
| Pêle-mêle, Op. 161 (Strauss, Josef) for orchestra |
|
| Clorinda è bella, H.135 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tiento lleno 6° tono No. 2 (Bruna, Pablo) for organ |
|
| Jucker-Polka, Op. 27 (Strauss, Josef) for orchestra |
|
| Sport-polka, Op. 170 (Strauss, Josef) for orchestra |
|
| Clori vezzosa e bella, H.134 (Scarlatti, Alessandro) for alto and continuo |
|
| Clori vezzosa e bella, H.134 (Scarlatti, Alessandro) for alto and continuo |
|
| Complete (1755 Version) from Il re pastore (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Complete (1755 Version) from Il re pastore (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Complete (1762 Version) from Il re pastore (Hasse, Johann Adolph) for 5 voices and orchestra |
1762 |
| Voces erebi furentes (Hasse, Johann Adolph) for alto, strings and continuo |
|
| Dixit Dominus in G major, FaWV I:D1 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
1700 |
| Laetatus sum in F-sharp minor, FaWV I:L1 (Fasch, Johann Friedrich) for soprano, bass, strings and continuo |
1700 |
| Ich bin getrost im Leben, TWV 1:821 (Telemann, Georg Philipp) for soprano, bass, mixed chorus and orchestra |
|
| Ich fahre auf zu meinem Vater, TWV 1:825 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nun aber gehe ich hin, TWV 1:1163 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es wird ein unbarmherzig Gericht, TWV 1:542 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr, sei mir gnädig, denn mir ist Angst, TWV 1:769 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es sei fern von mir rühmen, TWV 1:526 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
1721 |
Mein Gott ich schäme mich, TWV 1:1114 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
|
| Gelobet sei Gott und der Vater, TWV 1:607 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich bin der Herr dein Arzt, TWV 1:817 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Hosianna dem Sohne David, TWV 1:808 (Telemann, Georg Philipp) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich halte aber dafür, TWV 1:840 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Ich hoffe darauf, daß du so gnädig bist, TWV 1:847 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Violin Sonata in G major (Kelly, Frederick Septimus) for violin and piano |
1916 |
| Perder l'amato bene (Vinci, Leonardo) for soprano, strings and continuo |
|
| Requiem, ZWV 46 (Zelenka, Jan Dismas) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
1733 |
| Requiem, ZWV 46 (Zelenka, Jan Dismas) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
1733 |
| Sequentia from Requiem, ZWV 46 (Zelenka, Jan Dismas) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
|
| Offertorium from Requiem, ZWV 46 (Zelenka, Jan Dismas) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
|
| Sanctus from Requiem, ZWV 46 (Zelenka, Jan Dismas) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra |
|
| Gelobet sei Gott und der Vater, TWV 1:610 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
|
| Mundi amores relinquendo (Hasse, Johann Adolph) for alto, strings and continuo |
|
| Liebet eure Feinde, segnet die euch fluchen, TWV 1:1046 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mein Kind verwirf die Zucht des Herrn nicht, TWV 1:1128 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nun komm der Heiden Heiland, TWV 1:1175 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Und als er nahe hinzu kam, TWV 1:1429 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Was betrübst du dich meine Seele, TWV 1:1505 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lobet den Herrn alle seine Heerscharen, TWV 1:1061 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr ich bin beide, TWV 1:753 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wahrlich ich sage euch so ihr den Vater, TWV 1:1493 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Uns ist ein Kind geboren, TWV 1:1452 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sehet an die Exempel der Alten, TWV 1:1259 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 12 Duets (Durante, Francesco) for 2 voices and continuo |
|
| 12 Duets (Durante, Francesco) for 2 voices and continuo |
|
| 12 Duets (Durante, Francesco) for 2 voices and continuo |
|
| Sage mir an du den meine Seele liebet, TWV 1:1231 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1725 |
| Laudate pueri in A major, FaWV I:L3 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
1700 |
| Lauda Jerusalem in D major, FaWV I:L2 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass and orchestra |
1700 |
| Mass in D major, FaWV G:D1 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Mass in F major, FaWV G:F1 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Ingiustissimo Amor, tu che sovvente, H.333 (Scarlatti, Alessandro) for soprano and continuo |
|
| O pace del mio cor, H.495 (Scarlatti, Alessandro) for soprano and continuo |
|
| Or che lungi son io, H.517 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fille, tu parti, oh Dio, H.270 (Scarlatti, Alessandro) for soprano and continuo |
|
| Oboe Concerto in E minor (Gilles, Bonaventure) for oboe, strings and continuo |
|
| Piante amiche, erbette care (Scarlatti, Alessandro) for soprano and continuo |
|
| Questa è la selva, H.612 (Scarlatti, Alessandro) for soprano and continuo |
|
| Poiché a Tirsi infelice, H.567 (Scarlatti, Alessandro) for soprano and continuo |
|
| Or che a me ritornasti, H.509 (Scarlatti, Alessandro) for soprano and continuo |
|
| In solitaria soglia, H.328 (Scarlatti, Alessandro) for soprano and continuo |
|
| Niegami pur conforto (Porpora, Nicola Antonio) for soprano and continuo |
|
| Vaghe selve beate (Scarlatti, Alessandro) for soprano and continuo |
|
| Vicino a un rusceletto, L.202 (Astorga, Emanuele) for soprano and continuo |
|
| Col tuo labbro di vivo cinabro (Sarro, Domenico Natale) for soprano and continuo |
|
| Non mi si dica più (Maccari, Alessandro) for alto and continuo |
|
| In queste amene selve, L.92 (Astorga, Emanuele) for soprano and continuo |
|
| O Metilde anima mia (Bigaglia, Diogenio) for soprano and continuo |
|
| Magnificat in G major, FaWV H:G1 (Fasch, Johann Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Vedi, Fille, quel sasso, H.762 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tenebrose foreste, H.717 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tenebrose foreste, H.717 (Scarlatti, Alessandro) for soprano and continuo |
|
| Son io barbara donna, H.667 (Scarlatti, Alessandro) for alto and continuo |
|
| Son io barbara donna, H.667 (Scarlatti, Alessandro) for alto and continuo |
|
Io che dal cor di Fille, H.337 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Io che dal cor di Fille, H.337 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Solitudini care, H.665 (Scarlatti, Alessandro) for soprano and continuo |
|
| Solitudini care, H.665 (Scarlatti, Alessandro) for soprano and continuo |
|
| O voi di queste selve abitatrici, H.501 (Scarlatti, Alessandro) for soprano and continuo |
|
| O voi di queste selve abitatrici, H.501 (Scarlatti, Alessandro) for soprano and continuo |
|
| Del Tebro in su le sponde, H.185 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dove alfin mi traeste, H.209 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dove alfin mi traeste, H.209 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dunque ingrato spergiuro, H.217 (Scarlatti, Alessandro) for soprano and continuo |
|
| Farfalla che s'aggira, H.256 (Scarlatti, Alessandro) for soprano and continuo |
|
| Farfalla che s'aggira, H.256 (Scarlatti, Alessandro) for soprano and continuo |
|
| Farfalla che s'aggira, H.256 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fonte d'ogni dolcezza, H.288 (Scarlatti, Alessandro) for soprano and continuo |
|
| Il cor che vive oppresso, H.312 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ad altr'uso serbate, H.12 (Scarlatti, Alessandro) for soprano and continuo |
|
| Weil ich denn rufe und ihr weigert euch, TWV 1:1540 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Welcher unter euch kann mich einer Sünde zeihen, TWV 1:1545 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1721 |
| Cello Concerto in D minor, Per6 (Perroni, Giovanni) for cello, strings and continuo |
|
| Serpilla e Serpollo (Ristori, Giovanni Alberto) for alto, tenor and orchestra |
|
| Nisi Dominus in D major, FaWV I:N1 (Fasch, Johann Friedrich) for alto, tenor and orchestra |
1700 |
| Da quell'ora fatale, H.159 (Scarlatti, Alessandro) for soprano and continuo |
|
| Da quell'ora fatale, H.159 (Scarlatti, Alessandro) for soprano and continuo |
|
| Da quell'ora fatale, H.159 (Scarlatti, Alessandro) for soprano and continuo |
|
| Là dove a Mergellina, H.356 (Scarlatti, Alessandro) for soprano and continuo |
|
| Là dove a Mergellina, H.356 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nella stagione appunto, H.301 (Geminiani, Francesco) for soprano and continuo |
|
| Wer bei Gott in Gnaden ist, TWV 1:1573 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Was hast du Mensch was du nicht empfangen hast, TWV 1:1513 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Was hat das Licht vor Gemeinschaft mit der Finsternis, TWV 1:1514 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Weichet fort aus meiner Seele, TWV 1:1537 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Stravagante non è l'amor, H.693 (Scarlatti, Alessandro) for soprano and continuo |
|
| Stravagante non è l'amor, H.693 (Scarlatti, Alessandro) for soprano and continuo |
|
| Concerto à otto stromenti in D major (Veracini, Francesco Maria) for violin and orchestra |
|
| La caduta de' Decemviri (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| La caduta de' Decemviri (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| La caduta de' Decemviri (Scarlatti, Alessandro) for 6 voices and orchestra |
|
| Più ch'io cerco del mio bene (Bigaglia, Diogenio) for alto and continuo |
|
| Sei pur la fortunata (Bigaglia, Diogenio) for soprano and continuo |
|
| Mi fai pur tanta pena (Bigaglia, Diogenio) for alto and continuo |
|
| Tu sei pur sventurata farfalletta (Bigaglia, Diogenio) for alto and continuo |
|
| Aure care, frondi amene (Bigaglia, Diogenio) for soprano and continuo |
|
| Filli che vedo o cieli (Bigaglia, Diogenio) for soprano and continuo |
|
| Aure dolci, erbe molli (Bigaglia, Diogenio) for soprano and continuo |
|
| Aure, o voi ch'accogliete (Bigaglia, Diogenio) for soprano and continuo |
|
| Bel piacere d'un amante (Bigaglia, Diogenio) for soprano and continuo |
|
| Dove vai mio bene crudele (Bigaglia, Diogenio) for soprano and continuo |
|
| Ecco perfida Irene (Bigaglia, Diogenio) for soprano and continuo |
|
| Erano ancor immote (Bigaglia, Diogenio) for soprano and continuo |
|
| Non lasciarmi o bella speme (Bigaglia, Diogenio) for soprano and continuo |
|
| Quante sian le mie pene (Bigaglia, Diogenio) for soprano and continuo |
|
| Se tu resisti o cor (Bigaglia, Diogenio) for alto and continuo |
|
| L'Arianna, WM 31 (Mancini, Francesco) for soprano and continuo |
|
| Se pur fosse il cor capace, B.69 (Sarro, Domenico Natale) for soprano, flute and continuo |
|
| D'amore onesto e fido, WM 49 (Mancini, Francesco) for soprano and continuo |
|
| Se nascessero mille amori, WM 160 (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| Di costante pensier matura legge, WM 57 (Mancini, Francesco) for soprano and continuo |
|
| Di costante pensier matura legge, WM 57 (Mancini, Francesco) for soprano and continuo |
|
| È nobil vanto del bendato arciero, WM 72 (Mancini, Francesco) for soprano and continuo |
|
| Violin Sonata in A major (Lonati, Carlo Ambrogio) for violin and continuo |
|
| Io non intendo ancor (Bigaglia, Diogenio) for alto and continuo |
|
| Di Giove in fronte non balena un raggio (Bigaglia, Diogenio) for alto and continuo |
|
| Ah santi numi, oh quanto (Bigaglia, Diogenio) for soprano and continuo |
|
| All'ombra di sospetto (Bigaglia, Diogenio) for soprano and continuo |
|
Sinfonie, Sonate, &c. à Violino e Basso, Libro 10 (Colombi, Giuseppe) for violin and continuo
violin
cello |
1600 |
| Ama tigre crudel, WM 14 (Mancini, Francesco) for soprano and continuo |
|
| A creder ch'io t'adoro, WM 2 (Mancini, Francesco) for soprano and continuo |
|
| A creder ch'io t'adoro, WM 2 (Mancini, Francesco) for soprano and continuo |
|
| A creder ch'io t'adoro, WM 2 (Mancini, Francesco) for soprano and continuo |
|
| Les Petits marteaux, RCT 12bis (Rameau, Jean-Philippe) for harpsichord |
|
Gran crudeltà di stella (Bigaglia, Diogenio) for soprano and continuo
alto and continuo |
|
Gran crudeltà di stella (Bigaglia, Diogenio) for soprano and continuo
alto and continuo |
|
7 Sonate à Violino Solo con il Basso, I-MOe Mus.F.282 (Various) for violin and continuo
violin |
|
| Quando penso esser disciolto, S.94 (Porpora, Nicola Antonio) for alto and continuo |
|
| Dunque crudel tu scherzi (Porpora, Nicola Antonio) for alto and continuo |
|
| Chiuse in placida quiete, S.61a (Marcello, Benedetto) for alto and continuo |
|
| Cantan lieti nei boschetti, S.48a (Marcello, Benedetto) for alto and continuo |
|
| Voi giungeste o vaghi fiori, H.775 (Scarlatti, Alessandro) for alto and continuo |
|
| Io son povera pellegrina (Mancini, Francesco) for alto and continuo |
|
| Celinda non è meco (Mancini, Francesco) for alto and continuo |
|
| Bella a te di vezzoso (Fago, Francesco Nicola) for soprano and continuo |
|
| Veggo la selva e il monte (Benati, Carlo Antonio) for soprano and continuo |
|
| Clori pur troppo bella (Facco, Giacomo) for soprano and continuo |
|
| Pianto mio che sangue (Perti, Giacomo Antonio) for alto and continuo |
|
| Quella beltà ch'un tempo (Anonymous) for alto and continuo |
|
| Come l'ape e senza i fiori (Benati, Carlo Antonio) for alto and continuo |
|
| Di gelsomini adorno (Sabadini, Bernardo) for alto and continuo |
|
| È pur dolce amare, L.75 (Astorga, Emanuele) for alto and continuo |
|
| Da dì ch'il ciel severo (Bononcini, Giovanni) for alto and continuo |
|
| Luci siete pur quelle (Bononcini, Giovanni) for alto and continuo |
|
Salvum me fac Domine quoniam (Anonymous) for 2 sopranos, alto, tenor, bass, 2 violins and continuo
2 sopranos, alto, tenor, bass, bassoon, 2 violins, 3 violas and continuo |
|
| Aure che sussuranti (Bononcini, Giovanni) for soprano and continuo |
|
| Io che a Filli lontano (Bononcini, Giovanni) for soprano and continuo |
|
| Dove bambino rivo (Bononcini, Giovanni) for soprano and continuo |
|
| Solca il mar da rie tempeste (Lonati, Carlo Ambrogio) for soprano and continuo |
|
| Scherza col onda del caro lido, H.633 (Scarlatti, Alessandro) for soprano and continuo |
|
| Scherza col onda del caro lido, H.633 (Scarlatti, Alessandro) for soprano and continuo |
|
| Da voi parto amati rai, S.79 (Marcello, Benedetto) for alto and continuo |
|
| Da voi parto amati rai, S.79 (Marcello, Benedetto) for alto and continuo |
|
| È penar degg'io ancora, H.229 (Scarlatti, Alessandro) for soprano and continuo |
|
| È penar degg'io ancora, H.229 (Scarlatti, Alessandro) for soprano and continuo |
|
| È penar degg'io ancora, H.229 (Scarlatti, Alessandro) for soprano and continuo |
|
| È penar degg'io ancora, H.229 (Scarlatti, Alessandro) for soprano and continuo |
|
Tu parti, idolo amato, H.739 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Tu parti, idolo amato, H.739 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Tu parti, idolo amato, H.739 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Io, RCT 45 (Rameau, Jean-Philippe) for voices and orchestra |
|
12 Cantate da camera, Op. 6 (Albergati, Pirro Capacelli Conte) for soprano and continuo
alto and continuo
bass and continuo |
|
| Sonate e Toccate à Violino e Basso, Libro 1 (Colombi, Giuseppe) for violin and continuo |
|
Sassolese, o siano Sonate à Violino Solo (Various) for violin and continuo
2 violins and continuo |
|
| Irene bella (Benati, Carlo Antonio) for soprano and continuo |
|
Come sì presto, oh Dio, WM 43 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Come sì presto, oh Dio, WM 43 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Con troppa gelosia (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Con troppa gelosia (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Con troppa gelosia (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Con troppa gelosia (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
| Toccata for Violin Solo, Libro 16 (Colombi, Giuseppe) for violin |
1600 |
Ch'io ti manchi di fede (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
Ch'io ti manchi di fede (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
Amo e ridir nol posso (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
Amo e ridir nol posso (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
Toccata for Violone Solo, Libro 17 (Colombi, Giuseppe) for violone
cello |
|
Impara a non dar fede (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
| Cessate o begli ingegni (Vitali, Giovanni Battista) for soprano, strings and continuo |
|
| Qual di musiche note armonica magia de soave armonica (Vitali, Giovanni Battista) for soprano, strings and continuo |
|
| Chi mi sia non lo so gia (Vitali, Giovanni Battista) for 2 violins, continuo and bass |
|
| Donde avien ch' tutt'ebro di vera gioia l'universo (Vitali, Giovanni Battista) for alto, strings and continuo |
|
| Coronata d'applausi di Francesco il natale (Vitali, Giovanni Battista) for soprano, strings and continuo |
|
| Datevi pace o dotti che dal aquila estense (Vitali, Giovanni Battista) for bass, strings and continuo |
|
| Bassoon Sonata in A minor, I-MOe Mus.E.316/2 (Anonymous) for bassoon and continuo |
1686 |
| Cornettino Sonata in D minor, I-MOe Mus.E.316/1 (Anonymous) for cornett and continuo |
1686 |
| Confidências (Nazareth, Ernesto) for piano |
|
| Il martirio di S. Teodosia (Scarlatti, Alessandro) for soprano, alto, tenor, bass, strings and continuo |
|
6 Sinfonias (Stradella, Alessandro) for violin and continuo
violin, cello and continuo |
|
| In siepe odorosa fiorisce la rosa (Bononcini, Giovanni) for soprano and continuo |
|
| In siepe odorosa fiorisce la rosa (Bononcini, Giovanni) for soprano and continuo |
|
| Anima del cor mio (Bononcini, Giovanni) for alto and continuo |
|
| Anima del cor mio (Bononcini, Giovanni) for alto and continuo |
|
| Stelle spietate (Mancini, Francesco) for soprano and continuo |
|
| Stelle spietate (Mancini, Francesco) for soprano and continuo |
|
| Io volubile o cara, WM 99 (Mancini, Francesco) for soprano and continuo |
|
| Io volubile o cara, WM 99 (Mancini, Francesco) for soprano and continuo |
|
Partimentos, I-MOe Gamma.L.9.26 (Cimarosa, Domenico) for continuo
keyboard |
1762 |
| Didone abbandonata da Enea (Faggioli, Michelangelo) for soprano and continuo |
|
| Lo Paglietta (Faggioli, Michelangelo) for soprano and continuo |
|
| Selig sind die Toten (Anonymous) for 2 sopranos, alto, bass, 2 violins, viola and continuo |
|
| Già ch'al partir t'astringe (Cesarini, Carlo Francesco) for soprano and continuo |
|
| Havrei ben folle il core (Cesarini, Carlo Francesco) for soprano and continuo |
|
| Cinta dal velo usato (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Dormia un dì fra l'erbe Clori (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| In su la piaggia aprica (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| O delitia degl'orti (Pistocchi, Francesco Antonio) for alto and continuo |
|
| Pallidetta viola il tuo gentil colore (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Già che al partir t'astringe (Scarlatti, Domenico) for soprano and continuo |
|
| Avrei ben folle il core (Scarlatti, Domenico) for soprano and continuo |
|
| Centro d'ombrosa valle (Bononcini, Giovanni) for soprano and continuo |
|
| Chi non prova amor in petto (Bononcini, Giovanni) for soprano and continuo |
|
| Gode a dolce sopore Tirsi (Bononcini, Giovanni) for soprano and continuo |
|
| Sappia e pianga ogni core (Bononcini, Giovanni) for soprano and continuo |
|
| Quando Jesus est in corde (Hasse, Johann Adolph) for alto, strings and continuo |
|
| Quel vago seno o Fille, H.62 (Hasse, Johann Adolph) for soprano, flute and continuo |
|
| Sciarlotta miserabile (Hasse, Johann Adolph) for soprano, flute and continuo |
|
| Vago il ciel non saria, H.760 (Scarlatti, Alessandro) for soprano and continuo |
|
| A voi che l'accendeste, H.9 (Scarlatti, Alessandro) for soprano and continuo |
|
| A voi che l'accendeste, H.9 (Scarlatti, Alessandro) for soprano and continuo |
|
| Clori mia, H.130 (Scarlatti, Alessandro) for soprano, bass and continuo |
|
| Dimmi Clori superba, H.198 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dimmi Clori superba, H.198 (Scarlatti, Alessandro) for soprano and continuo |
|
| Symphony in D major, M.A12 (Rosetti, Antonio) for orchestra |
1780 |
| Irene amata Irene idolo mio, H.40 (Hasse, Johann Adolph) for alto and continuo |
|
| Già di trionfi onusto, H.297 (Scarlatti, Alessandro) for soprano and continuo |
|
| Già di trionfi onusto, H.297 (Scarlatti, Alessandro) for soprano and continuo |
|
| Il musico svogliato (Bassani, Giovanni Battista) for bass and continuo |
|
| Il Polifemo (Caldara, Antonio) for bass and continuo |
|
| Là nel bel sen della regal sirena (Scarlatti, Alessandro) for soprano and continuo |
|
| Mi tormenta il pensiero, H.426 (Scarlatti, Alessandro) for soprano and continuo |
|
| Se potessero i miei piant (Scarlatti, Alessandro) for soprano and continuo |
|
| Oh Dio partir conviene (Hasse, Johann Adolph) for alto and continuo |
|
| Col tuo bel nome amato (Hasse, Johann Adolph) for soprano, flute and continuo |
|
| Come piuma dal vento agitata (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Per un volto di gigli e di rose (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Per un volto di gigli e di rose (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Pria mancare o bella Clori (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Del Tirreno a le sponde, H.186 (Scarlatti, Alessandro) for soprano and continuo |
|
| Del Tirreno a le sponde, H.186 (Scarlatti, Alessandro) for soprano and continuo |
|
| S. Casimiro, re di Polonia (Scarlatti, Alessandro) for 5 voices, strings and continuo |
|
| S. Casimiro, re di Polonia (Scarlatti, Alessandro) for 5 voices, strings and continuo |
|
| Complete (1772 Version) from La clemenza di Tito (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Il curioso indiscreto (Anfossi, Pasquale) for 7 voices and orchestra |
|
| Sonata à 5 in D minor, S-Uu 11:22 (Anonymous) for 2 violins, 2 violas, violone and continuo |
|
| Sonata à 3 in A minor, S-Uu 11:5 (Anonymous) for 3 viols |
|
| La forza delle donne (Anfossi, Pasquale) for 8 voices and orchestra |
|
| Le gelosie fortunate (Anfossi, Pasquale) for 7 voices and orchestra |
|
| Sonata à 5 in C major (Albrici, Vincenzo) for bassoon, 2 trumpets, 2 violins and continuo |
|
| Dalla nativa sfera scese, H.175 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| È la speme un desio tormentoso, H.227 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Quel piacer che nell'amarti, H.607 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Al seren di sì bel giorno, H.27 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sovra questi fecondi ameni colli, H.682 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Bei prati, verdi colli, H.73 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Quando l'umide ninfe, H.591 (Scarlatti, Alessandro) for soprano and continuo |
|
| Lungi dalla cagion, H.407 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Quando mai troverò d'Amor nel regno, H.593 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Qui dove aure ed augelli, H.619 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Quale al gelo s'adugge, H.582 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Questa vermiglia rosa, H.613 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Quella que chiudo in sen fiamma amorosa, H.609 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Allor ch'il Dio di Delo, H.31 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Il fulgido splendor d'un ciglio arciero, H.313 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Venne ad Amor desio, H.765 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Su bel seggio di fiori, H.695 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Clori bell'idol mio, H.125 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Irene, idolo mio, in questo a me, H.348 (Scarlatti, Alessandro) for soprano and continuo |
|
| Peno e del mio penar, H.531 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| ...ver per un diletto, H.766 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Alle Troiane antenne, H.30 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Quel Fileno infelice, H.605 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Son contento non m'amate (Scarlatti, Alessandro) for soprano and continuo |
|
| Era un giorno fileno (Scarlatti, Alessandro) for soprano and continuo |
|
| O penosa lontananza, H.497 (Scarlatti, Alessandro) for soprano, bass and continuo |
|
| Non hà un giorno di contento (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Quando il fato un cor bersaglia (Scarlatti, Alessandro) for continuo and 2 sopranos |
|
| Dal bel volto d'Irene, H.165 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Dal bel volto d'Irene, H.165 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dove una quercia annosa, H.214 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dove una quercia annosa, H.214 (Scarlatti, Alessandro) for soprano and continuo |
|
| E pur vuole il cielo e amore, H.233 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Fileno, ove t'en vai, H.265 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Fileno, ove t'en vai, H.265 (Scarlatti, Alessandro) for soprano and continuo |
|
| Perdono, Amor, perdono, H.554 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Perdono, Amor, perdono, H.554 (Scarlatti, Alessandro) for soprano and continuo |
|
| Il mio sol non è più meco, H.315 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Non è facile ad un core, H.470 (Scarlatti, Alessandro) for soprano and continuo |
|
| Non è facile ad un core, H.470 (Scarlatti, Alessandro) for soprano and continuo |
|
| Non è facile ad un core, H.470 (Scarlatti, Alessandro) for soprano and continuo |
|
| Non è facile ad un core, H.470 (Scarlatti, Alessandro) for soprano and continuo |
|
| Solitudini amene, bersaglio d'empia sorte, H.664 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Solitudini amene, bersaglio d'empia sorte, H.664 (Scarlatti, Alessandro) for soprano and continuo |
|
| Didone abbandonata (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Incomplete from Didone abbandonata (Anfossi, Pasquale) for 6 voices and orchestra |
|
Sonata à 6 in C major, S-Uu 11:17 (Anonymous) for 2 cornetts, 2 trumpets, 2 trombones and continuo
4 cornetts, 2 trombones and continuo
bassoon, 2 cornetts, 2 trumpets, trombone and continuo
bassoon, 4 cornetts, trombone and continuo
2 trumpets, 2 trombones, 2 violins and continuo
2 cornetts, 2 trombones, 2 violins and continuo
bassoon, 2 trumpets, trombone, 2 violins and continuo
bassoon, 2 cornetts, trombone, 2 violins and continuo |
|
Sonata à 6 in C major, S-Uu 11:17 (Anonymous) for 2 cornetts, 2 trumpets, 2 trombones and continuo
4 cornetts, 2 trombones and continuo
bassoon, 2 cornetts, 2 trumpets, trombone and continuo
bassoon, 4 cornetts, trombone and continuo
2 trumpets, 2 trombones, 2 violins and continuo
2 cornetts, 2 trombones, 2 violins and continuo
bassoon, 2 trumpets, trombone, 2 violins and continuo
bassoon, 2 cornetts, trombone, 2 violins and continuo |
|
| Complete (1771 Version) from La Nitteti (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Complete (1780 Venice Version) from La Nitteti (Anfossi, Pasquale) for 6 voices and orchestra |
|
Sonata à 3 in A minor, S-Uu 11:12 (Anonymous) for 2 violins, viol and continuo
trombone, 2 violins and continuo |
|
| Il martirio di S. Orsola (Scarlatti, Alessandro) for voices, female chorus and orchestra |
|
| Pro organo (Alkan, Charles-Valentin) for organ |
1850 |
| 6 Trio Sonatas, Op. 9 (Tessarini, Carlo) for 2 violins and continuo |
|
| Perché sospiri o Niso, H.550 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Perché sospiri o Niso, H.550 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Perché sospiri o Niso, H.550 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Va' pur lungi da me, H.755 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| Trio Sonata in A minor, S-Uu 11:10 (Anonymous) for violin, viol and continuo |
|
| 2 Trio Sonatas, S-Uu 11:1 (Various) for violin, viol and continuo |
|
| Trio Sonata in D major, S-Uu 5:1 (Anonymous) for 2 violins and continuo |
|
| E pur tenti il ritorno, H.232 (Scarlatti, Alessandro) for soprano and continuo |
|
| E pur tenti il ritorno, H.232 (Scarlatti, Alessandro) for soprano and continuo |
|
| Morirei disperato se credessi, H.443 (Scarlatti, Alessandro) for soprano and continuo |
|
| Morirei disperato se credessi, H.443 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dormono l'aure estive, H.206 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Dormono l'aure estive, H.206 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dormono l'aure estive, H.206 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dormono l'aure estive, H.206 (Scarlatti, Alessandro) for soprano and continuo |
|
| Perfida Filli ingrata, H.555 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Perfida Filli ingrata, H.555 (Scarlatti, Alessandro) for soprano and continuo |
|
| O sol degl'occhi miei, H.498 (Scarlatti, Alessandro) for soprano and continuo |
1704 |
| O sol degl'occhi miei, H.498 (Scarlatti, Alessandro) for soprano and continuo |
|
| O sol degl'occhi miei, H.498 (Scarlatti, Alessandro) for soprano and continuo |
|
| Filli adorata e cara, Filli che fosti, H.272 (Scarlatti, Alessandro) for soprano and continuo |
1705 |
| Filli adorata e cara, Filli che fosti, H.272 (Scarlatti, Alessandro) for soprano and continuo |
|
| Il sogno di Scipione (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| Mi nasce un sospetto, H.424 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mi nasce un sospetto, H.424 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mi nasce un sospetto, H.424 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sul margine fiorito d'un limpido ruscello, H.708 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sul margine fiorito d'un limpido ruscello, H.708 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sonata à 4 in F major, S-Uu 11:14 (Anonymous) for 2 violins, 2 violas and continuo |
|
| Trio Sonata in G major, S-Uu 11:4 (Anonymous) for violin, viol and continuo |
|
| Sonata à 7 in B-flat major, S-Uu 11:19 (Anonymous) for 6 violins, violone and continuo |
|
| Sonata à 4 in C major, S-Uu 11:8 (Anonymous) for 2 violins, 2 violas and continuo |
|
| Artaserse (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Davide trionfante di Golia (Bertoni, Ferdinando) for 4 voices and orchestra |
|
| Davide trionfante di Golia (Bertoni, Ferdinando) for 4 voices and orchestra |
|
| Se gelosia crudele (Fago, Francesco Nicola) for soprano and continuo |
|
| Ingegni curiosi (Fago, Francesco Nicola) for soprano and continuo |
|
| Lungi dal patrio lido (Fago, Francesco Nicola) for soprano and continuo |
|
| Che ti fece mai quest'alma (Ariosti, Attilio) for soprano and continuo |
|
| Mia bella Clori ascolta (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Alle sponde del Tebro (Cesarini, Carlo Francesco) for soprano and continuo |
|
| Già rinascon le chiome (Cesarini, Carlo Francesco) for soprano and continuo |
|
| Tiranna lontananza sei tormento del core (Cesarini, Carlo Francesco) for soprano and continuo |
|
| Traditor disleale crudo (Gasparini, Francesco) for soprano and continuo |
|
| Non ha più pene, WM 127 (Mancini, Francesco) for soprano and continuo |
|
| Di dolor in dolor, di pena in pena (Scarlatti, Alessandro) for soprano and continuo |
|
| Al mare, al bosco, al rio, H.23 (Scarlatti, Alessandro) for soprano and continuo |
|
| Su le fiorite sponde, B.72 (Sarro, Domenico Natale) for soprano and continuo |
|
| Non posso mio bene, B.53 (Sarro, Domenico Natale) for soprano and continuo |
|
| Amo peno gioisco (Bononcini, Giovanni) for soprano and continuo |
|
| Alessandro nell'Indie (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Alessandro nell'Indie (Anfossi, Pasquale) for 6 voices and orchestra |
|
| Ardo d'amore e impatiente, H.60 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ardo d'amore e impatiente, H.60 (Scarlatti, Alessandro) for soprano and continuo |
|
| Da che Tirsi mirai, H.155 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al fin diviene amante, H.20 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ahi che moro e ristoro, WM 6 (Mancini, Francesco) for soprano and continuo |
|
| Ahi che moro e ristoro, WM 6 (Mancini, Francesco) for soprano and continuo |
|
| Tobias (Feo, Francesco) for 4 voices and orchestra |
1741 |
| Tobias (Feo, Francesco) for 4 voices and orchestra |
|
| Cain, overo Il primo omicidio (Scarlatti, Alessandro) for 2 sopranos, 2 altos, tenor, bass, strings and continuo |
1707 |
| Filli per tormentarmi (Fago, Francesco Nicola) for soprano and continuo |
|
Sonata à 3 in C major, S-Uu 11:7 (Anonymous) for 2 violins, viol and continuo
bassoon, 2 violins and continuo |
|
Sonata à 4 in D major, S-Uu 11:15 (Anonymous) for 3 violins, violone and continuo
bassoon, 3 violins and continuo |
|
| Piano Quintet in C minor (Vaughan Williams, Ralph) for violin, viola, cello, double bass and piano |
1903 |
S. Francesco di Sales (Feo, Francesco) for 2 sopranos, alto, bass and orchestra
2 sopranos, alto, bass, mixed chorus and orchestra |
|
| Trio Sonata in A minor, S-Uu 11:2 (Anonymous) for violin, viol and continuo |
|
| Trio Sonata in D major, S-Uu 11:6 (Anonymous) for violin, viol and continuo |
|
| Trio Sonata in G major, S-Uu 11:9 (Anonymous) for 2 violins and continuo |
|
| Dolce istinto d'amore, WM 63 (Mancini, Francesco) for soprano and continuo |
|
| Dolce istinto d'amore, WM 63 (Mancini, Francesco) for soprano and continuo |
|
| Dolce istinto d'amore, WM 63 (Mancini, Francesco) for soprano and continuo |
|
| La Pastorella (Anonymous) for soprano and continuo |
|
| Presso allo stuol pomposo (Leopold I, Holy Roman Emperor) for soprano and continuo |
|
| Fuggite amor (Pignatta, Pietro Romulo) for soprano and continuo |
|
| Già trà l'onde il sol' s'asconde (Anonymous) for soprano and continuo |
|
| Dolorosa partenza (Pistocchi, Francesco Antonio) for soprano and continuo |
|
| Amarissime pene (Ariosti, Attilio) for soprano and continuo |
|
| Di valle in monte (Ariosti, Attilio) for soprano and continuo |
|
| Non v'è pena maggior del mio tormento (Ariosti, Attilio) for soprano and continuo |
|
| Allor che più fastoso (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Clori sei tutta bella (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sul margine d'un rio cui facevan ricamo (Scarlatti, Alessandro) for soprano and continuo |
|
| Nella febre d'Amor mi struggo (Scarlatti, Alessandro) for soprano and continuo |
|
| Se nell'amar Coriste, H.647 (Scarlatti, Alessandro) for soprano and continuo |
|
| Se nell'amar Coriste, H.647 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ne’ tuoi lumi, o bella Clori, H.446 (Scarlatti, Alessandro) for soprano and continuo |
|
| Or che spunta nel prato (Scarlatti, Alessandro) for soprano and continuo |
|
| Già tutti i miei pensieri (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Già tutti i miei pensieri (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Caro Agnellin (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Caro Agnellin (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Lasciami, Amor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Lasciami, Amor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Complete (1693 Version) from La Passione (Ariosti, Attilio) for 5 voices, mixed chorus and orchestra |
|
| Complete (1709 Version) from La Passione (Ariosti, Attilio) for 5 voices, mixed chorus and orchestra |
|
| Doppo tante e tante pene (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Oh Dio, che viene amore, H.490 (Scarlatti, Alessandro) for soprano and continuo |
|
| Oh Dio, che viene amore, H.490 (Scarlatti, Alessandro) for soprano and continuo |
|
| Oh Dio, che viene amore, H.490 (Scarlatti, Alessandro) for soprano and continuo |
|
| Allor ch'usci dall'onde (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Allor ch'usci dall'onde (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Arrangement of 2 Harpsichord Concertos (Benda, Georg) for 2 keyboards |
|
| L'augellin tra verdi fronde (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Lusinga questo cor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Prendea con man di latte (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Questo è pur l'antro (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Son lontano e vivo in pena (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Voglio tornare al bosco (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Celinda, anima mia, WM 29 (Mancini, Francesco) for soprano and continuo |
|
| Oh quanto o mai diverso provo (Fago, Francesco Nicola) for soprano and continuo |
|
| Allor che in mille petti (Bononcini, Giovanni) for soprano and continuo |
|
| Amor tiranno (Bononcini, Giovanni) for soprano and continuo |
|
| Daliso m'intendi (Bononcini, Giovanni) for soprano and continuo |
|
| Il Giglio amante e sposo (Bononcini, Giovanni) for soprano and continuo |
|
| Nelle scuole erudite (Bononcini, Giovanni) for soprano and continuo |
|
| Se lontano da me (Bononcini, Giovanni) for soprano and continuo |
|
| Se parti io morirò (Bononcini, Giovanni) for soprano and continuo |
|
| Sì t'intendo tu voi (Bononcini, Giovanni) for soprano and continuo |
|
| Sù tapeto odoroso (Bononcini, Giovanni) for soprano and continuo |
|
Gott hilf mir denn das Wasser geht mir bis an die Seele (Meder, Johann Valentin) for bass, 4 violins, violone and continuo
bass, 4 violins and continuo |
|
| Jubilate Deo omnis terra (Meder, Johann Valentin) for bass, trumpet, violin and continuo |
1600 |
| 12 Arie à 3 (Nicolai, Johann Michael) for bassoon, 2 violins and continuo |
|
| Der Tod seiner Heiligen ist wertgehalten (Nicolai, Johann Michael) for alto, tenor, bass, bassoon, 2 violins, 2 violas, violone and continuo |
|
| Vox mitte clamorem (Meder, Johann Valentin) for 2 sopranos, tenor, 3 violins and continuo |
|
Unser keiner lebt ihm selber (Meder, Johann Valentin) for soprano, mixed chorus, violin, cello, 2 viols and continuo
soprano, alto, tenor, bass, violin, cello, 2 viols and continuo |
1600 |
| Quid est hoc quod sentio (Meder, Johann Valentin) for soprano, alto, bass, 2 violins, viol and continuo |
|
Gott du bist derselbe mein König (Meder, Johann Valentin) for soprano, tenor, bass, 2 trumpets, timpani, 2 violins, viola and continuo
soprano, tenor, bass, 2 trumpets, 2 violins, viola and continuo |
1600 |
| Duetto for Bassoon and Harpsichord in G minor, CSWV F:23 (Schaffrath, Christoph) for bassoon and harpsichord |
1700 |
| Amor, fabro ingegnoso di catene, H.48 (Scarlatti, Alessandro) for soprano and continuo |
|
| Vo narrando a quel ruscello, H.771 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tutt'acceso d'amore, H.744 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tutt'acceso d'amore, H.744 (Scarlatti, Alessandro) for soprano and continuo |
|
| Wie murren denn die Leute im Leben (Meder, Johann Valentin) for alto, tenor, bassoon, 2 violins, 2 violas and continuo |
1684 |
Gott! mein Herz ist bereit (Meder, Johann Valentin) for 2 sopranos, bass, 2 violins, viola and continuo
2 sopranos, bass, 2 oboes, bassoon, 2 violins, viola and continuo |
1600 |
| Sufficit nunc Domine (Meder, Johann Valentin) for soprano, violin, 4 viols and continuo |
|
| Punge un fiore quell'ape crudele (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Non lo voglio (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Infelice è il viver mio (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Ecco il maggio Pastorelle (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Più che porto il pie lontano, L.137 (Astorga, Emanuele) for soprano and continuo |
|
| Piange la tortorella, L.134 (Astorga, Emanuele) for soprano and continuo |
|
| Chiedo al sonno che pietoso, L.32 (Astorga, Emanuele) for soprano and continuo |
|
| Miei pensieri non potete (Astorga, Emanuele) for soprano and continuo |
|
| Clori vezzosa Clori, HWV 95 (Handel, George Frideric) for soprano and continuo |
|
| Nel dolce tempo, HWV 135a (Handel, George Frideric) for soprano and continuo |
|
| Qual arde la Fenice, D.38 (Lotti, Antonio) for soprano and continuo |
|
| Quanto siete fortuna, D.40 (Lotti, Antonio) for soprano and continuo |
|
| Due fanciuletti di beltà simile (Anonymous) for soprano and continuo |
|
| Seguir Fera che fugge (Gasparini, Francesco) for soprano and continuo |
|
| Le sembianze di Nice (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Le sembianze di Nice (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sarete s'io vi miro la mia morte (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sarete s'io vi miro la mia morte (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sommo nume d'amor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sommo nume d'amor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Tinte a note di sangue, WM 183 (Mancini, Francesco) for soprano and continuo |
|
| Tinte a note di sangue, WM 183 (Mancini, Francesco) for soprano and continuo |
|
| Tento scuotere dal seno (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Tento scuotere dal seno (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Tento scuotere dal seno (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Absorpta est mors in victoria (Krieger, Johann Philipp) for alto, 2 violins, viol and continuo |
|
| Duetto for Bassoon and Harpsichord in F minor, CSWV F:18 (Schaffrath, Christoph) for bassoon and harpsichord |
1700 |
| Amo te laudo te (Albrici, Vincenzo) for 2 sopranos, bassoon, 2 cornetts and continuo |
|
Ach Herr strafe mich nicht (Meder, Johann Valentin) for soprano, 2 violins and continuo
soprano, 2 violins, violone and continuo |
1679 |
| Die höllische Schlange (Meder, Johann Valentin) for 2 sopranos, tenor, bass, 2 violins, 2 violas and continuo |
|
Was betrübst du dich meine Seele (Theile, Johann) for alto, 3 violas, violone and continuo
alto, bassoon, 3 violas and continuo |
|
Non lasciarmi o bella speme, L.114 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
Non lasciarmi o bella speme, L.114 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
| Ti lascio anima mia, L.190 (Astorga, Emanuele) for soprano and continuo |
|
| Ti lascio anima mia, L.190 (Astorga, Emanuele) for soprano and continuo |
|
| Ti parlo, e non mi ascolti, L.191 (Astorga, Emanuele) for soprano and continuo |
|
| Ti parlo, e non mi ascolti, L.191 (Astorga, Emanuele) for soprano and continuo |
|
| Dunque è pur ver, L.67 (Astorga, Emanuele) for soprano and continuo |
|
| Dunque è pur ver, L.67 (Astorga, Emanuele) for soprano and continuo |
|
| Come vago augelletto, L.51 (Astorga, Emanuele) for soprano and continuo |
|
| Clori che un dì vantava, L.38 (Astorga, Emanuele) for soprano and continuo |
|
| Dell'umor di mie pupille (Astorga, Emanuele) for soprano and continuo |
|
| Cum Dominus iratius (Vinci, Leonardo) for soprano, 2 violins and continuo |
|
30 Cantatas, Duos, etc. (Bononcini, Giovanni) for alto, 2 oboes, 2 violins and continuo
soprano, alto, continuo and 2 sopranos
soprano, continuo, 2 sopranos, alto and bass
soprano, 2 oboes, 2 violins, viola and continuo
tenor and continuo
alto, 2 oboes, 2 violins, viola and continuo
soprano, 2 oboes, viola and continuo
soprano, cello and continuo
alto and continuo
continuo and 2 sopranos
soprano, 2 trumpets, 2 violins, viola and continuo
alto, continuo, 2 sopranos and alto
soprano, alto, continuo and 2 sopranos
soprano, 2 violins and continuo
soprano, lute, 2 sopranos and alto
soprano, continuo and soprano
soprano, oboe and continuo
soprano, strings and continuo
soprano, violin and continuo
soprano, continuo and 2 sopranos |
|
| Partita in B-flat major, Krebs-WV 823 (Krebs, Johann Ludwig) for keyboard |
|
| Partita in E-flat major, Krebs-WV 827 (Krebs, Johann Ludwig) for keyboard |
1700 |
| Partita in E-flat major, Krebs-WV 827 (Krebs, Johann Ludwig) for keyboard |
|
Partita in A minor, Krebs-WV 825 (Krebs, Johann Ludwig) for keyboard
harpsichord |
1700 |
Partita in A minor, Krebs-WV 825 (Krebs, Johann Ludwig) for keyboard
harpsichord |
|
Partita in A minor, Krebs-WV 825 (Krebs, Johann Ludwig) for keyboard
harpsichord |
|
| Gesù al calvario, ZWV 62 (Zelenka, Jan Dismas) for 5 voices, mixed chorus and orchestra |
1735 |
| Gesù al calvario, ZWV 62 (Zelenka, Jan Dismas) for 5 voices, mixed chorus and orchestra |
1735 |
| Gesù al calvario, ZWV 62 (Zelenka, Jan Dismas) for 5 voices, mixed chorus and orchestra |
1735 |
| Gesù al calvario, ZWV 62 (Zelenka, Jan Dismas) for 5 voices, mixed chorus and orchestra |
1735 |
Recorder Concerto in A minor (Fiorenza, Nicola) for recorder, 2 violins and continuo
recorder, strings and continuo |
1726 |
| Le quattro monarchie (Fago, Francesco Nicola) for 6 voices and orchestra |
|
| Unser Matz hat einen großen langen Bart (Theile, Johann) for alto, tenor, bass and continuo |
|
| Aiace (Gasparini, Francesco) for 6 voices, strings and continuo |
|
| Credidi in B-flat major (Leo, Leonardo) for soprano, alto, tenor and bass |
|
| Prata colles plantes flores (Leo, Leonardo) for soprano, strings and continuo |
|
| Daran ist erschienen die Liebe Gottes (Theile, Johann) for soprano, alto, tenor, bass, bassoon, 2 violins, 3 violas and continuo |
|
| Turbido caelo (Leo, Leonardo) for alto, strings and continuo |
|
Gott hilf mir denn das Wasser (Theile, Johann) for 2 sopranos, alto, tenor, bass, 4 violas, violone and continuo
2 sopranos, alto, tenor, bass, strings and continuo |
|
| Jesu mein Herr und Gott allein (Theile, Johann) for soprano, 2 viols and continuo |
|
Die Seele Christi heilige mich (Theile, Johann) for soprano, violin, 2 viols and continuo
soprano, violin, 2 violas and continuo
soprano, 3 violas and continuo
soprano, 3 viols and continuo |
|
| Sonata à 5 in C major, WP 2.01 (Pezel, Johann Christoph) for 2 cornetts, 3 trombones and continuo |
|
| Venceslao (Caldara, Antonio) for 7 voices and orchestra |
|
| Venceslao (Caldara, Antonio) for 7 voices and orchestra |
|
| Venceslao (Caldara, Antonio) for 7 voices and orchestra |
|
| Lascia di tormentarmi, Amor tiranno, H.370 (Scarlatti, Alessandro) for soprano and continuo |
|
| Lascia di tormentarmi, Amor tiranno, H.370 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ecco ch'a voi ritorno, H.243 (Scarlatti, Alessandro) for soprano and continuo |
|
| Deh torna amico sonno, H.181 (Scarlatti, Alessandro) for soprano and continuo |
|
| Deh torna amico sonno, H.181 (Scarlatti, Alessandro) for soprano and continuo |
|
| Deh torna amico sonno, H.181 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sanno, o Filli adorata, H.629 (Scarlatti, Alessandro) for soprano and continuo |
|
| Piagge fiorite, ameni prati, H.556 (Scarlatti, Alessandro) for soprano and continuo |
|
| Piagge fiorite e amene, H.557 (Scarlatti, Alessandro) for soprano and continuo |
|
| Langue Clori vezzosa, H.367 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dal dì che l'empio fato, H.169 (Scarlatti, Alessandro) for soprano and continuo |
|
| Benché vezzosa Irene, H.85 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dove fuggi, o bella Clori, H.210 (Scarlatti, Alessandro) for soprano, alto and continuo |
|
| Come volubil gira la ruota, H.140 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quanti affanni ad un core, H.599 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quanti affanni ad un core, H.599 (Scarlatti, Alessandro) for soprano and continuo |
|
| Filli mia, Filli cara, H.282 (Scarlatti, Alessandro) for soprano and continuo |
|
| Se amor con un contento, H.642 (Scarlatti, Alessandro) for soprano and continuo |
|
| Già vicina è quell'ora, H.301 (Scarlatti, Alessandro) for soprano and continuo |
|
| Veggio l'idolo mio, H.763 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel dolce tempo, H.449 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel dolce tempo, H.449 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel dolce tempo, H.449 (Scarlatti, Alessandro) for soprano and continuo |
|
| In bel sonno profondo, H.322 (Scarlatti, Alessandro) for soprano and continuo |
|
| In bel sonno profondo, H.322 (Scarlatti, Alessandro) for soprano and continuo |
|
| Concerto in C major, RV 560 (Vivaldi, Antonio) for 2 oboes, 2 clarinets, strings and continuo |
1700 |
| Filli mia, tu mi consoli, H.283 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dir vorrei quel bel contento, WM 60 (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| Il bianco piè della più bella diva, WM 96 (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| Regie soglie, alte moli, H.623 (Scarlatti, Alessandro) for soprano and continuo |
|
| E quando ingrata Nice, H.235 (Scarlatti, Alessandro) for soprano and continuo |
|
| E quando ingrata Nice, H.235 (Scarlatti, Alessandro) for soprano and continuo |
|
| Non ardisco pregarti, amata bella (Bononcini, Giovanni) for soprano and continuo |
|
| Sento dentro del petto (Bononcini, Giovanni) for soprano and continuo |
|
| Siete uniti a tormentarmi, H.661 (Scarlatti, Alessandro) for alto, 2 violins and continuo |
|
| Arrangement of Andina (Quevedo Zornoza, Guillermo) for piano 4 hands |
|
| Concerto for Strings in A major, RV 159 (Vivaldi, Antonio) for strings and continuo |
1700 |
| Di quel sguardo fatal (Fioré, Andrea Stefano) for soprano and continuo |
|
| Cieco dio foss'io quel fiore, S.12 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Dalla regia di Flora, S.20 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Core amante di perchè, S.16 (Porpora, Nicola Antonio) for soprano and continuo |
|
Datti pace se puoi, S.25 (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo |
|
| Herr wie groß ist deine Güte, RoemV 201 (Römhild, Johann Theodor) for tenor, mixed chorus and orchestra |
|
| Era il tempo, S.41 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Arda il mio petto amante (Caldara, Antonio) for soprano and continuo |
|
| Dimmi, oh sorte nemica (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Senti, Filli incostante (Caldara, Antonio) for soprano and continuo |
|
| Che ti giova, Amor crudele, L.31 (Astorga, Emanuele) for soprano and continuo |
|
| Quando penso a quell'ore, L.150 (Astorga, Emanuele) for soprano and continuo |
|
Keyboard Concerto in G major, H.444 (Bach, Carl Philipp Emanuel) for keyboard and strings
organ and strings |
1755 |
| Rompi l'arco, rompi i lacci (Bononcini, Giovanni) for soprano and continuo |
|
| Bajulans (Oliveira, Manoel Dias de) for 4 voices and continuo |
|
| Concerto for Violin and Cello in F major, D-Dl Mus.2994-O-1 (Anonymous) for violin, cello, strings and continuo |
|
| Ich hoffe darauf daß du so gnädig bist, RoemV 189 (Römhild, Johann Theodor) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sei stille Welt der Herr steigt selbst vom Thron, RoemV 190 (Römhild, Johann Theodor) for tenor, bass, mixed chorus and orchestra |
|
| Concerto in C major, RV 559 (Vivaldi, Antonio) for 2 oboes, 2 clarinets, strings and continuo |
1700 |
| Violin Concerto in A major, RV 352 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in C major, RV 186 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Lob und Ehre, Weisheit und Dank, RoemV 224 (Römhild, Johann Theodor) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Lob und Ehre, Weisheit und Dank, RoemV 224 (Römhild, Johann Theodor) for soprano, tenor, bass, mixed chorus and orchestra |
|
| L'Argippo (Porta, Giovanni) for 6 voices and orchestra |
|
| Farnace (Porta, Giovanni) for 7 voices and orchestra |
|
| Variations sur un thème original, Op. 29 (Nepomuceno, Alberto) for piano |
|
| Mesto, lasso e ramingo, H.422 (Scarlatti, Alessandro) for soprano and continuo |
|
| Zeffiro lusinghiero (Sarro, Domenico Natale) for soprano and continuo |
|
| Di Filli fido amante (Anonymous) for soprano and continuo |
|
| Ritorno a rivedervi amate arene, B.65 (Sarro, Domenico Natale) for soprano and continuo |
|
| Il dolor che t'affligge, B.39 (Sarro, Domenico Natale) for soprano and continuo |
|
| Partì l'idolo mio, B.59 (Sarro, Domenico Natale) for soprano and continuo |
|
| Partì l'idolo mio, B.59 (Sarro, Domenico Natale) for soprano and continuo |
|
| Se per amor quest’alma, H.648 (Scarlatti, Alessandro) for soprano and continuo |
|
| Keyboard Trio No. 5 in C major (Bach, Johann Christoph Friedrich) for flute, violin and keyboard |
|
| Divertimento in E-flat major (Martinides, Carlo) for violin, viola, viola damore and cello |
|
| Motetti a due e tre voci, Op. 4 (Caldara, Antonio) for 3 voices and continuo |
|
| 8 String Quartets (Reicha, Anton) for 2 violins, viola and cello |
|
| Notturno in D major (Stamitz, Johann) for flute, 2 horns, violin, viola damore and cello |
|
| All'estremo di vita (Sarro, Domenico Natale) for soprano and continuo |
|
| Dolce, tiranno amore (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| E quando, oh bella Fille (Mancini, Francesco) for soprano and continuo |
|
Lungi dal tuo sembiante, WM 112 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Lungi dal tuo sembiante, WM 112 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
| Filli mia, tu infedele (Mancini, Francesco) for soprano, flute and continuo |
|
| Ricordati mio cor, WM 151 (Mancini, Francesco) for soprano and continuo |
|
| Ricordati mio cor, WM 151 (Mancini, Francesco) for soprano and continuo |
|
| Piangi la tua sventura, WM 141 (Mancini, Francesco) for soprano and continuo |
|
| Piangi la tua sventura, WM 141 (Mancini, Francesco) for soprano and continuo |
|
| Crudo Amor, mendace Dio (Mancini, Francesco) for soprano and continuo |
|
| Dolce ardore del nume ch'adoro (Mancini, Francesco) for soprano and continuo |
|
| Mio cor, perché sospiri (Mancini, Francesco) for soprano and continuo |
|
| Ed è pur vero, oh Dio (Mancini, Francesco) for soprano and continuo |
|
| Ed è pur vero, oh Dio (Mancini, Francesco) for soprano and continuo |
|
| Ed è pur vero, oh Dio (Mancini, Francesco) for soprano and continuo |
|
| No, non voglio più catene, WM 124 (Mancini, Francesco) for soprano and continuo |
|
| No, non voglio più catene, WM 124 (Mancini, Francesco) for soprano and continuo |
|
| No, non voglio più catene, WM 124 (Mancini, Francesco) for soprano and continuo |
|
| Zirene bella, amato nume (Mancini, Francesco) for soprano and continuo |
|
| Su le sponde del Tebro (Mancini, Francesco) for soprano and continuo |
|
| Amo, peno e languisco, H.44 (Scarlatti, Alessandro) for soprano and continuo |
|
Cieli ditemi, come potrò, WM 35 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
| Perché mai luci amorose, H.549 (Scarlatti, Alessandro) for soprano and continuo |
|
| Perché mai luci amorose, H.549 (Scarlatti, Alessandro) for soprano and continuo |
|
| Al fine, oh Clori amata, H.22 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel mirarti, oh mia bella (Mancini, Francesco) for soprano and continuo |
|
| Nel mirarti, oh mia bella (Mancini, Francesco) for soprano and continuo |
|
| Care mura beate (Mancini, Francesco) for soprano, 2 violins and continuo |
|
| Assai più di quel che sei, WM 22 (Mancini, Francesco) for soprano and continuo |
|
| Assai più di quel che sei, WM 22 (Mancini, Francesco) for soprano and continuo |
|
| Lumi cari del mio bel sole, WM 111 (Mancini, Francesco) for soprano and continuo |
|
| Già disciolto Fileno havea quel laccio (Mancini, Francesco) for soprano and continuo |
|
| Già disciolto Fileno havea quel laccio (Mancini, Francesco) for soprano and continuo |
|
| Vincesti Cupido, vincesti, WM 199 (Mancini, Francesco) for soprano and continuo |
|
Fra le pene tiranne, WM 88 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
Fra le pene tiranne, WM 88 (Mancini, Francesco) for soprano and continuo
alto and continuo |
|
| Filli che del mio core (Scarlatti, Alessandro) for soprano and continuo |
|
| Filli che del mio core (Scarlatti, Alessandro) for soprano and continuo |
|
| Dal fatale momento (Mancini, Francesco) for soprano and continuo |
|
| Dal fatale momento (Mancini, Francesco) for soprano and continuo |
|
| Sonata in E-flat major, RV 130 (Vivaldi, Antonio) for 2 violins, viola and continuo |
1700 |
| Mixed Chorus Version from Sveitin mín (Bjarni Þorsteinsson) for mixed chorus |
|
| Date tregua un sol momento, WM 53 (Mancini, Francesco) for soprano and continuo |
|
| La rondinella trapassa il mar, WM 103 (Mancini, Francesco) for soprano and continuo |
|
| Lidio rendimi il core, WM 107 (Mancini, Francesco) for soprano and continuo |
|
| Mitilde o dio Mitilde, WM 117 (Mancini, Francesco) for soprano and continuo |
|
| O se potessi amar, WM 128 (Mancini, Francesco) for soprano and continuo |
|
| Harpsichord Sonata in E minor, CSWV H:15 (Schaffrath, Christoph) for harpsichord |
1760 |
| Harpsichord Sonata in F major, CSWV H:21 (Schaffrath, Christoph) for harpsichord |
1760 |
| Harpsichord Sonata in G minor, CSWV H:28 (Schaffrath, Christoph) for harpsichord |
1760 |
| Sonata à 4 in C major, CSWV D:4 (Schaffrath, Christoph) for 3 violins and continuo |
1760 |
| Sonata for Viola da Gamba in B-flat major, CSWV G:5 (Schaffrath, Christoph) for viol and continuo |
1760 |
| 6 Violin Sonatas, A-Wn EM.27 (Caldara, Antonio) for violin and continuo |
|
| Violin Sonata in F major (Caldara, Antonio) for violin and continuo |
|
Befiehl dem Engel daß er komm', BuxWV 10 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins and continuo
soprano, alto, tenor, bass, 2 violins, violone and continuo |
|
| Oboe Sonata in D minor, CSWV G:2 (Schaffrath, Christoph) for oboe and continuo |
1760 |
| 32 Voluntaries and Full pieces for the Organ (Herschel, William) for organ |
1700 |
| Sonata in C major (Albinoni, Tomaso) for trumpet, strings and continuo |
|
| 12 Full Organ Pieces, Set 1 (Herschel, William) for organ |
1700 |
| 12 Full Organ Pieces, Set 2 (Herschel, William) for organ |
1700 |
| 11 Capricci for Cello (Dall'Abaco, Joseph) for cello |
|
| Harpsichord Sonata in F-sharp minor, CSWV H:23 (Schaffrath, Christoph) for harpsichord |
1760 |
Accedite gentes accurrite populi, BuxWV 1 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins and continuo
2 sopranos, alto, tenor, bass, 3 violins, 3 violas and continuo |
|
| Afferte Domino gloriam honorem, BuxWV 2 (Buxtehude, Dietrich) for 2 sopranos, bass and continuo |
|
| All solch dein Güt wir preisen, BuxWV 3 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, 2 violas, violone and continuo |
|
An filius non est Dei, BuxWV 6 (Buxtehude, Dietrich) for alto, tenor, bass, 2 violins, viol and continuo
alto, tenor, bass, 3 viols and continuo
alto, tenor, bass, 3 trombones and continuo |
|
| Aperite mihi portas justitiae, BuxWV 7 (Buxtehude, Dietrich) for alto, tenor, bass, 2 violins and continuo |
|
Du Lebensfürst Herr Jesu Christ, BuxWV 22 (Buxtehude, Dietrich) for soprano, alto, tenor and bass
2 violins, 2 violas, violone and continuo |
|
Du Lebensfürst Herr Jesu Christ, BuxWV 22 (Buxtehude, Dietrich) for soprano, alto, tenor and bass
2 violins, 2 violas, violone and continuo |
|
| Trio Sonata in A minor, CSWV E:19 (Schaffrath, Christoph) for 2 flutes and continuo |
1760 |
| Trio Sonata in B-flat major, CSWV E:20 (Schaffrath, Christoph) for bassoon, violin and continuo |
1760 |
| L'inimico delle donne (Galuppi, Baldassare) for 8 voices and orchestra |
|
| Trio Sonata in D major, CSWV E:3 (Schaffrath, Christoph) for flute, cello and continuo |
1760 |
| 30 Harpsichord Sonatas, E-Mc RCSM 3/1408 (Scarlatti, Domenico) for harpsichord |
|
| Manuscript Collection of Harpsichord Sonatas, I-Vnm Mss.It.IV.199-213 (Scarlatti, Domenico) for harpsichord |
|
| Ecce nunc benedicite, BuxWV 23 (Buxtehude, Dietrich) for 4 voices, 2 violins and continuo |
|
| Ecce nunc benedicite, BuxWV 23 (Buxtehude, Dietrich) for 4 voices, 2 violins and continuo |
|
| 12 Voluntaries for the Organ (Herschel, William) for organ |
1700 |
24 Organ Sonatas (Herschel, William) for organ
harpsichord |
1700 |
| 6 Preludes and Fugues (Herschel, William) for organ |
1700 |
| Bedenke Mensch das Ende, BuxWV 9 (Buxtehude, Dietrich) for 2 sopranos, bass, 3 violins, violone and continuo |
|
| Canite Jesu nostro, BuxWV 11 (Buxtehude, Dietrich) for 2 sopranos, bass, 3 violins, violone and continuo |
1683 |
| Dein edles Herz, der Liebe Thron, BuxWV 14 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, 2 violas, violone and continuo |
|
Drei schöne Dinge sind, BuxWV 19 (Buxtehude, Dietrich) for soprano, bass, 2 violins, violone and continuo
soprano, bass, bassoon, 2 violins and continuo |
|
Drei schöne Dinge sind, BuxWV 19 (Buxtehude, Dietrich) for soprano, bass, 2 violins, violone and continuo
soprano, bass, bassoon, 2 violins and continuo |
|
Domine salvum fac regem, BuxWV 18 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, 2 violas, violone and continuo
mixed chorus, 2 violins, 2 violas, violone and continuo |
|
Der Herr ist mit mir, BuxWV 15 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, violone and continuo
mixed chorus, 2 violins, violone and continuo |
|
Dixit Dominus, BuxWV 17 (Buxtehude, Dietrich) for soprano, 2 violins, violone and continuo
soprano, 2 violins, harpsichord and continuo
tenor, 2 violins, violone and continuo
tenor, 2 violins, harpsichord and continuo |
|
Du Frieden-Fürst Herr Jesu Christ, BuxWV 20 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, violone and continuo
mixed chorus, 2 violins, violone and continuo |
|
Du Frieden-Fürst Herr Jesu Christ, BuxWV 21 (Buxtehude, Dietrich) for 2 sopranos, bass, bassoon, 2 violins, 2 violas and continuo
2 sopranos, bass, 2 violins, 2 violas, violone and continuo |
|
| Ich sprach in meinem Herzen, BuxWV 49 (Buxtehude, Dietrich) for soprano, bassoon, 3 violins and continuo |
|
| Ich sprach in meinem Herzen, BuxWV 49 (Buxtehude, Dietrich) for soprano, bassoon, 3 violins and continuo |
1683 |
| Ist es recht daß man dem Kaiser Zinse gebe, BuxWV 54 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, 2 violas, violone and continuo |
|
| Ich halte es dafür, BuxWV 48 (Buxtehude, Dietrich) for soprano, bass, violin, viol, violone and continuo |
1683 |
| Ebra d'amor fuggia (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Jesu dulcis memoria, BuxWV 56 (Buxtehude, Dietrich) for 2 sopranos, bassoon, 2 violins and continuo |
|
| Jesu dulcis memoria, BuxWV 56 (Buxtehude, Dietrich) for 2 sopranos, bassoon, 2 violins and continuo |
1676 |
| Je höher du bist je mehr dich demütige, BuxWV 55 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
1684 |
| Je höher du bist je mehr dich demütige, BuxWV 55 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
|
| In te Domine speravi, BuxWV 53 (Buxtehude, Dietrich) for soprano, alto, bass and continuo |
|
| Herren vår Gud, BuxWV 40 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, violone and continuo |
1687 |
| Serenata à cinque voci (Scarlatti, Alessandro) for 5 voices and orchestra |
|
| Erfreue dich Erde du Himmel erschal, BuxWV 26 (Buxtehude, Dietrich) for 2 sopranos, alto, bass, 2 trumpets, timpani, 2 violins, violone and continuo |
|
| Fallax mundus ornat vultus, BuxWV 28 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
|
| Fallax mundus ornat vultus, BuxWV 28 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
1681 |
| Jesu meine Freude, BuxWV 60 (Buxtehude, Dietrich) for 2 sopranos, bass, bassoon, 2 violins and continuo |
|
| Fürchtet euch nicht, BuxWV 30 (Buxtehude, Dietrich) for soprano, bass, 2 violins and continuo |
|
| Fürchtet euch nicht, BuxWV 30 (Buxtehude, Dietrich) for soprano, bass, 2 violins and continuo |
1690 |
Visitação de Passos (Oliveira, Manoel Dias de) for 2 mixed chorus, 2 flutes, 2 horns and double bass
8 voices, 2 flutes, 2 horns and double bass |
|
| Gott fähret auf mit Jauchzen, BuxWV 33 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 cornetts, bassoon, 2 trumpets, 2 trombones and continuo |
|
| Entreißt euch meine Sinnen, BuxWV 25 (Buxtehude, Dietrich) for soprano, 2 violins and continuo |
|
| Jesu komm mein Trost und Lachen, BuxWV 58 (Buxtehude, Dietrich) for alto, tenor, bass, 2 violins, viola, violone and continuo |
|
| Ich habe Lust abzuscheiden, BuxWV 46 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
|
| Ich habe Lust abzuscheiden, BuxWV 46 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, violone and continuo |
1681 |
Fürwahr er trug unsere Krankheit, BuxWV 31 (Buxtehude, Dietrich) for 2 sopranos, alto, tenor, bass, 2 violins, 2 viols, violone and continuo
2 sopranos, alto, tenor, bass, bassoon, 2 violins, 2 viols and continuo |
1600 |
| Herr nun läßt du deinen Diener, BuxWV 37 (Buxtehude, Dietrich) for tenor, 2 violins and continuo |
|
| Herr nun läßt du deinen Diener, BuxWV 37 (Buxtehude, Dietrich) for tenor, 2 violins and continuo |
1684 |
| Harpsichord Sonata in B-flat major (Müthel, Johann Gottfried) for harpsichord |
|
| Harpsichord Sonata in C major (Müthel, Johann Gottfried) for harpsichord |
|
| Harpsichord Sonata in E-flat major (Müthel, Johann Gottfried) for harpsichord |
1700 |
| Fantasia in C major (Müthel, Johann Gottfried) for organ |
|
| Pedal Exercise for Organ in C major (Müthel, Johann Gottfried) for organ |
|
| Herzlich tut mich verlangen (Müthel, Johann Gottfried) for organ |
|
| Herr ich habe missgehandelt (Müthel, Johann Gottfried) for organ |
|
| Prelude and Fugue in C major (Müthel, Johann Gottfried) for organ |
|
| Keyboard Duet in C major (Müthel, Johann Gottfried) for 2 keyboards |
|
| Divertimento in B-flat major (Müthel, Johann Gottfried) for harpsichord |
|
| La presa di Tebe (Bononcini, Antonio Maria) for 5 voices and orchestra |
|
| Astianatte (Bononcini, Giovanni) for voices and orchestra |
|
| Minuet and Variations in F major (Müthel, Johann Gottfried) for harpsichord |
|
| Minuet and Variations in G major (Müthel, Johann Gottfried) for harpsichord |
|
10 Sonatas (Furloni, Gaetano) for 2 violins and continuo
2 violins, violone and continuo
2 violins, continuo and bass |
|
| Harpsichord Concerto in E-flat major (Müthel, Johann Gottfried) for harpsichord |
|
| Harpsichord Concerto in C minor (Müthel, Johann Gottfried) for harpsichord, strings and continuo |
1767 |
| Harpsichord Concerto in D minor (Müthel, Johann Gottfried) for harpsichord and orchestra |
|
| Merope (Bononcini, Antonio Maria) for 7 voices and orchestra |
|
| Arminio (Bononcini, Antonio Maria) for 6 voices and orchestra |
|
| Arminio (Bononcini, Antonio Maria) for 6 voices and orchestra |
|
3 Polonaises (Anonymous) for flute, 2 violins and continuo
2 violins and continuo |
|
| Early version from Exercises for Organ (Müthel, Johann Gottfried) for organ |
1700 |
| Later version from Exercises for Organ (Müthel, Johann Gottfried) for organ |
1700 |
| Arrangement of Piano Concerto, Op. 22 (Borgstrøm, Hjalmar) for 2 pianos |
1900 |
| Der Tyroler Landsturm (Salieri, Antonio) for voices, mixed chorus and orchestra |
1700 |
| Der Tyroler Landsturm (Salieri, Antonio) for voices, mixed chorus and orchestra |
1700 |
Harpsichord Pieces (Müthel, Johann Gottfried) for keyboard
harpsichord
clavichord |
1700 |
Collectaneorum Musicorum (Zelenka, Jan Dismas) for organ
keyboard
4 voices
5 voices
6 voices
bassoon, cornett, trombone, violin and continuo
bassoon, 2 violins and continuo
2 violins, viola and continuo
2 violins and continuo
mixed chorus, 2 trumpets, 2 violins and continuo
3 voices and continuo
3 Unspecified instruments
2 voices
4 voices
4 voices and bass
4 voices and continuo |
1700 |
| 53 Pieces (Müthel, Johann Gottfried) for harpsichord |
1700 |
| Trio Sonata in F major, GraunWV C:XV:85 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| S. Filippo Neri (Sacchini, Antonio) for 4 voices and orchestra |
|
| Trio Sonata in C major, GraunWV B:XV:52 (Graun, Karl Heinrich) for 2 violins and continuo |
|
Trio Sonata in G major, GraunWV B:XV:61 (Graun, Karl Heinrich) for 2 violins and continuo
2 flutes and continuo
flute and harpsichord
violin and harpsichord |
|
| Mentre affidan al mar di Cupido, H.441 (Scarlatti, Alessandro) for soprano and continuo |
|
| Troppo ingrata Amaranta (Scarlatti, Alessandro) for soprano and continuo |
|
| Dalla speme deluso, H.176 (Scarlatti, Alessandro) for soprano and continuo |
|
| 15 Sonatas for Tromba Marina (Castro, Lorenzo de) for tromba marina |
1700 |
| Tiranna ingrata, che far dovrò, H.720 (Scarlatti, Alessandro) for 2 violins, continuo and bass |
|
| Freu dich sehr o meine Seele (Pachelbel, Johann) for organ |
1716 |
| Io morirei contento (Scarlatti, Alessandro) for soprano and continuo |
|
| Io morirei contento (Scarlatti, Alessandro) for soprano and continuo |
|
| Trio Sonata in G major, RV 820 (Vivaldi, Antonio) for violin, cello and continuo |
|
| Flute Concerto in D major (Braun) for flute, strings and continuo |
|
| L'Ipermestra (Perez, Davide) for 6 voices and orchestra |
|
| Les regrets de la nonette (Alkan, Charles-Valentin) for piano |
1800 |
| Violin Sonata in G major, Schrank II/34/43 (Grundig, Johann Gottfried) for violin and continuo |
|
| Violin Sonata in G major, Schrank II/34/77 (Anonymous) for violin and continuo |
|
| Oboe Concerto in G major (Fasch, Johann Friedrich) for oboe, strings and continuo |
|
| Concerto for Oboe d'amore in A major (Lotti, Antonio) for oboe damore, strings and continuo |
|
| String Quartet in A major (Pichler, Rudolf Johann) for 2 violins, viola and cello |
|
| Meride e Selinunte (Porsile, Giuseppe) for 7 voices and orchestra |
|
| Antra, valles, divo plaudant montes colles (Scarlatti, Domenico) for 5 voices, strings and continuo |
1701 |
| Ifigenia in Aulide (Porta, Giovanni) for 8 voices and orchestra |
|
| Sesostri, re d'Egitto (Bononcini, Antonio Maria) for 7 voices and orchestra |
|
| Trio Sonata in B minor (Brescianello, Giuseppe Antonio) for 2 violins and continuo |
|
| Missa Clementina, R.511/1 (Scarlatti, Alessandro) for mixed chorus |
1723 |
| Capriccio in C major (Cherubini, Luigi) for piano |
1789 |
| 60 Instrumental Pieces, Schrank II/30/5 (Various) for orchestra |
|
2 Instrumental Pieces, Schrank II/34/109 (Geminiani, Francesco) for 2 sopranos
violin |
|
| Ouverture-Suite in G major (Fasch, Johann Friedrich) for orchestra |
|
| Trio Sonata in E-flat major (Brescianello, Giuseppe Antonio) for 2 violins and continuo |
|
| String Quartet in E-flat major, Hob.III:64 (Haydn, Joseph) for 2 violins, viola and cello |
1790 |
| String Quartet in C major, Hob.III:65 (Haydn, Joseph) for 2 violins, viola and cello |
1790 |
| Violin Sonata in D major (Fanfani, Giuseppe Maria) for violin and continuo |
|
| Violin Sonata in F major, Schrank II/34/90 (Anonymous) for violin and continuo |
|
| Ouverture-Suite in F major (Fasch, Johann Friedrich) for orchestra |
|
| Violin Sonata in G minor, D.37.6 (Locatelli, Pietro Antonio) for violin and continuo |
|
| Violin Concerto in D major, RV 231 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| 6 Violin Sonatas (Paur, Joseph) for violin and continuo |
|
Manuscript, I-PEc MS 431 (Various) for 2 voices
3 voices
4 voices
5 voices
2 Unspecified instruments
3 Unspecified instruments
4 Unspecified instruments |
|
| Cello Concerto in G major (Avondano, Pedro António) for cello, strings and continuo |
|
| Quartet in A major (Avondano, Pedro António) for flute, violin, cello and continuo |
|
| Early Version from Harpsichord Concerto in A minor, H.403 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Later Version from Harpsichord Concerto in A minor, H.403 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Prelude and Concert Etude (Lushpa, Ilia) for piano |
2009 |
| Te Deum laudamus in D major (Parry, Charles Hubert Hastings) for mixed chorus and organ |
1911 |
| Trio in F major, ReiF 7.31 (Fiala, Joseph) for bassoon, violin and cello |
|
| Trio in B-flat major, ReiF 7.32 (Fiala, Joseph) for bassoon, violin and cello |
|
| Kyrie and Gloria from Missa in D major (Ristori, Giovanni Alberto) for soprano, alto, tenor, bass and orchestra |
|
3 Bassoon Sonatas, D-B Mus.ms.5408/1 (Dürniz, Thaddäus Wolfgang von) for bassoon and piano
bassoon and harpsichord |
|
3 Bassoon Sonatas, D-B Mus.ms.5408/2 (Dürniz, Thaddäus Wolfgang von) for bassoon and harpsichord
bassoon and piano |
|
3 Bassoon Sonatas, D-B Mus.ms.5408/2 (Dürniz, Thaddäus Wolfgang von) for bassoon and harpsichord
bassoon and piano |
|
| 4 Épigrammes for Piano (Hermann, Pál) for piano |
1934 |
| Elegy for String Orchestra (Kelly, Frederick Septimus) for strings |
|
| Elegy for String Orchestra (Kelly, Frederick Septimus) for strings |
|
| Ophélie for Voice and Orchestra (Hermann, Pál) for voice and piano |
|
| 6 Songs, Op. 6 (Kelly, Frederick Septimus) for voice and piano |
1913 |
| Flute Concerto No. 1 in G major (Frederick II) for flute, strings and continuo |
|
| Flute Concerto No. 2 in G major (Frederick II) for flute, strings and continuo |
|
| O qual meco Nice cangiata (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Se fedele tu m'adori (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Dir vorrei ah m'arrossisco (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Che vidi oh ciel, che vidi (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Pur nel sonno almen talora (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Piangete occhi dolenti (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Tinte a note di sangue (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| Scritte, con falso inganno (Scarlatti, Domenico) for soprano, 2 violins and continuo |
|
| La grazia, la sembianza, H.361 (Scarlatti, Alessandro) for soprano and continuo |
|
| Più non si puole amar, H.565 (Scarlatti, Alessandro) for soprano and continuo |
|
| Symphony in G major (Grohmann, Carl Gottfried) for orchestra |
|
2 Ave regina (Novák, Jan František) for soprano, alto, mixed chorus and orchestra
2 voices, mixed chorus, 2 violins and continuo
soprano, alto, mixed chorus, strings and continuo |
|
| Fatto d'amor seguace, H.258 (Scarlatti, Alessandro) for soprano and continuo |
|
Alma redemptoris Mater in D minor (Novák, Jan František) for soprano, alto, tenor, mixed chorus, 2 violins and continuo
soprano, alto, tenor, mixed chorus, strings and continuo |
|
Laudate pueri in D major (Novák, Jan František) for soprano, alto, tenor, bass, strings and continuo
soprano, alto, tenor, bass, organ and strings |
|
| Messe Delicta iuventutis meae ne memineris (Butz, Tobias) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| 12 Cantatas, I-Vnm Mss.It.IV.959 (Marcello, Benedetto) for alto and continuo |
|
| Magnificat in C major (Novák, Jan František) for soprano, alto, tenor, bass, strings and continuo |
|
| Toccata for Piano (Hermann, Pál) for piano |
1936 |
| Arrangement of Serenade, Op. 7 (Kelly, Frederick Septimus) for flute and piano |
1911 |
Ave regina in B-flat major (Aufschnaiter, Benedikt Anton) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
Ave regina in B-flat major (Aufschnaiter, Benedikt Anton) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Una beltà ch'eguale, H.754 (Scarlatti, Alessandro) for soprano and continuo |
|
| Beatus vir in G minor (Poppe, František Ludvík) for soprano, mixed chorus and continuo |
|
Litaniae Lauretanae in G minor (Poppe, František Ludvík) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Litaniae Lauretanae in G minor (Poppe, František Ludvík) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Litaniae Lauretanae in F major (Görbig, Antonín) for soprano, alto, tenor, bass and orchestra |
|
| Litaniae Lauretanae in B minor (Schütz, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Litaniae Lauretanae in E-flat major (Muck, Beda) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Litaniae Lauretanae in G major (Grünberger, Johann Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Fantasia sopra 'Jesu meines Lebens Leben', H.639 (Bach, Carl Philipp Emanuel) for oboe, 2 violins and continuo
oboe, continuo and 2 sopranos |
|
12 Variations on 'Colin a peine à seize ans', H.226 (Bach, Carl Philipp Emanuel) for soprano and continuo
keyboard |
1700 |
| Harpsichord Concerto in B-flat major (Anonymous) for harpsichord, strings and continuo |
|
| Cello Concerto (Hermann, Pál) for cello and orchestra |
1925 |
| Arrangement of Cello Concerto (Hermann, Pál) for cello and piano |
1925 |
| Menuet con 5 Variazioni, H.44 (Bach, Carl Philipp Emanuel) for keyboard |
1700 |
| Amore alle catene (Gianettini, Giovanni Antonio) for 4 voices and orchestra |
|
| La creatione de' magistrati (Gianettini, Giovanni Antonio) for 3 voices and orchestra |
|
| Santa Pelagia (Stradella, Alessandro) for soprano, alto, tenor, bass, strings and continuo |
|
| Ester, liberatrice del popolo ebreo (Stradella, Alessandro) for 5 voices and continuo |
|
| S. Editta, vergine e monaca, regina d’Inghilterra (Stradella, Alessandro) for 5 voices and continuo |
|
| Auf Christen posaunet, F.95 (Bach, Wilhelm Friedemann) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Lobet Gott unsern Herrn, F.78b (Bach, Wilhelm Friedemann) for mixed chorus and orchestra |
|
| Heilig ist Gott, der Herr Zebaoth, F.78a (Bach, Wilhelm Friedemann) for mixed chorus and orchestra |
1700 |
| Wir sind Gottes Werke, F.74 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1700 |
| Ach Gott vom Himmel sieh darein, F.96 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Prelude in C minor, EngK 13 (Kirnberger, Johann Philipp) for keyboard |
|
| Fugue in C-sharp minor, EngK 32 (Kirnberger, Johann Philipp) for keyboard |
1700 |
| Fugue in C-sharp minor, EngK 32 (Kirnberger, Johann Philipp) for keyboard |
|
| Polonaise in D major, EnkG 173 (Kirnberger, Johann Philipp) for keyboard |
1700 |
| Harpsichord Sonata in D major, EngK 1 (Kirnberger, Johann Philipp) for harpsichord |
|
| Harpsichord Sonata in D major, EngK 1 (Kirnberger, Johann Philipp) for harpsichord |
|
| Es ist eine Stimme eines Predigers, F.89 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Der Herr wird mit Gerechtigkeit, F.81 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Gott fähret auf mit Jauchzen, F.75 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Prelude in E minor, EngK 17 (Kirnberger, Johann Philipp) for keyboard |
|
| Minuetto in D major (Kirnberger, Johann Philipp) for keyboard |
|
| Wer mich liebet der wird mein Wort halten, F.72 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass and orchestra |
1700 |
| Fugue in G minor, H.101.5 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Der Herr zu deiner Rechten, F.73 (Bach, Wilhelm Friedemann) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Prelude and Fugue in F minor, DürG 5 (Goldberg, Johann Gottlieb) for harpsichord |
|
Prelude in C major, DürG 4 (Goldberg, Johann Gottlieb) for organ
harpsichord |
|
Prelude in C major, DürG 4 (Goldberg, Johann Gottlieb) for organ
harpsichord |
|
| Prelude in F major, EngK 15 (Kirnberger, Johann Philipp) for keyboard |
|
Fugue in D major, EngK 30 (Kirnberger, Johann Philipp) for keyboard
violin and cello |
|
Fugue in D major, EngK 30 (Kirnberger, Johann Philipp) for keyboard
violin and cello |
|
Fugue in B-flat major, EngK 27 (Kirnberger, Johann Philipp) for keyboard
organ
harpsichord |
|
| Fugue in F major, H.100 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Fugue in D minor, H.99 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Fugue in E-flat major, H.102 (Bach, Carl Philipp Emanuel) for keyboard |
|
| L'uomo in bivio (Gianettini, Giovanni Antonio) for 4 voices, mixed chorus and orchestra |
|
| S. Giovanni Grisostomo (Stradella, Alessandro) for 5 voices and continuo |
|
| Allegretto in E minor, EngK 42 (Kirnberger, Johann Philipp) for keyboard |
|
| Mass in F major (Jommelli, Niccolò) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Variations on 'Ich schlief da träumte mir', EngK 68 (Kirnberger, Johann Philipp) for harpsichord
keyboard |
|
Variations on 'Ich schlief da träumte mir', EngK 68 (Kirnberger, Johann Philipp) for harpsichord
keyboard |
|
| Harpsichord Sonata in C major, EngK 9 (Kirnberger, Johann Philipp) for harpsichord |
|
| Jefte (Pollarolo, Carlo Francesco) for voices, mixed chorus, strings and continuo |
|
| Arrangement of Viola da Gamba Concerto in G major, GraunWV Av:XIII:36 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Sonata in C minor, CSWV D:2 (Schaffrath, Christoph) for flute, violin, harpsichord and continuo |
1700 |
| Trio Sonata in C-sharp minor (Handel, George Frideric) for flute, violin and continuo |
|
| Quadro in F major, CSWV D:8 (Schaffrath, Christoph) for oboe, 2 violins and continuo |
1700 |
| Quadro in E-flat major, CSWV D:6 (Schaffrath, Christoph) for 2 oboes, violin and continuo |
1700 |
| Trio Sonata in A major, GraunWV Av:XV:39 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in B minor, GraunWV Av:XV:50 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in B minor, GraunWV Av:XV:50 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in B-flat major, GraunWV Av:XV:45 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in B-flat major, GraunWV Cv:XV:132 (Graun, Johann Gottlieb) for viola and harpsichord |
|
| Trio Sonata in C major, GraunWV A:XV:2 (Graun, Johann Gottlieb) for viol, harpsichord and continuo |
|
| Trio Sonata in F major, GraunWV A:XV:10 (Graun, Johann Gottlieb) for viol, harpsichord and continuo |
|
| Arrangement of Trio Sonata in F major, GraunWV A:XV:10 (Graun, Johann Gottlieb) for violin and harpsichord |
|
| Arrangement of Trio Sonata in F major, GraunWV A:XV:10 (Graun, Johann Gottlieb) for violin and harpsichord |
|
| Trio Sonata in G major, GraunWV Av:XV:33 (Graun, Johann Gottlieb) for 2 violins and continuo |
|
| Trio Sonata in G major, GraunWV Av:XV:36 (Graun, Johann Gottlieb) for 2 flutes and continuo |
|
Trio Sonata in G major, GraunWV C:XV:87 (Graun, Johann Gottlieb) for flute, violin and continuo
violin and harpsichord
2 viols and continuo |
|
Trio Sonata in G major, GraunWV C:XV:87 (Graun, Johann Gottlieb) for flute, violin and continuo
violin and harpsichord
2 viols and continuo |
|
Trio Sonata in G major, GraunWV C:XV:87 (Graun, Johann Gottlieb) for flute, violin and continuo
violin and harpsichord
2 viols and continuo |
|
| Sonata for Viola da Gamba in G major, CSWV F:21 (Schaffrath, Christoph) for viol and harpsichord |
1700 |
| Trio Sonata in B-flat major, GraunWV Av:XV:46 (Graun, Johann Gottlieb) for violin and harpsichord |
|
| Teil 2: Hob:XI, Nos.25-48 from 72 Baryton Trios, Hob.XI:25-96 (Haydn, Joseph) for viola, cello and baryton |
|
| Teil 3: Hob:XI, Nos.49-72 from 72 Baryton Trios, Hob.XI:25-96 (Haydn, Joseph) for viola, cello and baryton |
|
| Teil 4: Hob:XI, Nos.73-96 from 72 Baryton Trios, Hob.XI:25-96 (Haydn, Joseph) for viola, cello and baryton |
|
| Quadro Sonata in B-flat major (Lotti, Antonio) for bassoon, 2 violins and continuo |
|
| Sinfonia in B-flat major, IJJ 6 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in F major, IJJ 14 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in E-flat major, IJJ 12 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in D major, GraunWV Cv:XII:77 (Graun, Johann Gottlieb) for strings and continuo |
|
| Sinfonia in D major, GraunWV Cv:XII:74 (Graun, Johann Gottlieb) for orchestra |
|
| Il Mosè legato di Dio (Colonna, Giovanni Paolo) for 5 voices, mixed chorus and orchestra |
|
| Violin Concerto in G minor, S-Skma (Anonymous) for violin, strings and continuo |
|
| Sinfonia in G major, GraunWV Cv:XII:85 (Graun, Johann Gottlieb) for strings and continuo |
|
| La profezia d'Eliseo nell'assedio di Samaria (Colonna, Giovanni Paolo) for 5 voices and orchestra |
|
| Complete (1678 Version) from Il Vespasiano (Pallavicino, Carlo) for voices, mixed chorus and orchestra |
|
| Complete (1680 Version) from Il Vespasiano (Pallavicino, Carlo) for voices, mixed chorus and orchestra |
|
| Il Demetrio (Pallavicino, Carlo) for voices and orchestra |
|
| Messalina (Pallavicino, Carlo) for voices, mixed chorus and orchestra |
|
| Diocleziano (Pallavicino, Carlo) for voices and orchestra |
|
| Le amazzoni nell'isole fortunate (Pallavicino, Carlo) for voices, female chorus and orchestra |
1679 |
| Sinfonia in G major, GraunWV D:XII:109 (Graun, Johann Gottlieb) for strings and continuo |
|
| Les rosati (Massenet, Jules) for orchestra |
1902 |
| Il transito di S. Giuseppe (Colonna, Giovanni Paolo) for 6 voices and orchestra |
|
| Sinfonia in E major, IJJ 9 (Janitsch, Johann Gottlieb) for orchestra |
|
| Sinfonia in E-flat major, IJJ 11 (Janitsch, Johann Gottlieb) for strings and continuo |
|
| Cello Sonata in A minor, IAV 1 (Vandini, Antonio) for cello and continuo |
|
| Cello Sonata in C major, IAV 4 (Vandini, Antonio) for cello and continuo |
|
| Cello Sonata in B-flat major, IAV 2 (Vandini, Antonio) for cello and continuo |
|
| Cello Sonata in B-flat major, IAV 3 (Vandini, Antonio) for cello and continuo |
|
| Cello Sonata in E major, IAV 6 (Vandini, Antonio) for cello and continuo |
|
| II. Romance from Oboe Concerto in E-flat major, M.C62 (Rosetti, Antonio) for oboe and orchestra |
|
| Trio Sonata in D major, S-Skma (Anonymous) for 2 oboes and continuo |
|
| Violin Concerto in B-flat major, S-Skma VO-R (2) (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in A major, S-Skma VO-R (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in B-flat major, S-Skma VO-R (1) (Anonymous) for violin, strings and continuo |
|
| Psiche (Porsile, Giuseppe) for voices and orchestra |
|
| Violin Concerto in C major, S-Skma (Anonymous) for violin, strings and continuo |
|
| Violin Concerto in D major, S-Skma (Anonymous) for violin, strings and continuo |
|
| Sinfonia in B-flat major, GraunWV B:XII:66 (Graun, Johann Gottlieb) for strings and continuo |
|
| Gelobet seist du, Jesu Christ, BWV 604 (Bach, Johann Sebastian) for organ |
1700 |
| Heut triumphieret Gottes Sohn, BWV 630 (Bach, Johann Sebastian) for organ |
1700 |
| 46 Vocal Pieces, I-Nc Cantate 181 (Mancini, Francesco) for |
|
| Zeven kippen hebben wij (Hermann, Pál) for mixed chorus |
1930 |
| Suite für Blockflöten (Hermann, Pál) for 3 recorders |
1900 |
| La dormeuse for Voice and Piano (Hermann, Pál) for voice and piano |
1934 |
| Allegretto for Horn and Piano (Hermann, Pál) for horn and piano |
1920 |
| La ceinture for Voice and Piano (Hermann, Pál) for voice and piano |
1934 |
| Concerto for 2 Horns in F major, M.C61 (Rosetti, Antonio) for 2 horns and orchestra |
|
| Oboe Concerto in G major, M.C36 (Rosetti, Antonio) for oboe and orchestra |
|
Partita in F major, M.B18 (Rosetti, Antonio) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns and violone
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns and double bass |
|
| Jesu, meines Lebens Leben, BuxWV 62 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, 2 violins, 2 violas, violone and continuo |
|
| Sarabande for Lute (Hermann, Pál) for lute |
1900 |
| Confitebor in D major (Bonno, Giuseppe) for soprano, alto, tenor, bass, strings and continuo |
|
| L'isola disabitata (Bonno, Giuseppe) for 4 voices and orchestra |
|
| Santa Dimpna infanta d'Irlanda, K.300a (Fux, Johann Joseph) for voices and orchestra |
|
| Laudate pueri, K.86 (Fux, Johann Joseph) for |
|
| Sonata in B-flat major, K.344 (Fux, Johann Joseph) for 3 violins and continuo |
|
| Sonata in G minor, K.394 (Fux, Johann Joseph) for 3 violins and continuo |
|
| 32 Cantatas, US-NHub Osborn Music MS.22 (Various) for soprano and continuo |
|
| 2 Violin Concertos, BWV 1041-1042 (Bach, Johann Sebastian) for violin, strings and continuo |
|
| Mass in G major, Hob.XXII:6 (Haydn, Joseph) for 4 voices, mixed chorus and orchestra |
1772 |
| Cruda Irene superba, H.133 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel mar che bagna, H.450 (Scarlatti, Alessandro) for soprano and continuo |
|
| O che mostro, o che furia, H.482 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tu parti, idolo amato, H.740 (Scarlatti, Alessandro) for soprano and continuo |
|
| Lasciate ch'io v'adori, H.375 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ah ben lo vedi o core, H.15 (Scarlatti, Alessandro) for soprano and continuo |
|
| Io son pur solo, H.344 (Scarlatti, Alessandro) for soprano and continuo |
|
| La vezzosa Celinda (Scarlatti, Alessandro) for soprano and continuo |
|
| Cleonice (Ristori, Giovanni Alberto) for voices and orchestra |
1700 |
| Il tiranno eroe (Bononcini, Antonio Maria) for 7 voices and orchestra |
|
| Pigmalione (Ristori, Giovanni Alberto) for 5 voices and orchestra |
1714 |
| Per un vago desire, H.547 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fiero acerbo destin, H.262 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fiero acerbo destin, H.262 (Scarlatti, Alessandro) for soprano and continuo |
|
| 14 Cantatas, US-NHub Osborn Music MS.1 (Scarlatti, Alessandro) for voice and continuo |
|
| Lontan dalla sua Clori, H.390 (Scarlatti, Alessandro) for soprano and continuo |
|
E fia pur vero (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
E fia pur vero (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Entro romito speco, H.246 (Scarlatti, Alessandro) for soprano and continuo |
|
| Entro romito speco, H.246 (Scarlatti, Alessandro) for soprano and continuo |
|
| Filandro (Porpora, Nicola Antonio) for 5 voices and orchestra |
|
| Overture from Yelva (Lortzing, Albert) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Overture from Yelva (Lortzing, Albert) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
Oboe Concerto in G major (Adam, Johann) for oboe, strings and continuo
flute, strings and continuo |
|
| Taci, infedele Amore, H.712 (Scarlatti, Alessandro) for soprano and continuo |
|
| Taci, infedele Amore, H.712 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui vieni ingrata Fille, H.621 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui vieni ingrata Fille, H.621 (Scarlatti, Alessandro) for soprano and continuo |
|
| 31 Cantatas, I-Nc Cantate 276 (Scarlatti, Alessandro) for voice and continuo |
|
Te Deum (Dourlen, Victor) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Duo for Violin and Cello, 2 (Hermann, Pál) for violin and cello |
1920 |
| Quanto s'inganna, S.95 (Porpora, Nicola Antonio) for alto and continuo |
|
| La Semiramide riconosciuta (Terradellas, Domingo) for voices and orchestra |
|
| Violin Sonata in E major, L3.53 (Benda, Franz) for violin and continuo |
|
| Orfeo ed Euridice (Bertoni, Ferdinando) for 3 voices, mixed chorus and orchestra |
|
| Statira (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Il Siroe (Traetta, Tommaso) for 6 voices and orchestra |
|
| Il Siroe (Traetta, Tommaso) for 6 voices and orchestra |
|
| Ecco l'infausto lido, S.40 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Ecco l'infausto lido, S.40 (Porpora, Nicola Antonio) for soprano and continuo |
|
| Ecco l'infausto lido, S.40 (Porpora, Nicola Antonio) for soprano and continuo |
|
| È pure un gran portento (Vinci, Leonardo) for soprano and continuo |
|
| S. Antonio di Padova (Durante, Francesco) for 2 sopranos, alto and orchestra |
|
| Mesta, oh Dio, fra queste selve (Vinci, Leonardo) for soprano, strings and continuo |
|
| Mesta, oh Dio, fra queste selve (Vinci, Leonardo) for soprano, strings and continuo |
|
| Mesta, oh Dio, fra queste selve (Vinci, Leonardo) for soprano, strings and continuo |
|
| Isacco figura del Redentore, ED.10:C10 (Mysliveček, Josef) for 5 voices, mixed chorus and orchestra |
|
| 6 Symphonies, CZ-Pu 59 R 243 (Mysliveček, Josef) for orchestra |
|
| Symphony in D major, ED.10:D21 (Mysliveček, Josef) for orchestra |
|
| Symphony in F major, ED.10:F8 (Mysliveček, Josef) for orchestra |
|
| Symphony in B-flat major, ED.10:Bb8 (Mysliveček, Josef) for orchestra |
|
| Symphony in E-flat major, ED.10:Eb6 (Mysliveček, Josef) for orchestra |
|
| Symphony in C major, ED.10:C11 (Mysliveček, Josef) for orchestra |
|
| Il gran Tamerlano, ED.10:D13 (Mysliveček, Josef) for 6 voices and orchestra |
1771 |
| Concerto for Solo Harpsichord in F major (Jänichen, Johann Gotthilf) for harpsichord |
|
| Valse fantastique for String Quartet (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1900 |
| Cradlesong for String Quartet (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1900 |
| Il nido degli amori (Conforto, Nicola) for soprano, strings and continuo |
|
| Nachtgesang for String Quartet (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1900 |
| Barcarole for String Quartet (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1900 |
| Il consiglio (Naselli, Diego) for soprano, strings and continuo |
|
| La scusa (Naselli, Diego) for soprano, strings and continuo |
|
| Sonata da Camera in C major, CSWV Anh:4 (Janitsch, Johann Gottlieb) for oboe, viola, cello and continuo |
|
| Sonata da Camera in C major, CSWV Anh:4 (Janitsch, Johann Gottlieb) for oboe, viola, cello and continuo |
|
| Symphony in G major, ED.10:G10 (Mysliveček, Josef) for orchestra |
|
| Der Florentiner (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Der Florentiner (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Der Florentiner (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Der Florentiner (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Ingo (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Ingo (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Ingo (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Se bella son io son tutta per te (Bononcini, Giovanni) for soprano, bass and continuo |
|
| Questo signor maestro (Costa, Giovanni Antonio) for soprano, bass and continuo |
|
| Durch Nacht zum Licht (Rauchenecker, Georg Wilhelm) for mixed chorus and orchestra |
|
| Durch Nacht zum Licht (Rauchenecker, Georg Wilhelm) for mixed chorus and orchestra |
|
| Bergmanns Hochzeit (Rauchenecker, Georg Wilhelm) for voice and piano |
|
| Le Florentin (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Königsmordliche Ballade (Rauchenecker, Georg Wilhelm) for voice and piano |
|
| O du taufrischer Morgen (Rauchenecker, Georg Wilhelm) for male chorus |
|
| Am Brunnen (Rauchenecker, Georg Wilhelm) for voice and piano |
|
| Wie lieb ich dich! (Rauchenecker, Georg Wilhelm) for male chorus |
|
| Des Pfarrers Tochter von Taubenhain (Rauchenecker, Georg Wilhelm) for |
|
| 5 Lieder (Rauchenecker, Georg Wilhelm) for voice and piano |
|
| Die Murtenschlacht (Rauchenecker, Georg Wilhelm) for voice, mixed chorus and orchestra |
|
| Semiramide (Traetta, Tommaso) for 6 voices and orchestra |
|
| 6 Lieder für gemischten Chor (Rauchenecker, Georg Wilhelm) for mixed chorus |
1878 |
| Solitudini amene, amati orrori (Cozzi, Giacomo) for soprano and continuo |
|
| Perdono, amata Nice (Zoppis, Francesco) for soprano, strings and continuo |
|
| Il Siroe (Conforto, Nicola) for 6 voices and orchestra |
|
| Complete (1769 St. Petersburg Version) from Olimpiade (Traetta, Tommaso) for 6 voices, mixed chorus and orchestra |
|
| Olimpiade (Traetta, Tommaso) for 6 voices, mixed chorus and orchestra |
|
Stabat mater (Traetta, Tommaso) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Stabat mater (Traetta, Tommaso) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die Prob' der Gratulation (Angerer, Edmund) for 4 voices, mixed chorus and orchestra |
|
| Complete (1765 Version) from L'Olimpiade (Bertoni, Ferdinando) for 6 voices and orchestra |
|
| Selections (Undetermined) from L'Olimpiade (Bertoni, Ferdinando) for 6 voices and orchestra |
|
| Astarto (Terradellas, Domingo) for 7 voices and orchestra |
|
| 24 Toccate da studio per il gravecembalo (Fischer, Leonhard) for harpsichord |
|
| Merope (Terradellas, Domingo) for 7 voices and orchestra |
1743 |
| Merope (Terradellas, Domingo) for 7 voices and orchestra |
|
| Trio Sonata in B-flat major (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Sonata à 4 in C major, CSWV Dm:10 (Schaffrath, Christoph) for flute, violin, viola and continuo |
|
| Romantic Suite No. 2 (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1900 |
Quia vidisti me Thoma (Vitali, Giovanni Battista) for 5 voices
mixed chorus |
|
| Harpsichord Sonata in A major (Brunckhorst, Arnold Matthias) for harpsichord |
|
| Viola Concerto in E-flat major, LorB 316 (Benda, Friedrich Wilhelm Heinrich) for viola and orchestra |
|
| Viola Concerto in E-flat major, LorB 315 (Benda, Friedrich Wilhelm Heinrich) for viola and orchestra |
|
| Duetto for Oboe and Harpsichord in B-flat major, CSWV F:32 (Schaffrath, Christoph) for oboe and harpsichord |
1700 |
| Duetto in A major, CSWV F:27 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in A minor, CSWV F:30 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in B-flat minor, CSWV F:35 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in B-flat major, CSWV F:34 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in B-flat major, CSWV F:34 (Schaffrath, Christoph) for violin and harpsichord |
|
| Duetto in C minor, CSWV F:3 (Schaffrath, Christoph) for violin and harpsichord |
1760 |
| Duetto in D-flat major, CSWV F:4 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in E major, CSWV F:13 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in E-flat major, CSWV F:9 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in F major, CSWV F:16 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in F major, CSWV F:17 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in F minor, CSWV F:19 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in G minor, CSWV F:24 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto in E major, CSWV F:11 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Duetto for Flute and Harpsichord in G major, CSWV F:22 (Schaffrath, Christoph) for flute and harpsichord |
1700 |
| Duetto for Flute and Harpsichord in G major, CSWV F:22 (Schaffrath, Christoph) for flute and harpsichord |
|
Sonata à 2 in C major, CSWV F:1 (Schaffrath, Christoph) for cello and harpsichord
lute and cello |
1700 |
Trio Sonata in C minor, Am.B 411a (6) (Stölzel, Gottfried Heinrich) for 2 oboes and continuo
2 violins and continuo |
|
| Trio Sonata in E major, Am.B 411a (5) (Stölzel, Gottfried Heinrich) for 2 violins and continuo |
|
| Trio Sonata in E minor, Am.B 411a (12) (Stölzel, Gottfried Heinrich) for flute, violin and continuo |
|
| Trio Sonata in G major, Am.B 411a (3) (Stölzel, Gottfried Heinrich) for flute, violin and continuo |
|
| Trio Sonata in G major, Am.B 411a (7) (Stölzel, Gottfried Heinrich) for 2 flutes and continuo |
|
| Quartet in G major, GraunWV Av:XIV:9 (Graun, Johann Gottlieb) for violin, viola, cello and harpsichord |
|
| Duetto in A-flat major, CSWV F:26 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
Quintetto in A minor, GraunWV Av:XIV:14 (Graun, Johann Gottlieb) for flute, oboe, viola, cello and harpsichord
oboe, violin, viola, cello and harpsichord
flute, violin, viola, cello and harpsichord
2 violins, viola, cello and harpsichord
flute, oboe, cello, viol and harpsichord
oboe, violin, cello, viol and harpsichord
flute, violin, cello, viol and harpsichord
2 violins, cello, viol and harpsichord |
|
Quintetto in A minor, GraunWV Av:XIV:14 (Graun, Johann Gottlieb) for flute, oboe, viola, cello and harpsichord
oboe, violin, viola, cello and harpsichord
flute, violin, viola, cello and harpsichord
2 violins, viola, cello and harpsichord
flute, oboe, cello, viol and harpsichord
oboe, violin, cello, viol and harpsichord
flute, violin, cello, viol and harpsichord
2 violins, cello, viol and harpsichord |
|
| Trio Sonata in D major, Am.B 411a (11) (Stölzel, Gottfried Heinrich) for continuo and 2 sopranos |
|
| String Quartet No. 9 (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1886 |
| String Quartet No. 47 (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1913 |
Josué, H.404 (Charpentier, Marc-Antoine) for 2 mixed chorus, strings and continuo
8 voices, strings and continuo |
|
| Trio Sonata in D major, Am.B 411a (8) (Stölzel, Gottfried Heinrich) for 2 flutes and continuo |
|
| Trio Sonata in E minor, Am.B 411a (9) (Stölzel, Gottfried Heinrich) for 2 flutes and continuo |
|
| Sonata da Camera in F major (Janitsch, Johann Gottlieb) for flute, oboe, violin and continuo |
|
| Arrangement of Sonata da Camera in F major (Janitsch, Johann Gottlieb) for flute, 2 violins and continuo |
|
Quartet in E major, CSWV D:7 (Schaffrath, Christoph) for flute, violin, viola and continuo
2 violins, viola and continuo |
|
| Fruhlingsregen auf einen Teich mit Lotosblumen (Geng, Shiqi) for flute, clarinet and koto |
2015 |
| Duetto for Viola da Gamba and Harpsichord in A major, CSWV F:29 (Schaffrath, Christoph) for viol and harpsichord |
|
| Duetto for Viola da Gamba and Harpsichord in A major, CSWV F:29 (Schaffrath, Christoph) for viol and harpsichord |
1700 |
Trio Sonata in B-flat major, Am.B 411a (10) (Stölzel, Gottfried Heinrich) for 2 oboes and continuo
2 violins and continuo |
|
Sonata à 4 in F major (Krause, Christian Gottfried) for oboe, bassoon, violin and continuo
oboe, violin, viola and continuo
flute, violin, viola and continuo |
|
Sonata à 4 in F major (Krause, Christian Gottfried) for oboe, bassoon, violin and continuo
oboe, violin, viola and continuo
flute, violin, viola and continuo |
|
| Trio Sonata in D minor (Krause, Christian Gottfried) for oboe, violin and continuo |
|
| Trio Sonata for Organ in B-flat major (Stölzel, Gottfried Heinrich) for organ |
|
| Trio Sonata for Organ in C major (Stölzel, Gottfried Heinrich) for organ |
|
| Trio Sonata in F minor, Am.B 411a (4) (Stölzel, Gottfried Heinrich) for continuo and 2 sopranos |
|
| Quartet in G major, H.539 (Bach, Carl Philipp Emanuel) for flute, viola and piano |
1700 |
Trio Sonata in D major, GraunWV A:XV:5 (Graun, Johann Gottlieb) for 2 flutes and continuo
2 violins and continuo
flute, violin and continuo
flute and harpsichord
violin and harpsichord |
|
| Complete (1746 Version) from Catone in Utica (Duni, Egidio) for 6 voices and orchestra |
|
| Bassoon Concerto in B-flat major, Op. 8 (Fischer, Michael Gotthard) for bassoon and orchestra |
|
Trio Sonata in F major (Hofmann, Leopold) for flute, bassoon and cello
flute, viola and cello
bassoon, violin and cello
violin, viola and cello |
|
| Bassoon Sonata in B-flat major, D-B Mus.ms. 20515 (Schwarz, Andreas Gottlob) for bassoon and continuo |
|
| Ed ecco infine (Gasparini, Francesco) for soprano, viol and continuo |
|
Tormentosi pensieri (Gasparini, Francesco) for soprano, cello and continuo
soprano, viol and continuo |
|
Dienet dem Herrn mit Furcht (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
|
| String Quartet No. 88 (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1915 |
| String Quartet No. 45 (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1909 |
| Ouverture-Suite, TWV 55:B13 (Telemann, Georg Philipp) for 2 oboes, strings and continuo |
|
| Wie teuer ist deine Güte Gott (Stölzel, Gottfried Heinrich) for |
|
| Trio Sonata, TWV 42:B7 (Telemann, Georg Philipp) for oboe, bassoon and continuo |
|
| O Herr hilf o Herr laß wohl gelingen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| O Herr hilf o Herr laß wohl gelingen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es danken dir Gott die Völker, H.340 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es danken dir Gott die Völker, H.340 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Siehe da ist euer Gott (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Siehe da ist euer Gott (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1740 |
| Ehre sei Gott in der Höhe, H.340 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ehre sei Gott in der Höhe, H.340 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Divertimento in C major (Hofmann, Leopold) for flute, cello and harpsichord |
|
| Viola da Gamba Concerto in C major, GraunWV A:XIII:2 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
Clori mia, Clori bella, H.129 (Scarlatti, Alessandro) for soprano, oboe and continuo
soprano, flute and continuo |
|
| Ho risolto di lasciarvi crudi rai (Mattheson, Johann) for soprano, viola damore and continuo |
|
| Bassoon Concerto in B-flat major (Küchler, Johann) for bassoon and orchestra |
|
| Bassoon Concerto in C major (Küchler, Johann) for bassoon and orchestra |
|
| Concerto in B-flat major (Monn, Georg Matthias) for flute, violin, harpsichord and continuo |
|
| 6 Sonatas for Flute and Harpsichord (Hennersdorff) for flute and harpsichord |
|
Violin Sonata in F major, IGH 455 (Handel, George Frideric) for violin and harpsichord
oboe and harpsichord |
|
| String Quartet in C major 'The Peanochle' (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1915 |
| Bassoon Concerto in B-flat major (Röllig, Johann Christian) for bassoon, strings and continuo |
1756 |
Keyboard Concerto in F major (1) (Beecke, Ignaz von) for piano and orchestra
harpsichord and orchestra |
|
Keyboard Concerto in F major (2) (Beecke, Ignaz von) for harpsichord and orchestra
piano and orchestra |
|
| Harpsichord Concerto in D major (Hofmann, Leopold) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major (Kehl, Johann Balthasar) for harpsichord and orchestra |
|
Keyboard Concerto in C major (Kleinheinz, Franz Xaver) for harpsichord and orchestra
piano and orchestra |
|
| Flute Sonata in B minor (Cavaza, Manuel) for flute and continuo |
|
| Harpsichord Concerto in G major (Todt, Johann Christoph) for harpsichord and orchestra |
|
| Concerto for Harpsichord and Violin in D major (Agthe, Carl Christian) for violin, harpsichord and orchestra |
|
Sinfonia in C major (Agthe, Carl Christian) for 6 toy instruments, 2 violins and cello
6 toy instruments, 2 violins and bass
6 toy instruments and strings |
|
| Harpsichord Concerto in G minor (Rolle, Johann Heinrich) for harpsichord and strings |
|
| Violin Sonata in G major (Rolle, Johann Heinrich) for violin and harpsichord |
|
6 Keyboard Concertos, Op. 4 (Schröter, Johann Samuel) for harpsichord and strings
piano and strings
2 violins, cello and piano
2 violins, cello and harpsichord |
|
| Harpsichord Concerto in F major (Hofmann, Leopold) for harpsichord and orchestra |
|
| Harpsichord Concerto in F major (Hofmann, Leopold) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major (Reutter, Georg) for harpsichord and strings |
|
| Harpsichord Concerto in F major (Reutter, Georg) for harpsichord and strings |
|
10 Sub tuum praesidium, ZWV 157 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
1700 |
| L'impero dell'universo diviso con Giove (Manna, Gennaro) for 5 voices, mixed chorus and orchestra |
1745 |
| Ballett von Zusammenkunft und Wirkung derer sieben Planeten (Angelini Bontempi, Giovanni Andrea) for voices, strings and continuo |
|
| Mass in G major (Manna, Gennaro) for voices, mixed chorus and orchestra |
|
| Violin Concerto in B-flat major (Tessarini, Carlo) for violin, strings and continuo |
|
| Exaudiat te Dominus (Boismortier, Joseph Bodin de) for voices, mixed chorus and orchestra |
|
| Concerto for Glass Harmonica in E-flat major (Röllig, Carl Leopold) for glass harmonica and orchestra |
|
| Violin Sonata in D major, ÖNB EM.65.d (Anonymous) for violin and continuo |
|
| Violin Sonata in E major, Op. 5 No. 11 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Concerto in E-flat major, RV 254 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Sonata in A major, Op. 5 No. 6 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Sonata in F major, Op. 5 No. 4 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Sonata in G minor, Op. 5 No. 5 (Corelli, Arcangelo) for violin and continuo |
|
| Violin Sonata in D major, ÖNB EM.65.c (Anonymous) for violin and continuo |
|
| Violin Sonata in D major, ÖNB EM.65.b (Anonymous) for violin and continuo |
|
| Violin Sonata in G minor, ÖNB EM.65.e (Anonymous) for violin and continuo |
|
| Violin Sonata in G minor, ÖNB EM.65.f (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, ÖNB EM.65.g (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, ÖNB EM.65.h (Anonymous) for violin and continuo |
|
| Violin Sonata in A major, ÖNB EM.65.i (Anonymous) for violin and continuo |
|
| Violin Sonata in B-flat major, ÖNB EM.65.k (Anonymous) for violin and continuo |
|
| Violin Sonata in A minor, ÖNB EM.65.j (Anonymous) for violin and continuo |
|
| Trio Sonata in D major, ÖNB EM.65.a (Anonymous) for violin, viol and continuo |
|
| String Trio (Hermann, Pál) for violin, viola and cello |
1920 |
| Le virtù appiè della croce (Hasse, Johann Adolph) for 4 voices, mixed chorus and orchestra |
|
| Le virtù appiè della croce (Hasse, Johann Adolph) for 4 voices, mixed chorus and orchestra |
1737 |
| Le virtù appiè della croce (Hasse, Johann Adolph) for 4 voices, mixed chorus and orchestra |
|
| Le virtù appiè della croce (Hasse, Johann Adolph) for 4 voices, mixed chorus and orchestra |
1737 |
| Le virtù appiè della croce (Hasse, Johann Adolph) for 4 voices, mixed chorus and orchestra |
|
| Uthal (Méhul, Etienne Nicolas) for voices, mixed chorus and orchestra |
1800 |
| O, quam suavis est (Tůma, František Ignác Antonín) for tenor, mixed chorus and orchestra |
1744 |
| Flute Concerto in G minor, QV 5:196 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Viola da Gamba Concerto in A minor, GraunWV A:XIII:14 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
| Viola da Gamba Concerto in A minor, GraunWV A:XIII:14 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
| 10 Violin Sonatas, Op. 2 (Reali, Giovanni Battista) for violin and continuo |
|
10 Trio Sonatas, Op. 1 (Reali, Giovanni Battista) for 2 violins and continuo
2 violins, cello and continuo |
|
Concerto à 8 (Schultze, Johann Christoph) for 3 flutes, strings and continuo
2 flutes, oboe, strings and continuo |
|
| String Quartet No. 2 (Elías, Alfonso de) for 2 violins, viola and cello |
1961 |
| O be Joyful in the Lord, HWV 246 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Regis superni nuntia (Tůma, František Ignác Antonín) for alto and orchestra |
1741 |
| Placare Christi servulis (Tůma, František Ignác Antonín) for soprano, mixed chorus and orchestra |
1741 |
| Matthäuspassion, BWV 244b (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244b (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244b (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Matthäuspassion, BWV 244b (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
|
| Almo factori omnium (Tůma, František Ignác Antonín) for alto, tenor, bass, mixed chorus and orchestra |
|
| Ave regina in C minor (Tůma, František Ignác Antonín) for tenor, mixed chorus and orchestra |
|
| 14 Harpsichord Sonatas, D-B Mus.ms.6998 (Galuppi, Baldassare) for harpsichord |
|
| Ecco a voi, cari sassi, L.69 (Astorga, Emanuele) for alto and continuo |
|
T'ho perduto, e pur non moro, L.189 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
T'ho perduto, e pur non moro, L.189 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
Qual ruscello che il prato circonda, L.145 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
Qual ruscello che il prato circonda, L.145 (Astorga, Emanuele) for soprano and continuo
alto and continuo |
|
| Misericordias Domini in G minor (Durante, Francesco) for 2 mixed chorus |
1700 |
| Benedictus Deus in G major (Caldara, Antonio) for soprano, alto, tenor, bass and continuo |
|
| 23 Fugues, D-B Mus.ms.2785 (Caldara, Antonio) for harpsichord |
|
| Treurmarsch (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
1928 |
| Spokendans (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
1931 |
| Het daghet in den Oosten, het lichtet overal (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
1930 |
| Het looze visschertje (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
1930 |
| Reuzegom (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
1931 |
| Drinklied (Tinel, Jef) for wind ensemble, brass ensemble and percussion |
|
| Requiem in C minor, K.51 (Fux, Johann Joseph) for 5 voices and orchestra |
|
| 14 Harpsichord Sonatas, D-B Mus.ms.6997 (Galuppi, Baldassare) for harpsichord |
|
| Super flumina Babylonis in F major (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Marcia funebra (Tinel, Jef) for wind ensemble and brass ensemble |
1930 |
| Symphony in G major, RicG G1 (Gyrowetz, Adalbert) for orchestra |
1829 |
| Mass in C major 'Solemnis' (Caldara, Antonio) for 5 voices and orchestra |
|
| Mass in C major 'Solemnis' (Caldara, Antonio) for 5 voices and orchestra |
|
Vorrei, Filli adorata, H.778 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Crudo Amor, saper vorrei (Scarlatti, Alessandro) for soprano and continuo |
|
| In che giammai t'offesi, H.323 (Scarlatti, Alessandro) for soprano and continuo |
|
| Per tormentarmi il core (Scarlatti, Alessandro) for soprano and continuo |
|
| Poi che legge fatal (Scarlatti, Alessandro) for soprano and continuo |
|
| Radamisto è portento che Zenobia (Scarlatti, Alessandro) for soprano and continuo |
|
| Filli adorata e cara, io parto, H.273 (Scarlatti, Alessandro) for soprano and continuo |
|
| Io che ad un tronco, H.335 (Scarlatti, Alessandro) for soprano and continuo |
|
| Mia Climene adorata se mai occhio, H.430 (Scarlatti, Alessandro) for soprano and continuo |
|
| Liete, placide e belle acque, H.383 (Scarlatti, Alessandro) for soprano and continuo |
|
| Lettera ove dimostra il buon effetto degli unisoni (Bellinzani, Paolo Benedetto) for |
|
| Lidio, invan mi condanni, H.382 (Scarlatti, Alessandro) for soprano and continuo |
|
| Completoria (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1729 |
| Arma bella proelia mortales (Alveri, Giovanni Battista) for bass, strings and continuo |
|
| Gens Christiana laetare alleluia (Alveri, Giovanni Battista) for soprano, 2 violins, cello and continuo |
|
| Laeti surgite pastores (Alveri, Giovanni Battista) for alto, 2 violins and continuo |
|
| Del bel Mincio alle sponde (Alveri, Giovanni Battista) for soprano and continuo |
|
| Ridete sidera (Alveri, Giovanni Battista) for bass and orchestra |
|
| Se tu parti anima mia (Alveri, Giovanni Battista) for soprano and continuo |
|
| Mass in C major 'Venerationis' (Caldara, Antonio) for 5 voices and orchestra |
|
| Api industri che volate, H.55 (Scarlatti, Alessandro) for soprano and continuo |
|
| Acheronte errini horribili (Alveri, Giovanni Battista) for soprano and continuo |
|
| Eurilla, amata Eurilla, H.252 (Scarlatti, Alessandro) for soprano and continuo |
|
| Eurilla, amata Eurilla, H.252 (Scarlatti, Alessandro) for soprano and continuo |
|
| E pur odo e non moro (Scarlatti, Alessandro) for soprano and continuo |
|
| E pur odo e non moro (Scarlatti, Alessandro) for soprano and continuo |
|
| Tirsi pastore amante, H.723 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Tirsi pastore amante, H.723 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Ein Lämmlein geht und trägt die Schuld (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Recorder Sonata in A minor (Fiorenza, Nicola) for recorder and continuo |
|
| Recorder Sonata in G major (Pulli, Pietro) for recorder and continuo |
|
| Danses Allemandes et Hongroises (Stadler, Joseph) for piano |
|
| L'Oracolo del Fato (Gasparini, Francesco) for 5 voices, mixed chorus and orchestra |
|
| Santa Maria Egiziaca (Gasparini, Francesco) for 4 voices and orchestra |
|
| Atalia (Gasparini, Francesco) for 4 voices and orchestra |
|
| Orestes (Euripedes) for voice |
|
| String Trio in B-flat major, B.416 (Pleyel, Ignaz) for 2 violins and viola |
|
| Del Tirreno sul lido, H.187 (Scarlatti, Alessandro) for alto and continuo |
|
| Del faretrato nume amor tiranno, H.182 (Scarlatti, Alessandro) for soprano and continuo |
|
| Di cipresso funesto, H.192 (Scarlatti, Alessandro) for soprano and continuo |
|
| Aber Schatzerl Engerl geh schlag ein (Gläser, Franz) for soprano, bass and orchestra |
|
Quartetto in Do Maggiore, Op. 203 (Munier, Carlo) for guitar, 2 mandolins and mandocello
guitar, 2 mandolins and lute |
|
| Dove fuggo, a che penso, H.212 (Scarlatti, Alessandro) for soprano, violin and continuo |
|
| Fida compagna, del tuo alato amante, H.261 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Fiamma ch'avvampa, H.260 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quando credeva il core, H.590 (Scarlatti, Alessandro) for soprano and continuo |
|
| A te, Lisa gentile, H.8 (Scarlatti, Alessandro) for alto and continuo |
|
| Amor, tu che sì bella, H.51 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dorisbe, i miei lamenti, H.205 (Scarlatti, Alessandro) for soprano and continuo |
|
Son quest’ultimi momenti, H.670 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| In due vaghe pupille, H.324 (Scarlatti, Alessandro) for soprano and continuo |
|
| La gloria di primavera (Scarlatti, Alessandro) for 5 voices and orchestra |
|
| La gloria di primavera (Scarlatti, Alessandro) for 5 voices and orchestra |
|
| La gloria di primavera (Scarlatti, Alessandro) for 5 voices and orchestra |
|
| Odoardo (Scarlatti, Alessandro) for 8 voices and orchestra |
|
Dal crudele Daliso, H.167 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| 12 Cantatas, I-Nc Cantate 263 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ch’io scopri il mio affetto (Scarlatti, Alessandro) for soprano and continuo |
|
| Io piango e tu non m’odi (Scarlatti, Alessandro) for soprano and continuo |
|
| Crudelissimo Amore, H.150 (Scarlatti, Alessandro) for alto and continuo |
|
| Dal dì ch'Amor m'accese, H.168 (Scarlatti, Alessandro) for soprano and continuo |
|
| Di che havete paura (Scarlatti, Alessandro) for soprano and continuo |
|
| Fille, dolente Fille, H.268 (Scarlatti, Alessandro) for soprano and continuo |
|
| Qui dove a piè d’un colle, H.617 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fiumicel cui l’onde chiare (Scarlatti, Alessandro) for alto and continuo |
|
| Vuoi più, Filli crudele, H.781 (Scarlatti, Alessandro) for alto and continuo |
|
Scorgo il fiume e scorgo il rio, H.637 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Il genio di Mitilde, H.314 (Scarlatti, Alessandro) for soprano and continuo |
|
| Clori superba, e come mai, H.133 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nel centro oscuro di spelonca, H.448 (Scarlatti, Alessandro) for soprano and continuo |
|
Per un momento solo, H.546 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Per un momento solo, H.546 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Per un momento solo, H.546 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
Per un momento solo, H.546 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Tu sei quella che al nome, H.743 (Scarlatti, Alessandro) for alto, flute, 2 violins and continuo |
|
| Da sventura a sventura, H.161 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dimmi, mio ben, perché (Scarlatti, Alessandro) for soprano and continuo |
|
| Erminia (Scarlatti, Alessandro) for 4 voices and orchestra |
|
| Erminia (Scarlatti, Alessandro) for 4 voices and orchestra |
|
| Erminia (Scarlatti, Alessandro) for 4 voices and orchestra |
|
| Queste torbide e meste onde, H.614 (Scarlatti, Alessandro) for soprano and continuo |
|
| Queste torbide e meste onde, H.614 (Scarlatti, Alessandro) for soprano and continuo |
|
| Queste torbide e meste onde, H.614 (Scarlatti, Alessandro) for soprano and continuo |
|
| Queste torbide e meste onde, H.614 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fra liete danze, H.291 (Scarlatti, Alessandro) for soprano and continuo |
|
| Su la sponda del mare (Scarlatti, Alessandro) for soprano, 2 violins, viola and continuo |
1700 |
| 8 Preludier (Zellbell Jr., Ferdinand) for organ |
|
| Klinget mit Freuden ihr klaren Klarinen, BuxWV 65 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 trumpets, 2 violins, violone and continuo |
|
Klinget für Freuden ihr lärmen Klarinen, BuxWV 119 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 trumpets, 2 violins, violone and continuo
2 sopranos, bass, 2 violins and continuo |
1680 |
6 Suonate da Camera (Garzaroli) for flute and continuo
recorder and continuo |
|
| 12 Sonatas (Gallo, Alberto) for 2 violins, violone and continuo |
1724 |
| 2 Violin Sonatas (Caldara, Antonio) for violin and continuo |
|
| Ombre tacite e sole (Scarlatti, Alessandro) for soprano, 2 violins, viola and continuo |
1716 |
| Kommst du Licht der Heiden, BuxWV 66 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, 2 violas, violone and continuo |
|
| Kommst du Licht der Heiden, BuxWV 66 (Buxtehude, Dietrich) for 2 sopranos, bass, 2 violins, 2 violas, violone and continuo |
|
15 Sonatas (Various) for 2 violins and continuo
2 violins, violone and continuo
lute, 2 violins and continuo |
|
| Trio Sonata in G major (Janitsch, Johann Gottlieb) for flute, violin and continuo |
|
| 7 Recorder Sonatas (Leo, Leonardo) for recorder and continuo |
|
6 Feldparthien, Hob.II.41-46 (Haydn, Joseph) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns
2 oboes, 3 bassoons, 2 horns and serpent |
|
| Recorder Sonata in B-flat major (Hasse, Johann Adolph) for recorder and continuo |
|
| Allor che il vostro lume (Gaffi, Tommaso Bernardo) for soprano and continuo |
|
| Belle luci guerriere (Gaffi, Tommaso Bernardo) for soprano and continuo |
|
| Dalle oziose piume (Gaffi, Tommaso Bernardo) for soprano and continuo |
|
Violin and Continuo from 3 Sonatas, ÖNB EM.44 (Sanguinazzo, Niccolò) for violin and continuo
viol and continuo
cello and continuo |
1700 |
Viol and Continuo from 3 Sonatas, ÖNB EM.44 (Sanguinazzo, Niccolò) for violin and continuo
viol and continuo
cello and continuo |
1700 |
Cello and Continuo from 3 Sonatas, ÖNB EM.44 (Sanguinazzo, Niccolò) for violin and continuo
viol and continuo
cello and continuo |
1700 |
| Bist willkommen du edler Gast, H.343 (Stölzel, Gottfried Heinrich) for |
|
| Herzlich lieb hab ich dich o Herr, H.344 (Stölzel, Gottfried Heinrich) for |
|
| Nun danket alle Gott, H.345 (Stölzel, Gottfried Heinrich) for |
|
| Missa in C minor (Stölzel, Gottfried Heinrich) for mixed chorus, strings and continuo |
|
| Lebt Christus was bin ich betrübt, H.346 (Stölzel, Gottfried Heinrich) for |
|
| Wo bist du Sonne blieben, H.347 (Stölzel, Gottfried Heinrich) for |
|
| Ich will selbst meine Schafe weiden, H.382 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Stimmt an mit vollen Chören, H.381 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Schreib meinen Nam' aufs beste ins Buch des Lebens ein, H.380 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Lobt ihn mit Herz und Munde, H.379 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Hosianna gelobet sei der da kommt, H.383 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1740 |
| Das Warten der Gerechten wird Freude werden, H.384 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Ich danke dir daß du mich demütigest, H.386 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus, strings and continuo |
1700 |
| Gelobet sei Gott der mein Gebet nicht verwirft, H.385 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Aus der Tiefen rufe ich Herr höre meine Stimme, H.419 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| O Herr laß mich dein Angesicht oft sehen, H.387 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wir sind voller Angst und Plag, H.388 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Was Gott tut das ist wohlgetan, H.389 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Singet und spielet dem Herrn in euren Herzen, H.390 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| La madre dei Maccabei (Ariosti, Attilio) for 4 voices, strings and continuo |
|
| Hor che priva di luce, A-Wn EM.171 (Anonymous) for alto, violin and continuo |
|
| Trio Sonata in D major, ÖNB EM.93 (Anonymous) for 2 trumpets and continuo |
|
Sinfonia in C major (Tessarini, Carlo) for 2 violins, viola, cello and violone
strings |
|
| O Herr dreieiniger Gott, H.364 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| O Herr dreieiniger Gott, H.364 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ihn laßt tun und walten, H.375 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ihn laßt tun und walten, H.375 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Flute Sonata in D minor, A-Wn EM.66 (Anonymous) for flute and continuo |
|
| Study for 2 Violins (Kocakov, Drago) for 2 violins |
1900 |
Trio Sonata in A major, ÖNB EM.72.i (Anonymous) for violin, cello and continuo
violin, cello and organ |
|
| Recorder Sonata in G major, IGS 44 (Sammartini, Giuseppe) for recorder and continuo |
|
| 20 Cantatas, A-Wn EM.178 (Various) for voice and continuo |
|
| Il trionfo della libertà (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| Gianguir (Porta, Giovanni) for 7 voices and orchestra |
|
| Gianguir (Porta, Giovanni) for 7 voices and orchestra |
|
| Concerto for 2 Violins in D major (Timmer, Joseph Ferdinand) for 2 violins, strings and continuo |
|
| Violin Concerto in G major (Timmer, Leopold) for 3 violins, viola and continuo |
|
| 24 Menuets (Timmer, Joseph Ferdinand) for 2 trumpets, timpani, 2 violins and bass |
|
| Intrada in G major (Timmer, Leopold) for 2 violins and continuo |
|
Amarilli e Nise (Timmer, Leopold) for 2 voices, strings and continuo
2 voices and orchestra |
1727 |
Partita in B-flat major (Timmer, Leopold) for 2 violins, viola, cello and continuo
2 violins, viola and continuo |
|
| 3 Partitas (Timmer, Leopold) for 2 violins and continuo |
|
| Gioseffo che interpreta i sogni (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| String Quartet No. 32, Op. 141 (Spohr, Louis) for 2 violins, viola and cello |
1849 |
| Le profezie evangeliche di Isaia (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Numa Pompilio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Numa Pompilio (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| A Memory (Hill, Mildred) for piano |
1800 |
| Ach ich fühle keine Reue, H.365 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Du Vater bist voll Güte, H.367 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Des Herren Segen machet reich, H.368 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Verleih daß ich aus Herzensgrund, H.369 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| O Herr gib uns ein fruchtbar Jahr, H.370 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wie wenig sind der Heilgen dein, H.371 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nimm von uns Herr du treuer Gott, H.373 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wie dürft' ich bitten wenn mein Sinn, H.374 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Heil du mich lieber Herre, H.376 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Wer weiß wie nahe mir mein Ende, H.377 (Stölzel, Gottfried Heinrich) for soprano, alto, mixed chorus and orchestra |
|
| Valles Calchaquíes (Soriano Thebas, Alberto) for orchestra |
1979 |
| Erbarm dich mein o Herre Gott, H.372 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Erbarm dich mein o Herre Gott, H.372 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Juglarescas (Soriano Thebas, Alberto) for guitar |
1952 |
| Anbetung dem Erbarmer, H.807 (Bach, Carl Philipp Emanuel) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1784 |
| Lukas-Passion, H.800 (Bach, Carl Philipp Emanuel) for voices, mixed chorus and orchestra |
1787 |
| Capricho No. 2 'Gótico' (Soriano Thebas, Alberto) for piano |
1939 |
| Cantos en las orillas claras (Soriano Thebas, Alberto) for piano |
1939 |
| Ach was soll ich Sünder machen, H.366 (Stölzel, Gottfried Heinrich) for soprano, tenor, bass, mixed chorus and orchestra |
|
| In exitu Israel, ZWV 83 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
2021 |
| Matthäus-Passion, H.786 (Bach, Carl Philipp Emanuel) for 7 voices, mixed chorus and orchestra |
1772 |
| Matthäus-Passion, H.786 (Bach, Carl Philipp Emanuel) for 7 voices, mixed chorus and orchestra |
1773 |
| Recorder Concerto in C major (Anonymous) for recorder, 2 violins, viola and continuo |
|
| Recorder Sonata in D minor (Anonymous) for recorder and continuo |
|
| Recorder Concerto in D minor (Sarro, Domenico Natale) for recorder, 2 violins and continuo |
|
| In memoriam (Nielsen, Ludolf) for orchestra |
1904 |
| Recorder Suite in C major (Daquin, Louis-Claude) for recorder and continuo |
|
| Recorder Sonata in C major (Anonymous) for recorder and continuo |
|
| Recorder Sonata in F minor (Anonymous) for recorder and continuo |
|
| Recorder Sonata in F major (Federici, Baldassare) for recorder and continuo |
|
| L'eroe cinese (Perez, Davide) for 5 voices and orchestra |
|
| Complete (1770 Version) from Armida abbandonata (Jommelli, Niccolò) for 7 voices and orchestra |
|
| Il trionfo di Clelia (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Il trionfo di Clelia (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Complete (1748 Version) from L'isola disabitata (Perez, Davide) for 4 voices and orchestra |
|
| Catone in Utica (Ferrandini, Giovanni Battista) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica (Ferrandini, Giovanni Battista) for 6 voices, mixed chorus and orchestra |
|
| Catone in Utica (Ferrandini, Giovanni Battista) for 6 voices, mixed chorus and orchestra |
|
| Fantaisie (Melartin, Erkki) for violin and piano |
1897 |
| Trio Sonata in G minor, HWV deest (Handel, George Frideric) for 2 violins and continuo |
|
| Complete (1717 Version) from Santa Ferma (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Santa Ferma (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Gionata (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Piano Concerto No. 2, Op. 11 (Franck, César) for piano and orchestra |
1836 |
| Trio Sonata in F major, IGS 46 (Sammartini, Giuseppe) for 2 recorders and continuo |
|
| Cello Concerto in A major, H.439 (Bach, Carl Philipp Emanuel) for cello, strings and continuo |
|
| Cello Concerto in B-flat major, H.436 (Bach, Carl Philipp Emanuel) for cello, strings and continuo |
|
| Cello Concerto in B-flat major, H.436 (Bach, Carl Philipp Emanuel) for cello, strings and continuo |
|
| Andromeda, R.1.40 (Paisiello, Giovanni) for 6 voices and orchestra |
1773 |
| Sismano nel Mogol, R.1.36 (Paisiello, Giovanni) for 6 voices and orchestra |
1773 |
| Recorder Sonata in G major (Alberti, Giuseppe Matteo) for recorder and continuo |
|
| Concerto for Flute and Oboe in G major (Stamitz, Anton) for flute, oboe and orchestra |
|
| Flute Concerto in D major (Krause, Christian Gottfried) for flute, strings and continuo |
|
| Flute Concerto in G major (Krause, Christian Gottfried) for flute, strings and continuo |
|
| Sinfonia in B-flat major (Krause, Christian Gottfried) for strings and continuo |
|
| La disfatta di Dario, R.1.51 (Paisiello, Giovanni) for 6 voices and orchestra |
1776 |
| La disfatta di Dario, R.1.51 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Harpsichord Sonata in G minor, CSWV H:29 (Schaffrath, Christoph) for harpsichord |
|
| Sinfonia in D minor (Benda, Georg) for harpsichord |
|
| Mario in Numidia (Capua, Rinaldo di) for 6 voices, mixed chorus and orchestra |
|
| Mario in Numidia (Capua, Rinaldo di) for 6 voices, mixed chorus and orchestra |
|
| Divertissement, Op. 68 (Dotzauer, Friedrich) for clarinet and orchestra |
1822 |
| Divertissement, Op. 68 (Dotzauer, Friedrich) for clarinet and orchestra |
|
| 6 Harpsichord Sonatas (Krause, Christian Gottfried) for harpsichord |
|
| La Semiramide in villa, R.1.31 (Paisiello, Giovanni) for 4 voices and orchestra |
1771 |
| La Semiramide in villa, R.1.31 (Paisiello, Giovanni) for 4 voices and orchestra |
1771 |
| Olimpia, R.1.14 (Paisiello, Giovanni) for 6 voices and orchestra |
1767 |
| Overture from Olimpia, R.1.14 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Complete (Version 1) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Complete (Version 1) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Selections (Version 1) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Selections (Version 1) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Complete (Version 2) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
1784 |
| Selections (Version 3) from Antigono, R.1.67 (Paisiello, Giovanni) for 6 voices and orchestra |
|
| Il re Teodoro in Venezia, R.1.66 (Paisiello, Giovanni) for 8 voices and orchestra |
1784 |
| Il re Teodoro in Venezia, R.1.66 (Paisiello, Giovanni) for 8 voices and orchestra |
1799 |
Fantasia in C minor (Benda, Georg) for harpsichord
keyboard |
|
Obras para clavicordio o piano forte (Albero, Sebastián) for keyboard
clavichord
piano |
|
| Nouvelle méthode de solfier la musique (Caffiaux, Dom Philippe-Joseph) for |
|
| Histoire de la musique depuis l’Antiquité jusqu’en 1754 (Caffiaux, Dom Philippe-Joseph) for |
|
| Die Wallfahrt nach Kevlaar (Söderman, August) for baritone, mixed chorus and orchestra |
1867 |
| Die Wallfahrt nach Kevlaar (Söderman, August) for baritone, mixed chorus and orchestra |
1867 |
| Requiem, ZWV 45 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1850 |
| Requiem, ZWV 45 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| La Semiramide riconosciuta (Rutini, Giovanni Marco) for 6 voices and orchestra |
|
| La Nitteti, ED.10:D9 (Mysliveček, Josef) for 6 voices and orchestra |
|
| Rondinella torna al lido (Rotondi, Cinzio) for soprano and continuo |
|
| Gismondo, re di Polonia (Vinci, Leonardo) for 7 voices and orchestra |
|
| Les Amours du Printemps (Colin de Blamont, François) for voices and orchestra |
|
| La feste de Diane (Colin de Blamont, François) for voices and orchestra |
|
| Slava v vyschnich Bohu (Sarti, Giuseppe) for 2 mixed chorus and 2 orchestras |
1792 |
| Le feste d’Apollo, Wq.38 (Gluck, Christoph Willibald) for voices and orchestra |
|
| Le feste d’Apollo, Wq.38 (Gluck, Christoph Willibald) for voices and orchestra |
|
| Ode to the Sea (Somervell, Arthur) for soprano, mixed chorus and orchestra |
1897 |
| In convertendo, S.63 (Heinichen, Johann David) for soprano, alto, tenor, bass and orchestra |
1726 |
| Quis ascendet in montem Domini, S.21 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1725 |
| Pange lingua in D minor, S.61 (Heinichen, Johann David) for soprano, alto, tenor, bass, 2 oboes, strings and continuo |
1724 |
| Domine Jesu Christe in A minor, S.100 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1724 |
| Dixit Dominus in F major, S.45 (Heinichen, Johann David) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Regina caeli, S.102 (Heinichen, Johann David) for alto, tenor, mixed chorus and orchestra |
1717 |
| 31 Cantatas, D-Dl Mus.2398-I-2 (Heinichen, Johann David) for soprano and orchestra |
|
| Missa in F major, S.13 (Heinichen, Johann David) for soprano, alto, tenor, mixed chorus and orchestra |
1728 |
| Là dove in grembo al colle, S.137 (Heinichen, Johann David) for soprano and continuo |
1700 |
| O deluse speranze, o fè tradita, S.169 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Tormento dell'alma, S.172 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Ascolta Eurillo ascolta e datti pace, S.176 (Heinichen, Johann David) for soprano and continuo |
1700 |
| O beato quel giorno, S.178 (Heinichen, Johann David) for soprano and continuo |
1700 |
| D'amante sventurato, S.188 (Heinichen, Johann David) for soprano and continuo |
1700 |
| Recorder Sonata in C major (Reutter, Georg) for recorder and continuo |
|
| Veni creator spiritus, S.62 (Heinichen, Johann David) for soprano, alto, tenor, bass, strings and continuo |
1724 |
| Recorder Sonata in F major, IGS 40 (Sammartini, Giuseppe) for recorder and continuo |
|
| Astrée (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Astrée (Collasse, Pascal) for voices, mixed chorus and orchestra |
|
| Le nozze di Nettuno e di Teti, S.203 (Heinichen, Johann David) for 4 voices, mixed chorus and orchestra |
1726 |
| Le nozze di Nettuno e di Teti, S.203 (Heinichen, Johann David) for 4 voices, mixed chorus and orchestra |
1726 |
| Zeffiro e Clori, S.202 (Heinichen, Johann David) for soprano, alto and orchestra |
1700 |
| Jason (Collasse, Pascal) for voices and orchestra |
|
| Sonata in G major, H.3.17 (Heinichen, Johann David) for flute, 2 violins and continuo |
|
| Recorder Sonata in F major, IGS 41 (Sammartini, Giuseppe) for recorder and continuo |
|
| Gijsbrecht van Aemstel Overture (Verhulst, Johannes) for orchestra |
|
| Mass in B-flat major 'Sancti Francisci' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in E minor 'Comemorationis' (Caldara, Antonio) for soprano, alto, tenor, bass and orchestra |
|
| Beatus vir in B-flat major (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Beatus vir in C major, IAC 14 (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in C major 'Gratiarum' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in C major 'Desiderij' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in G minor 'Reformata' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in D major 'Vix orimur morimur' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in B minor 'Matris dolorosae' (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Beatus vir in C major, IAC 15 (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Concerto for 4 Guitars (Soriano Thebas, Alberto) for 4 guitars |
1957 |
| Le Prince de Noisi (Francœur, François) for voices and orchestra |
1700 |
Recueil de simphonies (Francœur, François) for strings and continuo
orchestra
flute, oboe, bassoon, strings and continuo
oboe, bassoon, strings and continuo
soprano, 2 violins and continuo
soprano, violin and continuo
mixed chorus, strings and continuo
voices and orchestra
voices, mixed chorus and orchestra
voices, strings and continuo
voices, mixed chorus, strings and continuo |
|
| Piano Trio (Soriano Thebas, Alberto) for violin, cello and piano |
1961 |
| Symphony in D major (Kospoth, Otto Carl Erdmann) for orchestra |
|
| Siroe, re di Persia (Vinci, Leonardo) for 6 voices and orchestra |
|
| Siroe, re di Persia (Vinci, Leonardo) for 6 voices and orchestra |
|
| Siroe, re di Persia (Vinci, Leonardo) for 6 voices and orchestra |
|
| Cello Sonata in C minor (Costanzi, Giovanni Battista) for cello and continuo |
|
| Su l'ora appunto che col carro d'oro, H.696 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
|
| Taccio e tacendo moro, H.711 (Scarlatti, Alessandro) for alto and continuo |
|
Il rosignolo se scioglie il volo, H.318 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Penso che non ho core, H.535 (Scarlatti, Alessandro) for soprano and continuo |
|
| Nella stagion, che di viole e rose (Scarlatti, Alessandro) for soprano and continuo |
|
| O de’ pastori diletto stuolo, H.486 (Scarlatti, Alessandro) for soprano and continuo |
|
| Della spietata Irene, H.188 (Scarlatti, Alessandro) for soprano and continuo |
|
| Filli altera e spietata, H.274 (Scarlatti, Alessandro) for soprano and continuo |
|
| Dov'è Filli, dov'è, H.207 (Scarlatti, Alessandro) for soprano and continuo |
|
| Temo d'amarti poco, H.716 (Scarlatti, Alessandro) for soprano and continuo |
|
| Su le sponde del Tebro, H.705 (Scarlatti, Alessandro) for soprano, trumpet, 2 violins and continuo |
|
| Berceuse Impromptu (Soriano Thebas, Alberto) for piano |
1941 |
17 Cantatas, F-Pn RES VMC MS-68 (Scarlatti, Alessandro) for soprano, trumpet, 2 violins and continuo
soprano, 2 violins and continuo
soprano and continuo
alto and continuo |
|
| Complete (revision by Salvador Pazzaglia) from Giuditta (Cimarosa, Domenico) for 8 voices, mixed chorus and orchestra |
|
| L'infedeltà fedele (Cimarosa, Domenico) for 9 voices and orchestra |
1779 |
| La moda (Bertoni, Ferdinando) for 7 voices and orchestra |
|
| La clemenza di Tito (Naumann, Johann Gottlieb) for 6 voices, mixed chorus and orchestra |
1769 |
| Oreste (Cimarosa, Domenico) for 6 voices and orchestra |
1783 |
| Oreste (Cimarosa, Domenico) for 6 voices and orchestra |
|
| Duetto in E-flat minor, CSWV F:10 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Oboe Concerto, TWV 51:d2 (Telemann, Georg Philipp) for oboe, strings and continuo |
|
| Duetto for 2 Violas da Gamba in D minor, CSWV F:8 (Schaffrath, Christoph) for 2 viols |
1700 |
| Duetto in G-sharp minor, CSWV F:25 (Schaffrath, Christoph) for violin and harpsichord |
1700 |
| Sonata da Camera in A major (Janitsch, Johann Gottlieb) for flute, violin, viola and continuo |
|
| Trio Sonata in A major (Lotti, Antonio) for flute, oboe damore and continuo |
|
| Il Gismondo (Latilla, Gaetano) for 9 voices and orchestra |
|
| Mass in F major (Sarro, Domenico Natale) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Alessandro nell'Indie (Jommelli, Niccolò) for 6 voices and orchestra |
1743 |
| Alessandro nell'Indie (Jommelli, Niccolò) for 6 voices and orchestra |
|
| L'Agrippina moglie di Tiberio (Sammartini, Giovanni Battista) for 7 voices and orchestra |
|
| Mass in D major (Sarro, Domenico Natale) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Incomplete from Mass in G major (Sarro, Domenico Natale) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Come bello il sol risplende (Sarro, Domenico Natale) for 3 sopranos and orchestra |
|
| Quando mai delle mie pene (Sarro, Domenico Natale) for 2 sopranos, alto and orchestra |
|
| Lasciar di tormentarmi, L.102 (Astorga, Emanuele) for soprano and continuo |
|
| Clorinda s'io t'amai, L.40 (Astorga, Emanuele) for soprano and continuo |
|
| Care pupille amate, L.26 (Astorga, Emanuele) for soprano and continuo |
|
| Sei pur bella, L.170 (Astorga, Emanuele) for soprano and continuo |
|
| O dolce mia speranza, L.120 (Astorga, Emanuele) for soprano and continuo |
|
| Luci del mio bel sole, L.105 (Astorga, Emanuele) for soprano and continuo |
|
| Or che lungi da voi (Astorga, Emanuele) for soprano and continuo |
|
| Invidia e gelosia (Astorga, Emanuele) for soprano and continuo |
|
| 17 Cantatas, D-Bsa SA 1409 (Various) for soprano and continuo |
|
Lontananza dell'amato (Conti, Francesco Bartolomeo) for soprano, flute, chalumeau, lute, 2 violins and continuo
soprano, oboe, chalumeau, lute, 2 violins and continuo |
|
Con più luci di candori (Conti, Francesco Bartolomeo) for soprano, chalumeau, lute, 2 violins and continuo
soprano, chalumeau, lute, violin and continuo |
|
15 Cantatas, I-Nc Cantate 19 (Various) for soprano and continuo
soprano, alto and continuo |
|
| Mass in D minor (Sarro, Domenico Natale) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Offertoire in C minor (Saint-Saëns, Camille) for horn and organ |
|
| Gloria Patri in D major (Saint-Saëns, Camille) for 2 sopranos, 2 altos, horn and organ |
|
| String Quartet No. 22, Op. 74 No. 3 (Spohr, Louis) for 2 violins, viola and cello |
1827 |
Ride il prato (Conti, Francesco Bartolomeo) for soprano, flute, lute, 2 violins and continuo
soprano, flute, lute, violin and continuo
soprano, chalumeau, lute, 2 violins and continuo
soprano, chalumeau, lute, violin and continuo |
|
| Il Gioseffo (Conti, Francesco Bartolomeo) for 5 voices and orchestra |
|
| Vaghi augelletti che d'amor formate (Conti, Francesco Bartolomeo) for soprano, chalumeau, lute, 2 violins and continuo |
|
La beltà che il core adora (Conti, Francesco Bartolomeo) for soprano, chalumeau, lute, 2 violins and continuo
soprano, chalumeau, lute, violin and continuo |
|
| Gira per queste selve (Conti, Francesco Bartolomeo) for soprano, oboe, 2 violins and continuo |
|
| Fugga l'ombra tenebrosa (Conti, Francesco Bartolomeo) for soprano, oboe, 2 violins and continuo |
|
| Tra questi colli ameni e belli (Conti, Francesco Bartolomeo) for 2 sopranos and orchestra |
|
| Die gute Nacht, die ich dir sage (Schumann, Clara) for voice and piano |
1841 |
| Amore in Tessaglia (Conti, Francesco Bartolomeo) for 7 voices, mixed chorus, strings and continuo |
|
| L'Istro (Conti, Francesco Bartolomeo) for soprano and orchestra |
|
| Dafne in Alloro (Conti, Ignazio) for soprano, alto, bass and orchestra |
|
| Agitata alma mia, GraunWV B:III:12 (Graun, Karl Heinrich) for tenor, strings and continuo |
1730 |
| Fidi compagni a suon di tromba, GraunWV B:III:27 (Graun, Karl Heinrich) for tenor, strings and continuo |
1700 |
| Arresta al quanto a tue vittorie, GraunWV B:III:15 (Graun, Karl Heinrich) for tenor, strings and continuo |
1740 |
| Ahi qual crucio, GraunWV B:III:13 (Graun, Karl Heinrich) for tenor, strings and continuo |
|
| Ahi qual crucio, GraunWV B:III:13 (Graun, Karl Heinrich) for tenor, strings and continuo |
|
| Occhi stelle lucenti, GraunWV C:III:68 (Graun, Karl Heinrich) for tenor, strings and continuo |
|
| Pesan troppo sul'alma Nice, GraunWV B:III:41 (Graun, Karl Heinrich) for tenor, strings and continuo |
|
Ach es ist ein elend jämmerlich Ding (Meister, Johann Friedrich) for 2 sopranos, 2 tenors, bass, 4 viols and continuo
2 sopranos, 2 tenors, bass, 4 violas and continuo |
|
Ach daß die Hülfe aus Zion über Israel käme (Meister, Johann Friedrich) for 2 tenors, mixed chorus, bassoon, 2 violins and continuo
2 tenors, mixed chorus, 2 oboes, bassoon and continuo |
|
Mein Seelenbräutigam (Meister, Johann Friedrich) for 2 sopranos, 2 violins, cello and continuo
2 sopranos, continuo, 2 sopranos and tenor |
|
| Il trionfo della gloria, GraunWV B:III:28 (Graun, Karl Heinrich) for soprano and orchestra |
|
| Apollo amante di Dafne, GraunWV C:III:67 (Graun, Karl Heinrich) for soprano, strings and continuo |
|
| Sacra d'amore ombrose selva, GraunWV B:III:45 (Graun, Karl Heinrich) for soprano, strings and continuo |
|
| L'amor onesta, GraunWV B:III:44 (Graun, Karl Heinrich) for soprano and continuo |
|
| Hector e sua moglie, GraunWV B:III:51 (Graun, Karl Heinrich) for soprano and continuo |
|
| Troja già cadde incenerita, GraunWV B:III:50 (Graun, Karl Heinrich) for soprano and continuo |
|
| Deh lasciate e vita e volo, GraunWV B:III:21 (Graun, Karl Heinrich) for soprano and continuo |
|
| Scherza di fiore in fiore, GraunWV B:III:46 (Graun, Karl Heinrich) for soprano and continuo |
|
| Non te lo dissi già superba ritrosetta, GraunWV B:III:35 (Graun, Karl Heinrich) for soprano and continuo |
|
| O fuggito amore anch'io, GraunWV B:III:61 (Graun, Karl Heinrich) for soprano and continuo |
|
Habe deine Lust an dem Herrn (Meister, Johann Friedrich) for 2 tenors, bass, 2 violins, viol and continuo
2 tenors, bass, strings and continuo |
|
| Disperata Porcia, GraunWV B:III:29 (Graun, Karl Heinrich) for soprano, strings and continuo |
|
Was mein Gott will das muß geschehen (Meister, Johann Friedrich) for soprano, alto, tenor, bass, bassoon, 2 violins and continuo
soprano, alto, tenor, bass and orchestra |
|
| Non porto Febo mai, GraunWV B:III:34 (Graun, Karl Heinrich) for soprano, strings and continuo |
|
| Alme voi che provaste, GraunWV B:III:14 (Graun, Karl Heinrich) for soprano and continuo |
|
Wo soll ich fliehen hin (Meister, Johann Friedrich) for 2 sopranos, bass, bassoon, 2 violins and continuo
2 sopranos, bass and orchestra |
|
Welt ist Welt (Meister, Johann Friedrich) for soprano, alto, tenor, bass, bassoon, 2 violins, 3 violas and continuo
soprano, alto, tenor, bass and orchestra |
|
Unser Wandel ist im Himmel (Meister, Johann Friedrich) for 2 sopranos, bass, 2 violins and continuo
2 sopranos, bass, 2 violas and continuo |
|
In tribulatione invocavimus (Meder, Johann Valentin) for soprano, 4 violins and continuo
soprano, bassoon, 4 violins and continuo |
|
| Confitebor (Meister, Johann Friedrich) for bass, bassoon, 3 violins and continuo |
|
| O quanta mihi est causa gaudendi (Melani, Alessandro) for soprano, alto, tenor and continuo |
|
17 Cantatas, D-B Am.B 222 (Graun, Karl Heinrich) for soprano and continuo
soprano, strings and continuo
tenor, strings and continuo
soprano and orchestra |
|
Siehe des Herren Auge (Käfer, Johann Philipp) for soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich verlasse mich auf Gottes Güte (Krieger, Johann Philipp) for soprano, alto, bass, 2 violins and continuo |
|
Die Gerechten werden weggerafft (Stoltzenberg, Christoph) for soprano, alto, tenor, bass, violin, 2 violas and continuo
soprano, alto, tenor, bass and orchestra |
|
| Du aber Daniel gehe hin, D-B: Mus.ms. 30282 (Anonymous) for 4 voices |
1719 |
O Herr hilf o Herr laß wohl gelingen (Wecker, Georg Caspar) for soprano, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo
2 sopranos, alto, bass, bassoon, 2 violins, 2 violas and continuo |
1702 |
| Mein Jesus bleibet mir (Liebhold) for soprano, alto, tenor, bass and continuo |
|
| Ein' feste Burg ist unser Gott (Meyerhoffer, Georg Christoph) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Scipio Africanus, GraunWV B:I:4 (Graun, Karl Heinrich) for 11 voices and orchestra |
|
| Symphony in D minor, B.147 (Pleyel, Ignaz) for orchestra |
|
Herr wer ist dir gleich unter den Göttern (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, mixed chorus, bassoon, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo |
|
Herr wer ist dir gleich unter den Göttern (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, mixed chorus, bassoon, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, bassoon, 2 violins, 2 violas and continuo |
|
Zum Frieden und zur Ruh (Meister, Johann Friedrich) for soprano, alto, tenor, bass, bassoon, violin, 2 violas and continuo
mixed chorus, bassoon, violin, 2 violas and continuo |
|
Ich bin das Brot des Lebens (Meister, Johann Friedrich) for alto, tenor, bass, 2 violins and continuo
2 sopranos, alto, tenor, bass and continuo |
|
| Die mit Tränen säen werden mit Freuden ernten (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 violas and continuo |
|
Wie schön leuchtet der Morgenstern (Meister, Johann Friedrich) for 2 basses, mixed chorus, 2 violins and continuo
2 basses, mixed chorus, 2 violins and organ |
|
Es ist ein köstlich Ding geduldig sein (Meister, Johann Friedrich) for 2 tenors, 2 violins, 2 violas and continuo
2 tenors, continuo and 4 Unspecified instruments |
|
| Chaconne in A major, Schrank II/38/38 (Anonymous) for violin and continuo |
|
| Selections (1754 Version) from Il Bajazet (Bernasconi, Andrea) for 7 voices and orchestra |
|
| Jesu segne du dies Jahr (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, 2 violins and continuo |
|
Preis Ruhm und Ehre, D-B: Mus.ms. 30282 (Anonymous) for soprano, alto, tenor, bass, mixed chorus, 2 trumpets, 2 violins, viola and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Das ist meine Freude, D-B: Mus.ms. 30282 (Anonymous) for 2 sopranos, alto, tenor, bass, mixed chorus, 2 violins and continuo |
|
| Erheb ihn ewig o mein Geist (Graun, Karl Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lobet den Herrn ihr Berge und Hügel (Schultze, Andreas Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Er ist nicht mehr (Kellner, Johann Christoph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lobe den Herrn meine Seele (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich will mit Brandopfer gehen (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, 2 violins, 2 violas and continuo |
|
| Jesu deine heil'gen Lehren zu bewahren, L.566 (Benda, Georg) for soprano and orchestra |
|
| Jetzt geht auf ungebahnten Wegen, L.555 (Benda, Georg) for soprano and orchestra |
|
| Ich will ihnen einen einigen Hirten erwecken (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, 2 violins, 2 violas, violone and continuo |
|
| Eccoti pago Enea (Manna, Gennaro) for 3 sopranos, tenor and orchestra |
1700 |
| Rubri maris trajectus (Manna, Gennaro) for 3 sopranos, tenor and orchestra |
|
| Debora (Manna, Gennaro) for 3 sopranos, tenor and orchestra |
|
| Esther (Manna, Gennaro) for 3 sopranos, tenor and orchestra |
|
| Artaserse (Ferrandini, Giovanni Battista) for 3 sopranos, 2 altos, tenor and orchestra |
|
| Complete (Particella) from Artaserse (Ferrandini, Giovanni Battista) for 3 sopranos, 2 altos, tenor and orchestra |
|
| Talestri (Ferrandini, Giovanni Battista) for 5 sopranos, mixed chorus and orchestra |
|
| Talestri (Ferrandini, Giovanni Battista) for 5 sopranos, mixed chorus and orchestra |
|
| Jesu, deine Passion (Wolf, Ernst Wilhelm) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Te Deum laudamus (Desmarets, Henri) for voices and orchestra |
|
| Cantates et airs de différents auteurs (Clérambault, Louis-Nicolas) for 2 voices and continuo |
|
| 6 Organ Preludes (Dugan, Franjo) for organ |
|
| Te Deum (Chadwick, George Whitefield) for mixed chorus and organ |
1885 |
| Salve Regina in G major (Villicus, Balthasar) for soprano, flute, violin and continuo |
|
| Il tamburo, R.1.37 (Paisiello, Giovanni) for 4 sopranos, tenor, 3 basses and orchestra |
1773 |
| Il tamburo, R.1.37 (Paisiello, Giovanni) for 4 sopranos, tenor, 3 basses and orchestra |
|
| Il tamburo, R.1.37 (Paisiello, Giovanni) for 4 sopranos, tenor, 3 basses and orchestra |
1773 |
| Dal finto il vero, R.1.52 (Paisiello, Giovanni) for 5 sopranos, 3 basses and orchestra |
1776 |
| Dal finto il vero, R.1.52 (Paisiello, Giovanni) for 5 sopranos, 3 basses and orchestra |
|
Sub tuum praesidium in C minor (Uhlich, August) for 4 voices, strings and continuo
mixed chorus, strings and continuo |
|
Miserere in C minor (Uhlich, August) for soprano, alto, tenor, bass and orchestra
soprano, alto, tenor, bass, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra
soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, 2 violins and continuo
soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo |
|
| Salve Regina in F major (Villicus, Balthasar) for soprano, oboe, violin, viola and continuo |
|
| Alma redemptoris Mater in G major (Zeiler, Gallus) for soprano, strings and continuo |
|
| Regina caeli in C major (Zeiler, Gallus) for tenor, strings and continuo |
|
2 Sub tuum praesidium, D-Dl: Mus.2820-E-3 (Various) for 4 voices, strings and continuo
mixed chorus, strings and continuo
soprano, alto, mixed chorus and orchestra |
|
Cœleste Convivium del Signor (Danielis, Daniel) for alto, tenor, bass and organ
alto, tenor, bass and continuo
2 altos, bass and continuo
2 sopranos, bass and continuo
2 sopranos, bass and viol |
|
| Tremo per l'idol mio (Martinez, Marianne) for soprano and orchestra |
|
| Guitar Sonatina No. 3 (Soriano Thebas, Alberto) for guitar |
1951 |
| Dal suo gentil sembiante (Martinez, Marianne) for mezzosoprano and orchestra |
|
| Regina caeli in B-flat major (Zeiler, Gallus) for soprano, strings and continuo |
|
| Regina caeli in E-flat major (Zeiler, Gallus) for alto, strings and continuo |
|
| Regina caeli in F major (Zeiler, Gallus) for bass, strings and continuo |
|
| Ave regina coelorum in D minor (Zeiler, Gallus) for alto, strings and continuo |
|
| Ave regina coelorum in F major (Zeiler, Gallus) for tenor, strings and continuo |
|
| Alma redemptoris Mater in E minor (Zeiler, Gallus) for alto, strings and continuo |
|
| Mi lagnerò tacendo (Martinez, Marianne) for soprano and orchestra |
|
| Che non mi disse un dì! (Martinez, Marianne) for strings and soprano |
|
| Ave regina coelorum in B-flat major (Zeiler, Gallus) for bass, strings and continuo |
|
| Majkarneval i Stockholm (Peterson-Berger, Wilhelm) for orchestra |
1892 |
| Talor se il vento freme (Martinez, Marianne) for soprano and orchestra |
|
| Danças do piá d'Agua (Soriano Thebas, Alberto) for piano |
1900 |
| Danza No.2 from Arrangement of Danza No.2 from Danças do piá d'Agua (Soriano Thebas, Alberto) for guitar |
1942 |
| Klaver-Etude (Nielsen, Ludolf) for piano |
1922 |
| Om jeg gav dig denne Sol (Nielsen, Ludolf) for voice and piano |
1933 |
| Rumi Cantata (Saral, Ali Riza) for soprano, alto, tenor, bass, mixed chorus and orchestra |
2015 |
| E' la beltà del cielo (Martinez, Marianne) for soprano and orchestra |
|
| Se viver non poss'io (Martinez, Marianne) for soprano and orchestra |
|
| Cantata per le nozze di Ferdinando I d'Austria (Donizetti, Gaetano) for mixed chorus and orchestra |
|
| 24 Preludes for Piano (Lushpa, Ilia) for piano |
2015 |
| Pièces de différents Auteurs (Pingré, Alexandre-Guy) for organ |
|
| Lucio Vero (Araja, Francesco) for 6 voices and orchestra |
|
| Arianna e Teseo (Feo, Francesco) for 6 voices and orchestra |
|
| Sonata for Viola d'amore in D major, CzaR 85 (Rust, Friedrich Wilhelm) for viola damore and continuo |
1700 |
| Sonata for Viola d'amore in G major, CzaR 93 (Rust, Friedrich Wilhelm) for viola damore and continuo |
1700 |
| Sonata for Viola d'amore in D major, CzaR 88 (Rust, Friedrich Wilhelm) for viola damore and continuo |
1700 |
Sonata in A-flat major, CzaR 109 (Rust, Friedrich Wilhelm) for 2 violins, cello and keyboard
2 violins, cello and piano |
1775 |
| Flute Sonata in B-flat major, QV 1:162 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in G minor, QV 1:117 (Quantz, Johann Joachim) for flute and continuo |
|
| Viola Concerto No. 2 in C major (Westerhoff, Christian Wilhelm) for viola and orchestra |
|
| 3 Sonatas for 3 Violins (Costa, António da) for 3 violins |
|
| Ich will in aller Not (Eberlin, Johann Christoph) for tenor, violin and continuo |
|
Sonata in C major, CzaR 28 (Rust, Friedrich Wilhelm) for keyboard
clavichord
violin and keyboard |
|
| Harpsichord Concerto in D minor, DürG 16 (Goldberg, Johann Gottlieb) for harpsichord and strings |
1776 |
Sonata in A major, CzaR 110 (Rust, Friedrich Wilhelm) for 2 violins, cello and keyboard
2 violins, cello and piano |
1775 |
| Flute Sonata in A minor, QV 1:149 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in D major, QV 1: Anh.10a (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in C minor, QV 1: Anh.5 (Quantz, Johann Joachim) for flute and continuo |
|
| Flute Sonata in E minor, QV 1:70 (Quantz, Johann Joachim) for flute and continuo |
|
| Viola Concerto No. 1 in G major (Westerhoff, Christian Wilhelm) for viola and orchestra |
|
| Viola Concerto No. 3 in C major (Westerhoff, Christian Wilhelm) for viola and orchestra |
|
| Atalanta (Hasse, Johann Adolph) for 6 voices and orchestra |
1737 |
| Contrafactum Arias (Fredegunda 1742) from Atalanta (Hasse, Johann Adolph) for 6 voices and orchestra |
|
| Selections (1737 Version) from Ezio (Lampugnani, Giovanni Battista) for 6 voices and orchestra |
|
| Selections (1743 Version) from Ezio (Lampugnani, Giovanni Battista) for 6 voices and orchestra |
|
2 Marches & 5 Pieces de Parade (Bach, Wilhelm Friedrich Ernst) for 2 oboes, 2 clarinets, 2 bassoons and trumpet
2 clarinets, 2 bassoons and 2 horns |
1800 |
| Lampugnani Arias from Arsace (Various) for 7 voices and orchestra |
|
| Siam navi all'onde algenti (Martinez, Marianne) for soprano and orchestra |
|
| Symphony in C major, B.128 (Pleyel, Ignaz) for orchestra |
|
| Flute Sonata in G minor, QV 1:114 (Quantz, Johann Joachim) for flute and continuo |
1700 |
| Evviva (Bertoni, Ferdinando) for soprano, male chorus and orchestra |
|
| Prigioniero d'amor (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Clori che sul mattin di prima (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Antri foschi, orride selve (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Non mi parli di costanza (Conti, Francesco Bartolomeo) for soprano and continuo |
|
| Sorge l'alma (Bononcini, Giovanni) for soprano and continuo |
|
| String Quartet, Op. 10 (Benoit, Peter) for 2 violins, viola and cello |
1858 |
| Tremo fra dubbi miei (Martinez, Marianne) for soprano and orchestra |
|
| Concerto for 2 Violins in F major, GraunWV Av:XIII:31 (Graun, Johann Gottlieb) for 2 violins and orchestra |
|
| Viola da Gamba Concerto in F major, GraunWV A:XIII:8 (Graun, Johann Gottlieb) for viol, strings and continuo |
|
| Flute Concerto in D major (Porpora, Nicola Antonio) for flute, strings and continuo |
|
| Violin Concerto in A minor, GraunWV A:XIII:13 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Violin Concerto in C minor, GraunWV Av:XIII:18 (Graun, Johann Gottlieb) for violin, strings and continuo |
|
| Kyrie in A minor (Caldara, Antonio) for 2 sopranos, 2 altos, 2 tenors, 2 basses, strings and continuo |
1705 |
| La oración del torero, Op. 34 (Turina, Joaquín) for 4 lutes |
|
| Il piè s'allontana (Martinez, Marianne) for soprano and orchestra |
|
| La Felicità dell'Anfriso (Guglielmi, Pietro Alessandro) for 3 sopranos, tenor, mixed chorus and orchestra |
|
| Perdono, amata Nice, S.88b (Porpora, Nicola Antonio) for soprano, strings and continuo |
1746 |
| L'onda dal mar divisa (Martinez, Marianne) for soprano and orchestra |
|
| Adriano in Siria (Veracini, Francesco Maria) for 6 voices and orchestra |
|
| Or che d'orrido verno, S.79 (Porpora, Nicola Antonio) for soprano, flute, strings and continuo |
|
| In amor sarò costante, S.49 (Porpora, Nicola Antonio) for alto and continuo |
|
Non so come resisto, S.69 (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo |
|
Non so come resisto, S.69 (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo |
|
| Sentirsi dire dal caro bene (Martinez, Marianne) for soprano and orchestra |
|
| Qui habitat in E-flat major (Galuppi, Baldassare) for soprano, alto, tenor, bass and orchestra |
1744 |
| Flagellava nel cielo, H.287 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ho una pena intorno al core, H.308 (Scarlatti, Alessandro) for soprano and continuo |
|
| Pensa a serbar, mio caro (Martinez, Marianne) for strings and soprano |
|
| Vo solcando un mar crudele (Martinez, Marianne) for soprano and orchestra |
|
| E' la fede degli amanti (Martinez, Marianne) for soprano and orchestra |
|
| 3 Juegos para pianoforte (Soriano Thebas, Alberto) for piano |
1973 |
| Intermezzo, WAB 113 (Bruckner, Anton) for 2 violins, 2 violas and cello |
1879 |
| Intermezzo, WAB 113 (Bruckner, Anton) for 2 violins, 2 violas and cello |
|
| Intermezzo, WAB 113 (Bruckner, Anton) for 2 violins, 2 violas and cello |
|
| Arrangement of Intermezzo, WAB 113 (Bruckner, Anton) for piano |
1911 |
| La Betulia liberata (Gassmann, Florian Leopold) for 6 voices, mixed chorus and orchestra |
|
| Peleo, Giasone e Pallade (Cafaro, Pasquale) for 2 sopranos, tenor, mixed chorus and orchestra |
|
| La felicità della terra (Cafaro, Pasquale) for 4 sopranos, tenor, mixed chorus and orchestra |
|
| Complete (1770 Version) from Antigono (Cafaro, Pasquale) for 4 sopranos, alto, tenor and orchestra |
|
| Il trionfo di Davide (Cafaro, Pasquale) for 2 sopranos, alto, tenor, bass and orchestra |
1746 |
| Dixit Dominus in F major (Cafaro, Pasquale) for soprano, alto, 2 mixed chorus and orchestra |
|
| Mass in F major (Cafaro, Pasquale) for soprano, 2 mixed chorus and orchestra |
|
| Cantata per il felicissimo giorno natalizio di Sua Maestà, 1764 (Cafaro, Pasquale) for 2 sopranos, tenor and orchestra |
1764 |
| Cantata per il felicissimo giorno natalizio di Sua Maestà, 1769 (Cafaro, Pasquale) for 2 sopranos, tenor, mixed chorus and orchestra |
1769 |
Alba Cornelia (Conti, Francesco Bartolomeo) for voices
orchestra |
|
| Il finto Policare (Conti, Francesco Bartolomeo) for voices and orchestra |
|
| Jubilate Deo omnis terra, ChG 55 (Gervais, Charles-Hubert) for voices, mixed chorus and orchestra |
1700 |
| Revised version (1 act) from Le Portrait (Champein, Stanislas) for voices and orchestra |
|
| La disfatta di Dario (Cafaro, Pasquale) for 4 sopranos, alto, tenor and orchestra |
1756 |
| Il natale d'Apollo (Cafaro, Pasquale) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
1775 |
| Il natale d'Apollo (Cafaro, Pasquale) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
|
| Nocturno en Beth Hen (Soriano Thebas, Alberto) for piano |
1973 |
| Paseo en la Alameda Mayor (Soriano Thebas, Alberto) for piano |
1973 |
| L'incendio di Troia (Cafaro, Pasquale) for 4 sopranos, alto, tenor and orchestra |
1756 |
| Cantata per il felicissimo giorno natalizio di Sua Maestà, 1766 (Cafaro, Pasquale) for 2 sopranos, tenor, mixed chorus and orchestra |
1766 |
| Cantata per la traslazione del sangue di S. Gennaro, 1769 (Cafaro, Pasquale) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
1769 |
| Cantata per la traslazione del sangue di S. Gennaro, 1775 (Cafaro, Pasquale) for 4 sopranos, mixed chorus and orchestra |
1775 |
| Cantata per la traslazione del sangue di S. Gennaro, 1781 (Cafaro, Pasquale) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
1781 |
| Oratorio per il glorioso S. Antonio da Padova (Cafaro, Pasquale) for voices, mixed chorus and orchestra |
|
| L'invenzione della croce (Cafaro, Pasquale) for soprano, alto, tenor, bass and orchestra |
1747 |
| Clarinet Concerto in B-flat major (Dimler, Franz Anton) for clarinet and orchestra |
|
| Achille in Sciro (Manna, Gennaro) for 5 sopranos, 2 tenors, mixed chorus and orchestra |
|
| Achille in Sciro (Manna, Gennaro) for 5 sopranos, 2 tenors, mixed chorus and orchestra |
|
| Cello Sonata (Soriano Thebas, Alberto) for cello and piano |
1954 |
| E quando sarà mai (Jommelli, Niccolò) for soprano, strings and continuo |
|
| Già la notte s'avvicina (Jommelli, Niccolò) for soprano, strings and continuo |
|
| Giusti numi che il ciel reggete (Jommelli, Niccolò) for soprano, strings and continuo |
|
| Violín Sonata (Soriano Thebas, Alberto) for violin and piano |
1959 |
| Frena le belle lagrime (Martinez, Marianne) for strings and soprano |
|
| San Filippo Neri (Rossi, Francesco) for 5 voices, strings and continuo |
|
| Ledeganckcantate (Benoit, Peter) for childrens chorus, mixed chorus and orchestra |
|
| Violin Sonata in C minor (Adalid, Marcial del) for violin and piano |
|
| Hino patriótico da nação portuguesa (Portugal, Marcos) for voice and piano |
|
| Hino patriótico da nação portuguesa (Portugal, Marcos) for voice and piano |
|
| Hymne aan den vrede (Benoit, Peter) for mixed chorus and orchestra |
|
| Luim (Benoit, Peter) for 2 clarinets, 2 violins, viola, cello and double bass |
1912 |
| Arrangement of Luim (Benoit, Peter) for 2 clarinets and piano |
|
| Caeli enarrant (Giroust, François) for voice, mixed chorus and orchestra |
1791 |
| Flute Concerto in D minor (Lachner, Franz Paul) for flute and orchestra |
|
| Salve Jesu, BuxWV 94 (Buxtehude, Dietrich) for 2 sopranos, 2 violins and continuo |
|
| Ch'io mai vi possa lasciar d'amare (Martinez, Marianne) for soprano and orchestra |
|
| Serenade nach schwedischen Melodien (Bruch, Max) for strings |
|
| Symphony in D major, RH 46 (Gossec, François Joseph) for orchestra |
|
| Perché, se tanti siete (Martinez, Marianne) for soprano and orchestra |
|
| De profundis (Giroust, François) for 3 voices, mixed chorus and orchestra |
1783 |
| Ah, se in Ciel, benigne stelle (Martinez, Marianne) for soprano and orchestra |
|
| Symphonie Concertante du Ballet de Mirza, RH 50 (Gossec, François Joseph) for orchestra |
1700 |
Arrangement of Symphonie Concertante du Ballet de Mirza, RH 50 (Gossec, François Joseph) for 2 horns, 2 harps, 2 violins and cello
2 harps, 2 violins and cello |
|
| Sanctus et Benedictus (Saburov, Pyotr) for 4 voices and organ |
1927 |
| Se del fiume altèra l'onda (Martinez, Marianne) for soprano and orchestra |
|
| Allegretto con variazioni, H.65 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Fragments d'une méthode de violon (Brossard, Sébastien de) for violin |
1700 |
| Le pescatrici (Bertoni, Ferdinando) for 7 voices and orchestra |
|
| Sol può dir che sia contento (Martinez, Marianne) for soprano and orchestra |
|
| Conservati fedele (Martinez, Marianne) for soprano and orchestra |
|
| Vorrei da' lacci sciogliere (Martinez, Marianne) for strings and soprano |
|
| Per costume, o mio bel Nume (Martinez, Marianne) for soprano and orchestra |
|
| Cello Concerto No. 1, Op. 8 (Herbert, Victor) for cello and orchestra |
|
| Cello Concerto No. 1, Op. 8 (Herbert, Victor) for cello and orchestra |
|
| Cello Concerto No. 1, Op. 8 (Herbert, Victor) for cello and orchestra |
|
| Volodimiro (Cimarosa, Domenico) for 6 voices and orchestra |
1786 |
26 Motets, D-Mbs Mus.ms B (Rore, Cipriano de) for 4 voices
5 voices
6 voices
7 voices
8 voices |
|
| Memorare (Tinel, Jef) for voice and organ |
1915 |
| Stabat Mater (Tinel, Jef) for voice and piano |
1924 |
| Sub tuum praesidium (Tinel, Jef) for voice and organ |
1915 |
| Van't Kwezelken (Tinel, Jef) for voice and piano |
1921 |
| O Jezus allerliefste kindje (Tinel, Jef) for voice and piano |
1924 |
| Maria (Tinel, Jef) for voice and piano |
1925 |
| Berusting for Voice and Piano (Tinel, Jef) for voice and piano |
1925 |
| Gebed (Tinel, Jef) for voice and piano |
1923 |
| Zomerzang (Tinel, Jef) for voice and piano |
1923 |
| Trio Sonata in F major (Theile, Johann) for 2 violins and continuo |
|
| La nascita di Maria Vergine (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| Idol mio, bel tesoro (Bononcini, Antonio Maria) for soprano, recorder and continuo |
|
| Sinfonia concertante, RH 48 (Gossec, François Joseph) for orchestra |
|
| Recueil d'ariettes (Monsigny, Pierre-Alexandre) for voice, violin and continuo |
|
| 9 String Quintets (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
|
Codex Calixtinus (Various) for 2 voices
3 voices |
|
| Motets, Livre 5 (Clérambault, Louis-Nicolas) for |
|
| Squarcialupi Codex (Various) for voices |
|
| L'isola d'Alcina (Gazzaniga, Giuseppe) for voices, mixed chorus and orchestra |
|
| L'isola d'Alcina (Gazzaniga, Giuseppe) for voices, mixed chorus and orchestra |
|
| L'isola d'Alcina (Gazzaniga, Giuseppe) for voices, mixed chorus and orchestra |
|
| Piangete, occhi dolenti, WM 139 (Mancini, Francesco) for soprano and continuo |
|
| Piangete, occhi dolenti, WM 139 (Mancini, Francesco) for soprano and continuo |
|
| Overture from Arrangement of Overture from Emma di Resburgo (Meyerbeer, Giacomo) for piano |
|
Organ Sonata in E minor (Lidon, José) for organ
harpsichord |
|
| Più dell'onda e più del vento (Mancini, Francesco) for soprano and continuo |
|
| Più dell'onda e più del vento (Mancini, Francesco) for soprano and continuo |
|
| Japanese Lullaby (Hill, Mildred) for voice and piano |
1900 |
| Amor, tiranno Amor (Mancini, Francesco) for soprano and continuo |
|
| Quanto dolce è quell'ardore (Mancini, Francesco) for soprano, oboe and continuo |
|
| Del faretrato nume (Fischietti, Giovanni) for alto and continuo |
|
| All'estremo di vita (Mancini, Francesco) for soprano and continuo |
|
| My Star (Hill, Mildred) for voice and piano |
1896 |
| Old Gaelic Lullaby (Hill, Mildred) for voice and piano |
1900 |
| Old Gaelic Lullaby (Hill, Mildred) for voice and piano |
1900 |
| Sleepy Song (Hill, Mildred) for piano |
1900 |
| Were I a Bird (Hill, Mildred) for voice and piano |
1900 |
| How Do I Love Thee (Hill, Mildred) for voice and piano |
1903 |
| How Do I Love Thee (Hill, Mildred) for voice and piano |
1903 |
| How Many Ways (Hill, Mildred) for voice and piano |
1914 |
| How Many Ways (Hill, Mildred) for voice and piano |
1914 |
| All'or che ad altr'oggetto, WM 10 (Mancini, Francesco) for soprano and continuo |
|
| Amor faretrato sei troppo spietato, WM 16 (Mancini, Francesco) for soprano and continuo |
|
| Traité des agrémens de la musique (Tartini, Giuseppe) for |
|
| Nuits blanches (Debussy, Claude) for voice and piano |
1898 |
| Thistledown (Hill, Mildred) for voice and piano |
1912 |
| Regole per l'accompagnamento (Durante, Francesco) for |
|
| Alla sua Clori in seno, WM 8 (Mancini, Francesco) for soprano and continuo |
|
| Essere innamorato e non poterlo dir (Mancini, Francesco) for soprano and continuo |
|
| Essere innamorato e non poterlo dir (Mancini, Francesco) for soprano and continuo |
|
| De Tout Mon Coeur (Hill, Mildred) for voice and piano |
1904 |
| A Song (Hill, Mildred) for voice and piano |
1894 |
| If (Hill, Mildred) for voice and piano |
1900 |
| Joy of the Morning (Hill, Mildred) for voice and piano |
1901 |
| Duetto: 'La cosa non va netta' from Le vane gelosie, R.80.17 (Paisiello, Giovanni) for voices, mixed chorus and orchestra |
|
| A Lullaby (Hill, Mildred) for voice and piano |
1900 |
| Barbara gelosia, fuggi dall'alma mia (Mancini, Francesco) for soprano and continuo |
|
| Incomplete from Jahel (Galuppi, Baldassare) for 4 voices and orchestra |
|
| Le Triomphe des Arts (Dupuy, Bernard Aymable) for voices and orchestra |
|
Laudario di Cortona (Anonymous) for voice
voices |
|
| Saint Valentine (Hill, Mildred) for voice and piano |
1900 |
| Hodie Christus natus est (Pez, Johann Christoph) for 4 voices, strings and continuo |
|
| Chansonnier, I-PEc MS 431 (Various) for voices |
|
| Les fêtes nouvelles (Duplessis le cadet) for voices and orchestra |
|
| Twilight (Hill, Mildred) for voice and piano |
1899 |
| The Time to Woo (Hill, Mildred) for voice and piano |
1904 |
Partite sopra diverse sonate (Vitali, Giovanni Battista) for violone
cello |
|
| The Fairies' Lullaby (Hill, Mildred) for voice and piano |
1900 |
| Didone abbandonata (Vinci, Leonardo) for 6 voices and orchestra |
|
| Act I, Sc.7. Aria of Jarba: Tra lo splendor del trono from Didone abbandonata (Vinci, Leonardo) for 6 voices and orchestra |
|
| Act II, Sc.18. Aria of Didone: Prende ardire e si conforta from Didone abbandonata (Vinci, Leonardo) for 6 voices and orchestra |
|
| Aladin ou la Lampe merveilleuse (Isouard, Nicolo) for voices and orchestra |
|
| Mélodies à une voix et piano (Reber, Napoléon Henri) for voice and piano |
1826 |
| Il finto cieco (Gazzaniga, Giuseppe) for voices and orchestra |
|
| Violin Sonata in G major, C.241 (Dussek, Jan Ladislav) for violin and piano |
1809 |
| La Mer (Widor, Charles-Marie) for voice and orchestra |
1903 |
| Arrangement of 2 Galops (Lacombe, Paul) for piano 4 hands |
|
| Mermaid's Dance (Hill, Mildred) for orchestra |
1900 |
| Arrangement of Mermaid's Dance (Hill, Mildred) for strings |
1900 |
| Arrangement of Mermaid's Dance (Hill, Mildred) for violin and piano |
1900 |
| Good Morning Sweetheart (Hill, Mildred) for voice and piano |
1900 |
| Handbuch zur Harmonielehre (Vogler, Georg Joseph) for |
|
| Complete (1753 Version) from Semiramide riconosciuta (Cocchi, Gioacchino) for 6 voices and orchestra |
|
| Amore non vuol diffidenza (Bononcini, Giovanni) for 2 sopranos, alto, 2 violins and continuo |
|
| La costanza non gradita nel doppio amore d'Aminta (Bononcini, Giovanni) for 2 sopranos, alto and orchestra |
|
| Doppo haver sparsi all'aure (Tinazzoli, Agostino) for alto and continuo |
|
| 12 Cantatas, A-Wn Mus.Hs.17567 (Various) for soprano and continuo |
|
25 Cantatas, A-Wn SA.67.A.25 (Various) for soprano and continuo
soprano, flute and continuo
soprano, oboe and continuo
soprano, violin and continuo |
|
| Fragments of an Unidentified Opera (Francœur, François) for |
1700 |
| Caio Gracco (Bononcini, Giovanni) for 9 voices and orchestra |
|
| Concerto for Violin, Cello and Orchestra (Gaviniès, Pierre) for violin, cello and orchestra |
1700 |
| Sinfonia da caccia, RH 59 (Gossec, François Joseph) for orchestra |
1773 |
| Movo il piè lo sguardo giro (Porpora, Nicola Antonio) for soprano, violin and continuo |
|
| Il sagrifizio di Jefte (Galuppi, Baldassare) for 2 sopranos, alto, tenor and orchestra |
|
| Il sagrifizio di Jefte (Galuppi, Baldassare) for 2 sopranos, alto, tenor and orchestra |
|
| Augellin che imprigionato (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Cantano gl'augelletti ne' matutini albori (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Quando la notte impera (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Ardea vicino a una gentil cervetta (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| S'io ti mancai di fede (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Deh! dimmi Amor, tu che saperlo dei (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Non deggio lagnarmi del nume bendato (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Parti, fuggi dal mio core (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Piange la tortorella se priva del suo sposo (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Pensava Elpino alle diverse e tante (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Sovra letto d'erbette ove fioriva (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Occhi severi e lusinghieri (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Egli è muto et è loquente (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Torno a voi, fide sembianze (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| In questo core più va crescendo (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Godo che molti amanti (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Bell'idol mio, più d'un tormento (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Sospiri del mio cor, volate dal mio ben (Ferrandini, Giovanni Battista) for soprano and continuo |
|
| Les Filets de Vulcain (Schneitzhoeffer, Jean-Madeleine) for voices and orchestra |
|
| Les deux Salem (Daussoigne-Méhul, Joseph) for voices and orchestra |
1824 |
| 18 Cantatas, D-Dl Mus.3037-K-1 (Ferrandini, Giovanni Battista) for soprano and continuo |
|
Recueil de pièces pour orgue et clavier (Various) for organ
keyboard
harpsichord |
|
| Du schlank und rein wie eine flamme (Kromolicki, Joseph) for voice and piano |
|
Standard Setting, S.17/2 from Psalm 137, S.17 (Liszt, Franz) for alto, harp, violin and organ
alto, violin, piano and organ
alto, harp, violin and harmonium
alto, violin, piano and harmonium
soprano, female chorus, harp, violin and organ
soprano, female chorus, violin, piano and organ
soprano, female chorus, harp, violin and harmonium
soprano, female chorus, violin, piano and harmonium
mixed chorus and orchestra |
|
| Laudate Dominum quoniam (Giroust, François) for 3 voices, mixed chorus and orchestra |
1780 |
| In exitu Israël (Giroust, François) for 6 voices, mixed chorus and orchestra |
1783 |
| Lauda Jerusalem (Giroust, François) for 3 voices, mixed chorus and orchestra |
1700 |
| Beatus vir qui timet Dominum, ChG 33 (Gervais, Charles-Hubert) for 4 voices, mixed chorus and orchestra |
1737 |
| 4 Airs d’Opéra (Conforto, Nicola) for voice and orchestra |
|
| 8 Symphonies (Fischer, Leonhard) for orchestra |
|
| Antiphonarium per organo (Fogliaris, Joannes Baptista de) for organ |
1550 |
| 15 Cantatas, I-Fc B 2849 (Marcello, Benedetto) for voice, 2 violins and continuo |
|
| Leçons de solfège sur cinq clefs, Op. 30 (Lavignac, Albert) for voice and piano |
|
| I nemici generosi (Cimarosa, Domenico) for voices and orchestra |
1796 |
Manuscript, GB-Lbl Add. MS 31922 (Various) for 3 voices
4 voices |
|
| Manuscript, GB-Lbl Add. MS 32377 (Various) for voices |
|
| Manuscript, GB-Lbl Add. MS 31390 (Various) for |
|
| Tango (Konstantinoff, Kostia) for 2 violins, cello and piano |
1927 |
| In queste piaggie amene (Bertoni, Ferdinando) for voices and orchestra |
|
| Sonata for Violin and Cello (Wesström, Anders) for violin and cello |
|
| Viola Concerto (Bartók, Béla) for viola and orchestra |
1945 |
| Cello Concerto in D major (Zellbell Jr., Ferdinand) for cello, strings and continuo |
1741 |
| Kullervo, Op. 7 (Sibelius, Jean) for soprano, baritone, male chorus and orchestra |
1892 |
| Cello Sonata in C minor (Cecere, Carlo) for cello and continuo |
|
| Organ Sonata in C major (Mankell, Gustaf Adolf) for organ |
1875 |
| Organ Sonata in F minor (Mankell, Gustaf Adolf) for organ |
|
| Piano Sonata in A-flat major (Stenhammar, Wilhelm) for piano |
1883 |
| Concerto for 2 Flutes in B-flat major (Hasse, Johann Adolph) for 2 flutes, strings and continuo |
|
| Stabat mater (Karamanov, Alemdar) for voices, mixed chorus and orchestra |
|
| Miserere in C minor (Harrer, Gottlob) for soprano, alto, tenor, bass, strings and continuo |
1700 |
| Oratorio pro fidelium defunctorum, 1731 (Feo, Francesco) for 4 voices and orchestra |
1731 |
| Manuscript, I-Bc MS Q.17 (Various) for |
|
| Andante cantabile in E major (Andrée, Elfrida) for cello and organ |
1900 |
| String Quartet in A major (Andrée, Elfrida) for 2 violins, viola and cello |
1861 |
| Military March in E-flat major, WAB 116 (Bruckner, Anton) for wind ensemble, brass ensemble and percussion |
1865 |
| Military March in E-flat major, WAB 116 (Bruckner, Anton) for wind ensemble, brass ensemble and percussion |
|
| Military March in E-flat major, WAB 116 (Bruckner, Anton) for wind ensemble, brass ensemble and percussion |
|
| Arrangement of Military March in E-flat major, WAB 116 (Bruckner, Anton) for piano |
|
| Arrangement of Military March in E-flat major, WAB 116 (Bruckner, Anton) for piano |
|
| Arrangement of Chamber Sonata (Hermann, Pál) for violin and piano |
1900 |
| Sacrificio a Venere (Bononcini, Giovanni) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
|
| Kammermusik for Flute, Oboe, Violin, Viola, Cello and Piano (Distler, Hugo) for flute, oboe, violin, viola, cello and piano |
1929 |
2 Composiciones para instrumento de teclado (Various) for organ
harpsichord
keyboard |
|
| Giuditta (Freschi, Domenico) for 5 voices and orchestra |
|
| Giuditta (Draghi, Antonio) for 2 sopranos, alto, bass, strings and continuo |
|
| Suite in D major (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Overture in G minor, K.359 (Fux, Johann Joseph) for 2 oboes, 2 violins, viola and continuo |
|
| Ouverture-Suite, FaWV K:D15 (Fasch, Johann Friedrich) for 2 flutes, strings and continuo |
|
| Trio Sonata in D minor (Pichler, Placidus) for flute, violin and continuo |
|
| Sonata No.2 in G major from 6 Trio Sonatas (Pichler, Placidus) for flute, violin and continuo |
|
| Overture-Suite in F major (Lully, Jean-Baptiste) for orchestra |
|
| Trio Sonata in A major, Schrank II/37/47 (Pichler, Placidus) for flute, violin and continuo |
|
| Trio Sonata in A major, Schrank II/37/48 (Pichler, Placidus) for flute, violin and continuo |
|
| Overture-Suite in G minor (Lully, Jean-Baptiste) for orchestra |
|
| Sinfonia in A major, Schrank II/38/10 (Anonymous) for strings and continuo |
|
| Sinfonia in E-flat major, Schrank II/38/3 (Anonymous) for strings and continuo |
|
| Sinfonia in G major, Schrank II/38/21 (Anonymous) for orchestra |
|
| Sinfonia in D major, Schrank II/38/14 (Anonymous) for trumpet, strings and continuo |
|
| Sinfonia in D major, Schrank II/38/14 (Anonymous) for trumpet, strings and continuo |
|
| Bella Dea che in ciel risplendi (Lotti, Antonio) for 3 voices, strings and continuo |
|
| Instrumental Piece in G minor, Schrank II/38/39 (Anonymous) for orchestra |
|
| Concerto for Violin and Cello in A major, Schrank II/38/40 (Anonymous) for violin, cello and orchestra |
|
| Overture from La caverne (Le Sueur, Jean-François) for voices, mixed chorus and orchestra |
|
| Trio Sonata in D major, Schrank II/37/53 (Hasse, Johann Adolph) for flute, violin and continuo |
|
| Sinfonia in B-flat major, Schrank II/38/24 (Anonymous) for strings and continuo |
|
| 2 Instrumental Pieces, Schrank II/38/41 (Anonymous) for strings and continuo |
|
| Overture-Suite, Schrank II/37/7 (Lully, Jean-Baptiste) for orchestra |
|
| Oboe Concerto in G minor, Schrank II/33/52 (Anonymous) for oboe, strings and continuo |
|
| 2 Arias, Schrank II/38/26 (Anonymous) for voice and orchestra |
|
| Libro per scriver l'intavolatura per sonare sopra le sordelline (Baldano, Giovanni Lorenzo) for bagpipe |
1600 |
Ricercar in C major, FbWV 401 (Froberger, Johann Jacob) for harpsichord
organ |
|
| 2 Sinfonias, Schrank II/38/6 (Anonymous) for strings and continuo |
|
| Oratorio pro fidelium defunctorum, 1728 (Feo, Francesco) for 4 voices and orchestra |
1728 |
| Tiento garrido de mano derecha No. 8 tono (Manalt i Domènech, Gabriel) for organ |
|
| Missa in G major (Hoffstetter, Roman) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1809 |
| Variationen über ein altdeutsches Lied (Schuncke, Johann Gottfried) for 2 horns and orchestra |
1841 |
| Uns ist ein Kind geboren, TWV 1:1454 (Telemann, Georg Philipp) for soprano, alto, tenor, bass and orchestra |
|
| Lucio Papirio dittatore (Caldara, Antonio) for 7 voices and orchestra |
|
| Lucio Papirio dittatore (Caldara, Antonio) for 7 voices and orchestra |
|
| Lucio Papirio dittatore (Caldara, Antonio) for 7 voices and orchestra |
|
| Tantum ergo in G major (Capelli, Giovanni Maria) for soprano, strings and continuo |
|
Aria Cromatica e variata (Bonporti, Francesco Antonio) for violin and cello
violin and continuo |
1726 |
| Tiento de mano derecha 1° tono No. 1 (Bruna, Pablo) for organ right hand |
|
| Flute Sonata in E minor, RV 50 (Vivaldi, Antonio) for flute and continuo |
|
| Adone, re di Cipro (Caballone, Michele) for 6 voices and orchestra |
|
| Adriano in Siria (Caballone, Michele) for 6 voices and orchestra |
|
| Alessandro nell'Indie (Caballone, Michele) for 5 sopranos, tenor and orchestra |
1741 |
| Piano Trio (Hermann, Pál) for violin, cello and piano |
|
| Tantum ergo in B-flat major (Capelli, Giovanni Maria) for soprano, mixed chorus and orchestra |
1700 |
| Tiento de mano derecha 1° tono No. 2 (Bruna, Pablo) for organ right hand |
|
| Symphony in G major, VB 25 (Richter, Franz Xaver) for orchestra |
|
| Penelope (Cimarosa, Domenico) for 6 voices, mixed chorus and orchestra |
|
Manuscript, V-CVbav MS S. Pietro B.80 (Various) for voice
2 voices
3 voices
4 voices |
|
| Tiento de mano isquierda 5° tono No. 1 (Bruna, Pablo) for organ left hand |
|
| Tiento de mano isquierda 5° tono No. 2 (Bruna, Pablo) for organ left hand |
|
| Missa Purificationis, ZWV 16 (Zelenka, Jan Dismas) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1733 |
| Tiento de 6° tono mano ysquierda y al medio a dos baxos (Bruna, Pablo) for organ left hand |
|
| Nocturne (Coquard, Arthur) for 2 voices and piano |
|
The Camphuysen Manuscript, NL-Uu Hs.20 A 5 (Anonymous) for keyboard
harpsichord |
|
| Incomplete from Rosmira, RV 731 (Vivaldi, Antonio) for 4 sopranos, 2 altos, bass and orchestra |
1737 |
| Romance (Bruin, Bram) for piano |
1953 |
| Melodie Romantique (Bruin, Bram) for organ |
1900 |
| 6 Variations (Kurpiński, Karol) for piano |
|
| Ciro riconosciuto (Caldara, Antonio) for 7 voices and orchestra |
|
| Ciro riconosciuto (Caldara, Antonio) for 7 voices and orchestra |
|
| Ciro riconosciuto (Caldara, Antonio) for 7 voices and orchestra |
|
| Orgelwerken (Zwart, Jan) for organ |
|
56 Sonatas for Instrument and Continuo, B-Bc 15115 (Various) for violin and continuo
oboe and continuo
flute and continuo
recorder and continuo
soprano and continuo
2 flutes |
|
| O Salutaris (Toby, H. P.) for soprano and orchestra |
|
| Flute Sonata in G minor, RV 51 (Vivaldi, Antonio) for flute and continuo |
|
| 12 Sonatas, I-PAp Sanv.D.145 (Valentine, Robert) for recorder and continuo |
|
| Flute Sonata in D minor, RV 49 (Vivaldi, Antonio) for flute and continuo |
|
| Arrangement of Concerto Grosso in C minor, H.51 (Geminiani, Francesco) for 2 violins, viola and continuo |
|
| Vom Himmel hoch da komm ich her (Bach, Johann Bernhard) for organ |
|
| La disfatta di Dario (Traetta, Tommaso) for 6 voices and orchestra |
|
| Symphony No. 2 in C major, J.51 (Weber, Carl Maria von) for orchestra |
|
| Violin Concerto in A major, Bre11 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Violin Concerto in A major, Bre11 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| Antigona (Traetta, Tommaso) for voices and orchestra |
|
| 6 Sonatas for 3 Flutes (Dôthel, Niccolò) for 3 flutes |
|
| Arrangement of Violin Concerto in E minor, Bre6 (Brescianello, Giuseppe Antonio) for violin, strings and continuo |
|
| 12 Harpsichord Divertimenti (Meisler, Georg Friedrich) for harpsichord |
1756 |
Manuscript, I-PEc MS 3065 (Various) for 2 voices
3 voices
4 voices |
|
| Violin Concerto in A major, RV 336 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
Fugue in F major (Pezold, Christian) for organ
harpsichord |
|
| Benedictus in G major (Fago, Francesco Nicola) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Magnificat in G minor (Fago, Francesco Nicola) for 2 mixed chorus and orchestra |
|
| Salve Regina in B-flat major (Tritto, Giacomo) for 5 voices, 2 violins and continuo |
1700 |
| Magnificat in F minor (Fago, Francesco Nicola) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Credo in E minor (Fago, Francesco Nicola) for soprano, alto, tenor, bass, strings and continuo |
|
| Qual dedalo d'affanni, TriCo 65 (Corsi da Celano, Giuseppe) for soprano and continuo |
|
| Pange lingua in D major (Fago, Francesco Nicola) for soprano, alto, tenor, bass and continuo |
|
| Credo in B-flat major (Fago, Francesco Nicola) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
|
| La vergine del sole (Tritto, Giacomo) for 7 voices and orchestra |
1786 |
| La vergine del sole (Tritto, Giacomo) for 7 voices and orchestra |
1818 |
| Mass in C major (Fago, Francesco Nicola) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Missa pro defunctis, LV 963 (Lassus, Orlande de) for 5 voices |
1580 |
| Christ lag in Todes Banden, BWV 4 (Bach, Johann Sebastian) for soprano, alto, tenor, bass and orchestra |
1700 |
| Sonata Ballade (Agnew, Roy) for piano |
1900 |
| Symphony No. 1 (Stenhammar, Wilhelm) for orchestra |
1903 |
| 150 Pseaumes de David (Desfontaines, Jean) for |
|
| Capricci per flauto traverso (Ruge, Filippo) for flute |
|
| Les amazones (Méhul, Etienne Nicolas) for voices, mixed chorus and orchestra |
|
| Overture in D major, Op. 20 (Arriaga, Juan Crisóstomo de) for orchestra |
|
| Cántabros nobles, Op. 4 (Arriaga, Juan Crisóstomo de) for tenor, bass and orchestra |
1800 |
| Audi benigne (Arriaga, Juan Crisóstomo de) for mixed chorus |
|
| Aria from Medée (Arriaga, Juan Crisóstomo de) for soprano and orchestra |
|
Nada y mucho (Arriaga, Juan Crisóstomo de) for 3 violins
voice and 3 violins |
|
| O salutaris hostia (Arriaga, Juan Crisóstomo de) for 2 tenors, bass and strings |
|
| Ya luce en este hemisferio, Op. 3 (Arriaga, Juan Crisóstomo de) for soprano and orchestra |
|
| Cantate e Canzonette, I-MOe Mus.F.1382 (Various) for voice, violin and continuo |
|
13 Cantatas, I-MOe Mus. F.1385 (Various) for soprano and continuo
baritone and continuo
bass and continuo |
|
| 7 Cantatas, I-MOe Mus.F.1361 (Various) for voice and continuo |
|
| Il martirio dei santi Vito, Modesto e Crescenzia (Pasquini, Bernardo) for 5 voices and orchestra |
|
| Lauda anima mea Dominum (Gervais, Charles-Hubert) for voices, mixed chorus and orchestra |
1723 |
Varie cantate à più voci, I-MOe Mus.F.1153 (Stradella, Alessandro) for 2 sopranos, 2 violins and continuo
soprano, bass, 2 violins and continuo
soprano, tenor, 2 violins, continuo and bass |
|
Mottetti, I-MOe Mus.F.1143 (Stradella, Alessandro) for 2 sopranos, alto, tenor, bass, 2 violins and continuo
2 sopranos, bass and continuo
soprano, 2 violins and continuo
continuo and 2 sopranos
soprano, alto, tenor, bass, 2 violins, 2 violas and continuo
soprano, alto, tenor, bass, strings and continuo
3 sopranos, alto, tenor, bass, 2 violins and continuo |
|
| La caduta di Adamo (De Grandis, Vincenzo) for 5 voices and orchestra |
|
| Il nascimento di Mose (De Grandis, Vincenzo) for 5 voices and orchestra |
|
Madrigali à 3 e 5 voci, I-MOe Mus.F.1154 (Stradella, Alessandro) for 3 voices and continuo
5 voices and continuo |
|
| Il matrimonio di Mose (De Grandis, Vincenzo) for 5 voices and orchestra |
|
| La sete di Cristo (Pasquini, Bernardo) for 4 voices and orchestra |
|
| Sant'Agnese (Pasquini, Bernardo) for 5 voices and orchestra |
|
| I fatti di Mosè nel deserto (Pasquini, Bernardo) for 4 voices and orchestra |
|
| 6 Cantatas, I-MOe Mus.F.1362 (Various) for voice and continuo |
|
| Solca il mar (Stradella, Alessandro) for soprano and continuo |
|
| 12 Cantatas for Voice and Continuo, I-Bc V.41 (Various) for voice and continuo |
|
Second solo de cor (Dauprat, Louis-François) for horn and piano
horn and strings |
|
7 Cantatas, I-MOe Mus.G.207 (Stradella, Alessandro) for soprano, bass and continuo
continuo and 2 sopranos
soprano, alto and continuo
2 sopranos, bass and continuo |
|
| Sant'Alessio (Pasquini, Bernardo) for 5 voices and orchestra |
|
| Il natale di Minerva Tritonia (Caldara, Antonio) for 2 sopranos, 2 altos, bass, mixed chorus and orchestra |
|
| Gesù presentato nel tempio (Caldara, Antonio) for 3 sopranos, alto, bass, mixed chorus, strings and continuo |
|
| Manuscript, D-Mbs Mus.ms. 1503 h (Anonymous) for soprano, alto, tenor and bass |
|
| Manuscript, D-Mbs Mus.ms. 1503 h (Anonymous) for soprano, alto, tenor and bass |
|
| Gloria in D major (Lazzari, Ferdinando Antonio) for 8 voices and orchestra |
1702 |
| Festchor in C major, JWV 49 (Rheinberger, Josef Gabriel) for mixed chorus and orchestra |
1855 |
| Kyrie in F major (Lazzari, Ferdinando Antonio) for 5 voices, strings and continuo |
1703 |
| Kyrie in A major (Lazzari, Ferdinando Antonio) for 8 voices and orchestra |
1704 |
La cetra, A-Wn Mus.Hs.15996 (Vivaldi, Antonio) for violin, strings and continuo
2 violins, strings and continuo |
1728 |
| Cum invocarem (Lazzari, Ferdinando Antonio) for soprano, alto, tenor, bass, strings and continuo |
1700 |
In morte di una giovinetta (Bonazzi, Giuseppe) for soprano and piano
female chorus and piano |
1862 |
| Der Abendhimmel, WAB 56 (Bruckner, Anton) for male chorus |
1800 |
| Der Abendhimmel, WAB 56 (Bruckner, Anton) for male chorus |
|
| Der Abendhimmel, WAB 56 (Bruckner, Anton) for male chorus |
|
| La divisione del mondo (Legrenzi, Giovanni) for 12 voices and orchestra |
|
| Libera me, WAB 21 (Bruckner, Anton) for mixed chorus and organ |
|
| Libera me, WAB 21 (Bruckner, Anton) for mixed chorus and organ |
1903 |
| 2 Asperges me, WAB 3 (Bruckner, Anton) for mixed chorus and organ |
1800 |
| 2 Asperges me, WAB 3 (Bruckner, Anton) for mixed chorus and organ |
|
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
1800 |
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
1800 |
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
|
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
|
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
|
| Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones, cello, double bass and organ |
1930 |
| Arrangement of Libera me, WAB 22 (Bruckner, Anton) for mixed chorus, 3 trombones and organ |
1896 |
| Christus factus est, WAB 10 (Bruckner, Anton) for mixed chorus, 3 trombones and 2 violins |
1800 |
| Christus factus est, WAB 10 (Bruckner, Anton) for mixed chorus, 3 trombones and 2 violins |
1800 |
| Christus factus est, WAB 10 (Bruckner, Anton) for mixed chorus, 3 trombones and 2 violins |
|
| Christus factus est, WAB 10 (Bruckner, Anton) for mixed chorus, 3 trombones and 2 violins |
1923 |
Abendzauber, WAB 57 (Bruckner, Anton) for tenor, mixed chorus and 4 horns
baritone, mixed chorus and 4 horns |
|
Abendzauber, WAB 57 (Bruckner, Anton) for tenor, mixed chorus and 4 horns
baritone, mixed chorus and 4 horns |
|
Abendzauber, WAB 57 (Bruckner, Anton) for tenor, mixed chorus and 4 horns
baritone, mixed chorus and 4 horns |
|
| Mitternacht, WAB 80 (Bruckner, Anton) for tenor, male chorus and piano |
1869 |
| Mitternacht, WAB 80 (Bruckner, Anton) for tenor, male chorus and piano |
|
| Mitternacht, WAB 80 (Bruckner, Anton) for tenor, male chorus and piano |
|
| Der Abendhimmel, WAB 55 (Bruckner, Anton) for male chorus |
1800 |
| Der Abendhimmel, WAB 55 (Bruckner, Anton) for male chorus |
|
| Der Abendhimmel, WAB 55 (Bruckner, Anton) for male chorus |
|
| Der Abendhimmel, WAB 55 (Bruckner, Anton) for male chorus |
|
| Der Abendhimmel, WAB 55 (Bruckner, Anton) for male chorus |
|
| 6 Arias for Soprano, Strings and Continuo (Walpurgis, Maria Antonia) for soprano, strings and continuo |
|
| 6 Arias for Soprano, Strings and Continuo (Walpurgis, Maria Antonia) for soprano, strings and continuo |
|
| 6 Arias for Soprano, Strings and Continuo (Walpurgis, Maria Antonia) for soprano, strings and continuo |
|
| Sternschnuppen, WAB 85 (Bruckner, Anton) for male chorus |
1800 |
Trauungslied, WAB 49 (Bruckner, Anton) for mixed chorus
2 tenors, 2 basses, male chorus and organ |
1865 |
Trauungslied, WAB 49 (Bruckner, Anton) for mixed chorus
2 tenors, 2 basses, male chorus and organ |
|
Trauungslied, WAB 49 (Bruckner, Anton) for mixed chorus
2 tenors, 2 basses, male chorus and organ |
|
| Zur Vermählungsfeier, WAB 54 (Bruckner, Anton) for male chorus |
|
| Zur Vermählungsfeier, WAB 54 (Bruckner, Anton) for male chorus |
|
| Zur Vermählungsfeier, WAB 54 (Bruckner, Anton) for male chorus |
|
| Psalm 22, WAB 34 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and piano |
1800 |
Entsagen, WAB 14 (Bruckner, Anton) for soprano, mixed chorus and organ
soprano, mixed chorus and piano
tenor, mixed chorus and organ
tenor, mixed chorus and piano |
1800 |
Entsagen, WAB 14 (Bruckner, Anton) for soprano, mixed chorus and organ
soprano, mixed chorus and piano
tenor, mixed chorus and organ
tenor, mixed chorus and piano |
|
Entsagen, WAB 14 (Bruckner, Anton) for soprano, mixed chorus and organ
soprano, mixed chorus and piano
tenor, mixed chorus and organ
tenor, mixed chorus and piano |
|
Entsagen, WAB 14 (Bruckner, Anton) for soprano, mixed chorus and organ
soprano, mixed chorus and piano
tenor, mixed chorus and organ
tenor, mixed chorus and piano |
1923 |
| Totenlied No. 2, WAB 47/2 (Bruckner, Anton) for mixed chorus |
|
| Totenlied No. 1, WAB 47/1 (Bruckner, Anton) for mixed chorus |
|
1868 version from Iam lucis orto sidere, WAB 18 (Bruckner, Anton) for mixed chorus
mixed chorus and organ
male chorus |
1924 |
| 1868 version from Arrangement of 1868 version from Iam lucis orto sidere, WAB 18 (Bruckner, Anton) for male chorus and organ |
|
| 1868 version from Arrangement of 1868 version from Iam lucis orto sidere, WAB 18 (Bruckner, Anton) for male chorus and organ |
|
| 1868 version from Arrangement of 1868 version from Iam lucis orto sidere, WAB 18 (Bruckner, Anton) for male chorus and organ |
|
| 12 Arias for Soprano, Strings and Continuo (Agnesi, Maria Teresa) for soprano, strings and continuo |
|
| Am Grabe, WAB 2 (Bruckner, Anton) for male chorus |
1800 |
| Am Grabe, WAB 2 (Bruckner, Anton) for male chorus |
|
| Am Grabe, WAB 2 (Bruckner, Anton) for male chorus |
|
Ave Maria, WAB 7 (Bruckner, Anton) for alto and organ
alto and piano
alto and harmonium |
|
Ave Maria, WAB 7 (Bruckner, Anton) for alto and organ
alto and piano
alto and harmonium |
|
| The Cloud Messenger, Op. 30 (Holst, Gustav) for alto, mixed chorus and orchestra |
1910 |
| A Prayer, H.140 (Bridge, Frank) for mixed chorus and orchestra |
1918 |
| Violin Sonata in A major, RV 205/2 (Vivaldi, Antonio) for violin and continuo |
|
| Ode to Death, Op. 38 (Holst, Gustav) for mixed chorus and orchestra |
|
| Sepulto Domino (Festa II, Andrea) for tenor and keyboard |
|
| Träumen und Wachen, WAB 87 (Bruckner, Anton) for tenor and male chorus |
1890 |
| Träumen und Wachen, WAB 87 (Bruckner, Anton) for tenor and male chorus |
1890 |
| Allegro for Piano (Hermann, Pál) for piano |
1920 |
| Pièces pour Piano à quatre mains (Hermann, Pál) for piano 4 hands |
1939 |
| Asperges me, WAB 4 (Bruckner, Anton) for mixed chorus |
|
| Asperges me, WAB 4 (Bruckner, Anton) for mixed chorus |
1907 |
| Mariposa (Orejón y Aparicio, José de) for voice, 2 violins and continuo |
|
| Ave regina caelorum, WAB 8 (Bruckner, Anton) for unison chorus and organ |
1800 |
| Ave regina caelorum, WAB 8 (Bruckner, Anton) for unison chorus and organ |
1800 |
| Vor Arneths Grab, WAB 53 (Bruckner, Anton) for male chorus and 3 trombones |
1800 |
| Vor Arneths Grab, WAB 53 (Bruckner, Anton) for male chorus and 3 trombones |
|
| Ave Maria, WAB 5 (Bruckner, Anton) for soprano, alto, mixed chorus, cello and organ |
1856 |
| Ave Maria, WAB 5 (Bruckner, Anton) for soprano, alto, mixed chorus, cello and organ |
|
| Ave Maria, WAB 5 (Bruckner, Anton) for soprano, alto, mixed chorus, cello and organ |
|
| Ave Maria, WAB 5 (Bruckner, Anton) for soprano, alto, mixed chorus, cello and organ |
|
| Irene augusta (Lotti, Antonio) for voices and orchestra |
|
| La costanza combattuta in amore (Porta, Giovanni) for |
|
| Ifigenia in Tauri (Scarlatti, Domenico) for |
|
| Arrangement of L'amor di figlia (Porta, Giovanni) for voice and continuo |
1719 |
| Im April, WAB 75 (Bruckner, Anton) for voice and piano |
|
| Symphony No. 1 (Mirzazade, Khayyam) for orchestra |
1956 |
| Rodomonte sdegnato (Gasparini, Michelangelo) for |
|
| Előjáték for two Pianos (Hermann, Pál) for 2 pianos |
1921 |
Kyrie in D minor (Luchesi, Andrea) for mixed chorus and orchestra
4 voices and orchestra |
|
Vaterlandslied, WAB 92 (Bruckner, Anton) for tenor, baritone and male chorus
tenor, bass and male chorus |
|
| Abendklänge, WAB 110 (Bruckner, Anton) for violin and piano |
1866 |
| Abendklänge, WAB 110 (Bruckner, Anton) for violin and piano |
1866 |
| Abendklänge, WAB 110 (Bruckner, Anton) for violin and piano |
|
| Festkantate, WAB 16 (Bruckner, Anton) for 2 tenors, 3 basses, male chorus, wind ensemble, brass ensemble and percussion |
1862 |
| Festkantate, WAB 16 (Bruckner, Anton) for 2 tenors, 3 basses, male chorus, wind ensemble, brass ensemble and percussion |
|
| Festkantate, WAB 16 (Bruckner, Anton) for 2 tenors, 3 basses, male chorus, wind ensemble, brass ensemble and percussion |
1862 |
| Festkantate, WAB 16 (Bruckner, Anton) for 2 tenors, 3 basses, male chorus, wind ensemble, brass ensemble and percussion |
|
| Festkantate, WAB 16 (Bruckner, Anton) for 2 tenors, 3 basses, male chorus, wind ensemble, brass ensemble and percussion |
1862 |
Volkslied, WAB 94 (Bruckner, Anton) for male chorus
voice and piano |
1800 |
Volkslied, WAB 94 (Bruckner, Anton) for male chorus
voice and piano |
|
Volkslied, WAB 94 (Bruckner, Anton) for male chorus
voice and piano |
|
Volkslied, WAB 94 (Bruckner, Anton) for male chorus
voice and piano |
1800 |
Volkslied, WAB 94 (Bruckner, Anton) for male chorus
voice and piano |
|
| Arrangement of Volkslied, WAB 94 (Bruckner, Anton) for voice and piano |
1800 |
| Arrangement of Volkslied, WAB 94 (Bruckner, Anton) for voice and piano |
|
| Arrangement of Volkslied, WAB 94 (Bruckner, Anton) for voice and piano |
|
Complete (1743 Turin Version) from Tito Manlio (Jommelli, Niccolò) for 6 voices and orchestra
7 voices and orchestra |
1742 |
Selections (1746 Venice Version) from Tito Manlio (Jommelli, Niccolò) for 6 voices and orchestra
7 voices and orchestra |
|
| Festgesang, WAB 15 (Bruckner, Anton) for soprano, tenor, bass, mixed chorus and piano |
1855 |
| Festgesang, WAB 15 (Bruckner, Anton) for soprano, tenor, bass, mixed chorus and piano |
|
| Festgesang, WAB 15 (Bruckner, Anton) for soprano, tenor, bass, mixed chorus and piano |
|
| Pimpinone, TWV 21:15 (Telemann, Georg Philipp) for soprano, bass, strings and continuo |
|
| Pimpinone, TWV 21:15 (Telemann, Georg Philipp) for soprano, bass, strings and continuo |
1700 |
| 6 Overture Suites 'Festin des Muses' (Kusser, Johann Sigismund) for orchestra |
|
| (1741) from Ezio (Jommelli, Niccolò) for 6 voices and orchestra |
1741 |
| (1741) from Ezio (Jommelli, Niccolò) for 6 voices and orchestra |
|
| (1748) from Ezio (Jommelli, Niccolò) for 6 voices and orchestra |
1748 |
| Incomplete (1744 Crema Version) from Antigono (Jommelli, Niccolò) for 6 voices and orchestra |
1744 |
| Semiramide (Jommelli, Niccolò) for 6 voices and orchestra |
1742 |
| Beato l'uom che dietro a'rei consigli, S.601 (Marcello, Benedetto) for alto, bass and continuo |
|
| Il Vologeso (Jommelli, Niccolò) for 6 voices, mixed chorus and orchestra |
|
| Ciro riconosciuto (Jommelli, Niccolò) for 7 voices and orchestra |
1743 |
| Ciro riconosciuto (Jommelli, Niccolò) for 7 voices and orchestra |
|
| 3 Pieces for Orchestra, WAB 97 (Bruckner, Anton) for orchestra |
|
| 3 Pieces for Orchestra, WAB 97 (Bruckner, Anton) for orchestra |
|
| Arrangement of 3 Pieces for Orchestra, WAB 97 (Bruckner, Anton) for piano |
1900 |
| Wien (Kralik, Mathilde) for voice and piano |
1934 |
| Weihnachts-Idyll (Kralik, Mathilde) for violin and piano |
1926 |
| Aequale, WAB 114 (Bruckner, Anton) for 3 trombones |
|
| Aequale, WAB 114 (Bruckner, Anton) for 3 trombones |
|
| Der Rosenkranz (Kralik, Mathilde) for voice and piano |
1883 |
| Symphony in B-flat major, WAB 142 (Bruckner, Anton) for orchestra |
1869 |
| Symphony in B-flat major, WAB 142 (Bruckner, Anton) for orchestra |
1869 |
| Reigen (Kralik, Mathilde) for 2 clarinets, viola and cello |
|
| Anrufung (Kralik, Mathilde) for voice and piano |
1927 |
| Offertorium (Kralik, Mathilde) for organ |
1900 |
| L'imprudente fortunato (Cimarosa, Domenico) for 5 voices and orchestra |
|
| Stantipes (Visser, Dick) for 4 guitars |
1900 |
| Windhaager Messe, WAB 25 (Bruckner, Anton) for alto, 2 horns and organ |
1800 |
| Windhaager Messe, WAB 25 (Bruckner, Anton) for alto, 2 horns and organ |
|
| Windhaager Messe, WAB 25 (Bruckner, Anton) for alto, 2 horns and organ |
|
| Arrangement of Windhaager Messe, WAB 25 (Bruckner, Anton) for mixed chorus and orchestra |
1924 |
| Wer nur den lieben Gott lässt walten, BWV 642 (Bach, Johann Sebastian) for organ |
1700 |
| Idille sur la naissance de Jésus-Christ (Désaugiers, Marc-Antoine) for voices and orchestra |
1764 |
| Beglierbei da Caramania (Amendola, Giuseppe) for voices and orchestra |
|
| Donde cotanto fremito, S.602 (Marcello, Benedetto) for alto, bass and continuo |
|
| O Dio perchè cotanto, S.603 (Marcello, Benedetto) for soprano, alto and continuo |
|
| Tantum ergo, WAB 44 (Bruckner, Anton) for mixed chorus, 2 trumpets, 2 violins and organ |
1800 |
| Tantum ergo, WAB 44 (Bruckner, Anton) for mixed chorus, 2 trumpets, 2 violins and organ |
|
| Mandolin Sonatina in C major (Venier, Gerolamo) for mandolin |
|
| Tutta fiamme e tutta ardore (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Mentre in placido sonno (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Occhi, voi che mirate (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Quando vedo a mille rose (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Amore ingannatore (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Se avessi in mezzo al petto (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Trio Sonatas (Sammartini, Giovanni Battista) for 2 violins and continuo |
|
| Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for voice and piano |
1856 |
| Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for voice and piano |
1800 |
| Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for voice and piano |
|
| Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for voice and piano |
|
| Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for voice and piano |
|
| Arrangement of Wie bist du, Frühling, gut und treu, WAB 58 (Bruckner, Anton) for soprano, female chorus and piano |
|
| Jog Partie (Visser, Dick) for guitar and mandolin |
1994 |
| Helgoland, WAB 71 (Bruckner, Anton) for male chorus and orchestra |
1893 |
| Helgoland, WAB 71 (Bruckner, Anton) for male chorus and orchestra |
1893 |
| Helgoland, WAB 71 (Bruckner, Anton) for male chorus and orchestra |
|
| 6 Secular Cantatas, A-Wn Mus.Hs.17587 (Bononcini, Antonio Maria) for soprano, 2 flutes and continuo |
|
| Cajo Marzio Coriolano (Caldara, Antonio) for 9 voices, mixed chorus and orchestra |
|
Mass No. 1 in F major (Giorza, Paolo) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass and orchestra |
|
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
1800 |
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
1800 |
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
|
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
|
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
|
| Psalm 114, WAB 36 (Bruckner, Anton) for mixed chorus and 3 trombones |
|
| Salvum fac populum, WAB 40 (Bruckner, Anton) for mixed chorus |
1884 |
| Salvum fac populum, WAB 40 (Bruckner, Anton) for mixed chorus |
|
| Salvum fac populum, WAB 40 (Bruckner, Anton) for mixed chorus |
|
| Salvum fac populum, WAB 40 (Bruckner, Anton) for mixed chorus |
|
| Salvum fac populum, WAB 40 (Bruckner, Anton) for mixed chorus |
|
| Of Old When Heroes Thought It Base, Z.333 (Purcell, Henry) for 5 voices, mixed chorus and orchestra |
1765 |
| Dixit Dominus in D major, RV 807 (Vivaldi, Antonio) for 2 sopranos, alto, 2 tenors, mixed chorus and orchestra |
|
| Steiermärker, WAB 122 (Bruckner, Anton) for piano |
1800 |
| Steiermärker, WAB 122 (Bruckner, Anton) for piano |
|
| Tantum ergo, WAB 43 (Bruckner, Anton) for mixed chorus and organ |
1800 |
| Tantum ergo, WAB 43 (Bruckner, Anton) for mixed chorus and organ |
|
| Tantum ergo, WAB 43 (Bruckner, Anton) for mixed chorus and organ |
|
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1854 |
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1854 |
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa solemnis, WAB 29 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1854 |
| 1st Version (1835 ca.) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
|
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
1891 |
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
|
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
|
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
|
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
|
| Salve Regina in D major, MH 534 (Haydn, Michael) for soprano, bass and continuo |
|
| Stella cœli, MH 394 (Haydn, Michael) for soprano, alto, tenor, bass and organ |
1700 |
| Die Hochzeit der Alm, MH 107 (Haydn, Michael) for voices and orchestra |
1768 |
| String Quartet in A minor (Palmer, Courtlandt) for 2 violins, viola and cello |
|
| String Quartet in A minor (Palmer, Courtlandt) for 2 violins, viola and cello |
|
| Deutsches Hochamt, MH 629 (Haydn, Michael) for soprano, alto, tenor, bass and orchestra |
1796 |
Alleluia in B-flat major, MH 362 (Haydn, Michael) for soprano, alto, tenor, bass, 2 trumpets, 2 violins and organ
mixed chorus, 2 trumpets, 2 violins and organ
soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
Salve Regina in A major, MH 634 (Haydn, Michael) for soprano, alto, tenor, bass and orchestra
soprano, alto, tenor, bass, 2 horns, 2 violins and organ |
1796 |
| 25 Harpsichord Concertos (Pezold, Christian) for harpsichord |
1729 |
| 25 Harpsichord Concertos (Pezold, Christian) for harpsichord |
1729 |
| Quadrille, WAB 121 (Bruckner, Anton) for piano 4 hands |
1800 |
| Quadrille, WAB 121 (Bruckner, Anton) for piano 4 hands |
|
| Mass in D major, MH 796 (Haydn, Michael) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Psalm 112, WAB 35 (Bruckner, Anton) for 2 mixed chorus and orchestra |
1863 |
| Concerto a flauto dolci, au luth (Baron, Ernst Gottlieb) for recorder and lute |
|
| Vorspiel und Fuge, WAB 131 (Bruckner, Anton) for organ |
1847 |
| Tournai Mass, B-Tc 476 (Anonymous) for 3 voices |
|
| Requiem, WAB 141 (Bruckner, Anton) for |
1875 |
| Veni creator spiritus, WAB 50 (Bruckner, Anton) for unison chorus and organ |
|
| Veni creator spiritus, WAB 50 (Bruckner, Anton) for unison chorus and organ |
|
| Psalm 146, WAB 37 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Psalm 146, WAB 37 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1860 |
| Psalm 146, WAB 37 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mayer Cantata, WAB 60 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus, mixed chorus, wind ensemble and brass ensemble |
1855 |
| Mayer Cantata, WAB 60 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus, mixed chorus, wind ensemble and brass ensemble |
|
| Mayer Cantata, WAB 60 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus, mixed chorus, wind ensemble and brass ensemble |
|
| Missa in D major (Brandl, Johann Evangelist) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Frühlingslied, WAB 68 (Bruckner, Anton) for voice and piano |
1851 |
| La danza (Hasse, Johann Adolph) for soprano, alto and orchestra |
|
| La danza (Hasse, Johann Adolph) for soprano, alto and orchestra |
|
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
1763 |
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
1771 |
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
1800 |
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
1763 |
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
|
| S. Petrus et S. Maria Magdalena (Hasse, Johann Adolph) for 5 voices and orchestra |
1772 |
| Violin Concerto in D minor (Bree, Johannes Bernardus van) for violin and orchestra |
|
| Des Dankes Wort sei mir vergönnt, WAB 62 (Bruckner, Anton) for tenor, bass and male chorus |
|
| Original Version (WAB 61a) and 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
1800 |
| Original Version (WAB 61a) and 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
1800 |
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
1857 |
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
|
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
|
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
1800 |
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
|
| 1857 Revision (WAB 61b) from Arneth Cantata, WAB 61 (Bruckner, Anton) for mixed chorus, 3 horns, 2 trumpets and trombone |
|
| Caprice for Violin No. 9 (Wilbur, Nicholas Kraus) for violin |
2016 |
| Die Geburt, WAB 69 (Bruckner, Anton) for male chorus |
1852 |
| Die Geburt, WAB 69 (Bruckner, Anton) for male chorus |
|
| Du bist wie eine Blume, WAB 64 (Bruckner, Anton) for soprano, alto, tenor and bass |
1861 |
| Du bist wie eine Blume, WAB 64 (Bruckner, Anton) for soprano, alto, tenor and bass |
|
| Du bist wie eine Blume, WAB 64 (Bruckner, Anton) for soprano, alto, tenor and bass |
|
| Divertimento, Op. 35 (Baermann, Heinrich) for clarinet and orchestra |
|
| Das edle Herz, WAB 66 (Bruckner, Anton) for mixed chorus |
1857 |
| Das edle Herz, WAB 66 (Bruckner, Anton) for mixed chorus |
|
| Das edle Herz, WAB 65 (Bruckner, Anton) for male chorus |
1800 |
| Das edle Herz, WAB 65 (Bruckner, Anton) for male chorus |
1886 |
| Das edle Herz, WAB 65 (Bruckner, Anton) for male chorus |
|
| 6 Overture Suites 'La Cicala della Cetra d'Eunomio' (Kusser, Johann Sigismund) for orchestra |
|
| 6 Overture Suites 'Apollon Enjoué' (Kusser, Johann Sigismund) for orchestra |
|
| La concordia de' pianeti (Caldara, Antonio) for 2 sopranos, 3 altos, tenor, bass and orchestra |
|
Das Frauenherz, die Mannesbrust (No.1) from 2 Wahlsprüche, WAB 95 (Bruckner, Anton) for mixed chorus
male chorus |
|
Des Höchsten Preis, des Vaterlandes Ruhm (No.2) from 2 Wahlsprüche, WAB 95 (Bruckner, Anton) for mixed chorus
male chorus |
|
Des Höchsten Preis, des Vaterlandes Ruhm (No.2) from 2 Wahlsprüche, WAB 95 (Bruckner, Anton) for mixed chorus
male chorus |
|
| Cello Concerto in E minor, P.243 (Danzi, Franz) for cello and orchestra |
|
| WAB 93c from Vergissmeinnicht, WAB 93 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and piano |
|
| Unknown Version? from Vergissmeinnicht, WAB 93 (Bruckner, Anton) for soprano, alto, tenor, bass, mixed chorus and piano |
|
| Der deutsche Gesang, WAB 63 (Bruckner, Anton) for male chorus and brass ensemble |
1892 |
| Der deutsche Gesang, WAB 63 (Bruckner, Anton) for male chorus and brass ensemble |
|
| Der deutsche Gesang, WAB 63 (Bruckner, Anton) for male chorus and brass ensemble |
|
| Der deutsche Gesang, WAB 63 (Bruckner, Anton) for male chorus and brass ensemble |
|
| 2 Märsche, WAB 115-116 (Bruckner, Anton) for |
|
| 2 Märsche, WAB 115-116 (Bruckner, Anton) for |
|
| Mass in E-flat major, WAB 139 (Bruckner, Anton) for mixed chorus and orchestra |
1800 |
| Mass in E-flat major, WAB 139 (Bruckner, Anton) for mixed chorus and orchestra |
1800 |
| Missa pro Quadragesima, WAB 140 (Bruckner, Anton) for mixed chorus, trombone and organ |
1800 |
| Missa pro Quadragesima, WAB 140 (Bruckner, Anton) for mixed chorus, trombone and organ |
1800 |
| Addio cara libertà, TN I.1a (Netti, Giovanni Cesare) for voice and continuo |
|
| Amor priggioniero (Bonno, Giuseppe) for 2 voices and orchestra |
|
| Te Deum a otto voci (Bertoni, Ferdinando) for 2 mixed chorus and orchestra |
|
| Missa pro defunctis a cinque voci (Clari, Giovanni Carlo Maria) for 5 voices and orchestra |
1700 |
| Gloria a piu voci con sinfonia (Fioroni, Giovanni Andrea) for 5 voices, mixed chorus and orchestra |
1700 |
| O du liebes Jesu Kind, WAB 145 (Bruckner, Anton) for voice and organ |
1800 |
| O du liebes Jesu Kind, WAB 145 (Bruckner, Anton) for voice and organ |
1800 |
| Libro donde se verán pazacalles de los ocho tonos (Santa Cruz, Antonio de) for guitar |
|
| Libro donde se verán pazacalles de los ocho tonos (Santa Cruz, Antonio de) for guitar |
|
| Herz-Jesu-Lied, WAB 144 (Bruckner, Anton) for mixed chorus and organ |
1800 |
| Herz-Jesu-Lied, WAB 144 (Bruckner, Anton) for mixed chorus and organ |
|
| Archidamia (Reutter, Georg) for 5 voices, mixed chorus and orchestra |
|
| In exitu Israel (Fioravanti, Valentino) for 4 voices and continuo |
1816 |
| Pot-Pourrì Fantastico su melodie di Donizetti e Bellini (Briccialdi, Giulio) for flute and piano |
|
| Il mercato di marmantile (Cimarosa, Domenico) for voices and orchestra |
|
Missa Angelorum (Gariboldi, Giuseppe) for voice and organ
voice and harmonium |
1900 |
| Die Schatzgräber (Dimler, Franz Anton) for voices and orchestra |
1798 |
| Circe (Cimarosa, Domenico) for 6 voices and orchestra |
1782 |
| Circe (Cimarosa, Domenico) for 6 voices and orchestra |
|
| Composizioni di diversi autori per la N.D. Maria Venier (Various) for |
|
| Die gläubige Seele (Eberlin, Johann Ernst) for voices, mixed chorus and orchestra |
1700 |
| La contesa de' numi (Caldara, Antonio) for 2 sopranos, 2 altos, bass, mixed chorus and orchestra |
|
| La contesa de' numi (Caldara, Antonio) for 2 sopranos, 2 altos, bass, mixed chorus and orchestra |
|
| La Betulia liberata (Reutter, Georg) for 6 voices, mixed chorus and orchestra |
|
| Livia (Caldara, Antonio) for 2 sopranos, 2 altos, bass, mixed chorus and orchestra |
|
| 4 Preludes for Organ, WAB 128 (Bruckner, Anton) for organ |
|
| 4 Preludes for Organ, WAB 128 (Bruckner, Anton) for organ |
|
| 4 Preludes for Organ, WAB 128 (Bruckner, Anton) for organ |
|
| Prelude in E-flat major, WAB 127 (Bruckner, Anton) for organ |
|
| Te Deum in D major, P.101 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| Te Deum in D major, P.101 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| Te Deum in D major, P.101 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| Veni Sancte Spiritus, P.161 (Danzi, Franz) for soprano, alto, tenor, bass and orchestra |
|
| Viola (Danzi, Franz) for narrator, voice and orchestra |
|
| Vaterländisch Weinlied, WAB 91 (Bruckner, Anton) for male chorus |
|
| Abraham auf Moria, P.47 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| O Deus ego amo te (Danzi, Franz) for soprano and mixed chorus |
|
| Te Deum in C major, P.100 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| Germanenzug, WAB 70 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus and brass ensemble |
1800 |
| Germanenzug, WAB 70 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus and brass ensemble |
1800 |
| Germanenzug, WAB 70 (Bruckner, Anton) for 2 tenors, 2 basses, male chorus and brass ensemble |
1800 |
| Fantasia on 'L'elisir d'amore', Op. 288 (Munier, Carlo) for guitar, 2 mandolins and mandocello |
1994 |
| Snöfrid, Op. 5 (Stenhammar, Wilhelm) for soprano, mezzosoprano, tenor, mixed chorus and orchestra |
1891 |
| Laudate Dominum, P.89 (Danzi, Franz) for voices, mixed chorus and orchestra |
|
| Violin Sonata (Tegnér, Alice) for violin and piano |
1900 |
| Meine Ruh ist dahin, P.178 (Danzi, Franz) for voice and piano |
|
| Mild wie Bäche, die durch Blumen wallen, WAB 138 (Bruckner, Anton) for voice and piano |
1800 |
| Mild wie Bäche, die durch Blumen wallen, WAB 138 (Bruckner, Anton) for voice and piano |
1800 |
| Concert Overture in E-flat major, Op. 21 (Norman, Ludvig) for orchestra |
1856 |
| Overture from Die Mitternachtsstunde, P.6 (Danzi, Franz) for voices and orchestra |
|
| Die Hussiten vor Naumburg (Various) for voices, mixed chorus and orchestra |
|
| Arrangement of Die Hussiten vor Naumburg (Various) for piano |
|
| Orlando furioso, RV 819 (Vivaldi, Antonio) for voices and orchestra |
|
| Arrangement of Selections from Das Freudenfest, P.163 (Danzi, Franz) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Der Lehrerstand, WAB 77 (Bruckner, Anton) for male chorus |
|
| Der Lehrerstand, WAB 77 (Bruckner, Anton) for male chorus |
|
| Der Lehrerstand, WAB 77 (Bruckner, Anton) for male chorus |
|
| Capriccio on 'La Traviata', Op.48 from Un sollievo all'amicizia, Opp.46-48 (Galli, Raffaele) for 2 flutes and piano |
|
| Das Lied vom deutschen Vaterland, WAB 78 (Bruckner, Anton) for male chorus |
1800 |
| Das Lied vom deutschen Vaterland, WAB 78 (Bruckner, Anton) for male chorus |
|
| Das Lied vom deutschen Vaterland, WAB 78 (Bruckner, Anton) for male chorus |
|
| Lasst Jubeltöne laut erklingen, WAB 76 (Bruckner, Anton) for male chorus and brass ensemble |
1800 |
| Lasst Jubeltöne laut erklingen, WAB 76 (Bruckner, Anton) for male chorus and brass ensemble |
|
| Violin Concerto in D minor (Maier, Amanda) for violin and orchestra |
1875 |
| Piano Sonata in D major, Op. 11 (Andersson, Richard) for piano |
1878 |
Version from Das hohe Lied, WAB 74 (Bruckner, Anton) for 2 tenors, baritone and male chorus
2 tenors, baritone, male chorus and orchestra |
1876 |
Version from Das hohe Lied, WAB 74 (Bruckner, Anton) for 2 tenors, baritone and male chorus
2 tenors, baritone, male chorus and orchestra |
|
Version from Das hohe Lied, WAB 74 (Bruckner, Anton) for 2 tenors, baritone and male chorus
2 tenors, baritone, male chorus and orchestra |
|
Version from Das hohe Lied, WAB 74 (Bruckner, Anton) for 2 tenors, baritone and male chorus
2 tenors, baritone, male chorus and orchestra |
|
Version from Das hohe Lied, WAB 74 (Bruckner, Anton) for 2 tenors, baritone and male chorus
2 tenors, baritone, male chorus and orchestra |
|
| Diane et Endimion (Bernier, Nicolas) for soprano, bass and continuo |
|
| Ave regina coelorum in F major (Galuppi, Baldassare) for voice and orchestra |
1764 |
| Version from Sängerbund, WAB 82 (Bruckner, Anton) for male chorus |
1882 |
| Version from Sängerbund, WAB 82 (Bruckner, Anton) for male chorus |
|
| Version from Sängerbund, WAB 82 (Bruckner, Anton) for male chorus |
|
Concertante for Flute, Violin and Cello, Op. 48 (Kalliwoda, Johann Wenzel) for flute, violin and cello
flute, violin, cello and orchestra |
|
| Mein Herz und deine Stimme, WAB 79 (Bruckner, Anton) for voice and piano |
|
| Mein Herz und deine Stimme, WAB 79 (Bruckner, Anton) for voice and piano |
1906 |
| Herbstlied, WAB 73 (Bruckner, Anton) for 2 sopranos, male chorus and piano |
|
| Herbstlied, WAB 73 (Bruckner, Anton) for 2 sopranos, male chorus and piano |
|
| Herbstkummer, WAB 72 (Bruckner, Anton) for voice and piano |
1867 |
| Herbstkummer, WAB 72 (Bruckner, Anton) for voice and piano |
1891 |
| Ein jubelnd Hoch in Leid und Lust (No.1) from 2 Sängsprüche, WAB 83 (Bruckner, Anton) for male chorus |
1800 |
| Ein jubelnd Hoch in Leid und Lust (No.1) from 2 Sängsprüche, WAB 83 (Bruckner, Anton) for male chorus |
|
| Lebt wohl, ihr Sangesbrüder (No.2) from 2 Sängsprüche, WAB 83 (Bruckner, Anton) for male chorus |
|
| Um Mitternacht, WAB 89 (Bruckner, Anton) for alto, male chorus and piano |
1864 |
| Um Mitternacht, WAB 89 (Bruckner, Anton) for alto, male chorus and piano |
1864 |
| Um Mitternacht, WAB 89 (Bruckner, Anton) for alto, male chorus and piano |
|
| Um Mitternacht, WAB 89 (Bruckner, Anton) for alto, male chorus and piano |
1864 |
| Morte e sepoltura di Cristo (Caldara, Antonio) for 2 sopranos, alto, tenor, bass and orchestra |
|
| Fantasy in A minor, Op. 9 (Hägg, Jacob Adolf) for piano 4 hands |
1869 |
| Im April (Hägg, Jacob Adolf) for voice and piano |
1872 |
| Liebeshoffnung (Hägg, Jacob Adolf) for voice and piano |
1800 |
| Il morto vivo (Paër, Ferdinando) for voices, mixed chorus and orchestra |
|
| String Quartet in E minor, Op. 78 (Berens, Hermann) for 2 violins, viola and cello |
|
| Glömska (Andrée, Elfrida) for tenor and male chorus |
|
| 3 Fantasy Pieces, Op. 30 (Aulin, Valborg) for piano |
1898 |
| Hell dig, Emma, solomstrålad (Munktell, Helena) for female chorus |
|
| Betulia liberata (Bernasconi, Andrea) for voices and orchestra |
|
| 2 Choruses (Netzel, Laura) for female chorus and piano |
|
| Ballad, Op. 35 (Netzel, Laura) for voice and piano |
|
| Dalsvit, Op. 22 (Munktell, Helena) for orchestra |
1900 |
| Arrangement of Dalsvit, Op. 22 (Munktell, Helena) for piano |
1900 |
| I Firenze (Munktell, Helena) for 6 voices, mixed chorus and orchestra |
1880 |
| I Firenze (Munktell, Helena) for 6 voices, mixed chorus and orchestra |
1880 |
| Rhapsodie bretonne, Op. 7b (Saint-Saëns, Camille) for orchestra |
1891 |
| Die Nacht der Leiden Jesu (Schwencke, Christian Friedrich Gottlieb) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Aurora (Peyron, Ika) for soprano, alto, baritone, mixed chorus and piano |
1895 |
| Matthäus-Passion (Walter, Johann) for soprano, alto, tenor, bass and mixed chorus |
|
| Bespiegelt euch in Jesu Leiden (Rolle, Christian Friedrich) for soprano, alto, 3 tenors, 2 basses, mixed chorus and orchestra |
|
| Lukas-Passion, TWV 5:45 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Lukas-Passion, TWV 5:45 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die Leiden Jesu (Rolle, Johann Heinrich) for soprano, 2 altos, 3 tenors, 4 basses, mixed chorus and orchestra |
1700 |
| Die Leiden Jesu (Rolle, Johann Heinrich) for soprano, 2 altos, 3 tenors, 4 basses, mixed chorus and orchestra |
|
| Die Leiden Jesu (Rolle, Johann Heinrich) for soprano, 2 altos, 3 tenors, 4 basses, mixed chorus and orchestra |
1700 |
| Matthäus-Passion, TWV 5:15 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra |
|
| Piano Quintet (Bruch, Max) for 2 violins, viola, cello and piano |
1868 |
| Bryllopsvise (Sjögren, Emil) for voice and piano |
1879 |
| De sutto i sommarens rosor (Sjögren, Emil) for voice and piano |
|
| Der Arme Peter (Sjögren, Emil) for voice and piano |
1875 |
| Din röst (Sjögren, Emil) for voice and piano |
1900 |
| Tema orgánico de vuen gusto con su preludio (Lidon, José) for organ |
|
| 4 New Songs (Sjögren, Emil) for voice and piano |
1885 |
| 7 Spanish Songs, Op. 6 (Sjögren, Emil) for voice and piano |
1881 |
| Barnvisor och ungdomssånger (Sjögren, Emil) for voice and piano |
1906 |
| Intento de 4° tono (Lidon, José) for organ |
|
| 4 Seguidillas (Lidon, José) for voice and piano |
|
Handschriftliche Spielstückesammlung (Schantl, Josef) for horn
2 horns
4 horns |
|
| Markus-Passion Pasticcio, BC D 5 (Bach, Johann Sebastian) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Canta in prato, ride in monte, RV 623 (Vivaldi, Antonio) for soprano, strings and continuo |
|
| La passione di Gesù Cristo (Schürer, Johann Georg) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Markus-Passion Pasticcio, BC D 5a (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
Johannes-Passion (Scandello, Antonio) for 2 sopranos, alto, tenor and bass
mixed chorus |
1500 |
Auferstehungs-Historie (Scandello, Antonio) for 2 sopranos, 2 altos, tenor and bass
mixed chorus |
|
| Birgittahymnen (Tegnér, Alice) for female chorus |
1900 |
| Blif kvar hos oss (Tegnér, Alice) for mixed chorus |
|
| Bröllopshymn (Tegnér, Alice) for mixed chorus |
|
| Bröllopssång (Tegnér, Alice) for female chorus |
|
| Dagg faller (Tegnér, Alice) for mixed chorus |
|
| Ej med klagan (Tegnér, Alice) for mixed chorus |
1902 |
| Ett folk (Tegnér, Alice) for mixed chorus |
|
| Kvällsång (Tegnér, Alice) for mixed chorus |
|
| Långfredagen 1910 (Tegnér, Alice) for mixed chorus |
1910 |
| Sverge (Tegnér, Alice) for mixed chorus |
|
| Till tant Malla (Tegnér, Alice) for mixed chorus |
1900 |
| Nog! (Tegnér, Alice) for mixed chorus |
|
| Nyårshymn (Tegnér, Alice) for male chorus, mixed chorus and organ |
1899 |
| Påsk (Tegnér, Alice) for mixed chorus |
|
| Påskdagsmorgonen (Tegnér, Alice) for mixed chorus |
|
| Salig, ja salig vi döden må prisa (Tegnér, Alice) for soprano and mixed chorus |
1921 |
| Godnat (Tegnér, Alice) for mixed chorus |
|
| Betlehems stjärna (Tegnér, Alice) for voice and piano |
1893 |
| Bön den 6 februari 1914 (Tegnér, Alice) for voice and piano |
1914 |
| Ögon, vem är väl mer skön (Tegnér, Alice) for female chorus and piano |
|
| Det ringer till vår (Tegnér, Alice) for voice and piano |
|
| Etude romantique (Tegnér, Alice) for piano |
1925 |
| Farväl (Tegnér, Alice) for voice and piano |
|
Herdarna spela för Jesusbarnet (Tegnér, Alice) for 2 voices and piano
childrens chorus
female chorus |
|
| Klage-wijsa öfwer thenna torre och kalla wåhr (Tegnér, Alice) for voice and piano |
|
Kväll (Tegnér, Alice) for soprano, alto and piano
female chorus and piano |
|
| Liten dans (Tegnér, Alice) for piano |
|
| Maria i törneskog (Tegnér, Alice) for female chorus and piano |
|
| Marienlied (Tegnér, Alice) for voice and piano |
|
| Minnet (Tegnér, Alice) for voice and piano |
|
| Modestie (Tegnér, Alice) for piano |
1916 |
| Sveriges frihet (Tegnér, Alice) for voice and piano |
|
| Tack snälla jord (Tegnér, Alice) for voice and piano |
|
| Tack, liv, jag är så glad (Tegnér, Alice) for voice and piano |
|
| Till de döda (Tegnér, Alice) for voice and piano |
1915 |
| Till min kära afhållna Bertha (Tegnér, Alice) for alto and female chorus |
1910 |
| Till Stockholm (Tegnér, Alice) for male chorus and piano |
|
| Vallarelåt (Tegnér, Alice) for voice and piano |
1897 |
| Vårblommor (Tegnér, Alice) for voice and piano |
|
| Norrland (Tegnér, Alice) for voice and piano |
1928 |
| Och här är dungen (Tegnér, Alice) for voice and piano |
|
| På vakt (Tegnér, Alice) for male chorus and piano |
1913 |
| Pingst, I pingstens ljuva tid (Tegnér, Alice) for voice and piano |
|
| Riddaren Martinus (Tegnér, Alice) for voice and piano |
|
| Sankthans (Tegnér, Alice) for voice and piano |
|
Solliden (Tegnér, Alice) for voice and piano
female chorus |
1926 |
| Arrangement of Solliden (Tegnér, Alice) for voice and piano |
1926 |
| Soluppgång (Tegnér, Alice) for voice and piano |
|
| Barnen dansa (Tegnér, Alice) for cello and piano |
1935 |
| Walzer (Tegnér, Alice) for male chorus and piano |
|
| Etude (à la Chopin) (Tegnér, Alice) for piano |
|
| Epigram No. 92 (Tegnér, Alice) for voice and piano |
|
| Cello Sonata (Kania, Emanuel) for cello and piano |
|
| Cello Sonata (Kania, Emanuel) for cello and piano |
|
| Cello Sonata (Kania, Emanuel) for cello and piano |
|
| Violin Sonata in A minor, Op. 2 (Sjöberg, Svante) for violin and piano |
1898 |
| Violin Sonata in A minor, Op. 2 (Sjöberg, Svante) for violin and piano |
1898 |
| Piano Trio (Kania, Emanuel) for violin, cello and piano |
|
| Symphony in D minor (Dente, Joseph) for orchestra |
1887 |
| Overture in E minor from Arrangement of Overture in E minor from Incidental Music to 'König Enzio', WWV 24 (Wagner, Richard) for piano |
1800 |
| Ah come lasciarti mio caro potrei (Farinelli, Giuseppe) for 2 voices and continuo |
1819 |
| Arrangement of Polonia, WWV 39 (Wagner, Richard) for piano |
1800 |
| Matthäus-Passion, H.782 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1769 |
| Matthäus-Passion, H.782 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1769 |
| Matthäus-Passion, H.782 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1769 |
| Matthäus-Passion, H.782 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
|
| Matthäus-Passion, H.782 (Bach, Carl Philipp Emanuel) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1825 |
| Flute Concerto in C major, WK 51 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Rule Britannia, WWV 42 (Wagner, Richard) for orchestra |
1837 |
| Rule Britannia, WWV 42 (Wagner, Richard) for orchestra |
1800 |
| Roland the Brave (Arkwright, Frances) for |
|
| Allegro in D major (No.1) from 2 Entreactes tragiques, WWV 25 (Wagner, Richard) for orchestra |
1800 |
| 2 Entreactes tragiques, WWV 25 (Wagner, Richard) for orchestra |
1800 |
| Allegro in D major (No.1) from 2 Entreactes tragiques, WWV 25 (Wagner, Richard) for orchestra |
1800 |
| Allegro con brio in C minor (No.2) from 2 Entreactes tragiques, WWV 25 (Wagner, Richard) for orchestra |
1800 |
| 2 Vocal Pieces (Salieri, Antonio) for 3 voices |
1813 |
| Obra de 6° tom (Puxol, Lucas) for organ |
|
| Complete (1717 Version) from La verità nell'inganno (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Rondo for Clarinet and Orchestra (Kunzen, Friedrich Ludwig Aemilius) for clarinet and orchestra |
1700 |
| Rondo for Clarinet and Orchestra (Kunzen, Friedrich Ludwig Aemilius) for clarinet and orchestra |
1954 |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
1800 |
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
|
| Til Molde, Op. 16 (Sinding, Christian) for baritone, mixed chorus and orchestra |
1884 |
| Flute Trio in G major (Kirmayr, Wolfgang) for flute, violin and cello |
|
| Fugue for 5 Voices, A 719 (Donizetti, Gaetano) for |
1817 |
| Septuor (Brzowski, Józef) for |
|
Lamentationes Jeremiae Prophetae (Cavalieri, Emilio de') for 5 voices and continuo
6 voices and continuo |
1500 |
| Oedipus, Z.583 (Purcell, Henry) for voices and orchestra |
1765 |
| Violin Sonata in E-flat major (Nardini, Pietro) for violin and continuo |
|
| Łaska imperatora (Kurpiński, Karol) for voices, mixed chorus and orchestra |
|
| 10 Arias, B-Bc 15179 (Various) for soprano, strings and continuo |
|
| Arrangement of Zabobon, czyli Krakowiacy i Górale (Kurpiński, Karol) for piano |
|
| Pałac Lucypera (Kurpiński, Karol) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Pałac Lucypera (Kurpiński, Karol) for piano |
|
| Antony (Casalaina, Riccardo) for voices and orchestra |
1908 |
| Anna Maria's Partbook (Vivaldi, Antonio) for violin, strings and continuo |
|
| Il trionfo di Camilla (Vinci, Leonardo) for 7 voices and orchestra |
|
| Il trionfo di Camilla (Vinci, Leonardo) for 7 voices and orchestra |
|
| Bitwa pod Możajskiem, Op. 15 (Kurpiński, Karol) for orchestra |
|
| Bitwa pod Możajskiem, Op. 15 (Kurpiński, Karol) for orchestra |
|
| Ifigenia in Tauride (Vinci, Leonardo) for 6 voices and orchestra |
|
| 3 Polonaises (Kurpiński, Karol) for piano |
|
| 3 Polonaises (Kurpiński, Karol) for piano |
|
| La Rosmira fedele (Vinci, Leonardo) for 6 voices and orchestra |
|
| Ipermestra (Giacomelli, Geminiano) for 6 voices and orchestra |
|
| Selections (1725 Venice Version) from Siface (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Beatus vir, Op. 56 (Elsner, Józef) for soprano, alto, tenor, bass, mixed chorus and organ |
|
| Der Kaufmann von Venedig (Humperdinck, Engelbert) for voices, mixed chorus and orchestra |
1905 |
| Lamento (Verdier, Pierre) for 4 Unspecified instruments |
|
| Zeffiretto che indrizzi il tuo volo, H.783 (Scarlatti, Alessandro) for soprano and continuo |
1702 |
| Complete (1706 Rome Version) from Il Sedecia, re di Gerusalemme (Scarlatti, Alessandro) for 5 voices and orchestra |
|
| Prelude and Fugue in F minor, Krebs-WV 407 (Krebs, Johann Ludwig) for organ |
|
| Prelude and Fugue in F minor, Krebs-WV 407 (Krebs, Johann Ludwig) for organ |
|
| Prelude and Fugue in F minor, Krebs-WV 407 (Krebs, Johann Ludwig) for organ |
|
| Prelude and Fugue in F minor, Krebs-WV 407 (Krebs, Johann Ludwig) for organ |
|
| Filli, la tua bellezza (Scarlatti, Alessandro) for soprano and continuo |
1702 |
| Ester (Arrigoni, Carlo) for 5 voices, mixed chorus and orchestra |
|
| La clemenza d'Augusto (Various) for 9 voices, mixed chorus and orchestra |
|
7 Secular Cantatas, A-Wn Mus.Hs.17577 (Various) for soprano, violin and continuo
soprano, 2 violins and continuo
soprano, 2 cellos and continuo
soprano, violin, cello and continuo |
|
| Medea riconosciuta (Various) for 8 voices, mixed chorus and orchestra |
|
| Giunio Bruto (Various) for 11 voices, mixed chorus and orchestra |
|
| L'Atenaide, 1714 (Various) for 7 voices, mixed chorus and orchestra |
|
| Con trasparente velo, H.143 (Scarlatti, Alessandro) for soprano and continuo |
1702 |
| Grand Trio, Op. 88 (Berlyn, Anton) for violin, cello and piano |
1843 |
| 6 Sonatas for Harpsichord and Violin, Op. 2 (Naumann, Johann Gottlieb) for violin and harpsichord |
|
| Pelope (Jommelli, Niccolò) for 8 voices and orchestra |
|
| Passio Domini nostri Iesu Christi secundum Matthaeum (Longueval, Antoine de) for 6 voices and mixed chorus |
|
Passio Domini nostri Iesu Christi secundum Matthaeum (Handl, Jacob) for 6 voices
mixed chorus |
|
| Complete (1766 Ludwigsburg Version) from Enea nel Lazio (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Complete (1766 Ludwigsburg Version) from Enea nel Lazio (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Markus-Passion Pasticcio, BC D 5b (Bach, Johann Sebastian) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
1726 |
| Keyboard Sonata in B-flat major (Freixanet) for keyboard |
|
| Intento or Obra in D minor, R.148 (Soler, Antonio) for organ |
|
| Intento in G major, R.150 (Soler, Antonio) for organ |
|
| Intento in G major, R.150 (Soler, Antonio) for organ |
|
| Sinfonia a sei (Albrici, Vincenzo) for strings and continuo |
|
| Intento or Paso in G major, R.151 (Soler, Antonio) for organ |
|
| Prelude and Fugue in C minor, R.147 (Soler, Antonio) for keyboard |
|
| Prelude and Fugue in C minor, R.147 (Soler, Antonio) for keyboard |
1830 |
10 Minuets (Montero, Joaquín) for harpsichord
piano |
1764 |
| 12 Sonate Spagnole (Soler, Antonio) for harpsichord |
|
| Keyboard Sonata in C minor, R.125 (Soler, Antonio) for keyboard |
|
| Keyboard Sonata in D major, R.127 (Soler, Antonio) for keyboard |
|
Andreas-Bach-Buch, D-LEm Becker III.8.4 (Various) for keyboard
clavichord
harpsichord
piano
organ |
|
| 3 Romances, Op. 22 (Schumann, Clara) for violin and piano |
1853 |
| Neumeister-Sammlung (Neumeister, Johann Gottfried) for organ |
|
| Piano Trio, Op. 6 (Jensen, Adolf) for violin, cello and piano |
1856 |
| Credo, RV 591 (Vivaldi, Antonio) for 4 voices, strings and continuo |
1700 |
12 Motets (Lully, Jean-Baptiste) for voice and continuo
2 voices and continuo
3 voices and continuo |
|
| Recueil de Cantates italiennes (Various) for voice and continuo |
|
| 8 Arias et cantates italiennes (Various) for voice and continuo |
|
| 12 Arias et de cantates italiennes, F-Pn RES VMD MS-24 (Various) for voice and continuo |
|
| Allegro (Satie, Erik) for piano |
|
| Monochrome from Piano Concerto No. 2, Op. 50 (Kreutzer, Conradin) for piano and orchestra |
|
| Color from Piano Concerto No. 2, Op. 50 (Kreutzer, Conradin) for piano and orchestra |
|
| La felicità inaspettata (Cimarosa, Domenico) for 4 voices and orchestra |
1788 |
| Atene edificata (Cimarosa, Domenico) for 3 sopranos, tenor, mixed chorus and orchestra |
1788 |
| La sorpresa (Cimarosa, Domenico) for 5 voices, mixed chorus and orchestra |
1700 |
| Il trionfo della fede (Cimarosa, Domenico) for 2 sopranos, tenor, bass, 2 mixed chorus and orchestra |
1794 |
| Serenata a quatro voci (Paër, Ferdinando) for soprano, alto, tenor, bass, horn, harp, cello and double bass |
|
| Gavotta (De Nito, Humberto) for strings |
|
| Marcha Tártara (De Nito, Humberto) for orchestra |
|
| Milonga (De Nito, Humberto) for orchestra |
|
| Nitteti, R.1.54 (Paisiello, Giovanni) for 6 voices, mixed chorus and orchestra |
1776 |
| Ave María (De Nito, José) for voice and orchestra |
|
| Judica me Deus, KraL B.1.6 (Leo, Leonardo) for 4 voices |
|
| Sinfonia from Solimano (Galuppi, Baldassare) for voices and orchestra |
1760 |
| Lucinda ed Armidoro, R.1.55 (Paisiello, Giovanni) for 4 voices, mixed chorus and orchestra |
1777 |
| Plegaria al general José de San Martín (De Nito, Humberto) for strings |
|
Grilanda musicale (Various) for tenor and continuo
soprano and continuo
continuo and 3 sopranos |
|
| Sinfonia from Il Muzio Scevola (Galuppi, Baldassare) for voices and orchestra |
1762 |
| Sinfonia from Il Muzio Scevola (Galuppi, Baldassare) for voices and orchestra |
1762 |
| Le nozze in garbuglio (Tritto, Giacomo) for 7 voices and orchestra |
1793 |
| Le nozze in garbuglio (Tritto, Giacomo) for 7 voices and orchestra |
|
| 2 Allegrettos (Stolpe, Antoni) for piano |
|
| La gara delle grazie (Majo, Gian Francesco de) for 2 sopranos, alto and orchestra |
|
| La gara delle grazie (Majo, Gian Francesco de) for 2 sopranos, alto and orchestra |
|
| Astrea placata (Majo, Gian Francesco de) for 5 voices and orchestra |
1760 |
| Astrea placata (Majo, Gian Francesco de) for 5 voices and orchestra |
|
| Sinfonia from Sesotri, re d'Egitto (Cocchi, Gioacchino) for |
|
| Overture from La fiancée (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
|
| Incomplete from Il Demetrio (Wagenseil, Georg Christoph) for 6 voices and orchestra |
|
| Trio Sonata in D minor, B.d2 (Tartini, Giuseppe) for 2 violins and continuo |
|
| Chi d'amor non vuol le pene (Anonymous) for voice and continuo |
|
| O sentite, che disgrazia (Rossi, Giovanni Carlo) for 2 voices and continuo |
|
| Sta in trono mio core (Tenaglia, Antonio Francesco) for soprano and continuo |
|
| Harpsichord Sonata in F major (Morandi, Pietro) for harpsichord |
|
| Harpsichord Sonata in D major (Morandi, Pietro) for harpsichord |
|
| Harpsichord Sonata in G major (Morandi, Pietro) for harpsichord |
|
| 5 Harpsichord Sonatas, I-Vc Torr.Ms.C.14 (Turrini, Ferdinando Gasparo) for harpsichord |
|
| 6 Sonatas, Op. 1 (Prati, Alessio) for violin and harpsichord |
|
| Violin Sonata in F major, Op. 2 No. 2 (Naumann, Johann Gottlieb) for violin and harpsichord |
|
| Arrangement of Serenade for Violin and Orchestra, Op. 114 (Hiller, Ferdinand) for violin and piano |
|
| Laudate pueri (Anfossi, Pasquale) for 2 mixed chorus and organ |
|
| Arrangement of Violin Concerto, Op. 65 (Glass, Louis) for violin and piano |
1946 |
| Scipione Africano il maggiore (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Benedictus Dominus (Biffi, Antonino) for 4 voices and continuo |
|
8 Airs italiens et 4 Pièces pour clavier (Various) for voice and continuo
keyboard |
|
| Miserere (Baraldi, Giovanni) for 3 voices and continuo |
|
| O santo spirito vieni (Anonymous) for male chorus |
|
| Sesostri (Bertoni, Ferdinando) for 7 voices and orchestra |
|
| Sesostri (Bertoni, Ferdinando) for 7 voices and orchestra |
|
| Harpsichord Sonata in G minor, I.44 (Galuppi, Baldassare) for harpsichord |
|
Musica universale armonico pratica (Basili, Andrea) for harpsichord
organ |
1775 |
| Raccolta d'arie italiane scelte nelle composizioni degli autori più celebri (Various) for voice and continuo |
|
| Caio Mario (Cimarosa, Domenico) for 6 voices, mixed chorus and orchestra |
|
| Caio Mario (Cimarosa, Domenico) for 6 voices, mixed chorus and orchestra |
|
| Harpsichord Sonata in B-flat major, I.28 (Galuppi, Baldassare) for harpsichord |
|
| Apollo in cielo (Caldara, Antonio) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Apollo in cielo (Caldara, Antonio) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| La verità nell'inganno (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| 6 Sonatas for Harpsichord and Violin (Fenaroli, Fedele) for violin and harpsichord |
|
Recueil Deslauriers (Various) for voice
2 voices
2 voices and continuo
3 voices
3 voices and continuo
4 voices
4 voices and continuo
5 voices
5 voices and continuo
5 voices, 2 violins and continuo
6 voices
6 voices and continuo
7 voices
mixed chorus |
|
| Canzona terza, F 3.15 (Frescobaldi, Girolamo) for keyboard |
|
| Le roman comique (Offenbach, Jacques) for voices, mixed chorus and orchestra |
1800 |
| 18 Sacred Songs, I-Vc Torr.Ms.C.59 (Various) for 2 tenors and 2 basses |
|
| Continuazione, e supplemento alla drammaturgia di M. L. Allacci (Graziani, Giuseppe) for |
|
| Sinfonia in B-flat major, WolS I. Bb-2 (Stamitz, Johann) for orchestra |
|
| Valerianus in cubiculo (Scarlatti, Alessandro) for alto and orchestra |
|
| La sorrentina (Selli, Prospero) for voice and piano |
|
| Incomplete from Attilio Regolo (Hasse, Johann Adolph) for 4 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Jean Sobieski, Op. 7 (Kontski, Apollinaire de) for piano |
|
24 Arias and Cantatas, I-Vc Torr.Ms.B.21 (Various) for soprano and continuo
soprano, tenor and continuo
soprano, baritone and continuo
alto and continuo
soprano, bass and continuo
baritone and continuo
bass and continuo
continuo and 2 sopranos
2 sopranos, bass and continuo
alto, tenor, bass and continuo
alto, bass and continuo
soprano, mezzosoprano and continuo
3 voices, 2 violins and continuo |
|
| La duchesse d'Albe (Offenbach, Jacques) for voices, mixed chorus and orchestra |
1848 |
| Oyayaye (Offenbach, Jacques) for voices, mixed chorus and orchestra |
1855 |
| Marie von Montalban (Winter, Peter von) for voices, mixed chorus and orchestra |
|
| Siroe, re di Persia (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| 6 Cello Sonatas (Bertoia, Ferdinando) for cello and continuo |
|
| Pygmalion et Galatée (Bajetti, Giovanni) for orchestra |
|
| 2 Ariettas, I-Vc Torr.Ms.C.79 (Cerutti, Domenico) for soprano and continuo |
|
| 24 Keyboard Sonatas (Ceracchini, Francesco) for keyboard |
|
| 12 Cello Sonatas, I-Vc Torr.Ms.B.9 (Cirri, Giovanni Battista) for cello and continuo |
|
| Trio Sonata in C major, P.L.2.2 (Sirmen, Maddalena Laura) for 2 violins and continuo |
|
| L'amore in ballo, R.1.4 (Paisiello, Giovanni) for 8 voices and orchestra |
|
| Incomplete from L'amore in ballo, R.1.4 (Paisiello, Giovanni) for 8 voices and orchestra |
1765 |
| Pirro, R.1.72 (Paisiello, Giovanni) for 3 sopranos, alto, 2 tenors, bass and orchestra |
1786 |
| Incomplete from Fedra, R.1.75 (Paisiello, Giovanni) for 9 voices, mixed chorus and orchestra |
1787 |
| Incomplete from Fedra, R.1.75 (Paisiello, Giovanni) for 9 voices, mixed chorus and orchestra |
|
| Revised Version from La caduta di Gerico (Hasse, Johann Adolph) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Revised Version from La caduta di Gerico (Hasse, Johann Adolph) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| La caduta di Gerico (Hasse, Johann Adolph) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1745 |
Motets, Livre 1 (Clérambault, Louis-Nicolas) for voice and continuo
2 voices
voice, continuo and soprano
2 voices and continuo
3 voices, violin and continuo
3 voices, strings and continuo
3 voices and orchestra
4 voices and orchestra
3 voices, mixed chorus and continuo |
|
| Fantasía, Op. 4 (Broca, José) for guitar |
|
| Symphony in C major, MünT 30 (Toeschi, Carl Joseph) for orchestra |
|
| Torna aprile e l'aure scherzano (Agricola, Johann Friedrich) for strings and soprano |
1700 |
| Endimione (Treu, Daniel Gottlob) for |
|
| Benché sempre crudel meco (Keiser, Reinhard) for violin, harpsichord and bass |
|
| Sì t'amo fedele, HWV Anh.B6 (Handel, George Frideric) for soprano, bass and continuo |
|
| Tacete ohimè tacete, HWV 196 (Handel, George Frideric) for soprano, bass and continuo |
|
| Mitilde mio tesor così veloce, S.160 (Heinichen, Johann David) for soprano, strings and continuo |
|
| Incomplete from Dafni (Astorga, Emanuele) for |
|
| Dafni (Astorga, Emanuele) for |
|
| Symphony in D major, OttN D9 (Naumann, Johann Gottlieb) for orchestra |
|
| L'accorto nocchiero (Agricola, Johann Friedrich) for soprano and orchestra |
1741 |
| La locanda, R.1.83 (Paisiello, Giovanni) for |
|
| O Garatuja, SN12.6 (Nepomuceno, Alberto) for orchestra |
|
| Sinfonia in G minor, P.24c (Pergolesi, Giovanni Battista) for strings and continuo |
|
| 168 Sacred Songs, I-Vc Torr.Ms.B.31 (Various) for |
|
| Flavio Crispo, S.120 (Heinichen, Johann David) for 3 sopranos, 2 altos, tenor, bass and orchestra |
1720 |
| 16 Harpsichord Preludes (Pellegrini, Ferdinando) for harpsichord |
1940 |
| 6 Harpsichord Sonatas, Op. 2 (Pellegrini, Ferdinando) for harpsichord |
1940 |
| Requiem in G minor, KomZ B18 (Zach, Jan) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1771 |
| 22 Fugues, I-Vc Torr.Ms.A.108 (Caldara, Antonio) for harpsichord |
|
6 Keyboard Sonatas, I-Vc Torr.Ms.B.16 (Pescetti, Giovanni Battista) for harpsichord
piano |
|
| An Wasserflüssen Babylon, P.20 (Pachelbel, Johann) for organ |
|
| An Wasserflüssen Babylon, P.20 (Pachelbel, Johann) for organ |
|
| Clori amabile ti desti (Rutini, Giovanni Marco) for 2 voices and continuo |
|
| 6 Harpsichord Sonatas, Op. 6 (Rutini, Giovanni Marco) for harpsichord |
|
| 6 Harpsichord Sonatas, Op. 6 (Rutini, Giovanni Marco) for harpsichord |
|
| 6 Harpsichord Sonatas, Op. 6 (Rutini, Giovanni Marco) for harpsichord |
|
| Symphony in G major, J-C 47 (Sammartini, Giovanni Battista) for orchestra |
|
| 6 Harpsichord Sonatas, Op. 5 (Rutini, Giovanni Marco) for harpsichord |
|
| 6 Harpsichord Sonatas, Op. 5 (Rutini, Giovanni Marco) for harpsichord |
|
| 6 Harpsichord Sonatas, Op. 5 (Rutini, Giovanni Marco) for harpsichord |
|
| Des kleinen Elektromusikers Lieblinge (Hindemith, Paul) for 3 mechanical instruments |
1930 |
| 2 Lada's Songs, Op. 69 (Grechaninov, Aleksandr) for soprano and piano |
|
| 2 Belorussian Elegies, Op. 83 (Grechaninov, Aleksandr) for voice and piano |
|
| Harpsichord Concerto in C major (Sales, Pietro Pompeo) for harpsichord and orchestra |
|
| 6 Romances (Pantaleoni, Luigi) for soprano and piano |
|
| L'isola disabitata (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| L'isola disabitata (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| Le cinesi (Sales, Pietro Pompeo) for |
|
| Il re pastore (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| Il re pastore (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| Percussion Music (Blitzstein, Marc) for piano |
|
| Chanson (Wailly, Paul de) for voice and piano |
1878 |
| Piano Sonata, Op. 17 (Hindemith, Paul) for piano |
1920 |
| Achille in Sciro (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| Aria: Dille che si consoli (Act 2, Scene 9) from Achille in Sciro (Sales, Pietro Pompeo) for voices, mixed chorus and orchestra |
|
| Overture in D major (Reinhardt, Johann Georg) for orchestra |
|
| 2 Arias, I-Vc Torr.Ms.A.128 (Peri, Jacopo) for soprano and continuo |
|
| 9 Songs of Experience (Antheil, George) for voice and piano |
1948 |
| Regole di contrappunto (Caballone, Michele) for |
|
8 Venetian Songs (Anonymous) for soprano and piano
soprano and guitar
harpsichord and soprano |
|
| Soleil couchant (Ramenti, H. D.) for voice and piano |
|
| Cello Sonata, Op. 125 (Ries, Ferdinand) for cello and piano |
1823 |
| 2 Odes (Antheil, George) for narrator and piano |
1950 |
| Tiento de 2° tono por gesolreut (Clavijo del Castillo, Bernardo) for organ |
|
| Hunting Catch (Flackton, William) for 3 voices and horn |
|
| American Spirit March (Buglione, Annibale) for orchestra |
|
| American Spirit March (Buglione, Annibale) for orchestra |
|
| Mazurka in G minor (Anonymous) for |
|
| Polonaise, Op. 1 (Modzelewski, Michał) for cello and piano |
|
Toccata in C major, P.455 (Pachelbel, Johann) for keyboard
organ |
|
Toccata in C major, P.456 (Pachelbel, Johann) for keyboard
organ |
|
| Il natal di Giove (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
|
| Allein zu dir, Herr Jesu Christ, P.13 (Pachelbel, Johann) for organ |
|
| Christe, der du bist Tag und Licht, P.63 (Pachelbel, Johann) for organ |
|
| Der Tag, der ist so freudenreich, P.85 (Pachelbel, Johann) for organ |
|
| Nun freut euch, liebe Christen g'mein, P.382 (Pachelbel, Johann) for organ |
|
Motets de feu mr. de Lalande (Lalande, Michel Richard de) for soprano, alto, baritone, bass, mixed chorus and orchestra
soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
|
| Wie schön leuchtet der Morgenstern, P.46 (Pachelbel, Johann) for organ |
1808 |
| Mass in E-flat major (Perez, Davide) for soprano, alto, mixed chorus and orchestra |
|
| Responsori della Settimana Santa (Manna, Gennaro) for mixed chorus and continuo |
1741 |
| Responsori della Settimana Santa (Manna, Gennaro) for mixed chorus and continuo |
|
| Piano Quartet (Rutkowski, Antoni) for violin, viola, cello and piano |
|
| Missa pro defunctis (Siewiński, Andrzej) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Nocturne, Op. 14 (Rutkowski, Antoni) for cello and piano |
|
| Vidalita (Massa, Juan Bautista) for 2 voices and strings |
|
Motets, Livre 3 (Clérambault, Louis-Nicolas) for soprano, alto, tenor, bass and continuo
2 sopranos, bass and continuo
alto, tenor, bass and continuo
continuo and 2 sopranos
mixed chorus and orchestra
continuo and 2 sopranos |
|
Motets, Livre 2 (Clérambault, Louis-Nicolas) for soprano and continuo
continuo and 2 sopranos
alto, tenor and continuo
bass, violin and continuo
bass and orchestra
2 sopranos, alto, tenor and continuo
2 sopranos, alto, tenor, bass and continuo
soprano, alto, tenor, bass and continuo |
|
Motets, Livre 2 (Clérambault, Louis-Nicolas) for soprano and continuo
continuo and 2 sopranos
alto, tenor and continuo
bass, violin and continuo
bass and orchestra
2 sopranos, alto, tenor and continuo
2 sopranos, alto, tenor, bass and continuo
soprano, alto, tenor, bass and continuo |
|
Fugue in G major, P.137 (Pachelbel, Johann) for keyboard
organ |
1716 |
| Gli prodigi della divina grazia (Pergolesi, Giovanni Battista) for 7 voices and orchestra |
|
| 2 Versillos de 6° tono (Soto de Langa, Francisco) for organ |
|
| Sardanapale (Prévost, Eugène) for tenor and orchestra |
1830 |
| Symphony No. 3 (Rauchenecker, Georg Wilhelm) for orchestra |
1901 |
| Dove l'ali spiegate (Stradella, Alessandro) for soprano and continuo |
|
| Adelheid von Burgund (Rauchenecker, Georg Wilhelm) for voices, mixed chorus and orchestra |
|
| Flute Concerto in E-flat major, QV 5:89 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Introduction and Variations on 'Malbroug', Op. 28 (Sor, Fernando) for guitar |
|
| Flute Concerto in E major, QV 5:108 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Sextet, WoO 76 (Ries, Ferdinand) for violin, 2 violas, cello, double bass and piano |
1800 |
| Sextet, WoO 76 (Ries, Ferdinand) for violin, 2 violas, cello, double bass and piano |
1800 |
Variations and March, WoO 77 (Ries, Ferdinand) for 2 horns, harp, double bass and piano
clarinet, bassoon, harp, double bass and piano |
1800 |
| Recitative and Aria, WoO 38 (Ries, Ferdinand) for soprano and orchestra |
1827 |
| Notturno, WoO 42 (Ries, Ferdinand) for 2 sopranos and piano |
1800 |
| Notturno, WoO 65 (Ries, Ferdinand) for soprano, alto and piano |
1836 |
| Romance pour le jour de fête de Mme. E. Wergifosse, WoO 55 (Ries, Ferdinand) for voice and piano |
1835 |
| Alle Menschen müssen sterben, BWV 643 (Bach, Johann Sebastian) for organ |
1700 |
| Vom Himmel kam der Engel Schaar, BWV 607 (Bach, Johann Sebastian) for organ |
1700 |
| Vom Himmel hoch, da komm ich her, BWV 606 (Bach, Johann Sebastian) for organ |
1700 |
| Puer natus in Bethlehem, BWV 603 (Bach, Johann Sebastian) for organ |
1700 |
| Gott, durch deine Güte, BWV 600 (Bach, Johann Sebastian) for organ |
1700 |
| Nun komm' der Heiden Heiland, BWV 599 (Bach, Johann Sebastian) for organ |
1700 |
| Lob sei dem allmächtigen Gott, BWV 602 (Bach, Johann Sebastian) for organ |
1700 |
| Der Tag, der ist so freudenreich, BWV 605 (Bach, Johann Sebastian) for organ |
1700 |
Airs d'opéra du 18e siècle (Various) for soprano, strings and continuo
soprano and orchestra
3 sopranos and orchestra
bass and orchestra |
|
| Grand potpourri, Op. 20 (Weber, Carl Maria von) for cello and orchestra |
|
| Cantates et arias italiennes pour voix de basse (Anonymous) for bass and continuo |
1698 |
| Inventions and Sinfonias, BWV 772-801 (Bach, Johann Sebastian) for keyboard |
1720 |
| Inventions and Sinfonias, BWV 772-801 (Bach, Johann Sebastian) for keyboard |
|
| Sinfonia, FaWV M:B3 (Fasch, Johann Friedrich) for strings and continuo |
1700 |
| Ballade for Cello and Piano (Kaprál, Václav) for cello and piano |
1953 |
| 17 Sinfonias (Scarlatti, Domenico) for orchestra |
|
| Violin Concerto, FaWV L:D2 (Fasch, Johann Friedrich) for violin, strings and continuo |
1700 |
| Il tempio d'amore (Agricola, Johann Friedrich) for 7 voices, mixed chorus and orchestra |
|
| Dolor senza rimedio (Carissimi, Giacomo) for alto and continuo |
|
| Gaitilla No. 1 tono de mano izquierda (Manalt i Domènech, Gabriel) for organ |
|
| Gaitilla de mano izquierda No. 8 tono (Manalt i Domènech, Gabriel) for organ |
|
| String Quartet in F major, Hob.III:73 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| String Quartet in G minor, Hob.III:74 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| String Quartet in C major, Hob.III:72 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| String Quartet in D major, Hob.III:70 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| String Quartet in E-flat major, Hob.III:71 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| String Quartet in B-flat major, Hob.III:69 (Haydn, Joseph) for 2 violins, viola and cello |
1793 |
| Elegy, Op. 160 (Lachner, Franz Paul) for 5 cellos |
|
| Symphony in C major, Op. 4 No. 2 (Guénin, Marie Alexandre) for orchestra |
|
Cantates italiennes de différents auteurs, Tome 1 (Various) for soprano and continuo
continuo and 2 sopranos
2 sopranos, alto and continuo |
|
| Dämmerlicht, Op. 241 (Oberthür, Charles) for piano |
|
| Basti fin qui (Marenzio, Luca) for 10 voices |
1800 |
| Batalha de No. 6 tom (Araújo, Pedro de) for organ |
1695 |
| Matthäus-Passion, H.790 (Bach, Carl Philipp Emanuel) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1777 |
| Trio Sonata in D major, Op. 6 No. 4 (Gianotti, Pietro) for 2 violins and continuo |
|
| Trio Sonata in A major, Op. 6 No. 2 (Gianotti, Pietro) for 2 violins and continuo |
|
| Trio Sonata in G major, Op. 6 No. 5 (Gianotti, Pietro) for 2 violins and continuo |
|
| Trio Sonata in B-flat major, Op. 6 No. 6 (Gianotti, Pietro) for 2 violins and continuo |
|
| Masques, Op. 13 (Lourié, Arthur) for piano |
1913 |
| 6 Harpsichord Sonatas, I-Vc Torr.Ms.B.27. (Felici, Alessandro) for harpsichord |
|
| Piano Trio in D major, Hob.XV:24 (Haydn, Joseph) for violin, cello and piano |
1795 |
| Miss Death's Mistake, Op. 40 (Lourié, Arthur) for narrator and piano |
1917 |
| Recessit Pastor noster (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
|
Version 1 from Rosa Maria (Nazareth, Ernesto) for piano
voice and piano |
|
Version 2 from Rosa Maria (Nazareth, Ernesto) for piano
voice and piano |
|
Cancioneiro musical de Paris (Various) for voice
2 voices
3 voices
4 voices |
|
| Arrangement of Symphonie Concertante, Op. 15 (Wetzler, Herrmann Hans) for violin and piano |
|
| Te Deum in D major, StWV 117 (Sterkel, Johann Franz Xaver) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1793 |
| Machet die Tore weit, TWV 1:1074 (Telemann, Georg Philipp) for soprano, tenor, bass, mixed chorus and orchestra |
1734 |
| Cello Sonata No. 1, Op. 6 (Iversen, Niels Johannes Legarth) for cello and piano |
1992 |
| Divertimento in F major, Hob.II:44 (Haydn, Joseph) for 2 oboes, 3 bassoons, contrabassoon and 2 horns |
|
| Divertimento in F major, Hob.II:45 (Haydn, Joseph) for 2 oboes, 3 bassoons, contrabassoon and 2 horns |
|
| Suite for Piano (Hermann, Pál) for piano |
|
| Divertimento in E-flat major, Hob.II:41 (Haydn, Joseph) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Divertimento in B-flat major, Hob.II:42 (Haydn, Joseph) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Divertimento in B-flat major, Hob.II:43 (Haydn, Joseph) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Violin Concerto in C major, RV 187 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Septet, Op. 31 (Iversen, Niels Johannes Legarth) for flute, oboe, clarinet, bassoon, violin, viola and cello |
1988 |
| La Gipsy (Benoist, François) for orchestra |
|
| Arrangement of La Gipsy (Benoist, François) for violin and cello |
|
| Concerti armonici (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Le jeune oncle (Blangini, Joseph Marie Felix) for voices and orchestra |
|
| String Quintet, Op. 21 (Iversen, Niels Johannes Legarth) for 2 violins, 2 violas and cello |
1991 |
| Arrangement of Tarantella Suite, Op. 20 (Iversen, Niels Johannes Legarth) for piano |
1997 |
| Cello Sonata No. 2, Op. 12 'Baroque' (Iversen, Niels Johannes Legarth) for cello and piano |
1900 |
| Concerto for Violino in Tromba Marina in G major, RV 313 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Sonatine, Minuetti e Rondò per il Cembalo (Pagliuzzi, Pietro) for harpsichord |
|
Sinfonia in B-flat major (Pergolesi, Giovanni Battista) for strings
2 violins, viola and cello |
|
Sinfonia in F major (Pergolesi, Giovanni Battista) for strings
2 violins, viola and cello |
|
| Missa L'homme armé (Tinctoris, Johannes) for 4 voices |
|
| Baryton Trio in G major, Hob.XI:80 (Haydn, Joseph) for viola, cello and baryton |
|
| Schmetterlingsjagd, Op. 133 (Kéler, Béla) for orchestra |
|
| Baryton Trio in D major, Hob.XI:27 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:30 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:44 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:48 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:56 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:70 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:72 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:25 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in C major, Hob.XI:82 (Haydn, Joseph) for viola, cello and baryton |
|
| Ave Maris Stella in F Major (Santos, Benjamin Firmino dos) for mixed chorus |
|
| Das deutsche Vaterland II, S.74/2 (Liszt, Franz) for male chorus |
1848 |
| Arrangement of Selections from Guitar Concerto No. 1, Op. 30 (Giuliani, Mauro) |
|
| Arrangement of Selections from Guitar Concerto No. 1, Op. 30 (Giuliani, Mauro) |
|
| Al nacer nace la pena (Pedrell, Felipe) for voice and piano |
|
| Sinfonia from Nitocri, regina d'Egitto (Leo, Leonardo) for 7 voices and orchestra |
|
| Sinfonia from Nitocri, regina d'Egitto (Leo, Leonardo) for 7 voices and orchestra |
|
| Overture in D major (Balbi, Ignazio) for 2 trumpets, 2 violins, viola and bass |
|
| Sinfonia G major (Basset, Vicente) for strings and continuo |
|
| Sinfonia in D major (Brescianello, Giuseppe Antonio) for strings and continuo |
|
| Sinfonia in A major (Chelleri, Fortunato) for orchestra |
|
| Argene (Leo, Leonardo) for 6 voices and orchestra |
|
| Argene (Leo, Leonardo) for 6 voices and orchestra |
|
| Sinfonia from Argene (Leo, Leonardo) for 6 voices and orchestra |
|
| Argene (Leo, Leonardo) for 6 voices and orchestra |
|
| Viola da Gamba Sonata in E minor, WK 150 (Abel, Carl Friedrich) for viol and continuo |
|
| Sulmalla (Weber, Bernhard Anselm) for voices, mixed chorus and orchestra |
|
| Latin Sequences, Tropes, Cantiones, GB-Lbl AddMS.36881 (Various) for voice |
|
Mottets de Monsieur de La Lande (Lalande, Michel Richard de) for voices, mixed chorus, strings and continuo
voices, mixed chorus and orchestra |
|
| 9 Sonatas for 2 Flutes, TWV 40:141-149 (Telemann, Georg Philipp) for 2 flutes |
|
| 12 Suites (Farinel, Jean-Baptiste) for strings and continuo |
1689 |
12 Suites (Valoix, Etienne) for strings and continuo
orchestra |
1689 |
106 Motets, D-Dl Mus.1-D-6 (Various) for 4 voices
5 voices
6 voices
8 voices |
|
| Der Heiland ist Erstanden (Schmidt, Franz) for organ |
1934 |
| 4 Kleine Praeludien und Fugen (Schmidt, Franz) for organ |
1928 |
| Symphony No. 2, Op. 87 (Rheinberger, Josef Gabriel) for orchestra |
1875 |
| Arrangement of Symphony No. 2, Op. 87 (Rheinberger, Josef Gabriel) for piano 4 hands |
1875 |
| Contrafactum version: Christe, Dei soboles from Anna, mihi dilecta, LV 646 (Lassus, Orlande de) for 4 voices |
1881 |
3 Keyboard Sonatas, Op. 1 (Berger, Ludwig) for keyboard
harpsichord
piano |
1800 |
| Violin Sonata in D major, StWV 192/6 (Sterkel, Johann Franz Xaver) for violin and piano |
|
| Alla Turca, Op. 8 (Berger, Ludwig) for piano |
|
| Overture in B minor (Verhulst, Johannes) for orchestra |
|
| Grand variations with an introduction à la Suisse (Bochsa, Nicholas Charles) for harp |
|
The Secret (Bochsa, Nicholas Charles) for voice and piano
voice and harp |
|
| La pauvre femme (Dalayrac, Nicolas) for voices and orchestra |
|
| Stabat Mater (Scarlatti, Domenico) for continuo, 4 sopranos, 2 altos, 2 tenors and 2 basses |
|
Credo, RV 592 (Bigaglia, Diogenio) for 4 voices, strings and continuo
4 voices and orchestra |
|
| Du sollst an einen Gott glauben, Hob.XXVIIa:1 (Haydn, Joseph) for 3 voices |
1791 |
| Du sollst an einen Gott glauben, Hob.XXVIIa:1 (Haydn, Joseph) for 3 voices |
|
| Du sollst an einen Gott glauben, Hob.XXVIIa:1 (Haydn, Joseph) for 3 voices |
|
| Du sollst an einen Gott glauben, Hob.XXVIIa:1 (Haydn, Joseph) for 3 voices |
|
| Alexis (Dalayrac, Nicolas) for voices and orchestra |
|
| Sonata à 5 in G major, Op. 2 No. 1 (Albinoni, Tomaso) for strings and continuo |
1700 |
| Sonata à 5 in C minor, Op. 2 No. 7 (Albinoni, Tomaso) for strings and continuo |
|
| Ecco quel tronco (Ferrandini, Giovanni Battista) for soprano, flute, strings and continuo |
|
| I rivali delusi (Jommelli, Niccolò) for 4 voices and orchestra |
|
| Harpsichord Concerto in G major (Jommelli, Niccolò) for harpsichord and orchestra |
|
| La clemenza di Tito (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| La clemenza di Tito (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| La clemenza di Tito (Jommelli, Niccolò) for voices, mixed chorus and orchestra |
|
| Il pianto di Maria (Ferrandini, Giovanni Battista) for soprano, strings and continuo |
|
| 12 Cantate a voce sola da camera (Bellinzani, Paolo Benedetto) for soprano and continuo |
|
| Costanza in lontananza è pace del mio cor, S.75 (Marcello, Benedetto) for soprano and continuo |
|
| Deh vanne al mar più lento, S.84a (Marcello, Benedetto) for soprano and continuo |
|
| Dorme Clori, aure tacete, S.96 (Marcello, Benedetto) for soprano and continuo |
|
| Amore mi lusinga in due vezzosi rai, S.28 (Marcello, Benedetto) for soprano and continuo |
|
| Romanza (Verdi, Giuseppe) for piano |
|
| Deux mots (Dalayrac, Nicolas) for voices and orchestra |
|
| Libro d'intavolatura di liuto (Galilei, Vincenzo) for lute |
|
| 8 Psaumes ou motets a 2 voix et basse continue (Fiocco, Jean-Joseph) for 2 voices and continuo |
1772 |
| Le Poète et le Musicien (Dalayrac, Nicolas) for voices and orchestra |
|
| Ritorna, ah sì, ritorna, S.293 (Marcello, Benedetto) for soprano and continuo |
|
| Non andar così ratto correndo, S.205 (Marcello, Benedetto) for soprano and continuo |
|
| Lassa ch'io sento amor, S.170 (Marcello, Benedetto) for soprano and continuo |
|
| Son sì care le catene, S.329 (Marcello, Benedetto) for soprano and continuo |
|
| Non creder già ch'io più di te mi dolga, S.206 (Marcello, Benedetto) for soprano and continuo |
|
| Non ho cor, non ho spirto, S.208a (Marcello, Benedetto) for soprano and continuo |
|
| Sentite il mio dolore, S.318 (Marcello, Benedetto) for soprano and continuo |
|
| Non vantar cotanto altero, S.215 (Marcello, Benedetto) for soprano and continuo |
|
| Trabboccando quel torrente, S.355 (Marcello, Benedetto) for alto and continuo |
|
| Alma d'amore non ti fidar, S.17 (Marcello, Benedetto) for alto and continuo |
|
| Qual mai fato inumano, S.265 (Marcello, Benedetto) for alto and continuo |
|
| Fulminatemi, laceratemi, S.132 (Marcello, Benedetto) for alto and continuo |
|
| Amor, barbaro amore, S.25 (Marcello, Benedetto) for alto and continuo |
|
| Ecco il prato, ecco la fonte, S.111a (Marcello, Benedetto) for alto and continuo |
|
| Lieve zefiro si stende, S.177b (Marcello, Benedetto) for alto and continuo |
|
| Baryton Trio in D major, Hob.XI:31 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:41 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:28 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:29 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:32 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:33 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:40 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:42 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:43 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:46 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:47 (Haydn, Joseph) for viola, cello and baryton |
|
| Io fui tradita dalla speranza, S.154 (Marcello, Benedetto) for alto and continuo |
|
| Non vengon le mie pene, S.216 (Marcello, Benedetto) for alto and continuo |
|
| Vidi un giorno il ruscelletto, S.386 (Marcello, Benedetto) for alto and continuo |
|
| Lassa passato è il giorno, S.171 (Marcello, Benedetto) for alto and continuo |
|
| Arresta, arresta il piè, S.31 (Marcello, Benedetto) for alto and continuo |
|
| Cleopatra, Cleopatra infelice!, S.62 (Marcello, Benedetto) for alto and continuo |
|
| Non so dirvi, o luci amate, S.212b (Marcello, Benedetto) for alto and continuo |
|
| O tu limpido fonte nato dal sen, S.234 (Marcello, Benedetto) for alto and continuo |
|
| Dove trovar poss'io, S.99 (Marcello, Benedetto) for alto and continuo |
|
| Ah Tirsi iniquo e traditore infido, S.10 (Marcello, Benedetto) for alto and continuo |
|
| Allor che al nocchiero minaccia tempeste, S.16 (Marcello, Benedetto) for alto and continuo |
|
| Stagion bella e lusinghiera, S.339 (Marcello, Benedetto) for alto and continuo |
|
| Sprezzata mi credei ma non tradita, S.338 (Marcello, Benedetto) for alto and continuo |
|
| Ninfe quel Tirsi, quel pastor sì caro, S.203 (Marcello, Benedetto) for alto and continuo |
|
| O gentil quanto bella leggiadra pastorella, S.228 (Marcello, Benedetto) for alto and continuo |
|
| Cresci col pianto mio, S.77 (Marcello, Benedetto) for alto and continuo |
|
| O ch'io viva, o ch'io mora, S.221b (Marcello, Benedetto) for alto and continuo |
|
| Io non posso lasciar d'adorarvi, S.155b (Marcello, Benedetto) for alto and continuo |
|
| La bianca agnella, S.162b (Marcello, Benedetto) for alto and continuo |
|
| Se i mesti miei sospiri, S.307a (Marcello, Benedetto) for soprano and continuo |
|
| Ti sento amor, ti sento, S.350a (Marcello, Benedetto) for soprano and continuo |
|
| Lontananza e gelosia, S.179a (Marcello, Benedetto) for soprano and continuo |
|
| Deh vanne del mio cor sospiro ardente, S.85 (Marcello, Benedetto) for soprano and continuo |
|
| La pastorella sul primo albore, S.164 (Marcello, Benedetto) for soprano and continuo |
|
| Quella Fileno, quella ch'un tempo, S.285 (Marcello, Benedetto) for soprano and continuo |
|
| Del bel Tamigi in riva, S.88 (Marcello, Benedetto) for soprano and continuo |
|
| Quando Amor mi vuol felice, S.270a (Marcello, Benedetto) for soprano and continuo |
|
| Dimando a voi pietà, S.93 (Marcello, Benedetto) for soprano and continuo |
|
| Aure voi che leggiere da me partendo, S.39a (Marcello, Benedetto) for soprano and continuo |
|
| Senza il caro e dolce sguardo, S.322 (Marcello, Benedetto) for soprano and continuo |
|
| A voi prati felici, S.4 (Marcello, Benedetto) for soprano and continuo |
|
| Filli quant'io t'amai, S.123 (Marcello, Benedetto) for soprano and continuo |
|
| Ruscelletto arresta il corso, S.298 (Marcello, Benedetto) for soprano and continuo |
|
| Già che fortuna rea, S.133b (Marcello, Benedetto) for soprano and continuo |
|
| Miro la tortorella, S.189a (Marcello, Benedetto) for soprano and continuo |
|
| Quest'alma incenerita, S.286 (Marcello, Benedetto) for soprano and continuo |
|
| L'usignolo ch'il suo duolo, S.161a (Marcello, Benedetto) for soprano and continuo |
|
47 Cantatas, I-Vnm Mss.It.IV.966 (Marcello, Benedetto) for soprano and continuo
alto and continuo
bass and continuo |
|
Colombe innamorate il so che sospirate, S.67a-b (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
Colombe innamorate il so che sospirate, S.67a-b (Marcello, Benedetto) for soprano and continuo
alto and continuo |
|
| Freme di rabbia Erode, S.129 (Marcello, Benedetto) for bass and continuo |
|
| Lasciato avea l'adultero, S.169 (Marcello, Benedetto) for alto and continuo |
|
| Ah ch'io sento in lontananza, S.8 (Marcello, Benedetto) for alto and continuo |
|
| Symphony No. 21 in D major (Witt, Friedrich) for orchestra |
|
| Baryton Trio in G major, Hob.XI:53 (Haydn, Joseph) for viola, cello and baryton |
|
| Symphony No. 19 in C major (Witt, Friedrich) for orchestra |
|
| Baryton Trio in G major, Hob.XI:49 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:50 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:51 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:52 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:54 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:55 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:57 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:58 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:59 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:60 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:61 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:62 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:63 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:64 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:65 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:66 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:67 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:68 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:69 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:71 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:73 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:78 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:79 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:81 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in F major, Hob.XI:83 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:84 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:85 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:86 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:88 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:89 (Haydn, Joseph) for violin, cello and baryton |
|
| Baryton Trio in C major, Hob.XI:90 (Haydn, Joseph) for violin, cello and baryton |
|
| Baryton Trio in D major, Hob.XI:91 (Haydn, Joseph) for violin, cello and baryton |
|
| Baryton Trio in G major, Hob.XI:92 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in C major, Hob.XI:93 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in A major, Hob.XI:94 (Haydn, Joseph) for viola, cello and baryton |
|
| Un guardo solo, S.358b (Marcello, Benedetto) for alto and continuo |
|
| Altre non amerò benché credessi, S.19 (Marcello, Benedetto) for alto and continuo |
|
| Tra vivi il più infelice son io, S.354 (Marcello, Benedetto) for alto and continuo |
|
| 7 Harp Sonatas (Baur, Jean) for harp |
|
| Jovita (Labarre, Théodore) for orchestra |
|
| Baryton Trio in D major, Hob.XI:95 (Haydn, Joseph) for viola, cello and baryton |
|
| Baryton Trio in B minor, Hob.XI:96 (Haydn, Joseph) for viola, cello and baryton |
|
| Le Stagioni (Ugoletti, Paolo) for guitar |
1992 |
| Nel ballo astolfo e giocono (Marcucci, Ferdinando) for harp |
|
| Der Messias, TWV 6:4 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1759 |
| Die Patrioten (Scheibe, Johann Adolph) for soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
1760 |
| Die Patrioten (Scheibe, Johann Adolph) for soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
1760 |
| Pieces au clavessin (Scheibe, Johann Adolph) for keyboard |
1727 |
| Pieces au clavessin (Scheibe, Johann Adolph) for keyboard |
1700 |
| Die Auferstehung und Himmelfahrt Jesu, SchW B2:301 (Scheibe, Johann Adolph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1760 |
| Benedictus No. 2, AWV 77 (Auber, Daniel François Esprit) for soprano, harp and organ |
1800 |
| Recorder Sonata in D minor, S.762 (Marcello, Benedetto) for recorder and continuo |
|
Divertimento for Viola and Strings (Holler, Augustin) for 2 violins, 2 violas and cello
viola and strings |
|
6 Quadri (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
1742 |
Selections (Nos.1, 3, 4) from 6 Quadri (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
|
| Komm wieder Herr zu der Menge, TWV 2:12 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1762 |
| Overture No. 2 (Mayer, Emilie) for orchestra |
1800 |
| Overture No. 2 (Mayer, Emilie) for orchestra |
1800 |
| Harmonische Seelenlust (Kauffmann, Georg Friedrich) for organ |
1735 |
Manuscript, F-Pn Rés. Vm7 676 (Various) for 2 voices
3 voices
4 voices
5 voices |
1502 |
| La Filli (La moglie del fratello), TN V.2 (Netti, Giovanni Cesare) for 4 voices, strings and continuo |
|
Sérénade, Op. 76 (Bertini, Henri) for violin, viola, cello and piano
violin, viola, cello, double bass and piano |
|
| Variations on 'God Save the King', Op. 41 (Sechter, Simon) for 2 violins, viola and cello |
|
| Die Wette, JWV 46 (Rheinberger, Josef Gabriel) for voices, mixed chorus and orchestra |
1856 |
| Matilde (Coccia, Carlo) for |
|
Violin Concerto in D major (Noferi, Giovan Battista) for violin, strings and continuo
flute, strings and continuo |
|
| Inclina Domine (Antoine, Merle) for soprano, bass, mixed chorus and orchestra |
1779 |
| Regina cæli, F-Pn MS-23521 (Antoine, Merle) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1779 |
| Regina cæli, F-Pn MS-23533 (Antoine, Merle) for soprano, alto, tenor, mixed chorus and orchestra |
1785 |
| Der Bienenstich, StWV 101 (Sterkel, Johann Franz Xaver) for voice and piano |
|
| Die Erinnerung, StWV 80 (Sterkel, Johann Franz Xaver) for voice and piano |
|
| Dixit Dominus (Antoine, Merle) for alto, tenor, bass, mixed chorus and orchestra |
1779 |
| Salvum me fac Deus (Antoine, Merle) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1780 |
| 3 Harpsichord Trios, StWV 168 (Sterkel, Johann Franz Xaver) for violin, cello and harpsichord |
|
| Fugue in G minor (Maquaire, Lazare-Auguste) for organ |
1901 |
| Eructavit cor meum (Antoine, Merle) for soprano, mixed chorus, bassoon and continuo |
1780 |
| Omaggio a Bellini (Mercadante, Saverio) for orchestra |
|
| Arrangement of Omaggio a Bellini (Mercadante, Saverio) for guitar, 2 mandolins and mandola |
1929 |
| Sängerfahrt, Op. 33 (Lachner, Franz Paul) for voice and piano |
|
| Passacaglia in F major (West, John Ebenezer) for organ |
|
| Sepulto Domino No. 2 (Oliveira, Manoel Dias de) for mixed chorus |
|
| 3 Duos Italiens, StWV 11 (Sterkel, Johann Franz Xaver) for 2 voices and piano |
1700 |
| 6 Lieder, Op. 134 (Lachner, Franz Paul) for alto and piano |
1867 |
| Concerto a cinque in G major (Vitali, Tomaso Antonio) for strings and continuo |
|
| A Stag Party (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
|
Magnificat in D major (Kusser, Johann) for mixed chorus, 3 trombones, 2 violins and continuo
5 voices and orchestra |
|
| Festhymne zur Enthüllung des König Ludwigs Denkmal (Lachner, Franz Paul) for male chorus, wind ensemble, brass ensemble and percussion |
1800 |
| Der Herr macht alles wohl (Reissiger, Carl Gottlieb) for soprano, tenor, mixed chorus and orchestra |
|
| Fantasie in F-sharp minor (Lachner, Franz Paul) for piano |
1877 |
| March in E-flat major (Lachner, Franz Paul) for piano |
1863 |
| Zur Grundsteinlegung des K. Maximilaneums (Lachner, Franz Paul) for male chorus, wind ensemble, brass ensemble and percussion |
1861 |
| Psalm 42 (Lachner, Franz Paul) for mixed chorus |
1837 |
| 7. Mondscheinnacht from Arrangement of 7. Mondscheinnacht from 9 Gesänge, Op. 80 (Lachner, Franz Paul) for 3 sopranos and orchestra |
|
| 9 Gesänge, Op. 169 (Lachner, Franz Paul) for mixed chorus |
1800 |
| Selected Works of Louis Spohr (Spohr, Louis) for |
1800 |
| 6 Cello Sonatas, Op. 1 (Cirri, Giovanni Battista) for cello and continuo |
|
| Crud'amor (Pollarolo, Antonio) for soprano and continuo |
|
| String Quartet in D major, SC 50 (Puccini, Giacomo) for 2 violins, viola and cello |
|
| 8 Duets for 2 Cellos (Cirri, Giovanni Battista) for 2 cellos |
|
| Frühlingsnähe (Lachner, Franz Paul) for voice and piano |
1844 |
| Mysterium (Scriabin, Aleksandr) for |
|
| 27 Cello Studies (Trowell, Arnold) for cello |
|
| Jane Pickering's Lute Book (Pickering, Jane) for lute |
|
| In Pulpit and Pew (Sousa, John Philip) for |
|
| Ein lispelnd-murmelndes Gedränge, TWV 1:427 (Telemann, Georg Philipp) for alto, 2 violins and continuo |
|
| Ein lispelnd-murmelndes Gedränge, TWV 1:427 (Telemann, Georg Philipp) for alto, 2 violins and continuo |
|
| Leaves from My Notebook (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
|
| Songs of Grace and Songs of Glory (Sousa, John Philip) for wind ensemble, brass ensemble and percussion |
|
| The Curlew (Warlock, Peter) for tenor, flute, English horn, 2 violins, viola and cello |
|
| Spermestra à Le Danaidi (Millico, Giuseppe) for voices and orchestra |
|
| In te Domine speravi (Kusser, Johann) for alto, tenor, bass, 3 violins and continuo |
|
| Oster Kantate (Bierey, Gottlob Benedict) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ho sparso tante lagrime (Millico, Giuseppe) for voice and piano |
|
| Jephthah's Daughter, Op. 53 (Beach, Amy Marcy) for soprano and orchestra |
1903 |
| Drang der Liebe, StWV 53/10 (Sterkel, Johann Franz Xaver) for voice and piano |
|
| Miserere in D major (Peranda, Marco Gioseppe) for mixed chorus and orchestra |
|
Trio Sonata in D minor, Op. 4 No. 8 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
| Arrangement of Trio Sonata in D minor, Op. 4 No. 8 (Corelli, Arcangelo) for double bass and piano |
|
| La Clementina, G.540 (Boccherini, Luigi) for 6 voices and orchestra |
|
| 12 Piano Pieces, StWV 217 (Sterkel, Johann Franz Xaver) for piano |
|
| Sampson Lute Book, GB-Lam MS 602 (Anonymous) for lute |
|
| Andante for Brass Instruments (Lachner, Franz Paul) for 4 horns, 2 trumpets and 3 trombones |
1833 |
| The Remarkable Andrew (Young, Victor) for orchestra |
1941 |
| Way Down South (Young, Victor) for orchestra |
|
| 74 Lute Pieces, US-Ws V.b.280 (Various) for lute |
|
| Breaking the Ice (Young, Victor) for orchestra |
|
| Range War (Young, Victor) for orchestra |
|
| The Love Letters (Young, Victor) for orchestra |
1945 |
| The Quiet Man (Young, Victor) for orchestra |
|
| Antigona (Gazzaniga, Giuseppe) for 6 voices and orchestra |
|
| Aloma of the South Seas (Young, Victor) for orchestra |
1941 |
| Beyond the Blue Horizon (Young, Victor) for orchestra |
1941 |
| A Man Alone (Young, Victor) for orchestra |
|
| A Medal for Benny (Young, Victor) for orchestra |
1944 |
| Fair Wind to Java (Young, Victor) for orchestra |
|
| Flight Nurse (Young, Victor) for orchestra |
|
| Johnny Guitar (Young, Victor) for orchestra |
|
| No Time for Love (Young, Victor) for orchestra |
1943 |
| Road to Zanzibar (Young, Victor) for orchestra |
1941 |
| Sands of Iwo Jima (Young, Victor) for orchestra |
|
| String Quartet (Hoen, Hermine L.) for 2 violins, viola and cello |
|
| The Left Hand of God (Young, Victor) for orchestra |
1955 |
| The Searching Wind (Young, Victor) for orchestra |
1946 |
| The Story of Will Rogers (Young, Victor) for orchestra |
|
| Cornish Lullaby (Vogrich, Max) for violin and piano |
|
| La Didone (Boroni, Antonio) for 6 voices and orchestra |
|
| String Quartet in D minor (Hoen, Hermine L.) for 2 violins, viola and cello |
|
| Fisherman's Wharf (Young, Victor) for orchestra |
|
| Payment on Demand (Young, Victor) for orchestra |
|
| Gulliver's Travels (Young, Victor) for orchestra |
1939 |
| L'amore in musica (Boroni, Antonio) for 7 voices and orchestra |
|
| L'amore in musica (Boroni, Antonio) for 7 voices and orchestra |
|
| La grotta di Trofonio, R.1.69 (Paisiello, Giovanni) for 8 voices and orchestra |
1785 |
| La grotta di Trofonio, R.1.69 (Paisiello, Giovanni) for 8 voices and orchestra |
|
| Alfin quella dal cielo (Piccinni, Niccolò) for 3 voices, mixed chorus and orchestra |
1769 |
| Ma che? de' cenni miei (Piccinni, Niccolò) for 3 voices, mixed chorus and orchestra |
1776 |
| Giove piacevole nella regia di Partenope (Piccinni, Niccolò) for 3 voices and orchestra |
1771 |
| Ecco Alcide, ecco l'eroe (Piccinni, Niccolò) for 3 voices, mixed chorus and orchestra |
1771 |
| Flute Book (Beck, Henry) for flute |
|
| Gaberlunzie (Laubach, Frank) for orchestra |
|
Trio Sonata in G minor, Op. 4 No. 2 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in A minor, Op. 4 No. 5 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in E major, Op. 4 No. 6 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in F major, Op. 4 No. 7 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in B-flat major, Op. 4 No. 9 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in B minor, Op. 4 No. 12 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in G major, Op. 4 No. 10 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
Trio Sonata in C minor, Op. 4 No. 11 (Corelli, Arcangelo) for 2 violins and violone
2 violins and continuo |
|
| Harpsichord Sonata in E-flat major, IP 112 (Platti, Giovanni Benedetto) for harpsichord |
|
| Harpsichord Concerto in E-flat major, IP 51 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in F major, IP 53 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in D major, IP 50 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Qui del Sebeto in riva (Caballone, Gaspare) for soprano, mixed chorus and orchestra |
|
| Concerto a 3 in A minor (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in A minor (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in A minor (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in A minor (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in A minor (3) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in B minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in B minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in B-flat major (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in B-flat major (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in C minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in C minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in D major (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in D major (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in D major (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in D major (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in D minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in E minor (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in E minor (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in E minor (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in F minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in F minor (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in G major (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in G major (1) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in G major (2) (Caballone, Michele) for 2 violins and continuo |
|
| Concerto a 3 in G minor (Caballone, Michele) for 2 violins and continuo |
|
| Harpsichord Concerto in G major, IP 55 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in G major, IP 54 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in C major, IP 48 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in C major, IP 48 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in C major, IP 48 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in F major, IP 52 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in A major, IP 57 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in C minor, IP 49 (Platti, Giovanni Benedetto) for harpsichord, strings and continuo |
|
Sonata for Viola da Gamba in G major, BWV 1027 (Bach, Johann Sebastian) for viol and harpsichord
organ |
1700 |
| Sonata for Viola da Gamba in D major, BWV 1028 (Bach, Johann Sebastian) for viol and harpsichord |
1753 |
| Arrangement of Sonata for Viola da Gamba in D major, BWV 1028 (Bach, Johann Sebastian) for violin and harpsichord |
1800 |
| Sonata for Viola da Gamba in G minor, BWV 1029 (Bach, Johann Sebastian) for viol and harpsichord |
|
| Sonata for Viola da Gamba in G minor, BWV 1029 (Bach, Johann Sebastian) for viol and harpsichord |
1753 |
| Aleph quomodo obscuratum (Calderara, Giacinto) for soprano and continuo |
1700 |
| Laetatus sum in G major (Calderara, Giacinto) for mixed chorus, strings and continuo |
1700 |
| Eccomi solo alfine (Errichelli, Pasquale) for 2 sopranos and orchestra |
|
| Ercole sul Termodonte (Schürer, Johann Georg) for 6 voices and orchestra |
|
| Incomplete from Ercole sul Termodonte (Schürer, Johann Georg) for 6 voices and orchestra |
1746 |
| Variazioni sopia l'aria della Cenerentola di Rossini (Gariboldi, Vinc.) for harp |
|
| Eumene, 1771 (Various) for 6 voices and orchestra |
|
| Incomplete from Issipile (Errichelli, Pasquale) for 6 voices and orchestra |
|
| Incomplete from Issipile (Errichelli, Pasquale) for 6 voices and orchestra |
|
| Incomplete from Issipile (Errichelli, Pasquale) for 6 voices and orchestra |
|
| Incomplete from Solimano (Errichelli, Pasquale) for 7 voices and orchestra |
|
| Solimano (Errichelli, Pasquale) for 7 voices and orchestra |
|
| Solimano (Errichelli, Pasquale) for 7 voices and orchestra |
|
| Medonte (Insanguine, Giacomo) for 6 voices and orchestra |
|
| Arianna e Teseo (Insanguine, Giacomo) for 6 voices and orchestra |
|
| Incomplete from Astrea placata (Schürer, Johann Georg) for 5 voices and orchestra |
|
| Doris (Schürer, Johann Georg) for 4 voices and orchestra |
|
| Incomplete from Doris (Schürer, Johann Georg) for 4 voices and orchestra |
1747 |
| Il figliuol prodigo (Schürer, Johann Georg) for 5 voices, mixed chorus and orchestra |
|
| La Galatea (Schürer, Johann Georg) for 4 voices and orchestra |
|
| Incomplete from La Galatea (Schürer, Johann Georg) for 4 voices and orchestra |
|
| Isacco, figura del Redentore (Schürer, Johann Georg) for 5 voices, mixed chorus and orchestra |
1748 |
| Keyboard Sonata in F major (Casanoves i Bertran, Narcís) for keyboard |
|
| Incomplete from Le finte gemelle (Piccinni, Niccolò) for 4 voices and orchestra |
1770 |
| Incomplete from Le finte gemelle (Piccinni, Niccolò) for 4 voices and orchestra |
|
| Il sordo (Piccinni, Niccolò) for voices and orchestra |
1775 |
| Le gelosie (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Nitteti (Piccinni, Niccolò) for 6 voices, mixed chorus and orchestra |
1757 |
| Nitteti (Piccinni, Niccolò) for 6 voices, mixed chorus and orchestra |
|
| La schiava seria (Piccinni, Niccolò) for 4 voices and orchestra |
|
| La schiava seria (Piccinni, Niccolò) for 4 voices and orchestra |
|
| La schiava seria (Piccinni, Niccolò) for 4 voices and orchestra |
|
| Incomplete from La schiava seria (Piccinni, Niccolò) for 4 voices and orchestra |
|
| La schiava seria (Piccinni, Niccolò) for 4 voices and orchestra |
|
| Madama Arrighetta (Piccinni, Niccolò) for 7 voices and orchestra |
1758 |
| La furba burlata (Piccinni, Niccolò) for 7 voices and orchestra |
1773 |
| Le vicende della sorte (Piccinni, Niccolò) for 5 voices and orchestra |
1761 |
| La bella verità (Piccinni, Niccolò) for 7 voices and orchestra |
1762 |
| Il cavaliere per amore (Piccinni, Niccolò) for 7 voices and orchestra |
1762 |
| L'incostante (Piccinni, Niccolò) for 4 voices and orchestra |
|
| La molinarella (Piccinni, Niccolò) for 8 voices and orchestra |
1766 |
| Incomplete from La molinarella (Piccinni, Niccolò) for 8 voices and orchestra |
|
| Incomplete from La notte critica (Piccinni, Niccolò) for 7 voices and orchestra |
|
| La finta baronessa (Piccinni, Niccolò) for 7 voices and orchestra |
1767 |
| Incomplete from Gli sposi perseguitati (Piccinni, Niccolò) for 8 voices and orchestra |
1769 |
| Gelosia per gelosia (Piccinni, Niccolò) for 10 voices and orchestra |
1770 |
| Gelosia per gelosia (Piccinni, Niccolò) for 10 voices and orchestra |
|
| La donna di bell’umore (Piccinni, Niccolò) for 8 voices and orchestra |
1771 |
| La corsara (Piccinni, Niccolò) for 8 voices and orchestra |
1771 |
| La sposa collerica (Piccinni, Niccolò) for 5 voices and orchestra |
1772 |
| Incomplete from Gli amanti mascherati (Piccinni, Niccolò) for 9 voices and orchestra |
1774 |
| Enea in Cuma (Piccinni, Niccolò) for voices and orchestra |
1775 |
| Incomplete from La capricciosa (Piccinni, Niccolò) for 7 voices and orchestra |
1776 |
| Incomplete from Vittorina (Piccinni, Niccolò) for 7 voices and orchestra |
|
| Il finto turco (Piccinni, Niccolò) for 7 voices and orchestra |
1762 |
| Piccinni's Arias from Farnace (Perez, Davide) for 7 voices and orchestra |
1757 |
| Il curioso del suo proprio danno (Piccinni, Niccolò) for 7 voices, male chorus and orchestra |
1755 |
| Il curioso del suo proprio danno (Piccinni, Niccolò) for 7 voices, male chorus and orchestra |
1700 |
| 6 Duets for Flute and Violin, Op. 2 (Cannabich, Christian) for flute and violin |
|
| Arrangement of Violin Sonata in A minor, Op. 6 No. 6 (Albinoni, Tomaso) for recorder and keyboard |
|
| Lautentabulaturen, D-Mbs Hss Mus.ms.266 (Various) for lute |
|
| Il gran Cid (Piccinni, Niccolò) for 6 voices and orchestra |
1766 |
| Overture from Il gran Cid (Piccinni, Niccolò) for 6 voices and orchestra |
|
| La pescatrice (Piccinni, Niccolò) for 4 voices and orchestra |
1766 |
| Mass, SN13.17 (Nepomuceno, Alberto) for female chorus and organ |
|
| Valse-Impromptu, SN1.13 (Nepomuceno, Alberto) for piano |
|
| Piano Sonata, Op. 9 (Nepomuceno, Alberto) for piano |
|
| Nocturne, Op. 33 (Nepomuceno, Alberto) for piano |
|
| Arrangement of Symphony, SN6.11 (Nepomuceno, Alberto) for piano 4 hands |
|
| String Quartet No. 3, SN5.7 (Nepomuceno, Alberto) for 2 violins, viola and cello |
1891 |
| I finti nobili (Cimarosa, Domenico) for voices and orchestra |
1780 |
| Incomplete from I finti nobili (Cimarosa, Domenico) for voices and orchestra |
|
| Le donne rivali (Cimarosa, Domenico) for 6 voices and orchestra |
1780 |
| Le donne rivali (Cimarosa, Domenico) for 6 voices and orchestra |
|
| Litany in F minor (Durante, Francesco) for mixed chorus, strings and continuo |
|
| Ecco il fatal momento (Aprile, Giuseppe) for 2 sopranos and orchestra |
|
| Oh care selve, oh cara felice libertà (Aprile, Giuseppe) for 2 sopranos, bass and orchestra |
|
| Una noche de feria en Sevilla, Fiesta andaluza (Act 2 No.7) from Margot, Op. 11 (Turina, Joaquín) for voices, mixed chorus and orchestra |
|
| Cuadro Primero (Act 1 No.1) from Arrangement of Cuadro Primero (Act 1 No.1) from Margot, Op. 11 (Turina, Joaquín) for piano |
|
| Lamentatione Jeremiae prophetae (Durante, Francesco) for mixed chorus and orchestra |
|
| Lamentatione Jeremiae prophetae (Durante, Francesco) for mixed chorus and orchestra |
|
| Arrangement of Harpsichord Concerto in E-flat major, H.473 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Arrangement of Harpsichord Concerto in G major, H.475 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Arrangement of Harpsichord Concerto in C major, H.476 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Arrangement of Harpsichord Concerto in F major, H.471 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Arrangement of Harpsichord Concerto in D major, H.472 (Bach, Carl Philipp Emanuel) for 2 harpsichords |
|
| Instrumentälischer Bettlermantl (Anonymous) for |
|
| De la qes Reina cielo (Jerusalem, Ignacio) for 2 voices and continuo |
|
| Gloria in B minor (Caldara, Antonio) for voices, mixed chorus and orchestra |
1715 |
6 Sonatas (Moller, John Christopher) for violin, cello and piano
violin, cello and harpsichord |
|
| Deborah and Barak (Greene, Maurice) for voices, mixed chorus and orchestra |
1757 |
| Deborah and Barak (Greene, Maurice) for voices, mixed chorus and orchestra |
|
| Lauda Jerusalem Dominum (Della Ciaja, Azzolino Bernardino) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Laetatus sum (Della Ciaja, Azzolino Bernardino) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Nisi Dominus (Della Ciaja, Azzolino Bernardino) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Il matrimonio inaspettato, R.1.60 (Paisiello, Giovanni) for 4 voices and orchestra |
1779 |
| Il matrimonio inaspettato, R.1.60 (Paisiello, Giovanni) for 4 voices and orchestra |
|
| Incomplete from Il fanatico burlato (Cimarosa, Domenico) for |
1787 |
| Il fanatico burlato (Cimarosa, Domenico) for |
|
| Flute Concerto in A major, QV 5:217 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Cello Concerto in C major (Gretsch, Johann Konrad) for cello and orchestra |
|
| Sonata for Violin and Cello in G major (Gretsch, Johann Konrad) for violin and cello |
|
| Laudate pueri Dominum (Jommelli, Niccolò) for voices and organ |
1750 |
La batalha do Vimieiro (Baxixa, Joaquim Félix Xavier) for 2 sopranos, bass and harpsichord
2 sopranos, bass and piano |
|
Duettini, cavatina e canzoncina portoghesa (Totti, Giuseppe) for 2 sopranos and guitar
2 sopranos and piano
soprano and piano
harpsichord and soprano |
|
| Solfeggios for Soprano, P-Ln C.N.321 (Leo, Leonardo) for soprano and continuo |
|
34 Motetten, D-B Am.B 326 (Various) for 4 voices
5 voices
5 voices and continuo
mixed chorus
mixed chorus and continuo
6 voices |
|
| Flute Concerto in E major, QV 5:107 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Cello Concerto in D major (Lanzetti, Domenico) for cello and orchestra |
|
| Cello Concerto in F major (Lanzetti, Domenico) for cello and orchestra |
|
| Cello Sonata in B-flat major, D-B A.108 (Lanzetti, Domenico) for cello and continuo |
|
| Cello Sonata in B-flat major, D-B A.107 (Lanzetti, Domenico) for cello and continuo |
|
| Cello Concerto in E major (Lanzetti, Domenico) for cello and orchestra |
|
| Cello Concerto in G major (Lanzetti, Domenico) for cello and orchestra |
|
| Per te d'eterni allori (Naselli, Diego) for soprano and orchestra |
1700 |
| L'Amor vendicato (Naselli, Diego) for 4 voices and orchestra |
1769 |
| L'Amor vendicato (Naselli, Diego) for 4 voices and orchestra |
|
| Vieni, appaga il tuo consorte (Naselli, Diego) for 2 sopranos and orchestra |
|
| Vieni, appaga il tuo consorte (Naselli, Diego) for 2 sopranos and orchestra |
|
| Vieni, appaga il tuo consorte (Naselli, Diego) for 2 sopranos and orchestra |
|
| Mass in B-flat major (Boroni, Antonio) for voices, mixed chorus and orchestra |
|
| Tisbe (Brescianello, Giuseppe Antonio) for voices, mixed chorus and orchestra |
|
| Il gran Cid (Rosetti, Antonio) for 6 voices and orchestra |
|
| Keyboard Sonata in B-Flat major, P-Ln M.M.508 (De Lima Velho, Afonso Vito) for keyboard |
|
| La passione di Gesù Cristo Signore Nostro (Naselli, Diego) for 4 voices and orchestra |
|
| La conversione di sant'Agostino (Naselli, Diego) for 5 voices and orchestra |
|
| Arianna e Teseo (Fischietti, Domenico) for 6 voices and orchestra |
|
| Nitteti (Fischietti, Domenico) for 6 voices and orchestra |
|
| Ipermestra (Martín y Soler, Vicente) for 6 voices and orchestra |
|
| Ipermestra (Martín y Soler, Vicente) for 6 voices and orchestra |
|
| Le nozze disturbate, R.1.6 (Paisiello, Giovanni) for 8 voices and orchestra |
1765 |
| Ifigenia in Aulide, B.703 (Pleyel, Ignaz) for 6 voices and orchestra |
|
| Incomplete from Le finte contesse, R.1.7 (Paisiello, Giovanni) for 4 voices and orchestra |
1766 |
| Incomplete from Il furbo malaccorto, R.1.13 (Paisiello, Giovanni) for 7 voices and orchestra |
1767 |
| La luna abitata, R.1.17 (Paisiello, Giovanni) for 8 voices and orchestra |
1768 |
| Incomplete from La finta maga per vendetta, R.1.18 (Paisiello, Giovanni) for 9 voices and orchestra |
1768 |
| Misera a tante pene (Avondano, Pedro António) for voice, 2 violins, viola and continuo |
|
| Qual orribil spettacolo (Mazziotti, Michele) for tenor and orchestra |
1700 |
| Le 'mbroglie de le bajasse, R.1.9 (Paisiello, Giovanni) for 9 voices and orchestra |
1769 |
| Solfeggios of Alto, P-Ln F.C.R.32 (Capranica, Matteo) for alto and continuo |
|
| 12 Etudes de concert (Dubois, Théodore) for piano |
1905 |
| Le nozze di Peleo e Tetide, R.1.15 (Paisiello, Giovanni) for 6 voices and orchestra |
1768 |
| Complete (Version 1) from L'idolo cinese, R.1.10 (Paisiello, Giovanni) for 8 voices and orchestra |
|
| Complete (Version 2) from L'idolo cinese, R.1.10 (Paisiello, Giovanni) for 8 voices and orchestra |
1767 |
| Complete (Version 2) from L'idolo cinese, R.1.10 (Paisiello, Giovanni) for 8 voices and orchestra |
|
| Incomplete from La vedova di bel genio, R.1.8 (Paisiello, Giovanni) for 8 voices and orchestra |
1766 |
| Parte oh Dio da me Fileno (Leo, Leonardo) for soprano, strings and continuo |
|
| Toccata and March, P-Ln M.M.4540 (Purificação, Matias da) for keyboard |
|
| L'Andromada (Leo, Leonardo) for soprano, strings and continuo |
|
Arias and Cantatas, P-Ln C.I.C.14/2 (Various) for soprano, strings and continuo
tenor, strings and continuo |
|
| Overture from Vologeso, re de' Parti (Capua, Rinaldo di) for 6 voices and orchestra |
|
| Vologeso, re de' Parti (Capua, Rinaldo di) for 6 voices and orchestra |
|
| Vologeso, re de' Parti (Capua, Rinaldo di) for 6 voices and orchestra |
1739 |
| Complete (Version 1738) from Lucilla e Pandolfo (Hasse, Johann Adolph) for |
1738 |
| Aria: Belle mie calde lacrime from Lucilla e Pandolfo (Hasse, Johann Adolph) for |
|
| Chaconne in G major (Anonymous) for |
|
| Fugue (No.2) from Prelude and Fugue in F minor, Krebs-WV 408 (Krebs, Johann Ludwig) for organ |
1840 |
| Fugue (No.2) from Prelude and Fugue in F minor, Krebs-WV 408 (Krebs, Johann Ludwig) for organ |
|
| I scherzi di amore e di fortuna, R.1.28 (Paisiello, Giovanni) for 9 voices and orchestra |
1771 |
| La Zelmira, R.1.23 (Paisiello, Giovanni) for 10 voices and orchestra |
1770 |
| Le trame per amore, R.1.24 (Paisiello, Giovanni) for 10 voices and orchestra |
1770 |
| La somiglianza de' nomi, R.1.27 (Paisiello, Giovanni) for 8 voices and orchestra |
1771 |
| La Dardané, R.1.33 (Paisiello, Giovanni) for 8 voices and orchestra |
1772 |
| Gli amanti comici, R.1.34 (Paisiello, Giovanni) for 8 voices and orchestra |
1772 |
| La semplice fortunata, R.1.38 (Paisiello, Giovanni) for 9 voices and orchestra |
1773 |
| Complete (Version 1) from L'arabo cortese, R.1.22 (Paisiello, Giovanni) for 8 voices and orchestra |
|
| Incomplete (Version 2) from L'arabo cortese, R.1.22 (Paisiello, Giovanni) for 8 voices and orchestra |
1769 |
| El Carretero (Bernal Jiménez, Miguel) for mixed chorus |
|
Clarines sonad (Jerusalem, Ignacio) for 4 voices and orchestra
4 voices, 2 trumpets, 2 violins and continuo |
|
| Il duello, R.1.41 (Paisiello, Giovanni) for 8 voices and orchestra |
1782 |
| Il credulo deluso, R.1.42 (Paisiello, Giovanni) for 8 voices and orchestra |
1774 |
| Il divertimento de' numi, R.1.44 (Paisiello, Giovanni) for 4 voices, mixed chorus and orchestra |
1774 |
| Incomplete from Il gran Cid, R.1.49 (Paisiello, Giovanni) for 6 voices and orchestra |
1775 |
| Socrate immaginario, R.1.48 (Paisiello, Giovanni) for 8 voices and orchestra |
1775 |
| Un ciego que ver quería (Zumaya, Manuel de) for 6 voices |
1716 |
| Esta noche las zagalas (Jerusalem, Ignacio) for mixed chorus and orchestra |
1765 |
Ya la gloria (Zumaya, Manuel de) for tenor, strings and continuo
tenor, 2 violins and continuo |
|
| Symphony in A major (Hofmann, Leopold) for orchestra |
|
| Le astuzie amorose, R.1.47 (Paisiello, Giovanni) for 9 voices and orchestra |
1775 |
| Overture from Le astuzie amorose, R.1.47 (Paisiello, Giovanni) for 9 voices and orchestra |
|
| La frascatana, R.1.43 (Paisiello, Giovanni) for 7 voices and orchestra |
1774 |
| La frascatana, R.1.43 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| La frascatana, R.1.43 (Paisiello, Giovanni) for 7 voices and orchestra |
|
Lauda Sion (Dallo y Lana, Miguel Matheo) for 2 mixed chorus and continuo
8 voices and continuo |
|
| Alégrese los astros (Zumaya, Manuel de) for 2 sopranos, alto and continuo |
1710 |
Laudate Dominum (Dallo y Lana, Miguel Matheo) for soprano, 2 altos, 2 tenors, bass and continuo
2 mixed chorus and continuo |
|
| Fantaisie brillante sur 'Les Rameaux', Op. 180 (Leybach, Ignace Xavier Joseph) for piano |
|
| Le due contesse, R.1.50 (Paisiello, Giovanni) for 5 voices and orchestra |
1775 |
| La finta amante, R.1.61 (Paisiello, Giovanni) for 3 voices and orchestra |
|
| Giunone Lucina, R.1.73 (Paisiello, Giovanni) for soprano, mixed chorus and orchestra |
1787 |
| La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
1787 |
| La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Incomplete from La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Incomplete from La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Incomplete from La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Incomplete from La modista raggiratrice, R.1.74 (Paisiello, Giovanni) for 7 voices and orchestra |
|
An Chloe (Göpfert, Carl Andreas) for voice, flute and guitar
voice, clarinet and guitar |
1700 |
| L'amore ingegnoso, R.1.68 (Paisiello, Giovanni) for 5 voices and orchestra |
1785 |
| Auferstehungs-Historie (Zeutschner, Tobias) for voices, mixed chorus and orchestra |
|
| Il ritorno di Perseo, R.2.6 (Paisiello, Giovanni) for voices, 2 mixed chorus and orchestra |
|
| Le nozze di Silvio e Clori, R.2.11 (Paisiello, Giovanni) for 3 voices, mixed chorus and orchestra |
1797 |
| La pace, R.1.93 (Paisiello, Giovanni) for 8 voices, mixed chorus and orchestra |
1700 |
| Fille a Tirsi, R.2.16 (Paisiello, Giovanni) for soprano and orchestra |
|
| Tirsi a Fille, R.2.15 (Paisiello, Giovanni) for soprano and orchestra |
|
| La scusa, R.2.18 (Paisiello, Giovanni) for soprano, strings and continuo |
|
| Cantata fatta in occasione della transalazione del sangue di S. Gennaro, R.3.6 (Paisiello, Giovanni) for voices, 2 mixed chorus and orchestra |
1787 |
| Misera, dove mai (Jommelli, Niccolò) for 3 voices and orchestra |
|
| La critica (Jommelli, Niccolò) for 7 voices and orchestra |
|
| La critica (Jommelli, Niccolò) for 7 voices and orchestra |
1766 |
| Violin Concertino No. 5, Op. 133 (Kalliwoda, Johann Wenzel) for violin and orchestra |
|
Oíd moradores del orbe (Zumaya, Manuel de) for 5 voices
mixed chorus |
1710 |
Recueil d'airs (Désargus, Xavier) for voice
voice
2 voices |
1827 |
Keyboard Sonata in E minor, CzaR 16 (Rust, Friedrich Wilhelm) for keyboard
clavichord
piano |
1700 |
| Amor vendicato, R.2.7 (Paisiello, Giovanni) for voices, 2 mixed chorus and orchestra |
1786 |
| Il cacciatore deluso (Jommelli, Niccolò) for voices and orchestra |
1767 |
| La schiava liberata (Jommelli, Niccolò) for 8 voices and orchestra |
|
| Angelica e Medoro (Mele, Giovanni Battista) for 6 voices and orchestra |
|
| Vologeso, re de' Parti (Rutini, Giovanni Marco) for 6 voices and orchestra |
|
| Chi dura vince (Ricci, Luigi) for 6 voices, mixed chorus and orchestra |
|
| Arrangement of Oração ao diabo, Op. 20 No. 2 (Nepomuceno, Alberto) for voice and orchestra |
1921 |
| Maria Santissima de' Dolori (Milano Franco d'Aragona, Giacomo Francesco) for 4 voices, strings and continuo |
|
Le miracle de la semence, SN8.66 (Nepomuceno, Alberto) for mezzosoprano and piano
baritone and piano
mezzosoprano and orchestra
baritone and orchestra |
|
| Nossa velhice, SN8.58 (Nepomuceno, Alberto) for voice and piano |
1914 |
| Romance et tarantella (Nepomuceno, Alberto) for cello and piano |
1917 |
| Razão e amor, SN8.60 (Nepomuceno, Alberto) for voice and piano |
1911 |
| Temistocle, W.G.8 (Bach, Johann Christian) for 7 voices and orchestra |
|
| La contesa dell’Amore e della Virtù (Leo, Leonardo) for 5 voices and orchestra |
1744 |
| Printemps (Dubois, Théodore) for soprano and orchestra |
1907 |
| Printemps (Dubois, Théodore) for soprano and orchestra |
|
| Harpsichord Concerto in F major, ED.9d:F1 (Mysliveček, Josef) for harpsichord and orchestra |
|
| Harpsichord Concerto in B-flat major (Mysliveček, Josef) for harpsichord and orchestra |
|
| Artaserse (Abos, Girolamo) for 6 voices and orchestra |
|
| Sofonisba (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sofonisba (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sofonisba (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sofonisba (Jommelli, Niccolò) for 6 voices and orchestra |
|
| Sofonisba (Jommelli, Niccolò) for 6 voices and orchestra |
|
| A jangada, SN8.69 (Nepomuceno, Alberto) for voice and piano |
|
| Conselho, SN8.68 (Nepomuceno, Alberto) for voice and piano |
|
| Symphony in G major, B.156 (Pleyel, Ignaz) for orchestra |
|
| Rondo (No.4) from Symphony in G major, B.156 (Pleyel, Ignaz) for orchestra |
|
| No.2 (?) from Arrangement of No.2 (?) from Trovas, Op. 29 (Nepomuceno, Alberto) for orchestra |
|
| Canção do rio, SN8.67 (Nepomuceno, Alberto) for voice and piano |
1917 |
| Hino da Proclamação da República, SN14.2 (Nepomuceno, Alberto) for voice and orchestra |
|
| Antigono (Anfossi, Pasquale) for voices and orchestra |
|
| Antigono (Anfossi, Pasquale) for voices and orchestra |
|
| Antigono (Anfossi, Pasquale) for voices and orchestra |
|
| Agitata confusa dolente (Anfossi, Pasquale) for strings and soprano |
|
| Cleopatra (Anfossi, Pasquale) for 4 sopranos, alto, 2 tenors and orchestra |
|
| Per costume, o mio bel nume (Carolina of Savoy, Maria) for soprano and orchestra |
|
| 2 Magnificat in E-flat major, D-B Mus.ms.5372/2 (Durante, Francesco) for soprano, alto, tenor, bass, strings and continuo |
|
| Trio Sonata in C major, GraunWV B:XV:53 (Graun, Karl Heinrich) for 2 flutes and continuo |
|
| Merci, Monsieur Fibonacci (Visser, Dick) for recorder and guitar |
1900 |
Requiem in F major (Furlanetto, Bonaventura) for 3 voices
mixed chorus |
1819 |
| Arrangement of String Quintet in F major, B.285 (Pleyel, Ignaz) for small orchestra |
|
| Harpsichord Trio in B-flat major, StWV 168/1 (Sterkel, Johann Franz Xaver) for violin, cello and harpsichord |
|
| Divertissement pour Clavecin (Hermann, Pál) for harpsichord |
1938 |
| Harpsichord Trio in C major, StWV 168/2 (Sterkel, Johann Franz Xaver) for violin, cello and harpsichord |
|
| Harpsichord Trio in G major, StWV 168/3 (Sterkel, Johann Franz Xaver) for violin, cello and harpsichord |
|
| Variations on 'Alruna' for Clarinet and Orchestra, WoO 15 (Spohr, Louis) for clarinet and orchestra |
|
| Die Fee Urgele, B.701 (Pleyel, Ignaz) for voices, mixed chorus and orchestra |
|
| Symphony in C major, B.129 (Pleyel, Ignaz) for orchestra |
|
| Symphony in C major, B.158 (Pleyel, Ignaz) for orchestra |
|
| Adamiro, TN V.1b (Netti, Giovanni Cesare) for voices, mixed chorus, strings and continuo |
|
Es ist um aller Menschenleben sehr elend, TWV 1:514 (Telemann, Georg Philipp) for alto, 2 oboes and continuo
baritone, 2 oboes and continuo |
|
| Amada belleza in B-flat major (Galuppi, Baldassare) for soprano and continuo |
|
Christus factus est with Miserere in A minor, R.6.29 (Paisiello, Giovanni) for soprano, mixed chorus, strings and continuo
soprano, mixed chorus and orchestra |
|
| 6 Harpsichord Sonatas (Sertori, Girolamo) for harpsichord |
|
| Guitar Sonata No. 2 in E major (Abreu, Antonio) for guitar |
|
La Partenza and Capriccio in D minor, R.8.14/38, 36 (Paisiello, Giovanni) for violin and harpsichord
violin and piano
harpsichord
piano |
|
| Ach wie nichtig ach wie flüchtig, TWV 4:6 (Telemann, Georg Philipp) for 2 sopranos, alto, tenor, 2 basses, mixed chorus and orchestra |
1733 |
| O salutaris hostia in D major (Cherubini, Luigi) for mixed chorus and orchestra |
1821 |
| Chœur à grand orchestre (Dubois, Théodore) for mixed chorus and orchestra |
|
Música manuscrita, E-Mn M/2250 (Various) for voice and continuo
voice, oboe and continuo
2 voices and continuo
voice, continuo and soprano |
|
| Impromptu pour Piano (Farrenc, Louise) for piano |
|
| String Quartet in G major, B.320 (Pleyel, Ignaz) for 2 violins, viola and cello |
1786 |
| Arrangement of String Quartet in G major, B.320 (Pleyel, Ignaz) for piano |
|
| String Quartet in A major, B.303 (Pleyel, Ignaz) for 2 violins, viola and cello |
|
| Thematic Catalog (Boccherini, Luigi) for |
1796 |
| Dori (Leo, Leonardo) for 3 voices, violin and continuo |
|
| La predica del sole (Rossi, Luigi) for 5 voices, 2 violins and continuo |
|
| O salutaris hostia No. 2 in G major (Cherubini, Luigi) for 2 tenors, bass and orchestra |
1827 |
| Peloro (Leo, Leonardo) for 3 voices, violin and continuo |
|
| Symphony in C major, ZakP 26 (Pichl, Vaclav) for violin and orchestra |
|
| 30 Etudes, Op. 26 (Farrenc, Louise) for piano |
1800 |
O salutaris hostia in B-flat major (Cherubini, Luigi) for male chorus
2 tenors and 2 basses |
|
| 6 Deutsche for Piano, StWV 218 (Sterkel, Johann Franz Xaver) for piano |
|
| Sorte Svaner (Halvorsen, Johan) for orchestra |
|
| Cantates et airs italiens de différents auteurs, F-Pn VM7-11 (Various) for voice and continuo |
|
| Arrangement of Keyboard Trio in C major, B.466 (Pleyel, Ignaz) for 2 harpsichords |
|
| 2 Endenicher Choräle (Schumann, Robert) for mixed chorus |
1800 |
| Keyboard Trio in F major, B.474 (Pleyel, Ignaz) for violin, cello and keyboard |
|
| Fior che ride in un bel viso (Lulier, Giovanni Lorenzo) for soprano and continuo |
|
24 Duets (Asioli, Bonifazio) for alto, tenor and piano
alto, tenor and harp
soprano, tenor and piano
soprano, tenor and harp |
|
| Lascia il corso e torna al lido (Lucidogna, Gaetano) for soprano and continuo |
|
| Iste die observabilis est Domini (Cherubini, Luigi) for 2 sopranos, alto, bass, mixed chorus and orchestra |
|
| Deh che mi giova (Filomena, Nicola) for alto and continuo |
1697 |
| Cantata sopra l'arci calascione (Porsile, Giuseppe) for soprano and continuo |
|
| Filli a fregiar di tua bellezza (De Cupertinis, Tomaso) for soprano and continuo |
|
| Aurora e Primavera (Porsile, Giuseppe) for soprano, alto and continuo |
1742 |
| Il giorno natalizio dell’imperatrice Amalia Wilhelmina (Porsile, Giuseppe) for 2 sopranos, 3 altos and continuo |
1717 |
| Ein feste Burg ist unser Gott, BWV 303 (Bach, Johann Sebastian) for mixed chorus |
|
| Double Bass Concerto No. 1 in G major (Dragonetti, Domenico) for double bass and orchestra |
|
| String Quartet Concerto, Op. 131 (Spohr, Louis) for 2 violins, viola, cello and orchestra |
|
| Prelude, Op. 44 (Schoenberg, Arnold) for mixed chorus and orchestra |
1945 |
| String Quintet No. 13 in C major (Dragonetti, Domenico) for 2 violins, viola, cello and double bass |
|
| La mia fede ed il mio amore disprezzati (Gierosa, Carlo) for soprano and continuo |
|
| L'Angelica (Milano Franco d'Aragona, Giacomo Francesco) for 6 voices and orchestra |
|
| Erode sdegnato (Amendola, Andrea) for bass and continuo |
|
| Farfalletta semplicetta (Saratelli, Giacomo Giuseppe) for soprano and continuo |
|
| Nonet (Hauff, Johann Christian) for oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass |
|
| Pimmalione (Cimador, Giambattista) for soprano, tenor and orchestra |
|
| 12 Etudes (Schultz, Leonard) for guitar |
1840 |
| Concerto for 2 Trumpets and Orchestra in B-flat major (Pappagallo, Beniamino) for 2 trumpets and orchestra |
1860 |
| 4 Piano Pieces from Boccherini (Martucci, Giuseppe) for |
1901 |
Gond d'une porte (Pleyel, Camille) for piano
violin and piano |
|
| Tantum ergo in B-flat major (Cherubini, Luigi) for mixed chorus and orchestra |
1817 |
| Bassoon Concerto in E-flat major, W.C 82 (Bach, Johann Christian) for bassoon and orchestra |
|
| Bassoon Concerto in B-flat major, W.C 83 (Bach, Johann Christian) for bassoon and orchestra |
|
| Ecce panis angelorum (Cherubini, Luigi) for tenor and orchestra |
|
| Kyrie et Pater noster (Cherubini, Luigi) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Tractatus de diversis figuris (Caserta, Filippo da) for |
|
| Tantum ergo in A minor (Cherubini, Luigi) for tenor, mixed chorus and orchestra |
1817 |
| Simphonie du Festin Royal de Monseigneur Le Comte d'Artois (Francœur, François) for orchestra |
1773 |
| Simphonie du Festin Royal de Monseigneur Le Comte d'Artois (Francœur, François) for orchestra |
1773 |
| Tassilone (Steffani, Agostino) for voices and orchestra |
|
6 Violin Sonatas (Herrando, José) for violin and continuo
viola pomposa and continuo
viola alta and continuo |
|
| Double Bass Concerto No. 5 in G major (Dragonetti, Domenico) for double bass and orchestra |
|
| Arrangement of Double Bass Concerto No. 5 in G major (Dragonetti, Domenico) for double bass and piano |
|
135 Chorales, D-Bsa SA 818 (Bach, Johann Sebastian) for mixed chorus
soprano, alto, tenor and bass |
1762 |
| Double Bass Concerto No. 3 in G major (Dragonetti, Domenico) for double bass and orchestra |
|
Sonatina for Viola d'amore and Violoncello or Viola, CzaR 89 (Rust, Friedrich Wilhelm) for viola damore and cello
viola and viola damore |
|
Duetto in D for Viola d'amore, Viola or Violoncello, CzaR 86 (Rust, Friedrich Wilhelm) for viola damore and cello
viola and viola damore |
1700 |
| Aria with 7 Variations for Viola d'amore and Violoncello, CzaR 90 (Rust, Friedrich Wilhelm) for viola damore and cello |
|
Sonata in D for Cembalo and Violin or Viola d'amore, CzaR 31 (Rust, Friedrich Wilhelm) for violin and harpsichord
viola damore and harpsichord |
1700 |
| Sonata in D for Cembalo and Viola d'amore, CzaR 87 (Rust, Friedrich Wilhelm) for viola damore and harpsichord |
1700 |
| Double Bass Concerto No. 2 in D major (Dragonetti, Domenico) for double bass and orchestra |
|
| 2 Sonatas for Harp and Violin (Krumpholz, Jean-Baptiste) for harp and violin |
1700 |
| Credo (Benet, John) for 3 voices |
|
| Adjutor et susceptor meus (Cherubini, Luigi) for mixed chorus and orchestra |
|
383 Chorales, D-B Am.B 46/II (Bach, Johann Sebastian) for mixed chorus
soprano, alto, tenor and bass |
|
| Morceau à déchiffrer pour le trombone (Delibes, Léo) for trombone and piano |
1887 |
| O salutaris hostia No. 1 in G major (Cherubini, Luigi) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Me miserum miseriarum, TWV 1:1135 (Telemann, Georg Philipp) for alto, 2 violins and continuo |
|
| Kyrie e Gloria in C major (Lotti, Antonio) for 3 mixed chorus and orchestra |
|
Practische Musik-Werke (Dehn, Siegfried Wilhelm) for 4 voices
soprano, alto, tenor and bass
6 voices
2 sopranos, alto, 2 tenors and bass
8 voices
4 sopranos, 2 altos and 2 basses
9 voices
3 sopranos, 2 altos, 2 tenors and 2 basses
4 sopranos, 2 altos, tenor and 2 basses
mixed chorus
mixed chorus and strings
mixed chorus and orchestra
soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| O salutaris hostia in E-flat major (Cherubini, Luigi) for alto and strings |
1816 |
| Luther in Worms, Op. 36 (Meinardus, Ludwig Siegfried) for voices, childrens chorus, mixed chorus and orchestra |
|
| Waltz in E-flat major (Corsin) for harp |
|
| Domine Dominus noster (Cherubini, Luigi) for soprano and orchestra |
1820 |
| Un seul regard (Berton, Henri-Montan) for voice and piano |
|
L'heureux Jour (Meurger, Alphonse) for 2 voices and piano
2 voices and harp |
|
Si tu m'aimais (Meurger, Alphonse) for voice and guitar
voice and lyre |
|
Recueil de Musique (Meurger, Alphonse) for guitar
voice and guitar
2 voices and guitar |
|
| Harp Sonata in E-flat major (Hinner, Philippe Joseph) for harp |
|
| Beatus vir qui timet Dominum (Bourgeois, Thomas-Louis) for mixed chorus and orchestra |
1749 |
| Pergaminho Vindel (Codax, Martin) for voice |
|
La Santa Messa, Op. 126 (Bottazzo, Luigi) for organ
harmonium |
|
4 Cantates profanes (Various) for 2 sopranos, bass, 2 violins and continuo
2 sopranos, alto, 2 violins and continuo
9 voices and orchestra
10 voices and orchestra |
|
| Airs tirés des opéras, comédies-ballets, pastorales (Lully, Jean-Baptiste) for voices and continuo |
|
| Recueil de tous les airs consacrés pour le temps de Noël (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Divertimento in F major (With, Antonio) for violin, viola damore and cello |
|
| Piano Sonata, Op. 63 (Cramer, Johann Baptist) for piano |
|
| Di' mio cor come ti senti (Pacieri, Giuseppe) for soprano and continuo |
|
Romance Maure (Lemière de Corvey, Jean-Frédéric-Auguste) for voice and harp
voice and piano |
|
| Cantique de St. Nicolas (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Ô St. Esprit ! donnez-nous vos lumières (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Chamber Concerto in F major, RV 98 (Vivaldi, Antonio) for flute, oboe, bassoon, violin and continuo |
1700 |
| Air de de Dézède pour le Gloria du Jour de Noël (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Air varié 'Ô ma tendre musette' (Lefébure-Wely, Isaac-François) for organ |
1822 |
| Air varié 'Que ne suis-je la fougère' (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Air varié 'Te bien aimer ma Zélie' (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Au jô deu de pubelle en Grand Chœur (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Charmante Gabriele (Lefébure-Wely, Isaac-François) for organ |
1805 |
| L’air du Juif errant (Lefébure-Wely, Isaac-François) for organ |
1805 |
| La tentation de St. Antoine en Grand Chœur (Lefébure-Wely, Isaac-François) for organ |
1805 |
| Double Bass Concerto No. 3 in E-flat major (Hoffmeister, Franz Anton) for double bass and orchestra |
|
| Cadenzas from Arrangement of Cadenzas from Double Bass Concerto No. 3 in E-flat major (Hoffmeister, Franz Anton) |
|
| Sonata for Viola and Double Bass, M.C I:07 (Sperger, Johann Matthias) for viola and double bass |
|
| Il trionfo dell'amor divino (Pacieri, Giuseppe) for 2 sopranos, alto, tenor, bass, strings and continuo |
|
| Sonata for Cello and Double Bass, M.C I:10 (Sperger, Johann Matthias) for cello and double bass |
1790 |
| Recorder Sonata in C minor (Telemann, Georg Philipp) for recorder and continuo |
|
20 Recorder Sonatas, US-Dp RM.788.1191 S698 (Various) for recorder and continuo
2 recorders |
|
| Arrangement of Violin Sonata in A minor, Anh.35 (Corelli, Arcangelo) for recorder and continuo |
|
| Nocturne, Op. 55 No. 1 (Nielsen, Ludolf) for piano |
1913 |
| Old Boy March, Op. 98 (Lucas, Willem Henri) for wind ensemble, brass ensemble and percussion |
|
| Regnar Lodbrog, Op. 2 (Nielsen, Ludolf) for orchestra |
|
| Etude, Op. 55 No. 2 (Nielsen, Ludolf) for piano |
1922 |
| Arrangement of El delirio (Rücker, Manuel) for voice and piano |
|
6 Ariette (Marchesi, Luigi Lodovico) for voice and harp
voice and piano |
|
| O voi che mi credete (Caresana, Cristofaro) for alto and continuo |
|
| String Quartet, Op. 36 (Hartmann, Emil) for 2 violins, viola and cello |
1929 |
| String Quartet, Op. 36 (Hartmann, Emil) for 2 violins, viola and cello |
1800 |
L'occasion (Lamparelli, Innocent) for voice and piano
voice and harp |
|
Le Pot de Fleur (Lamparelli, Innocent) for voice and harp
voice and piano |
|
| 4 Harp Sonatas, Op. 1 (Veron) for harp and violin |
|
Le Guerrien (Lamparelli, Innocent) for voice and piano
voice and harp |
|
| Missa de Nossa Senhora da Conceição (Gomes, Carlos) for mixed chorus and orchestra |
|
| Arrangement of Rondeau in D minor (Marais, Marin) for orchestra |
|
| Quemadmodum desiderat cervus (Giroust, François) for soprano, alto, bass, mixed chorus and orchestra |
|
| Jubilate Deo omni terra servite (Mondonville, Jean-Joseph Cassanéa de) for voices, mixed chorus and orchestra |
|
| Esto mihi in Deum protectorem (Cherubini, Luigi) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1829 |
| Lamentazione per il Giovedì Santo Lectio 3 (Caresana, Cristofaro) for alto and continuo |
|
Recueil des motets choisis (Blanchard, Esprit-Joseph-Antoine) for voice, mixed chorus and orchestra
2 voices, mixed chorus and orchestra
3 voices, mixed chorus and orchestra
4 voices, mixed chorus and orchestra
5 voices, mixed chorus and orchestra |
|
| Magnificat (Blanchard, Esprit-Joseph-Antoine) for 5 voices, mixed chorus and orchestra |
|
Modéré (Satie, Erik) for piano
keyboard |
|
| Chant de l’Eglise en concerto (Blanchard, Esprit-Joseph-Antoine) for orchestra |
|
| Grillen-Symphonie, TWV 50:1 (Telemann, Georg Philipp) for orchestra |
1700 |
| Trio Sonata in G major, CSWV E:15 (Schaffrath, Christoph) for 2 flutes and continuo |
1750 |
| La pace fra la virtù e la bellezza (Adolfati, Andrea) for 5 voices, mixed chorus and orchestra |
1746 |
| Sinfonia in F major, Brown I:F 1 (Ordonez, Johann Karl von) for orchestra |
|
| Sinfonia in F minor, Brown I:F 12 (Ordonez, Johann Karl von) for strings |
|
| Sinfonia in G minor, Brown I:G 8 (Ordonez, Johann Karl von) for orchestra |
|
| Sinfonia in E-flat major, Brown I:Es 5 (Ordonez, Johann Karl von) for orchestra |
|
| Sinfonia concertante in D major, Brown I:D 5 (Ordonez, Johann Karl von) for violin and orchestra |
|
| Studio di contrapunto, I-MOe Gamma.L.9.5 (Valente, Saverio) for |
|
Psaumes (Bordier, Louis-Charles) for 3 voices, mixed chorus, strings and continuo
2 voices, mixed chorus, strings and continuo
2 voices, mixed chorus and orchestra
3 voices, mixed chorus and orchestra
4 voices, mixed chorus and orchestra |
|
| Fra Bjærgene (Nielsen, Ludolf) for orchestra |
1905 |
| Nisi Dominus a Soprano ed Alto (Mayr, Giovanni Simone) for 4 voices and orchestra |
1800 |
| Thema und Variationen (Thieriot, Ferdinand) for cello and piano |
|
| Suite for Violin and Piano (Thieriot, Ferdinand) for violin and piano |
|
| Rondo in B-flat major (Rodriguez, Felipe) for keyboard |
|
| Beatus vir, RV 597 (Vivaldi, Antonio) for voices, 2 mixed chorus and 2 orchestras |
1700 |
| Lackschmi, Op. 45 (Nielsen, Ludolf) for voices, mixed chorus and orchestra |
1922 |
| Les Génies ou Les Caractères de l'amour (Duval, Mademoiselle) for voices, mixed chorus and orchestra |
|
| Missa supra la sol mi fa re (Févin, Robert de) for 4 voices |
|
| A Prayer in Spring (Shepherd, Arthur) for mixed chorus |
1939 |
| La Circe (Stradella, Alessandro) for 2 sopranos, bass, 2 violins and continuo |
|
17 Sonatas, GB-Mp MS. 130Hd4v.312 (Handel, George Frideric) for flute, violin and continuo
2 violins and continuo
2 oboes and continuo
violin and continuo
recorder and continuo
oboe and continuo |
|
22 Pieces, GB-Mp MS. 130Hd4v.313 (Various) for violin
violin and continuo
soprano, alto, tenor and strings
2 sopranos, tenor and strings
strings and soprano
tenor and strings
bass and strings
soprano and orchestra
soprano, strings and continuo |
|
91 Pieces, GB-Mp MS. 130Hd4v.314 (Various) for soprano and bass
violin and violone
violin and harpsichord
violin and bass
harpsichord
keyboard
organ
voice and bass
voice and harpsichord
harpsichord and soprano
soprano and bass
soprano and continuo |
|
| Noël! (Boisseau, Arthur) for 2 violins, viola and cello |
1800 |
| 6 Simphonies, Op. 1 (Bauerschmidt) for orchestra |
|
| Livre pour la Flute seule 1709 (Venturini, Francesco) for flute |
1709 |
| De nomi delle corde del monochordo (Mei, Girolamo) for |
|
| Meyo registo 2o tom accidental (Conceição de Araújo, Diogo da) for organ |
1695 |
| Weiß und Blau, WoO 8 (Rheinberger, Josef Gabriel) for mixed chorus and brass ensemble |
1880 |
| Das Kind hat keine Mutter mehr, Op. 44 (Necke, Hermann) for voice and piano |
|
| Aubade printanière, Op. 37 (Lacombe, Paul) for piano |
|
| Obra de 1o Tom (Araújo, Pedro de) for organ |
1695 |
| Chanson de l'alouette, Op. 110 (Burgmüller, Friedrich) for piano |
|
| Obra de 1o tom sobre a salva (Araújo, Pedro de) for organ |
1695 |
| Lucio Vero (Gasparini, Francesco) for 7 voices and orchestra |
|
| S’avanza a poco a poco (Gasparini, Francesco) for soprano and continuo |
|
| Mille volte sospirando (Gasparini, Francesco) for soprano and continuo |
|
| Non v’aprite ai rai del sole (Gasparini, Francesco) for soprano and continuo |
|
| O voi che già provaste (Gasparini, Francesco) for soprano and continuo |
|
| In questa amena sponda (Gasparini, Francesco) for soprano and continuo |
|
| Miei fidi a vendetta (Gasparini, Francesco) for soprano and continuo |
|
| Andate, o miei sospiri (Gasparini, Francesco) for soprano and continuo |
|
| Andate, o miei sospiri (Gasparini, Francesco) for soprano and continuo |
|
| Pâques citadines (Caplet, André) for mixed chorus and orchestra |
1920 |
| Arrangement of Pâques citadines (Caplet, André) for mixed chorus and piano |
|
Tablature Book, PL-Wn Mus.2084 (Various) for organ
keyboard |
|
Pecorelle correte a quel fonte (Gasparini, Francesco) for soprano, cello and continuo
soprano, viol and continuo |
|
| Filli, tra il gelo e il foco (Gasparini, Francesco) for soprano and continuo |
|
| Come stanchi non siete (Gasparini, Francesco) for soprano and continuo |
|
| Tra mille amanti (Gasparini, Francesco) for soprano and continuo |
|
| Alfin le vostre lacrime (Gasparini, Francesco) for soprano and continuo |
|
| Dimmi, Clori gentile (Gasparini, Francesco) for soprano and continuo |
|
| Da stral d'Amore (Gasparini, Francesco) for soprano and continuo |
|
Wie nichtig! Ach! Wie flüchtig, P.500 (Pachelbel, Johann) for tenor, 3 violas and continuo
tenor, strings and continuo |
|
| Diana alle sue nimphe (Albanese, Antonio) for voice, strings and continuo |
|
Sinfonia da camera in G major, Op. 2 No. 1 (Porpora, Nicola Antonio) for strings and continuo
2 violins and continuo |
|
| Arrangement of Sinfonia da camera in G major, Op. 2 No. 1 (Porpora, Nicola Antonio) for orchestra |
|
Sinfonia da camera in C major, Op. 2 No. 2 (Porpora, Nicola Antonio) for strings and continuo
2 violins and continuo |
|
Sinfonia da camera in G minor, Op. 2 No. 3 (Porpora, Nicola Antonio) for strings and continuo
2 violins and continuo |
|
Sinfonia da camera in B-flat major, Op. 2 No. 6 (Porpora, Nicola Antonio) for strings and continuo
2 violins and continuo |
|
Sinfonia da camera in D major, Op. 2 No. 4 (Porpora, Nicola Antonio) for strings and continuo
2 violins and continuo |
|
| Symphony in B-flat major, TüWV II/1 (Türk, Daniel Gottlob) for orchestra |
|
| Alessandro nell'Indie (Wagenseil, Georg Christoph) for 6 voices and orchestra |
|
| La redenzione (Wagenseil, Georg Christoph) for 3 voices and orchestra |
|
| Il Palladio conservato (Reutter, Georg) for 3 voices, strings and continuo |
|
| L'amor prigioniero (Reutter, Georg) for 2 voices and orchestra |
|
| Potpourri for String Trio (Alday, Paul) for violin, viola and cello |
|
| La speranza assicurata (Reutter, Georg) for 5 voices, mixed chorus and orchestra |
|
Piano Version from Mariazinha sentada na pedra!... (Nazareth, Ernesto) for piano
voice and piano |
|
Voice and Piano Version from Mariazinha sentada na pedra!... (Nazareth, Ernesto) for piano
voice and piano |
|
| Vesper (Nazareth, Ernesto) for piano |
|
Tudo sobe!... (Nazareth, Ernesto) for piano
voice and piano |
1923 |
| La generosità di Artaserse con Temistocle (Reutter, Georg) for 5 voices, mixed chorus and orchestra |
|
| L'umiltà coronata (Lotti, Antonio) for voices, mixed chorus and orchestra |
|
| Il voto crudele (Lotti, Antonio) for 2 sopranos, alto, bass, strings and continuo |
|
| Fêtes galantes, 2ème recueil (Debussy, Claude) for voice and piano |
1904 |
| Flute Concerto in D major, SchW A1:001 (Scheibe, Johann Adolph) for flute, strings and continuo |
1954 |
| Flute Concerto in D major, SchW A1:001 (Scheibe, Johann Adolph) for flute, strings and continuo |
|
| Flute Concerto in A major, SchW A1:002 (Scheibe, Johann Adolph) for flute, strings and continuo |
1954 |
| Flute Concerto in A major, SchW A1:002 (Scheibe, Johann Adolph) for flute, strings and continuo |
|
| Romance (Francoeur, Louis-Joseph) for voice and harp |
|
| La pastorale (Francoeur, Louis-Joseph) for voices and orchestra |
|
| Canon à l'octave (Dauprat, Louis-François) for oboe, horn and piano |
1842 |
| String Quartet in D major (Eggert, Joachim Nicolas) for 2 violins, viola and cello |
1810 |
| 132 Dances, D-LEb Go. S.698 (Various) for 2 violins |
|
| Ballade (Gomis, José Melchor) for voice and harp |
|
| 2 Solos and 1 Duet, Op. 12 (Dauprat, Louis-François) for 2 horns and orchestra |
1860 |
| Missa Sancta No. 2, Op. 76 (Weber, Carl Maria von) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1818 |
| Missa Sancta No. 2, Op. 76 (Weber, Carl Maria von) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1819 |
| Missa Laetatus sum (Londariti, Francesco) for 8 voices |
|
| Trio Sonata in D major, GraunWV Cv:XV:97 (Graun, Karl Heinrich) for oboe damore, bassoon and horn |
|
Trio Sonata in E major, GraunWV Cv:SV:106 (Graun, Karl Heinrich) for oboe damore, bassoon and horn
oboe damore, horn and cello
oboe damore, horn and bass |
|
Trio Sonata in E major, GraunWV Cv:SV:106 (Graun, Karl Heinrich) for oboe damore, bassoon and horn
oboe damore, horn and cello
oboe damore, horn and bass |
|
| Missa super Je prens en grez (Londariti, Francesco) for 8 voices |
|
| Sonata a 4 in F major, IGS 168 (Stölzel, Gottfried Heinrich) for oboe, horn, violin and continuo |
|
| Air de danse (Reicha, Anton) for voice, 6 horns and trombone |
|
| Partita in F major, M.B21 (Rosetti, Antonio) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns and double bass |
|
| Concerto for 2 Horns in E-flat major, M.C56 (Rosetti, Antonio) for 2 horns and orchestra |
|
Sinfonia a 3 in C major, K.331 (Fux, Johann Joseph) for 2 violins and violone
2 violins and bass |
|
Concerto in E-flat major for Horn, Flute, Violin and Bass (Schultz) for flute, horn, violin and cello
flute, horn, violin and bass |
|
Suite de la Méthode (Vandenbroek, Othon-Joseph) for horn
2 horns |
|
| Jesus nichts als Jesus (Bach, Johann Bernhard) for organ |
|
| Helft mir Gottes Güte greifen (Bach, Johann Bernhard) for organ |
|
| 6 String Trios, Op. 1 (Dolphin) for 2 violins and cello |
|
| Double Bass Concerto No. 6 in D major (Dragonetti, Domenico) for double bass and orchestra |
|
| Arrangement of Double Bass Concerto No. 6 in D major (Dragonetti, Domenico) for double bass and piano |
|
| Arrangement of Double Bass Concerto No. 6 in D major (Dragonetti, Domenico) for piano |
|
| Violin Concerto in D major, RV 208 (Vivaldi, Antonio) for violin and orchestra |
1700 |
| Divertimento No.2 in F major from Arrangement of Divertimento No.2 in F major from 6 Divertimentos (Wiseman, Charles) for 2 flutes and continuo |
|
| Horn Concerto in D major, Lund 13 (Anonymous) for strings |
|
| Horn Concerto in E-flat major, Lund 14 (Röllig, Johann Georg) for horn and strings |
|
| Horn Concerto in D major, Lund 15 (Röllig, Johann Georg) for horn and strings |
|
| Horn Concerto in D major, Lund 16 (Graun, Karl Heinrich) for horn and strings |
|
| Horn Concerto in D major, Lund 17b (Gehra, August Heinrich) for horn and strings |
|
| Horn Concerto in D major, Lund 10 (Knechtel, Johann Georg) for horn and strings |
|
| Concerto for 2 Harpsichords in A minor, Krebs-WV 840 (Krebs, Johann Ludwig) for 2 harpsichords |
|
Concerto in E-flat major for Horn, 2 Oboes and Bass (Anonymous) for 2 oboes, horn and continuo
2 oboes, horn and cello
2 oboes, horn and bass |
|
Trio Sonata in D major, Lund 7 (Graun, Karl Heinrich) for oboe damore, bassoon and horn
oboe damore, horn and cello
oboe damore, horn and continuo |
|
| Trio Sonata in D major, Lund 8 (Graun, Karl Heinrich) for horn, violin and continuo |
|
Horn Concerto in E-flat major, QV 5:Anh.14 (Quantz, Johann Joachim) for horn and orchestra
horn and strings |
|
| Horn Concerto in E-flat major, Lund 17a (Reinhardt, Johann Christian) for horn and strings |
|
| Horn Concerto in E-flat major, Lund 12 (Förster, Christoph) for horn and strings |
|
| Horn Concerto in E-flat major, Lund 11 (Anonymous) for horn and strings |
|
| Horn Concerto in E-flat major (Fischer, G. C.) for horn and strings |
|
| Symphony No. 3 in D major (Woelfl, Joseph) for orchestra |
1807 |
| Three Coins in the Fountain (Young, Victor) for voice and orchestra |
|
| Montserrat (Playà, Maria Teresa) for violin and piano |
1939 |
| Fosca (Gomes, Carlos) for voices, mixed chorus and orchestra |
1872 |
| Der Tod Jesu (Kreusser, Georg Anton) for voices, mixed chorus and orchestra |
|
| Astianatte (Pampani, Antonio Gaetano) for 6 voices and orchestra |
|
6 Fugues, Wq.119/2-7 (Bach, Carl Philipp Emanuel) for keyboard
clavichord
organ |
|
6 Variations on a Canzonette, H.275 (Bach, Carl Philipp Emanuel) for keyboard
clavichord |
1781 |
6 Variations on a Canzonette, H.275 (Bach, Carl Philipp Emanuel) for keyboard
clavichord |
|
| Sonatina in D major, H.453 (Bach, Carl Philipp Emanuel) for 2 harpsichords and orchestra |
|
| Violin Concerto, Op. 16 (Suolahti, Heikki) for violin and orchestra |
1934 |
| Concertino for 2 Pianos in E-flat major (Mašek, Vincenc) for 2 clarinets, 2 bassoons, 2 horns and 2 pianos |
|
| Concerto for 3 Keyboards in D major (Mašek, Vincenc) for 2 oboes, 2 clarinets, bassoon, 2 horns and 3 harpsichords |
|
| Einleitung (Ouverture) from Der Tod Jesu, TWV 5:6 (Telemann, Georg Philipp) for 6 voices, mixed chorus and orchestra |
1800 |
Airs à une, II. III. et IV. parties avec la basse-continue (Lambert, Michel) for voice and continuo
2 voices and continuo
3 voices and continuo
4 voices and continuo
voices, 2 violins and continuo
voices, 2 flutes and continuo |
|
| String Quartet No. 8, Op. 19 (Lessel, Franciszek) for 2 violins, viola and cello |
1824 |
Motets de différents auteurs (BnF RES VMA MS-912) (Anonymous) for 6 voices, continuo, 3 sopranos and alto
6 voices, continuo, 2 sopranos and 2 altos
5 voices, continuo and 4 sopranos
5 voices, continuo, 3 sopranos and alto
7 voices, continuo, 3 sopranos and alto
7 voices, continuo, 2 sopranos and 2 altos
3 voices, continuo and 2 sopranos
3 voices and continuo
2 voices and continuo |
|
Manuscript Virginal Book, F-Pn Rés 1185 (Anonymous) for keyboard
harpsichord |
|
Manuscript Virginal Book, F-Pn Rés 1186 (Various) for keyboard
harpsichord
voice and harpsichord
voice and keyboard |
|
| Piano Sonata, WO 13 (Clementi, Muzio) for piano |
1765 |
| Ballets de Lully, Tom 4 (Lully, Jean-Baptiste) for voices and orchestra |
|
34 Motets, B-Br kbr 1541221 (Various) for voice and continuo
2 voices and continuo
3 voices and continuo
4 voices and continuo |
1832 |
| Mass in D major (Harrer, Gottlob) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1735 |
| Médus, roy des Mèdes (Bouvard, François) for voices and orchestra |
1702 |
| Médus, roy des Mèdes (Bouvard, François) for voices and orchestra |
|
| Attilio Regolo (Monza, Carlo) for 6 voices and orchestra |
|
| La clemenza di Tito (Peli, Francesco) for voices and orchestra |
|
| La clemenza di Tito (Peli, Francesco) for voices and orchestra |
|
| 1755 Venice & Munich Versions from Alessandro nell'Indie (Galuppi, Baldassare) for 6 voices, mixed chorus and orchestra |
|
| Tabula Omnium Intonationum Psalmorum, A-Wn Mus.Hs.19316 (Palestrina, Giovanni Pierluigi da) for voice |
|
| Fugue in E minor (Grotthuss, Dietrich Ewald von) for keyboard |
1777 |
Keyboard Sonata in D minor (Grotthuss, Dietrich Ewald von) for keyboard
clavichord |
1777 |
Le tre prime Lamentazioni come si cantano nella Cappella Sistina, A-Wn SA.67.F.22 (Various) for 4 voices
5 voices
mixed chorus |
|
| Judas mercator pessimus (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Aristo e Temira (Bertoni, Ferdinando) for 4 voices and orchestra |
|
| Adriano in Siria (Alessandri, Felice) for voices and orchestra |
|
| Lauttenbuch, A-Wn Mus.Hs.18790 (Various) for lute |
|
| Les Plaisirs de la campagne (Bertin de La Doué, Toussaint) for voices and orchestra |
1719 |
| Te Deum Brasil, Op. 65 (Conceição, Justino da) for mixed chorus and orchestra |
1900 |
Gratia sola Dei, LV 364 (Lassus, Orlande de) for 4 voices
6 voices |
|
| Graf Walther und die Waldfrau, Op. 24 (Ritter, Alexander) for narrator and piano |
|
| Recueil des plus beaux endroits de tous les opéras de Mr de Lully (Lully, Jean-Baptiste) for voice and continuo |
|
| Frottole, Libro 8 (Various) for 4 voices |
|
| Larmes d'automne, B.10 (Bloch, Ernest) for voice and piano |
1897 |
| Le saule, B.14 (Bloch, Ernest) for voice and piano |
1800 |
| Musette, B.11 (Bloch, Ernest) for voice and piano |
1897 |
| Méditation, B.12 (Bloch, Ernest) for violin and organ |
1897 |
| Près de la mer, B.20 (Bloch, Ernest) for voice and piano |
1898 |
| Lied in B-flat minor, B.25 (Bloch, Ernest) for voice and piano |
1900 |
| Lied in F major, B.26 (Bloch, Ernest) for voice and piano |
1900 |
| Pastorale, B.3 (Bloch, Ernest) for piano |
1896 |
| Ruggiero (Guglielmi, Pietro Alessandro) for 6 voices and orchestra |
|
| Vivre-aimer, B.27 (Bloch, Ernest) for orchestra |
1900 |
| Introduction and Variations, Op. 26 (Padovec, Ivan) for guitar |
|
| Regrets... (No.2) from 2 Pieces, B.13 (Bloch, Ernest) for piano |
1897 |
| Fantaisie-lied, B.15 (Bloch, Ernest) for violin and piano |
1898 |
| Lied in A minor, B.16 (Bloch, Ernest) for piano |
1898 |
| Là-bas, B.17 (Bloch, Ernest) for voice and piano |
1898 |
| Orientale, B.18 (Bloch, Ernest) for orchestra |
1898 |
| Sérénade, B.21 (Bloch, Ernest) for violin and piano |
1898 |
| Symphonie orientale, B.5 (Bloch, Ernest) for orchestra |
1896 |
| Symphony No. 32 in C minor (Brunetti, Gaetano) for orchestra |
|
| Introduction and Variations, Op. 61 (Padovec, Ivan) for guitar |
|
| Symphony in D minor, SchL deest (Loewe, Carl) for orchestra |
|
| Symphony No. 1 in C minor (Mayer, Emilie) for orchestra |
1800 |
| Symphony No. 1 in C minor (Mayer, Emilie) for orchestra |
1800 |
| Assalonne (Caldara, Antonio) for 6 voices and orchestra |
|
| Recorder Sonata in G minor, IFS 91 (Sardelli, Federico Maria) for recorder and continuo |
2002 |
| Recorder Sonata in D minor, IFS 86 (Sardelli, Federico Maria) for recorder and continuo |
1999 |
| Recorder Sonata in F major, IFS 87 (Sardelli, Federico Maria) for recorder and continuo |
1990 |
| Recorder Sonata in C major, IFS 85 (Sardelli, Federico Maria) for recorder and continuo |
1992 |
| Recorder Sonata in F major, IFS 89 (Sardelli, Federico Maria) for recorder and continuo |
1999 |
| Partite di Follia (Sardelli, Federico Maria) for recorder and continuo |
1990 |
| Recorder Sonata in F major, IFS 88 (Sardelli, Federico Maria) for recorder and continuo |
1991 |
| Sonata for Soprano Recorder solo in C major (Sardelli, Federico Maria) for recorder |
1989 |
| Sonata for Soprano Recorder solo in F major (Sardelli, Federico Maria) for recorder |
1989 |
| Canticum morti (Verheyen, Pierre-Emmanuel) for soprano, alto, tenor, bass, mixed chorus and strings |
|
| Quartet for 4 Horns, Op. 33 (Henkel, Heinrich) for 4 horns |
|
| Sonata for Alto Recorder solo in A minor (Sardelli, Federico Maria) for recorder |
1989 |
| 9 Sinfonias (Roman, Johan Helmich) for strings and continuo |
|
| Amore e Psiche (Schuster, Joseph) for 5 voices, mixed chorus and orchestra |
|
| Brockes-Passion, FaWV F:1 (Fasch, Johann Friedrich) for voices, mixed chorus and orchestra |
1750 |
| Lamentationes Hieremiae Prophetae à 4, LV Anh.63-71 (Lassus, Orlande de) for 4 voices |
|
| Sleeping Beauty, WoO.19 (Raff, Joachim) for voices, mixed chorus and orchestra |
1800 |
| Suite 1ere pour le Clavecin (Sardelli, Federico Maria) for harpsichord |
1990 |
| Concert Variations, Op. 22 (Kalliwoda, Johann Wenzel) for violin and orchestra |
|
| Cello Sonata (Jaëll, Marie) for cello and piano |
|
| Adagio (No.3) from Arrangement of Adagio (No.3) from Cello Sonata (Jaëll, Marie) for viola and piano |
|
| Sonata für das Bogenklavier, H.280 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Fugue in G major, K.443/404b (Mozart, Wolfgang Amadeus) for violin, viola and cello |
|
| Keyboard Sonata in F major, H.52 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Abschied von meinem Silbermannischen Claviere in einem Rondo, H.272 (Bach, Carl Philipp Emanuel) for clavichord |
|
| Keyboard Sonata in A minor, H.61 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Keyboard Sonata in E major, H.83 (Bach, Carl Philipp Emanuel) for keyboard |
|
| Double Bass Concerto in G major (Dragonetti, Domenico) for double bass and orchestra |
|
| Double Bass Concerto in G major (Dragonetti, Domenico) for double bass and orchestra |
|
| Osterkantate (Wolf, Ernst Wilhelm) for voices, mixed chorus and orchestra |
|
| Osterkantate (Wolf, Ernst Wilhelm) for voices, mixed chorus and orchestra |
|
| Allegretto and Mazurka (Chopin, Frédéric) for piano |
|
| Gran Concerto in C major (Dragonetti, Domenico) for double bass and orchestra |
|
| Double Bass Concerto in C major (Dragonetti, Domenico) for double bass and orchestra |
|
| Questo povero cor (Fago, Francesco Nicola) for soprano and continuo |
|
| Quall'or non veggio l'adorato nume (Fago, Francesco Nicola) for soprano and continuo |
|
| È ben chiara ragione (Fago, Francesco Nicola) for soprano and continuo |
|
| Non credo che vi sia pena maggior (Fago, Francesco Nicola) for soprano and continuo |
|
| All'or ch'in dolce oblio (Fago, Francesco Nicola) for soprano and continuo |
|
| Come viver poss'io (Fago, Francesco Nicola) for soprano and continuo |
|
| Miserabile scempio di pene (Fago, Francesco Nicola) for bass and continuo |
|
| Quanto invidio la tua sorte (Fago, Francesco Nicola) for alto and continuo |
|
| Requiem in C major (Pasterwitz, Georg) for soprano, alto, tenor, bass and orchestra |
|
| Violin Concerto in B-flat major, Op. 7 No. 10 (Albinoni, Tomaso) for violin, strings and continuo |
|
| Arrangement of Piano Concerto 'Romántico' (Ponce, Manuel) for 2 pianos |
|
| 6 Pieces de musique dans un genre nouveau (Vogler, Georg Joseph) for flute, violin, viola and cello |
|
Variations on an Andante in B-flat major (Abeille, Ludwig) for keyboard and orchestra
piano and orchestra |
|
Kyrie (Rinck, Christian Heinrich) for mixed chorus and organ
mixed chorus and piano |
1838 |
| Waltz in B-flat major (Stolpe, Antoni) for piano |
1800 |
| Les libellules (Cottin, Alfred) for guitar |
|
6 Sonatas (Vogler, Georg Joseph) for violin and keyboard
violin, cello and keyboard |
|
| Aschermittwochlied, Op. 11 (Abeille, Ludwig) for 2 sopranos, alto, tenor, bass and piano |
|
| Scherzo in C major (Stolpe, Antoni) for piano |
1800 |
| Allegro appassionato in C minor (Stolpe, Antoni) for piano |
1869 |
| Variations in D minor (Stolpe, Antoni) for piano |
1870 |
| Andante in A-flat major (Stolpe, Antoni) for piano |
1800 |
| Polonaise in A-flat major (Stolpe, Antoni) for 2 violins, viola, cello, double bass and piano |
1866 |
| 2 Mazurkas (Stolpe, Antoni) for piano |
1800 |
| String Quartet, Op. 17 (Merikanto, Aare) for 2 violins, viola and cello |
|
| Nonet (Scholz, Bernhard) for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass |
|
| Laudate Dominum, H.159 (Charpentier, Marc-Antoine) for 3 voices, continuo and 2 sopranos |
1674 |
| Notturno for Harp and Strings (Schoenberg, Arnold) for harp and strings |
1800 |
| Dirge and Hymeneal, H.124 (Holst, Gustav) for female chorus and piano |
1915 |
| The Swallow leaves her nest, H.119 (Holst, Gustav) for female chorus |
1914 |
| This have I done for my true love, Op. 34 No. 1 (Holst, Gustav) for mixed chorus |
|
| Bring us in good ale, Op. 34 No. 4 (Holst, Gustav) for mixed chorus |
1919 |
A Dream of Christmas, H.139 (Holst, Gustav) for female chorus and piano
female chorus and strings |
1917 |
| Of one that is so fair and bright, Op. 34 No. 3 (Holst, Gustav) for soprano, alto, tenor, bass and mixed chorus |
1919 |
3 Carols, H.133 (Holst, Gustav) for unison chorus and organ
unison chorus and orchestra |
|
3 Carols, H.133 (Holst, Gustav) for unison chorus and organ
unison chorus and orchestra |
|
A Dirge for 2 Veterans, H.121 (Holst, Gustav) for male chorus, 3 cornets, 2 tubas and 2 percussions
male chorus, 3 cornets, trombone, tuba and 2 percussions
male chorus, 3 cornets, 2 cellos and 2 percussions
male chorus, 3 cornets, 2 double basses and 2 percussions
male chorus, 3 cornets, cello, double bass and 2 percussions |
1914 |
| I vow to thee, my country, H.148 (Holst, Gustav) for mixed chorus and orchestra |
|
| Introduzione teatrale in B-flat major, Op. 4 No. 3 (Locatelli, Pietro Antonio) for strings and continuo |
|
| Le mariage de Salomon (Cherubini, Luigi) for tenor, mixed chorus and orchestra |
1816 |
| 2 Violin Sonatas (Gyrowetz, Adalbert) for violin and piano |
|
| Ninfa crudel (Cherubini, Luigi) for 5 voices and continuo |
|
| String Trio in E-flat major, Op. 22 No. 1 (Hoffmeister, Franz Anton) for 2 violins and cello |
|
| Herr, höre meine Worte (Grotthuss, Dietrich Ewald von) for soprano, alto, tenor, bass, 2 oboes, strings and continuo |
|
| Sinfonia in E minor, BeRI 22 (Roman, Johan Helmich) for orchestra |
|
| Sinfonia in D minor, BeRI 27 (Roman, Johan Helmich) for strings and continuo |
|
| Ouverture in F major, BeRI 5 (Roman, Johan Helmich) for orchestra |
|
| Alleluia O filii et filiae (Cherubini, Luigi) for 5 voices and orchestra |
1818 |
| Arrangement of Alleluia O filii et filiae (Cherubini, Luigi) for strings |
1828 |
Bibliothek der Grazien (Bossler, Heinrich Philipp) for voice and keyboard
2 voices and keyboard
keyboard |
|
| Hymne à la Fraternité (Cherubini, Luigi) for mixed chorus and orchestra |
1794 |
| Chant républicain pour la fête du 10 août (Cherubini, Luigi) for mixed chorus and orchestra |
|
| Viola d'amore Concerto in A major, RV 396 (Vivaldi, Antonio) for viola damore, strings and continuo |
1700 |
| Trio Sonata in B-flat major, ÖNB EM.72.l (Anonymous) for violin, cello and continuo |
|
| Marcha Fúnebre Vitória de Canudos (Sousa, José Alexandrino de) for wind ensemble and brass ensemble |
|
| 12 Waltzes (Dragonetti, Domenico) for double bass |
|
| Waltz No.8 from 12 Waltzes (Dragonetti, Domenico) for double bass |
1843 |
| Marcha Fúnebre Era uma vez (Sousa, José Alexandrino de) for wind ensemble and brass ensemble |
1945 |
Keyboard Sonata in A major, M.F I:2 (Sperger, Johann Matthias) for clavichord
piano |
1700 |
| Piano Sonata in C major, M.F I:3 (Sperger, Johann Matthias) for piano |
1700 |
| 40 Motets, V-CVbav MS Pal.lat. 1976-79 (Alamire, Petrus) for 4 voices |
|
| 5 Côntre Dansas Francezas (Bomtempo, João Domingos) for piano |
|
| Último Adeus (Anonymous) for wind ensemble and brass ensemble |
|
| Marcha Fúnebre Saudade (Cunha, João Elias da) for wind ensemble and brass ensemble |
1913 |
| Marcha Fúnebre Eterna Saudade (Anonymous) for wind ensemble and brass ensemble |
1918 |
| Le monde de la lune (Wolf, Ernst Wilhelm) for voices, mixed chorus and orchestra |
|
6 Keyboard Trios (Wolf, Ernst Wilhelm) for violin, cello and keyboard
violin, cello and harpsichord
violin, cello and piano |
|
| L'isle déserte (Beck, Franz Ignaz) for voices and orchestra |
|
| Cello Concertino in D major, P.244 (Danzi, Franz) for cello and orchestra |
|
| Cello Concertino in D major, P.244 (Danzi, Franz) for cello and orchestra |
|
| Marcha Fúnebre in B-flat minor (Anonymous) for wind ensemble and brass ensemble |
1892 |
| Marcha Fúnebre in F minor (Braga, Marceliano) for wind ensemble and brass ensemble |
|
| Bassoon Concerto in G minor, P.238 (Danzi, Franz) for bassoon and orchestra |
|
| Bassoon Concerto in F major, P.236 (Danzi, Franz) for bassoon and orchestra |
|
| La passione di Gesù Cristo (Schuback, Jacob) for voices, mixed chorus and orchestra |
|
| Liturgy of St. John Chrysostom, Op. 31 (Nikolsky, Aleksandr) for mixed chorus |
1922 |
| Hades, Op. 10 (Suolahti, Heikki) for orchestra |
|
| Prelude, Op. 6 (Suolahti, Heikki) for orchestra |
|
| Fantasia impromptu, Op. 9 (Suolahti, Heikki) for orchestra |
1932 |
| La vendetta di Nino (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| La vendetta di Nino (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| La vendetta di Nino (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| La vendetta di Nino (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| Azeitonas Novas (Marchal, Pedro Anselmo) for keyboard |
|
Kleine und leichte Sonaten (Schmiedt, Siegfried) for keyboard
clavichord
piano |
|
6 Keyboard Sonatas, Op. 6 (Spergher, Ignaz) for harpsichord
keyboard
organ |
1775 |
| Die Liebe im Narrenhaus, Kr.295 (Dittersdorf, Carl Ditters von) for voices and orchestra |
|
| Quam pulchra es (Bauldeweyn, Noel) for 4 voices |
|
| Litania Ostrobramska (Moniuszko, Stanisław) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| String Quartet No. 6 in F major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Quartet No. 12 in F major (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| String Quartet No. 14 in A major (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| String Quartet No. 17 in D minor (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| String Quartet No. 20 in F minor (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| Andante in G major (Praeger, Ferdinand) for wind ensemble, brass ensemble and percussion |
1800 |
| Arrangement of Andante in G major (Praeger, Ferdinand) for piano |
1800 |
| String Quartet No. 18 in E-flat major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Quartet No. 13 in D major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| String Quartet No. 9 in C major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| Leben, Liebe, Kampf und Sieg (Praeger, Ferdinand) for orchestra |
|
| Manfred (Praeger, Ferdinand) for orchestra |
|
| Trauermarsch No. 1 (Praeger, Ferdinand) for orchestra |
1800 |
| Trauermarsch No. 2 (Praeger, Ferdinand) for orchestra |
|
| Trauermarsch No. 2 (Praeger, Ferdinand) for orchestra |
|
| Triumphal March in D major (Praeger, Ferdinand) for orchestra |
|
| Ungarischer Marsch (Praeger, Ferdinand) for orchestra |
|
| Ungarischer Marsch (Praeger, Ferdinand) for orchestra |
|
Legend (Praeger, Ferdinand) for wind ensemble and brass ensemble
wind ensemble, brass ensemble and percussion |
1890 |
| Scherzo in C major for String Quartet (Praeger, Ferdinand) for 2 violins, viola and cello |
1885 |
| String Quartet No. 7 in F major (Praeger, Ferdinand) for 2 violins, viola and cello |
1800 |
| Rosalba (Novello, Vincent) for 6 voices and orchestra |
1833 |
| Rosalba (Novello, Vincent) for 6 voices and orchestra |
1833 |
| String Quartet No. 8 in A major (Praeger, Ferdinand) for 2 violins, viola and cello |
|
| Gott sorgt für mich, Op. 177 (Reissiger, Carl Gottlieb) for 2 tenors, 2 basses and male chorus |
|
| Piano Sonata No. 5 in A major (Praeger, Ferdinand) for piano |
|
| Piano Sonata No. 1 in C minor (Praeger, Ferdinand) for piano |
1890 |
| Piano Sonata No. 1 in C minor (Praeger, Ferdinand) for piano |
|
| Piano Sonata No. 6 in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 7 in D minor (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 9 in F major (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 10 in F major (Praeger, Ferdinand) for piano |
1880 |
| Piano Sonata No. 11 in F major (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 12 in C major (Praeger, Ferdinand) for piano |
1883 |
| Piano Sonata No. 13 in A-flat major (Praeger, Ferdinand) for piano |
1881 |
| Piano Sonata No. 14 in D major (Praeger, Ferdinand) for piano |
1884 |
| Piano Sonata No. 15 in E minor (Praeger, Ferdinand) for piano |
1885 |
| Piano Sonata No. 16 in C minor (Praeger, Ferdinand) for piano |
1800 |
| Marcha Fúnebre in F minor (Anonymous) for wind ensemble and brass ensemble |
1941 |
| Piano Sonata No. 18 in C minor (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 19 in G minor (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 20 in C minor (Praeger, Ferdinand) for piano |
1887 |
| Marcha Fúnebre No. 13 (Anonymous) for wind ensemble and brass ensemble |
1922 |
| Marcha Fúnebre No. 14 (Anonymous) for wind ensemble and brass ensemble |
1922 |
| Violin Concerto No. 1 (Venturini, Francesco) for violin, strings and continuo |
|
| Piano Sonata No. 21 in A major (Praeger, Ferdinand) for piano |
1889 |
| Piano Sonata No. 24 in C major (Praeger, Ferdinand) for piano |
1886 |
| Piano Sonata No. 25 in G major (Praeger, Ferdinand) for piano |
1800 |
| Piano Sonata No. 26 in G minor (Praeger, Ferdinand) for piano |
1889 |
| Piano Sonata No. 27 in F major (Praeger, Ferdinand) for piano |
1889 |
| Piano Sonata No. 22 in A major (Praeger, Ferdinand) for piano |
1889 |
| Piano Sonata No. 23 in C minor (Praeger, Ferdinand) for piano |
1888 |
| Violin Concerto No. 2 in A minor (Venturini, Francesco) for violin and orchestra |
|
| 2 String Quartets (Bargiel, Woldemar) for 2 violins, viola and cello |
1848 |
| Marcha Fúnebre No. 1 (Anonymous) for wind ensemble, brass ensemble and percussion |
|
Cello Sonata in G major, HW X/1 (Bach, Johann Christoph Friedrich) for cello and continuo
2 cellos |
1700 |
| Piano Sonata No. 28 in C major (Praeger, Ferdinand) for piano |
1890 |
| Piano Sonata No. 29 in C major (Praeger, Ferdinand) for piano |
1886 |
| Piano Sonata No. 30 in C major (Praeger, Ferdinand) for piano |
|
| Piano Sonata No. 31 in G minor (Praeger, Ferdinand) for piano |
1890 |
| Piano Sonata No. 35 in C major (Praeger, Ferdinand) for piano |
1891 |
| Matinas da Conceição (Silva, Francisco Manuel da) for mixed chorus and orchestra |
1890 |
| Walzer Rhapsodie in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Waltz in F major (Praeger, Ferdinand) for piano |
1890 |
| Walzer Rhapsodie in E-flat major (Praeger, Ferdinand) for piano |
1877 |
| Scherzo in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in C major, IFP 153 (Praeger, Ferdinand) for piano |
1888 |
| Scherzo in C major, IFP 154 (Praeger, Ferdinand) for piano |
1890 |
| Scherzo in E-flat major, IFP 150 (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in E-flat major, IFP 151 (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in E-flat major, IFP 152 (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in F major (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in G major, IFP 145 (Praeger, Ferdinand) for piano |
1887 |
| Scherzo in G major, IFP 146 (Praeger, Ferdinand) for piano |
1888 |
| Scherzo in G major, IFP 148 (Praeger, Ferdinand) for piano |
1800 |
| Scherzo in G major, IFP 149 (Praeger, Ferdinand) for piano |
1800 |
| Volkslied in C minor (Praeger, Ferdinand) for piano |
1800 |
| Valse-rhapsodie in G major (Praeger, Ferdinand) for piano |
1800 |
| La tentation (Praeger, Ferdinand) for piano |
1800 |
| Tempo di mazurka (Praeger, Ferdinand) for piano |
1838 |
| Thema mit sechs Veränderungen (Praeger, Ferdinand) for piano |
1800 |
| Te souviens tu? (Praeger, Ferdinand) for piano |
1800 |
| Stormy Night (Praeger, Ferdinand) for piano |
1800 |
| Spanish Dance (Praeger, Ferdinand) for piano |
1800 |
| Le songe (Praeger, Ferdinand) for piano |
1800 |
| Serenade in E major (Praeger, Ferdinand) for piano |
1800 |
| Scherzo allegretto in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Russian Airs (Praeger, Ferdinand) for piano |
1800 |
| Romance in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Romanza di gondoliera (Praeger, Ferdinand) for piano |
1800 |
| Romanza in G major (Praeger, Ferdinand) for piano |
1847 |
| Scherzo in G major, IFP 147 (Praeger, Ferdinand) for piano |
1890 |
| Volkslied in G minor (Praeger, Ferdinand) for piano |
1800 |
| Harpsichord Trio in F major, StWV 165/3 (Sterkel, Johann Franz Xaver) for violin, cello and harpsichord |
1779 |
| Polka-mazurka (Praeger, Ferdinand) for piano |
1800 |
| Nocturne in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Nocturne in B-flat major (Praeger, Ferdinand) for piano |
1800 |
| Nocturne in E-flat major, IFP 155 (Praeger, Ferdinand) for piano |
1888 |
| Nocturne in E-flat major, IFP 156 (Praeger, Ferdinand) for piano |
1888 |
| Nocturne in E-flat major, IFP 157 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne in E-flat major, IFP 158 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne in F major (Praeger, Ferdinand) for piano |
1889 |
| Romanze in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Fatima (Praeger, Ferdinand) for piano |
1800 |
| Romanza in A-flat major (Praeger, Ferdinand) for piano |
1844 |
| Rhapsodie No. 1 (Praeger, Ferdinand) for piano |
1800 |
| Redowa (Praeger, Ferdinand) for piano |
1800 |
| Presto agitato in C minor (Praeger, Ferdinand) for piano |
1890 |
| Popular Ballad (Praeger, Ferdinand) for piano |
1889 |
| Polka (Praeger, Ferdinand) for piano |
1800 |
| La petite Fadette (Praeger, Ferdinand) for piano |
1800 |
| 8 Präludien (Praeger, Ferdinand) for piano |
1800 |
| A flor de meus sonhos (Nazareth, Ernesto) for piano |
1916 |
| A bela Melusina (Nazareth, Ernesto) for piano |
1915 |
| Nocturne No. 5 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 6 (Praeger, Ferdinand) for piano |
1881 |
| Nocturne No. 7 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 8 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 9 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 10 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 11 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 12 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 13 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 14 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 15 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 16 (Praeger, Ferdinand) for piano |
1800 |
| Nocturne No. 17 (Praeger, Ferdinand) for piano |
1800 |
| Meditation in F major, IFP 191 (Praeger, Ferdinand) for piano |
1800 |
| Meditation in F major, IFP 192 (Praeger, Ferdinand) for piano |
1800 |
| Meditation in C major (Praeger, Ferdinand) for piano |
1890 |
| Meditation in A-flat major (Praeger, Ferdinand) for piano |
1889 |
| Mazurka in A minor (Praeger, Ferdinand) for piano |
1889 |
| Mazurka in B-flat major (Praeger, Ferdinand) for piano |
1838 |
| Monaco (Praeger, Ferdinand) for piano |
1800 |
| Molto moderato in A minor (Praeger, Ferdinand) for piano |
1800 |
| Minuetto in C major (Praeger, Ferdinand) for piano |
1800 |
| A Moorish Melody (Praeger, Ferdinand) for piano |
1800 |
| Mephisto (Praeger, Ferdinand) for piano |
1800 |
| Marcha Fúnebre No. 5 (Anonymous) for wind ensemble and brass ensemble |
1942 |
| 3 Mazurkas (Praeger, Ferdinand) for piano |
1888 |
| Matrosafest (Praeger, Ferdinand) for piano |
1800 |
| Matinas da Conceição (Xavier, José Maria) for mixed chorus and orchestra |
|
| La passione di Gesù Cristo (Naumann, Johann Gottlieb) for voices, mixed chorus and orchestra |
|
16 Trio Sonatas (Bach, Carl Philipp Emanuel) for flute, violin and continuo
flute and harpsichord
2 violins and continuo
violin and harpsichord
viol and harpsichord
recorder, viola and continuo |
1700 |
| Nocturne No. 1 (Praeger, Ferdinand) for piano |
1875 |
| Lento in G major (Praeger, Ferdinand) for piano |
1800 |
| Impromptu in A-flat major (Praeger, Ferdinand) for piano |
1889 |
| Impromptu in C major (Praeger, Ferdinand) for piano |
1800 |
| Impromptu in F major (Praeger, Ferdinand) for piano |
1888 |
| March in A-flat major (Praeger, Ferdinand) for piano |
1800 |
| Mater dolorosa (Praeger, Ferdinand) for piano |
1800 |
| Marcia and Bolero (Praeger, Ferdinand) for piano |
1800 |
| Maestoso in D major (Praeger, Ferdinand) for piano |
1800 |
| Lullaby (Praeger, Ferdinand) for piano |
1800 |
| Lento con affetto (Praeger, Ferdinand) for piano |
|
| Impromptu scherzando (Praeger, Ferdinand) for piano |
1800 |
| Legende (Praeger, Ferdinand) for piano |
1881 |
| Launiger Augenblick (Praeger, Ferdinand) for piano |
1800 |
| Lament and Romance (Praeger, Ferdinand) for piano |
1800 |
| Jagdlied (Praeger, Ferdinand) for piano |
1800 |
| Jagdchor (Praeger, Ferdinand) for piano |
1800 |
| Idylle in A major (Praeger, Ferdinand) for piano |
1890 |
| Idylle in G major (Praeger, Ferdinand) for piano |
1852 |
| La grotesque (Praeger, Ferdinand) for piano |
1800 |
Solos, Quartets (or Quintets) and Concertos with Double Bass (Dragonetti, Domenico) for violin, 2 violas, cello and double bass
double bass and orchestra |
|
| 6 Sonatas for 2 Recorders (Valentine, Robert) for 2 recorders |
|
| Romanza siciliana, J.47 (Weber, Carl Maria von) for flute and orchestra |
|
| Galop in G major (Praeger, Ferdinand) for piano |
1800 |
| Galop brillant in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Giga in F minor (Praeger, Ferdinand) for piano |
1800 |
| Gavotte in E-flat major (Praeger, Ferdinand) for piano |
1800 |
| Gondoliera (Praeger, Ferdinand) for piano |
1800 |
| Gavotte de Louis XV (Praeger, Ferdinand) for piano |
1800 |
| Gavottes (Praeger, Ferdinand) for piano |
1800 |
| 12 Instrumental pieces (Weber, Carl Maria von) for |
|
16 Voluntaries (Praeger, Ferdinand) for harmonium
organ |
1800 |
| Galop in C major, IFP 245 (Praeger, Ferdinand) for piano |
1885 |
| Freudenwalzer (Praeger, Ferdinand) for piano |
1800 |
| Das Hühnengrab (Praeger, Ferdinand) for |
1800 |
| Undine (Praeger, Ferdinand) for piano 4 hands |
1800 |
Gloriosa (Praeger, Ferdinand) for keyboard
organ |
1800 |
Lamentation!, Jolly Life, and Nocturne (Praeger, Ferdinand) for keyboard
harmonium |
1800 |
Nearer to Death, Nearer to Peace! (Praeger, Ferdinand) for keyboard
harmonium |
1891 |
40 Voluntaries (Praeger, Ferdinand) for organ
harmonium |
1800 |
| Andante e rondo ongarese, J.79 (Weber, Carl Maria von) for viola and orchestra |
1800 |
| Andante e rondo ongarese, J.79 (Weber, Carl Maria von) for viola and orchestra |
|
| Andante e rondo ongarese, J.79 (Weber, Carl Maria von) for viola and orchestra |
1800 |
| Adjutor in opportunitatibus (Cherubini, Luigi) for tenor, mixed chorus and orchestra |
1818 |
| Arrangement of Violin Concertino, Op. 1 (Molique, Bernhard) for violin and piano |
1902 |
| Piano Sonata No. 1, CFF 2 (Franck, César) for piano |
|
| Piano Trio, CFF 108 (Franck, César) for violin, cello and piano |
1834 |
| Fantaisie No. 2, CFF 4 (Franck, César) for piano |
|
| Grande fantaisie No. 3, CFF 7 (Franck, César) for piano |
|
| Variations brillantes sur un thème original, CFF 131 (Franck, César) for piano and orchestra |
|
| Variations brillantes sur 'Gustave III', CFF 133 (Franck, César) for piano and orchestra |
|
| Arrangement of Variations brillantes sur 'Gustave III', CFF 133 (Franck, César) for piano |
|
| Fugue vocale en ré mineur (Franck, César) for 4 voices |
1840 |
| Arrangement of Variations brillantes sur 'Le pré aux clercs', CFF 132 (Franck, César) for piano |
|
| Stradella, CFF 229 (Franck, César) for 7 voices, mixed chorus and piano |
|
| Arrangement of Piano Concerto (Rufinatscha, Johann) for 2 pianos |
|
| Pygmalion (Benda, Georg) for 2 voices and orchestra |
|
| Violin Sonata, Op. 26 (Rinkens, Wilhelm) for violin and piano |
|
| Piano Trio in C minor (Lachner, Franz Paul) for violin, cello and piano |
1829 |
| Piano Trio in E major (Lachner, Franz Paul) for violin, cello and piano |
1828 |
| Symphony No. 2 in E minor (Mayer, Emilie) for orchestra |
1800 |
| Symphony No. 2 in E minor (Mayer, Emilie) for orchestra |
1800 |
| Music for The Tempest (Linley Jr., Thomas) for voice, mixed chorus and orchestra |
|
| 72 Fugues for Harpsichord (Sellitto, Giacomo) for harpsichord |
1700 |
| Il trionfo d'amore (Gassmann, Florian Leopold) for 6 voices and orchestra |
|
| Stabat Mater (Sellitto, Giacomo) for soprano, alto, tenor, bass, strings and continuo |
1700 |
| Ezio (Pescetti, Giovanni Battista) for 6 voices and orchestra |
|
| Amore e Psiche (Gassmann, Florian Leopold) for 5 voices, mixed chorus and orchestra |
|
| Il viaggiatore ridicolo (Gassmann, Florian Leopold) for 7 voices and orchestra |
|
| L'amore artigiano (Gassmann, Florian Leopold) for 7 voices and orchestra |
|
| La Merope (Sala, Nicola) for 7 voices and orchestra |
|
| Il Bellerofonte (Platania, Ignazio) for 6 voices and orchestra |
|
| Il re pastore (Platania, Ignazio) for 5 voices and orchestra |
|
Prelude and 3 Keyboard Sonatas (Bernhard, Wilhelm Christoph) for keyboard
clavichord |
|
| Präludium und Fuge in A minor (Thiele, Rudolf Eduard) for organ |
|
| Missa de Quarta-feira Santa (Bemfica, Antônio Martiniano da Silva) for |
1898 |
| Jesu, meine Freude, BWV 610 (Bach, Johann Sebastian) for organ |
1700 |
| Helft mir Gottes Güte preisen, BWV 613 (Bach, Johann Sebastian) for organ |
1700 |
| Das Rosenfest (Wolf, Ernst Wilhelm) for voices and orchestra |
|
| Lobsing' ihm meine Seele (Wolf, Ernst Wilhelm) for soprano, alto, tenor, bass and orchestra |
1771 |
| Symphony No. 3 in C major (Mayer, Emilie) for orchestra |
1800 |
| Il canto del diavolo (Sartori, Giacomo) for guitar and 2 mandolins |
|
Octet (Bruch, Max) for 4 violins, 2 violas, cello and double bass
strings |
1920 |
| Volkslied aus Gothland (Ahlström, Jacob Niclas) for |
|
| Etude No. 1 (Regondi, Giulio) for guitar |
|
| Etude No. 1 (Regondi, Giulio) for guitar |
|
| 7 Stücke for Cello, Op. 34 (David, Ferdinand) for cello and piano |
1879 |
| 7 Stücke for Cello, Op. 34 (David, Ferdinand) for cello and piano |
1879 |
| Symphony No. 2, Op. 36 (Tournemire, Charles) for orchestra |
1909 |
| Symphony No. 8 in D minor (Boyce, William) for orchestra |
|
| L'Eraclea (Scarlatti, Alessandro) for 9 voices and orchestra |
|
| Morning and Evening Service in E major (Wesley, Samuel Sebastian) for mixed chorus and organ |
1845 |
| The Year 1812 (Bagrinovsky, Mikhail) for voices and orchestra |
|
| Le Polonais en Espagne (Szymanowska, Maria Agata) for voice and piano |
|
| Kłótnia przez zakład (Lipiński, Karol Józef) for voices and orchestra |
|
| Kłótnia przez zakład (Lipiński, Karol Józef) for voices and orchestra |
|
| Barcarole in E major, Op. 20 No. 1 (Schultz, Leonard) for guitar |
|
| Recollections of Ireland, Op. 41 (Schultz, Leonard) for guitar |
|
| Suite for 2 Violins in G minor (Corrette, Michel) for 2 violins |
|
| Arrangement of Cello Concerto in F-sharp minor, Op. 112 (Dotzauer, Friedrich) for cello and piano |
|
| Part I from Syrena z Dniestru (Lipiński, Karol Józef) for voices, mixed chorus and orchestra |
|
| Part I from Syrena z Dniestru (Lipiński, Karol Józef) for voices, mixed chorus and orchestra |
|
| Octet, Op. 6 (Krogulski, Józef W.) for flute, clarinet, 2 violins, viola, cello, double bass and piano |
|
| 3 Rondos on Favorite Melodies from 'Zampa' (Schultz, Leonard) for guitar |
|
| Symphony in G major (Breunig, Konrad) for orchestra |
|
| 33 Dances (Various) for |
|
| Concertant (Moralt, Jacob) for 2 violins and orchestra |
|
Divertissement, Op. 66 (Kalliwoda, Johann Wenzel) for 2 violins, viola, cello and piano
piano and strings |
|
| Choral Music Buch (Kluntz, Barbara) for organ |
1711 |
| Reine de Cypre (Wolff, Édouard) for piano |
1843 |
| Etude in C minor (Marmontel, Antoine François) for piano |
1800 |
| Representatio harmonica conceptionis et nativitatis S. Joannis Baptistae (Bollius, Daniel) for voices, mixed chorus and orchestra |
|
| Sinfonie fantastique (Kontski, Anton de) for orchestra |
|
| Marsch sinfonique (Wieprecht, Wilhelm) for wind ensemble, brass ensemble and percussion |
|
| Symphony No. 4 (Lachner, Franz Paul) for orchestra |
1834 |
| In dulci jubilo, BWV 608 (Bach, Johann Sebastian) for organ |
1700 |
| Symphony No. 1 in G major (Berger, Ludwig) for orchestra |
1798 |
| Symphony No. 1 in G major (Berger, Ludwig) for orchestra |
1700 |
| Symphony No. 1 in G major (Berger, Ludwig) for orchestra |
|
| Symphony No. 1 in G major (Berger, Ludwig) for orchestra |
|
| Overture to Othello (Taubert, Wilhelm) for orchestra |
1800 |
| Symphony No. 1, Op. 17 (Glass, Louis) for orchestra |
1894 |
| Symphony No. 4, Op. 43 (Glass, Louis) for orchestra |
1911 |
| String Quartet in D major (Schoenberg, Arnold) for 2 violins, viola and cello |
1897 |
| Symphony in G major (Schmittbaur, Joseph Aloys) for strings |
|
| 9 Entreactes (Lachner, Franz Paul) for orchestra |
1800 |
8 Divertimenti (Schmittbaur, Joseph Aloys) for wind ensemble and brass ensemble
2 piccolos, 2 flutes, 2 oboes, 2 bassoons and 2 horns |
|
Grande Fantaisie, Op. 26 (Kummer, Friedrich August) for cello and orchestra
cello and piano |
|
| Passion in VI Betrachtungen (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1745 |
| Cantata Paa Christi Himmelfarts Dag Gud farer op (Grosmann, Heinrich Ernst) for soprano, tenor, bass and orchestra |
1791 |
| Cantata Paa Christi Himmelfarts Dag Gud farer op (Grosmann, Heinrich Ernst) for soprano, tenor, bass and orchestra |
1791 |
| Libera me, Domine (Silva, Firmino) for mixed chorus and orchestra |
|
| Die Zuidersee, Op. 20 (Coste, Napoléon) for guitar |
|
| Die Ufer des Rheins, Op. 18 (Coste, Napoléon) for guitar |
|
| Delfzil. Scherzo, Op. 19 (Coste, Napoléon) for guitar |
|
| Rondeau de concert, Op. 12 (Coste, Napoléon) for guitar |
|
| La vallée d'Ornans, Op. 17 (Coste, Napoléon) for guitar |
|
| Die Glocken, Op. 21 (Coste, Napoléon) for guitar |
|
| Les montagnards, Op. 17 (Coste, Napoléon) for guitar |
|
| Los locos (López, Félix Máximo) for voices, mixed chorus and orchestra |
|
| La carità (Rossini, Gioacchino) for soprano, mixed chorus and orchestra |
|
| Symphony No. 2, Op. 44 (Lachner, Franz Paul) for orchestra |
1833 |
| Ave Maria in B-flat major (Lachner, Franz Paul) for soprano and harp |
|
| Dorscht March No. 2 (Wiegand, George) for wind ensemble, brass ensemble and percussion |
|
| Head Over Heels (Kern, Jerome) for voices, female chorus and orchestra |
1900 |
| Arrangement of Come, Holy Ghost (Attwood, Thomas) for male chorus |
1915 |
| Missa No. 3 (Xavier, José Maria) for mixed chorus and orchestra |
|
| La insinuación (Moretti, Federico) for voice and guitar |
|
| La tortolilla (Moretti, Federico) for voice, guitar and piano |
|
| Dorinda, o dammi vita (Amadori, Giuseppe) for soprano and continuo |
|
| L'amor timido (Gassmann, Florian Leopold) for soprano and orchestra |
|
| La decollazione di S. Giovanni Batista (Bononcini, Antonio Maria) for 5 voices and orchestra |
|
| La concordia del Tempo colla Fama (Carcani, Giuseppe) for 7 voices, mixed chorus and orchestra |
|
| Ambleto (Carcani, Giuseppe) for 6 voices and orchestra |
|
| Ambleto (Carcani, Giuseppe) for 6 voices and orchestra |
|
| Complete (1774 Rome Version) from Ezio (Guglielmi, Pietro Alessandro) for 6 voices and orchestra |
|
| L'Olimpiade (Wagenseil, Georg Christoph) for 6 voices, mixed chorus and orchestra |
|
| Il Siroe (Wagenseil, Georg Christoph) for 6 voices and orchestra |
|
| Incomplete from Antigono (Gatti, Luigi) for 6 voices and orchestra |
|
| Piano Sonata in D minor (Mayer, Emilie) for piano |
1800 |
Keyboard Sonata in E-flat major (Streicher, Andreas) for keyboard
piano
harpsichord
clavichord |
|
| Air from Les quatre Saisons (Schmidt, Johann Christoph) for 2 sopranos, alto, bass and orchestra |
|
| Meulan, Op. 22 (Coste, Napoléon) for guitar |
|
| Fantasie auf 'Norma', Op. 16 (Coste, Napoléon) for guitar |
|
| Tarantelle (Olsen, Ole) for cello and orchestra |
|
| Arrangement of Tarantelle (Olsen, Ole) for cello and piano |
|
| Deus noster refugium (Campra, André) for voices, mixed chorus and orchestra |
1727 |
| Manuscript Collection of Harpsichord Sonatas, I-PAc F.Psi.I.48 (Scarlatti, Domenico) for harpsichord |
|
| Romance No. 2 (Olsen, Ole) for violin and orchestra |
1903 |
| Romance No. 2 (Olsen, Ole) for violin and orchestra |
1903 |
| Arrangement of Romance No. 2 (Olsen, Ole) for violin and piano |
1903 |
| Arrangement of Romance No. 2 (Olsen, Ole) for violin and piano |
|
| Romance No. 1 (Olsen, Ole) for violin and orchestra |
|
| Romance No. 1 (Olsen, Ole) for violin and orchestra |
|
| Arrangement of Romance No. 1 (Olsen, Ole) for violin and piano |
1889 |
| Arrangement of Romance No. 1 (Olsen, Ole) for violin and piano |
1889 |
| Symphony in G major, Op. 5 (Olsen, Ole) for orchestra |
1878 |
| Symphony in G major, Op. 5 (Olsen, Ole) for orchestra |
|
| Symphony in G major, Op. 5 (Olsen, Ole) for orchestra |
|
| Scherzo (No.2) from Symphony in G major, Op. 5 (Olsen, Ole) for orchestra |
|
| Arrangement of Symphony in G major, Op. 5 (Olsen, Ole) for wind band and percussion |
1900 |
| Arrangement of Symphony in G major, Op. 5 (Olsen, Ole) for wind band and percussion |
|
| Jawnuta (Moniuszko, Stanisław) for voices, mixed chorus and orchestra |
|
| Quartet for Flute, Violin, Cello and Piano (Henriques, Fini) for flute, violin, cello and piano |
1900 |
| Fantasia in E minor (Lieven, Dorothea von) for piano |
|
Keyboard Sonata in C minor (Lieven, Dorothea von) for piano
harpsichord
keyboard |
|
| Bolero, Op. 48 (Olsen, Ole) for 2 sopranos, alto and piano |
1887 |
| Bolero, Op. 48 (Olsen, Ole) for 2 sopranos, alto and piano |
|
| Klang-Studien, Op. 80 (Olsen, Ole) for piano |
|
| Klang-Studien, Op. 80 (Olsen, Ole) for piano |
|
| Koncert-Studie (No.1) from Arrangement of Koncert-Studie (No.1) from Klang-Studien, Op. 80 (Olsen, Ole) for 2 pianos |
|
Modulationes variae (Olsen, Ole) for orchestra
clarinet and orchestra
violin and orchestra
cello and orchestra |
|
Modulationes variae (Olsen, Ole) for orchestra
clarinet and orchestra
violin and orchestra
cello and orchestra |
|
Modulationes variae (Olsen, Ole) for orchestra
clarinet and orchestra
violin and orchestra
cello and orchestra |
|
| Arrangement of Modulationes variae (Olsen, Ole) for piano |
|
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
|
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
1800 |
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
1880 |
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
|
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
|
| Alfedans, Op. 14 (Olsen, Ole) for orchestra |
|
| Sørgemarsch, Op. 41 (Olsen, Ole) for orchestra |
|
| Sørgemarsch, Op. 41 (Olsen, Ole) for orchestra |
|
| Arrangement of Sørgemarsch, Op. 41 (Olsen, Ole) for wind band and percussion |
|
| Arrangement of Sørgemarsch, Op. 41 (Olsen, Ole) for 2 violins, viola and cello |
|
| Cello Serenade (Olsen, Ole) for cello and strings |
1909 |
| Arrangement of Cello Serenade (Olsen, Ole) for cello and piano |
|
Sonata for Keyboard 3-Hands in D major (Seckendorff, Karl Siegmund von) for keyboard 3 hands
piano 3 hands |
|
Sonata for Keyboard 3-Hands in F major (Seckendorff, Karl Siegmund von) for keyboard 3 hands
piano 3 hands |
|
| Arrangement of Le Marché du Village (Seckendorff, Karl Siegmund von) for keyboard |
|
| 3 Karakterdanse, Op. 6 (Olsen, Ole) for piano |
|
| Arrangement of 3 Karakterdanse, Op. 6 (Olsen, Ole) for orchestra |
1907 |
| Arrangement of 3 Karakterdanse, Op. 6 (Olsen, Ole) for orchestra |
1908 |
| På Finmarksvidden (Olsen, Ole) for orchestra |
|
| På Finmarksvidden (Olsen, Ole) for orchestra |
|
| Arrangement of På Finmarksvidden (Olsen, Ole) for piano |
1909 |
Klang-Studie (Olsen, Ole) for piano
piano and strings |
1925 |
| Arrangement of Klang-Studie (Olsen, Ole) for 2 pianos |
1925 |
| 2 Pieces, Op. 16 (Olsen, Ole) for piano |
|
| 2 Pieces, Op. 16 (Olsen, Ole) for piano |
1878 |
| Vals lento (Olsen, Ole) for orchestra |
1908 |
| Arrangement of Vals lento (Olsen, Ole) for string orchestra |
|
| Arrangement of Vals lento (Olsen, Ole) for piano |
|
| Arrangement of Valse-Caprice, Op. 52 (Olsen, Ole) for string orchestra |
|
| Arrangement of Valse-Caprice, Op. 52 (Olsen, Ole) for wind band |
|
| Kong Jørgensens Festgallop, Op. 55 (Olsen, Ole) for orchestra |
|
| Kong Jørgensens Festgallop, Op. 55 (Olsen, Ole) for orchestra |
|
| Scherzo, Op. 2 (Olsen, Ole) for piano 4 hands |
|
| Scherzo, Op. 2 (Olsen, Ole) for piano 4 hands |
|
| Adagio from Symphony in E minor (Olsen, Ole) for orchestra |
|
| Adagio from Symphony in E minor (Olsen, Ole) for orchestra |
|
| Scherzo from Symphony in E minor (Olsen, Ole) for orchestra |
|
| Scherzo from Symphony in E minor (Olsen, Ole) for orchestra |
|
| Adagio from Arrangement of Adagio from Symphony in E minor (Olsen, Ole) for piano 4 hands |
|
| Adagio from Arrangement of Adagio from Symphony in E minor (Olsen, Ole) for piano 4 hands |
|
| Adagio from Arrangement of Adagio from Symphony in E minor (Olsen, Ole) for piano 4 hands |
|
| Valse intime (Olsen, Ole) for strings |
|
| Arrangement of Valse intime (Olsen, Ole) for orchestra |
|
| Arrangement of Valse intime (Olsen, Ole) for wind band and percussion |
1909 |
| Arrangement of Valse intime (Olsen, Ole) for wind band and percussion |
|
| Arrangement of Valse intime (Olsen, Ole) for piano |
|
| Arrangement of Valse intime (Olsen, Ole) for piano |
|
| Festmarsch til Bjørnson (Olsen, Ole) for strings |
|
| Arrangement of Festmarsch til Bjørnson (Olsen, Ole) for piano 4 hands |
|
Gallop-Caprice (Olsen, Ole) for piano and orchestra
2 pianos and orchestra |
1901 |
Gallop-Caprice (Olsen, Ole) for piano and orchestra
2 pianos and orchestra |
1901 |
Gallop-Caprice (Olsen, Ole) for piano and orchestra
2 pianos and orchestra |
|
| Arrangement of Gallop-Caprice (Olsen, Ole) for 2 pianos |
|
| Arrangement of Gallop-Caprice (Olsen, Ole) for 2 pianos |
|
Gallop-Caprice (Olsen, Ole) for piano and orchestra
2 pianos and orchestra |
|
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
1900 |
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
|
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
1900 |
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
|
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
|
Horn Serenade (Olsen, Ole) for horn and strings
trombone and strings |
|
| Arrangement of Horn Serenade (Olsen, Ole) for horn and piano |
|
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
1886 |
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
1886 |
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
1886 |
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
1902 |
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
1902 |
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
Horn version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
Trombone version from Horn Concerto, Op. 48 (Olsen, Ole) for horn and orchestra
trombone and orchestra |
|
| Miniaturen, Op. 68 (Olsen, Ole) for strings |
|
| Miniaturen, Op. 68 (Olsen, Ole) for strings |
|
| Miniaturen, Op. 68 (Olsen, Ole) for strings |
|
| Miniaturen, Op. 68 (Olsen, Ole) for strings |
|
| Arrangement of Miniaturen, Op. 68 (Olsen, Ole) for wind band and percussion |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 68 (Olsen, Ole) for voice and piano |
|
| Arrangement of 4 Sange, Op. 68 (Olsen, Ole) for tenor and male chorus |
|
| Arrangement of 4 Sange, Op. 68 (Olsen, Ole) for tenor and male chorus |
|
| Arrangement of Der Gang nach dem Eisenhammer (Weber, Bernhard Anselm) for voice and wind band |
|
| Der Gang nach dem Eisenhammer (Weber, Bernhard Anselm) for narrator and orchestra |
1800 |
| Arioso (Koessler, Hans) for violin and piano |
1900 |
| Clarinet Serenade (Olsen, Ole) for clarinet and strings |
|
| Clarinet Serenade (Olsen, Ole) for clarinet and strings |
|
| Clarinet Serenade (Olsen, Ole) for clarinet and strings |
|
| Arrangement of Clarinet Serenade (Olsen, Ole) for trombone and wind ensemble |
1917 |
| Arrangement of Clarinet Serenade (Olsen, Ole) for trombone and wind ensemble |
|
| Arrangement of Clarinet Serenade (Olsen, Ole) for clarinet and piano |
|
| Arrangement of Clarinet Serenade (Olsen, Ole) for trombone and piano |
1917 |
| Arbejdermarsch (Olsen, Ole) for mixed chorus |
|
| Arrangement of Piano Serenade in A major (Olsen, Ole) for voice and piano |
|
| Arrangement of Piano Serenade in A major (Olsen, Ole) for 2 pianos |
|
| Arrangement of Piano Serenade in A major (Olsen, Ole) for piano |
|
| Festmarsch (Olsen, Ole) for orchestra |
|
| Maikvællsstemning (Olsen, Ole) for |
1921 |
| Maikvællsstemning (Olsen, Ole) for |
|
| Arrangement of Maikvællsstemning (Olsen, Ole) for voice and piano |
|
| Arrangement of Maikvællsstemning (Olsen, Ole) for voice and piano |
|
| Arrangement of Maikvællsstemning (Olsen, Ole) for voice and piano |
|
| Maikvællsstemning (Olsen, Ole) for |
|
| Broderbud (Olsen, Ole) for tenor, male chorus and orchestra |
1902 |
| Broderbud (Olsen, Ole) for tenor, male chorus and orchestra |
1902 |
| Broderbud (Olsen, Ole) for tenor, male chorus and orchestra |
|
| Arrangement of Broderbud (Olsen, Ole) for wind band and percussion |
|
| Broderbud (Olsen, Ole) for tenor, male chorus and orchestra |
|
| Valse from 'En hanske', Op. 42 (Olsen, Ole) for female chorus and piano |
|
| Valse from 'En hanske', Op. 42 (Olsen, Ole) for female chorus and piano |
|
| Valse from 'En hanske', Op. 42 (Olsen, Ole) for female chorus and piano |
|
| Valse from 'En hanske', Op. 42 (Olsen, Ole) for female chorus and piano |
|
| Valse from 'En hanske', Op. 42 (Olsen, Ole) for female chorus and piano |
|
| Mandarin-Polka, Op. 43 (Olsen, Ole) for orchestra |
1886 |
| Mandarin-Polka, Op. 43 (Olsen, Ole) for orchestra |
|
| Musette Concerto in D major (Barbella, Emanuele) for musette, strings and continuo |
1700 |
| Lute Sonata in D major (Kohaut, Karl) for lute |
|
| Serenade til Agnes Brink (Olsen, Ole) for voice and piano |
|
| Serenade til Meinertz (Olsen, Ole) for voice and piano |
|
| Serenade til Haakon og Klara Johannesen (Olsen, Ole) for violin and piano |
1899 |
| Serenade 'Blinkende stjerner' (Olsen, Ole) for male chorus |
|
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
|
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
1906 |
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
|
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
1906 |
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
1906 |
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
|
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
|
| Til vor dronning (Olsen, Ole) for tenor and orchestra |
|
| Tenorens Serenade (Olsen, Ole) for tenor and orchestra |
|
| Tenorens Serenade (Olsen, Ole) for tenor and orchestra |
|
| Tenorens Serenade (Olsen, Ole) for tenor and orchestra |
|
| Serenade af Kjerulf (Olsen, Ole) for voice and piano |
1877 |
| Serenade af Kjerulf (Olsen, Ole) for voice and piano |
|
| Serenade af Kjerulf (Olsen, Ole) for voice and piano |
|
| Bryllups-Serenade (Olsen, Ole) for tenor and piano |
1914 |
| 4 Sange, Op. 7 (Olsen, Ole) for voice and piano |
|
| 4 Sange, Op. 7 (Olsen, Ole) for voice and piano |
|
| Du klang, som engang vakt (No.2) from Arrangement of Du klang, som engang vakt (No.2) from 4 Sange, Op. 7 (Olsen, Ole) for bass and male chorus |
1878 |
| Rav (No.3) from Arrangement of Rav (No.3) from 4 Sange, Op. 7 (Olsen, Ole) for voice and orchestra |
|
| Rav (No.3) from Arrangement of Rav (No.3) from 4 Sange, Op. 7 (Olsen, Ole) for voice and orchestra |
|
| Rav (No.3) from Arrangement of Rav (No.3) from 4 Sange, Op. 7 (Olsen, Ole) for voice and orchestra |
|
| El juramento (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
| El juramento (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
| El juramento (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
| Kjære gutten min, Op. 25 (Olsen, Ole) for soprano, alto and female chorus |
1883 |
| Kjære gutten min, Op. 25 (Olsen, Ole) for soprano, alto and female chorus |
|
| Dronningen af Rusland, Op. 69 (Olsen, Ole) for narrator and strings |
|
| Dronningen af Rusland, Op. 69 (Olsen, Ole) for narrator and strings |
|
| Kantate til Stavangerudstillingen, Op. 62 (Olsen, Ole) for baritone, mixed chorus, wind ensemble, brass ensemble and percussion |
|
| Kantate til Stavangerudstillingen, Op. 62 (Olsen, Ole) for baritone, mixed chorus, wind ensemble, brass ensemble and percussion |
|
| Kantate til Stavangerudstillingen, Op. 62 (Olsen, Ole) for baritone, mixed chorus, wind ensemble, brass ensemble and percussion |
|
| Kantate til Stavangerudstillingen, Op. 62 (Olsen, Ole) for baritone, mixed chorus, wind ensemble, brass ensemble and percussion |
|
| Kantate til Stavangerudstillingen, Op. 62 (Olsen, Ole) for baritone, mixed chorus, wind ensemble, brass ensemble and percussion |
|
Drøm-Idyll (Olsen, Ole) for harp and strings
piano and strings |
|
Drøm-Idyll (Olsen, Ole) for harp and strings
piano and strings |
|
Drøm-Idyll (Olsen, Ole) for harp and strings
piano and strings |
|
| Arrangement of Drøm-Idyll (Olsen, Ole) for orchestra |
|
| Arrangement of Drøm-Idyll (Olsen, Ole) for violin and piano |
|
| Arrangement of Drøm-Idyll (Olsen, Ole) for piano |
|
| Dans! ropte felen, Op. 15 (Olsen, Ole) for soprano, baritone and mixed chorus |
1881 |
| Dans! ropte felen, Op. 15 (Olsen, Ole) for soprano, baritone and mixed chorus |
1880 |
| Dans! ropte felen, Op. 15 (Olsen, Ole) for soprano, baritone and mixed chorus |
|
| Dans! ropte felen, Op. 15 (Olsen, Ole) for soprano, baritone and mixed chorus |
|
| Dans! ropte felen, Op. 15 (Olsen, Ole) for soprano, baritone and mixed chorus |
|
1902 version from Entrata festivo (Olsen, Ole) for piano and strings
orchestra |
1902 |
1902 version from Entrata festivo (Olsen, Ole) for piano and strings
orchestra |
|
| 1879 version from Arrangement of 1879 version from Entrata festivo (Olsen, Ole) for piano 4 hands |
|
| Festmarsch, Op. 11 (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
|
| Festmarsch, Op. 11 (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
1880 |
| Presto in G major (Marpurg, Friedrich Wilhelm) for keyboard |
|
| Keyboard Sonata in A minor (Marpurg, Friedrich Wilhelm) for keyboard |
|
Variations on 'Ich schlief da träumte mir' (Marpurg, Friedrich Wilhelm) for keyboard
harpsichord |
|
| Gondolsang (Olsen, Ole) for piano |
|
| Frisk morgen (Olsen, Ole) for male chorus |
|
| Hilsen til Jonas Lie (Olsen, Ole) for baritone and male chorus |
|
| Efter regn (Olsen, Ole) for male chorus |
|
| Arrangement of Semiramis-Vals (Olsen, Ole) for wind band |
1885 |
| Til Kong Oscar (Olsen, Ole) for male chorus |
|
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
|
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
|
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
1800 |
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
|
| Introduction to Epilogue from Arrangement of Introduction to Epilogue from Stallo (Olsen, Ole) for piano |
|
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
|
| Stallo (Olsen, Ole) for 7 voices, mixed chorus and orchestra |
|
| Arrangement of Griffenfeld, Op. 75 (Olsen, Ole) for 4 trombones and wind band |
1905 |
| Arrangement of Griffenfeld, Op. 75 (Olsen, Ole) for 4 trombones and wind band |
1905 |
| Vaarens komme from Arrangement of Vaarens komme from Griffenfeld, Op. 75 (Olsen, Ole) for male chorus |
|
| Estudio (Rubira, Antonio) for guitar |
|
| Matinas do Espírito Santo (Xavier, José Maria) for mixed chorus and orchestra |
1869 |
Velkommen enge (Olsen, Ole) for mixed chorus
4 voices |
1885 |
| Ved nattetid (Olsen, Ole) for voice and piano |
1876 |
Typografernes sang (Olsen, Ole) for 4 voices
mixed chorus |
|
| Melhus-Marschen (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
|
| Arrangement of Melhus-Marschen (Olsen, Ole) for piano |
1915 |
| Arrangement of Melhus-Marschen (Olsen, Ole) for piano |
|
Irmelin Rose, Op. 56 (Olsen, Ole) for soprano and piano
soprano and orchestra |
|
Irmelin Rose, Op. 56 (Olsen, Ole) for soprano and piano
soprano and orchestra |
|
| Arrangement of Irmelin Rose, Op. 56 (Olsen, Ole) for cornet and wind band |
|
| Arrangement of Irmelin Rose, Op. 56 (Olsen, Ole) for cornet and wind band |
|
| Arrangement of Irmelin Rose, Op. 56 (Olsen, Ole) for cornet and wind band |
|
| Circé (Neukomm, Sigismund) for soprano and orchestra |
|
| Rose (No.3) from 4 Lieder, Op. 61/65 (Olsen, Ole) for voice and piano |
|
| Rose (No.3) from 4 Lieder, Op. 61/65 (Olsen, Ole) for voice and piano |
|
| Rose (No.3) from 4 Lieder, Op. 61/65 (Olsen, Ole) for voice and piano |
|
| Rose (No.3) from 4 Lieder, Op. 61/65 (Olsen, Ole) for voice and piano |
|
| 2 Songs (Olsen, Ole) for voice and piano |
|
| 2 Songs (Olsen, Ole) for voice and piano |
|
| Wunsch (Olsen, Ole) for voice and piano |
|
| Wunsch (Olsen, Ole) for voice and piano |
|
Double Bass Concerto in G major, D-Mbs Mus.ms.7578 (Anonymous) for violone and orchestra
double bass and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
1800 |
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Overture from Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Lajla (Olsen, Ole) for 2 pianos |
|
| Market Scene from Arrangement of Market Scene from Lajla (Olsen, Ole) for 2 pianos |
|
| Lajla (Olsen, Ole) for voices, 2 mixed chorus and orchestra |
|
| Symphonische Phantasie, Op. 127 (Hiller, Ferdinand) for orchestra |
1868 |
| Arrangement of Selections from Los Cadetes de la Reina (Luna, Pablo) for guitar, lute and bandurria |
1915 |
| 4 Rêveries, Op. 21 (Hiller, Ferdinand) for piano |
1837 |
| Symphony in C major (Hiller, Ferdinand) for orchestra |
1800 |
| Alleluja singet dem Herrn ein neues Lied, TWV 7:4 (Telemann, Georg Philipp) for 4 voices and orchestra |
|
| Giunio Bruto (Logroscino, Nicola Bonifacio) for voices, mixed chorus and orchestra |
|
| 43 Songs (Telemann, Georg Philipp) for 4 voices and orchestra |
|
| Demetrio (Sala, Nicola) for |
|
| Thou, even Thou art to be Feared (Thomas, William Edwin) for mixed chorus and orchestra |
|
| In Jewry God is Known (Thomas, William Edwin) for 2 sopranos, alto, tenor, bass and strings |
|
| And Hezekiah Prayed; The Virgin, the Daughter of Zion (Thomas, William Edwin) for mezzosoprano, cello, strings and continuo |
|
| Praise unto the Lord (Thomas, William Edwin) for bass and strings |
|
| Il Vecchio geloso (Alessandri, Felice) for voices and orchestra |
|
| Lo sposo di tre e marito di nessuna (Anfossi, Pasquale) for voices and orchestra |
|
| Sonate per cembalo (Alberti, Domenico) for harpsichord |
|
| Klippeøerne (Olsen, Ole) for voices, mixed chorus and orchestra |
1900 |
| Klippeøerne (Olsen, Ole) for voices, mixed chorus and orchestra |
1900 |
| Klippeøerne (Olsen, Ole) for voices, mixed chorus and orchestra |
1900 |
| Ottone (D'Alessandro, Gennaro) for voices and orchestra |
|
| O Lord God of Israel (Thomas, William Edwin) for bass and strings |
1800 |
| Giunio Bruto (Cimarosa, Domenico) for 6 voices and orchestra |
1781 |
| L'amante combattuto dalle donne di punto (Cimarosa, Domenico) for 8 voices and orchestra |
1781 |
| Lezioni di contrappunto (Angelini, Baldassarre) for |
1739 |
| Magnificat à quattro concertato con strumenti (Abos, Girolamo) for 4 voices and orchestra |
|
| Symphony in E minor (Hiller, Ferdinand) for orchestra |
1831 |
| Symphony in E minor (Hiller, Ferdinand) for orchestra |
|
| Sinfonia concertante, P.224 (Danzi, Franz) for flute, oboe, bassoon, horn and orchestra |
1786 |
| Sinfonia concertante, P.224 (Danzi, Franz) for flute, oboe, bassoon, horn and orchestra |
|
| Sinfonia concertante, P.224 (Danzi, Franz) for flute, oboe, bassoon, horn and orchestra |
|
| I due baroni di Rocca Azzurra (Cimarosa, Domenico) for 5 voices and orchestra |
1782 |
| I due baroni di Rocca Azzurra (Cimarosa, Domenico) for 5 voices and orchestra |
|
| String Quartet in D major (Logroscino, Nicola Bonifacio) for 2 violins, viola and continuo |
|
| Violin Concerto in E minor, S.C788 (Marcello, Benedetto) for violin, strings and continuo |
|
| Concerto for Harpsichord and Double Orchestra in G major, S.D934 (Marcello, Alessandro) for harpsichord, strings and continuo |
|
| Sinfonia per camera in C minor (Bononcini, Antonio Maria) for cello and continuo |
|
| Concerto a quattro No. 2 in D major (Galuppi, Baldassare) for strings and continuo |
1760 |
| Sinfonia from Il duello d'Amore e di Vendetta (Ziani, Marc'Antonio) for voices, strings and continuo |
1700 |
| Il Quinto Fabio (Logroscino, Nicola Bonifacio) for voices and orchestra |
|
| Flute Concerto in G major (Cecere, Carlo) for flute, strings and continuo |
1760 |
| Sinfonia from Antigono (Galuppi, Baldassare) for voices and orchestra |
1762 |
| Sinfonia in G major (Belletti, G. C.) for orchestra |
|
| A seno te ne iste a Padoa (Logroscino, Nicola Bonifacio) for bass, strings and continuo |
1760 |
| Idol mio, da te dipende la mia pace (Logroscino, Nicola Bonifacio) for soprano, strings and continuo |
|
Violin and Continuo from Sonata in F major (Graun, Johann Gottlieb) for violin and continuo
viola and continuo |
|
Viola and Continuo from Sonata in F major (Graun, Johann Gottlieb) for violin and continuo
viola and continuo |
|
| Violin Sonata in A major, GT 2.A05 (Tartini, Giuseppe) for violin and continuo |
|
| Chi dell'altrui si veste presto si spoglia (Cimarosa, Domenico) for 8 voices and orchestra |
1783 |
| La villana riconosciuta (Cimarosa, Domenico) for 8 voices and orchestra |
1783 |
| Smådigte (Olsen, Ole) for |
|
| Responsórios Fúnebres para Encomendação da Ordem de São Francisco (Xavier, José Maria) for mixed chorus and orchestra |
1876 |
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
1883 |
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Arrangement of Marsk Stig (Olsen, Ole) for 2 pianos |
|
| Arrangement of Marsk Stig (Olsen, Ole) for piano |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Overture from Marsk Stig (Olsen, Ole) for voices, mixed chorus and orchestra |
|
| Overture in D major (Meucci, Giovanni Vincenzio) for orchestra |
1762 |
| Lontananza crudel (Antinori, Luigi) for voice and continuo |
|
| Sonata for 2 Mandolins in G major, IEB 14 (Barbella, Emanuele) for 2 mandolins and continuo |
|
| Irene idolo mio (Gasparini, Francesco) for voice and continuo |
1760 |
| Adamo (Galuppi, Baldassare) for voices, strings and continuo |
|
| Thinkst thou I Saw (Thomas, William Edwin) for mixed chorus |
1890 |
The Dying Lover (Thomas, William Edwin) for tenor and piano
bass and piano |
|
| The Wounded Hussar (Thomas, William Edwin) for mixed chorus and organ |
|
| Madrigal for 6 Voices (Thomas, William Edwin) for 2 sopranos, alto, 2 tenors and bass |
|
The Spring is Here (Thomas, William Edwin) for 3 voices
mixed chorus |
1918 |
| Sieg! (Hiller, Ferdinand) for orchestra |
1870 |
| Ouverture in Form der Händelschen (Hiller, Ferdinand) for strings |
1826 |
| Flute Concerto (Sperger, Johann Matthias) for flute and orchestra |
1786 |
| Flute Concerto (Sperger, Johann Matthias) for flute and orchestra |
|
| Bassoon Concerto in C major (Stamitz, Carl Philipp) for bassoon and orchestra |
|
| Bassoon Concerto in C major (Stamitz, Carl Philipp) for bassoon and orchestra |
|
| Zum Thron der Gnade nah'n wir Sünder (Hobein, Johann Friedrich) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Bassoon Concerto in F major (Stamitz, Carl Philipp) for bassoon and orchestra |
|
| Kommt lasset uns heute in freudigen Chören (Hobein, Johann Friedrich) for tenor, bass, mixed chorus and orchestra |
|
| Erwin (Hiller, Ferdinand) for tenor and orchestra |
1881 |
| Symphony in F major, Op. 101 (Thomas, William Edwin) for orchestra |
1929 |
| Prometheus und die Oceaniden (Hiller, Ferdinand) for orchestra |
1800 |
| Overture to 'Faust' (Hiller, Ferdinand) for orchestra |
1831 |
| Allegro in F minor (Thomas, William Edwin) for organ |
1898 |
| Fest Anthem 'Sing We Merrily' (Thomas, William Edwin) for mixed chorus and piano |
|
| Fugue No. 1 in F major (Thomas, William Edwin) for organ |
1898 |
| Fugue No. 2 in F major (Thomas, William Edwin) for organ |
1898 |
| L'apparenza inganna (Cimarosa, Domenico) for 9 voices and orchestra |
1783 |
| La donna sempre al suo peggior s'appiglia (Cimarosa, Domenico) for 8 voices and orchestra |
1785 |
| I traci amanti (Cimarosa, Domenico) for 7 voices and orchestra |
1793 |
| Primo e secondo libro di Toccate (Scarlatti, Alessandro) for harpsichord |
|
| Arrangement of En sangers bøn (Reissiger, Friedrich August) for voice, 3 clarinets and bassoon |
|
| String Quartet in C minor (Hiller, Ferdinand) for 2 violins, viola and cello |
1825 |
| Tänze für die Harmoniebälle in Frankfurt (Hiller, Ferdinand) for orchestra |
1825 |
Popule meus (Vallotti, Francesco Antonio) for 4 voices and organ
4 voices and continuo
mixed chorus and organ
mixed chorus and continuo |
1710 |
| Tänze für die Weimarische Stadtmusik, auf Bällen (Hiller, Ferdinand) for orchestra |
1800 |
Rosendalmarschen (Olsen, Ole) for wind ensemble, brass ensemble and percussion
mixed chorus and piano |
1920 |
Rosendalmarschen (Olsen, Ole) for wind ensemble, brass ensemble and percussion
mixed chorus and piano |
|
| Arrangement of Rosendalmarschen (Olsen, Ole) for mixed chorus and piano |
|
Rosendalmarschen (Olsen, Ole) for wind ensemble, brass ensemble and percussion
mixed chorus and piano |
|
| Trio Sonata in B-flat major (Brescianello, Giuseppe Antonio) for 2 violins and continuo |
|
Concerto a cinque in D major, S.784 (Marcello, Benedetto) for violin and strings
3 violins, viola and continuo |
|
| Trio Sonata in E minor (Brescianello, Giuseppe Antonio) for 2 violins and continuo |
|
| Instrumental Pieces for Violin Solo, BeRI T22.342 (Roman, Johan Helmich) for violin |
|
| Cello Sonata in F major (Martinelli, Antonio) for cello and continuo |
|
| Cello Sonata in A major (Martinelli, Antonio) for cello and continuo |
|
| Violin Sonata in D major (Dal Barba, Daniele Pio) for violin and continuo |
|
| I matrimoni impensati (Cimarosa, Domenico) for 5 voices and orchestra |
1783 |
| Violin Sonata in G minor (Millico, Giuseppe) for violin and continuo |
|
| I tåge (Olsen, Ole) for male chorus |
1878 |
| I tåge (Olsen, Ole) for male chorus |
|
| Arrangement of I tåge (Olsen, Ole) for male chorus and strings |
|
| Arrangement of I tåge (Olsen, Ole) for male chorus and strings |
|
| Arrangement of I tåge (Olsen, Ole) for male chorus and strings |
|
| Te Deum laudamus in D major (Righini, Vincenzo) for mixed chorus and orchestra |
|
| Violin Concerto in D major (Nardini, Pietro) for violin, strings and continuo |
|
| Andante in C minor (Hiller, Ferdinand) for piano |
1837 |
| Moderato in C minor for String Quartet (Hiller, Ferdinand) for 2 violins, viola and cello |
1800 |
| Romance pour la harpe (Hiller, Ferdinand) for harp |
1837 |
| Etude in C-sharp minor (Hiller, Ferdinand) for piano |
1837 |
| Impromptu en forme de valse (Hiller, Ferdinand) for piano |
1837 |
| Violin Sonata in G minor, D.5.9 (Locatelli, Pietro Antonio) for violin and continuo |
|
| Pur una volta alfine, B.deest (Leopold I, Holy Roman Emperor) for 2 sopranos, bass, 2 violins and continuo |
|
| Trio Sonata in D major, S-Uu Leufsta Mus.ms.11 (Anonymous) for 2 violins and continuo |
|
| Overture in G major (Giubilei, Andrea) for orchestra |
1760 |
| Moderato in G minor for Organ (Hiller, Ferdinand) for organ |
1837 |
| Præclara custos Virginum (Xavier, José Maria) for tenor and orchestra |
1869 |
| Violin Sonata in A major, S-Uu Leufsta Mus.ms.26 (Anonymous) for violin and harpsichord |
|
| Violin Sonata in A minor, S-Uu Leufsta Mus.ms.31 (Anonymous) for violin and harpsichord |
|
| Violin Sonata in D minor, S-Uu Leufsta Mus.ms.29 (Anonymous) for violin and harpsichord |
|
| Rêverie in F minor (Hiller, Ferdinand) for piano |
1838 |
| Rêverie in A minor (Hiller, Ferdinand) for piano |
1838 |
| Impromptu ins Stammbuch der Madame Vanotti (Hiller, Ferdinand) for piano |
1839 |
| Flute Sonata in F major (Bach, Wilhelm Friedemann) for flute and continuo |
|
| Te Deum para as Profissões da Ordem Terceira de. N. S. do Carmo (Xavier, José Maria) for mixed chorus and orchestra |
1866 |
| Symphony in D major, Kr.89 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in D major, Kr.92 (Dittersdorf, Carl Ditters von) for orchestra |
1793 |
| Symphony in C major, Kr.116 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in D major, Kr.118 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in A major, Kr.119 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in E-flat major, Kr.125 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in C major, Kr.32 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Flute Sonata in E minor (Bach, Wilhelm Friedemann) for flute and continuo |
|
| Der Herr erhält alle die da fallen (Hiller, Ferdinand) for voice and piano |
1837 |
| Der letzte Exulant vom Geschlechte Jedithuns (Hiller, Ferdinand) for voice and piano |
1837 |
| Des Mädchens Thränen (Hiller, Ferdinand) for voice and piano |
1837 |
| Nascesti alle pene (Hiller, Ferdinand) for voice and piano |
1837 |
| Odi d'un uom che more (Hiller, Ferdinand) for voice and piano |
1837 |
| Abendruhe (Hiller, Ferdinand) for voice and piano |
1837 |
| Guarda che bianca luna (Hiller, Ferdinand) for voice and piano |
1837 |
| The Tear (Hiller, Ferdinand) for voice and piano |
1838 |
Trinklied im Wald (Hiller, Ferdinand) for soprano, alto, tenor and bass
mixed chorus |
1800 |
| Bassoon Concerto in C major, Op. 56 (Brandl, Johann Evangelist) for bassoon and orchestra |
|
| 77 Keyboard Pieces, D-B Mus.ms. 30196 (Various) for keyboard |
|
| Piano Sonata in F major (Hiller, Ferdinand) for piano |
1827 |
| Piano Sonata in A minor (Hiller, Ferdinand) for piano |
1826 |
| Piano Sonata in G major (Hiller, Ferdinand) for piano |
1826 |
| Finmarkens bataljonsmarsch (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
1920 |
| Finmarkens bataljonsmarsch (Olsen, Ole) for wind ensemble, brass ensemble and percussion |
|
| Arrangement of Finmarkens bataljonsmarsch (Olsen, Ole) for clarinet, 2 cornets, 2 horns, 2 saxhorns, trombone and tuba |
|
| Andante in D major (Olsen, Ole) for 2 violins and piano |
|
| Fantasie in A major (Hiller, Ferdinand) for piano |
1827 |
| Prelude and Fugue in C minor, Krebs-WV 402 (Krebs, Johann Ludwig) for organ |
1820 |
| Prelude and Fugue in C minor, Krebs-WV 402 (Krebs, Johann Ludwig) for organ |
1840 |
| Gott ich bin in dir erfreut (Wolff, Christian Michael) for bass, trumpet, 2 violins and continuo |
|
| No Corrections from String Quartet in A minor (Hollinrake, Horace) for 2 violins, viola and cello |
1925 |
| Corrected from String Quartet in A minor (Hollinrake, Horace) for 2 violins, viola and cello |
1925 |
| Envoy (Hollinrake, Horace) for soprano, alto, tenor and bass |
1900 |
| Motet for 4 Voices (Hollinrake, Horace) for soprano, alto, tenor and bass |
1925 |
| String Quartet in D major (Hollinrake, Horace) for 2 violins, viola and cello |
1925 |
| Heil dir Liebling der Camönen (Hiller, Ferdinand) for voice and piano |
1826 |
| Ich sende einen Gruss (Hiller, Ferdinand) for voice and piano |
1827 |
| Le sénateur (Hiller, Ferdinand) for voice and piano |
1827 |
| Wandrers Nachtlied (Hiller, Ferdinand) for voice and piano |
1800 |
| Prelude and Fugue in D major, Krebs-WV 404 (Krebs, Johann Ludwig) for organ |
1742 |
| Prelude and Fugue in D minor, Krebs-WV 405 (Krebs, Johann Ludwig) for organ |
|
| Prelude and Fugue in D minor, Krebs-WV 405 (Krebs, Johann Ludwig) for organ |
|
| In tausend Formen magst du dich verstecken (Hiller, Ferdinand) for voice and piano |
1800 |
| Ein alter greiser Rittersmann (Hiller, Ferdinand) for voice and piano |
1827 |
| Shadows (Hill, Alec) for voice and piano |
|
| Wenn die süße Freundin lachet (Hiller, Ferdinand) for voice and piano |
1800 |
| Ist der Frühling da (Hiller, Ferdinand) for voice and piano |
1827 |
| Um Mitternacht (Hiller, Ferdinand) for voice and piano |
1800 |
| Waltz in A major (Hiller, Ferdinand) for piano |
1800 |
| Waltz in D major (Hiller, Ferdinand) for piano |
1800 |
| Waltz in B-flat major (Hiller, Ferdinand) for piano |
1827 |
| 3 Mélodies, Op. 11 (Vierne, Louis) for voice and piano |
1895 |
| 3 Mélodies, Op. 18 (Vierne, Louis) for voice and piano |
|
| Rêverie (Hiller, Ferdinand) for piano |
1838 |
| Sammlung leichter Orgelstücke (Vierling, Johann Gottfried) for organ |
|
| Tagebuch (Hiller, Ferdinand) for piano |
1853 |
| Der Ungenannten (Hiller, Ferdinand) for piano |
1878 |
Oboe Concerto in E-flat major (Thiel, Johann Georg) for oboe and orchestra
oboe, 2 violins and continuo
oboe, strings and continuo |
|
| Concerto a sei in F major, S-L Saml.Engelhart 436 (Anonymous) for 2 oboes, 2 bassoons and 2 horns |
|
| Partie a Tre, D-SWl Mus.422 (Anonymous) for viola, cello and violone |
|
| Double Bass Concerto in D major (Zimmermann, Anton) for double bass and orchestra |
|
| Double Bass Concerto in D major (Zimmermann, Anton) for double bass and orchestra |
|
| Double Bass Concerto No. 1 in D major (Pichl, Vaclav) for double bass and orchestra |
|
| Double Bass Concerto No. 2 in D major (Pichl, Vaclav) for double bass and orchestra |
|
| Idyll (Hiller, Ferdinand) for orchestra |
1800 |
| Pastorale (Bordes, Charles) for orchestra |
|
| Pater noster (Caplet, André) for voice and harmonium |
|
| Piano Concerto, Op. 27 (Alnæs, Eyvind) for piano and orchestra |
1900 |
| Arrangement of Piano Concerto, Op. 27 (Alnæs, Eyvind) for 2 pianos |
1900 |
3 Piano Trios, Op. 27 (Clementi, Muzio) for violin, cello and piano
violin, cello and harpsichord |
|
| Fileuse (Clutsam, George Howard) for piano |
|
| Sinfonia concertante in D major, WK 43 (Abel, Carl Friedrich) for oboe, violin, cello and orchestra |
|
| Arrangement of Serenata araba (Frontini, Francesco Paolo) for orchestra |
|
| Sinfonia (Trio) in G minor (Dall'Oglio, Domenico) for 2 violins and continuo |
|
| 33 Partimentos, D-Dl Mus.2455-T-500 (Ristori, Giovanni Alberto) for continuo |
|
| 33 Partimentos, D-Dl Mus.2455-T-501 (Ristori, Giovanni Alberto) for continuo |
|
| Jubel Music. Op! op i Andagtsfulde Siele (Grosmann, Heinrich Ernst) for soprano, tenor, bass, mixed chorus and orchestra |
1760 |
| Jubel Music. Op! op i Andagtsfulde Siele (Grosmann, Heinrich Ernst) for soprano, tenor, bass, mixed chorus and orchestra |
1760 |
| Die Welt ist schön doch sie soll uns nicht mehr betören (Rudorf, Carl Friedrich) for soprano, bass, mixed chorus and orchestra |
|
| Symphony in E-flat major, OttN Eb1 (Naumann, Johann Gottlieb) for orchestra |
|
| Symphony in C major, OttN C1 (Naumann, Johann Gottlieb) for orchestra |
|
| Germana, il dì che splende (Caldara, Antonio) for continuo and 2 sopranos |
|
| Trio Sonata in G major (Ghelardi) for 2 violins and continuo |
1760 |
| Berenice e Lucilla (Graupner, Christoph) for voices, mixed chorus and orchestra |
1700 |
| 6 Trio Sonatas, S-Uu Gimo 124-129 (Galuppi, Baldassare) for 2 violins and continuo |
1760 |
| Abraham auf Moria (Rolle, Johann Heinrich) for 4 sopranos, 2 altos, 4 tenors, 2 basses, mixed chorus and orchestra |
|
| Abraham auf Moria (Rolle, Johann Heinrich) for 4 sopranos, 2 altos, 4 tenors, 2 basses, mixed chorus and orchestra |
1800 |
| Gedor (Rolle, Johann Heinrich) for soprano, 2 altos, 2 tenors, bass, 2 mixed chorus and orchestra |
|
| Salve Regina (Eslava, Hilarión) for 3 voices and organ |
|
| 3 Symphonies, Op. 51 (Haydn, Joseph) for orchestra |
|
| Kantate zum Gedächtnis der Gefallenen, Op. 65 (Láska, Gustav) for mixed chorus |
|
Viola d'Amore Quintet No. 2 (Eybler, Joseph) for violin, viola damore, viola, cello and violone
violin, viola damore, viola and 2 cellos
violin, 3 violas, cello and violone
violin, 3 violas and 2 cellos
violin, viola damore, viola, cello and double bass
violin, 3 violas, cello and double bass |
|
Viola d'Amore Quintet No. 2 (Eybler, Joseph) for violin, viola damore, viola, cello and violone
violin, viola damore, viola and 2 cellos
violin, 3 violas, cello and violone
violin, 3 violas and 2 cellos
violin, viola damore, viola, cello and double bass
violin, 3 violas, cello and double bass |
|
Viola d'Amore Quintet No. 1 (Eybler, Joseph) for violin, viola damore, viola, cello and violone
violin, viola damore, viola and 2 cellos
violin, 3 violas, cello and violone
violin, 3 violas and 2 cellos
violin, viola damore, viola, cello and double bass
violin, 3 violas, cello and double bass |
|
Viola d'Amore Quintet No. 1 (Eybler, Joseph) for violin, viola damore, viola, cello and violone
violin, viola damore, viola and 2 cellos
violin, 3 violas, cello and violone
violin, 3 violas and 2 cellos
violin, viola damore, viola, cello and double bass
violin, 3 violas, cello and double bass |
|
| Hostes Averni rabie frementes, H.91 (Hasse, Johann Adolph) for voice, strings and continuo |
|
| Artaserse (Araja, Francesco) for voices and orchestra |
|
| Eitelkeit zu guter Nacht (Rohde, Michael) for alto, 3 recorders, oboe and continuo |
|
| Sonata No. 1 for 2 Cellos in C major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Sonata for 2 Cellos in B-flat major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Cello Sonata No. 2 in G major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| Cello Sonata No. 2 in C major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| Sinfonia in B-flat major, SchW A2:002 (Scheibe, Johann Adolph) for orchestra |
|
| Cello Sonata No. 1 in F major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| Cello Sonata No. 1 in G major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| Cello Sonata No. 1 in C major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| 3 Harpsichord Pieces, S-L Saml.Engelhart 446 (Handel, George Frideric) for harpsichord |
|
| Cello Sonata No. 2 in F major (Chiabrano, Gaspare Giuseppe Gaetano) for cello and continuo |
|
| Sonata No. 3 for 2 Cellos in G major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Sonata No. 1 for 2 Cellos in F major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Sonata No. 2 for 2 Cellos in F major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Sonata No. 2 for 2 Cellos in C major (Chiabrano, Gaspare Giuseppe Gaetano) for 2 cellos |
|
| Overture from Françoise de foix (Berton, Henri-Montan) for voices, mixed chorus and orchestra |
|
| Symphony in F major (Sperger, Johann Matthias) for orchestra |
1796 |
| Symphony in F major (Sperger, Johann Matthias) for orchestra |
|
| Arrangement of Piano Concerto No. 4, Op. 12 (Cleve, Halfdan) for 2 pianos |
1900 |
| Arrangement of Piano Concerto No. 5, Op. 20 (Cleve, Halfdan) for 2 pianos |
1900 |
| Symphony (Chapí, Ruperto) for orchestra |
1877 |
| Jota (Chapí, Ruperto) for violin and orchestra |
1881 |
| La mariposa (Chapí, Ruperto) for voice and orchestra |
1884 |
| Roger de Flor (Chapí, Ruperto) for voices, mixed chorus and orchestra |
1878 |
| Calabazas (Chapí, Ruperto) for voices and orchestra |
1905 |
| String Quartet No. 3 (Chapí, Ruperto) for 2 violins, viola and cello |
1905 |
| Arrangement of String Quartet No. 3 (Chapí, Ruperto) for 3 guitars and 5 lutes |
1906 |
| String Quartet No. 4 (Chapí, Ruperto) for 2 violins, viola and cello |
1907 |
| String Quartet No. 1 (Chapí, Ruperto) for 2 violins, viola and cello |
1903 |
| Arrangement of String Quartet No. 1 (Chapí, Ruperto) for 3 guitars and 4 lutes |
1906 |
| Hamlet, Op. 13 (Borgstrøm, Hjalmar) for piano and orchestra |
1900 |
| Arrangement of Hamlet, Op. 13 (Borgstrøm, Hjalmar) for 2 pianos |
1900 |
| An die Nacht, Op. 45 (Volkmann, Robert) for alto and orchestra |
1864 |
| Sinfonia in D major, ZieC 3.17 (Camerloher, Placidus von) for strings and continuo |
|
| La república de las mujeres (Rodriguez de Hita, Antonio) for 3 sopranos, 3 tenors, 3 baritones and orchestra |
1772 |
The Gresse Manuscript, UB Utrecht Hs.20 B 9 (Anonymous) for keyboard
harpsichord |
|
| Concerto a 9 in G minor (Schickhardt, Johann Christian) for orchestra |
|
| Concerto in F major (Schickhardt, Johann Christian) for violin and orchestra |
|
| Symphony No. 1, Op. 7 (Alnæs, Eyvind) for orchestra |
1800 |
| Symphony No. 2, Op. 43 (Alnæs, Eyvind) for orchestra |
1900 |
| La route d'émeraude (Boeck, August de) for voices, mixed chorus and orchestra |
|
| General Bass Exercises, D.Anh.I/32 (Schubert, Franz) for keyboard |
1800 |
| Volume 1 from Jugendlieder (Berg, Alban) for voice and piano |
|
| Volume 2 from Jugendlieder (Berg, Alban) for voice and piano |
|
| Los nuestros (Chapí, Ruperto) for voices, mixed chorus and orchestra |
|
| Scène de cape et épée (Chapí, Ruperto) for orchestra |
1876 |
| Nocturno (Chapí, Ruperto) for 5 voices and orchestra |
|
| La serenata (Chapí, Ruperto) for 4 voices, mixed chorus and orchestra |
1899 |
| Marcha morisca (Chapí, Ruperto) for orchestra |
|
| Harpsichord Concerto in C major, H.423 (Bach, Carl Philipp Emanuel) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in F major, H.470 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
|
| Violin Sonata in D minor, H.503 (Bach, Carl Philipp Emanuel) for violin and harpsichord |
|
| Dachs-Studie (Rott, Hans) for 2 violins, viola, cello and double bass |
|
| Tento do Segundo Tom (Araújo, Pedro de) for organ |
1695 |
| Harpsichord Concerto in E-flat major, H.469 (Bach, Carl Philipp Emanuel) for harpsichord and orchestra |
|
| Double Bass Concerto No. 1 in E-flat major (Hoffmeister, Franz Anton) for double bass and orchestra |
|
| 6 Overtures, Op. 14 (Abel, Carl Friedrich) for orchestra |
|
| Austanfyre sol og vestanfyre måne (Schjelderup, Gerhard Rosenkrone) for voices, mixed chorus and orchestra |
1800 |
Violin Sonata in D minor (Bach, Carl Philipp Emanuel) for violin and keyboard
violin and harpsichord |
|
| Septet in E minor (Rudolph, Erzherzog) for clarinet, bassoon, horn, violin, viola, cello and double bass |
1850 |
| Una vieja (Gaztambide, Joaquín) for 4 voices and orchestra |
|
| Parte de apuntar from Una vieja (Gaztambide, Joaquín) for 4 voices and orchestra |
|
String Quartet in B-flat major, MH 316 (Haydn, Michael) for 2 violins, viola and cello
2 violins, viola and double bass |
|
| El estreno de una artista (Gaztambide, Joaquín) for 5 voices, mixed chorus and orchestra |
1852 |
| El estreno de una artista (Gaztambide, Joaquín) for 5 voices, mixed chorus and orchestra |
|
| El estreno de una artista (Gaztambide, Joaquín) for 5 voices, mixed chorus and orchestra |
|
| Ich will ihre Speise segnen (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Hard Cuts (Rzewski, Frederic) for piano and Unspecified instrument |
2011 |
| Ach Herr strafe micht nicht in deinem Zorn (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Held, du hast den Feind gebunden (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Unsere Missethat drücket uns hart (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Der Herr weiss die Gottseligen aus der Versuchung zu erlösen (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
1712 |
Bolero, Op. 40 (Koch, Charles) for viola and piano
bassoon and piano
basset horn and piano |
|
| Gelobet sei der Herr täglich (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Der Herr hat offenbaret seinen heiligen Arm (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Da dieser Elende rief höret der Herr (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Arrangement of Los toros del puerto (Salas, Francisco) for voice and orchestra |
|
| Das Wort ward Fleisch und wohnet unter uns (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1702 |
| Herr ich rufe zu dir eile zu mir (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1717 |
| Hütet euch, daß eure Herzen nicht beschweret werden (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Ich bin mit meinem Gott zufrieden (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1722 |
| 6 Brandenburg Concertos (Bach, Johann Sebastian) for orchestra |
|
| 6 Brandenburg Concertos (Bach, Johann Sebastian) for orchestra |
1721 |
| La mensajera (Gaztambide, Joaquín) for voices, mixed chorus and orchestra |
|
| Sophonisbe (Neefe, Christian Gottlob) for voices, mixed chorus and orchestra |
1788 |
| Harpsichord Concerto in C major (Muffat, Gottlieb) for harpsichord and strings |
|
| Concerto for 2 Harpsichords in G major, Š.135 (Štěpán, Josef Antonín) for 2 harpsichords and orchestra |
|
| Combate de Don Quijote contra las ovejas (Chapí, Ruperto) for orchestra |
1869 |
| Los gnomos de la Alhambra (Chapí, Ruperto) for piano |
1889 |
| Los gnomos de la Alhambra (Chapí, Ruperto) for piano |
|
Version from Der Herbst am Rhein, Op. 32 (Panny, Joseph) for mixed chorus and orchestra
male chorus and orchestra |
|
| Overture from Leicester (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
|
| String Quartet (Manrique de Lara, Manuel) for 2 violins, viola and cello |
1893 |
| String Quartet (Manrique de Lara, Manuel) for 2 violins, viola and cello |
|
Gaudete, jubilate et exultate (Angelini, Romano) for 2 tenors, bass and continuo
2 tenors, bass, bassoon and continuo
2 tenors, bass, cello and continuo |
1650 |
| El ciudadano Simón (Manrique de Lara, Manuel) for voices, mixed chorus and orchestra |
|
| El ciudadano Simón (Manrique de Lara, Manuel) for voices, mixed chorus and orchestra |
|
| El ciudadano Simón (Manrique de Lara, Manuel) for voices, mixed chorus and orchestra |
|
| Oboe Concerto in C minor (Stulick, Matthäus Nikolaus) for oboe, strings and continuo |
1741 |
Tablature Book, S-Uu Vok. mus. i hs. 88 (Various) for keyboard
voices and keyboard |
1620 |
Harpsichord Sonata in E minor, NorJ deest (Johnsen, Hinrich Philip) for harpsichord
violin and harpsichord |
1780 |
| Ni tanto ni tampoco (Manrique de Lara, Manuel) for voices, mixed chorus and orchestra |
|
| Excalibur (McAlpin, Colin) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Mattias Ternstedt's Tablature Book, S-Uu Instr. mus. i hs. 410 (Various) for keyboard
organ |
|
| Violin Concerto No. 13 in E major (Giornovichi, Giovanni Mane) for violin and orchestra |
|
| Musette, Op. 89 (Remondi, Roberto) for organ |
|
| El Dios chico (Marqués, Miguel) for voices, mixed chorus and orchestra |
|
| Zdrowas Marya (Teichmann, Antoni) for voice and piano |
|
Suite in C major, BuxWV 227 (Buxtehude, Dietrich) for keyboard
organ
harpsichord |
1712 |
| Prelude and Fugue in D minor, BWV 549a (Bach, Johann Sebastian) for organ |
|
| Symphony No. 3, Op. 30 (Marqués, Miguel) for orchestra |
|
| Arrangement of Symphony No. 3, Op. 30 (Marqués, Miguel) for piano 4 hands |
|
| Markus-Passion, H.791 (Bach, Carl Philipp Emanuel) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Flute Concerto in E minor (Moralt, Johann Baptist) for flute and orchestra |
1812 |
| Le Sylphe (Teichmann, Antoni) for voice, flageolet and piano |
1839 |
| Perla (Marqués, Miguel) for 4 voices, mixed chorus and orchestra |
1871 |
| El zortzico (Marqués, Miguel) for 4 voices, mixed chorus and orchestra |
|
| Manuscript, S-Uu Ihre 284 (Various) for keyboard |
|
| Manuscript, S-Uu Ihre 286 (Various) for keyboard |
|
Flute Concerto in G major, GroF 604 (Ciurache, Giovanni) for flute and strings
flute, 2 violins, strings and continuo |
1760 |
| Flute Concerto in D major, GroF 337 (Biscogli, Francesco) for flute and orchestra |
1759 |
| Manuscript, S-Uu Ihre 285 (Various) for keyboard |
|
Den Svenska Psalmboken, S-Uu Leufsta Mus.ms.36 (Various) for voice and continuo
keyboard |
|
| Trio Sonata in G major (Hager, Ignaz) for 2 violins and continuo |
1700 |
| Flute Concerto No. 1 in G major (Prota, Tommaso) for flute and orchestra |
|
| Sonata for 2 Cellos in Corno da Caccia in F major (Costanzi, Giovanni Battista) for 2 cellos |
|
| Schaffe in mir Gott ein reines Herz (Thieme, Clemens) for alto, tenor, bass, 3 violins and continuo |
|
| Toccata in G major, WV 43 (Scheidemann, Heinrich) for organ |
|
| Claverstycken af Scheibe, Roman och Agrell, S-L Kraus 425 (Various) for keyboard |
|
4 Keyboard Pieces, D-B Ms. Lynar B 4 (Various) for keyboard
organ |
|
| Flute Concerto No. 2 in G major (Prota, Tommaso) for flute, strings and continuo |
|
| Concertino for Flute, Viola and Double Bass in D major, M.B.27 (Sperger, Johann Matthias) for flute, viola, double bass and orchestra |
1778 |
| Concertino for Flute, Viola and Double Bass in D major, M.B.27 (Sperger, Johann Matthias) for flute, viola, double bass and orchestra |
|
| 21 Pieces, D-B SA 4450 (Froberger, Johann Jacob) for keyboard |
|
| Manuscript, D-B Am.B 600 (Various) for |
|
3 Menuets, S-Uu Leufsta Mus.ms.1 (Various) for violin and continuo
flute and continuo |
|
Cantate a una, due e tre voci (I-Bc X.234) (Carissimi, Giacomo) for voice and continuo
2 voices and continuo
3 voices and continuo |
|
| Gli Illinesi (Basili, Francesco) for voices and orchestra |
|
| La donna selvaggia (Coccia, Carlo) for voices, mixed chorus and orchestra |
|
| 45 Keyboard Pieces, D-B Am.B 340 (Various) for keyboard |
|
| 38 Keyboard Pieces, D-B Ms. Lynar B 3 (Various) for keyboard |
|
| Nun komm der Heiden Heiland (Kneller, Andreas) for organ |
|
Tablature Book, D-Mbs Mus.ms. 1581 (Various) for keyboard
organ |
|
| A trionfar mi chiama (Sperger, Johann Matthias) for soprano, double bass and orchestra |
1791 |
| A trionfar mi chiama (Sperger, Johann Matthias) for soprano, double bass and orchestra |
|
| Arrangement of A trionfar mi chiama (Sperger, Johann Matthias) for bass, double bass and orchestra |
1801 |
| Al furor d'avversa sorte (Sperger, Johann Matthias) for soprano, double bass and orchestra |
1793 |
| Al furor d'avversa sorte (Sperger, Johann Matthias) for soprano, double bass and orchestra |
|
| Overture in D minor (Mayer, Emilie) for orchestra |
1800 |
| Overture in D minor (Mayer, Emilie) for orchestra |
1800 |
| Symphony No. 4, Op. 113 (Haarklou, Johannes) for orchestra |
1900 |
| Symphony No. 1, Op. 13 (Haarklou, Johannes) for orchestra |
1900 |
Voice and Orchestra with Male Chorus from Follow the Colours (Elgar, Edward) for voice and piano
voice, male chorus and piano |
1908 |
Voice and Orchestra with Male Chorus from Follow the Colours (Elgar, Edward) for voice and piano
voice, male chorus and piano |
1908 |
| Flute Concerto in C major, QV 5:14 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in C minor, QV 5:28 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in F major, QV 5:152 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| El plato del día (Marqués, Miguel) for voices, mixed chorus and orchestra |
1889 |
| Reflections, Op. 16 (Lyatoshinsky, Boris) for piano |
1924 |
| Flute Concerto in C minor, QV 5:38 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Geo. Goulet Champagne Galop (Wiegand, George) for orchestra |
1880 |
| 6 Keyboard Pieces, D-B Ms. Lynar B 7 (Various) for keyboard |
|
| Cantata paa 1ste Januarij 1801 (Grosmann, Heinrich Ernst) for soprano, tenor, mixed chorus and orchestra |
1800 |
| Cantata paa 1ste Januarij 1801 (Grosmann, Heinrich Ernst) for soprano, tenor, mixed chorus and orchestra |
1800 |
| Messe brève pour les morts, CG 78 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Messe brève pour les morts, CG 78 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Harp Sonata in G major, H.563 (Bach, Carl Philipp Emanuel) for harp |
|
| Nonet in F major (Lachner, Franz Paul) for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass |
|
| Nonet in F major (Lachner, Franz Paul) for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass |
|
| Fantasia and Fugue, Op. 33 (Daffner, Hugo) for organ |
1900 |
Markus-Passion, H.783 (Bach, Carl Philipp Emanuel) for 7 voices, mixed chorus and orchestra
2 sopranos
alto
2 tenors
2 basses |
1700 |
Markus-Passion, H.783 (Bach, Carl Philipp Emanuel) for 7 voices, mixed chorus and orchestra
2 sopranos
alto
2 tenors
2 basses |
1770 |
| Partita 'Der Clavier Trampler', FbWV 656 (Froberger, Johann Jacob) for keyboard |
|
| Partita 'Der Naseweise Orgelprobierer', FbWV 655 (Froberger, Johann Jacob) for keyboard |
|
| Partita 'Das Nachtlager', FbWV 654 (Froberger, Johann Jacob) for keyboard |
|
| O Canenda Vulgo - Rex Quem Metrorum (Vitry, Philippe de) for 4 voices |
|
| Suite for 3 Cellos and Bass in C major, WV 445 (Wagenseil, Georg Christoph) for 3 cellos and double bass |
|
| Fantasia in B-flat major (Froberger, Johann Jacob) for keyboard |
|
| Cantata paa Nytaars-Dag Vi Himlens allmægtigste Herre (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
1773 |
| Cantata paa Nytaars-Dag Vi Himlens allmægtigste Herre (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
1773 |
| Concertino for Flute and Oboe (Rösler, Johann Josef) for flute, oboe and orchestra |
1804 |
| Sinfonia in C major (Rösler, Johann Josef) for orchestra |
1805 |
| Sinfonia in C major (Rösler, Johann Josef) for orchestra |
1805 |
| Piano Concerto No. 2 in E-flat major (Rösler, Johann Josef) for piano and orchestra |
1803 |
Bachianas brasileiras No. 9, W449 (Villa-Lobos, Heitor) for strings
mixed chorus |
1945 |
| Castle of Dreams (Bellows, Harold Ainsley) for voice and piano |
1932 |
| Notturno in E-flat major (Rösler, Johann Josef) for 4 voices and orchestra |
1803 |
| String Quintet, Op. 7 (Müller-Hermann, Johanna) for 2 violins, 2 violas and cello |
|
| Cello Sonata, Op. 17 (Müller-Hermann, Johanna) for cello and piano |
1900 |
| Offertorium in D major (Rösler, Johann Josef) for 4 voices, mixed chorus and orchestra |
|
| Offertorium in D major (Rösler, Johann Josef) for 4 voices, mixed chorus and orchestra |
|
Duetti notturni (Ettore, Guglielmo) for 2 voices and continuo
2 voices and bass |
|
| Mass in G minor (Wagenseil, Georg Christoph) for soprano, alto, tenor and bass |
|
| Chitra, Op. 43 (Stenhammar, Wilhelm) for 2 violins, viola, cello, double bass and celesta |
1921 |
| Chitra, Op. 43 (Stenhammar, Wilhelm) for 2 violins, viola, cello, double bass and celesta |
1921 |
| Cello Sonata in D major (Wailly, Paul de) for cello and piano |
1800 |
6 Piano Trios (Hoffmeister, Franz Anton) for flute, cello and piano
flute, cello and harpsichord |
|
| 6 Cello Sonatas (Stamitz, Johann) for cello and continuo |
|
| Prelude in C minor, Krebs-WV 403 (Krebs, Johann Ludwig) for organ |
|
| Sincerity (Clarke, Emilie) for voice and piano |
|
| Harpsichord Concerto in D minor (Nichelmann, Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in D minor (Nichelmann, Christoph) for harpsichord and strings |
|
| Die Felsen bei Arona (Rösler, Johann Josef) for voices, mixed chorus and orchestra |
1809 |
| 3 Mélodies (Rabaud, Henri) for voice and orchestra |
1900 |
| O salutaris No. 6, AWV 86 (Auber, Daniel François Esprit) for voice, horn, harp and organ |
1800 |
| Fantasia in C major (Baumgärtner, Johann Baptist) for cello |
|
| Sinfonia in D major (Rösler, Johann Josef) for orchestra |
1805 |
| Sinfonia in D major (Rösler, Johann Josef) for orchestra |
1805 |
| Partitta No. 1 in C major (Rösler, Johann Josef) for 2 clarinets, 2 bassoons and 2 horns |
1793 |
| Partitta No. 2 in E-flat major (Rösler, Johann Josef) for 2 clarinets, 2 bassoons and 2 horns |
1793 |
| Partitta No. 3 in E-flat major (Rösler, Johann Josef) for 2 clarinets, 2 bassoons and 2 horns |
1793 |
| Partitta No. 4 in B-flat major (Rösler, Johann Josef) for 2 clarinets, 2 bassoons and 2 horns |
1793 |
| Serenata in B-flat major (Rösler, Johann Josef) for clarinet, 2 horns, 2 violins, viola and continuo |
1798 |
| Cantate auf W.A. Mozarts Tod. (Rösler, Johann Josef) for voices, mixed chorus and orchestra |
|
| Cantate auf W.A. Mozarts Tod. (Rösler, Johann Josef) for voices, mixed chorus and orchestra |
1798 |
| Sinfonia in C major della Opera ‘La Forza del’amore’ (Rösler, Johann Josef) for orchestra |
1796 |
| Sinfonia in A major scritta per l’opera La Pastorella delle Alpi. (Rösler, Johann Josef) for orchestra |
|
| Suite for 3 Cellos (Koessler, Hans) for 3 cellos |
|
| Sinfonia in E-flat major (Rösler, Johann Josef) for orchestra |
1806 |
| Sinfonia in E-flat major (Rösler, Johann Josef) for orchestra |
1806 |
| Overture (No.1) from Water Music Suite No. 1, HWV 348 (Handel, George Frideric) for orchestra |
|
| Suite No. 11 in A minor (Böhm, Georg) for keyboard |
|
Prelude, Fugue, and Postlude in G minor (Böhm, Georg) for keyboard
organ |
|
| Suite No. 1 in C minor (Böhm, Georg) for keyboard |
|
| Suite No. 2 in D major (Böhm, Georg) for keyboard |
|
| Prelude No. 27 in E-flat minor (Chopin, Frédéric) for piano |
1800 |
| Cadenzas from Arrangement of Cadenzas from Violin Concerto No. 26 in B-flat major (Viotti, Giovanni Battista) |
1927 |
| Mass in G major, WoO VI/2 (Kalliwoda, Johann Wenzel) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Requiem in C minor, MH 155 (Haydn, Michael) for voices, mixed chorus and orchestra |
|
| La fiera di Venezia (Salieri, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Wie soll ich dich empfangen (Anonymous) for oboe and organ |
|
| L'amore innocente (Salieri, Antonio) for 5 voices and orchestra |
1770 |
| La passione di Gesù Cristo (Salieri, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1776 |
| An dem Feste, WAB 59a (Bruckner, Anton) for male chorus |
1800 |
| An dem Feste, WAB 59a (Bruckner, Anton) for male chorus |
1800 |
| An dem Feste, WAB 59a (Bruckner, Anton) for male chorus |
|
| An dem Feste, WAB 59a (Bruckner, Anton) for male chorus |
|
| Missa Sancti Amandi, MH 229 (Haydn, Michael) for mixed chorus and orchestra |
1776 |
| Missa sancti Francisci Seraphici, MH 119 (Haydn, Michael) for mixed chorus and orchestra |
1768 |
| 6 Keyboard Sonatas, Hob.XVI:21-26 (Haydn, Joseph) for keyboard |
1773 |
| Wie des Bächleins Silberquelle, WAB 84.1/137 (Bruckner, Anton) for 2 sopranos and piano |
1800 |
| Wie des Bächleins Silberquelle, WAB 84.1/137 (Bruckner, Anton) for 2 sopranos and piano |
1800 |
| Ständchen, WAB 84.2 (Bruckner, Anton) for tenor and male chorus |
1800 |
| Ständchen, WAB 84.2 (Bruckner, Anton) for tenor and male chorus |
1800 |
| Ständchen, WAB 84.2 (Bruckner, Anton) for tenor and male chorus |
|
| Ständchen, WAB 84.2 (Bruckner, Anton) for tenor and male chorus |
|
| Ständchen, WAB 84.2 (Bruckner, Anton) for tenor and male chorus |
1800 |
Matthias Rottenau Tablature Book, D-B Mus.ms. 40615 (Various) for organ
keyboard |
|
| Missa in honorem Sanctissimae Trinitatis, MH 1 (Haydn, Michael) for mixed chorus and orchestra |
1754 |
| Der Mondabend, WAB 200 (Bruckner, Anton) for voice and piano |
1800 |
| Nachruf, WAB 81a (original text) from Nachruf, WAB 81a (Bruckner, Anton) for male chorus and organ |
1877 |
| Nachruf, WAB 81a (original text) from Nachruf, WAB 81a (Bruckner, Anton) for male chorus and organ |
1882 |
| Nachruf, WAB 81a (original text) from Nachruf, WAB 81a (Bruckner, Anton) for male chorus and organ |
|
| Nachruf, WAB 81a (original text) from Nachruf, WAB 81a (Bruckner, Anton) for male chorus and organ |
|
| Trösterin Musik, WAB 81b (contrafactum) from Nachruf, WAB 81a (Bruckner, Anton) for male chorus and organ |
|
| Tres sunt qui testimonium dant in caelo, MH 183 (Haydn, Michael) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1772 |
| Tres sunt qui testimonium dant in caelo, MH 183 (Haydn, Michael) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Notturno, Op. 8 (Wieprecht, Wilhelm) for wind ensemble, brass ensemble and percussion |
|
| Pensez à moi (Makaroff, Nicolai) for guitar |
|
| Esmeralda (Levey, William Charles) for voice and piano |
|
| 25 Preludes for Piano (Maier, Amanda) for piano |
1869 |
| Piano Quartet in E minor (Maier, Amanda) for violin, viola, cello and piano |
1891 |
| String Quartet in A major (Maier, Amanda) for 2 violins, viola and cello |
1800 |
| Den sjuka flickans sång (Maier, Amanda) for voice and piano |
|
| Ungt mod (Maier, Amanda) for voice and piano |
|
| Aftonklockan (Maier, Amanda) for voice and piano |
|
| Sången (Maier, Amanda) for voice and piano |
1878 |
| Piano Trio in E-flat major (Maier, Amanda) for violin, cello and piano |
1800 |
| String Quartet in G major (Thuille, Ludwig) for 2 violins, viola and cello |
1880 |
| Cifras selectas de guitarra (Murcia, Santiago de) for guitar |
1722 |
| Requiem in C minor, SchE Missa 17 (Bachschmid, Anton Adam) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Kitzler-Studienbuch (Bruckner, Anton) for piano
voice and piano
2 violins, viola and cello
orchestra |
1800 |
| Das Jahr, H.385 (Hensel, Fanny) for piano |
|
| Ad te levavi animam meam (Bernabei, Giuseppe Antonio) for soprano, alto, tenor, bass and organ |
1701 |
| Gloria in G major, RV Anh.24 (Ruggieri, Giovanni Maria) for soprano, alto, tenor, bass, strings and continuo |
|
| O qui coeli terraeque serenitas, RV 631 (Vivaldi, Antonio) for soprano, strings and continuo |
|
| Le Retour à Londres, Op. 127 (Hummel, Johann Nepomuk) for piano and orchestra |
|
| La Fedeltà premiata, Hob.XXVIII:10 (Haydn, Joseph) for voices and orchestra |
|
| Arrangement of Concerto for 4 Recorders and Continuo in G major, Op. 19 No. 3 (Schickhardt, Johann Christian) for 4 flutes and continuo |
|
| Flute Concerto in E minor, RV 432 (Vivaldi, Antonio) for flute, strings and continuo |
1700 |
| Les noces de Gamache (Lefebvre, François Charlemagne) for orchestra |
|
| Pygmalion (Lefebvre, François Charlemagne) for orchestra |
|
| Gloria in D major, RV Anh.23 (Ruggieri, Giovanni Maria) for 2 mixed chorus |
|
| Violin Concerto in B-flat major, RV 378 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Concerto for 4 Violins in B-flat major, RV 553 (Vivaldi, Antonio) for 4 violins, strings and continuo |
1700 |
| Laetatus sum, RV 607 (Vivaldi, Antonio) for mixed chorus, strings and continuo |
1700 |
| Laudate pueri Dominum, RV 602 (Vivaldi, Antonio) for 2 mixed chorus and orchestra |
1700 |
| Regina coeli, RV 615 (Vivaldi, Antonio) for voice and orchestra |
1700 |
| Concerto for Violino in Tromba Marina in D major, RV 221 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Laudate Dominum, RV 606 (Vivaldi, Antonio) for mixed chorus, strings and continuo |
1700 |
Violin Concerto in D major, T.Co 3 (Albinoni, Tomaso) for violin and orchestra
violin, strings and continuo |
|
| Concerto in C major, RV 556 (Vivaldi, Antonio) for orchestra |
1700 |
| Lauda Jerusalem, RV 609 (Vivaldi, Antonio) for 2 mixed chorus, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 333 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
Kyrie eleison, RV 587 (Vivaldi, Antonio) for 2 mixed chorus, strings and continuo
8 voices, strings and continuo |
1700 |
| Trio Sonata in G minor, RV 85 (Vivaldi, Antonio) for lute, violin and continuo |
1700 |
| Cantata Paa første og anden Paaske Dag. Udbryd med Lov og Priis gienløste Siel (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
1792 |
| Cantata Paa første og anden Paaske Dag. Udbryd med Lov og Priis gienløste Siel (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
|
| Violin Concerto in C minor, RV 197 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Nisi Dominus, RV 608 (Vivaldi, Antonio) for alto, strings and continuo |
1700 |
| Il concilio de' pianeti (Albinoni, Tomaso) for 3 voices and orchestra |
1729 |
| Das größte Kind (Mattheson, Johann) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
1720 |
| Violin Concerto No. 3 in G minor (Rode, Pierre) for violin and orchestra |
|
| Air varié in E major (Rode, Pierre) for violin and orchestra |
|
| Violin Concerto in B-flat major, RV 372 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 218 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 233 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 331 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Manuscript, PL-LZu Sp. Hs. 1082/ H 3780 (Various) for keyboard |
|
| Violin Sonata in G major, P.427 (Pachelbel, Johann) for violin and harpsichord |
|
| Minuetto No. 3 (Frontini, Francesco Paolo) for 2 violins, viola and cello |
1907 |
| Full Score from Jubilate, o amoeni chori, RV 639a (Vivaldi, Antonio) for soprano, strings and continuo |
1700 |
| Violin Concerto in D major, RV 212a (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 215 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Gott sei mir gnädig, TWV 1:681 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo |
1720 |
| Gott sei mir gnädig, TWV 1:681 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo |
|
| Danse Ansienne (Frontini, Francesco Paolo) for 2 violins and viola |
1909 |
| Arrangement of Listen to My Tale of Woe (Smith, Hubbard T.) for wind band |
|
| Es ist besser niedrigen Gemütes sein, RoemV 187 (Römhild, Johann Theodor) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Il Falconiere (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1899 |
| Aleramo (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1881 |
| Aleramo (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1881 |
| Arrangement of Medio Evo (Frontini, Francesco Paolo) for orchestra |
1899 |
| Weihnachts-Cantilene (Reichardt, Johann Friedrich) for soprano, tenor, mixed chorus and orchestra |
1785 |
| Nonet, Op. 38 (Farrenc, Louise) for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass |
1849 |
| Arrangement of Nonet, Op. 38 (Farrenc, Louise) for 2 violins, viola, cello and double bass |
1800 |
| A Little Sonata for Piano 4 Hands (Boult, Charles Valentine) for piano 4 hands |
|
| Sansone (Frontini, Francesco Paolo) for |
1882 |
| Sansone (Frontini, Francesco Paolo) for |
|
| Overture from Sansone (Frontini, Francesco Paolo) for |
|
| Messa da Requiem (Frontini, Francesco Paolo) for 2 tenors, bass, childrens chorus, mixed chorus and orchestra |
|
| Messa da Requiem (Frontini, Francesco Paolo) for 2 tenors, bass, childrens chorus, mixed chorus and orchestra |
1887 |
| Messa da Requiem (Frontini, Francesco Paolo) for 2 tenors, bass, childrens chorus, mixed chorus and orchestra |
1887 |
| Inno a S. Agata (Frontini, Francesco Paolo) for voice and piano |
1886 |
| Violin Concerto in A major, RV 350 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Messa di Gloria (Frontini, Francesco Paolo) for voice and piano |
1878 |
| Pensiero Funebre (Frontini, Francesco Paolo) for wind ensemble, brass ensemble and percussion |
1912 |
| Die Auferstehung Jesu (Witt, Friedrich) for soprano, alto, tenor, bass and orchestra |
|
| 3 String Quartets, M.C III:4-6 (Sperger, Johann Matthias) for 2 violins, viola and cello |
|
| Violin Concerto in C major, RV 191 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 211 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Elsie Overture (Frontini, Francesco Paolo) for orchestra |
1879 |
| Gloria Overture (Frontini, Francesco Paolo) for orchestra |
1880 |
| Nella (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1881 |
| Nella (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1881 |
| Spartaco Overture (Frontini, Francesco Paolo) for orchestra |
1880 |
| Overture No. 2 (Frontini, Francesco Paolo) for orchestra |
1880 |
| Malìa (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1893 |
| 10 Fugues (Albrechtsberger, Johann Georg) for 2 violins, viola and cello |
|
| Fatalità (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1900 |
| Fatalità (Frontini, Francesco Paolo) for voices, mixed chorus and orchestra |
1900 |
| Eldorado (Boult, Charles Valentine) for voice and piano |
1932 |
| 6 String Quartets (Fiorillo, Federigo) for 2 violins, viola and cello |
|
| Inno a San Tommaso Apostolo (Serrao, Paolo) for mixed chorus and organ |
|
| Valse-caprice (Boult, Charles Valentine) for violin and piano |
1931 |
| In Memoriam (Saul, Dave) for piano |
1980 |
| Para Flora (Saul, Dave) for leadsheet |
1992 |
| Soledades (Saul, Dave) for piano |
1995 |
| Times Lost (Saul, Dave) for piano |
1995 |
With You in Mind (Saul, Dave) for double bass and piano
bass guitar and piano |
1984 |
| Miniature (Boult, Charles Valentine) for violin and piano |
|
| Preghiera pagina musicale per Film (Frontini, Francesco Paolo) for piano |
1922 |
| Arrangement of Lauda di Suora (Frontini, Francesco Paolo) for orchestra |
1889 |
| Raccolta per canto e piano 1875-78 (Frontini, Francesco Paolo) for voice and piano |
|
| Cantico a Maria delle Grazie (Frontini, Francesco Paolo) for voice and piano |
1903 |
| Qui-Tollis (Frontini, Francesco Paolo) for voice and piano |
1875 |
| Salve Regina, IFF 42 (Frontini, Francesco Paolo) for voice and piano |
|
| Raccolta per Orchestra No. 1 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 1 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 2 (Frontini, Francesco Paolo) for orchestra |
|
| Pensiero Sinfonico Caratteristico (Frontini, Francesco Paolo) for orchestra |
1879 |
| Preludio Sinfonico (Frontini, Francesco Paolo) for orchestra |
1881 |
| Raccolta di Valzer per Orchestra (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 3 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 3 (Frontini, Francesco Paolo) for orchestra |
1902 |
| Raccolta per Orchestra No. 3 (Frontini, Francesco Paolo) for orchestra |
1880 |
| Raccolta per Orchestra No. 4 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 4 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 4 (Frontini, Francesco Paolo) for orchestra |
|
| Sogno - Intermezzo (No.5) from Raccolta per Orchestra No. 5 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 6 (Frontini, Francesco Paolo) for orchestra |
|
| Raccolta per Orchestra No. 6 (Frontini, Francesco Paolo) for orchestra |
|
| Sinfonia per Orchestra (Frontini, Francesco Paolo) for orchestra |
1879 |
| Arrangement of Sinfonia per Orchestra (Frontini, Francesco Paolo) for concert band |
1880 |
| Arrangement of Povera Mamma (Frontini, Francesco Paolo) for voice and orchestra |
1904 |
| Seliges Erwägen des Leidens und Sterbens Jesu Christi, TWV 5:2 (Telemann, Georg Philipp) for 2 sopranos, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| 6 Bagatelles, Op. 808 (Dijk, Jan van) for piano |
1990 |
| Attu Unicu (Frontini, Francesco Paolo) for voices and piano |
|
| Melodia (Frontini, Francesco Paolo) for violin, cello and piano |
1877 |
| Preghiera o largo in A minor (Frontini, Francesco Paolo) for violin and piano |
1875 |
| Puddicinedda d'oru (Frontini, Francesco Paolo) for voices and orchestra |
1930 |
| U Spirdu (Frontini, Francesco Paolo) for voices and orchestra |
1930 |
| 6 Concertos for a Small Flute, Strings and Continuo (Various) for recorder, strings and continuo |
|
| Vicolo delle Belle (Frontini, Francesco Paolo) for voice, mixed chorus and orchestra |
1931 |
| Vicolo delle Belle (Frontini, Francesco Paolo) for voice, mixed chorus and orchestra |
1931 |
| All'amore (Frontini, Francesco Paolo) for mezzosoprano and piano |
1878 |
| Tantum Ergo (Frontini, Francesco Paolo) for voice and piano |
1902 |
| String Quartet in G major (Rumling, Sigismund von) for 2 violins, viola and cello |
|
| Serenata in D major, D-Mbs Mus.ms.1483 (Rumling, Sigismund von) for 2 violins, viola and cello |
|
| Serenata in D major, D-Mbs Mus.ms.1484 (Rumling, Sigismund von) for 2 violins, viola and cello |
|
| L'uccellino d'oro, fiaba musicale (Zandonai, Riccardo) for voices, mixed chorus and piano |
1946 |
| Angiolet! (Frontini, Martino) for piano |
1906 |
| Wegweiser auf die Orgel (Sperger, Johann Matthias) for organ |
|
| La rivolta dell'Olimpo (Frontini, Martino) for voices, mixed chorus and orchestra |
1874 |
| La rivolta dell'Olimpo (Frontini, Martino) for voices, mixed chorus and orchestra |
1874 |
| Sonata for Violin and Double Bass (Lourié, Arthur) for violin and double bass |
|
| Double Bass Concerto No. 15 in D major, M.B 17 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Divertimento in E-flat major, M.C III:27 (Sperger, Johann Matthias) for horn, violin, viola and cello |
|
Divertimento in D major, M.C III:29 (Sperger, Johann Matthias) for 2 horns, viola and double bass
2 horns, viola and violone |
|
Divertimento in E-flat major, M.C III:28 (Sperger, Johann Matthias) for 2 horns, viola and violone
2 horns, viola and cello |
|
| Gradus ad Parnassum (Sperger, Johann Matthias) for |
|
| Kurzes Fundament zum Generalbass Spielen (Albrechtsberger, Johann Georg) for continuo |
|
| Violin Concerto (Morris, Reginald Owen) for violin and orchestra |
|
| Double Bass Concerto No. 8 in E-flat major, M.B 10 (Sperger, Johann Matthias) for double bass and orchestra |
1783 |
| Double Bass Concerto No. 8 in E-flat major, M.B 10 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 11 in A major, M.B 13 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 3 in B-flat major, M.B 5 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 18 in C minor, M.B 20 (Sperger, Johann Matthias) for double bass and orchestra |
1807 |
| Double Bass Concerto No. 18 in C minor, M.B 20 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Felicità!, Op. 201 (Frontini, Martino) for wind ensemble, brass ensemble and percussion |
1896 |
| La Civetta Abissina (Frontini, Martino) for voices and orchestra |
|
| Tratado de canto de organo (Lusitano, Vicente) for |
|
| Litanie Pastorali (Frontini, Martino) for voices, mixed chorus and orchestra |
1856 |
| Il martirio della Vergine Catanese S. Agata (Frontini, Martino) for voices, mixed chorus and orchestra |
1863 |
| Raccolta Valzer, Op. 160-179 (Frontini, Martino) for piano |
|
| Partita in B-flat major, M.D VII:1 (Sperger, Johann Matthias) for 2 oboes, clarinet, bassoon and 2 horns |
1700 |
| Santa (Frontini, Martino) for voices, mixed chorus and orchestra |
1905 |
Paaske Music (Grosmann, Heinrich Ernst) for soprano and orchestra
tenor and orchestra |
1775 |
Paaske Music (Grosmann, Heinrich Ernst) for soprano and orchestra
tenor and orchestra |
1775 |
| Raccolta Valzer, Opp.180-199 (Frontini, Martino) for piano |
|
| Raccolta Valzer, Opp.200-225 (Frontini, Martino) for piano |
|
| Bassoon Concerto in C major (Croes, Henri-Joseph de) for bassoon and orchestra |
|
| Magnificat sexti toni, LV 1168 (Lassus, Orlande de) for 5 voices |
|
| Movement for String Quartet (Cherubini, Luigi) for 2 violins, viola and cello |
1814 |
| Souvenir (Cherubini, Luigi) for 2 violins, viola and cello |
1828 |
| A florista (Nazareth, Ernesto) for voice and piano |
|
| Magnificat sexti toni, LV 1170 (Lassus, Orlande de) for 5 voices |
|
| Civic Fanfare (Elgar, Edward) for orchestra |
1927 |
| Arrangement of Christmas is Coming (Davies, Walford) |
1917 |
| Hosanna to the Son of David (Gibbons, Orlando) for mixed chorus |
|
| Pavane (Lacombe, Paul) for orchestra |
|
| Miette Mazurka (Desormes, Louis César) for orchestra |
|
| Allegro and Minuet, D.Anh.I/11 (Schubert, Franz) for piano |
|
| Duet in D major, D.Anh.I/6 (Schubert, Franz) for 2 violins |
1816 |
| Es packe dich das Glück beim Kragen, MH 577 (Haydn, Michael) for 5 voices |
|
| Le veglie ossequiose (Schmelzer, Johann Heinrich) for voices and orchestra |
|
| String Quartet in E-flat major (Hüttenbrenner, Anselm) for 2 violins, viola and cello |
|
| Magnificat sexti toni, LV 1068 (Lassus, Orlande de) for 6 voices |
|
| Magnificat octavi toni, LV 1069 (Lassus, Orlande de) for 6 voices |
|
| Magnificat secundi toni, LV 1070 (Lassus, Orlande de) for 6 voices |
|
| Die sieben Alter stimmen zusammen (Schmelzer, Johann Heinrich) for voices and orchestra |
|
| Barcarolle (Saint-Saëns, Camille) for violin, cello, piano and organ |
1897 |
| Duo for 2 Horns (Franz, Oscar) for 2 horns |
|
| Violin Capriccio (Cramer, François) for violin |
1841 |
| Fière beauté (Saint-Saëns, Camille) for voice and orchestra |
1909 |
| Sonata for Piano and Clarinet (Rudolph, Erzherzog) for clarinet and piano |
|
| Peintures Pour Orchestra (Borowski, Felix) for orchestra |
|
| Arrangement of Chanson des Maucroix (Durand, Jacques) for piano |
1884 |
| Responsórios Fúnebres (Xavier, José Maria) for mixed chorus and orchestra |
1876 |
| Moderato in F minor (Lindley, Robert) for soprano and bass |
|
| Hebe sieh in sanfter Feier (Sperger, Johann Matthias) for voice and orchestra |
|
| Symphony in D major, D-SWl Mus.3275 (Kunzen, Adolph Carl) for orchestra |
|
| Symphony in D minor (Kunzen, Adolph Carl) for orchestra |
|
| Symphony in F major (Kunzen, Adolph Carl) for orchestra |
|
| Symphony in D major, D-SWl Mus.3269 (Kunzen, Adolph Carl) for orchestra |
|
| Symphony in D major, D-SWl Mus.3276 (Kunzen, Adolph Carl) for orchestra |
|
| Piano Concerto in E-flat major (Reicha, Anton) for piano and orchestra |
|
| Scherzo-Valse (Boeck, August de) for piano |
1900 |
| Arrangement of Piano Concerto (Boeck, August de) for 2 pianos |
1900 |
O salutaris (Chausson, Ernest) for bass and organ
bass and piano |
1879 |
| Scherzo No. 1 in A minor (Boeck, August de) for piano |
1900 |
| Symphony in G major (Reicha, Anton) for orchestra |
1808 |
| Arrangement of Non Fecit Taliter (Dubois, Théodore) for voices, male chorus and orchestra |
|
| Divertimento in G (Boult, Charles Valentine) for violin and piano |
1933 |
Eliza Wesley's Musical Autograph Album (Various) for voice and piano
2 voices
4 voices
2 Unspecified instruments
4 Unspecified instruments
piano
2 violins, viola and cello
violin
violin and piano
organ |
|
Sonata No. 1 in C major for Keyboard 4-Hands (Rheineck, Christoph) for keyboard 4 hands
piano 4 hands |
|
Sonata No. 2 in F major for Keyboard 4-Hands (Rheineck, Christoph) for keyboard 4 hands
piano 4 hands |
|
Sonata No. 3 in C major for Keyboard 4-Hands (Rheineck, Christoph) for keyboard 4 hands
piano 4 hands |
|
| Casanova (Lortzing, Albert) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major (Caldara, Antonio) for cello and continuo |
|
| Fugue on a theme of L. Cherubini (Reicha, Anton) for 2 violins, viola and cello |
1809 |
| Florida (Lamote de Grignon, Joan) for male chorus, wind ensemble and brass ensemble |
|
| Adagio (Converse, Frederick Shepherd) for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
1897 |
| Arrangement of Violin Concerto, Op. 13 (Converse, Frederick Shepherd) for violin and piano |
1903 |
| 4 Lieder (Neefe, Christian Gottlob) for voice and keyboard |
|
| 24 Exercises for Oboe (Braun, Friedrich) for oboe and piano |
|
| Grande polonaise, Op. 194 (Kontski, Anton de) for piano 4 hands |
|
| Sextet in E-flat major (Potter, Philip Cipriani Hambly) for flute, clarinet, viola, cello, double bass and piano |
|
| Arrangement of Sinfonie héroïque, Op. 220 (Kontski, Anton de) for 2 violins, viola, cello, double bass and piano |
1862 |
7 Serenaten (Neefe, Christian Gottlob) for voice and keyboard
2 voices and keyboard |
|
| In honorem (Souza, Jerônimo de) for mixed chorus and orchestra |
|
| Elfenreigen (Meier, Georg) for guitar |
1917 |
| Spanischer Walzer (Meier, Georg) for guitar |
1913 |
| Symphony in E-flat major (Potter, Philip Cipriani Hambly) for orchestra |
1846 |
| Symphony in B-flat major (Potter, Philip Cipriani Hambly) for orchestra |
1839 |
Recueil de motets, B-Br (Lully, Jean-Baptiste) for 5 voices, mixed chorus, strings and continuo
5 voices, mixed chorus and orchestra |
|
Recueil de motets, B-Br (Lully, Jean-Baptiste) for 5 voices, mixed chorus, strings and continuo
5 voices, mixed chorus and orchestra |
|
| Nuvole (Corini, Lucia) for viola |
1997 |
| Magnificat, A 652 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1819 |
| Docebo, A 704 (Donizetti, Gaetano) for bass and orchestra |
|
| Qui sedes et Quoniam, A 591 (Donizetti, Gaetano) for soprano, violin and orchestra |
|
| Qui sedes, A 583 (Donizetti, Gaetano) for soprano, violin and orchestra |
|
| Sacrificium, A 706 (Donizetti, Gaetano) for tenor, violin and orchestra |
|
| Qui sedes et Quoniam, A 600 (Donizetti, Gaetano) for tenor, violin and orchestra |
1820 |
| Qui sedes et Quoniam, A 600 (Donizetti, Gaetano) for tenor, violin and orchestra |
|
Tibi soli, A 694 (Donizetti, Gaetano) for soprano, basset horn and orchestra
soprano, clarinet and orchestra |
1800 |
| Laudamus, A 596 (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1820 |
| Messa di Gloria e Credo, A 606 (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Concertante on La Follia (Potter, Philip Cipriani Hambly) for violin, cello, double bass and piano
piano |
1832 |
| Iste confessor, In.152 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1819 |
| Parafrasi del Christus, A 675 (Donizetti, Gaetano) for soprano, alto and strings |
1844 |
| String Quartet Movement in G major (Stadler, Albert) for 2 violins, viola and cello |
|
Requiem, A 688 (Donizetti, Gaetano) for soprano, alto, tenor, 2 basses, mixed chorus and orchestra
soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
|
| Quoniam ad te (Donizetti, Gaetano) for soprano and orchestra |
1844 |
| Qui tollis, A 621 (Donizetti, Gaetano) for tenor, clarinet and orchestra |
1814 |
| Códice Saldívar No. 4 (Murcia, Santiago de) for guitar |
|
| Piano Accompaniment in B-flat major, D.988a (Schubert, Franz) for piano |
|
| Domine Deus in E-flat major (Donizetti, Gaetano) for bass, clarinet and orchestra |
1820 |
| Domine Dominus (Donizetti, Gaetano) for bass and orchestra |
1845 |
| Dominus a dextris, In.132 (Donizetti, Gaetano) for bass and orchestra |
1819 |
| Passacalles y Obras (Murcia, Santiago de) for guitar |
1732 |
| Credo, A 602 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1820 |
| Credo, A 602 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1800 |
| Credo, A 602 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1800 |
| Credo, A 585 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Gloria in excelsis, A 587 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1819 |
| Gloria in excelsis, In.142 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1820 |
| Et vitam venturi, A 710 (Donizetti, Gaetano) for mixed chorus |
1838 |
| Gloria Patri in E-flat major (Donizetti, Gaetano) for soprano, alto, tenor, bass and orchestra |
1843 |
| Gloria, A 617 (Donizetti, Gaetano) for soprano, tenor, bass, mixed chorus and orchestra |
1814 |
| Sicut erat in C major, In.227 (Donizetti, Gaetano) for soprano, tenor, mixed chorus and orchestra |
1819 |
In gloria Dei Patris, A 711 (Donizetti, Gaetano) for 4 voices
mixed chorus |
1816 |
| Symphony in B-flat major, StWV deest (Sterkel, Johann Franz Xaver) for orchestra |
|
6 Cantatas, Op. 2 (Mattheson, Johann) for voice and continuo
voice, violin and continuo
voice, strings and continuo |
1708 |
| Kyrie in E major, IGD 130 (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Kyrie in F major (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Kyrie No. 2, In.160 (Donizetti, Gaetano) for |
1821 |
| Kyrie in D minor (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Tabulatur Buch, D-Mbs Mus.ms. 4748 (Sixt, Wilhelm) for organ
keyboard |
1602 |
| Kyrie, A 614 (Donizetti, Gaetano) for soprano, tenor, bass, 2 oboes, 2 horns and organ |
1800 |
| Kyrie, A 614 (Donizetti, Gaetano) for soprano, tenor, bass, 2 oboes, 2 horns and organ |
1800 |
| Keyboard Sonata in B-flat major (Chelleri, Fortunato) for keyboard |
|
| Kyrie in E major, IGD 131 (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1816 |
| Kyrie in D minor, In.169 (Donizetti, Gaetano) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1820 |
| Ne proicias me, A 697 (Donizetti, Gaetano) for bass, horn and orchestra |
1820 |
| 3 Quintets for Cello and Strings (Reicha, Anton) for 2 violins, viola and 2 cellos |
|
| 3 String Quintets, Op. 92 (Reicha, Anton) for 2 violins, 2 violas and cello |
1807 |
| String Quintet in E minor (Bottesini, Giovanni) for 2 violins, viola and 2 cellos |
|
| String Quintet in A major (Bottesini, Giovanni) for 2 violins, 2 violas and cello |
|
| String Quintet in F major (Bottesini, Giovanni) for 2 violins, 2 violas and cello |
1888 |
| L'assunzione di Maria Vergine, A 685 (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
1822 |
| L'assunzione di Maria Vergine, A 685 (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Credo para a festa de Santa Cecília (Xavier, José Maria) for mixed chorus and orchestra |
1872 |
Tecum principium, In.234 (Donizetti, Gaetano) for tenor, oboe and orchestra
tenor, clarinet and orchestra
soprano, oboe and orchestra
soprano, clarinet and orchestra |
|
| Preludio, Intermezzo e Fuga (Bertini, Ernesto) for 2 violins, viola, cello and double bass |
|
| Fugue for 4 Voices, A 716 (Donizetti, Gaetano) for 4 Unspecified instruments |
1817 |
| Fugue for 5 Voices, A 713 (Donizetti, Gaetano) for 5 Unspecified instruments |
1817 |
| Fugue for 5 Voices, A 714 (Donizetti, Gaetano) for 5 Unspecified instruments |
1817 |
| Fugue for 6 Voices, A 715 (Donizetti, Gaetano) for 6 Unspecified instruments |
1817 |
| Symphony in D major, StWV deest (Sterkel, Johann Franz Xaver) for orchestra |
|
Offertoire sur l'hymne 'Te Joseph celebrent' (Dallier, Henri) for organ
harmonium |
|
| Violin Sonata, A 496 (Donizetti, Gaetano) for violin and piano |
1819 |
| Drum habe Dank, o Vater Hayden (Otter, Franz Joseph) for 9 voices |
|
| Fugue for 4 Voices, A 712 No. 1 (Donizetti, Gaetano) for soprano, alto, tenor and bass |
1817 |
| Fugue for 4 Voices, A 712 No. 2 (Donizetti, Gaetano) for soprano, alto, tenor and bass |
1817 |
| Sonata for Piano Four-Hands in A minor, A 572 (Donizetti, Gaetano) for piano 4 hands |
1820 |
| Sonata for Piano Four-Hands in C major, A 567 (Donizetti, Gaetano) for piano 4 hands |
1819 |
| Sonata for Piano Four-Hands in D major, A 568 (Donizetti, Gaetano) for piano 4 hands |
1819 |
| Fugue for 4 Voices, A 717 (Donizetti, Gaetano) for 4 Unspecified instruments |
1817 |
| Fugue for 4 Voices, A 718 (Donizetti, Gaetano) for 4 Unspecified instruments |
1817 |
| Glück fehl dir vor allem, MH 582 (Haydn, Michael) for 4 voices |
|
| Wohlsein und Freude, MH 584 (Haydn, Michael) for 5 voices |
|
39 Dances for Violin or Flute (Cecere, Carlo) for violin
flute
oboe and violin
flute and oboe |
|
| Cato, Plato, Cicero, MH 714 (Haydn, Michael) for 10 voices |
|
| Coeli cives lumine aeterno (Vitver, Giuseppe) for soprano, alto, bass and orchestra |
|
| Was i beim Tag mit der Leiern gwinn, MH 723 (Haydn, Michael) for voices |
|
| Adam hat siebn Söhn, MH 699 (Haydn, Michael) for 4 voices |
|
| 5 Ladainhas (Xavier, José Maria) for mixed chorus and orchestra |
1890 |
| Amen in fuga (Mattei, Stanislao) for 4 voices and continuo |
|
| Trio sull'opera 'Lucrezia Borgia' (Vaninetti, Giuseppe) for horn, trumpet, trombone and orchestra |
1866 |
| Sinfonia for Piano Four-Hands in D minor, A 565 (Donizetti, Gaetano) for piano 4 hands |
1820 |
| Sinfonia for Piano in A major, A 540 (Donizetti, Gaetano) for piano |
1813 |
| Sinfonia in C minor (Donizetti, Gaetano) for orchestra |
1816 |
| Un capriccio in sinfonia, In.681 (Donizetti, Gaetano) for piano |
1817 |
| Canon a trè, D.deest (Schubert, Franz) for 3 Unspecified instruments |
|
| Recorder Concerto in C major, RV 443 (Vivaldi, Antonio) for recorder, strings and continuo |
1700 |
| Recorder Concerto in A minor, RV 445 (Vivaldi, Antonio) for recorder, strings and continuo |
1700 |
| String Quartet No. 18, A 482 (Donizetti, Gaetano) for 2 violins, viola and cello |
1836 |
| Der für die Sünde der Welt gemarterte und sterbende Jesus (Various) for voices, mixed chorus and orchestra |
1725 |
| Fugue in F major, D.deest (Schubert, Franz) for piano |
|
| Pastorale, A 531 (Donizetti, Gaetano) for piano |
1813 |
| Rondò, A 533 (Donizetti, Gaetano) for piano |
1825 |
| Aria in D major, D.deest (Schubert, Franz) for bass and piano |
|
| Vocal Trio in B-flat major, D.deest (Schubert, Franz) for 3 voices |
|
| Recorder Concerto in C major, RV 444 (Vivaldi, Antonio) for recorder, strings and continuo |
1700 |
| La prière, A 424 (Donizetti, Gaetano) for soprano, tenor and piano |
1800 |
Donizetti per camera, A 171-182 (Donizetti, Gaetano) for voice and piano
2 voices and piano |
1843 |
| Rataplan (No.10) from Arrangement of Rataplan (No.10) from Matinée musicale, A 208-217 (Donizetti, Gaetano) for mixed chorus, 2 cellos, double bass and 2 pianos |
|
| Un rêve de bonheur, A 362 (Donizetti, Gaetano) for voice and piano |
1800 |
Aria nello stile religioso, Op. 4 (Tusa, Antonio) for cello and organ
cello and piano
violin and organ
violin and piano |
1929 |
| Polacca, A 564 (Donizetti, Gaetano) for piano 4 hands |
1819 |
| Per valli, per boschi, A 413 (Donizetti, Gaetano) for 2 voices and piano |
1817 |
| Amor, mio nume, In.242 (Donizetti, Gaetano) for voice and piano |
1816 |
| Clarinet Fantasia (Vaninetti, Giuseppe) for clarinet and orchestra |
1865 |
| Fantasia sopra motivi dei 'Vespri siciliani' (Vaninetti, Giuseppe) for horn and orchestra |
1865 |
| Che avvenne, che fu, A 101 (Donizetti, Gaetano) for tenor and orchestra |
1800 |
| Il genio, A 558 (Donizetti, Gaetano) for piano 4 hands |
1800 |
| La lontananza, A 559 (Donizetti, Gaetano) for piano 4 hands |
1800 |
| Marie enfin quitte l'ouvrage, In.515 (Donizetti, Gaetano) for voice and piano |
1800 |
| Or che la notte invita, In.529 (Donizetti, Gaetano) for voice, clarinet and piano |
1800 |
| Perché mai Nigella amata, In.533 (Donizetti, Gaetano) for soprano and piano |
1800 |
| Perché quell'alma ingrata, A 108 (Donizetti, Gaetano) for 2 voices and orchestra |
1816 |
| Quand un soupçon mortel, In.546 (Donizetti, Gaetano) for voice and piano |
1800 |
| Taci, tu cerchi indarno difesa, A 110 (Donizetti, Gaetano) for 2 voices and orchestra |
1800 |
| Ti sovvenga amato bene, A 99 (Donizetti, Gaetano) for soprano and orchestra |
1817 |
| Vous dont le coeur (Donizetti, Gaetano) for voice and piano |
1800 |
| Piano Piece in F major, D.deest (Schubert, Franz) for piano |
|
| Allegro for Piano Four-Hands in E major, A 555 (Donizetti, Gaetano) for piano 4 hands |
1821 |
| Der Grosse Tod (Ehrensperger, Carlos) for baritone, celesta, timpani, percussion, 2 violins, 2 violas and cello |
1965 |
| Klavierfassung from Der Grosse Tod (Ehrensperger, Carlos) for baritone, celesta, timpani, percussion, 2 violins, 2 violas and cello |
1964 |
| Konzertstück No. 1 (Ehrensperger, Carlos) for orchestra |
1964 |
| String Quartet, Op. 2 (Ehrensperger, Carlos) for 2 violins, viola and cello |
1947 |
| String Quartet No. 2 (Ehrensperger, Carlos) for 2 violins, viola and cello |
1950 |
| Ermunterung (Ehrensperger, Carlos) for narrator, baritone, 2 mixed chorus and orchestra |
1964 |
| Waltz for Piano Four-Hands, A 574 (Donizetti, Gaetano) for piano 4 hands |
1844 |
| Musik für Bassgeige (Ehrensperger, Carlos) for double bass and orchestra |
1953 |
| Vanne a colei che adori, S-Skma SO R (Anonymous) for alto and strings |
|
| Waltz 'Invito', In.666 (Donizetti, Gaetano) for piano |
1800 |
| Allegro in C major, A 561 (Donizetti, Gaetano) for piano 4 hands |
1821 |
| Clarinet Study in B-flat major, A 516 (Donizetti, Gaetano) for clarinet |
1821 |
| Clarius (Ehrensperger, Carlos) for voices and orchestra |
1984 |
| Aus Zarathustras Nachtlied (Ehrensperger, Carlos) for baritone, horn, 2 violins, viola and cello |
1965 |
| Gingo Biloba (Ehrensperger, Carlos) for voice, flute, clarinet, bassoon, horn, harp and piano |
1964 |
| Tanz-Suite für Streichquartett (Ehrensperger, Carlos) for 2 violins, viola and cello |
1987 |
| Isabella, ormai mi rendi, A 112 (Donizetti, Gaetano) for 2 tenors, bass and orchestra |
1823 |
| Questo è il suolo, In.550 (Donizetti, Gaetano) for 2 sopranos and piano |
|
| Faon, Faon! Ahi misera from Saffo, A 146 (Donizetti, Gaetano) for soprano, mixed chorus and orchestra |
|
| Pietà, gran dio degli astri from Saffo, A 146 (Donizetti, Gaetano) for soprano, mixed chorus and orchestra |
|
| Sacro è il dolore, In.291 (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
Se tu non vedi tutto il mio cor, In.562 (Donizetti, Gaetano) for soprano and piano
2 sopranos and piano |
|
| Since My Tears and Lamenting (Morley, Thomas) for 4 voices |
|
| Gisela of Rüdesheim (Smith, Alice Mary) for voices, mixed chorus and orchestra |
|
| Bouquet à Madame la marquise de Villeroy (Blainville, Charles-Henri de) for 3 voices, mixed chorus and orchestra |
1751 |
| Ouverture in D major, RH 56 (Gossec, François Joseph) for orchestra |
|
| Geh aus, mein Herz und suche Freud (Möhring, Adalbert) for organ |
|
| Zum Grossadmiral (Lortzing, Albert) for voices, mixed chorus and orchestra |
|
| Wie lieblich sind deine Wohnungen (Möhring, Adalbert) for mixed chorus |
|
| Ballade über den Namen B-A-C-H (Tusa, Antonio) for cello and orchestra |
1960 |
| Symphonie à 17 parties, RH 64 (Gossec, François Joseph) for orchestra |
1800 |
| Hymne à la paix (Holmès, Augusta Mary Anne) for voices, mixed chorus and orchestra |
1870 |
| Roland furieux (Holmès, Augusta Mary Anne) for orchestra |
1875 |
| Roland furieux (Holmès, Augusta Mary Anne) for orchestra |
1876 |
| Klage, D.Anh.I/28 (Schubert, Franz) for voice and piano |
|
| Marche des zouaves (Holmès, Augusta Mary Anne) for piano |
|
| A Velivolo (Lorenzo, Leonardo de) for flute |
|
| Air de ballet (Holmès, Augusta Mary Anne) for orchestra |
|
Litanie della Beatissima Virgine (Fumagalli, Carlo) for male chorus and organ
mixed chorus and organ |
1981 |
| Te Deum (Seixas, Pedro Teixeira de) for mixed chorus and orchestra |
1979 |
| String Trio (Humpert, Hans) for violin, viola and cello |
1927 |
| 2 Traictez de musique (Doni, Giovanni Battista) for |
1640 |
| Offertorien, II. Terra tremuit from Offertorien auf die drei Hochfeste (Humpert, Hans) for mixed chorus and organ |
1935 |
| Au bord de l'eau (Delibes, Léo) for voice and piano |
|
| No.2, Tu es Petrus from Arrangement of No.2, Tu es Petrus from 3 Motets, Op. 23 (Widor, Charles-Marie) for voice and orchestra |
1923 |
| La médecine sans médecin (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
|
| Overture from La médecine sans médecin (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1836 |
| L'auteur mort et vivant (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1820 |
| Le lapin blanc (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1825 |
| L'auberge d'Auray (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1800 |
| Le premier venu (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1800 |
| Les troqueurs (Hérold, Ferdinand) for voices, mixed chorus and orchestra |
1800 |
| Credo Santo André (Anonymous) for mixed chorus and orchestra |
1984 |
| Piano Sonata in C major (Distler, Hugo) for piano |
|
| Le Tartare (Ferrari, Gabrielle) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| La Esmeralda (Bertin, Louise) for voices, mixed chorus and orchestra |
|
Adèle Habeneck's Autograph Album (Various) for piano
voice and piano
oboe and clarinet
2 oboes and English horn
clarinet and piano
flute and piano |
|
| Harpsichord Sonata in G major (Martinez, Marianne) for harpsichord |
1769 |
| Suite for Piano No. 6 'Christmas' (Zitterbart Jr., Fidelis) for piano |
1902 |
| Suite for Piano No. 5 in A minor (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 5 'Music's Phases' (Zitterbart Jr., Fidelis) for piano |
1902 |
| Suite for Piano No. 4 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 2 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 3 (Zitterbart Jr., Fidelis) for piano |
1900 |
| Suite for Piano No. 1 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 7 (Zitterbart Jr., Fidelis) for piano |
1900 |
| Suite for Piano No. 8 (Zitterbart Jr., Fidelis) for piano |
1900 |
| Suite for Piano No. 13 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 9 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 12 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 6 'The Music of the Sea' (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 10 (Zitterbart Jr., Fidelis) for piano |
1900 |
| Suite for Piano No. 14 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Arrangement of Marche héroïque de Jeanne d'Arc (Dubois, Théodore) for harmonium and piano 4 hands |
1888 |
| Suite for Piano No. 15 (Zitterbart Jr., Fidelis) for piano |
1902 |
| Romanza for Viola and Piano (Zitterbart Jr., Fidelis) for viola and piano |
1894 |
| Suite for Violin and Piano No. 1 (Zitterbart Jr., Fidelis) for violin and piano |
1900 |
| Suite for Violin and Piano No. 4 (Zitterbart Jr., Fidelis) for violin and piano |
1900 |
| Suite for Violin and Piano No. 2 (Zitterbart Jr., Fidelis) for violin and piano |
1800 |
| Suite for Violin and Piano No. 5 (Zitterbart Jr., Fidelis) for violin and piano |
1900 |
| Suite for Piano No. 17 (Zitterbart Jr., Fidelis) for piano |
1906 |
| Suite for Piano No. 11 (Zitterbart Jr., Fidelis) for piano |
1800 |
| Suite for Piano No. 16 (Zitterbart Jr., Fidelis) for piano |
1904 |
| Suite for Violin and Piano No. 6 (Zitterbart Jr., Fidelis) for violin and piano |
1901 |
| Suite for Violin and Piano No. 3 (Zitterbart Jr., Fidelis) for violin and piano |
1900 |
| Violin Concerto in G major (Stamitz, Carl Philipp) for violin and orchestra |
|
| Suite for Violin and Piano No. 10 (Zitterbart Jr., Fidelis) for violin and piano |
1912 |
| Suite for Violin and Piano No. 7 (Zitterbart Jr., Fidelis) for violin and piano |
1901 |
| Suite for Violin and Piano No. 8 (Zitterbart Jr., Fidelis) for violin and piano |
1902 |
| Suite for Violin and Piano No. 12 (Zitterbart Jr., Fidelis) for violin and piano |
1914 |
| Suite for Violin and Piano No. 11 (Zitterbart Jr., Fidelis) for violin and piano |
1914 |
| Suite for Violin and Piano No. 9 (Zitterbart Jr., Fidelis) for violin and piano |
1911 |
| Divertissement, Op. 231 (Küffner, Joseph) for horn and piano |
1830 |
| Suite for Cello and Piano No. 7 (Zitterbart Jr., Fidelis) for cello and piano |
1800 |
| Suite for Flute and Piano No. 8 (Zitterbart Jr., Fidelis) for flute and piano |
1902 |
| Suite for Viola and Piano No. 38 (Zitterbart Jr., Fidelis) for viola and piano |
1911 |
| String Quintet No. 1, Op. 24 (Ney, Casimir) for 2 violins, viola, cello and double bass |
1847 |
| Piano Sonata in G major, Op. 76 (Steibelt, Daniel) for piano |
|
| Romantic Suite for Violin, Flute, and Piano (Zitterbart Jr., Fidelis) for flute, violin and piano |
1904 |
| Suite for Violin, Flute, and Piano No. 17 (Zitterbart Jr., Fidelis) for flute, violin and piano |
1904 |
| Suite for String Quintet No. 5 (Zitterbart Jr., Fidelis) for 2 violins, 2 violas and cello |
1902 |
| Suite No. 4 for String Quartet (Zitterbart Jr., Fidelis) for 2 violins, viola and cello |
1800 |
| Romantische Suite (Zitterbart Jr., Fidelis) for 2 violins, viola, cello and piano |
1885 |
| Suite 'The Lady of Shalott' (Zitterbart Jr., Fidelis) for 2 flutes, oboe, 2 violins, 2 violas, cello and piano |
1907 |
| Suite 'The Maine' (Zitterbart Jr., Fidelis) for flute, violin, viola, cello and piano |
1800 |
| Eröffnet die Tore der Held ist gekommen (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr nun lässest du deinen Diener (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Herr Jesu Licht der Heiden (Westenholz, Carl August Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Herr sende den Schöpfer der Tugend (Benda, Georg) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Liebe, nur Liebe erwärmt das Herz (Westenholz, Sophia Maria) for voice and piano |
1914 |
| Salve Regina (Duni, Antonio) for soprano, strings and continuo |
|
| Niobe Regina di Tebe (Steffani, Agostino) for 9 voices, mixed chorus and orchestra |
|
| Aeolian Messengers (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Barcarole No. 2 in G minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Barcarole No. 3 in A minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Barcarole pathétique in F minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Barcarolle in A minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Barcarolle in C minor (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Barcarolle in D minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Barcarolle in G minor (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Barcarole sentimentale in D minor (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Ben Hur (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Cavatine in C major (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Evening Reverie (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Idylle in A-flat major (Zitterbart Jr., Fidelis) for viola and piano |
1894 |
| Hirtengesang in F major (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
2 Morceaus de Salon (Zitterbart Jr., Fidelis) for viola and piano
violin and piano |
1912 |
| Introduction et Romanza Appassionato in D major (Zitterbart Jr., Fidelis) for viola and piano |
1905 |
| Valse grazies, Op. 29 (Cyrbes, Władysław) for piano |
|
| The Lighthouse (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Serenade in B-flat minor (Zitterbart Jr., Fidelis) for viola and piano |
1903 |
| Romance in E-flat major (Zitterbart Jr., Fidelis) for viola and piano |
1905 |
| Scherzo in F minor (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Pastoral Meditation in F major (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Swansong in G major (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Murmering Waves (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| The Vision of the Spring (Zitterbart Jr., Fidelis) for viola and piano |
1906 |
| Berceuse in F major (Zitterbart Jr., Fidelis) for viola and piano |
1800 |
| Rêverie mélancolique in A minor (Zitterbart Jr., Fidelis) for viola and piano |
1903 |
| Suite fantastique 'The Legend of Sleepy Hollow' (Zitterbart Jr., Fidelis) for flute, 2 violins, viola and piano |
1903 |
| Duet No.1 from Kleine Violin Duetten (Zitterbart Jr., Fidelis) for 2 violins |
1883 |
| Duet No.2 from Kleine Violin Duetten (Zitterbart Jr., Fidelis) for 2 violins |
1883 |
| Duet No.3 from Kleine Violin Duetten (Zitterbart Jr., Fidelis) for 2 violins |
1883 |
| Symphony No. 7, D.729 (Schubert, Franz) for orchestra |
1821 |
| Cello Sonata, WoO 2 (Ries, Ferdinand) for cello and piano |
1799 |
| Cello Sonata, WoO 2 (Ries, Ferdinand) for cello and piano |
|
| Duo for 2 Violins No. 1 (Zitterbart Jr., Fidelis) for 2 violins |
1910 |
| Duo for 2 Violins No. 2 (Zitterbart Jr., Fidelis) for 2 violins |
1910 |
| Duo for 2 Violins No. 3 (Zitterbart Jr., Fidelis) for 2 violins |
1910 |
| Duo for 2 Violins No. 4 (Zitterbart Jr., Fidelis) for 2 violins |
1910 |
| Duo for 2 Violins No. 5 (Zitterbart Jr., Fidelis) for 2 violins |
1910 |
| Duo for 2 Violins No. 6 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 7 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Double Bass Concerto No. 4 in F major, M.B 6 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Duo for 2 Violins No. 8 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 9 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 10 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 11 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 12 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 13 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 14 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 15 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 16 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Fonds Blancheton, Op. 3 (Various) for flute, oboe, strings and continuo |
|
| Viola Sonata No. 6 in E minor (Zitterbart Jr., Fidelis) for viola and piano |
1904 |
| 3 String Trios, Op. 2 (Hospodsky, George) for 2 violins and cello |
|
| Double Bass Concerto No. 2 in E-flat major, M.B 4 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 17 in B-flat major, M.B 19 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Violin Sonata in A major (Jones, Richard) for violin and harpsichord |
|
| 8 Walses avec 8 trios et coda (Steinacker, Karl) for piano 4 hands |
|
| Viola Sonata No. 4 in C minor 'The Gladiator' (Zitterbart Jr., Fidelis) for viola and piano |
1903 |
| Più del Alpe gelato (Bononcini, Giovanni) for soprano and continuo |
|
16 Psalms and 4 Magnificats for 8 Voices (Riccio, Teodoro) for 8 voices
2 mixed chorus |
1588 |
| 6 Variations for Violin and Keyboard (Enslin, Philipp) for violin and keyboard |
|
| Viola Sonata No. 8 in E-flat major 'Panoramic' (Zitterbart Jr., Fidelis) for viola and piano |
1905 |
| Sing we merrily (Batten, Adrian) for 7 voices |
1625 |
| Ode for St Cecilia's Day (Festing, Michael Christian) for voices and orchestra |
|
| Song on May Morning (Festing, Michael Christian) for voices and orchestra |
|
| For thee how do I mourn (Festing, Michael Christian) for voices, strings and continuo |
|
Dernière Messe des Vivants, RH 525 (Gossec, François Joseph) for soprano, alto, tenor, bass and mixed chorus
orchestra |
1813 |
| Duo for 2 Violins No. 19 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 18 'Italian' (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 17 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Messa a grand'orchestra in D minor (Cortese, Filippo) for tenor, baritone, male chorus and orchestra |
|
| Duo for 2 Violins No. 22 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 21 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 20 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 23 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 24 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 25 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Little Hands (Elkington, Lilian) for voice and piano |
1928 |
Apotheosis sive Consecratio SS Ignatii et Francisci Xaverii (Kapsperger, Giovanni Girolamo) for soprano, alto, tenor, bass, mixed chorus, continuo and 2 sopranos
soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo |
|
Apotheosis sive Consecratio SS Ignatii et Francisci Xaverii (Kapsperger, Giovanni Girolamo) for soprano, alto, tenor, bass, mixed chorus, continuo and 2 sopranos
soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo |
|
| Flute Sonata No. 11 in C minor, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 1 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 2 in D major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 3 in C minor, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 5 in G major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 6 in C major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 7 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 8 in A major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 9 in B-flat major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Flute Sonata No. 10 in D major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Menuetto in G major, Gjedde coll. (Ræhs, Martin) for flute and continuo |
|
| Duo for 2 Violins No. 26 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 27 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 28 (Zitterbart Jr., Fidelis) for 2 violins |
1911 |
| Duo for 2 Violins No. 29 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 30 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 31 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 32 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
Concertino in E-flat major (Triebensee, Joseph) for piano, wind ensemble and brass ensemble
2 oboes, 2 clarinets, 2 bassoons, 2 horns and piano |
|
| Piano Quintet No. 3, Op. 79 (Cramer, Johann Baptist) for violin, viola, cello, double bass and piano |
1832 |
| Duo for 2 Violins No. 38 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 37 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 36 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 35 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 34 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 33 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 42 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 40 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 41 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 39 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Overture from Das Labyrinth (Winter, Peter von) for voices, mixed chorus and orchestra |
1829 |
| Gjedde manuscript version from Flute Sonata in B minor, Op. 1 No. 2 (Cannabich, Martin Friedrich) for flute and continuo |
|
| Duo for 2 Violins No. 43 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 44 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 45 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 46 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 47 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 48 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 49 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
| Duo for 2 Violins No. 50 (Zitterbart Jr., Fidelis) for 2 violins |
1912 |
Romance (Barreto, Homero de Sá) for violin and piano
cello and piano |
|
| Cello Sonata (Barreto, Homero de Sá) for cello and piano |
|
Elegia, IHB 3 (Barreto, Homero de Sá) for violin and piano
cello and piano |
|
Elegia, IHB 3 (Barreto, Homero de Sá) for violin and piano
cello and piano |
|
Elegia, IHB 3 (Barreto, Homero de Sá) for violin and piano
cello and piano |
|
| Arrangement of Elegia, IHB 3 (Barreto, Homero de Sá) for orchestra |
|
| Piano Concerto, Op. 17 (Bendix, Victor) for piano and orchestra |
|
Op.4 from Miscellanées de Musique, Jahrgang 3, Opp.4-6 (Triebensee, Joseph) for wind ensemble and brass ensemble
2 oboes, 2 clarinets, 2 bassoons, 2 horns and trumpet |
|
Op.5 from Miscellanées de Musique, Jahrgang 3, Opp.4-6 (Triebensee, Joseph) for wind ensemble and brass ensemble
2 oboes, 2 clarinets, 2 bassoons, 2 horns and trumpet |
|
Op.6 from Miscellanées de Musique, Jahrgang 3, Opp.4-6 (Triebensee, Joseph) for wind ensemble and brass ensemble
2 oboes, 2 clarinets, 2 bassoons, 2 horns and trumpet |
|
| L'orfanella americana (Gestewitz, Friedrich Christoph) for voices and orchestra |
|
| Aurora e Tramonto (Gomes, Carlos) for baritone and piano |
1881 |
| Bella tosa (Gomes, Carlos) for voice and piano |
1884 |
| Celia d'amore (Gomes, Carlos) for voice and piano |
1881 |
| Civettuola (Gomes, Carlos) for voice and piano |
1882 |
| Conselhos (Gomes, Carlos) for voice and piano |
1884 |
Cos'è l'amore? (Gomes, Carlos) for baritone and piano
tenor and piano
mezzosoprano and piano |
1884 |
| Divorzio (Gomes, Carlos) for voice and piano |
|
| Beato lui! (Gomes, Carlos) for baritone and piano |
1881 |
Flute Sonata in G major, D-B Mus.ms.18500/10 (Riedt, Friedrich Wilhelm) for flute and continuo
flute and cello
flute and bass |
|
| Se sa minga (Gomes, Carlos) for mixed chorus and piano |
1866 |
| Le siège de Leyde (Vogel, Charles) for voices, mixed chorus and orchestra |
|
| Idamant (Rolle, Johann Heinrich) for alto, 2 tenors, mixed chorus and orchestra |
|
| Flute Concerto No. 3 in G major (Dimler, Franz Anton) for flute and orchestra |
|
| Flute Concerto No. 2 in G major (Dimler, Franz Anton) for flute and orchestra |
|
| Harpsichord Concerto in F major (Dimler, Franz Anton) for harpsichord and orchestra |
|
| Horn Concerto in E-flat major (Dimler, Franz Anton) for horn and orchestra |
|
| Quintet in C major (Dimler, Franz Anton) for clarinet, bassoon, violin, viola and cello |
1797 |
| Clarinet Quartet in B-flat major (Dimler, Franz Anton) for clarinet, violin, viola and cello |
1700 |
| Sextet in D major (Dimler, Franz Anton) for clarinet, 2 horns, 2 violins and cello |
|
| Clarinet Concerto No. 1 in B-flat major (Dimler, Franz Anton) for clarinet and orchestra |
|
| Clarinet Concerto in E-flat major (Dimler, Franz Anton) for clarinet and orchestra |
1795 |
| Clarinet Concerto No. 2 in B-flat major (Dimler, Franz Anton) for clarinet and orchestra |
|
| Concerto for 2 Horns in E major (Dimler, Franz Anton) for 2 horns and orchestra |
|
Barcarolle (Rousselot, Joseph-François) for horn and piano
alto saxophone and piano |
|
| Candinha (Monteiro, Antônio José dos Santos) for flute |
|
| Andromaque (Cambini, Giuseppe Maria) for voice and orchestra |
|
| Septuor Concertant (Neukomm, Sigismund) for flute, oboe, clarinet, bassoon, horn, trumpet and double bass |
1832 |
| Septuor Concertant (Neukomm, Sigismund) for flute, oboe, clarinet, bassoon, horn, trumpet and double bass |
|
| 12 Pièces caractéristiques, Op. 48 (Boëly, Alexandre-Pierre-François) for piano |
|
| Ferramenta (Nazareth, Ernesto) for piano |
|
| Carioca (Nazareth, Ernesto) for piano |
|
| Verlângeren, Gedanke fun èngem Letzeburger an der Friémd (Petit, Louis) for voice and piano |
|
| Arrangement of Verlângeren, Gedanke fun èngem Letzeburger an der Friémd (Petit, Louis) for baritone, mixed chorus and strings |
|
| Lord Danby's Lute Book, US-R Ms.Vault M.2./D.172 (Various) for lute |
|
| Requiem (Adlgasser, Anton Cajetan) for voices, mixed chorus and orchestra |
|
| Nocturnal Amusement, AK 29 (Skalkottas, Nikos) for xylophone and orchestra |
1949 |
| Pierrot (Nazareth, Ernesto) for piano |
|
| Quatuor Scientifique (Reicha, Anton) for 2 violins, viola and cello |
|
Harpsichord Concerto in C minor (Mohrheim, Friedrich Christian Samuel) for harpsichord and strings
harpsichord and orchestra |
|
| Marche pour Mirliton (Neukomm, Sigismund) for piano |
1842 |
| 6 Morceaux (Neukomm, Sigismund) for organ |
1844 |
14 Morceaux (Neukomm, Sigismund) for harmonium
organ |
|
| 12 Morceaux (Neukomm, Sigismund) for harmonium |
1843 |
| 18 Morceaux (Neukomm, Sigismund) for harmonium |
1844 |
| 24 Morceaux (Neukomm, Sigismund) for harmonium |
1842 |
| Andantino (Neukomm, Sigismund) for harmonium |
1832 |
| Duo Fantaisie (Neukomm, Sigismund) for piano and harmonium |
1828 |
| Duo for Harp and Harmonium (Neukomm, Sigismund) for harp and harmonium |
1824 |
| Elégie harmonique sur la mort de Lina Deimling (Neukomm, Sigismund) for harmonium |
1843 |
The Land's Father (Neukomm, Sigismund) for orchestra
wind ensemble, brass ensemble and percussion |
1842 |
| Arrangement of March and Gallops-March (Neukomm, Sigismund) for piano |
1835 |
Sammlung Dahlhoff, D-B Mus.ms. 40182 (Various) for violin
2 violins
2 violins and cello
2 sopranos and bass |
|
| Was blasen die Trompetten? (Neukomm, Sigismund) for |
1842 |
| L'amoureux (Neukomm, Sigismund) for flute and piano |
1819 |
| Le retour à la vie, Op. 30 (Neukomm, Sigismund) for piano |
1819 |
| Piano 4 Hands Sonata (Neukomm, Sigismund) for piano 4 hands |
1819 |
| Missa em Mi bemol (Lobo de Mesquita, Emerico) for mixed chorus and orchestra |
|
| String Quartet in B-flat major (Bottesini, Giovanni) for 2 violins, viola and cello |
|
| String Quartet in E-flat major (Bottesini, Giovanni) for 2 violins, viola and cello |
1864 |
| String Quartet in E-flat major (Bottesini, Giovanni) for 2 violins, viola and cello |
|
| String Quartet No. 6 in E minor (Bottesini, Giovanni) for 2 violins, viola and cello |
1869 |
Romance Sans Paroles, Op. 20 (Malézieux, Georges) for horn and piano
cornet and piano
bugle and piano
saxhorn and piano |
|
| Grande symphonie de salon No. 1 (Reicha, Anton) for oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass |
1825 |
| Grande symphonie de salon No. 1 (Reicha, Anton) for oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass |
|
| The Fog Dance from A Midsummer Night's Dream (Korngold, Erich Wolfgang) for orchestra |
|
| In principio erat verbum (Meder, Johann Valentin) for soprano, 2 violins and continuo |
|
| Herzlich tut mich verlangen (Fischer, Johann) for 2 violins, 2 violas and continuo |
|
Toccata No. 15 (Seixas, Carlos) for harpsichord
keyboard |
|
Sérénade, Op. 65 (Call, Leonhard von) for flute and guitar
violin and guitar |
|
| A Camões (Sá Noronha, Francisco de) for piano |
|
| Violin Concerto, TWV 51:E2 (Telemann, Georg Philipp) for violin, strings and continuo |
|
| Morceau à déchiffrer pour la trompette (Delibes, Léo) for trumpet and piano |
1881 |
| Morceau à déchiffrer pour la harpe (Delibes, Léo) for harp |
1800 |
| Andante, Op. 46 (Gambini, Carlo Andrea) for piano |
|
| Leçon à déchiffrer pour la contrebasse (Delibes, Léo) for cello and double bass |
1884 |
| Morceau à lire à première vue (Dauprat, Louis-François) for horn and cello |
1836 |
| Moderato in F major for Horn and Piano (Lenepveu, Charles-Ferdinand) for horn and piano |
|
| Morceau à déchiffrer pour cor (Cohen, Jules) for horn and piano |
1879 |
| Lecture à vue pour cor 1886 (Jonas, Emile) for horn and piano |
1886 |
| Allegretto in F major for Horn and Piano (Lenepveu, Charles-Ferdinand) for horn and piano |
1878 |
| Morceau à déchiffrer, pour la Concours de Cor (Salomon, Hector) for horn and piano |
1880 |
| Solo de cor in F major (Barthe, Adrien) for horn and piano |
1887 |
| Andante con moto in F major for Horn and Piano (Guiraud, Ernest) for horn and piano |
1877 |
| Andantino in A minor for Horn and Piano (Pugno, Raoul) for horn and piano |
1900 |
| Lecture à vue pour cor 1885 (Jonas, Emile) for horn and piano |
1885 |
| Morceau de lecture pour cor (Pfeiffer, Georges Jean) for horn and piano |
1903 |
| Andante in F major for Horn and Piano (Lenepveu, Charles-Ferdinand) for horn and piano |
1890 |
| Andante in F major for Horn and Piano (Vidal, Paul) for horn and piano |
1896 |
| Ben Moderato in F major for Horn and Piano (Duprato, Jules) for horn and piano |
1883 |
| Lecture à vue pour cor à pistons et piano (Barthe, Adrien) for horn and piano |
1895 |
| Morceau de déchiffrer pour cor et piano (Enescu, George) for horn and piano |
1908 |
| Morceau à lire à première vue (Bazin, François) for horn and cello |
1872 |
| Leçon à déchiffrer pour le cor (Joncières, Victorin de) for horn and piano |
1898 |
| Morceau de déchiffrage pour Cor (Bachelet, Alfred) for horn and piano |
1907 |
| Morceau à première vue (Bazin, François) for horn and cello |
1873 |
| Concours de cor Morceau de lecture à première vue (Bruneau, Alfred) for horn and piano |
1901 |
| Moderato in F major for Horn and Piano (Barthe, Adrien) for horn and piano |
1891 |
| Poco allegretto in F major for Horn and Piano (Hüe, Georges) for horn and piano |
1904 |
| Was erhebet sich die arme Erde (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arioso für violoncell allein (Simon, James) for cello |
1929 |
| Andantino in F major for Horn and Piano (Lenepveu, Charles-Ferdinand) for horn and piano |
1893 |
| Dieses ist ein Spruch des Höchsten, H.378 (Stölzel, Gottfried Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Offertoire sur l'hymne 'Vexilla Regis' (Dallier, Henri) for organ
harmonium |
|
Offertoire sur l'hymne 'Iste confessor' (Dallier, Henri) for organ
harmonium |
|
Offertoire sur l'hymne 'Ad regias' (Dallier, Henri) for organ
harmonium |
|
Offertoire sur l'hymne 'O Filii' (Dallier, Henri) for organ
harmonium |
|
Offertoire sur le Stabat Mater (Dallier, Henri) for organ
harmonium |
|
Offertoire sur l'hymne 'Ave maris stella' (Dallier, Henri) for organ
harmonium |
|
| Morceau de lecture (Dukas, Paul) for horn and piano |
1906 |
| Andante cantabile (Massenet, Jules) for horn and piano |
1882 |
| Ouverture pour orchestre (Bousquet, Georges) for orchestra |
1836 |
| String Quartet No. 1, Op. 5 (Bousquet, Georges) for 2 violins, viola and cello |
|
| Besides a fountain (Morley, Thomas) for 4 voices |
|
| Allemande (Visée, Robert de) for guitar |
|
| Il Zampognaro Napoletano (Mercadante, Saverio) for orchestra |
1841 |
| Andreas Hofer (Lortzing, Albert) for voices, mixed chorus and orchestra |
1887 |
| 4 Organ Concertos (Le Clerc) for organ |
|
| Double Bass Concerto No. 10 in E-flat major, M.B 12 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 9 in E-flat major, M.B 11 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Morceau de lecture à vue pour cor (Carraud, Gaston) for horn and piano |
1902 |
| Andante con moto in F major (Maréchal, Henri) for horn and piano |
1899 |
| Andante con moto in F major (Paladilhe, Émile) for horn and piano |
1876 |
| Andante Moderato in F major (Paladilhe, Émile) for horn and piano |
1874 |
| Andante molto moderato in F major (Paladilhe, Émile) for horn and piano |
1888 |
| Morceau à déchiffrer pour le cor (Dubois, Théodore) for horn and piano |
1881 |
Morceau de Basson pour lire à livre ouvert (Cherubini, Luigi) for bassoon and bass
2 bassoons
bassoon and cello |
1838 |
| Andante con moto in D minor (Chevillard, Camille) for horn and piano |
1905 |
| Offertoire In C major (Le Clerc) for organ |
|
| 3 Organ Concertos (Le Clerc) for organ |
|
| Am Strande (Schumann, Clara) for voice and piano |
1840 |
| Mein Stern! (Schumann, Clara) for voice and piano |
1846 |
| String Quartet (Bendix, Victor) for 2 violins, viola and cello |
|
| Das Veilchen (Schumann, Clara) for voice and piano |
1853 |
| Volkslied (Schumann, Clara) for voice and piano |
1840 |
| Beim Abschied (Schumann, Clara) for voice and piano |
1846 |
Suculento (Nazareth, Ernesto) for piano
voice and piano |
1919 |
| O weh des Scheidens, das er tat (Schumann, Clara) for voice and piano |
1843 |
| Romanze in A minor, WoO 28 (Schumann, Clara) for piano |
|
Em segredo (Gama, Alfredo) for voice and piano
piano |
|
| Longe do lar (Gama, Alfredo) for piano |
|
William Ballet's Lute Book, IRL-Dtc MS 408 (Ballet, William) for lute
viol |
|
| Arrangement of Danse-Suite, Op. 29 (Bendix, Victor) for piano |
|
| Fandanguillo, Op. 36 (Turina, Joaquín) for guitar |
|
| Vater, ich habe gesündiget (Rosenmüller, Johann) for alto, 2 tenors, bass, strings and continuo |
1669 |
| Wie der Hirsch schreiet nach frischem Wasser (Rosenmüller, Johann) for soprano, strings and continuo |
|
| Arrangement of Ouverture de concert No. 1 (Dubois, Théodore) for piano 4 hands |
1862 |
| Arrangement of Ouverture de concert No. 1 (Dubois, Théodore) for military band |
1879 |
| Arrangement of Ouverture de concert No. 2 (Dubois, Théodore) for wind band |
|
| Arrangement of Ouverture symphonique (Dubois, Théodore) for piano 4 hands |
1800 |
| Romance for Pianoforte (O'Neill, Norman) for piano |
1899 |
| Lullaby for Women's Voices and Piano (Davies, Walford) for soprano, female chorus and piano |
1917 |
| Sonatina meridional (Ponce, Manuel) for guitar |
1930 |
Viola da Gamba Sonata in G major, ReiF 4.51 (Fiala, Joseph) for violin, viol and cello
violin, cello and baryton |
|
| Tango burlesco, Op. 28 (Levy, Luiz) for piano |
1913 |
| Clair de lune (Godard, Benjamin) for voice and piano |
|
| Divertimento in E-flat major (Malzart, Ignaz) for oboe, 2 horns, violin, viola and double bass |
|
| Divertimento (Jommelli, Niccolò) for 2 violins, viola and cello |
1766 |
| Les Filles d'Azur (Kreutzer, Léon) for voices, mixed chorus and orchestra |
|
| Gamba Sonata No. 5 in A major (Hammer, Xaver) for cello and viol |
|
| Hymne nuptial, Op. 48 (Godard, Benjamin) for mixed chorus and piano |
|
| O welch eine Tiefe des Reichtums (Bernhard, Christoph) for 2 violins, continuo and bass |
|
Aurore, Op. 59 (Godard, Benjamin) for alto and orchestra
bass and orchestra |
|
| Le rêve, Op. 87 (Godard, Benjamin) for baritone and orchestra |
|
| Arrangement of Violin Concerto, Op. 29 (Godard, Benjamin) for violin and piano |
1800 |
| 113 Pieces for Organ, D-KA Mus.Ms. 1017/1 (Various) for organ |
|
Concerto for Violin, Horn, Cello and Continuo, TWV 43:F6 (Telemann, Georg Philipp) for horn, violin, cello and continuo
horn, violin, violone and continuo |
|
| Ihr die ihr mit vergnügtem Blick (Rezel, Andreas Christian) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Ich bin der Zweck des Scherzes (Rezel, Andreas Christian) for 2 sopranos, bass, mixed chorus and orchestra |
|
| 2 Arias (Massonneau, Louis) for alto and orchestra |
|
| Cello Concerto (Witt, Friedrich) for cello and orchestra |
|
| Quartet for English Bass Horn (Massonneau, Louis) for serpent, viola, cello and double bass |
1817 |
| Tantum ergo (Massonneau, Louis) for mixed chorus and orchestra |
|
| Cello Sonata in D major (Sperger, Johann Matthias) for cello and continuo |
|
Divertimento in D major, M.C IV:6 (Sperger, Johann Matthias) for flute, 2 oboes, 2 horns and bassoon
flute, 2 oboes, 2 horns and violone
flute, 2 oboes, 2 horns and double bass |
|
Double Bass Sonata (Sperger, Johann Matthias) for violone and continuo
double bass and continuo |
|
| Harpsichord Concerto in E-flat major (Pokorný, František Xaver) for harpsichord and orchestra |
|
| Divertimento for 2 Clarinets and 3 Horns (Pokorný, František Xaver) for 2 clarinets and 3 horns |
|
| Violin Sonata (Hegar, Friedrich) for violin and piano |
1859 |
| 6 Flute Quartets (Sperger, Johann Matthias) for flute, violin, viola and cello |
|
| Horn Concerto in E major (Pokorný, František Xaver) for horn and strings |
1755 |
| Horn Concerto in E-flat major (Pokorný, František Xaver) for horn and strings |
1754 |
| Horn Concerto in E-flat major (Pokorný, František Xaver) for horn and strings |
1754 |
| Concerto for 2 Horns and Orchestra in E-flat major (Pokorný, František Xaver) for 2 horns and strings |
1754 |
| Concerto for 2 Horns and Orchestra in E-flat major (Pokorný, František Xaver) for 2 horns and strings |
1754 |
| Pipoca (Nazareth, Ernesto) for piano |
|
| Piano Concerto No. 1 (Jaëll, Marie) for piano and orchestra |
1800 |
| Arrangement of Piano Concerto No. 1 (Jaëll, Marie) for 2 pianos |
|
| 6 Menuets & 6 Trios (Pokorný, František Xaver) for orchestra |
|
| 6 Menuets & 6 Trios (Pokorný, František Xaver) for orchestra |
|
| Fonte do suspiro (Nazareth, Ernesto) for piano |
1915 |
| Concerto for 2 Horns and Orchestra in F major (Pokorný, František Xaver) for 2 horns and orchestra |
|
| Concerto for 2 Horns and Orchestra in F major (Pokorný, František Xaver) for 2 horns and orchestra |
|
| A fonte do Lambary (Nazareth, Ernesto) for piano |
1915 |
| Adieu (Nazareth, Ernesto) for piano |
|
| 9 de julho (Nazareth, Ernesto) for piano |
|
| Prélude et Fugue (Dubois, Théodore) for piano |
|
| La Prière de France (Dubois, Théodore) for baritone, mixed chorus and orchestra |
|
| La Prière de France (Dubois, Théodore) for baritone, mixed chorus and orchestra |
|
| La Prière de France (Dubois, Théodore) for baritone, mixed chorus and orchestra |
|
Puer natus est nobis (Dubois, Théodore) for 2 sopranos and organ
organ |
|
Puer natus est nobis (Dubois, Théodore) for 2 sopranos and organ
organ |
|
| Sortie (Dubois, Théodore) for organ |
|
| Messe pontificale (Dubois, Théodore) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1894 |
| Symphony No. 2 (Dubois, Théodore) for orchestra |
1911 |
| Symphony No. 3 (Dubois, Théodore) for orchestra |
|
| Arrufos (Nazareth, Ernesto) for piano |
|
| Beija-flor, IEN 52 (Nazareth, Ernesto) for piano |
|
| Double Bass Concerto No. 5 in E-flat major, M.B 7 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Rondeau for Horn, Violin and Orchestra (Reicha, Anton) for horn, violin and orchestra |
|
| Prélude en octaves (Dubois, Théodore) for piano |
|
| Arrangement of Messe brève (Dubois, Théodore) for mixed chorus and orchestra |
|
| Pairando (Nazareth, Ernesto) for piano |
|
| Vieille chanson (Dubois, Théodore) for piano |
|
| Paulicéa, como és formosa!... (Nazareth, Ernesto) for piano |
1921 |
| Zica (Nazareth, Ernesto) for piano |
1899 |
| Batuque (Nazareth, Ernesto) for piano |
|
Petits rêves d'enfant (Dubois, Théodore) for 2 violins, viola and cello
strings |
1800 |
| Arrangement of Petits rêves d'enfant (Dubois, Théodore) for piano |
1800 |
| L'effeuillement (Dubois, Théodore) for voice and piano |
|
| O nome d'ella (Nazareth, Ernesto) for piano |
|
| O nome d'ella (Nazareth, Ernesto) for piano |
|
| 3 Violin Duets, Op. 38 (Pichl, Vaclav) for 2 violins |
|
| Canon pour deux cors (Meifred, Pierre-Joseph) for 2 horns |
|
| Caçadora (Nazareth, Ernesto) for piano |
1916 |
Sinfonia No. 41 (Seixas, Carlos) for organ
harpsichord |
|
| Toccata No. 7 (Seixas, Carlos) for harpsichord |
|
| Toccata No. 16 (Seixas, Carlos) for harpsichord |
|
| Scherzo in C minor (Mahler, Gustav) for orchestra |
1800 |
| 9 de maio (Nazareth, Ernesto) for piano |
|
| 9 de maio (Nazareth, Ernesto) for piano |
|
| Crê e espera (Nazareth, Ernesto) for piano |
|
| Crê e espera (Nazareth, Ernesto) for piano |
|
| Crê e espera (Nazareth, Ernesto) for piano |
|
| Cruzeiro (Nazareth, Ernesto) for piano |
|
| De tarde (Nazareth, Ernesto) for voice and piano |
|
| Dora (Nazareth, Ernesto) for piano |
1926 |
| Elegia (Nazareth, Ernesto) for piano left hand |
|
| Je n'en sais rien, ma foi! (Farrenc, Victorine) for voice and piano |
1847 |
| Le bonnet vert (Farrenc, Victorine) for voice and piano |
|
| Cuyubinha (Nazareth, Ernesto) for piano |
|
| Delightfulness (Nazareth, Ernesto) for piano |
|
Canção cívica Rio de Janeiro (Nazareth, Ernesto) for voice
unison chorus |
|
| Capricho (Nazareth, Ernesto) for piano |
|
| Celestial (Nazareth, Ernesto) for piano |
|
| Comigo é na madeira (Nazareth, Ernesto) for piano |
1930 |
| Cuéra (Nazareth, Ernesto) for piano |
|
| Cubanos (Nazareth, Ernesto) for piano |
|
| Encantador (Nazareth, Ernesto) for piano |
|
| Encantador (Nazareth, Ernesto) for piano |
|
| String Quartet in G major (Bretón, Tomás) for 2 violins, viola and cello |
1866 |
| String Quartet No. 3 (Bretón, Tomás) for 2 violins, viola and cello |
1909 |
No sé (Bretón, Tomás) for baritone and piano
baritone and orchestra |
1879 |
| String Quartet No. 2 (Bretón, Tomás) for 2 violins, viola and cello |
1907 |
| M.L. Lute Book (Sturt, John) for lute |
|
| 3-stave preparatory manuscript from Escenas andaluzas (Bretón, Tomás) for orchestra |
|
| Symphony No. 1 (Bretón, Tomás) for orchestra |
1872 |
| Parte de apuntar from Aragón (Bretón, Tomás) for voices, mixed chorus and orchestra |
1918 |
| Symphony No. 3 (Bretón, Tomás) for orchestra |
1905 |
Piano Version from Êxtase (Nazareth, Ernesto) for piano
voice, violin and piano |
|
| Expansiva (Nazareth, Ernesto) for piano |
|
| Tenebroso (Nazareth, Ernesto) for piano |
|
| Improviso (Nazareth, Ernesto) for piano |
|
| Concerto for 2 Clarinets in E-flat major (Hoffmeister, Franz Anton) for 2 clarinets and orchestra |
|
| Nocturno, Op. 1 (Nazareth, Ernesto) for piano |
|
| Exuberante (Nazareth, Ernesto) for voice and piano |
1930 |
| Exuberante (Nazareth, Ernesto) for voice and piano |
|
| Loor a España (Bretón, Tomás) for childrens chorus |
1916 |
| Deine Augen (Bretón, Tomás) for tenor and piano |
1893 |
| Symphony 'La necesidad' (Bretón, Tomás) for orchestra |
1868 |
| Fantástica (Nazareth, Ernesto) for piano |
|
| Fantástica (Nazareth, Ernesto) for piano |
|
| String Trio (Bretón, Tomás) for violin, viola and piano |
1913 |
| Faceira (Nazareth, Ernesto) for piano |
|
12 Variations for Keyboard in C major (Hoffmeister, Franz Anton) for harpsichord
piano |
|
| Lamentos (Nazareth, Ernesto) for piano |
|
| Lamentos (Nazareth, Ernesto) for piano |
|
| Mágoas (Nazareth, Ernesto) for piano |
|
| Maly (Nazareth, Ernesto) for piano |
|
| Maly (Nazareth, Ernesto) for piano |
|
| Marcha fúnebre (Nazareth, Ernesto) for piano |
1927 |
| String Quartet Fragment (Bretón, Tomás) for 2 violins, viola and cello |
1896 |
| Salamanca (Bretón, Tomás) for orchestra |
1916 |
| Arrangement of Salamanca (Bretón, Tomás) for piano 4 hands |
|
| Symphony in A major, Kr.50 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in D major, Kr.62 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in C major, Kr.26 (Dittersdorf, Carl Ditters von) for strings |
|
| Victoria (Nazareth, Ernesto) for voice and piano |
|
| Victoria (Nazareth, Ernesto) for voice and piano |
|
| Victoria (Nazareth, Ernesto) for voice and piano |
1918 |
| Magnífico (Nazareth, Ernesto) for piano |
|
| Arrangement of Selections from Der Königssohn aus Ithaka (Hoffmeister, Franz Anton) for 2 clarinets, 2 bassoons, contrabassoon and 2 horns |
|
| Saudades dos Pagos (Nazareth, Ernesto) for voice and piano |
|
| Saudades e saudades..!! (Nazareth, Ernesto) for piano |
|
| Salamanca Pasodoble (Bretón, Tomás) for wind ensemble, brass ensemble and percussion |
1895 |
| Sentimentos d'alma (Nazareth, Ernesto) for piano |
|
| Mexico (Gastinel, Léon) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Retumbante (Nazareth, Ernesto) for piano |
|
| Sagaz (Nazareth, Ernesto) for piano |
1914 |
| Sogno dorato (Pieroni, Leopoldo) for flute and piano |
|
| Segredos da infância (Nazareth, Ernesto) for piano |
|
| Remando (Nazareth, Ernesto) for piano |
|
| Rayon d'or (Nazareth, Ernesto) for piano |
1915 |
Cual la paloma (Bretón, Tomás) for 2 tenors, baritone and bass
male chorus |
1879 |
| Himno a Santa Cecilia (Bretón, Tomás) for |
|
| Kung Karls jakt (Pacius, Fredrik) for voices and orchestra |
|
| Polka para mão esquerda (Nazareth, Ernesto) for piano left hand |
|
| Poloneza (Nazareth, Ernesto) for piano |
|
| Pyrilampo (Nazareth, Ernesto) for piano |
|
| Pyrilampo (Nazareth, Ernesto) for piano |
|
| Paraíso (Nazareth, Ernesto) for piano |
1926 |
| O nome dela (Nazareth, Ernesto) for piano |
|
| Primorosa (Nazareth, Ernesto) for piano |
|
| Proeminente (Nazareth, Ernesto) for piano |
|
| Overture from Arrangement of Overture from Il Cantico dei Cantici (Falorni, Giovanni) for guitar, 2 mandolins and mandola |
|
| Duo brillant sur des motifs de 'Prophète', Op. 72 (Bériot, Charles-Auguste de) for violin and piano |
|
| Symphony in G minor, Kr.33 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in G major, Kr.65 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in C major, Kr.66 (Dittersdorf, Carl Ditters von) for orchestra |
|
Arrangement of Symphony in C major, Kr.66 (Dittersdorf, Carl Ditters von) for harpsichord
piano |
|
| Symphony in D major, Kr.67 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in F major, Kr.71 (Dittersdorf, Carl Ditters von) for orchestra |
|
| Symphony in D major, Kr.104 (Dittersdorf, Carl Ditters von) for orchestra |
|
| 12 Concerti da Camera (Gentili, Giorgio) for 2 violins and continuo |
|
| Não caio n'outra (Nazareth, Ernesto) for piano |
|
| Nazareth (Nazareth, Ernesto) for piano |
|
| O alvorecer (Nazareth, Ernesto) for piano |
|
| Panaderos (Bretón, Tomás) for orchestra |
1921 |
| Duetto nell'opera 'Il Conte Ory', Op. 223 (Galli, Raffaele) for flute, clarinet and piano |
1860 |
| Fidalga (Nazareth, Ernesto) for piano |
|
| Fóra dos eixos (Nazareth, Ernesto) for voice and piano |
|
| Fraternidade (Nazareth, Ernesto) for childrens chorus |
|
| Lute Sonata in E-flat major, WeissSW 10 (Weiss, Sylvius Leopold) for lute |
1717 |
| Gaúcho (Nazareth, Ernesto) for piano |
|
| Favorito (Nazareth, Ernesto) for piano |
1915 |
Hino da Escola Bernardo de Vasconcellos (Nazareth, Ernesto) for voice and piano
voices and piano |
|
Hino da Escola Pedro II (Nazareth, Ernesto) for voice and piano
voices and piano |
1920 |
Hino da Escola Pedro II (Nazareth, Ernesto) for voice and piano
voices and piano |
|
| Para las víctimas de Palma (Bretón, Tomás) for piano |
1895 |
| Saudação ao Snr. Prefeito (Nazareth, Ernesto) for voice and piano |
|
| Saudação ao Snr. Prefeito (Nazareth, Ernesto) for voice and piano |
|
| In der Lenznacht, Op. 18 (Lange, Julius) for orchestra |
1900 |
| Rhapsodie humoresque, Op. 28 (Lange, Julius) for orchestra |
1916 |
| Un sarao en Cádiz (Bretón, Tomás) for orchestra |
|
| Violin Sonata (Bretón, Tomás) for violin and piano |
|
Hino da Escola Esther Pedreira de Mello (Nazareth, Ernesto) for voice and piano
voices and piano |
|
Hino da Escola Floriano Peixoto (Nazareth, Ernesto) for voice and piano
voices and piano |
|
| Sonate et fugue pour octuor à cordes (Mozart, Wolfgang Amadeus) for |
1933 |
| Piano Concerto, Op. 34 (Lange, Julius) for piano and orchestra |
1924 |
| Himno a Teruel (Bretón, Tomás) for voices and orchestra |
|
| Janota (Nazareth, Ernesto) for piano |
|
| Salve montserratina (Bretón, Tomás) for 2 sopranos, alto, double bass and organ |
1892 |
| Symphony, Op. 17 (Suter, Hermann) for orchestra |
1914 |
| Marcha heroica aos 18 do Forte (Nazareth, Ernesto) for voice and piano |
|
| Marcha heroica aos 18 do Forte (Nazareth, Ernesto) for voice and piano |
|
| Julita (Nazareth, Ernesto) for piano |
|
| If I am not mistaken (Nazareth, Ernesto) for piano |
|
| If I am not mistaken (Nazareth, Ernesto) for piano |
|
| Insuperável (Nazareth, Ernesto) for piano |
|
| Julieta, IEN 206 (Nazareth, Ernesto) for piano |
|
| Matuto (Nazareth, Ernesto) for piano |
|
| Mercêdes (Nazareth, Ernesto) for piano |
|
| Gigue, f.105 (Pérez de Zavala, Miguel) for guitar |
1730 |
| Gigue, f.109 (Pérez de Zavala, Miguel) for guitar |
1730 |
| Passacaille dite Marizapalos (Pérez de Zavala, Miguel) for guitar |
1730 |
| A unas flores (Valle Chinestra, Bernardino) for soprano, baritone and orchestra |
|
| Ouverture, f.82 (Derosier, Nicolas) for guitar |
1730 |
| Myosotis (Nazareth, Ernesto) for piano |
|
| Menino de ouro (Nazareth, Ernesto) for piano |
|
| Marche Dauphine (Pérez de Zavala, Miguel) for guitar |
1730 |
| Podia ser peior (Nazareth, Ernesto) for piano |
1916 |
| Divertimento for Bassoon and Orchestra, Op. 16 (Braun, Wilhelm) for bassoon and orchestra |
|
| Clarinet Concerto in E-flat major (Braun, Wilhelm) for clarinet and orchestra |
|
| Die Advokaten (Fischer, Anton) for 2 tenors, bass and piano |
|
| 13 Variations (Schubart, Christian Friedrich Daniel) for keyboard |
|
| Gigue, f.84 (Derosier, Nicolas) for guitar |
1730 |
| Sarabande, f.84 (Derosier, Nicolas) for guitar |
1730 |
| Fantasia 'Lucia di Lammermoor', Op. 4 (Rezzonico, Luigi) for flute and piano |
|
| Gran Fantasia 'Il Profeta', Op. 46 (De Michelis, Vincenzo) for flute and piano |
1895 |
| El Apocalipsis (Bretón, Tomás) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1882 |
| Capriccio for Flute, Op. 56 (De Michelis, Vincenzo) for flute and piano |
|
| Mary Stuart, Op. 18 (Beach, Amy Marcy) for alto and orchestra |
1892 |
| The Sea-Fairies, Op. 59 (Beach, Amy Marcy) for 2 sopranos, alto, female chorus and orchestra |
1904 |
| Piano Duet Sonata, Op. 21 (Schmitt, Aloys) for piano 4 hands |
1800 |
Lute Concertino in F major, GB-Lam Ms.799/1 (Anonymous) for lute, 2 violins and continuo
lute, 2 violins and cello
lute and strings |
|
Lute Concertino in C major, GB-Lam Ms.799/3 (Anonymous) for lute, 2 violins and continuo
lute, 2 violins and cello
lute and strings |
|
| Quatuor Concertant (Gevaert, François-Auguste) for clarinet, bassoon, horn and piano |
|
| Sinfonia for Lute in B-flat major, GB-Lam Ms.799/2 (Anonymous) for lute |
|
Arrangement of Rondo in B-flat major (Giornovichi, Giovanni Mane) for harpsichord
piano |
|
| Bei crini d'oro (Bononcini, Giovanni) for soprano and continuo |
|
| Sonata No.7 from 25 Sonatas para instrumentos de tecla (Seixas, Carlos) for keyboard |
1750 |
| Cello Fantasie (Kralik, Mathilde) for cello and piano |
|
| Nonet (Kralik, Mathilde) for clarinet, bassoon, 2 horns, 2 violins, viola, cello and piano |
1900 |
| Symphony in D minor, Op. 34 (Eberl, Anton) for orchestra |
|
Menuetto (Zitterbart Jr., Fidelis) for viola and piano
cello and piano |
|
Menuetto (Zitterbart Jr., Fidelis) for viola and piano
cello and piano |
|
| Keyboard Sonata in C major (Abeille, Ludwig) for keyboard |
|
46 Cantatas, D-B Mus.ms. 30188 (Various) for soprano and continuo
soprano, oboe and continuo
soprano, viola damore and continuo
soprano, viol and continuo
soprano, cello and continuo
alto and continuo
tenor and continuo |
|
| Piano Concerto in E-flat major, Op. 40 (Eberl, Anton) for piano and orchestra |
|
| Arrangement of Lezione 5 in E minor (Ariosti, Attilio) for strings |
|
| 20 Caprices pour Flûte (Mercadante, Saverio) for flute |
|
| Mädchen traut den Männern nimmer (Rafael, Ignaz Wenzel) for 3 voices |
|
6 Rondos (Werttig, Joseph) for keyboard
clavichord |
|
| Die Klagen des Königs Admet (Werttig, Joseph) for narrator and piano |
|
| Symphony in C major, WV 361 (Wagenseil, Georg Christoph) for orchestra |
|
Symphony in F major, WV 402 (Wagenseil, Georg Christoph) for orchestra
2 oboes and strings |
|
| Flute Concerto in D major, WV 343 (Wagenseil, Georg Christoph) for flute and strings |
|
| Flute Concerto in G major, WV 347 (Wagenseil, Georg Christoph) for flute and strings |
|
| Harpsichord Concerto in F major, WV 301 (Wagenseil, Georg Christoph) for harpsichord and orchestra |
|
| Harpsichord Concerto in F major, WV 289 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Concerto for 2 Harpsichords and Strings in C major (Wagenseil, Georg Christoph) for 2 harpsichords and strings |
|
| Concerto for 2 Harpsichords and Strings in C major (Wagenseil, Georg Christoph) for 2 harpsichords and strings |
|
| Arrangement of La donna Perduta (Pietri, Giuseppe) for guitar, 2 mandolins and mandola |
1935 |
| Sinfonia in A major, WV 433 (Wagenseil, Georg Christoph) for 2 violins and cello |
|
| Harpsichord Concerto in C major, A-Wn Mus.Hs.15969/2 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Concerto for 4 Harpsichords in C major (Wagenseil, Georg Christoph) for 4 harpsichords |
|
11 Preludes (Wagenseil, Georg Christoph) for organ
keyboard |
|
| Flute Concerto in C major, WV 339 (Wagenseil, Georg Christoph) for flute and strings |
|
| 97 Versets and a Fugue, A-Wn Mus.Hs.18682 (Wagenseil, Georg Christoph) for organ |
|
| Perchè le luci non osate inalzar? (Häussler, Ernst) for soprano and orchestra |
|
| Perchè le luci non osate inalzar? (Häussler, Ernst) for soprano and orchestra |
|
| L'unico de miei voti (Häussler, Ernst) for soprano and orchestra |
|
| La clemenza di Tito (Wagenseil, Georg Christoph) for voices and orchestra |
|
| La clemenza di Tito (Wagenseil, Georg Christoph) for voices and orchestra |
|
| 2. Allegro from Arrangement of 2. Allegro from String Trio in F minor, WV 478 (Wagenseil, Georg Christoph) for 2 violins and continuo |
1741 |
| La Gavotta di Luigetto (Falorni, Giovanni) for guitar and 2 mandolins |
1935 |
| Harpsichord Concerto in C major, A-Wn Mus.Hs.11085/17 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in F major, A-Wn Mus.Hs.11085/6 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in F major, A-Wn Mus.Hs.11085/18 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in G major, A-Wn Mus.Hs.11085/1 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in G major, A-Wn Mus.Hs.11085/2 (Wagenseil, Georg Christoph) for harpsichord |
|
| Harpsichord Concerto in G major, A-Wn Mus.Hs.11085/13 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Harpsichord Concerto in G major, A-Wn Mus.Hs.11085/14 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
Harpsichord Concertino in C major, A-Wn Mus.Hs.11085/22 (Wagenseil, Georg Christoph) for harpsichord
harpsichord and strings |
|
| Harpsichord Concerto in G major, A-Wn Mus.Hs.11085/16 (Wagenseil, Georg Christoph) for harpsichord and strings |
|
| Keyboard Sonata in C major, WV 9 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Sonata in D major, WV 24 (Wagenseil, Georg Christoph) for keyboard |
|
| Divertimento in A major, WV 67 (Wagenseil, Georg Christoph) for harpsichord |
|
| Divertimento Nottorno in A major, D-Dl Becker III.8.70 (Wagenseil, Georg Christoph) for keyboard |
|
6 Divertimenti, Op. 1 (Wagenseil, Georg Christoph) for harpsichord
keyboard
violin and harpsichord |
|
| 6 Harpsichord Sonatas, Op. 1 (Rutini, Giovanni Marco) for harpsichord |
|
| Overture from Arrangement of Overture from Fato! (Falorni, Giovanni) for guitar, 2 mandolins and mandola |
|
| Suite No. 6 in E-flat major (Böhm, Georg) for keyboard |
|
Tantum ergo, Day 2 (Cagliero, Giovanni) for 2 tenors, bass and organ
male chorus and organ |
|
| Lautentabulaturbuch, A-Wn Mus.Hs.1078 (Various) for lute |
|
| Keyboard Sonata in F major, WV 36 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Suite in E-flat major, WV 27 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Sonata in F-sharp minor, WV 52 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Sonata in B-flat major, WV 75 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Suite in A major, WV 60 (Wagenseil, Georg Christoph) for keyboard |
|
| Clarinet Concerto in B-flat major (Eybler, Joseph) for clarinet and orchestra |
1798 |
| Il David penitente (Breunich, Johann Michael) for voices and orchestra |
|
Andante in F major, Š.99b/2 (Štěpán, Josef Antonín) for harpsichord and orchestra
flute, harpsichord and strings |
|
| Arrangement of Alessandro, Wq.2A.3 (Gluck, Christoph Willibald) for harpsichord |
|
Partita in C major, A-Wn Mus.Hs.11085/5 (Hofmann, Leopold) for harpsichord
keyboard |
|
| Flute Sonata in A major, FleB 2.11 (Binder, Christlieb Siegmund) for flute and harpsichord |
|
| Symphony in C major, C11 (Hofmann, Leopold) for orchestra |
|
| Keyboard Sonata in B-flat major, Š.35 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in C major, Š.65 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in F major, Š.70 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in G major, Š.25 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in G major, Š.28 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in G major, Š.27 (Štěpán, Josef Antonín) for keyboard |
|
| Keyboard Sonata in A major, Š.21 (Štěpán, Josef Antonín) for keyboard |
|
| Partita in F major, A-Wn Mus.Hs.11085/7 (Hofmann, Leopold) for keyboard |
|
Concerto for 2 Harpsichords in C major, A-Wn Mus.Hs.11085/4 (Anonymous) for 2 harpsichords
2 harpsichords and orchestra |
|
| Minuetto (Moretti, Federico) for guitar |
|
Sonata Pastorella in B-flat major (Hofmann, Leopold) for 2 trombones and strings
orchestra |
|
Sonata Pastorella in C major (Hofmann, Leopold) for orchestra
2 trumpets, 2 trombones and strings
2 trombones and strings |
|
Sonata Pastorella in C major (Hofmann, Leopold) for orchestra
2 trumpets, 2 trombones and strings
2 trombones and strings |
|
Sonata Pastorella in C major (Hofmann, Leopold) for orchestra
2 trumpets, 2 trombones and strings
2 trombones and strings |
|
| Sonata Pastorella in D major (Hofmann, Leopold) for orchestra |
|
| Harpsichord Concerto in C major, A-Wn Mus.Hs.11085/8 (Hofmann, Leopold) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major, A-Wn Mus.Hs.11085/9 (Hofmann, Leopold) for harpsichord and orchestra |
|
| Harpsichord Concerto in C major, A-Wn Mus.Hs.11085/19 (Hofmann, Leopold) for harpsichord and orchestra |
|
| Polish Mass in G major, Op. 75 (Elsner, Józef) for 2 sopranos, violin, viola, cello and organ |
|
Keyboard Sonata in G minor 'Mariazeller Prozession', Š.26 (Štěpán, Josef Antonín) for keyboard
voice and keyboard |
|
| Keyboard Sonata in B-flat major, WV 78 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Sonata in F minor, WV 51 (Wagenseil, Georg Christoph) for keyboard |
|
| Keyboard Sonata in F major, WV 46 (Wagenseil, Georg Christoph) for keyboard |
|
| Sonata Pastorella in G major (Hofmann, Leopold) for 2 trombones, 2 violins, 2 violas and cello |
|
| Keyboard Sonata in B-flat major (Breunich, Johann Michael) for keyboard |
|
| Keyboard Sonata in F major (Breunich, Johann Michael) for keyboard |
|
| Keyboard Sonata in G major (Roffeld, Amand) for keyboard |
|
| Keyboard Sonata in D major (Roffeld, Amand) for keyboard |
|
| Keyboard Sonata in B-flat major (Roffeld, Amand) for keyboard |
|
| Fugue in D major (Roffeld, Amand) for keyboard |
|
| 6 Keyboard Sonatas, FleB 1.1-6 (Binder, Christlieb Siegmund) for keyboard |
|
Divertimento for 3 Cellos in D major (Hofmann, Leopold) for 3 cellos
2 cellos and double bass |
|
Partita in C major, A-Wn Mus.Hs.11085/10 (Hofmann, Leopold) for harpsichord and orchestra
harpsichord and strings |
|
Keyboard Sonata Fragment in C minor (Durante, Francesco) for keyboard
harpsichord
organ |
|
| Trio in F major, A-Wn Mus.Hs.3749/2 (Wagenseil, Georg Christoph) for 2 violins and continuo |
|
| Trio Capricioso in G minor, A-Wn Mus.Hs.3749/4 (Wagenseil, Georg Christoph) for 2 violins and continuo |
|
| Quartet in F major, A-Wn Mus.Hs.3749/3 (Anonymous) for 2 violins, cello and continuo |
|
| String Trio in C minor, A-Wn Mus.Hs.3749/1 (Anonymous) for 2 violins and cello |
|
| 6 Terzetti (Orgitano, Vincenzo) for violin, viola and continuo |
1783 |
| Arrangement of Partita in B-flat major, Op. 45 No. 1 (Krommer, Franz) for oboe, violin, 2 violas and cello |
|
| Trio Sonata in F major, Op. 1 No. 2 (Albinoni, Tomaso) for 2 violins and continuo |
|
| Grüner Reigen, Op. 182 (Molbe, Heinrich) for English horn, clarinet, bassoon, horn, mandolin, harp, 2 violins, viola, cello and double bass |
|
| Notte lunare, Op. 75 (Molbe, Heinrich) for mandolin, violin and piano |
|
| Polish Mass in D minor, Op. 87 (Elsner, Józef) for mixed chorus and orchestra |
1847 |
| Violin Concerto in F major, RV 295 (Vivaldi, Antonio) for violin and orchestra |
1700 |
| Trio Sonata No. 17 in F major (Orlandini, Giuseppe Maria) for 2 violins and continuo |
|
| Sinfonia in D major, WolS I. D-12 (Stamitz, Johann) for orchestra |
|
Sinfonia in A major, WolS I. A-6 (Stamitz, Johann) for strings
2 violins, viola and cello |
|
| Ove l'Adria fastosa (Pollarolo, Carlo Francesco) for tenor and continuo |
|
| Parto e sento (Pollarolo, Carlo Francesco) for tenor and continuo |
|
| Se un grand amor (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Fuochi Pirotecnici (Falorni, Giovanni) for guitar and 2 mandolins |
|
Su la tremola fronda (Pollarolo, Carlo Francesco) for soprano and continuo
tenor and continuo |
|
Arrangement of Viola Concerto in B-flat major, S 71.2 (Stamitz, Carl Philipp) for harpsichord
piano |
|
| Sinfonia in E-flat major, WolS I. Eb-2 (Stamitz, Johann) for orchestra |
|
| Sinfonia in E-flat major, WolS I. Eb-2 (Stamitz, Johann) for orchestra |
|
| Sinfonia in F major, WolS I. F-3 (Stamitz, Johann) for orchestra |
|
| Sinfonia in A major, WolS I. A-4 (Stamitz, Johann) for orchestra |
|
| The Angel of Death (Chadwick, George Whitefield) for orchestra |
1918 |
| The Angel of Death (Chadwick, George Whitefield) for orchestra |
1917 |
| Schnitzelbanck-Marsch (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| Sint sancta nobis gaudia (Menager, Laurent) for male chorus, brass ensemble and percussion |
1863 |
| Erinnerung an den Gletschergarten in Luzern, Op. 125 (Kéler, Béla) for orchestra |
|
| Ecce Jam Noctis (Chadwick, George Whitefield) for male chorus and orchestra |
1897 |
| Adonais (Chadwick, George Whitefield) for orchestra |
1899 |
| Rapsodie Napoletane (Falorni, Giovanni) for guitar and 2 mandolins |
1930 |
| Elegy (Chadwick, George Whitefield) for orchestra |
1920 |
| 40 Capriccios and 2 Fugues for Violin, A-Wn Mus.Hs.21923 (Various) for violin |
|
| 89 Capriccios and 4 Fugues for Violin, D-B Mus.ms. 21134 (Various) for violin |
|
| 95 Capriccios and 15 Fugues for Violin (Nardini, Pietro) for violin |
|
| Berceuse (Peterson-Berger, Wilhelm) for cello and piano |
1891 |
| Gioas, re di Giuda, W.D1 (Bach, Johann Christian) for voices, mixed chorus and orchestra |
|
| The Fall of Egypt (Stanley, John) for voices, mixed chorus and orchestra |
|
| David's Lamentation over Saul & Jonathan (Boyce, William) for voices, mixed chorus and orchestra |
|
| Herr Jesu Christ du höchstes Gut (Anonymous) for soprano and orchestra |
|
| Zur Enthüllungsfeier des Denkmals Ihrer K. H. der Prinzessin Heinrich der Niederlanden (Menager, Laurent) for male chorus and brass ensemble |
|
| Zur Enthüllungsfeier des Denkmals Ihrer K. H. der Prinzessin Heinrich der Niederlanden (Menager, Laurent) for male chorus and brass ensemble |
|
| Souvenir du 18 avril (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| 20 Cantatas, F-Pn RES VMF MS-41 (Various) for soprano and continuo |
|
| Sento nel sen combattere (Gasparini, Francesco) for soprano and continuo |
|
| Der Erlkönig (Mayer, Emilie) for voice and piano |
1870 |
| Welcome, welcome, glorious day, H.409 (Purcell, Daniel) for voices, mixed chorus and orchestra |
1600 |
| 2 Pieces, WoO 33b (Beethoven, Ludwig van) for |
1700 |
| Fantasia from Arrangement of Fantasia from Cin Ci La (Ranzato, Virgilio) for guitar, 2 mandolins and mandola |
1930 |
| Fantasia from Arrangement of Fantasia from Il paese dei Campanelli (Ranzato, Virgilio) for guitar, 2 mandolins and mandola |
1925 |
| Arrangement of Sinfonia 'Inezia' (Falorni, Giovanni) for guitar, 2 mandolins and mandola |
|
| Norsk Fædrelandssang (Nordraak, Rikard) for male chorus |
|
| Andromeda und Perseus (Zimmermann, Anton) for 4 narrators and orchestra |
1781 |
| Saluons le drapeau (Menager, Laurent) for brass ensemble and percussion |
1888 |
| La virtù (Caldara, Antonio) for bass and continuo |
1730 |
| 45 Capriccios, D-Bsa SA 4040 (Various) for violin |
|
| Capriccios (Benda, Franz) for violin |
|
| Capriccios (Benda, Franz) for violin |
|
| Die mit Tränen säen, werden mit Freuden ernden, JLB 8 (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| La chute des feuilles (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| Canta ancor (Gomes, Carlos) for piano |
1884 |
| Dolce rimprovero (Gomes, Carlos) for voice and piano |
|
| Eternamente (Gomes, Carlos) for baritone and piano |
1867 |
| La belle clématis (Menager, Laurent) for brass ensemble and percussion |
|
| Boule de neige (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
Braminer (Menager, Laurent) for brass ensemble and percussion
wind ensemble, brass ensemble and percussion |
|
| Carnevals Galopp (Menager, Laurent) for orchestra |
|
| Pfaffenthaler Kirchweih (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| Salut aux Ardennes (Menager, Laurent) for brass ensemble and percussion |
|
| Arrangement of Salut aux Ardennes (Menager, Laurent) for piano |
|
| Le premier mai (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| 12 Kantaten (Bach, Johann Ludwig) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Raccolta di varii rondeaux e capricci (Paisiello, Giovanni) for piano
harpsichord
violin and piano
violin and harpsichord |
|
Raccolta di varii rondeaux e capricci (Paisiello, Giovanni) for piano
harpsichord
violin and piano
violin and harpsichord |
|
Raccolta di varii rondeaux e capricci (Paisiello, Giovanni) for piano
harpsichord
violin and piano
violin and harpsichord |
|
Aus der Tiefen ruf' ich Herr zu dir (Anonymous) for bass, strings and continuo
bass and orchestra |
|
| String Quartet in G major, DTB XVI G3 (Stamitz, Carl Philipp) for 2 violins, viola and cello |
|
| La Madamina (Gomes, Carlos) for soprano and piano |
1867 |
| La Madamina (Gomes, Carlos) for soprano and piano |
1868 |
| Il brigante (Gomes, Carlos) for bass and piano |
1884 |
| Mamma dice (Gomes, Carlos) for voice and piano |
1881 |
| Mon bonheur (Gomes, Carlos) for voice and piano |
1882 |
| Oblio (Gomes, Carlos) for voice and piano |
|
| L'arcolajo (Gomes, Carlos) for voice and piano |
|
| La piccola mendicante (Gomes, Carlos) for voice and piano |
1884 |
| Preghiera dell'orfano (Gomes, Carlos) for voice and piano |
1881 |
| Lisa, me vos tu ben? (Gomes, Carlos) for voice and piano |
1869 |
Sonata for 2 Violins and Continuo in F major (Kerll, Johann Caspar) for 2 violins and continuo
2 violins and organ |
|
| Symphony in C major (Thurn und Taxis, Carl Alexander von) for orchestra |
|
| Exercise pour le cor (Schuncke, Johann Gottfried) for horn and piano |
|
| Sonata à 6 (Strungk, Nicolaus Adam) for 2 violins, 3 violas, violone and continuo |
1665 |
| Trio militaire for 2 Horns and Harp (Schweighamter, W) for 2 horns and harp |
|
| Cello Concerto in D major (Stamitz, Carl Philipp) for cello and orchestra |
|
| Qui pro quo (Gomes, Carlos) for tenor and piano |
1881 |
| La regata (Gomes, Carlos) for voice and piano |
1881 |
| Rondinella (Gomes, Carlos) for voice and piano |
1884 |
| Amalia (Menager, Laurent) for brass ensemble and percussion |
|
| Amalia (Menager, Laurent) for brass ensemble and percussion |
|
| Amalia (Menager, Laurent) for brass ensemble and percussion |
|
| Ein Blumenstrauss dem Fürstenpaar (Menager, Laurent) for childrens chorus, wind ensemble and brass ensemble |
|
| Festkantate zur Enthüllung des Klöppelkrieger-Denkmals zu Clerf (Menager, Laurent) for mixed chorus, wind ensemble and brass ensemble |
|
| Der Gesang (Menager, Laurent) for male chorus, wind ensemble and brass ensemble |
|
| Der Gesang (Menager, Laurent) for male chorus, wind ensemble and brass ensemble |
|
| Spirto gentil! (Gomes, Carlos) for mezzosoprano and piano |
1884 |
| Dido, Königin von Carthago (Graupner, Christoph) for voices, mixed chorus and orchestra |
1700 |
| Merletti antichi (Falorni, Giovanni) for guitar and 2 mandolins |
|
| Ackt - Waltz (No.3) from Arrangement of Ackt - Waltz (No.3) from Libellentanz (Lehár, Franz) for guitar, 2 mandolins and mandola |
|
| Arrangement of Carovana notturna (Ranzato, Virgilio) for guitar, 2 mandolins and mandola |
|
| Arrangement of Danza Esotica (Mascagni, Pietro) for guitar, 2 mandolins and mandola |
|
| Sirena (Falorni, Giovanni) for guitar and 2 mandolins |
|
| Notte nel deserto (Falorni, Giovanni) for guitar and 2 mandolins |
|
| Laudate pueri (Strungk, Nicolaus Adam) for tenor, 2 violins and continuo |
|
| Rondeau for Clarinet and Orchestra (Röth, Philipp) for clarinet and orchestra |
|
| Jubilé du Prince (Menager, Laurent) for brass ensemble and percussion |
1875 |
| Jubilé du Prince (Menager, Laurent) for brass ensemble and percussion |
|
| L'Hercule amoureux, LWV 17 (Lully, Jean-Baptiste) for strings |
|
| Ballet des Arts, LWV 18 (Lully, Jean-Baptiste) for 4 voices, strings and continuo |
1706 |
| Ballet des sept Planettes (Lully, Jean-Baptiste) for soprano and orchestra |
|
| L'Impromptu de Versailles, LWV 28 (Lully, Jean-Baptiste) for orchestra |
|
| La Princesse d'Élide (Lully, Jean-Baptiste) for voices, strings and continuo |
|
| Rondeau for Clarinet, Cello and Orchestra (Winter, Peter von) for clarinet, cello and orchestra |
|
| Concertino for 2 Flutes (Moscheles, Ignaz) for 2 flutes and orchestra |
|
| Wie der Hirsch schreiet nach frischem Wasser (Pohle, David) for tenor and orchestra |
|
| Morts pour la patrie (Menager, Laurent) for mixed chorus, wind ensemble and brass ensemble |
|
| Morts pour la patrie (Menager, Laurent) for mixed chorus, wind ensemble and brass ensemble |
|
| Symphony No. 1, Op. 18 (Tournemire, Charles) for orchestra |
1901 |
| La fête du directeur (Menager, Laurent) for wind ensemble, brass ensemble and percussion |
|
| Harpsichord Sonata in C minor (Pescetti, Giovanni Battista) for harpsichord |
|
| Harpsichord Sonata in F major (Pescetti, Giovanni Battista) for harpsichord |
|
Jesu amabilis (Erlebach, Philipp Heinrich) for soprano, alto, tenor, bass and orchestra
soprano, alto, tenor, bass, strings and continuo
mixed chorus and orchestra
mixed chorus, strings and continuo |
|
| Partita in G major (Hoffmeister, Franz Anton) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
1800 |
| 6 Sonatas (Hennersdorff) for flute, violin, cello and harpsichord |
|
| 3 Allemandes and 3 Anglaises (Hennersdorff) for orchestra |
|
| 12 Contredanses (Hennersdorff) for orchestra |
|
| Mass in D minor (Randhartinger, Benedict) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Mass in A-flat major (Randhartinger, Benedict) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1848 |
| Mass in E-flat major (Randhartinger, Benedict) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Symphony in D major (Hennersdorff) for orchestra |
|
| Missa Nossa Senhora da Lapa in F major (Passos, Carlos dos) for mixed chorus and orchestra |
1926 |
| Le Tremolo (Zinnen, Jean-Antoine) for 3 cornets, wind ensemble, brass ensemble and percussion |
1890 |
| Le Tremolo (Zinnen, Jean-Antoine) for 3 cornets, wind ensemble, brass ensemble and percussion |
|
| Te Deum laudamus (Assmayer, Ignaz) for voices, mixed chorus and orchestra |
1846 |
| 3 Fugues (Assmayer, Ignaz) for organ |
|
| Harpsichord Concerto in C major (Brixi, František Xaver) for harpsichord and strings |
|
| Oboe Concerto No. 1 in D minor, Op. 5 (Luft, Johann Heinrich) for oboe and orchestra |
|
| Te Deum in C major (Medeiros, Anacleto de) for mixed chorus and orchestra |
|
| Baals Sturz (Weigl, Joseph) for voices, mixed chorus and orchestra |
|
4 Antiphons (Weigl, Nivard) for mixed chorus, wind ensemble and brass ensemble
soprano, alto, tenor, bass, wind ensemble and brass ensemble |
|
| Karussell Musik (Weigl, Joseph) for 2 violins, 2 violas and cello |
1814 |
Clarinet Sonata (Rosenthal, Felix) for clarinet and piano
viola and piano |
|
| Piano Sonata (Feiertag, Hans) for piano |
1937 |
| Trio No. 2 for Clarinet, Viola, and Piano (Labor, Josef) for clarinet, viola and piano 4 hands |
|
27 Arias, D-B Mus.ms. 30136 (Various) for soprano and orchestra
alto and continuo
soprano and continuo
soprano, alto and continuo
soprano, violin and continuo
tenor, violin and continuo
soprano, 2 violins and continuo
soprano, flute and continuo
tenor and continuo
soprano, strings and continuo
continuo and 2 sopranos |
|
10 Vocal Pieces, D-B Slg Landsberg 280 (Vinci, Leonardo) for soprano and continuo
bass and continuo
soprano and orchestra
continuo and 2 sopranos
harpsichord |
|
| Piano Sextet, Op. 133 (Reiter, Josef) for 2 violins, viola, cello, double bass and piano |
|
| Jubilee Overture (Laver, William Adolphus) for orchestra |
1906 |
| Cello Sonata No. 2 (Labor, Josef) for cello and piano left hand |
1918 |
| Violin Sonata No. 3 (Labor, Josef) for violin and piano left hand |
|
| Missa solennis pleno concentu (Pitsch, Karel František) for mixed chorus and orchestra |
|
| Overture Dom Antônio Bispo de Mariana (D'Assis, José Raymundo) for orchestra |
1987 |
| Aventureira (Barata, J. J.) for soprano |
|
| Do outro lado (Barata, J. J.) for soprano |
1917 |
| Jaspelina (Barata, J. J.) for soprano |
|
| Parthia No. 1 in F major (Feldmayr, Georg) for 2 oboes, bassoon, 2 horns and viola |
|
Ascende læta, RV 635 (Vivaldi, Antonio) for soprano, 2 violins, viola and continuo
soprano, strings and continuo |
1700 |
| 9 Progressive Exercises and 3 Studies, Op. 40 (Schultz, Leonard) for guitar |
|
| Medonte (Bertoni, Ferdinando) for 6 voices, mixed chorus and orchestra |
|
| M'hai da piangere (Steffani, Agostino) for soprano, alto and continuo |
|
| Quella speranza oh Dio (Bononcini, Giovanni) for soprano and continuo |
|
| Orazio al Ponte (Vinci, Leonardo) for bass and continuo |
|
| Temistocle in Bando (Lulier, Giovanni Lorenzo) for 9 voices, strings and continuo |
|
| Beauties for the Guitar, Op. 20 (Schultz, Leonard) for guitar |
|
| Variations for Organ (Fuchs, Robert) for organ |
1911 |
| 6 Suffolk Folk Songs (Moeran, Ernest John) for |
1931 |
| Prelude and Fugue for Organ in D-flat major (Fuchs, Robert) for organ |
|
| Talestri innamorata d'Alessandro Magno (Sabadini, Bernardo) for voices, mixed chorus, strings and continuo |
|
| Sinfonie Périodique No. 7 in B-flat major (Gyrowetz, Adalbert) for orchestra |
|
| Toccata, Op. 1 (Raitio, Väinö) for piano |
|
| Pilven varjo, Op. 26 No. 1 (Raitio, Väinö) for piano |
|
| Aria: "Raggio, che tremolo vibri" from Licida e Mopso (Colla, Giuseppe) for voices and orchestra |
|
| String Trio in E-flat major (Schneider, Georg Laurenz) for 2 violas and cello |
1806 |
| Adoremus (Barreto, Homero de Sá) for voice and orchestra |
1914 |
| Adoremus (Barreto, Homero de Sá) for voice and orchestra |
1914 |
| Amôr... (Barreto, Homero de Sá) for voice and piano |
|
| Ave Maria No. 1 (Barreto, Homero de Sá) for voice and piano |
|
| Ave Maria No. 2 (Barreto, Homero de Sá) for mezzosoprano and orchestra |
1919 |
| Ave Maria No. 2 (Barreto, Homero de Sá) for mezzosoprano and orchestra |
1919 |
| Ave Maria No. 2 (Barreto, Homero de Sá) for mezzosoprano and orchestra |
1919 |
| Benedictus No. 1 (Barreto, Homero de Sá) for 2 voices and orchestra |
|
| Benedictus No. 1 (Barreto, Homero de Sá) for 2 voices and orchestra |
|
| Benedictus No. 2 (Barreto, Homero de Sá) for 2 voices and orchestra |
|
| Benedictus No. 2 (Barreto, Homero de Sá) for 2 voices and orchestra |
|
| Benedictus No. 2 (Barreto, Homero de Sá) for 2 voices and orchestra |
|
| L’amour endormy (Anonymous) for 2 violins, continuo and bass |
|
| Rêverie No. 2 (Barreto, Homero de Sá) for 2 violins, viola and cello |
|
| Rêverie No. 2 (Barreto, Homero de Sá) for 2 violins, viola and cello |
|
| Rêverie No. 2 (Barreto, Homero de Sá) for 2 violins, viola and cello |
|
For Small Orchestra from Berceuse, H.8d (Bridge, Frank) for violin and piano
cello and piano |
1901 |
3 Violin Sonatas, Op. 53 (Orgitano, Vincenzo) for violin and piano
violin and keyboard |
1789 |
| Il trionfo dell'amicizia e dell'amore (Conti, Francesco Bartolomeo) for 7 voices, mixed chorus and orchestra |
|
3 Sonatas for 2 Pianos, Op. 52 (Orgitano, Vincenzo) for 2 pianos
2 keyboards |
1789 |
| Amalie von Braunschweig-Lüneburg Manuscript, A-Wn Mus Hs 19455 (Various) for harpsichord |
|
| 6 Trio Sonatas, Op. 17 (Orgitano, Vincenzo) for 2 violins and continuo |
1784 |
| 6 Symphonies (Orgitano, Vincenzo) for orchestra |
|
6 Contradanze Francesi (Korbmann, Georg Joseph) for keyboard
piano
harpsichord |
|
| Demofoonte (Petrucci, Brizio) for voices and orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Berceuse e interlúdio (Barreto, Homero de Sá) for orchestra |
|
| Arrangement of Berceuse e interlúdio (Barreto, Homero de Sá) for piano |
1915 |
| Canção do allemão de Heine (Barreto, Homero de Sá) for voice and piano |
1930 |
| Canção do allemão de Heine (Barreto, Homero de Sá) for voice and piano |
|
| Canção russa (Barreto, Homero de Sá) for piano |
1922 |
| Arrangement of Canção russa (Barreto, Homero de Sá) for orchestra |
|
| Ecce sacerdos magnus (Barreto, Homero de Sá) for 2 voices and piano |
|
| Ecce sacerdos magnus (Barreto, Homero de Sá) for 2 voices and piano |
|
| Albumblatt (Horzalka, Johann) for piano |
|
| Notturno (Pocci, Franz von) for cello and piano |
|
Der Handschuh, Op. 11 (Kleinheinz, Franz Xaver) for voice and piano
voice and harpsichord
voice and keyboard |
|
| Symphony No. 6, Op. 48 (Tournemire, Charles) for tenor, mixed chorus and orchestra |
1918 |
| Trio Sonata in D minor, H.590 (Bach, Carl Philipp Emanuel) for 2 violins and continuo |
|
| Linus, RCT 46 (Rameau, Jean-Philippe) for |
|
| Trio Sonata in G major, H.574 (Bach, Carl Philipp Emanuel) for flute, violin and continuo |
|
| Pièces de clavecin et airs de différents auteurs (D'Anglebert, Jean-Henri) for harpsichord |
|
| Arrangement of Der Freyschütz Pot-Pourri, Op. 12 (Kraft, Nikolaus) for cello and piano |
|
| Interlúdio from Jaty (Barreto, Homero de Sá) for 3 voices, mixed chorus and orchestra |
|
| Interlúdio from Jaty (Barreto, Homero de Sá) for 3 voices, mixed chorus and orchestra |
|
| Interlude from Jaty (Barreto, Homero de Sá) for 3 voices, mixed chorus and orchestra |
|
| Interlude from Jaty (Barreto, Homero de Sá) for 3 voices, mixed chorus and orchestra |
|
| Jaty (Barreto, Homero de Sá) for 3 voices, mixed chorus and orchestra |
1919 |
| Elegia for piano (Barreto, Homero de Sá) for piano |
1920 |
| Elegia for piano (Barreto, Homero de Sá) for piano |
1920 |
| Esperanças e desenganos (Barreto, Homero de Sá) for voice and piano |
|
| Improviso (Barreto, Homero de Sá) for piano |
1916 |
| Suíte antiga (Barreto, Homero de Sá) for violin and piano |
|
| Arrangement of Suíte antiga (Barreto, Homero de Sá) for strings |
|
| Arrangement of Suíte antiga (Barreto, Homero de Sá) for strings |
1948 |
| Ave Maria No. 3 (Barreto, Homero de Sá) for voice and organ |
1922 |
| Ave Maria No. 3 (Barreto, Homero de Sá) for voice and organ |
|
| Ave Maria, IJR 1 (Reis, Julio) for mezzosoprano and organ |
1883 |
| Sento ancor quel dolce labbro, RV 749.25 (Vivaldi, Antonio) for voice and strings |
|
| Aria: Sai ch'io regno e sai ch'io posso from La generosità politica (Marchi, Giovanni Francesco Maria) for voices and orchestra |
|
| Aria of Rosmiri: Al cader d'umide stille (Act II, sc. 6) from La generosità politica (Marchi, Giovanni Francesco Maria) for voices and orchestra |
|
| Violin Concerto in B-flat major, RV 381 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Violin Concerto in F major, RV 294 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Arrangement of O viático (Reis, Julio) for organ |
1914 |
| Cenas orientais (Reis, Julio) for violin and orchestra |
1914 |
| Introduction et Variations sur le Choeur d'Introduction de 'Norma', Op. 41 (Padovec, Ivan) for guitar |
|
2 Sonatinas (Westenholz, Sophia Maria) for keyboard
piano |
|
| Wir seh'n uns wieder, Op. 71 (Padovec, Ivan) for voice and guitar |
|
Rosina Elisabeth von Münch Clavierbuch, D-B Mus.ms.30327 (Various) for clavichord
keyboard |
1777 |
Eva Christina Becker Clavierbuch, D-LEb Go.S.648 (Various) for keyboard
voice and keyboard |
1771 |
| 3 Lieder (Westenholz, Sophia Maria) for voice and piano |
|
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
1923 |
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
|
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
|
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
|
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
1916 |
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
1916 |
| Heliophar (Reis, Julio) for 4 voices, mixed chorus and orchestra |
1916 |
| Serenata, IJR 38 (Reis, Julio) for voice and piano |
1926 |
| Serenata burlesca (Reis, Julio) for orchestra |
|
| Serenata burlesca (Reis, Julio) for orchestra |
|
| Serenata burlesca (Reis, Julio) for orchestra |
|
| Junakovanje, Op. 73 (Padovec, Ivan) for 2 sopranos and alto |
|
| In die Ferne, Op. 76 (Padovec, Ivan) for voice and guitar |
|
| Der Heimathlose, Op. 74 (Padovec, Ivan) for voice and guitar |
|
| An den Abendstern, Op. 72 (Padovec, Ivan) for voice and guitar |
|
| Sóror Mariana (Reis, Julio) for voices, mixed chorus and orchestra |
|
| Sóror Mariana (Reis, Julio) for voices, mixed chorus and orchestra |
|
| Sóror Mariana (Reis, Julio) for voices, mixed chorus and orchestra |
1920 |
| Sóror Mariana (Reis, Julio) for voices, mixed chorus and orchestra |
1923 |
| Piano Sonata in F minor (Westenholz, Sophia Maria) for piano |
|
| A canção de Daphnis (Reis, Julio) for flute and piano |
|
Capriccio and 2 Waltzes (Westenholz, Sophia Maria) for piano
keyboard |
|
| Vigília d'armas (Reis, Julio) for orchestra |
1914 |
| Vigília d'armas (Reis, Julio) for orchestra |
|
| Vigília d'armas (Reis, Julio) for orchestra |
|
| Prelúdio No. 1 (Barreto, Homero de Sá) for piano |
1908 |
| Ondulações (Barreto, Homero de Sá) for bass and piano |
1916 |
| Hymno das orphans (Barreto, Homero de Sá) for voice and piano |
|
| Ladainha No. 1 (Barreto, Homero de Sá) for 2 voices and organ |
1914 |
| Ladainha No. 2 (Barreto, Homero de Sá) for mezzosoprano, alto and organ |
1914 |
| Lamento (Barreto, Homero de Sá) for piano |
|
| Noturno (Barreto, Homero de Sá) for piano |
1915 |
| Noturno (Barreto, Homero de Sá) for piano |
|
| Noturno (Barreto, Homero de Sá) for piano |
|
| Noite de insomnia (Barreto, Homero de Sá) for voice and piano |
1915 |
| Noite de insomnia (Barreto, Homero de Sá) for voice and piano |
1915 |
| Num leque (Barreto, Homero de Sá) for voice and piano |
|
| O cysne (Barreto, Homero de Sá) for voice and piano |
|
| O salutaris (Barreto, Homero de Sá) for soprano, alto and organ |
1914 |
| Marília de Dirceu (Reis, Julio) for 3 voices, mixed chorus and piano |
1924 |
| Minuetto e trio (Barreto, Homero de Sá) for piano |
1923 |
| Minuetto e trio (Barreto, Homero de Sá) for piano |
1923 |
| Minuetto (Barreto, Homero de Sá) for 2 violins, viola, cello and double bass |
|
| Mamãe não deixa (Wanderley, Eustórgio) for voice and piano |
|
| Trio (Barreto, Homero de Sá) for violin, cello and piano |
|
| Trio (Barreto, Homero de Sá) for violin, cello and piano |
|
| Scherzando (Barreto, Homero de Sá) for piano |
1920 |
| Scherzando (Barreto, Homero de Sá) for piano |
1920 |
| Queixume (Barreto, Homero de Sá) for piano |
|
| Prelúdio No. 6 (Barreto, Homero de Sá) for piano |
1917 |
| Prelúdio No. 6 (Barreto, Homero de Sá) for piano |
1917 |
| Prelúdio No. 5 (Barreto, Homero de Sá) for piano |
1916 |
| Prelúdio No. 4 (Barreto, Homero de Sá) for piano |
|
| Prelúdio No. 4 (Barreto, Homero de Sá) for piano |
1917 |
| Prelúdio No. 3 (Barreto, Homero de Sá) for piano |
|
| Prelúdio No. 3 (Barreto, Homero de Sá) for piano |
|
| Prelúdio No. 2 (Barreto, Homero de Sá) for piano |
1915 |
| Sonata for Piano Duet in D major (Beethoven, Kaspar Anton Karl van) for piano 4 hands |
1800 |
| Arrangement of Ao Ceará livre! (Gomes, Carlos) for wind band |
1884 |
| 4 Pieces for Guitar (Padovec, Ivan) for guitar |
|
| Leichte Musikstücke für die Guitare für die ersten Anfänger (Padovec, Ivan) for guitar |
|
| 6 Variations in G major (Bach, Wilhelm Friedrich Ernst) for piano |
1811 |
| Mazur Polka für die Guitarre (Padovec, Ivan) for guitar |
|
| Polonaise No. 2, Op. 14 (Coste, Napoléon) for guitar |
|
| Polonaise No. 2, Op. 14 (Coste, Napoléon) for guitar |
|
| Elegie (Mertz, Johann Kaspar) for guitar |
|
| Elegie (Mertz, Johann Kaspar) for guitar |
1924 |
| Studentenlied (Tinel, Edgar) for male chorus |
1899 |
| Ofício de Sábado Santo (Xavier, José Maria) for mixed chorus and orchestra |
1868 |
Sonata for Keyboard 4-Hands in B-flat major (Giordani, Tommaso) for piano 4 hands
harpsichord 4 hands |
|
| The Ordering of Moses (Dett, Robert Nathaniel) for voices, mixed chorus and orchestra |
1932 |
| Arrangement of Lágrima de Marte (Belisário, José) for flute |
|
| Arrangement of Moacyr (Belisário, José) for flute |
|
| Arrangement of Moacyr (Belisário, José) for flute |
1933 |
| Arrangement of Oscarlina (Belisário, José) for flute |
|
| Arrangement of Oscarlina (Belisário, José) for flute |
|
| Arrangement of Pequerrucha (Belisário, José) for flute |
1918 |
| Arrangement of Flora (Belisário, José) for flute |
|
| Arrangement of Flora (Belisário, José) for flute |
|
| Arrangement of Em ti pensando (Belisário, José) for flute |
1914 |
| Arrangement of Eugenia (Belisário, José) for flute |
|
| Arrangement of Polka (Belisário, José) for flute |
|
| Thème avec Variations et Prélude (Pettoletti, Pietro) for guitar |
|
| Arrangement of Amor eterno (Carneiro, Oscar) for wind ensemble |
|
| Chi non sa che sia tormento (Bononcini, Giovanni) for soprano and continuo |
|
| Lumi vezzosi lumi (Bononcini, Giovanni) for soprano and continuo |
|
| Che sento Irene amata (Ariosti, Attilio) for soprano and continuo |
|
| Oh miseria d'amante core (Ariosti, Attilio) for soprano and continuo |
|
| Ora bolas p'ra botica... (Guedes, E. S.) for piano |
|
| Flute Concerto in D major, GroF 743 (Mahaut, Antoine) for flute and strings |
|
| Flute Concerto in E-flat major, GroF 741 (Mahaut, Antoine) for flute, strings and continuo |
|
| Flute Concerto in D major, GroF 742 (Mahaut, Antoine) for flute and strings |
|
| Novena de Nossa Senhora da Boa Morte (Aparição, José Vitor da) for mixed chorus and orchestra |
1966 |
| Panoramas (Abelardo, Nicanor) for flute, celesta, violin, viola and piano |
1963 |
| Incomplete from Mass in D major (Cavi, Giovanni) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Polka (Andrade, Basílio de Assis) for |
|
| Hermantina (Andrade, Basílio de Assis) for |
|
| Antonina (Andrade, Basílio de Assis) for |
|
| Mocinha (Andrade, Basílio de Assis) for |
|
| Gli eccessi della gelosia, T.199 (Albinoni, Tomaso) for voices, mixed chorus and orchestra |
|
| Confitebor in B-flat major (Pollarolo, Carlo Francesco) for 2 sopranos, 2 altos, bass, strings and continuo |
|
Dixit Dominus in D major (Abos, Girolamo) for soprano, alto, mixed chorus, strings and continuo
soprano, alto, mixed chorus and organ |
|
| Venceslao (Pampani, Antonio Gaetano) for 7 voices, mixed chorus and orchestra |
1752 |
| Artaserse (Pampani, Antonio Gaetano) for 6 voices and orchestra |
|
| Guitar Sonata, Op. 23 (Matiegka, Wenzel Thomas) for guitar |
|
| La Romanza del quiero y no puedo (Turina, Joaquín) for cello and piano |
1909 |
| La Romanza del quiero y no puedo (Turina, Joaquín) for cello and piano |
|
Adriano in Siria (Pampani, Antonio Gaetano) for 6 voices, strings and continuo
6 voices and orchestra |
|
| Ni ez naiz zomorua (Guridi, Jesús) for |
|
| Lernt Bescheidenheit! (Zumsteeg, Johann Rudolf) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Ach Gott, du bist gerecht, TWV 1:11 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra
voices, mixed chorus, strings and continuo |
|
Ach Gott, du bist gerecht, TWV 1:11 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra
voices, mixed chorus, strings and continuo |
|
Rondo from Arrangement of Rondo from Violin Concerto No. 10 in F major (Giornovichi, Giovanni Mane) for harpsichord
piano |
|
| Dal giorno fortunato (Bononcini, Giovanni) for soprano and continuo |
|
| Fra dubbiosi pensieri (Bononcini, Giovanni) for soprano and continuo |
|
| Non sarei dei fior reina (Bononcini, Giovanni) for soprano and continuo |
|
| Genio che amar volea (Bononcini, Giovanni) for soprano and continuo |
|
| Irene idolo amato, Irene addio (Bononcini, Giovanni) for soprano and continuo |
|
| Partenza che parti in pezzi (Bononcini, Giovanni) for soprano and continuo |
|
Quando mai vermigli labbri (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
Quando mai vermigli labbri (Bononcini, Giovanni) for soprano and continuo
alto and continuo |
|
| Parthia No. 2 in F major (Feldmayr, Georg) for 2 oboes, bassoon, 2 horns and viola |
|
| Parthia Concertante in F major (Feldmayr, Georg) for 2 oboes, bassoon, 2 horns and viola |
|
| Scesa dal reggio soglio (Pollarolo, Carlo Francesco) for soprano and continuo |
|
Symphony in E-flat major (Röllig, Johann Christian) for strings
strings and continuo |
|
Partita in C major (Röllig, Johann Christian) for oboe, bassoon, strings and continuo
oboe, bassoon, 2 violins, viola and cello |
|
Partita in E-flat major (Röllig, Johann Christian) for bassoon, horn and strings
bassoon, horn, 2 violins, viola and cello |
|
| O quanto volontieri à rivedervi (Pollarolo, Carlo Francesco) for alto and continuo |
|
| Piano Quintet (Koessler, Hans) for 2 violins, viola, cello and piano |
|
| Die Amazonen (Röllig, Johann Christian) for voices and orchestra |
|
| Perplexity (McGeoch, Daisy) for voice and piano |
|
| Lady Mine (Lohr, Hermann Frederic) for voice and piano |
|
| Love's Madrigal (Hardelot, Guy d') for voice and piano |
|
| Concerto for 2 Harpsichords in C major, CSWV C:1 (Schaffrath, Christoph) for 2 harpsichords and strings |
|
| Double Bass Concerto No. 7 in A major, M.B 9 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Double Bass Concerto No. 7 in A major, M.B 9 (Sperger, Johann Matthias) for double bass and orchestra |
|
| Oboe Concerto in C major, RV 446 (Vivaldi, Antonio) for oboe, strings and continuo |
|
| Poem for Piano (Roslavets, Nikolay) for piano |
|
| Dir folgen meine Tränen (Uber, Christian Benjamin) for voice and keyboard |
1772 |
| String Quartet (Gédalge, André) for 2 violins, viola and cello |
1892 |
| Concertante for Flute, Violin and Orchestra (Reicha, Anton) for flute, violin and orchestra |
|
| 3 String Quartets, Op. 47 (Rubinstein, Anton) for 2 violins, viola and cello |
1800 |
| Cello Concerto in E major (Winneberger, Paul Anton) for cello and orchestra |
1797 |
| Cello Concerto in E-flat major (Winneberger, Paul Anton) for cello and orchestra |
1797 |
| Violin Concerto in F major (Lang, Johann Georg) for violin, strings and continuo |
|
| Nel cor piu non mi sento (Maurício, José) for piano |
|
| Grande Serenade No. 5, Op. 100 (Diabelli, Anton) for 2 guitars |
|
| Trio Sonata in B-flat major (Tartini, Giuseppe) for 2 violins and continuo |
|
| Ipse Jesus erat (Passos, Carlos dos) for mixed chorus and orchestra |
|
| Symphony No. 4, Op. 30 (Bendix, Victor) for orchestra |
|
| Justus ut palma (Knüpfer, Sebastian) for 4 voices and continuo |
1680 |
| Arrangement of Il Tigrane, re d'Armenia (Albinoni, Tomaso) for voice and continuo |
|
| Zenobia, regina de' Palmireni, T.202 (Albinoni, Tomaso) for voices, mixed chorus and orchestra |
|
| Sinfonia in D major, T.Si 4 (Albinoni, Tomaso) for strings and continuo |
|
| Violin Concerto in F major, T.Mi 15 (Albinoni, Tomaso) for violin, strings and continuo |
|
| Arrangement of Variations on 'O cara memoria' (Winter, Peter von) for soprano, 2 violins, viola and cello |
1837 |
8 Easy Keyboard Sonatas, Op. 5 (Moller, John Christopher) for harpsichord
piano |
|
| Concerto armonico in B-flat major (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Concerto armonico in F minor (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Concerto armonico in G major, IUW 3 (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Concerto armonico in A major (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Concerto armonico in G major, IUW 4 (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Concerto armonico in E-flat major (Wassenaer, Unico Wilhelm) for 4 violins, viola, cello and continuo |
|
| Rondo in D major (Moretti, Federico) for guitar |
|
| Cello Concerto in G minor (Winneberger, Paul Anton) for cello and orchestra |
|
| Amalasunta (Chelleri, Fortunato) for 7 voices and orchestra |
|
| Horn Sonata (Hermant, Pierre) for horn and piano |
|
| 5 Sonatas and 5 Preludes (Taglietti, Luigi) for cello |
|
| Das Ewige Feuer, Op. 19 (Wetz, Richard) for voices, mixed chorus and orchestra |
1904 |
Andante con Variazione, StWV 202 (Sterkel, Johann Franz Xaver) for violin and harpsichord
violin and piano |
|
| Grand Duo concertant, Op. 53 (Gaude, Theodor) for 2 guitars |
|
Manuscript, I-Bc Q.16 (Various) for 2 voices
3 voices
4 voices
2 Unspecified instruments |
|
| De la musique Moderne des Chinois (Amiot, Joseph) for |
|
| Overture, Op. 11 (Romberg, Bernhard) for orchestra |
|
Giorno terribile (Calegari, Antonio) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
1796 |
| Solfeggi (Crescentini, Girolamo) for voice and continuo |
|
| Solfeggi (Crescentini, Girolamo) for voice and continuo |
|
| Batalha de No. 6 tom (Conceição de Araújo, Diogo da) for organ |
1695 |
| Los pájaros de Chile (Sarasate, Pablo de) for violin and piano |
1871 |
Manuscript, D-Mbs Mus.ms.2750 (Lassus, Orlande de) for 5 voices
6 voices |
1580 |
| Wind Quintet (Weber, Joseph Miroslav) for flute, oboe, clarinet, bassoon and horn |
|
Manuscript, D-Mbs Mus.ms.76 (Various) for 4 voices
5 voices
6 voices |
|
Manuscript, D-Mbs Mus.ms.32 (Lassus, Orlande de) for 4 voices
5 voices
6 voices
8 voices |
|
| Officium in Purificatione Beatae Mariae Virginis, LV Anh.129 (Lassus, Orlande de) for 4 voices |
|
| Officium primum In Nativitate Domini, LV Anh.131 (Lassus, Orlande de) for 6 voices |
|
| Officium Epiphaniae Domini, LV Anh.126 (Lassus, Orlande de) for 6 voices |
|
| Officium Ascensionis Domini, LV Anh.124 (Lassus, Orlande de) for 6 voices |
|
| Officium Corporis Christi, LV Anh.125 (Lassus, Orlande de) for 6 voices |
|
| Officium Resurrectionis Domini, LV Anh.132 (Lassus, Orlande de) for 6 voices |
|
| Officium in feira secunda post Resurrectionem, LV Anh.127 (Lassus, Orlande de) for 6 voices |
|
| Officium in feria tertia post Resurrectionem, LV Anh.128 (Lassus, Orlande de) for 6 voices |
|
6 Polonoises and a Concerto (Günther, Gebhard Christian) for keyboard
clavichord |
|
| Officium in Quinquagesima, LV Anh.130 (Lassus, Orlande de) for 6 voices |
|
| Officium Sancti Michaelis, LV Anh.133 (Lassus, Orlande de) for 6 voices |
|
| Fantasie in F minor, Op. 11 (Lachner, Franz Paul) for horn and piano |
1826 |
Medici Chansonnier (Various) for 3 voices
4 voices
3 Unspecified instruments
4 Unspecified instruments |
1492 |
| Hosanna filio David (Fossa, Johannes de) for 4 voices |
|
| Pueri Hebraeorum portantes (Fossa, Johannes de) for 4 voices |
|
| Pueri Hebraeorum vestimenta (Fossa, Johannes de) for 4 voices |
|
| Magnificat super S'io piango (Gigli, Giulio) for 5 voices |
|
| Magnificat super S'una fiamm'un desio (Morari, Antonio) for 5 voices |
|
| Magnificat super Laetatus sum (Victorinus, Georg) for 6 voices |
|
| Asperges me (Emring, Erasmus) for 6 voices |
|
| Asperges me, IA 1555 (Anonymous) for 4 voices |
|
| Asperges me, IA 1556 (Anonymous) for 4 voices |
|
| Missa Aspice Domine (Monte, Philippe de) for 6 voices |
|
| Missa Quiescat vox tua (Dönerus, Joachim) for 6 voices |
|
| Passio secundum Matthaeum (Anonymous) for 5 voices |
|
| Magnificat super Nasce la pena mia (Morari, Antonio) for 6 voices |
|
| Nunc dimittis quinti toni, LV Anh.116 (Lassus, Orlande de) for 4 voices |
|
| Benedictus Dominus Deus Israel, LV Anh.10 (Lassus, Orlande de) for 5 voices |
|
| Nunc dimittis sexti toni, LV Anh.121 (Lassus, Orlande de) for 8 voices |
|
| Christe qui lux es et dies, LV Anh.12 (Lassus, Orlande de) for 6 voices |
|
| Antiphonae septem ad Vesperas Corporis Christi, LV Anh.3 (Lassus, Orlande de) for 6 voices |
|
| Antiphonae septem ad Vesperas Sancti Michaelis, LV Anh.4 (Lassus, Orlande de) for 4 voices |
|
| In manus tuas, LV Anh.56 (Lassus, Orlande de) for 5 voices |
|
| Chorale Preludes (Sorge, Georg Andreas) for organ |
1793 |
| Klar sikt (militarmärsch) from Arrangement of Klar sikt (militarmärsch) from Genoveva (Berg, Natanael) for wind band |
|
| Sammlung Kleiner Handstücke auf der Harfe (Saal, Anton Wilhem Caspar) for harp |
|
| Pollonaise (Hammerl, Paul Cornelius) for 2 oboes, 2 clarinets, 2 bassoons, serpent, 2 horns and trumpet |
|
10 Sonatas (Ruppe, Christian Friedrich) for violin, cello and harpsichord
violin, cello and piano |
|
10 Sonatas (Ruppe, Christian Friedrich) for violin, cello and harpsichord
violin, cello and piano |
1798 |
| 12 Anglaises, D-SWl Mus.558 (Anonymous) for orchestra |
|
Manuscript, D-Mbs Mus.ms.3066 (Various) for 4 voices
5 voices
8 voices |
1714 |
| Trio Sonata in G major (Jommelli, Niccolò) for 2 flutes and continuo |
|
| Não me esquives!..., Op. 14 (Ernesto, João) for flute and piano |
1912 |
Manuscript, D-Mbs Mus.ms.2749 (Lassus, Orlande de) for 4 voices
5 voices
6 voices |
1582 |
| Violin Concerto No. 1, Op. 3 (Tingry, Célestin) for violin and orchestra |
1839 |
Manuscript, D-Mbs Mus.ms.54 (Various) for 4 voices
5 voices |
|
| Tutto è silenzio, MWV H 2 (Mendelssohn, Felix) for soprano and orchestra |
1829 |
| Flaggtrumslagaren (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Mälardrottningen (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Ryttmästare Egnell (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Skansenvänner (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Vårjubel (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Till häst! (Wahlström, Carolina Wilhelmina) for wind ensemble, brass ensemble and percussion |
|
| Foglarnes Wals (Gyllenhaal, Mathilda) for |
|
| String Trio in F major, G.77 (Boccherini, Luigi) for 2 violins and cello |
|
| String Trio in B-flat major, G.78 (Boccherini, Luigi) for 2 violins and cello |
|
| String Trio in A major, G.79 (Boccherini, Luigi) for 2 violins and cello |
|
| String Trio in D major, G.80 (Boccherini, Luigi) for 2 violins and cello |
|
| String Trio in C major, G.82 (Boccherini, Luigi) for 2 violins and cello |
|
| String Trio in G major, G.81 (Boccherini, Luigi) for 2 violins and cello |
|
Manuscript, I-Bc Q.18 (Various) for 3 voices
4 voices
3 Unspecified instruments
4 Unspecified instruments |
1502 |
| Mazurka, Op. 40 (Mertz, Johann Kaspar) for guitar and piano |
|
| Prelude in C major, BWV 943 (Bach, Johann Sebastian) for keyboard |
|
| Piano Trio (Braga, Antônio Francisco) for violin, cello and piano |
|
| Feria Sexta in Parasceve, LV Anh.144 (Lassus, Orlande de) for 4 voices |
1582 |
| Sabbato Sancto, LV Anh.145 (Lassus, Orlande de) for 4 voices |
1582 |
| Feria Quinta in Cena Domini, LV Anh.143 (Lassus, Orlande de) for 4 voices |
1582 |
| La Serrana (Alvarez, Fermin María) for bass and piano |
1929 |
| Violin Sonata, Op. 48 (Bungert, August) for violin and piano |
|
| Sonata for Piano Four-Hands (Medeck, Santiago) for piano 4 hands |
|
| Vésperas de Nossa Senhora, CPM 178 (Garcia, José Maurício Nunes) for mixed chorus and continuo |
1797 |
| Vésperas de Nossa Senhora, CPM 178 (Garcia, José Maurício Nunes) for mixed chorus and continuo |
1797 |
| Vésperas de Nossa Senhora, CPM 178 (Garcia, José Maurício Nunes) for mixed chorus and continuo |
|
| Missa para o dia da Purificação de Nossa Senhora, CPM 103 (Garcia, José Maurício Nunes) for male chorus, double bass and organ |
|
| Mass in D minor (Nepomuceno, Alberto) for 2 voices and organ |
1914 |
| Flute Quartet, Op. 57 (Dotzauer, Friedrich) for flute, violin, viola and cello |
|
| Harpsichord Concerto in B minor (Benda, Georg) for harpsichord, strings and continuo |
|
| Notebook, US-NHub Osborn Music MS 16 (Kusser, Johann Sigismund) for |
|
| Manuscript, D-Mbs Mus.ms.9 (Various) for 5 voices |
|
| Fantasie über Webers letzten Gedanken (Mertz, Johann Kaspar) for guitar |
|
Libro de la ordenanza (Espinosa de los Monteros, Manuel) for fife
2 fifes
2 fifes and percussion |
1761 |
| Fantaisie sur Norma de Bellini (Mertz, Johann Kaspar) for guitar |
|
| Fantaisie über ein Motiv aus der Opera 'Il Pirata' (Mertz, Johann Kaspar) for guitar |
|
| Fantaisie über ein Motiv aus der Opera 'Il Pirata' (Mertz, Johann Kaspar) for guitar |
|
| Leuven Chansonnier (Various) for voices |
|
| Fantasier öfver Oprerna 'Somnambula', 'I Puritani', 'Rigoletto' (Mertz, Johann Kaspar) for guitar |
|
| Grand Caprice sur un motif de 'Lucie de Lamermor' (Mertz, Johann Kaspar) for guitar |
|
| Grand Caprice sur un motif de 'Lucie de Lamermor' (Mertz, Johann Kaspar) for guitar |
|
4 Pieces (Benaut, Josse-François-Joseph) for organ
keyboard |
|
| Vespergang für 2 Guitaren (Mertz, Johann Kaspar) for 2 guitars |
|
| Pensée fugitive Rapsodie pour la Guitar (Mertz, Johann Kaspar) for guitar |
|
| Pensée fugitive Rapsodie pour la Guitar (Mertz, Johann Kaspar) for guitar |
|
| Source éternelle, Op. 18 (Küzdő, Victor) for violin and piano |
1912 |
| Guitar Sonata, Op. 5 (Carulli, Ferdinando) for guitar |
|
Colibri, Op. 72 (Netzel, Laura) for flute and piano
violin and piano |
|
| Symphony No. 1, Op. 10 (Täglichsbeck, Thomas) for orchestra |
|
| Genitori (Arnaudas Larrodé, Miguel) for 3 voices and orchestra |
1894 |
| Der Tag erscheint, WWV 68 (Wagner, Richard) for male chorus |
1843 |
| Sinfonia in F major, Schrank II/37/12 (Anonymous) for 2 oboes, bassoon, strings and continuo |
|
| No me olvides (Soler, Francisco) for voice and piano |
|
| Arrangement of La Brabançonne (Campenhout, François van) for orchestra |
1918 |
| Beatus vir a 4º concertato (Jommelli, Niccolò) for soprano, alto, tenor, bass and organ |
|
| Clarinet Trio, Op. 26 (Scharwenka, Walter) for clarinet, cello and piano |
1941 |
| Romanze und Gavotte, Op. 35 (Scharwenka, Walter) for cello and piano |
1948 |
Canons for 2, 3 and 4 Voices (Martini, Giovanni Battista) for 2 voices
3 voices
4 voices |
|
| Der leidende Jesus (Rolle, Johann Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Il fanatico per la musica (Caruso, Luigi) for voices, mixed chorus and orchestra |
|
| Psyché, LWV 45 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
1690 |
4 Sonatas, Op. 8 (Schobert, Johann) for violin and harpsichord
harpsichord |
|
| 5 Fugen für das Pianoforte (Fuchs, Robert) for piano |
|
| Cara ti lascio addio (Act II, Scene 6) from Vologeso, re de' Parti (Pulli, Pietro) for voices, mixed chorus and orchestra |
|
| Sultaniyegah Oyun Havası (Isilay, Sadi) for violin |
1950 |
| Preludio para violín solo (Sarasate, Pablo de) for violin |
|
Casanatense Chansonnier (Various) for 3 voices
4 voices
3 Unspecified instruments
4 Unspecified instruments |
|
| 3 Petites pièces (Holmès, Augusta Mary Anne) for flute and piano |
1896 |
| String Quartet in B-flat major, DTB XVI B3 (Stamitz, Carl Philipp) for 2 violins, viola and cello |
|
| String Quartet in F major, DTB XVI F7 (Stamitz, Anton) for 2 violins, viola and cello |
|
| String Quartet in D major, DTB XVI D8 (Stamitz, Anton) for 2 violins, viola and cello |
|
Cello Sonata in D major, D-Eu Esl VIII 423 (Stamitz, Carl Philipp) for cello and continuo
2 cellos |
|
Cello Sonata in D major, D-Eu Esl VIII 445 (Stamitz, Carl Philipp) for cello and continuo
2 cellos |
|
| String Quartet in A major, DTB XVI A7 (Stamitz, Anton) for 2 violins, viola and cello |
|
| String Quartet in B-flat major, DTB XVI B8 (Stamitz, Anton) for 2 violins, viola and cello |
|
| String Quartet in E-flat major, DTB XVI Es7 (Stamitz, Anton) for 2 violins, viola and cello |
|
| Bassoon Concerto in C major (Bachschmid, Anton Adam) for bassoon and orchestra |
|
| Symphony in B-flat major (Bachschmid, Anton Adam) for orchestra |
|
| Symphony in E-flat major (Bachschmid, Anton Adam) for orchestra |
|
| Violin Concerto in D major (Dittersdorf, Carl Ditters von) for violin and orchestra |
|
9 Glees and 2 Duets, Op. 5 (Cooke, Benjamin) for 3 voices
4 voices
5 voices
2 voices and cello
2 voices and continuo |
|
9 Glees and 2 Duets, Op. 5 (Cooke, Benjamin) for 3 voices
4 voices
5 voices
2 voices and cello
2 voices and continuo |
1785 |
9 Glees and 2 Duets, Op. 5 (Cooke, Benjamin) for 3 voices
4 voices
5 voices
2 voices and cello
2 voices and continuo |
|
9 Glees and 2 Duets, Op. 5 (Cooke, Benjamin) for 3 voices
4 voices
5 voices
2 voices and cello
2 voices and continuo |
1784 |
| Inclina Domine (Cherubini, Luigi) for voices, mixed chorus and orchestra |
1823 |
| Violin Concerto in F major (Bachschmid, Anton Adam) for violin and orchestra |
|
| Violin Concerto in C major (Bachschmid, Anton Adam) for violin and orchestra |
|
| Violin Concerto in D major (Bachschmid, Anton Adam) for violin and orchestra |
|
| Violin Sonata in A major (Saint-Amans, Louis Joseph) for violin and piano |
|
| Cello Sonata in C major (Baumgärtner, Johann Baptist) for 2 cellos |
|
| Cantata paa første og anden Paaskedag, Opstandne Frelser dig være (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
|
| Cantata paa første og anden Paaskedag, Opstandne Frelser dig være (Grosmann, Heinrich Ernst) for 2 sopranos, mixed chorus and orchestra |
|
| Act 2 from Dakilang Punglo (Abelardo, Nicanor) for |
1926 |
| Act 3 from Dakilang Punglo (Abelardo, Nicanor) for |
1926 |
Aria Eberliniana pro dormante Camillo, variata (Bach, Johann Christoph) for organ
harpsichord |
1690 |
| Cello Sonata in D major (Lang, Johann Georg) for 2 cellos |
|
| Symphony No. 7, Op. 49 (Tournemire, Charles) for orchestra |
1922 |
| La Aurora (Barradas, Carmen) for piano |
|
| Gaita (Barradas, Carmen) for piano |
|
| Mar-Tragedia-Misterio (Barradas, Carmen) for piano |
1938 |
| Mascarilla Chopin (Barradas, Carmen) for piano |
|
| La Novicia (Barradas, Carmen) for piano |
|
| Piratas (Barradas, Carmen) for piano |
1923 |
| Ritmos de Vuelos y Campanas (Barradas, Carmen) for piano |
|
| Taller Mecánico (Barradas, Carmen) for piano |
|
| Aserradero (Barradas, Carmen) for piano |
1921 |
| Arrangement of Aserradero (Barradas, Carmen) for piano 4 hands |
1939 |
| Fabricación (Barradas, Carmen) for piano |
1922 |
| 12 Preludes, Op. 13 (Viguerie, Bernard) for piano |
|
Rondeau brillant, Op. 25 (Pecháček, Franz) for violin and orchestra
violin and piano |
|
| Poi che riseppe Orfeo (Scarlatti, Alessandro) for soprano and continuo |
|
| Boda en la Aldea (Barradas, Carmen) for piano |
1919 |
| Boda en la Aldea (Barradas, Carmen) for piano |
1919 |
| Nochebuena (Barradas, Carmen) for piano |
|
| Paisaje (Barradas, Carmen) for piano |
1920 |
| Sueño del Payesito (Barradas, Carmen) for piano |
1926 |
| Wer ist der, so von Edom kommt, TWV 1:1585 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Selig sind die Todten, TWV 4:1 (Telemann, Georg Philipp) for soprano, tenor, bass, mixed chorus and orchestra |
1757 |
| Aria: Bei dem Glanz erleuchter Zimmer from Der Herbst (Löhlein, Georg Simon) for voices and orchestra |
|
| Partita No. 1 in D major (Löhlein, Georg Simon) for orchestra |
|
| Partita No. 2 in D major (Löhlein, Georg Simon) for orchestra |
|
| Cello Concerto in G major (Filtz, Johann Anton) for cello and orchestra |
|
| Clarinet Concerto in D mjaor (Schacht, Theodor von) for clarinet and orchestra |
|
El amanecer (Eslava, Hilarión) for 2 tenors and 2 basses
male chorus |
1863 |
| Concerto in E-flat major (Mozart, Leopold) for 2 horns and strings |
1752 |
| Gott der Vater Jesus Christus (Kuhnau, Johann) for soprano, alto, tenor and orchestra |
|
Manuscript, D-Mbs Mus.ms.48 (Lassus, Orlande de) for 5 voices
6 voices
7 voices
10 voices |
|
Manuscript, D-Mbs Mus.ms.22 (Various) for 4 voices
5 voices
6 voices
8 voices |
|
| Sonata Fantasia in E-flat major (Sandoni, Pietro Giuseppe) for harpsichord |
|
| Harpsichord Sonata in D major (Sandoni, Pietro Giuseppe) for harpsichord |
|
| Symphony No. 3, Op. 43 (Tournemire, Charles) for orchestra |
1913 |
Manuscript, D-Mbs Mus.ms.14 (Various) for 4 voices
5 voices
6 voices
8 voices
10 voices |
|
| Symphony No. 4, Op. 44 (Tournemire, Charles) for orchestra |
1913 |
Cello Sonata in D major (Mysligowski, Karl) for cello and continuo
2 cellos |
|
Cello Sonata in G major (Mysligowski, Karl) for cello and continuo
2 cellos |
|
| Cello Concerto in C major (Mysligowski, Karl) for cello and orchestra |
|
| Cello Concerto in F major 1 (Mysligowski, Karl) for cello and orchestra |
|
| Cello Concerto in F major 2 (Mysligowski, Karl) for cello and orchestra |
|
| 6 Andantes pour Guitare, Op. 320 (Carulli, Ferdinando) for guitar |
1829 |
| Bella non piangere (Legrenzi, Giovanni) for soprano and continuo |
|
| Bella non piangere (Legrenzi, Giovanni) for soprano and continuo |
|
| Duo concertant, Op. 328 (Carulli, Ferdinando) for 2 guitars |
|
| Miserere in F major (Silva, Francisco Manuel da) for mixed chorus, organ and double bass |
|
| Piano Quintet (Reicha, Anton) for 2 violins, viola, cello and piano |
|
| Litania de Ss. Nomine Jesu (Lassus, Ferdinand de) for 4 voices |
1859 |
| Missa de Nossa Senhora da Piedade (Bemfica, Antônio Martiniano da Silva) for mixed chorus and orchestra |
1901 |
| Allegro in D major, K.626b/16 (Mozart, Wolfgang Amadeus) for piano |
1766 |
| L'honestà negli amori (Scarlatti, Alessandro) for 8 voices and orchestra |
|
3 Holländische Chorwerke, Op. 6 (Bunk, Gerard) for male chorus
female chorus |
|
Pixérécourt Chansonnier (Various) for 3 voices
4 voices
3 Unspecified instruments
4 Unspecified instruments |
|
| Allegro de concerto (Bilhar, Branca) for piano |
1926 |
| 33 Horn Duets (Various) for 2 horns |
|
| Tu trinitatis unitas in D major (Xavier, José Maria) for tenor and orchestra |
|
| Novena de Nossa Senhora da Boa Morte (Pereira, Marcos dos Passos) for mixed chorus and orchestra |
|
| Improviso (Bilhar, Branca) for piano |
1916 |
| Perpetuum Mobile (Bilhar, Branca) for piano |
1927 |
| Symphony in E-Flat major, V-K 5 (Luchesi, Andrea) for orchestra |
|
| Romance (Bilhar, Branca) for 2 violins, cello and piano |
1928 |
| Symphony in B-Flat major, V-K 2 (Luchesi, Andrea) for orchestra |
|
| No sertão (Bilhar, Branca) for piano |
1927 |
| Conceptio tua - Solo ao Pregador (Passos, Carlos dos) for soprano and orchestra |
|
| Symphony in D minor (Moszkowski, Moritz) for orchestra |
1873 |
| Ecce sacerdos magnus in E-flat major (Anonymous) for mixed chorus and orchestra |
|
| Horn Quartet (Anonymous) for 4 horns |
|
| Ecce sacerdos magnus in E-flat major (Garcia, José Maurício Nunes) for mixed chorus and orchestra |
|
| Ego sum panis (Souza, Jerônimo de) for mixed chorus and orchestra |
|
| O sacrum convivium (Souza, Jerônimo de) for mixed chorus and orchestra |
|
| Arrangement of Appetitosa (Belmar, João F. R. de) for treble instrument |
1892 |
| Regi regis regum arcana cano (Lawes, Henry) for 3 voices |
|
| Bassoon Quartet No. 1 in F major (Malzat, Ignaz) for bassoon, violin, viola and cello |
|
| Bassoon Quartet No. 2 in F major (Malzat, Ignaz) for bassoon, violin, viola and cello |
|
| Bassoon Quartet No. 3 in B-flat major (Malzat, Ignaz) for bassoon, violin, viola and cello |
|
| String Quartet (Kauffmann, Leo Justinus) for 2 violins, viola and cello |
|
| Ave Maris Stella (Passos, Carlos dos) for mixed chorus and orchestra |
1893 |
| Divertimento in E-flat major (Malzat, Ignaz) for oboe, 2 horns, violin, viola and double bass |
|
| Dwie dole (Maszyński, Piotr) for mixed chorus |
1923 |
| Variations on "Mit Gott," RSW:Anh:F7 (Schumann, Robert) for piano |
1832 |
Manuscript, I-Fn MS Banco Rari 229 (Various) for 3 voices
4 voices |
|
Jam lucis orto sidere (Bemfica, Antônio Martiniano da Silva) for bass, 2 flutes, 2 horns, 2 violins and double bass
bass and orchestra |
1867 |
| Bourée la Siamoise (Anonymous) for harpsichord |
|
| Stara suita, Op. 3 (Paderewski, Ignacy Jan) for piano |
1881 |
| Fantaisie concertante pour alto, Op. 63 (Colomer, Blas María de) for viola and orchestra |
|
| Violin Sonata No. 1 (Colomer, Blas María de) for violin and piano |
|
| Andante in B minor (Baillot, Pierre) for violin and piano |
|
| 21 Keyboard Pieces, D-Mbs Mus.ms. 262 (Various) for keyboard |
|
Tabulaturae, D-Mbs Mus.ms. 264 (Various) for keyboard
organ |
1600 |
Tabulaturae, D-Mbs Mus.ms. 264 (Various) for keyboard
organ |
|
Fasciculus Selectarum Cantionum, D-Mbs Mus.ms. 1640 (Various) for organ
keyboard |
|
| 54 Dances, D-Mbs Mus.ms. 4833 (Various) for keyboard |
|
Tabulatur Buch, D-Mbs Mus.ms. 265 (Various) for keyboard
organ |
|
Manuscript, D-Mbs Mus.ms.1641 (Various) for keyboard
organ |
|
Duet, Op. 111 (Call, Leonhard von) for guitar and mandolin
violin and guitar |
|
| Tango brasileiro (Braga, Ernani) for piano |
1922 |
| Rêveuse (Levy, Luiz) for piano |
1917 |
| Rhapsodia Brasileira No. 2, Op. 29 (Levy, Luiz) for piano |
1910 |
| Valse des Alliés (Levy, Luiz) for piano |
1915 |
| Géca Tatú (Levy, Luiz) for voice and piano |
1919 |
| A frôrada (Levy, Luiz) for voice and piano |
1919 |
| A frôrada (Levy, Luiz) for voice and piano |
|
| Salve Regina in A minor, P.75 (Pergolesi, Giovanni Battista) for soprano, 2 violins, viola and continuo |
|
| Miserere, P.344 (Pergolesi, Giovanni Battista) for voices, mixed chorus and orchestra |
|
| Ah Where Shall Truth (George A. F., Percivall) for voice and orchestra |
|
| 9 Duets, GB-Lcm MS 81 (Bononcini, Giovanni) for 2 voices and continuo |
|
Instrumental and Vocal Music, Gb-Lcm C41/2 (Various) for voice and continuo
voice, strings and continuo
voices |
|
12 Cantatas, GB-Lcm MS 104 (Caldara, Antonio) for voice, 2 violins and continuo
voice, violin, cello and continuo
voice, 2 violins, viola and continuo
voice, strings and continuo
voice, violin and continuo
voice, cello and continuo
voice, violin, strings and continuo |
1729 |
| Ballade sinfonique, Op. 9 (Raitio, Väinö) for orchestra |
1900 |
| Antigone, Op. 23 (Raitio, Väinö) for orchestra |
1900 |
| Nocturne, Op. 17 (Raitio, Väinö) for orchestra |
1900 |
| Piano Concerto, Op. 6 (Raitio, Väinö) for piano and orchestra |
1900 |
| Piano Quintet, Op. 16 (Raitio, Väinö) for violin, viola, cello and piano |
1900 |
| Fantasia poetica, Op. 25 (Raitio, Väinö) for orchestra |
1900 |
| Joutsenet, Op. 15 (Raitio, Väinö) for orchestra |
1919 |
| Arrangement of Symphony No. 1, Op. 29 (Hartmann, Emil) for piano |
|
| Ancor da te diviso (Manfredini, Vincenzo) for 2 voices and orchestra |
|
Lorraine Chansonnier (Various) for 3 voices
4 voices |
|
| Fantasia pastoril (Braga, Antônio Francisco) for 4 horns |
1908 |
Te Deum alternado (Braga, Antônio Francisco) for voices, mixed chorus and organ
voices, mixed chorus and orchestra |
1904 |
| Serenade, Op. 12 (Ebner, Josef) for 4 horns |
1936 |
| Rondino for 4 Horns (Brauer, Max) for 4 horns |
|
| Quintet (Hieber, Oskar) for 4 horns and piano |
1933 |
| Chanson (Braga, Antônio Francisco) for voice and piano |
1891 |
| Bertran de Born (Heise, Peter) for voice and orchestra |
|
| Tornerose (Heise, Peter) for voices, mixed chorus and orchestra |
|
| Flute Sonata in C major (Call, Leonhard von) for flute and piano |
|
6 Keyboard Sonatas (Beckmann, Johann Friedrich Gottlieb) for clavichord
keyboard |
1777 |
| Divertissement, Op. 59 (Kalliwoda, Johann Wenzel) for 2 horns and orchestra |
|
| Die Puppenfee (Drigo, Riccardo) for piano |
|
| Bergmanden og Solveigs Sange (Heise, Peter) for voice and piano |
|
| Sange af Shakespeare (Heise, Peter) for voice and piano |
|
| Manuscript, F-Pnm Français 2245 (Various) for 3 voices |
|
| Sydlandske Sange (Heise, Peter) for voice and piano |
|
| Digte fra det Engelske (Heise, Peter) for voice and piano |
|
| Digte fra Middelalderen (Heise, Peter) for voice and piano |
|
| Schon im bunten Knabenkleide (Call, Leonhard von) for 3 voices and keyboard |
|
| Farlige Drømme (Heise, Peter) for voice and piano |
|
| Clotilde (Coccia, Carlo) for voices, mixed chorus and orchestra |
1820 |
| Gudruns Sorg (Heise, Peter) for voice and piano |
|
| 12 Klavierstücke 'Ächte schweizer Musik' (Sidler, Joseph Bernhard) for keyboard |
|
Seville Chansonnier (Various) for 2 voices
3 voices
4 voices |
|
Seville Chansonnier (Various) for 2 voices
3 voices
4 voices |
|
Cello Sonata in G major, IA 1940 (Anonymous) for cello and continuo
cello and bass
2 cellos |
|
| Heimlich zwar doch inniglich (Call, Leonhard von) for 2 voices and guitar |
|
| Kjærlighedssange (Heise, Peter) for voice and piano |
|
| O Mensch bedenk du bist aus Staub (Call, Leonhard von) for 2 tenors and 2 basses |
|
Alles was die Erd' enthält (Call, Leonhard von) for 2 tenors and 2 basses
male chorus |
|
An den Abend (Call, Leonhard von) for 4 voices
male chorus |
|
| Andante (Meifred, Pierre-Joseph) for soprano and piano |
|
| You Came Like the Dawn (McScod, Ivan) for voice and piano |
|
| È la rosa regina del fiori (Bononcini, Giovanni) for soprano and continuo |
|
| Lontananza crudel (Bononcini, Giovanni) for soprano and continuo |
|
| The Fiddler's Child, JW 6/14 (Janáček, Leoš) for orchestra |
|
Horn Trio, Op. 56 (Straesser, Ewald) for horn, violin and piano
violin, cello and piano
violin, viola and piano |
1933 |
| Flute Sonata in E Major (Čart, Jiří) for flute and continuo |
|
| Sù la sponda d'un rio afflitta (Bononcini, Giovanni) for soprano and continuo |
|
Flute Concerto in G major, GT 1.A18a (Tartini, Giuseppe) for flute, strings and continuo
violin, strings and continuo |
|
Flute Concerto in G major, GT 1.A18a (Tartini, Giuseppe) for flute, strings and continuo
violin, strings and continuo |
|
| Flute Sonata in E minor (Čart, Jiří) for flute and continuo |
|
| Flute Sonata in D major (Čart, Jiří) for flute and continuo |
|
Parts from Flute Concerto in E Major, GT 1.E05a (Tartini, Giuseppe) for flute, strings and continuo
flute, 2 violins, strings and continuo |
|
Trio Sonata in G major (Čart, Jiří) for 2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
|
| Il mio core e che far deve (Gasparini, Francesco) for soprano and continuo |
|
| Polonez jubileuszowy, Op. 54 (Wroński, Adam) for piano |
1883 |
| Parthia in E-flat major (Malzat, Ignaz) for 2 clarinets, bassoon and 2 horns |
|
| Vida y Amor (Escamilla, Antonio G.) for voice and piano |
|
| Sinfonia para 'El barbero de Sevilla' (Carnicer, Ramón) for orchestra |
|
| Violin Concerto No. 1 (Gade, Axel) for violin and orchestra |
1889 |
| Violin Concerto No. 1 (Gade, Axel) for violin and orchestra |
|
| Gildet paa Solhaug, Op. 32 (Lange-Müller, Peter Erasmus) for voices, mixed chorus and orchestra |
1887 |
| 5 Pieces, RISM-A2 464001335 (Mendelssohn, Felix) for |
1822 |
| Ardea di Filen Clori la vaga (Pollarolo, Carlo Francesco) for soprano and continuo |
|
| Harpsichord Concerto No. 1 in A minor (Wolf, Ernst Wilhelm) for harpsichord and orchestra |
|
| Che tirannia di stelle (Bononcini, Giovanni) for soprano and continuo |
|
| Sorge l'alba e torna il dì (Bononcini, Giovanni) for soprano and continuo |
|
| Manuscript, F-Pnm Français 1596 (Various) for 3 voices |
|
| Beatus vir (Pietragrua, Carlo Luigi) for mixed chorus, strings and continuo |
|
6 Pieces, RISM-A2 1001126818 (Mendelssohn, Felix) for male chorus and orchestra
clarinet and piano
2 sopranos, mezzosoprano and orchestra
soprano, 2 mezzosopranos and orchestra
piano |
1825 |
Grand Duo Concertant (Reicha, Anton) for 2 clarinets, 2 violins, viola and cello
2 clarinets and strings |
|
| 20 Duets (Pietragrua, Carlo Luigi) for 2 voices and continuo |
1725 |
| 4 Romanzen, Op. 49 (Kiel, Friedrich) for violin and piano |
|
| 2 mazury na orkiestrę (Noskowski, Zygmunt) for orchestra |
|
| Notturno, Op. 9 (Puchtler, Wilhelm Maria) for violin, viola, cello and piano |
|
4 Sayings of Jesus (Davies, Walford) for soprano, alto, tenor and bass
mixed chorus |
|
Heroe, egregio, douto, peregrino (Anonymous) for voice, 2 violins and continuo
voice, 2 violins and bass |
1759 |
| Variations in A minor (Romberg, Bernhard) for piano |
|
| Home Thoughts (Davies, Walford) for soprano, alto, tenor and bass |
1915 |
| Brookland Road (Davies, Walford) for voice and piano |
1914 |
| A Short Requiem (Davies, Walford) for |
1917 |
| A Short Requiem (Davies, Walford) for |
1915 |
| 3 Fugen (Wilsing, Daniel Friedrich Eduard) for piano |
|
34 Pieces, RISM-A2 464000588 (Mendelssohn, Felix) for voice and piano
mixed chorus
soprano, alto, tenor and bass
piano
organ
violin, cello and piano
orchestra |
1839 |
| Rudimenti di Musica per Accompagnare del Sig.r Maestro Vignali (Vignali, Gabriele) for continuo |
1789 |
Arrangement of Suite-concertino, Op. 16 (Wolf-Ferrari, Ermanno) for bassoon and piano
cello and piano |
|
| The Open Road (Davies, Walford) for voice and piano |
1915 |
| The Open Road (Davies, Walford) for voice and piano |
1915 |
| A Child's Lullaby (Davies, Walford) for voice and piano |
1915 |
| A Child's Lullaby (Davies, Walford) for voice and piano |
1915 |
| There is a Ladye Sweet and Kind (Davies, Walford) for voice and piano |
1915 |
| There is a Ladye Sweet and Kind (Davies, Walford) for voice and piano |
1915 |
| Piano Concerto No. 2 (Krogulski, Józef W.) for piano and orchestra |
1831 |
| Piano Concerto No. 2 (Krogulski, Józef W.) for piano and orchestra |
1832 |
| The Night-Watch (Davies, Walford) for voice and piano |
1915 |
| Piano Concerto No. 1, Op. 7 (Böhner, Johann Ludwig) for piano and orchestra |
1870 |
| Good Night Song (Davies, Walford) for 2 sopranos, alto and piano |
1915 |
| Arrangement of Good Night Song (Davies, Walford) for male chorus |
1917 |
| O Hush Thee My Baby (Davies, Walford) for |
1915 |
Come Home Again (Davies, Walford) for 4 voices and piano
voice, mixed chorus and piano |
1915 |
| A Lift On The Way (Davies, Walford) for voice, mixed chorus and piano |
1915 |
| Simple Simon (Davies, Walford) for voice and piano |
1915 |
| Wander-Thirst (Davies, Walford) for voice and piano |
1915 |
| Wander-Thirst (Davies, Walford) for voice and piano |
1915 |
| Song To Labour (Davies, Walford) for voice and piano |
1915 |
| Forgive, O Lord (Cooke, Benjamin) for voices, female chorus and orchestra |
|
May God His Fav'ring Ear (Cooke, Benjamin) for 6 voices
2 mixed chorus |
|
| Stay, Lovely Laura (Cooke, Benjamin) for 3 voices |
1700 |
| Burial Service (Goodson, Richard) for 4 voices |
|
| Double Chant in E major (Cooke, Benjamin) for 4 voices |
1768 |
| Remember Not, Lord (Smith, John Stafford) for 6 voices and continuo |
|
| O Lord, I Will Praise Thee (Cooke, Benjamin) for soprano, alto, tenor, bass, mixed chorus and strings |
1752 |
| Thus Saith Ye High and Lofty One (Smith, John Stafford) for alto, bass, mixed chorus and organ |
1774 |
| Arrangement of The Lord is Full of Compassion and Mercy (Clarke, Jeremiah) for voice, mixed chorus and organ |
|
Lord, It Belongs Not To My Care (Davies, Walford) for 8 voices
mixed chorus |
1917 |
| Light of the Lonely Pilgrim's Heart (Davies, Walford) for 2 sopranos, alto, tenor, bass and organ |
1917 |
Spiritual Songs (Davies, Walford) for 4 voices
5 voices
6 voices
4 voices and organ
5 voices and organ
6 voices and organ |
1917 |
Spiritual Songs (Davies, Walford) for 4 voices
5 voices
6 voices
4 voices and organ
5 voices and organ
6 voices and organ |
1917 |
| Jubilate Deo (Davies, Walford) for 4 voices |
1917 |
| Venite Exultemas (Davies, Walford) for 5 voices |
1917 |
| A Kid, A Kid (Davies, Walford) for voice, mixed chorus and piano |
1917 |
| Tune Thy Music to Thy Heart (Davies, Walford) for 5 voices |
1917 |
| In Token (Davies, Walford) for voices |
1917 |
| In Token (Davies, Walford) for voices |
1917 |
| The Children's Song (Davies, Walford) for 2 voices |
1917 |
| Heaven's Gate, Op. 47 (Davies, Walford) for mezzosoprano, mixed chorus and orchestra |
1917 |
Clouds (Davies, Walford) for 2 sopranos and alto
soprano, mezzosoprano and alto |
1917 |
Good King Wenceslas (Davies, Walford) for 2 tenors and bass
male chorus |
1917 |
| Good Christian Men, Rejoice (Davies, Walford) for |
1917 |
| The First Nowell (Davies, Walford) for male chorus |
1917 |
Christ Was Born on Christmas Day (Davies, Walford) for tenor, baritone and bass
male chorus |
1917 |
| 3 Songs, Op. 46 (Davies, Walford) for voice and piano |
1916 |
| The Pedlar's Song (Davies, Walford) for 2 sopranos, alto and piano |
1916 |
| The Faucon Hath Stol'n My Make Away (Davies, Walford) for 4 voices |
1917 |
Storm-Joy (Davies, Walford) for 2 tenors and 2 basses
male chorus |
1916 |
| Chant Service in F major (Davies, Walford) for mixed chorus |
1917 |
Nunc Dimittis in F major (Davies, Walford) for 4 voices
mixed chorus |
1917 |
| Morning and Evening Service, Op. 45 (Davies, Walford) for voices, mixed chorus and organ |
1917 |
| Morning and Evening Service, Op. 45 (Davies, Walford) for voices, mixed chorus and organ |
1917 |
| Morning and Evening Service, Op. 45 (Davies, Walford) for voices, mixed chorus and organ |
1917 |
| Morning and Evening Service, Op. 45 (Davies, Walford) for voices, mixed chorus and organ |
1917 |
| 52 Hymn Tunes (Davies, Walford) for male chorus |
1915 |
| 52 Hymn Tunes (Davies, Walford) for male chorus |
1916 |
| 52 Hymn Tunes (Davies, Walford) for male chorus |
1915 |
| 52 Hymn Tunes (Davies, Walford) for male chorus |
1915 |
| Let Us Now Praise Famous Men (Davies, Walford) for soprano, bass, mixed chorus and organ |
1917 |
| In Hoc Signo (Various) for voices and organ |
1915 |
| In Hoc Signo (Various) for voices and organ |
1915 |
| In Hoc Signo (Various) for voices and organ |
1915 |
| In Hoc Signo (Various) for voices and organ |
1915 |
| In Hoc Signo (Various) for voices and organ |
1915 |
Chants for Certain Psalms (Davies, Walford) for soprano, alto, tenor and bass
mixed chorus |
1915 |
| Shepherd Boy's Song for Voice and Piano (Davies, Walford) for voice and piano |
1906 |
| Shepherd Boy's Song for Voice and Violin (Davies, Walford) for voice and violin |
1917 |
| One Summer Eve (Cooke, Benjamin) for voice and keyboard |
|
| One Summer Eve (Cooke, Benjamin) for voice and keyboard |
1783 |
| I Have Been Young (Cooke, Benjamin) for alto, tenor, bass and mixed chorus |
1700 |
| I Have Been Young (Cooke, Benjamin) for alto, tenor, bass and mixed chorus |
1781 |
| Blest Object of My Soul's Desire (Cooke, Benjamin) for 3 voices |
1792 |
| Blest Object of My Soul's Desire (Cooke, Benjamin) for 3 voices |
1792 |
| On God My Steadfast Hopes Rely (Cooke, Benjamin) for 2 sopranos and bass |
1791 |
| On God My Steadfast Hopes Rely (Cooke, Benjamin) for 2 sopranos and bass |
1700 |
| In A Vale Clos'd With Woodland (Jackson, William) for 3 voices and harpsichord |
|
| Nella casa troverete (Wesley, Samuel) for 3 voices |
|
| In Vain From Semira (Cooke, Benjamin) for voice and keyboard |
|
| O Lord, Look Down (Hayes, William) for continuo and 2 sopranos |
|
| Di questo core (Bertoni, Ferdinando) for voice and keyboard |
|
| Sento che in seno mi batte il core (Giordani, Tommaso) for voice and keyboard |
|
| Let Not Age (Giordani, Tommaso) for voice and keyboard |
1783 |
| The Carnival of Venice (Linley, Thomas) for voices and orchestra |
|
| The Gentle Shepherd (Linley, Thomas) for voices and orchestra |
|
| The Gentle Shepherd (Linley, Thomas) for voices and orchestra |
|
| The Gentle Shepherd (Linley, Thomas) for voices and orchestra |
|
| Happy Hours (Osborne, Francis Godolphin) for 3 voices |
1783 |
| You Ask Why These Mountains Delight (Cooke, Henry) for voice, cello and harpsichord |
1812 |
| The Wish (Howard, Samuel) for voice and keyboard |
|
| Go Faithful Sonnet (Cooke, Benjamin) for voice and keyboard |
1781 |
| Beside Famed Liffys Limpid Stream (Cooke, Benjamin) for voice and keyboard |
1785 |
Fantasia of 4 parts (Gibbons, Orlando) for 4 Unspecified instruments
soprano, alto, tenor and continuo |
|
| Trio Sonata in G major, Gb-LCM MS 822/57 (Anonymous) for 2 flutes and continuo |
|
| Who shall have my fayre lady (Anonymous) for 3 voices |
|
| Ay besherewe you, be my fay (Cornysh, William) for 3 voices |
|
| A Long-Taild Pig (Cooke, Benjamin) for |
1700 |
| Here Lies A Mutton-Eating King (Cooke, Benjamin) for |
1790 |
| To magic number's powerful charm (Cooke, Benjamin) for |
1790 |
| To magic number's powerful charm (Cooke, Benjamin) for |
1790 |
| Let Us Eat, Let Us Drink (Cooke, Benjamin) for |
1786 |
| Call Forth Such Numbers (Cooke, Benjamin) for 4 voices |
|
| Call Forth Such Numbers (Cooke, Benjamin) for 4 voices |
|
| Come Oh Come Etherial Guest (Cooke, Benjamin) for 3 voices |
1785 |
| How Sweet These Airs (Cooke, Benjamin) for 3 voices |
1781 |
| To Fair Fidele's Grassy Tomb (Cooke, Benjamin) for 4 voices |
|
| As Now The Shades of Eve (Cooke, Benjamin) for 4 voices |
1781 |
| Tudor and Malvina (Cooke, Benjamin) for 4 voices |
1782 |
| Tudor and Malvina (Cooke, Benjamin) for 4 voices |
1782 |
Mercy Judgement Now My Tongue (Cooke, Benjamin) for 3 voices
mixed chorus |
1791 |
| Defender of My Rightful (Cooke, Benjamin) for 3 voices |
1791 |
| The Words That From My Lips Proceed (Cooke, Benjamin) for 2 sopranos and bass |
1791 |
| Behold My God (Cooke, Benjamin) for 2 sopranos and bass |
1791 |
| Ho scherzato in verità (Steffani, Agostino) for 2 voices and continuo |
|
| The Enchanted Forest, H.150 (Geminiani, Francesco) for orchestra |
1700 |
| Ye nymphs and sylvan gods (Eccles) from Don Quixote, Z.578 (Purcell, Henry) for voices and orchestra |
|
| Genius of England (Purcell) from Arrangement of Genius of England (Purcell) from Don Quixote, Z.578 (Purcell, Henry) for voice, mixed chorus and orchestra |
1793 |
15 Pieces (Mendelssohn, Felix) for 2 sopranos, tenor, bass, mixed chorus and orchestra
2 violins, viola and cello
piano
violin and piano
male chorus
piano
voice and piano
cello and piano |
1838 |
| Novena de Nossa Senhora do Pilar (Rocha, Francisco Gomes da) for mixed chorus and orchestra |
|
| Maria Mater Gratiæ in D Major (Anonymous) for mixed chorus and orchestra |
1931 |
| Hymn Boga Rodzico (Żeleński, Władysław) for mixed chorus and organ |
|
19 Pieces (Mendelssohn, Felix) for soprano, 2 tenors, 2 basses, mixed chorus and orchestra
piano
piano and orchestra
organ
male chorus
2 violins, viola and cello |
1837 |
| Rondo par Ph. Em. Bach, Op. 23 (Klinger, Ivan Andreevich) for 2 guitars |
|
| 4 Trio Sonatas (Jacquet de La Guerre, Elisabeth) for 2 violins and continuo |
1695 |
| Capriccio in A-flat major for Harp (Pollini, Francesco) for harp |
|
| Pestalozzi's Leiden und Verklärung (Schnyder von Wartensee, Franz Xaver) for voice and piano |
|
| Partita No. 1 in E-flat major (Kreith, Charles) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Partita No. 2 in E-flat major (Kreith, Charles) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Partita No. 3 in B-flat major (Kreith, Charles) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Flute Trio in G major (Wolf, Ernst Wilhelm) for flute, violin and cello |
|
| Harpsichord Concerto in D major (Wolf, Ernst Wilhelm) for harpsichord and orchestra |
|
Harpsichord Concerto in A major (Wolf, Ernst Wilhelm) for harpsichord and strings
2 violins, viola, cello and harpsichord |
|
| Harpsichord Concerto in B-flat major (Wolf, Ernst Wilhelm) for harpsichord and orchestra |
|
Harpsichord Concerto in G major (Wolf, Ernst Wilhelm) for harpsichord and strings
2 violins, viola, cello and harpsichord |
|
| Musse für sechssaitige Guitarre No. 1 (Klinger, Ivan Andreevich) for guitar |
|
6 Variations on 'Pace caro mio sposo' (Aurnhammer, Josephine) for piano
harpsichord |
|
| Harpsichord Sonata in A major (Aurnhammer, Josephine) for harpsichord |
|
| Harpsichord Sonata in E major (Aurnhammer, Josephine) for harpsichord |
|
| Violin Sonata in C major (Aurnhammer, Josephine) for violin and harpsichord |
|
Harpsichord Concerto in F major (Wolf, Ernst Wilhelm) for harpsichord and strings
2 violins, viola, cello and harpsichord |
|
| Clarinet Concerto in E-flat major, IFC 4 (Cramer, Franz Seraph) for clarinet and orchestra |
1810 |
| 13 Pieces (Mertz, Johann Kaspar) for guitar |
|
| Clarinet Concertino in B-flat major, IFC 3 (Cramer, Franz Seraph) for clarinet and orchestra |
1810 |
| Per pietà bell' idol mio (Martinez, Marianne) for soprano and orchestra |
|
Se per tutti ordisce amore (Martinez, Marianne) for strings and soprano
soprano, 2 violins, viola and cello |
|
| Allor che il giogo barbaro (Martinez, Marianne) for soprano, alto, tenor, bass and orchestra |
|
| La Tempesta (Martinez, Marianne) for soprano and orchestra |
1778 |
| Miserere (Martinez, Marianne) for soprano, alto, tenor, bass and continuo |
1826 |
| Come le limpide onde (Martinez, Marianne) for soprano, alto, tenor, bass and orchestra |
1770 |
| Come le limpide onde (Martinez, Marianne) for soprano, alto, tenor, bass and orchestra |
|
| Il Primo Amore (Martinez, Marianne) for soprano and orchestra |
|
| Isacco (Martinez, Marianne) for voices, mixed chorus and orchestra |
|
| Il Consiglio (Martinez, Marianne) for soprano and orchestra |
|
| Mass in E-flat major (Saupe, Christian Gottlob) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Confitebor tibi (Porpora, Nicola Antonio) for 4 voices, mixed chorus, strings and continuo |
|
| Un solo quarto d'ora from L'intrigo amoroso (Paër, Ferdinando) for voices and orchestra |
1806 |
| Suite in G major (Pezold, Christian) for harpsichord |
|
| Keyboard Sonata in B-flat major (Lang, Johann Georg) for keyboard |
|
| Keyboard Sonata in F major (Lang, Johann Georg) for keyboard |
|
| Arrangement of Biónne (Gonzaga, Chiquinha) for small orchestra |
1883 |
Keyboard Sonata in F major, D-B Mus.ms.12512/2 (Lang, Johann Georg) for keyboard
harpsichord |
|
| Symphony No. 8, Op. 51 (Tournemire, Charles) for orchestra |
1924 |
| Elegie in Form einer Sinfonie, Op. 58 (Lachner, Franz Paul) for orchestra |
|
| Elegie in Form einer Sinfonie, Op. 58 (Lachner, Franz Paul) for orchestra |
1837 |
| Arrangement of Elegie in Form einer Sinfonie, Op. 58 (Lachner, Franz Paul) for piano 4 hands |
|
| Soluçando (Candinho Trombone) for |
|
| Arrangement of American Fantasia (Herbert, Victor) for orchestra |
1902 |
The Virgin Prophetess (Finger, Gottfried) for 2 sopranos, alto and bass
strings |
1700 |
| Romance for Violin and Orchestra (Glass, Louis) for violin and orchestra |
|
| Flute Concerto in C major, WK 49 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Flute Concerto in G major, WK 50 (Abel, Carl Friedrich) for flute, strings and continuo |
|
| Flute Concerto in D major, WK 48 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Flute Concerto in E minor, WK 47 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Grand Caprice pour la Guitare, Op. 11 (Coste, Napoléon) for guitar |
|
| Flute Concerto in C major, WK 46 (Abel, Carl Friedrich) for flute, strings and continuo |
1700 |
| Clarinet Concerto No. 1 in E-flat major (Kozeluch, Leopold) for clarinet and orchestra |
|
| Circo Ecuestre (Barradas, Carmen) for piano |
|
| Coqueteo de Arboles (Barradas, Carmen) for piano |
|
| Evocación de Fiesta (Barradas, Carmen) for piano |
|
| Fiesta de Pastores (Barradas, Carmen) for piano |
1920 |
| Himnos y Banderas (Barradas, Carmen) for piano |
|
| Nocturno 'Poema de una calle' (Barradas, Carmen) for piano |
1919 |
| Malabaristas Japoneses (Barradas, Carmen) for piano |
|
| Miniaturas (Barradas, Carmen) for piano |
|
| Leyenda del Molino (Barradas, Carmen) for piano |
|
| Palacio Encantado (Barradas, Carmen) for piano |
|
| Or che di Teti in seno (Scarlatti, Alessandro) for soprano and continuo |
|
| Se amassi de dovero (Scarlatti, Alessandro) for soprano and continuo |
|
| Dov'io mi volga o vada, H.208 (Scarlatti, Alessandro) for soprano and continuo |
|
| A Clorinda al suo bene (Lotti, Antonio) for voice and continuo |
1717 |
È pure il gran tormento, H.234 (Scarlatti, Alessandro) for soprano and continuo
alto and continuo |
|
| Sciolgo in lagrime amare, H.634 (Scarlatti, Alessandro) for soprano and continuo |
|
| The Double Dealer, Z.592 (Purcell, Henry) for voice, strings and continuo |
|
| La Campana de Toledo (Barradas, Carmen) for piano |
1924 |
| Nocturno 'en el Taller' (Barradas, Carmen) for piano |
|
| Aurora en la Enramada (Barradas, Carmen) for piano |
1934 |
| Andaluza 'La Niña de la Mantilla Blanca' (Barradas, Carmen) for piano |
1934 |
Nocturno in D-flat major (Barradas, Carmen) for piano
harp |
1938 |
| Marcha Solemne 'Prisioneros' (Barradas, Carmen) for piano |
1942 |
| Marcha Fúnebre a Mimí de 'Bohème' (Barradas, Carmen) for piano |
1938 |
| Morita (Barradas, Carmen) for piano |
1938 |
| Oración 'Santos Vega' (Barradas, Carmen) for piano |
1933 |
| Baile Inglés (Barradas, Carmen) for piano |
1920 |
| Baile Inglés (Barradas, Carmen) for piano |
1942 |
| Estudio en Sol sostenido menor antiguo (Barradas, Carmen) for piano |
1939 |
| Estudio No. 2 en La bemol mayor (Barradas, Carmen) for piano |
1938 |
| Estudio No. 3 en Do sostenido menor (Barradas, Carmen) for piano |
1938 |
| Estudio No. 4 Rítmico en Re bemol y Sol bemol mayor (Barradas, Carmen) for piano |
1938 |
| Estudio Polígono No. 1 (Barradas, Carmen) for piano |
1938 |
| Estudio Rítmico en Mi bemol menor (Barradas, Carmen) for piano |
1958 |
| Estudio Romántico No. 2 (Barradas, Carmen) for piano |
1941 |
| Estudio in B major (Barradas, Carmen) for piano |
1940 |
| Estudio in C-sharp minor (Barradas, Carmen) for piano |
|
| Estudio No. 1 en Sol sostenido menor (Barradas, Carmen) for piano |
1938 |
| Estudio Rítmico Tonal in B-flat Aeolian mode (Barradas, Carmen) for piano |
1941 |
| String Quintet in D major (Mayer, Emilie) for 2 violins, 2 violas and cello |
|
| String Quintet in D major (Mayer, Emilie) for 2 violins, 2 violas and cello |
|
| Procesión de Semana Santa en Hospitalet del Llobregat (Barradas, Carmen) for piano |
1935 |
| String Quintet in D minor (Mayer, Emilie) for 2 violins, 2 violas and cello |
1800 |
| String Quintet in D minor (Mayer, Emilie) for 2 violins, 2 violas and cello |
|
| String Quintet in D minor (Mayer, Emilie) for 2 violins, 2 violas and cello |
|
| Trattato di armonia teorico pratico (Bianchi, Francesco) for |
|
| Vola da questo seno (Astorga, Emanuele) for soprano and continuo |
|
| Su le fiorite sponde d'un vago ruscelletto, H.701 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sarà pur vero, o stelle?, H.630 (Scarlatti, Alessandro) for soprano and continuo |
|
| Fille, mia cara Fille, H.269 (Scarlatti, Alessandro) for soprano and continuo |
|
| Notte placida e lieta (Scarlatti, Alessandro) for soprano and continuo |
|
| Questo di bei giacinti serto (Scarlatti, Alessandro) for soprano and continuo |
|
| Giacea d'un mirto all'ombra (Scarlatti, Alessandro) for soprano and continuo |
|
| Delle patrie contrade (Scarlatti, Alessandro) for soprano and continuo |
|
| El Campanero Loco (Barradas, Carmen) for piano |
1934 |
| El Campanero Loco (Barradas, Carmen) for piano |
1971 |
| Alegría de Vacaciones (Barradas, Carmen) for piano |
|
| Gaucho Solitario (Barradas, Carmen) for piano |
|
| Symphony No. 4 (Parry, Charles Hubert Hastings) for orchestra |
1889 |
| Adonis (Keiser, Reinhard) for voices and orchestra |
|
| Estudio No. 1 for Violin, Cello and Piano (Barradas, Carmen) for violin, cello and piano |
1935 |
| Estudio Único para guitarra (Barradas, Carmen) for guitar |
|
| Piano Trio in B-flat major (Mayer, Emilie) for violin, cello and piano |
|
| En el Molino (Barradas, Carmen) for piano 4 hands |
1937 |
| Piano Trio in E-flat major (Mayer, Emilie) for violin, cello and piano |
1800 |
| 6 Minuets (Shield, William) for harpsichord |
|
| Version 1 from Piano Trio in D minor (Mayer, Emilie) for violin, cello and piano |
1800 |
| Version 2 from Piano Trio in D minor (Mayer, Emilie) for violin, cello and piano |
1800 |
| Piano Trio in A minor (Mayer, Emilie) for violin, cello and piano |
1800 |
Harpsichord Sonata in C major (Beecke, Ignaz von) for harpsichord
keyboard |
|
Violin Sonata in D major (Beecke, Ignaz von) for violin and keyboard
violin and harpsichord |
|
| Rhythmic Dance, Op. 30 (Goossens, Eugene) for orchestra |
|
| Ballet Music from Judith, Op. 46 (Goossens, Eugene) for voices and orchestra |
|
| Sinfonietta, Op. 34 (Goossens, Eugene) for orchestra |
|
| Fantaisie sur la Favorite de Donizetti (Decker-Schenk, Johann) for guitar |
|
| Fantaisie sur Linda di Chamounix (Decker-Schenk, Johann) for guitar |
|
| Tiento No. 1 tono de dos manos (Manalt i Domènech, Gabriel) for organ |
|
| Salonstücke für die Guitarre (Decker-Schenk, Johann) for guitar |
|
| Souvenir à Londres (Decker-Schenk, Johann) for guitar |
|
| Che tante catene, che tanto morire (Colista, Lelio) for 3 voices, continuo and 2 sopranos |
|
| Dimmi quando amore (Colista, Lelio) for 3 voices and continuo |
|
| Missa de Quinta-feira Santa (Lehmann, Padre João Baptista) for mixed chorus and organ |
|
| Questa vita è sempre in guerra (Colista, Lelio) for soprano and continuo |
|
| Concerto for Contra Basso (Dragonetti, Domenico) for double bass and orchestra |
1798 |
| Pastorelle en Musique, TWV deest (Telemann, Georg Philipp) for voices, mixed chorus and orchestra |
|
Toccata per omnes modos (Sorge, Georg Andreas) for keyboard
clavichord
harpsichord
organ |
1775 |
| Quintet for Oboe and Strings in B-flat major (Rosinack, Franz Joseph) for |
|
| Septet No. 3 (Neukomm, Sigismund) for flute, oboe, clarinet, bassoon, horn, trumpet and double bass |
|
| Arrangement of Introduction und Andante (Lübeck, Heinrich) for horn and piano |
1934 |
| Recitativo in D minor for Piano and Orchestra, MWV O 1 (Mendelssohn, Felix) for piano and strings |
1820 |
| Duett for Organ (Wesley, Samuel) for organ 4 hands |
|
Passemezzo di nome antico (Facoli, Marco) for harpsichord
keyboard |
1586 |
| Harpsichord music, GB-Lcm MS 2088 (Various) for harpsichord |
|
| Nonet, Op. 2 (Coleridge-Taylor, Samuel) for oboe, clarinet, bassoon, horn, violin, viola, cello, double bass and piano |
1893 |
| Nonet, Op. 2 (Coleridge-Taylor, Samuel) for oboe, clarinet, bassoon, horn, violin, viola, cello, double bass and piano |
1800 |
| Semele (Eccles, John) for voices, mixed chorus and orchestra |
1707 |
| Manuscript, P-Cug MM 64 (Various) for keyboard |
|
| Double Bass Sonata (Gouffé, Achille) for double bass and piano |
1872 |
| Matinas do Espírito Santo (Silva, Francisco Manuel da) for mixed chorus and orchestra |
1840 |
| Te Deum Roza de Ouro (Matta, João da) for mixed chorus and orchestra |
|
| Piano Sonata in C major (Cimarosa, Domenico) for piano |
|
| Piano Sonata in B-flat major (Cimarosa, Domenico) for piano |
|
| Hear My Words, Ye People (Parry, Charles Hubert Hastings) for voices, mixed chorus, brass ensemble and organ |
1894 |
Church Music, GB-Lcm MS 1045-1051 (Barnard, John) for voices
10 voices
mixed chorus |
1625 |
| Eumene (Giai, Giovanni Antonio) for 6 voices and orchestra |
1737 |
| Allegro in D minor, MWV W 33 (Mendelssohn, Felix) for organ |
1844 |
| When you are old, H.142 (Bridge, Frank) for voice and piano |
1919 |
| Teraminta (Stanley, John) for voices and orchestra |
|
| Arcadia (Stanley, John) for voices and orchestra |
|
| 3 Movements for Harpsichord (Smith, John Christopher) for harpsichord |
|
Dixit Dominus (Wesley, Samuel) for 2 mixed chorus
2 mixed chorus and organ |
1800 |
| Organ Sonata No. 2, MWV W 57 (Mendelssohn, Felix) for organ |
|
| Coro 'Herren lever' (Grosmann, Heinrich Ernst) for mixed chorus and orchestra |
|
| Coro 'Herren lever' (Grosmann, Heinrich Ernst) for mixed chorus and orchestra |
|
| Chotis por Guitarr (Broca, José) for guitar |
|
String Quintet No. 1, Op. 90 (Walckiers, Eugène) for 2 violins, viola, cello and double bass
2 violins, viola and 2 cellos |
1854 |
| L'improvisateur villageois (Akimenko, Theodore) for flute and piano |
|
| The Maid's Tragedy (Grabu, Luis) for 2 sopranos, alto and bass |
|
| Venice Preserv'd (Lenton, John) for 2 sopranos, alto and bass |
|
Tunes in G minor (Eccles II, Solomon) for 2 sopranos, alto and bass
strings and continuo |
|
| Suite in G major (Tollett, Thomas) for 2 sopranos, alto and bass |
|
| Love's Last Shift (Barrett, John) for 2 sopranos, alto and bass |
|
| Suite in F minor (Tollett, Thomas) for 2 sopranos, alto and bass |
|
Suite in C major (Paisible, James) for 2 sopranos, alto and bass
strings and continuo |
|
| Suite in C major (Finger, Gottfried) for 2 sopranos, alto and bass |
|
| Love for Love (Finger, Gottfried) for 2 sopranos, alto and bass |
|
| Theatre Suites (Finger, Gottfried) for 2 sopranos, alto, tenor and bass |
|
| Chaconne in C major (Purcell, Daniel) for 2 sopranos, alto and bass |
|
| The Grove (Purcell, Daniel) for 2 sopranos, alto and bass |
|
String Quintet No. 2, Op. 94 (Walckiers, Eugène) for 2 violins, viola, cello and double bass
2 violins, viola and 2 cellos |
|
| Welcome to All the Pleasures, Z.339 (Purcell, Henry) for voices, mixed chorus, strings and continuo |
1765 |
| The Double Marriage (Grabu, Luis) for 2 sopranos, alto and bass |
|
| Polcka in A major (Broca, José) for guitar |
|
Violin Concerto in E minor, RV 281 (Vivaldi, Antonio) for violin, strings and continuo
3 violins, viola and continuo |
|
| Caprice brillant in B minor (Saint-Saëns, Camille) for violin and piano |
1859 |
| Partita Lidica (Morris, Reginald Owen) for cello and orchestra |
|
| Concertino in F major (Morris, Reginald Owen) for orchestra |
|
| Sinfonia in C major (Morris, Reginald Owen) for orchestra |
1928 |
| Suite for Small Orchestra (Morris, Reginald Owen) for orchestra |
|
| Concerto Piccolo (Morris, Reginald Owen) for 2 violins and strings |
|
| Arias, GB-Lcm MS 509 (Porpora, Nicola Antonio) for voice, strings and continuo |
|
Fantaisie sur des motifs de 'La favorite' (Milanollo, Teresa) for violin and orchestra
violin and piano |
1851 |
| Rondo brillant sur un choeur du Pirate, Op. 9 (Farrenc, Louise) for piano |
1800 |
| Let God Arise, HWV 256a (Handel, George Frideric) for tenor, mixed chorus and orchestra |
|
| È gran pena l'amare (Scarlatti, Alessandro) for soprano and continuo |
|
| Prima del morir mio (Perti, Giacomo Antonio) for soprano and continuo |
|
| Piango, sospiro, e peno (Scarlatti, Alessandro) for soprano and continuo |
|
| Sedeva Eurilla un giorno, H.651 (Scarlatti, Alessandro) for soprano and continuo |
|
| Or che graditi orrori, H.514 (Scarlatti, Alessandro) for soprano and continuo |
|
| Là dove al vivo argento (Scarlatti, Alessandro) for soprano and continuo |
|
| Un incredula speranza (Scarlatti, Alessandro) for soprano and continuo |
|
| Ardea per Coridone Clori, H.58 (Scarlatti, Alessandro) for soprano and continuo |
|
| Deh, per mercé l'ignudo Dio, H.180 (Scarlatti, Alessandro) for soprano and continuo |
|
| Ein Mensch ist in seinem Leben, TWV 4:18 (Telemann, Georg Philipp) for alto, tenor, bass, mixed chorus and orchestra |
|
| Legende (Reed, William Henry) for 2 violins, viola and cello |
1923 |
| Legende (Reed, William Henry) for 2 violins, viola and cello |
1923 |
Laudate Dominum (Rogers, Benjamin) for 2 mixed chorus
8 voices |
1800 |
| T'amo mia vita (Gastoldi, Giovanni Giacomo) for 8 voices |
1800 |
| Poi che l'alto valore (Renaldi, Giulio) for |
1800 |
| Cantiam la bella Clori (Marenzio, Luca) for 8 voices |
1800 |
| Variations on Paisiello's 'Nel cor piu mi sento' (Gollmick, Carl) for guitar |
|
| Symphony No. 7, Op. 201 (Raff, Joachim) for orchestra |
1875 |
| Arrangement of Symphony No. 7, Op. 201 (Raff, Joachim) for piano 4 hands |
1875 |
| Autunno (Toscanini, Arturo) for voice and piano |
1887 |
| Rondeau brillant avec Introduction (Stuntz, Joseph Hartmann) for clarinet and orchestra |
1836 |
| Matinas da Conceição in B-flat major (Silva, Francisco Manuel da) for |
1855 |
| Matinas da Conceição in B-flat major (Silva, Francisco Manuel da) for |
1855 |
| Frühlingseinzug, Op. 95 (Stuntz, Joseph Hartmann) for orchestra |
1856 |
| Cantico religioso (Silva, Francisco Manuel da) for 3 voices |
1855 |
| Se eu fôra do céo (Aragão, José de Souza) for voice and piano |
|
| Se foi no doce de um scismar (Bahia, Xisto) for voice and piano |
|
| Scènes de la forêt (Bonis, Mel) for flute, horn and piano |
|
| Pygmalion (Krause, Christian Gottfried) for soprano, orchestra and continuo |
|
| Credo in C major (Mazziotti, Fortunato) for mixed chorus and orchestra |
|
| Les guerriers, Op. 84 (Saint-Saëns, Camille) for |
1888 |
| O Sacrum convivium, CPM 9 (Garcia, José Maurício Nunes) for mixed chorus and orchestra |
1878 |
| Andante Religioso, Op. 12 (Baumann, Ludwig) for organ and strings |
|
| String Quartet (Baumann, Ludwig) for 2 violins, viola and cello |
|
| Himmerland (Reesen, Emil) for orchestra |
1929 |
| Thou Wast All to Me, Love (Sullivan, Arthur) for voice and piano |
|
| Le printemps, Op. 165 (Saint-Saëns, Camille) for |
1921 |
| Arrangement of Selections from Die Schlacht bey Leipzig (Mašek, Pavel Lambert) for wind band and percussion |
|
| 26 Organ Pieces (Bach, Johann Sebastian) for organ |
1700 |
| Violin Sonata in D minor, MWV Q 9 (Mendelssohn, Felix) for violin and piano |
1820 |
| Kyrie eleison in F major (Perez, Davide) for soprano, alto, tenor, bass and orchestra |
1700 |
| Gloria in D major (Perez, Davide) for mixed chorus and orchestra |
1700 |
| Das Dampfschiff (Stuntz, Joseph Hartmann) for male chorus and brass ensemble |
1852 |
| Clarinet Concerto in F minor (Stuntz, Joseph Hartmann) for clarinet and orchestra |
1829 |
| Ouverture in C major (Stuntz, Joseph Hartmann) for orchestra |
1856 |
Grablied bei der Begräbnisfeier Klara Vespermanns (Stuntz, Joseph Hartmann) for mixed chorus, wind ensemble and brass ensemble
soprano, alto, tenor, bass, wind ensemble and brass ensemble |
1827 |
| Fantasia on Themes from Bellini's 'I Capuleti e i Montecchi' (Stuntz, Joseph Hartmann) for oboe and orchestra |
1836 |
| Teutscher Bardengesang (Stuntz, Joseph Hartmann) for male chorus and brass ensemble |
1842 |
| Symphony in B-flat major (Mašek, Vincenc) for orchestra |
|
| Arrangement of Symphony in B-flat major (Mašek, Vincenc) for 2 oboes, 2 clarinets, 2 bassoons and 2 horns |
|
| Arrangement of Symphony in B-flat major (Mašek, Vincenc) for keyboard |
|
Chöre des bei dem Erntefest im Bubeneč versammelten böhmischen Landvolkes (Mašek, Vincenc) for soprano, alto, tenor, bass, mixed chorus and orchestra
mixed chorus and orchestra
female chorus and orchestra
male chorus and orchestra |
1792 |
Variations on an Allegretto (Mašek, Vincenc) for flute, 2 clarinets, bassoon and 2 horns
oboe, 2 clarinets, bassoon and 2 horns |
|
| Ouverture di concerto (Floridia, Pietro) for orchestra |
1887 |
| Polka (Fischer, Blasius) for double bass and piano |
|
| La rimembranza (Coccia, Carlo) for soprano and piano |
|
| Lautentabulaturbuch Cavalcanti, Ms. II 275 (Various) for lute |
|
| Jólasveinar einn og átta (Kaldalóns, Sigvaldi) for voice and piano |
|
| Sonata á solo para Guitarra de 5 órdenes (Abreu, Antonio) for guitar |
|
| Missa de Nossa Senhora da Conceição (Passos, Carlos dos) for mixed chorus and orchestra |
|
Christmas Overture (Nicolai, Otto) for orchestra
mixed chorus and orchestra |
|
| Theme con 10 Variaciones para Guitarra (Ferrandiere, Fernando) for guitar |
|
| Duo Sexto y Septimo (Abreu, Antonio) for 2 guitars |
|
Guitar Sonata No. 3 (Ferrandiere, Fernando) for guitar and continuo
guitar and cello
guitar and double bass |
|
Guitar Sonata No. 4 (Ferrandiere, Fernando) for guitar and continuo
guitar and cello
guitar and double bass |
|
| 6 Duos de dos Guitarras (Ferrandiere, Fernando) for 2 guitars |
|
| Arrangement of Piano Concerto in F-sharp major (Parry, Charles Hubert Hastings) for 2 pianos |
|
| Dúo de Guitarras (Laporta, Isidoro de) for 2 guitars |
|
Guitar Sonata (Laporta, Isidoro de) for guitar and continuo
guitar |
|
| Lautenbuch des Albert Dlugorai, Becker II.6.15 (Various) for lute |
1619 |
| Scintilla e Don Tabarrano (Hasse, Johann Adolph) for soprano, bass and orchestra |
1737 |
| Vergine Madre figlia del tuo figlio (Mercuri, Armando) for soprano, alto, tenor, bass, mixed chorus, strings and organ |
1921 |
| Vergine Madre figlia del tuo figlio (Mercuri, Armando) for soprano, alto, tenor, bass, mixed chorus, strings and organ |
1921 |
| Vergine Madre figlia del tuo figlio (Mercuri, Armando) for soprano, alto, tenor, bass, mixed chorus, strings and organ |
1921 |
| Rimario e Grillantea (Hasse, Johann Adolph) for 2 voices and orchestra |
1737 |
| Violin Concerto, Op. 152a (Hiller, Ferdinand) for violin and orchestra |
1800 |
| Arrangement of Violin Concerto, Op. 152a (Hiller, Ferdinand) for violin and piano |
1871 |
| Cadenza from Arrangement of Cadenza from Violin Concerto, Op. 152a (Hiller, Ferdinand) for |
1800 |
Domine Deus (Mercuri, Agostino) for 2 violins, viola, 2 cellos, double bass and harmonium
cello, strings and harmonium |
1873 |
Livre d'orgue (Babou, Thomas) for organ
harpsichord |
1710 |
| Die Freude der Hirten über die Geburt Jesu, HoWV I.1 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1779 |
| Die Freude der Hirten über die Geburt Jesu, HoWV I.1 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1799 |
| Suon profondo (Costa, Michael) for voice and orchestra |
1840 |
| Pensieri funesti (Costa, Michael) for voice and orchestra |
1834 |
| Cello Sonata (Nixon, Henry Cotter) for cello and piano |
1881 |
| Dall'agilo della pace (Costa, Michael) for voice and orchestra |
1834 |
| So gehst du nun, mein Jesu, hin, HoWV I.10 (Homilius, Gottfried August) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1768 |
| Frohlocket und preiset den herrschenden Sieger, HoWV I.11 (Homilius, Gottfried August) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Frohlocket und preiset den herrschenden Sieger, HoWV I.11 (Homilius, Gottfried August) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1786 |
| Frohlocket und preiset den herrschenden Sieger, HoWV I.11 (Homilius, Gottfried August) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1795 |
| Du starker Keltertreter, HoWV I.5 (Homilius, Gottfried August) for 2 sopranos, 2 altos, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Hier will ich bei dir stehen, HoWV I.Anh.5 (Homilius, Gottfried August) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
1774 |
| Wir gingen alle in der Irre, HoWV I.9 (Homilius, Gottfried August) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 8 Grandes études pour piano (Ruiz Espadero, Nicolás) for piano |
|
| Sacerdotes Sancti (Xavier, Faustino do Prado) for |
|
| Fuggi, fuggi, fuggi da questo cielo (Cenci, Giuseppe) for |
|
| Thanet (Wall, Alfred M.) for orchestra |
1916 |
| Lukas-Passion, H.784 (Bach, Carl Philipp Emanuel) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1770 |
| Lukas-Passion, H.784 (Bach, Carl Philipp Emanuel) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1770 |
| Pièces de clavecin (Hamal, Jean-Noël) for harpsichord |
|
| Johannes-Passion, H. 789 (Bach, Carl Philipp Emanuel) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1775 |
| Markus-Passion, H.787 (Bach, Carl Philipp Emanuel) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1773 |
| Marsch (Löfgren, Albert) for wind ensemble, brass ensemble and percussion |
|
| Arrangement of Die Execution (Schubaur, Johann Lukas) for keyboard |
|
| Die Dorfdeputirten (Schubaur, Johann Lukas) for voices, mixed chorus and orchestra |
|
Gavotte in D major for Flute and Strings (Gossec, François Joseph) for flute, 2 violins, viola and cello
flute and strings |
|
| Es ist erschienen die heilsame Gnade, TWV 1:507 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
|
| Morceau de concert (Karasowski, Maurycy) for cello and orchestra |
|
| String Quartet in C major (Hindle, Johann) for violin, viola, cello and double bass |
|
| Lute Book Vol.1, MS Dd.2.11 (Holmes, Mathew) for lute |
|
Lute Book Vol.2, MS Dd.5.78.3 (Holmes, Mathew) for lute
viol |
|
Lute Book Vol.3, MS Dd.9.33 (Holmes, Mathew) for lute
2 lutes
viol |
|
Lute Book Vol.4, MS Nn.6.36 (Holmes, Mathew) for lute
viol |
|
| Autographes de musiciens contemporains (Malherbe, Charles) for |
1900 |
| Nonet in E-flat major (Neukomm, Sigismund) for flute, oboe, clarinet, bassoon, horn, trumpet, viola, cello and double bass |
1836 |
| Vid Östersjön (Ferdinand, Gustaf Ferdinand) for |
|
| Symphony No. 5, Op. 47 (Tournemire, Charles) for orchestra |
1914 |
| Piano Sonata No. 3, KSS 29 (Sorabji, Kaikhosru Shapurji) for piano |
1922 |
| Thema Varié pour 2 Guitarres (Bodstein, Friedrich Albert) for 2 guitars |
|
| Variations on a Russian Theme (Bodstein, Friedrich Albert) for guitar, 2 violins, viola and cello |
|
| Tristis est anima mea (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| In monte Oliveti (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Ecce vidimus (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Eram quasi agnus innocens (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Unus ex discipulis meis (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Amicus meus (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Seniores populi (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Ofício de Quarta-feira Santa (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Ofício de Quarta-feira Santa (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Una hora (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Od svítání do soumraku (Votoček, Emil) for |
|
| Rhapsodie pro velký orchestr (Votoček, Emil) for orchestra |
|
| Quintet for Oboe and Strings in F major (Rosinack, Franz Joseph) for oboe, violin, 2 violas and cello |
|
| Defecit in dolore (Eduardo José da Silva, Castro) for mixed chorus |
1896 |
| Piano Sonata (Schnabel, Artur) for piano |
1923 |
| Salve Regina, IVB 25 (Bellini, Vincenzo) for 4 voices and orchestra |
1800 |
| Im Walde, Op. 7 No. 1 (Berg, Alban) for 2 voices and piano |
|
| Andante (Möhring, Adalbert) for organ |
|
| Orgelsuite 'Hinunter ist der Sonne Schein' (Möhring, Adalbert) for organ |
|
| Euing Lute-Book, GB-Gu Ms. Euing 25 (Various) for lute |
1600 |
| 5 Chorlieder (Brüll, Ignaz) for male chorus |
1898 |
| Symphony No. 9 in D major (Brunetti, Gaetano) for orchestra |
1700 |
| Les artistes par occasion (Catel, Charles-Simon) for voices and orchestra |
1807 |
| Aïka (Chabrier, Emmanuel) for piano |
1849 |
| Les bords de la dore, Op. 2 (Chabrier, Emmanuel) for piano |
1849 |
| Un ange au ciel, Op. 3 (Chabrier, Emmanuel) for piano |
1849 |
| Emma, Op. 5 (Chabrier, Emmanuel) for piano |
1849 |
| Antonia, Op. 6 (Chabrier, Emmanuel) for piano |
1849 |
| Wileika, Op. 7 (Chabrier, Emmanuel) for piano |
1849 |
| La chute des feuilles, Op. 8 (Chabrier, Emmanuel) for piano |
1849 |
| Marguerite, Op. 9 (Chabrier, Emmanuel) for piano |
1849 |
| L'echo du verger, Op. 10 (Chabrier, Emmanuel) for piano |
1849 |
| Nocturne, Op. 11 (Chabrier, Emmanuel) for piano |
1849 |
| L'etincelle, Op. 12 (Chabrier, Emmanuel) for piano |
1849 |
| Alice (Chabrier, Emmanuel) for piano |
1849 |
| Hélène (Chabrier, Emmanuel) for piano |
1849 |
| Euphrasie, Op. 1 (Chabrier, Emmanuel) for piano |
1849 |
| La mort de Coelio from Arrangement of La mort de Coelio from Les caprices de Marianne (Chausson, Ernest) for piano 4 hands |
1800 |
| Mass in C major (Cimarosa, Domenico) for soprano, alto, bass and orchestra |
1700 |
| Louise (Converse, Frederick Shepherd) for piano |
1900 |
| 24 Woodwind Quartets (Rosinack, Franz Joseph) for |
|
| T'intendo sí sí mio cor t'intendo (Crescentini, Girolamo) for voice and piano |
1800 |
| Ptitsi (Cui, César) for 4 voices and piano |
1912 |
| Libera me, Domine (Czerny, Carl) for 2 tenors, bass and organ |
1836 |
| Ballet (David, Félicien) for orchestra |
1800 |
| Diane au bois (Debussy, Claude) for soprano, tenor and piano |
1883 |
| En sourdine (Debussy, Claude) for voice and piano |
1882 |
| Arrangement of Le printemps (Debussy, Claude) for female chorus and piano |
1882 |
| J'aime trop pour être heureux (Donizetti, Gaetano) for soprano, viola and piano |
1700 |
| Baiser maternel (Dubois, Théodore) for voice and piano |
|
| Violin Sonata No. 2, Op. 46 (Le Beau, Luise Adolpha) for violin and piano |
1898 |
| Violin Sonatina (Koessler, Hans) for violin and piano |
|
| Mogador (Edelmann, Juan Federico) for piano and orchestra |
1845 |
Volkslied (Ehlert, Louis) for soprano, alto, tenor and bass
mixed chorus |
1847 |
| Cara deh prendi in pace (García Sr., Manuel) for voice and orchestra |
|
| Solo for Viola and Continuo (Giardini, Felice) for viola and continuo |
|
| Choeur de chasseurs, CG 208 (Gounod, Charles) for male chorus |
|
| Électre, CG 23 (Gounod, Charles) for voices, female chorus and orchestra |
|
| 2 Gesänge, Op. 39 (Hegar, Friedrich) for male chorus |
1909 |
| Fantasie for Flute (Fürstenau, Anton Bernhard) for flute |
1851 |
| Aus tiefer Not (Möhring, Adalbert) for organ |
|
| Haddon Hall in ye Olden Time (Hoffman, Richard) for piano |
|
| Florence - Allegro vivace from Arrangement of Florence - Allegro vivace from Symphony No. 1 in A major (Indy, Vincent d') for 2 pianos |
1872 |
| 3 Songs (Jürgens, Fritz) for voice and piano |
|
Bacchus to Melpomene (Linley, William) for 4 voices
male chorus
alto, 2 tenors and bass |
1835 |
| Cello Sonata (Fitelberg, Jerzy) for cello |
1945 |
| Piano Trio No. 2 (Nixon, Henry Cotter) for violin, cello and piano |
|
| Capriccio No. 1 (Nixon, Henry Cotter) for piano |
1880 |
| Piano Trio No. 1 (Nixon, Henry Cotter) for violin, cello and piano |
1879 |
| Hradčanské písničky, JW 4/40 (Janáček, Leoš) for soprano, female chorus, flute and harp |
1900 |
Kriegersang (Mandyczewski, Eusebius) for male chorus
2 tenors, baritone and bass |
|
| Andantino for Lute (Marchetti, Filippo) for lute |
1890 |
| L'elégante des bords du Missouri (Marmontel, Antoine François) for voice and piano |
|
| L'amour masqué (Messager, André) for voices, mixed chorus and orchestra |
1923 |
| Le lai de la pauvre Louise (Meyerbeer, Giacomo) for voice and piano |
|
| 3 Volksthümliche Gesänge für Männerchor (Möhring, Ferdinand) for male chorus |
|
| Air cosaque, S.249c (Liszt, Franz) for piano |
1879 |
| Marcha Fúnebre Lacrimosa (Aparição, José Vitor da) for wind ensemble, brass ensemble and percussion |
1888 |
| O vos omnes in C major (Aparição, José Vitor da) for |
1933 |
| Sweet Star of Eve (Moore, Thomas) for voice and piano |
|
| The Rose (Moore, Thomas) for voice and piano |
|
| Fugue in G major, K.Anh.A 61 (Mozart, Wolfgang Amadeus) for keyboard |
|
| Un ange au doux visage (Offenbach, Jacques) for voice, cello and piano |
|
| Moderato molto (Offenbach, Jacques) for cello and piano |
|
| Tarentelle (Offenbach, Jacques) for voice and piano |
|
| Sedecia e Nabucco (Paër, Ferdinando) for voices, mixed chorus and orchestra |
|
Version from 4 Notturni a quartetto, MS 15 (Paganini, Niccolò) for violin and piano
2 violins, viola and cello |
|
| Arrangement of Fantaisie, Op. 10 (Romberg, Bernhard) for cello and piano |
|
| Fugue in D major, K.Anh.A 62 (Mozart, Wolfgang Amadeus) for keyboard |
|
| A Good Selection of Marches (Pike, James) for Unspecified instrument |
1785 |
| Cessin gli affanni, e i palpiti (Raimondi, Pietro) for soprano and orchestra |
1827 |
| Amore mi assisti (Rossini, Gioacchino) for soprano, tenor and piano |
1800 |
| Marie Victoire, P.100 (Respighi, Ottorino) for voices, mixed chorus and orchestra |
1914 |
| Il violino del diavolo (Mercuri, Agostino) for voices, mixed chorus and orchestra |
1878 |
| Il violino del diavolo (Mercuri, Agostino) for voices, mixed chorus and orchestra |
1878 |
Manuscript, US-NYpm P559.M985 (Various) for voice and piano
2 voices and piano |
1842 |
| La Rocca Fatata (Mantovani, Roberto) for violin and piano |
|
| Edipo a Colono (Rossini, Gioacchino) for bass, male chorus and orchestra |
1800 |
| Se il vuol la molinara (Rossini, Gioacchino) for voice and piano |
|
| Manuscript, US-NYpm R864.S698 (Rousseau, Jean-Jacques) for soprano and continuo |
1700 |
| Polka, Op. 15 (Rubinstein, Nikolay) for piano |
|
| 1. Andantino (1881) from 2 Morceaux à déchiffrer (Massenet, Jules) for flute and piano |
1800 |
| 2. Modéré (1887) from 2 Morceaux à déchiffrer (Massenet, Jules) for flute and piano |
1887 |
| Chaconne, GB-HAB2, p.30 (Ginter, Adam Franz) for lute |
|
| Lute Manuscript GB-HAdolmetsch B.2 (Various) for lute |
|
| Spartacus Overture (Saint-Saëns, Camille) for orchestra |
|
| 13 Fugues, US-NYpm S444.F957 (Sechter, Simon) for keyboard |
|
| Hope and Love (Shield, William) for voice, flute and strings |
|
| The Love that Lives Forever (Sousa, John Philip) for voice and piano |
|
| Adagio and March in the Turkish Style (Southney, F. W.) for piano |
|
| O salutaris hostia (Spontini, Gaspare) for 2 sopranos, baritone and strings |
|
| Blessed is the Nation Whose God is the Lord (Stainer, John) for mixed chorus and organ |
1901 |
| Memento Grande (Xavier, José Maria) for mixed chorus and orchestra |
1867 |
| Divertimento for Piano Quintet (Schelling, Ernest) for 2 violins, viola, cello and piano |
1900 |
| Nonsense Rhymes, Opp.365-378 (Stanford, Charles Villiers) for voice and piano |
1900 |
| L'île enchantée (Sullivan, Arthur) for orchestra |
1864 |
| L'île enchantée (Sullivan, Arthur) for orchestra |
1864 |
| Airs à voix seul, US-NYpm A298 (Anonymous) for voice |
|
| Dunque sia ver degg'io abbandonar (Vaccai, Nicola) for voice and orchestra |
|
| O salutaris (Waldteufel, Emile) for voice and piano |
1895 |
| Mignonette (Weckerlin, Jean-Baptiste) for voice and piano |
1879 |
| Croyez-vous qu'elle m'aime encore? (Zimmermann, Joseph) for voice and piano |
|
| Christus factus est (Passos, Carlos dos) for male chorus and strings |
1915 |
| Day Dreams (Sullivan, Arthur) for piano |
1867 |
| Ino (Tubel, Christian Gottlieb) for voice and harpsichord |
|
| Album di Sei Romanze (Verdi, Giuseppe) for voice and piano |
1845 |
| 16 Canzonette in lingua veneziana, US-NYpm C235.V45 (Anonymous) for voice and continuo |
|
| Les regrets (Zimmermann, Joseph) for voice and piano |
|
4 Songs, US-NYpm Z77.Z77 (Zingarelli, Niccolò Antonio) for voice and strings
2 voices and strings
3 voices and strings |
|
| Marcia triofale ponteficia (Rieschi, Luigi) for wind ensemble, brass ensemble and percussion |
|
La jeune religieuse (Berton, Henri-Montan) for voice and piano
voice and harp |
|
| I'll Not Wed a Baron (Bishop, Henry Rowley) for voice and piano |
|
| Arrangement of I'll Not Wed a Baron (Bishop, Henry Rowley) for voice and orchestra |
|
| Serenade for Orchestra in C major (Holler, Augustin) for orchestra |
1778 |
| Les cent baisers (Erlanger, Frédéric d') for orchestra |
1935 |
| In filanda (Mascagni, Pietro) for voices, mixed chorus and orchestra |
1881 |
| La beauté (Laparra, Raoul) for voice and piano |
1924 |
| Berceuse triste (Lazzari, Sylvio) for voice and piano |
1927 |
| Marcha in G minor (Passos, Carlos dos) for orchestra |
|
| Motets, GB-Lcm MS 2037 (Various) for 4 voices |
|
| O vos omnes (Passos, Carlos dos) for mixed chorus and orchestra |
|
| Octet (Neukomm, Sigismund) for flute, oboe, clarinet, bassoon, horn, trumpet, cello and double bass |
1832 |
| The Soldier's Tent (Parry, Charles Hubert Hastings) for bass and orchestra |
1900 |
| 4 Lieder nach Gedichten von Stefan George (Webern, Anton) for voice and piano |
1908 |
| Se mi perdi oh madre amata (Gabriel, Virginia) for voice and piano |
|
| Romanze (Puzzi, Giovanni) for horn and piano |
|
| Manuscript, US-NYpm C697 (Various) for keyboard |
1786 |
| Agitato con duolo (Baermann, Heinrich) for clarinet and piano |
1834 |
Die Lieder der Sammlung (Arnim, Bettina von) for voice and piano
2 voices and piano |
|
| Violin Concerto in F major, S.C791 (Marcello, Benedetto) for violin, strings and continuo |
|
| Music in the Air (Kern, Jerome) for voices, mixed chorus and orchestra |
1938 |
| 3 Lieder, Op. 614 (Abt, Franz) for voice and piano |
1800 |
| Requiem in D minor (Passos, Carlos dos) for mixed chorus and orchestra |
1901 |
| Requiem in D minor (Passos, Carlos dos) for mixed chorus and orchestra |
|
| Pie Jesu (Passos, Carlos dos) for male chorus, euphonium and strings |
1901 |
| Pie Jesu (Passos, Carlos dos) for male chorus, euphonium and strings |
1901 |
| Ah se fosse intorno al trono (Apell, David August von) for tenor and orchestra |
|
| Harpsichord Concertino in D major, Š.118 (Štěpán, Josef Antonín) for harpsichord and orchestra |
|
| Album-Leaf 'Andante molto expressivo', S.165f (Liszt, Franz) for piano |
|
| Kubla Khan, Op. 61 (Coleridge-Taylor, Samuel) for alto, mixed chorus and orchestra |
1905 |
| Il Scipione (Sarti, Giuseppe) for voices and mixed chorus |
|
| Sinfonia per cembalo in G major, D-LEb Go.S.101/9 (Pelli, Lorenzo) for harpsichord |
|
| Sinfonia in D major (Rossi, Lorenzo de) for orchestra |
|
| Sinfonia in D major (Sarti, Giuseppe) for orchestra |
|
| Sinfonia in C major (Sarti, Giuseppe) for orchestra |
|
Gloria in G major (Sarti, Giuseppe) for 2 mixed chorus and 2 organs
2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs |
|
| Violin Sonata in G major (Bach, Johann Ernst) for violin and harpsichord |
|
Kyrie for 8 Voices (Sarti, Giuseppe) for 2 sopranos, 2 altos, 2 tenors, 2 basses and continuo
2 mixed chorus and continuo |
|
| Le gare generose, R.1.71 (Paisiello, Giovanni) for voices and orchestra |
|
| 3 Estudos em forma de sonatina, Op. 62 (Fernández, Oscar Lorenzo) for piano |
|
| String Quartet in E-flat major (Hensel, Fanny) for 2 violins, viola and cello |
1834 |
| Requiem e Kyrie dalla messa funebre (Gattola, Paolo Maria) for tenor, baritone and organ |
|
| Santos Dumont (Levy, Luiz) for piano |
1913 |
Manuscript, A-Wn Mus.Hs.16798 (Various) for organ
keyboard |
|
| Hirsch Lute Book (Various) for lute |
|
| La Sylphide, Op. 18 (Farrenc, Louise) for piano |
1835 |
| A Page from My Note Book as a Greeting to Mr. and Mrs. Sydney Lansburgh (Bornschein, Franz Carl) for voice and piano |
1934 |
| Cello Sonata in B minor (Mayer, Emilie) for cello and piano |
1800 |
| Cello Sonata in C minor (Mayer, Emilie) for cello and piano |
1800 |
| Cello Sonata in C minor (Mayer, Emilie) for cello and piano |
1800 |
| Cello Sonata in D minor (Mayer, Emilie) for cello and piano |
1800 |
| Cello Sonata in B-flat major (Mayer, Emilie) for cello and piano |
1800 |
| Violin Sonata in D major (Mayer, Emilie) for violin and piano |
1800 |
| Largo Solennel (Ruiz Espadero, Nicolás) for 2 pianos |
1875 |
| Cello Sonata in A major (Mayer, Emilie) for cello and piano |
1800 |
| Since I Have Given You All (Henschel, George) for voice and piano |
1922 |
| À Venise (Henschel, George) for voice and piano |
1922 |
| L'âme perdue (Henschel, George) for voice and piano |
1900 |
| L'âme perdue (Henschel, George) for voice and piano |
1900 |
| Violin Sonata in C minor (Mayer, Emilie) for violin and piano |
1800 |
| Violin Sonata in E-flat major (Mayer, Emilie) for violin and piano |
1800 |
| String Quartet in A major (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| String Quartet in F major (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| Arrangement of String Quartet in D major (Mayer, Emilie) for piano 4 hands |
1800 |
| Overture No. 3 (Mayer, Emilie) for orchestra |
1800 |
| Overture No. 3 (Mayer, Emilie) for orchestra |
1800 |
| Piano Sonata in D major (Mayer, Emilie) for piano |
1800 |
| String Quartet in D minor (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| String Quartet in D minor (Mayer, Emilie) for 2 violins, viola and cello |
1800 |
| Arrangement of String Quartet in D minor (Mayer, Emilie) for piano 4 hands |
1800 |
| Piano Concerto in B-flat major (Mayer, Emilie) for piano and orchestra |
1800 |
| Piano Concerto in B-flat major (Mayer, Emilie) for piano and orchestra |
1800 |
| Pirro, re d'Epiro (Zingarelli, Niccolò Antonio) for voices, mixed chorus and orchestra |
|
| Pirro, re d'Epiro (Zingarelli, Niccolò Antonio) for voices, mixed chorus and orchestra |
|
| L'Alessandro nell'Indie (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| L'Alessandro nell'Indie (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| L'Alessandro nell'Indie (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| Quinto Fabio (Nicolini, Giuseppe) for voices, mixed chorus and orchestra |
|
| Quinto Fabio (Nicolini, Giuseppe) for voices, mixed chorus and orchestra |
|
| 9 Tänze (Mayer, Emilie) for piano |
1800 |
12 Stücke für Tasteninstrumente (Bach, Johann Sebastian) for keyboard
organ |
|
| Te Deum de la fédération, RH 602 (Gossec, François Joseph) for male chorus and orchestra |
1790 |
| Piano Trio in E minor (Mayer, Emilie) for violin, cello and piano |
1800 |
| Air des Folies d'Espagne (Vidal, B.) for guitar |
|
| Air des Folies d'Espagne (Vidal, B.) for guitar |
|
| Duet in F major (Mayer, Emilie) for cello and piano |
1800 |
| Duet in F major (Mayer, Emilie) for cello and piano |
1800 |
| Piano Suite, Op. 5 (Schmidt, Rudolf Alexis) for piano |
|
| Marcia in A major (Mayer, Emilie) for piano |
1800 |
Wherewithal shall a young man (Cooke, Benjamin) for 4 voices
organ |
1793 |
| When I am in heaviness (Anonymous) for soprano and continuo |
|
| Sing praises unto the Lord (Boyce, William) for 4 voices and continuo |
1700 |
| Give the king thy judgments (Boyce, William) for 4 voices and continuo |
1700 |
| Lord, how are they increased (Greene, Maurice) for 4 voices and continuo |
|
| My God, my God, look upon me (Reynolds I, John) for soprano, alto, tenor, bass and continuo |
|
| O Lord, the Maker of All Things (Mundy, William) for 4 voices and continuo |
|
| I will magnify thee (Greene, Maurice) for 4 voices and continuo |
1700 |
| Blessed Be the Lord My Strength (Hall, Henry) for 4 voices and continuo |
|
| If the man who turnips cries (Cooke, Benjamin) for |
1700 |
| Why flies Belinda (Cooke, Henry) for 2 altos, 2 tenors and bass |
1801 |
Tell me lovely shepherd (Cooke, Benjamin) for 2 mixed chorus
2 sopranos, 2 altos, 2 tenors and 2 basses
5 voices |
1788 |
| Why busy boys (Cooke, Benjamin) for 2 sopranos, alto, tenor and bass |
|
| To you fair ladies (Cooke, Benjamin) for 3 voices |
1783 |
When beauty's soul-attracting charms (Cooke, Benjamin) for 2 sopranos, 2 altos, 2 tenors and 2 basses
2 mixed chorus |
1787 |
| Father of all my soul (Cooke, Benjamin) for 3 voices |
1792 |
| Father of all my soul (Cooke, Benjamin) for 3 voices |
1792 |
| My saviour deigns to save (Cooke, Benjamin) for 3 voices |
1792 |
| Let not the sinner's wealth or might (Balcher of Fulham) for 3 voices |
|
| Be thou my judge (Cooke, Benjamin) for 4 voices |
1700 |
| God the heavens aloud proclaim (Cooke, Benjamin) for 3 voices |
1792 |
| God the heavens aloud proclaim (Cooke, Benjamin) for 3 voices |
1792 |
| May he who heaven and earth obey (Cooke, Benjamin) for 3 voices |
1792 |
| To thee the judge (Cooke, Benjamin) for 3 voices |
1792 |
| To thee the judge (Cooke, Benjamin) for 3 voices |
1792 |
5 Psalm Tunes for the Earl of Aylesford (Cooke, Benjamin) for tenor, bass and unison chorus
bass and unison chorus
mixed chorus |
1700 |
| Who shall tow'rd thy chosen seat (Cooke, Benjamin) for 3 voices |
1700 |
| Psalm 7 (Cooke, Benjamin) for 3 voices |
1791 |
| O spare me Lord nor o'er my head (Cooke, Benjamin) for 3 voices |
1793 |
| By thy unwearied strength (Cooke, Benjamin) for 3 voices |
1792 |
| My God my God O tell me (Cooke, Benjamin) for 3 voices |
1792 |
| He's risen, Christ is risen (Cooke, Benjamin) for 2 voices and keyboard |
|
| O Margarita penitens (Perez, Davide) for soprano, alto, tenor, bass, mixed chorus and continuo |
|
| Miserere in C minor (Perez, Davide) for 5 voices and continuo |
|
| Praised be the Lord daily (Cooke, Benjamin) for 2 voices and organ |
1793 |
| Praised be the Lord daily (Cooke, Benjamin) for 2 voices and organ |
1700 |
Psalm 19 (Stute, Eliza Ann) for keyboard
3 voices |
|
| Symphony in D major (Morris, Reginald Owen) for orchestra |
|
| Toccata and Double Fugue (Morris, Reginald Owen) for orchestra |
|
| One a penny, two a penny (Atterbury, Luffman) for |
1700 |
| Canon by Twofold Augmentation (Cooke, Benjamin) for soprano, alto and bass |
1700 |
| Up the hill (Cooke, Benjamin) for 2 voices and continuo |
|
| In Paper Case (Cooke, Benjamin) for soprano, tenor and bass |
|
| Quando un eroe (Steffani, Agostino) for |
|
| O hither come (Cooke, Benjamin) for voice and continuo |
1783 |
| Ode for St. Cecilia's Day (Richardson, Vaughan) for |
|
| O be joyful in the Lord (Cooke, Benjamin) for |
|
| Too happy when Edward was kind (Shield, William) for voice and orchestra |
|
| Hear me, love (Arnold, Samuel) for voice and orchestra |
|
| String Quintet No. 1 (Bousquet, Georges) for 2 violins, viola, cello and double bass |
1842 |
| String Quintet No. 1 (Bousquet, Georges) for 2 violins, viola, cello and double bass |
1852 |
| Serenade for Violin and Guitar, Op. 30 (Küffner, Joseph) for violin and guitar |
|
| Enea nel Lazio (Boroni, Antonio) for 6 voices and orchestra |
|
| Clarinet Quintet, Op. 33 (Küffner, Joseph) for clarinet, violin, 2 violas and cello |
|
Airs spirituels (Bacilly, Bertrand de) for voice
voice and continuo
2 voices and continuo |
|
| Incidental Music to 'Bernhard von Weimar', WoO.17 (Raff, Joachim) for orchestra |
1800 |
| String Quartet, Op. 52 (Küffner, Joseph) for 2 violins, viola and cello |
1816 |
| Triumphal March (Oetting, William Henry) for organ |
1896 |
| Meditation (Oetting, William Henry) for piano |
1902 |
| Arrangement of Meditation (Oetting, William Henry) for organ |
|
| Overture in A minor (Oetting, William Henry) for orchestra |
1900 |
| 2 Pieces for Violin and Piano (Grandval, Clémence de) for violin and piano |
|
| Serenade for Violin and Guitar, Op. 62 (Küffner, Joseph) for violin and guitar |
|
| Symphony in D major (Kufferath, Hubert Ferdinand) for orchestra |
1853 |
Symphony No. 1, Op. 75 (Küffner, Joseph) for flute and orchestra
orchestra |
1818 |
| Cello Sonata in C major (Schindlöcker, Wolfgang) for 2 cellos |
|
| Introduction und Rondo, Op. 36 (Baermann, Carl) for clarinet and orchestra |
1872 |
| Overture from Admiralitätsmusik, TWV 24:1 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra |
|
| Morgenpredigt des heiligen Franz an die Vögel (Baum, Alfred) for voices, mixed chorus, organ and strings |
1938 |
Der Sonnengesang (Baum, Alfred) for mezzosoprano and organ
alto and organ |
1939 |
Divertimento (Baum, Alfred) for flute, oboe damore, bassoon, violin and harpsichord
flute, oboe damore, bassoon, violin and piano |
1960 |
| Concerto for trumpet and orchestra (Baum, Alfred) for trumpet and orchestra |
1959 |
168 Keyboard pieces, TWV 36:1-168 (Telemann, Georg Philipp) for keyboard
violin and continuo
2 violins and continuo |
|
Piano Sonata in G major (Neukomm, Sigismund) for violin and piano
piano |
|
| So richtet denn des Herren wege, TWV 1:1379 (Telemann, Georg Philipp) for mixed chorus and orchestra |
|
| Playera Gitana (García Fortea, Severino) for guitar |
|
| Sevillana Popular (García Fortea, Severino) for guitar |
|
| Sierra Morena (García Fortea, Severino) for guitar |
|
| Der arme Liederdichter (Schmidt, Rudolf Alexis) for voice and piano |
|
| Partimenti numerati e diminuiti e Fughe Del M.o Francesco Durante (Durante, Francesco) for continuo |
|
| Racolda di lezzioni numeriche (Sala, Nicola) for continuo |
1776 |
| Partimenti di Fedele Fenaroli (Fenaroli, Fedele) for continuo |
|
| 8 Wind Quintets, Op. 92 (Küffner, Joseph) for flute, 2 clarinets, bassoon and horn |
1820 |
Oboe Concerto in B-flat major (Ragazzi, Angelo) for 3 oboes, viola and continuo
4 oboes and continuo
3 oboes, oboe damore and continuo |
|
| Harpsichord Concerto in B-flat major (Bach, Johann Michael III) for harpsichord, strings and continuo |
|
Missa Carolus Sextus I (Ragazzi, Angelo) for mixed chorus
soprano, alto, tenor and bass |
1736 |
Missa Carolus Sextus II (Ragazzi, Angelo) for mixed chorus
soprano, alto, tenor and bass |
1737 |
Missa Carolus Sextus III (Ragazzi, Angelo) for 8 voices, 2 mixed chorus and orchestra
2 mixed chorus and orchestra |
1739 |
Missa Carolus Sextus III (Ragazzi, Angelo) for 8 voices, 2 mixed chorus and orchestra
2 mixed chorus and orchestra |
|
Violin Concerto in C major (Ragazzi, Angelo) for 3 violins and continuo
violin, strings and continuo |
|
| Regole, e Principi di sonare, e Lettioni di Partimenti (Cotumacci, Carlo) for continuo |
|
| Partimenti, I-Mc Th.C.113 (Leo, Leonardo) for continuo |
|
| Prime Regole per accompagnare i Partimenti senza numeri (Furno, Giovanni) for continuo |
|
| Egloga (Cantú, Agostino) for orchestra |
|
| Lasset uns Gott lieben, TWV 1:1026 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Keyboard Sonata in E-flat major, Hob.XVI:Es1 (Haydn, Joseph) for harpsichord
piano
keyboard |
|
| Regole, con moti del Basso, Partimenti, e Fuge (Insanguine, Giacomo) for continuo |
|
| Es sei denn, dass jemand von neuem geboren werde, TWV 1:524 (Telemann, Georg Philipp) for soprano, mixed chorus, strings and continuo |
1724 |
| Es sei denn, dass jemand von neuem geboren werde, TWV 1:524 (Telemann, Georg Philipp) for soprano, mixed chorus, strings and continuo |
1724 |
Gerbers Clavier-Buch, D-B Mus.ms. 40268 (Various) for keyboard
organ |
1715 |
| Kolędy (Żeleński, Władysław) for mixed chorus |
|
| Album-Leaf 'Fragment d'Étude, d'apres Paganini', S.166u (Liszt, Franz) for piano |
1838 |
| Ich war tot, und siehe, ich bin lebendig, TWV 1:872 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ich war tot, und siehe, ich bin lebendig, TWV 1:872 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist umsonst daß ihr früh aufsteht, TWV 1:1753 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
|
| Es ist umsonst daß ihr früh aufsteht, TWV 1:1753 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
|
| Es ist umsonst daß ihr früh aufsteht, TVWV 1:515 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist umsonst daß ihr früh aufsteht, TVWV 1:515 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Es ist keine Obrigkeit ohne von Gott, TWV 1:513 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Es ist keine Obrigkeit ohne von Gott, TWV 1:513 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Es ist gut auf den Herrn vertrauen, TWV 1:512 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Es ist gut auf den Herrn vertrauen, TWV 1:512 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1724 |
| Der Herr ist mein Hirte, TWV 1:266 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
Herr ich habe lieb die Stätte deines Hauses, TWV 2:2 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
|
Neue Allemanden, Couranten, Sarabanden, Giguen, Cavoten und Canarien (Strobel, Valentin) for harpsichord
keyboard |
1674 |
| Somerset Idylls (Reed, William Henry) for orchestra |
1926 |
| The Resurrection, Op. 5 (Stanford, Charles Villiers) for mixed chorus, organ and orchestra |
1874 |
| Potpourri for Wind Band, Op. 126 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
|
| Ein ungefärbt' Gemüte, TWV 1:434 (Telemann, Georg Philipp) for soprano, tenor, bass, mixed chorus and orchestra |
|
10 Pieces, CH-Bu F.IX.58 (Kotter, Hans) for organ
keyboard |
|
| Selection: 'Hexen chöre' from Macbeth (Hassloch, Carl Theodor) for 3 sopranos and orchestra |
|
| La Fedeltà Coronata (Hesse, Ernst Christian) for |
|
| Overture in E major, Op. 130 (Küffner, Joseph) for orchestra |
|
| Potpourri for Wind Band, Op. 132 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
|
| 6 Kleine Stücke für den Unterricht, Op. 68 (Frey, Emil) for violin and piano |
1935 |
| 5 Kleine Stücke, Op. 69 (Frey, Emil) for cello and piano |
1935 |
| Selections: Ouverture, Marche, Turchese, Chor from The Crusaders (Hassloch, Carl Theodor) for voices, mixed chorus and orchestra |
|
| Wilhelm Tell (Hassloch, Carl Theodor) for voices and orchestra |
1804 |
4 Gesänge nach Gedichten von C. F. Meyer (Baum, Alfred) for 2 sopranos, 2 altos, oboe, clarinet, bassoon, horn and piano
2 sopranos, 2 altos, clarinet, horn, violin, cello and piano
female chorus, oboe, clarinet, bassoon, horn and piano
female chorus, clarinet, horn, violin, cello and piano |
1940 |
Lautentabulatur 'Præambula', D-BSstb C 39 2° (Various) for lute
2 lutes |
1594 |
Keyboard Trio in E-flat major (Dušek, František Xaver) for violin, cello and piano
violin, cello and harpsichord |
|
| Arrangement of Keyboard Trio in E-flat major (Dušek, František Xaver) for 2 harpsichords |
|
Keyboard Works (Franck, Johann Zacharias) for harpsichord
clavichord
organ |
|
| Clarinet Concerto (Reiter, Ernst Michael) for clarinet and orchestra |
1856 |
| Fantasia (Fröhlich, Friedrich Theodor) for violin and piano |
1832 |
| Potpourri for Wind Band, Op. 134 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
|
| 2 Album-Leaves, S.163f (Liszt, Franz) for piano |
|
3 Keyboard Trios, Op. 24 (Kozeluch, Leopold) for violin, cello and piano
violin, cello and harpsichord |
|
Phantasie und Capriccio, Op. 13 (Walter, August) for clarinet and piano
violin and piano |
1857 |
| Flore et Zéphyre (Venua, Frédéric) for orchestra |
|
| 2 Ländler, Op. 146 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
|
| Concertino for piano and orchestra (Baum, Alfred) for piano and orchestra |
1959 |
| Pièces pour luth (Prunières, Henry) for lute |
1600 |
| Intermezzi, Op. 30 (Puchtler, Wilhelm Maria) for violin and piano |
|
| Pantomimes, Op. 149 (Küffner, Joseph) for piano |
|
| Divertimento for Oboe and Orchestra (Baum, Alfred) for oboe and orchestra |
|
| Concerto da camera (Baum, Alfred) for basset horn and strings |
1976 |
| Foxtrott (Baum, Alfred) for piano |
1969 |
| Stabat mater, IFT 15 (Tůma, František Ignác Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Sonata for Keyboard 4 Hands, Op. 22 (Gabler, Christoph August) for piano 4 hands
harpsichord 4 hands
keyboard 4 hands |
|
| Potpourri for Wind Band, Op. 153 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
1824 |
| Sonata for Harp and Violin in C minor (Lepin, Henry-Noël) for harp and violin |
|
| Waltz in C major (Kozlovsky, Osip) for keyboard |
|
Polonaise in A major (Kozlovsky, Osip) for keyboard
piano |
|
Tabulaturbuch geistlicher Gesänge, sambt beigefügten Choralfugen, D-WRz Q 341b (Pachelbel, Johann) for organ
keyboard |
1704 |
| Gründlicher Unterricht, den General-Bass recht zu erlernen (Nauss, Johann Xaver) for continuo |
|
| Violin Sonata No. 9 (Fröhlich, Friedrich Theodor) for violin and piano |
|
| Violin Sonata No. 8 (Fröhlich, Friedrich Theodor) for violin and piano |
|
| Violin Sonata No. 7 (Fröhlich, Friedrich Theodor) for violin and piano |
|
| Parthia in E-flat major (Feldmayr, Georg) for 2 oboes, bassoon, 2 horns and viola |
|
24 Kurze und leichte Clavierstücke (Tag, Christian Gotthilf) for keyboard
clavichord |
|
| 15 Duos pour 2 Flûtes, Op. 166 (Küffner, Joseph) for 2 flutes |
|
| 2 Cello Suites, Op. 32 (Courvoisier, Walter) for cello |
|
| Ueber Consonanz und Dissonanz (Faist, Anton) for |
|
| Livre de Lut (Milleran, René) for lute |
1600 |
| Potpourri for Wind Band, Op. 169 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
1825 |
| Divertimento for Wind Quintet (Baum, Alfred) for flute, oboe, clarinet, bassoon and horn |
1983 |
Huldigung der Tonsetzer Wiens an der Kaiserin (Various) for voice and piano
soprano, alto and piano
voice and physharmonica
4 voices
4 voices and mixed chorus
4 voices and piano
piano
zither
physharmonica |
1854 |
| Mirror Duet in G major for 2 Violins (Mestrino, Niccolò) for 2 violins |
|
| Violin Concerto in E-flat major (Walter, Ignaz) for violin and orchestra |
|
| Potpourri for Wind Band, Op. 182 (Küffner, Joseph) for flute, 2 clarinets, 2 bassoons and 2 horns |
1825 |
| Potpourri for Wind Band, Op. 183 (Küffner, Joseph) for flute, 2 clarinets, 2 bassoons and 2 horns |
1826 |
| Salve Regina (Capotorti, Luigi) for soprano and orchestra |
|
| Potpourri for Piano No. 2, Op. 185 (Küffner, Joseph) for piano |
1826 |
| Livre de Lhut (Various) for |
1699 |
| 6 String Quartets (Campagnoli, Bartolomeo) for 2 violins, viola and cello |
|
| Piano Trio, Op. 75 (Rippl, Otto) for violin, cello and piano |
1915 |
Das Eins-Drey und Drey Eins (Fischer, Johann) for violin and continuo
viola and continuo |
|
| Novena de São Sebastião (Xavier, José Maria) for |
1896 |
| Litaniae lauretane à 3 (Rizzi, P. Bernardino) for 2 sopranos, alto and organ |
|
| Concertante for 2 Clarinets (Baermann, Carl) for 2 clarinets and orchestra |
1838 |
| Le bouquet, Op. 197 (Küffner, Joseph) for piano |
|
Keyboard Sonata in G major, ReiF 8.12 (Fiala, Joseph) for harpsichord
piano |
|
| Esquisse d'une fugue (Fauré, Gabriel) for piano |
1864 |
| Prelude and Fugue (Fauré, Gabriel) for piano |
1869 |
| Petite Fugue (Fauré, Gabriel) for piano |
1869 |
| Meet Me Tonight, Dearest (Foster, Stephen) for voice and piano |
1863 |
| Arrangement of Cello Concerto in E major, ReiF 2.33 (Fiala, Joseph) for keyboard |
|
| Symphony in D minor, ReiF 1.06 (Fiala, Joseph) for orchestra |
|
| 12 Deutsche Tänze, ReiF 8.11 (Fiala, Joseph) for keyboard |
1794 |
| Bassoon Concerto in C major, ReiF 3.02 (Fiala, Joseph) for bassoon and orchestra |
|
| Magnificat in D major (Braziel, Joaquim Bonifácio) for mixed chorus and orchestra |
|
| Concerto for organ and orchestra (Baum, Alfred) for organ and orchestra |
1976 |
| So che fido a me tu sei (Manfredini, Vincenzo) for soprano and orchestra |
|
Bassoon Method, Op. 212 (Küffner, Joseph) for bassoon
2 bassoons |
|
3 Flute or Violin Sonatas, Op. 34 (Woelfl, Joseph) for flute and piano
violin and piano |
|
| 3 Impressionen (Baum, Alfred) for violin and piano |
1979 |
| Sextet, Op. 86 (Moser, Franz Joseph) for clarinet, 2 violins, viola, cello and double bass |
|
| Potpourri for Wind Band, Op. 218 (Küffner, Joseph) for wind ensemble, brass ensemble and percussion |
|
| Gebet (Feiertag, Hans) for mixed chorus and orchestra |
|
| Octet, Op. 88 (Moser, Franz Joseph) for clarinet, bassoon, horn, 2 violins, viola, cello and double bass |
|
| Sonata for Clarinet and Orchestra, Op. 33 (Baermann, Heinrich) for clarinet and orchestra |
|
| Goethe Symphony, Op. 152 (Reiter, Josef) for male chorus and orchestra |
|
| Trio for 2 Violins and Viola (Fall, Leo) for 2 violins and viola |
|
| Messa solenne in B-flat major (Witt, Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Messa solenne in E-flat major (Witt, Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Esperanza, Op. 12a (Djabadary, Héraclius) for piano |
1934 |
| Mazurka in G minor, Op. 28 (Djabadary, Héraclius) for piano |
1936 |
| Concerto for 2 Horns in F major (Witt, Friedrich) for 2 horns and orchestra |
1797 |
March in D major (Benaut, Josse-François-Joseph) for 2 piccolos, 2 oboes, bassoon and 2 horns
2 piccolos, 2 clarinets, bassoon and 2 horns
2 piccolos, 2 oboes, 2 clarinets, bassoon and 2 horns
wind ensemble and brass ensemble |
|
Christus, der ist mein Leben (Jacobi, Christian August) for soprano, violin, 2 violas and continuo
soprano, strings and continuo |
|
Divertimento for Horn and Piano, Op. 231 (Küffner, Joseph) for horn and piano
viola and piano
cello and piano |
|
| O dulcis Jesu, o dulcis amor (Anonymous) for voice, violin and continuo |
|
| Potpourri for Piano No. 7, Op. 236 (Küffner, Joseph) for piano |
1831 |
| Theatre Music, GB-Lcm H370/1 (Anonymous) for 2 sopranos, alto and bass |
|
| Bassoon Concerto, D-SWl Mus.328 (Anonymous) for bassoon and orchestra |
|
| Concerto à 6 in F major (Prowo, Pierre) for 2 oboes, 2 bassoons and 2 horns |
|
| Concerto in G minor (Prowo, Pierre) for 3 oboes and 2 bassoons |
|
| Intrada à 6 in F major (Prowo, Pierre) for 2 oboes, 2 bassoons and 2 horns |
|
| Novena de São Gonçalo (Xavier, José Maria) for |
|
| Die Auferstehung und Himmelfahrt Jesu, Wf XIV/10 (Bach, Johann Christoph Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1772 |
| 2 Berceuses (Massenet, Jules) for piano 4 hands |
1870 |
Potpourri, Op. 5 (Voigt, Carl Ludwig) for violin, viola, 2 cellos and double bass
cello and strings |
|
| Quartet for 3 Violins and Cello (Franklin, Benjamin) for 3 violins and cello |
|
| The Hymn of Adam and Eve (Arnold, Samuel) for voices and orchestra |
1802 |
| The Hymn of Adam and Eve (Arnold, Samuel) for voices and orchestra |
1802 |
| 14 Very Easy Pieces for Piano, Op. 251 (Küffner, Joseph) for piano |
1844 |
| Fanfares for the Jubilee of Nikolai Rimsky-Korsakov (Various) for brass ensemble and percussion |
|
| The Vale of Clwyd (Reed, William Henry) for strings |
|
| Morning on the Karoo and In a Zulu location (Reed, William Henry) for 2 violins, viola and cello |
1940 |
| Arrangement of Morning on the Karoo and In a Zulu location (Reed, William Henry) for violin and piano |
1940 |
| Morning on the Karoo and In a Zulu location (Reed, William Henry) for 2 violins, viola and cello |
1940 |
| Arise, great monarch (Blow, John) for |
|
| Potpourri for Piano No. 9, Op. 258 (Küffner, Joseph) for piano |
|
Fantasia Suite, VdGS 25-27 (Gibbons, Christopher) for 2 sopranos and bass
3 viols |
|
Fantasia Suite, VdGS 22-24 (Gibbons, Christopher) for 2 sopranos and bass
3 viols |
|
Fantasia Suite, VdGS 19-21 (Gibbons, Christopher) for 2 sopranos and bass
3 viols |
|
Fantasia Suite, VdGS 28-30 (Gibbons, Christopher) for 2 sopranos and bass
3 viols |
|
| Smile, smile again, twice happy morn (Humfrey, Pelham) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
Manuscript, D-Tu Mk 76 (Various) for 4 voices
9 voices
mixed chorus |
|
| 12 Variations pour le piano-forte (Körner, G. F.) for piano |
|
| 2 Airs, D-Tu Mk 6 (Various) for harpsichord and soprano |
|
2 Choräle zu Hochzeiten, D-Tu Mk 86 (Various) for soprano, alto, tenor and bass
mixed chorus |
|
5 Lieder, D-Tu Mk 67 (Various) for soprano, alto, tenor and bass
mixed chorus |
|
9 Altitalienische Kirchenstücke (Palestrina, Giovanni Pierluigi da) for 3 voices
4 voices
6 voices |
|
| Manuscript, D-Tu Mk 7 (Various) for piano |
|
| Alte Kirchenmusik und rhythmische Choräle (Various) for 4 voices |
|
| Ifigenia in Aulide (Trento, Vittorio) for voices and orchestra |
|
| La virtuosa in Mergellina (Guglielmi, Pietro Alessandro) for voices and orchestra |
|
| Song for St Cecilia's Day (Draghi, Giovanni Battista) for |
|
| Alessandro nell’Indie (Paisiello, Giovanni) for voices and orchestra |
|
| Piano Sonata in C major, R.8.14/2 (Paisiello, Giovanni) for piano |
|
| Piano Sonata in G major, R.8.14/4 (Paisiello, Giovanni) for piano |
|
| Il trionfo di Clelia (Michl, Josef Willibald) for voices and orchestra |
1776 |
| To joy, to triumphs (Pepusch, John Christopher) for |
|
| Triumphant fame (Blow, John) for |
1700 |
| 1689 Version from Behold, O God our defender (Blow, John) for |
1600 |
| No, no, vain world (Pepusch, John Christopher) for |
|
Fantasia Suite, VdGS 1-3 (Gibbons, Christopher) for soprano, bass and continuo
2 viols and continuo
2 viols
soprano and bass |
|
Fantasia Suite, VdGS 1-3 (Gibbons, Christopher) for soprano, bass and continuo
2 viols and continuo
2 viols
soprano and bass |
1662 |
Fantasia Suite, VdGS 4-6 (Gibbons, Christopher) for soprano, bass and continuo
2 viols and continuo
2 viols
soprano and bass |
|
Fantasia Suite, VdGS 4-6 (Gibbons, Christopher) for soprano, bass and continuo
2 viols and continuo
2 viols
soprano and bass |
1662 |
| While pale Britannia pensive sate (Pepusch, John Christopher) for soprano and orchestra |
|
| Wake th' harmonious voice and string (Pepusch, John Christopher) for 2 sopranos and orchestra |
|
| Vorrei scoprir (Pepusch, John Christopher) for soprano, violin and continuo |
|
Fantasia Suite, VdGS 7-9 (Gibbons, Christopher) for soprano and bass
soprano, bass and organ
2 viols
2 viols and organ |
|
Fantasia Suite, VdGS 7-9 (Gibbons, Christopher) for soprano and bass
soprano, bass and organ
2 viols
2 viols and organ |
1662 |
Fantasia Suite, VdGS 10-12 (Gibbons, Christopher) for soprano and bass
soprano, bass and organ
2 viols
2 viols and organ |
|
Fantasia Suite, VdGS 10-12 (Gibbons, Christopher) for soprano and bass
soprano, bass and organ
2 viols
2 viols and organ |
1662 |
| Ye sons of Phoebus (Blow, John) for 4 voices, mixed chorus and orchestra |
1687 |
| With cheerful hearts (Blow, John) for voices, mixed chorus and orchestra |
1600 |
| Hail monarch, sprung of race divine (Blow, John) for alto, tenor, bass, mixed chorus, strings and continuo |
1685 |
| Is it a dreame (Blow, John) for alto, tenor, bass, mixed chorus, strings and continuo |
1600 |
| Let my prayer come up (Blow, John) for |
1600 |
| Chi fra lacci (Galliard, Johann Ernst) for soprano, flute and continuo |
|
| Petit Souvenir (Cramer, Johann Baptist) for 2 violins, viola and cello |
|
| Menalcas once the gayest swain (Pepusch, John Christopher) for soprano, recorder and continuo |
|
| Twas on the eve (Pepusch, John Christopher) for soprano and continuo |
|
| The Lord God is a Sun and a Shield (Blow, John) for voices, mixed chorus, strings and continuo |
1600 |
| S'io peno e gemo (Pepusch, John Christopher) for soprano, oboe and continuo |
|
| Heil dem Manne der dem Rat der Frevler, LadK II/480 (Knecht, Justin Heinrich) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1792 |
| Feodore, LadK II/593-596 (Knecht, Justin Heinrich) for voices, mixed chorus and orchestra |
1700 |
| Die Glocke, LadK II/600 (Knecht, Justin Heinrich) for voice and piano |
1700 |
| 6 Münchner Redout Walzer (Anonymous) for piano |
|
| Die Äolsharfe, LadK II/569-592 (Knecht, Justin Heinrich) for voices, mixed chorus and orchestra |
1807 |
| Wechselgesang der Mirjam und Debora, LadK II/498ff (Knecht, Justin Heinrich) for 2 sopranos, strings and continuo |
|
Die treuen Köhler, LadK II/529-535 (Knecht, Justin Heinrich) for voices, mixed chorus and orchestra
piano |
1782 |
Die treuen Köhler, LadK II/529-535 (Knecht, Justin Heinrich) for voices, mixed chorus and orchestra
piano |
1789 |
| Der lahme Husar, LadK II/547-551 (Knecht, Justin Heinrich) for voices, mixed chorus and piano |
1798 |
Liederbuch, D-Tu Mk 45 (Various) for voice and piano
voice, cello and piano |
1855 |
| Lieder und Gesänge, D-Tu Mk 46-3 (Various) for voice and piano |
|
| Lieder und Gesänge, D-Tu Mk 46-4 (Various) for voice and piano |
|
| Lieder und Gesänge, D-Tu Mk 46-2 (Various) for voice and piano |
|
| Chaconne in E-flat major (Jommelli, Niccolò) for orchestra |
|
| Il cavaliere errante (Traetta, Tommaso) for voices and orchestra |
|
| Die Entführung aus dem Serail, LadK II/539-546 (Knecht, Justin Heinrich) for voices, mixed chorus and piano |
1786 |
| Die Durch ein Donnerwetter unterbrochene Hirtenwonne, LadK II/674ff (Knecht, Justin Heinrich) for organ |
1794 |
| Die Durch ein Donnerwetter unterbrochene Hirtenwonne, LadK II/674ff (Knecht, Justin Heinrich) for organ |
|
| Lieder und Gesänge, D-Tu Mk 46-1 (Various) for voice and piano |
1833 |
| Piano Concertino (Soriano Thebas, Alberto) for piano and orchestra |
1963 |
| Trio, Op. 10 (Levy, Alexandre) for violin, cello and piano |
1900 |
| Movements from Suite Brésilienne (Levy, Alexandre) for orchestra |
1890 |
| Sciolto havean dall'alte sponde (Carissimi, Giacomo) for |
|
| 2 Märsche, D-Tu Mk 49 (Various) for wind ensemble, brass ensemble and percussion |
1903 |
| Ständchen (Silcher, Friedrich) for voice and piano |
1854 |
| Der Verliebte (Silcher, Friedrich) for voice and piano |
1854 |
| Alfred (Arne, Thomas Augustine) for voices and orchestra |
1854 |
| Romance in B minor (Kreutzer, Conradin) for piano |
|
| Violin Sonata in G major (Mezger, Franz) for violin and piano |
|
| Violin Sonata in G major, F-Pc D.11040 (Nardini, Pietro) for violin and continuo |
|
| Singet dem Herrn ein neues Lied (Faisst, Immanuel) for soprano, alto, tenor, bass and 2 mixed chorus |
|
| Denkmal der Erkenntnis Liebe und Lob Gottes (Störl, Johann Georg Christian) for soprano and continuo |
|
| 2 Bassoon Duets, Op. 8 (Almenräder, Carl) for 2 bassoons |
|
| Variations für Flute mit Begleitung (Amon, Johann Andreas) for flute and orchestra |
|
| Overture from Die Hussiten vor Naumburg, Op. 36 (André, Johann Anton) for voices and orchestra |
|
| Overture from Rinaldo und Alcina, Op. 16 (André, Johann Anton) for voices and orchestra |
|
| Variations für die Flute mit Begleitung (Amon, Johann Andreas) for flute and orchestra |
|
| Thema mit Variationen, Op. 35 (Amon, Johann Andreas) for horn and orchestra |
|
| Der Friede Tuiskons, Op. 9 (André, Johann Anton) for voices and orchestra |
1797 |
Fantasie über 'Le postillon de Lonjumeau' (André, Johann Anton) for voice and piano
flute and piano |
|
Fantasie über 'Le brasseur de Preston' (André, Johann Anton) for violin and piano
clarinet and piano |
|
| Fantasie über 'Norma' (André, Johann Anton) for violin and piano |
|
Fantasie über 'La sonnambula' (André, Johann Anton) for violin and piano
flute and piano |
|
Fantasie über 'La straniera' (André, Johann Anton) for violin and piano
clarinet and piano |
|
| Te Deum (Azenhofer, Johannes) for soprano, bass, mixed chorus and orchestra |
1837 |
| 3 Duos brillants et faciles (Berbiguier, Tranquille) for 2 flutes |
|
| 6 Duets for 2 Flutes (Berbiguier, Tranquille) for 2 flutes |
|
Das Vaterunser (Berezovsky, Maksym) for soprano, alto, tenor and bass
mixed chorus |
|
| Overture in E major, Op. 18 (Barth, Christian Samuel) for orchestra |
|
| Vater der im Himmel thront, Op. 12 (Baur, C.) for mixed chorus, brass ensemble and percussion |
|
| Vater der im Himmel thront, Op. 12 (Baur, C.) for mixed chorus, brass ensemble and percussion |
|
| Die Allgüte Gottes, BreB A2.WoO 6 (Bergt, August) for soprano, alto, mixed chorus and orchestra |
|
| Der Glaube, BreB A2.WoO 5 (Bergt, August) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Schon hebt sich der Schleier der sinkenden Nacht, BreB B4.54 (Bergt, August) for soprano, tenor, bass, mixed chorus and orchestra |
|
| 6 Clarinet Duos (Blasius, Matthieu Frédéric) for 2 clarinets |
|
| Der Herr ist mein Hirte (Bräuer, Carl Ehregott) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
1839 |
| Adagio und Polonaise (Blatt, Franz Thaddäus) for horn and orchestra |
|
| 6 Lieder für Männerstimmen, Op. 48 (Brunner, Christian Traugott) for male chorus |
|
| Te Deum (Bühler, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Preis dir Allerhöchster (Bühler, Franz) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
Sonate periodique, Op. 55 (Amon, Johann Andreas) for violin and piano
flute and piano |
|
| Overture from The Gypsy's Warning (Benedict, Julius) for voices and orchestra |
1845 |
| Manuscript, D-Tu Mk 90 C 1a (Various) for male chorus |
|
| Cavatina: Fra tante angoscie e palpiti from Berenice in Siria (Carafa, Michele) for voices and orchestra |
1847 |
| 6 Flute Duets, Op. 75 (Devienne, François) for 2 flutes |
|
| 6 Flute Duets, Op. 32 (Devienne, François) for 2 flutes |
|
| Die Flibustier (Lobe, Johann Christian) for voices, mixed chorus and orchestra |
|
| Der Todestag des Erlösers (Eberwein, Carl) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Die Fürstin von Granada (Lobe, Johann Christian) for voices, mixed chorus and orchestra |
|
| Die Fürstin von Granada (Lobe, Johann Christian) for voices, mixed chorus and orchestra |
|
| Messa funebre per 3 soli e orchestra (Gattola, Paolo Maria) for alto, tenor, bass and orchestra |
|
| Inno a Maria SS di Portosalvo (Gattola, Paolo Maria) for female chorus and organ |
1883 |
| Die Frühlingsnacht (Eberwein, Traugott Maximilian) for mixed chorus and piano |
|
| Der Unsichtbare (Eule, Carl Diedrich) for voices and orchestra |
|
| Gott ist die Liebe (Fischer, Carl Ludwig) for male chorus |
|
| Manuscript, D-Tu Mk 90 F 14 (Various) for male chorus |
|
| Eile Gott mich zu erretten (Freudenberg, Carl Gottlieb) for soprano, alto, bass, mixed chorus and orchestra |
|
Zu frühe, ach zu frühe (Gabler, Christoph August) for mixed chorus, wind ensemble and brass ensemble
soprano, alto, tenor, bass, wind ensemble and brass ensemble |
|
| Dem Hocherhabenen sei Preis und Ehre (Gleichmann, Johann Andreas) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Potpourri for Horn and String Quartet, Op. 29 (Grimm, Carl) for horn, 2 violins, viola and cello |
|
| Overture in C major (Haeser, August Ferdinand) for orchestra |
1835 |
| König Hoherpriester Lehrer (Häussler, Ernst) for voice and male chorus |
|
| Overture in D major (Haeser, August Ferdinand) for orchestra |
1835 |
| O könnt' ich dich mein Gott recht preisen (Häussler, Ernst) for bass, mixed chorus and orchestra |
|
| Der Tag beginnt o Gott durch dich (Häussler, Ernst) for soprano, alto, tenor, bass, mixed chorus, wind ensemble and brass ensemble |
|
| Heil dem Tag den Gott gemacht (Häussler, Ernst) for soprano, tenor, bass, mixed chorus, wind ensemble and brass ensemble |
|
| Sei mir gesegnet Stunde der Andacht (Häussler, Ernst) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1841 |
| Ich suche dich (Häussler, Ernst) for voice and male chorus |
|
Das menschliche Leben (Hetsch, Louis) for 2 tenors and 2 basses
male chorus |
|
| Symphony in C minor, RSW:Anh:A6 (Schumann, Robert) for orchestra |
1840 |
| Concertino For 2 Horns and Orchestra (Kaestner, C. F.) for 2 horns and orchestra |
|
| Introduction et rondeau, Op. 82 (Kalliwoda, Johann Wenzel) for piano and strings |
|
| Alla polacca (Hoffmeister, Franz Anton) for flute and orchestra |
|
| 23 Violin Sonatas (Various) for violin and continuo |
|
| 23 Violin Sonatas (Various) for violin and continuo |
|
| Neues Biberachisches Gesangbuch, LadK II/522 (Knecht, Justin Heinrich) for voice and continuo |
1800 |
Neue Lieder und Choralmelodien, LadK deest (Knecht, Justin Heinrich) for 2 sopranos, alto, tenor and bass
mixed chorus |
1800 |
| Neue vierstimmige Choralmelodien, LadK II/522f (Knecht, Justin Heinrich) for mixed chorus and orchestra |
1800 |
| Alte und neue Choralmelodien, LadK II/522 (Knecht, Justin Heinrich) for mixed chorus and organ |
1798 |
| Rundgesang, LadK deest (Knecht, Justin Heinrich) for tenor, mixed chorus and orchestra |
1795 |
Choralbuch, LadK II/523 (Knecht, Justin Heinrich) for voices and organ
mixed chorus and organ |
|
Choralbuch, LadK II/524 (Knecht, Justin Heinrich) for voices and organ
mixed chorus and organ |
|
| Zionsharfe (Kocher, Konrad) for male chorus |
1800 |
| Auferstehungsgesang (Köhler, Ernst) for male chorus, brass ensemble and percussion |
|
| 3 Flute Duets, Op. 24 (Köhler, Gottlieb Heinrich) for 2 flutes |
|
| Rondo for Horn and Orchestra, Op. 4 (Kohaut, Franz) for horn and orchestra |
1837 |
| Sonata for Piano Four Hands, P.XI:2 (Kozeluch, Leopold) for piano 4 hands |
|
12 Vierstimmige Gesänge für Männerstimmen, KWV 7104 (Kreutzer, Conradin) for male chorus
2 tenors
2 basses |
|
Willkommen du lieblicher Mai (Kücken, Friedrich Wilhelm) for mixed chorus
soprano, alto, tenor and bass |
|
| Ouverture espagnole, WoO 3 (Küffner, Joseph) for orchestra |
1835 |
| Bassoon Concerto in B-flat major, Op. 2 (Kummer, Gotthelf Heinrich) for bassoon and orchestra |
|
Das Ständchen (Kunze, Carl Heinrich) for male chorus
2 tenors and 2 basses |
|
Preis dir, des Lebens Herr (Lägel, Johann Gottlieb) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
|
| Liederheft, D-Tu Mk 90 L 5 (Various) for voice and guitar |
|
| Liederheft, D-Tu Mk 90 L 6,1 (Various) for voice and guitar |
|
| Liederheft, D-Tu Mk 90 L 6,2 (Various) for voice and piano |
|
| Liedersammlung, D-Tu Mk 90 L 7 (Various) for voice and piano |
|
| Why Sit I Here, Alas, Complaining? (Morley, Thomas) for 4 voices |
|
| In Dew of Roses (Morley, Thomas) for 4 voices |
|
| In Every Place (Morley, Thomas) for 4 voices |
|
| Help, I Fall (Morley, Thomas) for 4 voices |
|
| Loe Cuntrie Sports (Weelkes, Thomas) for 4 voices |
|
| The Fair Penitent (Eccles, John) for |
1763 |
| Qui diligit Mariam (Steffani, Agostino) for |
|
| Nocturne in D major, Op. 5 (Loewe, Johann Heinrich) for orchestra |
|
| Holdes Mädchen das ich liebe (Mayer, August) for bass and orchestra |
|
| Herr ich habe lieb die Stätte deines Hauses (Müller, Wilhelm Adolph) for bass, mixed chorus and orchestra |
|
| Lobet den Herrn in seinem Heiligtume (Müller, Wilhelm Adolph) for soprano, mixed chorus and orchestra |
|
Die Weinlese (Neukomm, Sigismund) for mixed chorus
2 sopranos, tenor and bass |
|
| Ein Kind ist uns geboren (Müller, Wilhelm Adolph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1839 |
| Black Sanctus (Harington, John) for 3 voices |
|
| Where'er You Tread (Long, Samuel) for alto, tenor and bass |
|
| The Gods of Wit and Wine (Webbe, Samuel) for 4 voices |
|
| Isis (Anonymous) for soprano, alto, tenor and bass |
|
| It blew an hard storm (Anonymous) for |
|
| Benedictus Dominus Deus (Stradella, Alessandro) for 2 voices and continuo |
|
| Ottuns quindins humas mogangas (Anonymous) for 2 voices and continuo |
|
| Tell my Strephon that I die (Hindle, John) for 4 voices |
|
| 3 Flute Duets (Hibl, Jos.) for 2 flutes |
|
| Polyphone Tonbilder, Op. 56 (Franck, Richard) for piano |
|
| Overture from Arrangement of Overture from Die Nacht zu Paluzzi (Pentenrieder, Franz Xaver) for orchestra |
1835 |
| 3 Violin Duets (Fodor, Josephus) for |
|
| Mitridate (Giai, Giovanni Antonio) for 8 voices and orchestra |
|
| Idolo mio diletto from Mitridate (Giai, Giovanni Antonio) for 8 voices and orchestra |
|
| Viva il caro idolo from Mitridate (Giai, Giovanni Antonio) for 8 voices and orchestra |
|
| Lascia deh lascia almeno from Mitridate (Giai, Giovanni Antonio) for 8 voices and orchestra |
|
| Des Kriegers Abschied von seinem Liebchen (Anonymous) for voice and guitar |
|
| Weine Land sie ist dahin (Dieter, Christian Ludwig) for mixed chorus |
|
| Manuscript, D-Tu Mk 90 Nachtrag 84,a4 (Various) for mixed chorus, wind ensemble and brass ensemble |
|
| Ruhe Staub bei Staube (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1849 |
| Hoffnung am Grabe (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1847 |
| Ruhe sanft schlaf wohl, IA 2443 (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1857 |
| So fliesst ihr stillen Tränen (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
|
| Ruhe sanft schlaf wohl, IA 2444 (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1844 |
| 6 Variations for Horn (Kauer, Ferdinand) for horn and orchestra |
|
| Heil'ger Geist, ergreif den Staub (Otto, Ernst Julius) for mixed chorus and orchestra |
|
Manuscript, D-Tu Mk 90 Nachtrag 84,a11 (Anonymous) for mixed chorus
mixed chorus, wind ensemble and brass ensemble |
1844 |
Manuscript, D-Tu Mk 90 Nachtrag 84,a8 (Various) for mixed chorus
male chorus and mixed chorus
voices |
|
| Manuscript, D-Tu Mk 90 Nachtrag 84,a9 (Various) for mixed chorus, wind ensemble and brass ensemble |
|
| Destino più care from Annibale (Porpora, Nicola Antonio) for voices and orchestra |
|
| Per te perdo il mio contento from Annibale (Porpora, Nicola Antonio) for voices and orchestra |
|
| Di rendermi la calma from Annibale (Porpora, Nicola Antonio) for voices and orchestra |
|
| Solo quelle luci belle from Annibale (Porpora, Nicola Antonio) for voices and orchestra |
|
| Unendlich gross ist Gottes Huld und Macht (Pachaly, Traugott Immanuel) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Fischerlied (Panny, Joseph) for tenor, mixed chorus and orchestra |
|
| Basset Horn Concerto in B-flat major (Pfeiffer, Franz Anton) for basset horn and orchestra |
|
| Manuscript, D-Tu Mk 90 Nachtrag 84,a13 (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1853 |
| Manuscript, D-Tu Mk 90 Nachtrag 84,a16 (Various) for mixed chorus |
1849 |
| Manuscript, D-Tu Mk 90 Nachtrag 84,a17 (Various) for mixed chorus, wind ensemble and brass ensemble |
|
Manuscript, D-Tu Mk 90 Nachtrag 84,a15 (Various) for mixed chorus
mixed chorus, wind ensemble and brass ensemble |
1844 |
Manuscript, D-Tu Mk 90 Nachtrag 84,a14 (Various) for male chorus
mixed chorus |
1859 |
| Encomendação da Ordem do Carmo (Xavier, José Maria) for |
|
Manuscript, D-Tu Mk 90 Nachtrag 84,a18 (Anonymous) for soprano, alto, tenor, bass, mixed chorus, wind ensemble and brass ensemble
mixed chorus |
|
Manuscript, D-Tu Mk 90 Nachtrag 84,a19 (Anonymous) for mixed chorus, wind ensemble and brass ensemble
voice and piano |
1847 |
Manuscript, D-Tu Mk 90 Nachtrag 84,a20 (Anonymous) for mixed chorus, wind ensemble and brass ensemble
mixed chorus |
1842 |
| Ruhe frei von aller Klage (Anonymous) for mixed chorus, wind ensemble and brass ensemble |
1849 |
| Dank am Grab (Ulrich, Karl Ernst Hermann) for soprano, alto, tenor, bass, mixed chorus, wind ensemble and brass ensemble |
1845 |
| Heilig ist Gott der Herr Zebaoth (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Glaube Liebe Hoffnung (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Preis dir auf deinem Throne (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Heilig ist der Herr (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott sieh uns gnädig an (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Sieh von deines Himmels Höhen (Anonymous) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 2 Chorlieder, D-Tu Mk 90 Nachtrag 84,b7 (Anonymous) for male chorus |
|
| 2 Chorlieder, D-Tu Mk 90 Nachtrag 84,b8 (Anonymous) for male chorus |
|
| 2 Chorlieder, D-Tu Mk 90 Nachtrag 84,b9 (Anonymous) for male chorus |
|
| Brass Quintet in C major (Anonymous) for 4 horns and trumpet |
|
| Es ist ein köstlich Ding (Reissiger, Carl Gottlieb) for mixed chorus and orchestra |
|
| Ein König ist der Herr, Op. 174 (Reissiger, Carl Gottlieb) for male chorus |
|
| Der Herr ist gross (Sachs, Johann Georg) for 2 sopranos, bass, mixed chorus and orchestra |
|
| 38 Petites pièces pour le piano-forte (Sörgel, F.W.) for piano |
|
Familienpolka (Schäffer, August) for soprano, alto, tenor and bass
mixed chorus |
|
| Heil unserm König (Schinn, Georg) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Der Musikdirektor am Hofe des Kaisers in Siam (Schinn, Georg) for bass and orchestra |
|
| Der Musikdirektor am Hofe des Kaisers in Siam (Schinn, Georg) for bass and orchestra |
|
| Friedenskantate (Schinn, Georg) for bass, mixed chorus and orchestra |
1813 |
| Sieh diese jungen Seelen (Stössel, Nikolaus) for bass, mixed chorus and orchestra |
|
| Version from Ehre sei Gott in der Höhe, INS 1 (Stössel, Nikolaus) for soprano, mixed chorus and orchestra |
1839 |
| Ehre sei Gott in der Höhe, INS 2 (Stössel, Nikolaus) for soprano, mixed chorus and orchestra |
1841 |
| Ehre sei Gott in der Höhe, INS 3 (Stössel, Nikolaus) for alto, tenor, bass, mixed chorus and orchestra |
1839 |
| 4 Pieces for Orchestra, Op. 62 (Streck, Peter) for orchestra |
|
| Karolinen Française und Fest Polonaise (Streck, Peter) for orchestra |
|
| 12 Stücke für kleines Tanz-Orchester (Streck, Peter) for orchestra |
|
| Overture from Götz von Berlichingen, Op. 32 (Wagner, Karl Jacob) for voices and orchestra |
|
| Ouverture in C major (Trautvetter, Friedrich Wilhelm von) for orchestra |
|
Version from Grablied, J.37 (Weber, Carl Maria von) for mixed chorus
mixed chorus, wind ensemble and brass ensemble |
|
| Die Hanoveraner Walzer (Streck, Peter) for orchestra |
|
| Schnee-Flocken Walzer, Op. 45 (Streck, Peter) for orchestra |
|
| April-Stürme Walzer, Op. 44 (Streck, Peter) for orchestra |
|
| Die Rosenblätter Walzer (Streck, Peter) for orchestra |
|
| Die Schatzgräber Walzer, Op. 236 (Streck, Peter) for orchestra |
|
| Katharinen Tänze Walzer (Streck, Peter) for orchestra |
|
| Erinnerung an Bad Brückenau, Op. 40 (Streck, Peter) for orchestra |
|
| Winterspenden, Op. 27 (Bayern, Max Joseph in) for orchestra |
|
| 6 Variations upon 'Tÿroler-Alpenlied' (Triebensee, Joseph) for guitar, violin and piano |
|
| Stabat Mater (Winter, Peter von) for soprano, alto, tenor, mixed chorus and orchestra |
|
| Ofício de Quinta-feira Santa (Cunha, Antônio dos Santos) for |
|
| Die Schweizer Walzer (Streck, Peter) for orchestra |
|
| As gallinha tão no chôco... (Levy, Luiz) for voice and piano |
|
| Valse caprice, Op. 14 (Levy, Luiz) for piano |
|
| Arrangement of String Quartet No. 13, Op. 101 (Mechura, Leopold Eugen) for piano 4 hands |
|
| Scherzzetto (Levy, Luiz) for piano |
1884 |
| Marcha fúnebre à memória de Carlos Gomes (Levy, Luiz) for orchestra |
|
| Nice, Op. 34 (Levy, Luiz) for piano |
|
| Nice, Op. 34 (Levy, Luiz) for piano |
1930 |
| Piano Quintet (Moszkowski, Moritz) for 2 violins, viola, cello and piano |
|
Piano Septet, Op. 40 (Riotte, Philipp Jakob) for clarinet, 2 horns, violin, viola, cello and piano
clarinet, 2 horns, viola, viola, double bass and piano |
|
| Mysterios (Levy, Luiz) for piano |
|
| Marche de la Légion Etrangère (Levy, Luiz) for piano |
|
| Voluntários Paulistas (Levy, Luiz) for piano |
|
| Voluntários Paulistas (Levy, Luiz) for piano |
|
| Maxixe (Levy, Luiz) for piano |
|
| Die Musik (Winter, Peter von) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1830 |
| I fratelli rivali (Winter, Peter von) for voices and orchestra |
|
| Das Leiden und der Tod Jesu Christi, WacR III:6 (Rolle, Johann Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Unser Aula (Loewe, Carl) for male chorus |
|
Der brüderliche Theilung (Loewe, Carl) for 2 tenors and 2 basses
male chorus |
|
| Audaces Fortuna Juvat (Levy, Luiz) for piano |
1904 |
| Epaminonda (Giacomelli, Geminiano) for 7 voices and orchestra |
|
| Epaminonda (Giacomelli, Geminiano) for 7 voices and orchestra |
|
| Suspiria cordis (Herbst, Johann Andreas) for mixed chorus, 2 violins and continuo |
1830 |
| Berenice che fai? (Cherubini, Luigi) for soprano and orchestra |
1793 |
| L'alliance de la musique à la maçonnerie (Cherubini, Luigi) for voices and orchestra |
1786 |
| Te Deum and Jubilate in A major (Boyce, William) for soprano, alto, tenor, bass, mixed chorus and continuo |
|
| Comala (Levy, Alexandre) for orchestra |
1910 |
| Arrangement of Comala (Levy, Alexandre) for 2 pianos |
1892 |
| Arrangement of Rhapsodia Brasileira No. 1, Op. 17 (Levy, Luiz) for orchestra |
|
| Arrangement of Rhapsodia Brasileira No. 1, Op. 17 (Levy, Luiz) for flute, clarinet, trumpet, trombone, piano and 2 violins |
|
| Arrangement of Serenata, Op. 16 (Levy, Luiz) for strings |
|
| Kaiserrequiem, K.51-53 (Fux, Johann Joseph) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Aimons! (Levy, Alexandre) for voice and piano |
1940 |
| Aimons! (Levy, Alexandre) for voice and piano |
1940 |
| Rêverie, Op. 19 (Levy, Alexandre) for 2 violins, viola and cello |
|
| Rêverie, Op. 19 (Levy, Alexandre) for 2 violins, viola and cello |
|
| Romance (Levy, Alexandre) for cello and piano |
|
| En mer (Levy, Alexandre) for piano 4 hands |
|
| Piano Quintet No. 1, KSS 26 (Sorabji, Kaikhosru Shapurji) for 2 violins, viola, cello and piano |
1921 |
| Mazurka No. 2, Op. 6 No. 2 (Levy, Alexandre) for piano |
|
| Recuerdos (Levy, Alexandre) for piano |
|
| Scherzo valse, Op. 9 (Levy, Alexandre) for piano 4 hands |
|
| Plaintive (Levy, Alexandre) for piano |
|
| De mãos postas (Levy, Alexandre) for |
|
| Sen chrześcijanina, Op. 57 (Dobrzyński, Ignacy Feliks) for orchestra |
1851 |
| Arrangement of Werther (Levy, Alexandre) for piano |
|
| Arrangement of Werther (Levy, Alexandre) for 2 pianos |
|
| Symphony (Levy, Alexandre) for orchestra |
|
| 4. Finale from Symphony (Levy, Alexandre) for orchestra |
|
| 4. Finale from Arrangement of 4. Finale from Symphony (Levy, Alexandre) for 2 pianos |
|
| 4. Finale from Arrangement of 4. Finale from Symphony (Levy, Alexandre) for 2 pianos |
|
| 4. Finale from Arrangement of 4. Finale from Symphony (Levy, Alexandre) for 2 pianos |
|
| Symphony (Levy, Alexandre) for orchestra |
|
| 12 Ragozi Galops (Küffner, Joseph) for piano |
|
| Marcha imperial (Pedro I, Dom) for clarinet and piano 4 hands |
|
| Hino a D. João VI (Pedro I, Dom) for mixed chorus and orchestra |
1817 |
Hino para a aclamação de D. João VI (Portugal, Marcos) for mixed chorus and orchestra
mixed chorus, wind ensemble, brass ensemble and percussion |
1817 |
| 3 Jaculatórias de São Francisco in G major (Bastos, Martiniano Ribeiro) for mixed chorus and orchestra |
1900 |
| Incomplete from La fedeltà in amore (Tritto, Giacomo) for 8 voices and orchestra |
1764 |
| Oratorio funebre all' Occasione della morte di Maria Gioseppa Regina di Pollonia, Krebs-WV 100 (Krebs, Johann Ludwig) for alto, tenor, mixed chorus and orchestra |
1757 |
| Li furbi (Tritto, Giacomo) for 4 voices and orchestra |
1765 |
| Il principe riconosciuto (Tritto, Giacomo) for 8 voices and orchestra |
1780 |
| Incomplete from La francese di spirito (Tritto, Giacomo) for 9 voices and orchestra |
1781 |
| 12 Violin Concertos (Graun, Johann Gottlieb) for violin and orchestra |
|
| Sinfonia in G major, T.Si 7.4a (Albinoni, Tomaso) for strings and continuo |
|
| Ave Maris Stella, CPM 20 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Ave Maris Stella, CPM 20 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Ave Maris Stella, CPM 20 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Ave Maris Stella, CPM 20 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Ave Regina caelorum, CPM 6 (Garcia, José Maurício Nunes) for mixed chorus and continuo |
|
| Ave Regina caelorum, CPM 6 (Garcia, José Maurício Nunes) for mixed chorus and continuo |
|
| Novena de Sta. Bárbara, CPM 65 (Garcia, José Maurício Nunes) for mixed chorus and organ |
1810 |
| Novena de Sta. Bárbara, CPM 65 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| O gloriosa Virginum, CPM 34 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| O gloriosa Virginum, CPM 34 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| O gloriosa Virginum, CPM 34 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| O gloriosa Virginum, CPM 34 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Quem terra, CPM 39 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Quem terra, CPM 39 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Quem terra, CPM 39 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Quem terra, CPM 39 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Regina coeli laetare alleluia, CPM 10 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Regina coeli laetare alleluia, CPM 10 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Regina coeli laetare alleluia, CPM 10 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Regina coeli laetare alleluia, CPM 11 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Regina coeli laetare alleluia, CPM 11 (Garcia, José Maurício Nunes) for mixed chorus and organ |
|
| Tota pulchra es Maria, CPM 1 (Garcia, José Maurício Nunes) for soprano, mixed chorus and orchestra |
|
| Incomplete from La Belinda (Tritto, Giacomo) for 8 voices and orchestra |
1781 |
| Don Procopio in corte del Preteianni (Tritto, Giacomo) for 9 voices and orchestra |
1782 |
| Il convitato di pietra (Tritto, Giacomo) for 9 voices and orchestra |
1782 |
| La sposa stramba (Tritto, Giacomo) for voices and orchestra |
1783 |
| Incomplete from La scuola degli amanti (Tritto, Giacomo) for 9 voices and orchestra |
|
| Il matrimonio negli Elisi (Tritto, Giacomo) for 5 voices and orchestra |
1784 |
| L'Artenice (Tritto, Giacomo) for 6 voices and orchestra |
1784 |
| L'Artenice (Tritto, Giacomo) for 6 voices and orchestra |
|
| L'Artenice (Tritto, Giacomo) for 6 voices and orchestra |
|
| La molinarella spiritosa (Tritto, Giacomo) for 6 voices and orchestra |
1787 |
| La bella selvaggia (Tritto, Giacomo) for 6 voices and orchestra |
1788 |
| La scaltra avventuriera (Tritto, Giacomo) for 6 voices and orchestra |
1788 |
| La scaltra avventuriera (Tritto, Giacomo) for 6 voices and orchestra |
1788 |
| La pruova reciproca (Tritto, Giacomo) for 6 voices and orchestra |
1789 |
| Il cartesiano fantastico (Tritto, Giacomo) for 8 voices and orchestra |
1789 |
| Mazurka in G major (Kolberg, Oskar) for piano |
|
| Quartet for 2 Clarinets, Basson and Horn (Baum, Alfred) for 2 clarinets, bassoon and horn |
1975 |
| Le gelosie (Tritto, Giacomo) for 5 voices and orchestra |
1786 |
| I servi padroni (Tritto, Giacomo) for 5 voices and orchestra |
1789 |
| Li raggiri scoperti (Tritto, Giacomo) for 5 voices and orchestra |
1786 |
| La canterina (Tritto, Giacomo) for voices, mixed chorus and orchestra |
1790 |
| Le astuzie in amore (Tritto, Giacomo) for 8 voices and orchestra |
1790 |
| L'equivoco (Tritto, Giacomo) for 7 voices and orchestra |
1791 |
| Incomplete from Le trame spiritose (Tritto, Giacomo) for 7 voices and orchestra |
1791 |
| La fedeltà nelle selve (Tritto, Giacomo) for 7 voices and orchestra |
|
| L'impostore smascherato (Tritto, Giacomo) for 7 voices and orchestra |
1794 |
| Gli amanti in puntiglio (Tritto, Giacomo) for 7 voices and orchestra |
1794 |
| Apelle e Campaspe (Tritto, Giacomo) for 7 voices and orchestra |
|
| Grønlandsk Folketone (Reesen, Emil) for |
1934 |
Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 1-7 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 8-14 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 15-20 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 21-24 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 25-28 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 29-34 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Concertos 35-37 from Instrumental Music, I-Tn Giordano 30 (Vivaldi, Antonio) for strings and continuo
violin, strings and continuo
flute, violin and cello
flute, bassoon and violin
recorder, violin and cello
recorder, bassoon and violin |
1700 |
Nourmahal's Song (Coleridge-Taylor, Samuel) for voice and piano
voice and orchestra |
1800 |
| Arrangement of Nourmahal's Song (Coleridge-Taylor, Samuel) for voice and orchestra |
1936 |
| Variations for Piano and Orchestra (Krogulski, Józef W.) for piano and orchestra |
1835 |
| Variations for Piano and Orchestra (Krogulski, Józef W.) for piano and orchestra |
1835 |
| Piano Concerto in E major (Krogulski, Józef W.) for piano and orchestra |
1830 |
| Piano Concerto in E major (Krogulski, Józef W.) for piano and orchestra |
|
| Piano Concerto in E major (Krogulski, Józef W.) for piano and orchestra |
|
| Jazz-Suite (Reesen, Emil) for orchestra |
1930 |
| Concerto for Strings in F major, RV 139 (Vivaldi, Antonio) for oboe, strings and continuo |
1700 |
| Violin Concerto in B-flat major, RV 745 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 320 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Missa de Santa Cecília, CPM 113 (Garcia, José Maurício Nunes) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Violin Concerto in C major, RV 182 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 217 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 232 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in E major, RV 266 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in E-flat major, RV 257 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G major, RV 306 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Concerto for 2 Horns in F major, RV 538 (Vivaldi, Antonio) for 2 horns, strings and continuo |
1700 |
| Concertos 1-7 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 8-11 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 12 & 13 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 14-20 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 21-28 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 29-37 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concertos 38-46 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Concerto 47 from Instrumental Music, I-Tn Giordano 31 (Vivaldi, Antonio) for |
1700 |
| Fantasiestücke (Hiller, Ferdinand) for orchestra |
1800 |
| Violin Concerto in C major, RV 181 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
Concertos 1-5 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
Concertos 6-10 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
Concertos 11-18 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
Concertos 19-23 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
Concertos 24-28 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
Concertos 29-35 from Instrumental Music, I-Tn Giordano 29 (Vivaldi, Antonio) for violin, strings and continuo
strings and continuo |
1700 |
| Arrangement of Hino da Amelia (Pedro I, Dom) for piano |
|
| Violin Concerto in A major, RV 353 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in B-flat major, RV 368 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in D major, RV 209 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in E-flat major, RV 261 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Concerto for 2 Horns in F major, RV 539 (Vivaldi, Antonio) for 2 horns, strings and continuo |
1700 |
| Flute Concerto in E minor, QV 5:117 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in E minor, QV 5:118 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in F major, QV 5:161 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in G major, QV 5:189 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Flute Concerto in D major, QV 5:46 (Quantz, Johann Joachim) for flute, strings and continuo |
|
| Dixit Dominus in D major, RV 594 (Vivaldi, Antonio) for |
1700 |
| Violin Concerto in B-flat major, RV 380 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Canta in prato, RV 636 (Vivaldi, Antonio) for soprano, 2 oboes, strings and continuo |
1700 |
| Domine ad adiuvandum me, RV 593 (Vivaldi, Antonio) for soprano, 2 mixed chorus, 2 oboes, strings and continuo |
1700 |
| Violin Concerto in F major, RV 288 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Violin Concerto in G minor, RV 330 (Vivaldi, Antonio) for violin, strings and continuo |
1700 |
| Overture in D major (Fiorillo, Federigo) for orchestra |
|
| 6 Caprices for Violin (Mestrino, Niccolò) for violin |
|
Zapachniały wiosną kwiaty (Lipski, Stanisław) for mixed chorus
soprano, alto, tenor and bass |
1928 |
| Siostry (Lipski, Stanisław) for male chorus |
1920 |
| Poranek letni (Lipski, Stanisław) for male chorus |
1920 |
| Pójdź ze mną (Lipski, Stanisław) for male chorus |
|
| Compositions for the Organ (Wiegand, Auguste) for organ |
1901 |
| 12 Leichte Pieçen für das Piano Forte (Küffner, Joseph) for piano |
|
| 2 Walzer und 3 Gallopaden (Küffner, Joseph) for piano |
|
| Ecce Agnus Dei No. 5 (Anonymous) for |
1948 |
| Zapateo cubano (Núñez, Gonzalo de Jesús) for piano |
|
Geistliches Lied (Loewe, Carl) for male chorus
2 tenors and 2 basses |
1851 |
| Musik, ICL 162 (Loewe, Carl) for 2 sopranos and piano |
|
| Beim Maitrank (Loewe, Carl) for male chorus |
|
| Der weisse Hirsch (Loewe, Carl) for male chorus |
|
| Sternenlied (Loewe, Carl) for voice and piano |
|
| Städchen (Loewe, Carl) for voice, guitar and piano |
1800 |
| Die Heimat (Loewe, Carl) for 2 sopranos and piano |
1800 |
| Treue Liebe (Loewe, Carl) for soprano, tenor and piano |
1800 |
| Der Zahn (Loewe, Carl) for voice and piano |
1800 |
| Qualor miro la bella, H.585 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quando Amor vuol ferirmi, H.588 (Scarlatti, Alessandro) for soprano and continuo |
|
| Quanto io v'ami o luci (Scarlatti, Alessandro) for alto and continuo |
|
| Care pupille belle (Scarlatti, Alessandro) for soprano and continuo |
|
| Un dì Tirsi l'amante (Scarlatti, Alessandro) for soprano and continuo |
|
| Ogni affanno crudele (Scarlatti, Alessandro) for soprano and continuo |
|
| Splendeano in bel sembiante (Scarlatti, Alessandro) for bass and continuo |
|
| Tito Sempronio Gracco (Scarlatti, Alessandro) for 7 voices and orchestra |
|
| Marco Attilio Regolo (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| O give thanks unto the Lord and call upon his name (Greene, Maurice) for 2 voices, mixed chorus and continuo |
|
| Viola da Gamba Sonata in G major, WK 152 (Abel, Carl Friedrich) for bass and viol |
|
| Viola da Gamba Sonata in G major, WK 157 (Abel, Carl Friedrich) for bass and viol |
|
| O God, thou art my God (Greene, Maurice) for alto, mixed chorus and continuo |
|
Sonatas for Viola da Gamba, GB-Lbl Add MS 31,697 (Abel, Carl Friedrich) for viol
viol and continuo |
|
| Lasciami sospirar, io voglio piangere (Scarlatti, Alessandro) for soprano, bass and continuo |
|
| Turno Aricino (Scarlatti, Alessandro) for 7 voices and orchestra |
|
| Concerto Grosso in F major, R.533.1 (Scarlatti, Alessandro) for 2 flutes, strings and continuo |
1715 |
| Concerto Grosso in D minor, R.533.3 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in D minor, R.533.5 (Scarlatti, Alessandro) for 2 flutes, strings and continuo |
1715 |
| Concerto Grosso in A minor, R.533.6 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in G minor, R.533.7 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in G major, R.533.8 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in G minor, R.533.9 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in A minor, R.533.10 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in C major, R.533.11 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Concerto Grosso in C minor, R.533.12 (Scarlatti, Alessandro) for flute, strings and continuo |
1715 |
| Mitridate Eupatore (Scarlatti, Alessandro) for 10 voices and orchestra |
|
Concerto Grosso in E minor, R.533.4 (Scarlatti, Alessandro) for flute, oboe, strings and continuo
flute, violin, strings and continuo |
1715 |
12 Concerti Grossi, GB-Lbl R.M.21.b.14 (Scarlatti, Alessandro) for orchestra
2 recorders, strings and continuo
recorder, trumpet, strings and continuo
recorder, strings and continuo
recorder, oboe, strings and continuo
recorder, violin, strings and continuo |
1715 |
| Non so qual più m'ingombra, H.476 (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
1716 |
| Odi lucida notte (Scarlatti, Alessandro) for soprano and continuo |
|
| Su le sponde d'Abbido, H.703 (Scarlatti, Alessandro) for soprano and continuo |
|
| Stravagante è l'amor, H.692 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sventurati miei pensieri, H.710 (Scarlatti, Alessandro) for soprano and continuo |
|
| Sventurati miei pensieri, H.710 (Scarlatti, Alessandro) for soprano and continuo |
|
| Talor per suo diletto, H.713 (Scarlatti, Alessandro) for soprano and continuo |
|
| Voi mi dite tu sei bella, H.776 (Scarlatti, Alessandro) for soprano and continuo |
|
| E con qual core, oh Dio, H.224 (Scarlatti, Alessandro) for soprano and continuo |
|
| Zeffiretti che spirate, H.782 (Scarlatti, Alessandro) for alto and continuo |
|
| Tirsi mentr'io dormiva, H.722 (Scarlatti, Alessandro) for soprano and continuo |
|
| Irish Rhapsody No. 3, Op. 137 (Stanford, Charles Villiers) for cello and orchestra |
1913 |
| Tra l'ombre più secrette, H.727 (Scarlatti, Alessandro) for soprano and continuo |
|
| Troppo care, troppo belle, H.733 (Scarlatti, Alessandro) for soprano and continuo |
|
| Tu resti, o mio bel nume, H.742 (Scarlatti, Alessandro) for soprano and continuo |
|
| Un Tantalo assetato, H.753 (Scarlatti, Alessandro) for soprano and continuo |
|
| Vaghe tende adorate, H.758 (Scarlatti, Alessandro) for soprano and continuo |
|
| Voi dell'idolo mio care treccie, H.774 (Scarlatti, Alessandro) for alto and continuo |
|
| Voi giungeste, o vaghi fiori, H.775 (Scarlatti, Alessandro) for alto and continuo |
|
| Ove il fiorito impero mostra, H.523 (Scarlatti, Alessandro) for soprano and continuo |
|
| E come, o Dio, tacito e fido?, H.221 (Scarlatti, Alessandro) for soprano and continuo |
|
| L'olimpiade (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| L'olimpiade (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| 6 Variationen und Tango (Baum, Alfred) for piano |
1932 |
| Concertino for Cello and Orchestra (Baum, Alfred) for cello and orchestra |
1937 |
| Quartetto No. 3 a Contrabbasso Obbligato (Hoffmeister, Franz Anton) for violin, viola, cello and double bass |
|
| Quartetto No. 4 a Contrabbasso Obbligato (Hoffmeister, Franz Anton) for violin, viola, cello and double bass |
|
| Demofoonte (Caldara, Antonio) for 7 voices and orchestra |
|
| Demofoonte (Caldara, Antonio) for 7 voices and orchestra |
|
| Demofoonte (Caldara, Antonio) for 7 voices and orchestra |
|
| Es kommt aus dem kindlichen Alter der Welt (Mendelssohn, Felix) for mixed chorus |
1800 |
| Er wird öffnen die Augen der Blinden, MWV S 78 (Mendelssohn, Felix) for mixed chorus and orchestra |
1846 |
| O lasst mich einen Augenblick noch hier, MWV H 7 (Mendelssohn, Felix) for bass and orchestra |
|
| O lasst mich einen Augenblick noch hier, MWV H 8 (Mendelssohn, Felix) for bass and orchestra |
1847 |
| Cantique pour l’église Wallonne de Francfort, MWV B 56 (Mendelssohn, Felix) for mixed chorus |
|
| Marches militaires et airs pour le carrousel de Monseigneur, LWV 72 (Lully, Jean-Baptiste) for |
1900 |
| Die Feier des Todes Jesu, WacR III:9 (Rolle, Johann Heinrich) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
1796 |
| Die Feier des Todes Jesu, WacR III:9 (Rolle, Johann Heinrich) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Valse lente 'Blonde au brune?' (Gallisay Pilo, Priamo) for piano |
|
Vridag (Tinel, Edgar) for mixed chorus
soprano and piano |
1887 |
Vridag (Tinel, Edgar) for mixed chorus
soprano and piano |
1877 |
| Die Ausgießung des Heiligen Geistes, WacR IV:3 (Rolle, Johann Heinrich) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Die Ausgießung des Heiligen Geistes, WacR IV:3 (Rolle, Johann Heinrich) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Die befreiung Israels, WacR I:11 (Rolle, Johann Heinrich) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1770 |
| Hermanns Tod, WacR I:10 (Rolle, Johann Heinrich) for soprano, alto, 3 tenors, 2 basses, mixed chorus and orchestra |
1785 |
| Andante et berceuse (Saint-Saëns, Camille) for piano |
1841 |
| Hail! California (Saint-Saëns, Camille) for |
1915 |
| Ode à Sainte-Cécile (Saint-Saëns, Camille) for |
1852 |
| Manuscript, P-Ln cic-92 (Various) for |
|
| Allegretto (Saint-Saëns, Camille) for piano |
1842 |
Le golfe de Baya (Saint-Saëns, Camille) for soprano and piano
tenor and piano |
1847 |
| Selections (1722 Rome Version) from Flavio Anicio Olibrio (Porpora, Nicola Antonio) for 7 voices and orchestra |
|
| Arrangement of Hino de S. M. F. a Senhora D. Maria II (Anonymous) for voice and guitar |
|
| Arrangement of Hino de S. M. F. a Senhora D. Maria II (Anonymous) for piano |
|
| Arrangement of Hino constitucional de 1820 (Coccia, Carlo) for piano |
|
Serenade (Scherber, Ferdinand) for violin, viola damore and cello
violin, viola and cello |
|
| String Quartet, Op. 48 (Amade, August) for 2 violins, viola and cello |
|
| Immaculatam Conceptionem (Bastos, Martiniano Ribeiro) for |
1890 |
| Nativitatem Virginis Mariae (Bastos, Martiniano Ribeiro) for |
1890 |
| String Quartet in E-flat major (Campioni, Carlo Antonio) for 2 violins, viola and cello |
|
| Novena de São Sebastião (Souza, Jerônimo de) for |
|
| O Beate Sebastiane (Anonymous) for |
|
| Oratorio di San Antonio (De Falco, Michele) for 4 voices and orchestra |
|
| La vittoria d'amor coniugale (Giordani, Carmine) for 9 voices and orchestra |
|
| Se dell'armi il decoro (Giordani, Carmine) for soprano, violin and continuo |
|
| Vi conosco occhi bugiardi (Galasso, Domenico) for soprano and continuo |
|
| Mio cor fu gran sventura (Galasso, Domenico) for soprano and continuo |
|
| Filli e Nadolmio (Sellitto, Giuseppe) for soprano, tenor and orchestra |
1700 |
| Flute Concerto in G major (Sellitto, Giuseppe) for flute, 2 violins and continuo |
|
| La locandiera (Auletta, Pietro) for 8 voices and orchestra |
|
| Lincoln, The Great Commoner (Ives, Charles) for |
|
| La favola de' tre gobbi (Ciampi, Vincenzo Legrenzio) for 4 voices and orchestra |
|
| Isacco (Conti, Nicola) for 5 voices and orchestra |
1741 |
| Nino (Courcelle, Francisco) for 6 voices and orchestra |
|
| Santa Clotilde (Courcelle, Francisco) for 4 voices, mixed chorus and orchestra |
|
| Stabat Mater in E-flat major (Logroscino, Nicola Bonifacio) for soprano, alto, strings and continuo |
1760 |
| La contesa di Pallade e Venere (Sarro, Domenico Natale) for soprano, alto, tenor, strings and continuo |
|
| Clelia (Conti, Ignazio) for 5 voices and orchestra |
|
| Clelia (Conti, Ignazio) for 5 voices and orchestra |
1733 |
| Clelia (Conti, Ignazio) for 5 voices and orchestra |
1733 |
| Clelia (Conti, Ignazio) for 5 voices and orchestra |
|
| Manuscript, P-LKj Muz.Rkp.1006 III (Nowowiejski, Feliks) for male chorus |
1910 |
| Componimento per musica (Scarlatti, Giuseppe) for 3 voices and orchestra |
1739 |
| Cello Sonata in D minor (Anzoletti, Marco) for cello and piano |
|
| Arrangement of Balletto Campestre, MS 74 (Paganini, Niccolò) for violin and piano |
|
| Una frase di S. Bach variata per violino solo (Anzoletti, Marco) for violin |
|
| Labyrinthos (Anzoletti, Marco) for violin |
|
| L'Origille (Palella, Antonio) for 8 voices and orchestra |
|
| Le corone (Calandro, Nicola) for 3 voices and orchestra |
|
| Arrangement of La Primavera, MS 73 (Paganini, Niccolò) for violin and piano |
|
| Alles Fleisch ist Heu und alle seine Güte, TWV 4:4c (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1727 |
| Selig sind die Todten, TWV 4:4a (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Ich fürchte keinen Tod auf Erden, TWV 4:4b (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Man muß nicht zu sehr trauern, TWV 4:23 (Telemann, Georg Philipp) for soprano, alto, bass, mixed chorus and orchestra |
1720 |
| Der aus der Löwengrube errettete Daniel, TWV deest (Telemann, Georg Philipp) for soprano, 2 altos, 2 tenors, mixed chorus and orchestra |
1870 |
Fugue for Violin and Organ or Piano (Anzoletti, Marco) for violin and organ
violin and piano |
|
| Sonata Napoleone, MS 5 (Paganini, Niccolò) for violin and orchestra |
|
| Arrangement of Violin Sonata in E major 'Maria Luisa', MS 79 (Paganini, Niccolò) for violin and orchestra |
|
Contradanza, MS deest (Paganini, Niccolò) for keyboard
continuo and Unspecified instrument |
1800 |
| Fantasia-Capriccio (Anzoletti, Marco) for violin |
|
| Piano Trio in A major (Anzoletti, Marco) for violin, cello and piano |
|
| Sarabanda variata per Violino solo (Anzoletti, Marco) for violin |
|
| Endimione (Bononcini, Giovanni) for 6 voices and orchestra |
|
| Endimione (Bononcini, Antonio Maria) for 6 voices and orchestra |
|
21 Vocal Pieces, I-Nc Cantate 69 (Various) for soprano and continuo
alto and continuo
alto, strings and continuo |
|
| Capriccio for Solo Violin in C major (Anzoletti, Marco) for violin |
|
| Ballata No. 6 in B minor (Anzoletti, Marco) for violin and piano |
|
| Mentre canta l'augelletto (Bononcini, Antonio Maria) for soprano and continuo |
|
| Finché la bella Irene (Bononcini, Antonio Maria) for alto and continuo |
|
| Sans cesse des tourments (Bononcini, Antonio Maria) for alto and continuo |
|
| Clori perché d'amore (Bononcini, Antonio Maria) for alto and continuo |
|
| Zingaretta che predici (Bononcini, Antonio Maria) for alto and continuo |
|
| Erano ancor immote (Bononcini, Antonio Maria) for alto and continuo |
|
| Brama d'esser amante il mio core, L.21 (Astorga, Emanuele) for alto and continuo |
|
| Filli mia, mio bel tesoro (Bononcini, Giovanni) for alto and continuo |
|
| Tortorella che priva (Bononcini, Giovanni) for alto and continuo |
|
| Vanne sì ruscelletto contento (Bononcini, Giovanni) for soprano and continuo |
|
| Viver lungi dal suo bene (Bononcini, Giovanni) for alto and continuo |
|
| Con trasparente velo (Bononcini, Giovanni) for alto and continuo |
|
| Voi carbonchi animati (Bononcini, Giovanni) for soprano and continuo |
|
| Luci belle, pupille adorate (Bononcini, Giovanni) for soprano and continuo |
|
| Io son lungi alla mia vita (Bononcini, Giovanni) for soprano and continuo |
|
| Complete (1709 Version) from L'Abdolomino (Bononcini, Giovanni) for 8 voices and orchestra |
|
| Selections (1711 Version) from L'Abdolomino (Bononcini, Giovanni) for 8 voices and orchestra |
|
| Siehe, ich komme; im Buch ist von mir geschrieben, TWV 1:1332 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1723 |
| Johannes-Passion 1757, TWV 5:42 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1757 |
| Matthäus-Passion 1758, TWV 5:43 (Telemann, Georg Philipp) for 6 voices, mixed chorus and orchestra |
|
| Markus-Passion 1759, TWV 5:44 (Telemann, Georg Philipp) for 7 voices, mixed chorus and orchestra |
1791 |
| Del mio partir oh Dio (Romaldi, Nicola) for soprano and continuo |
|
| Fille negar nol puoi (Romaldi, Nicola) for bass and continuo |
|
| Tortorella innamorata (Bononcini, Antonio Maria) for soprano and continuo |
|
| Augelletti, ruscelli ed aurette (Bononcini, Antonio Maria) for soprano and continuo |
|
| E sarà vero o Fille (Bononcini, Antonio Maria) for soprano and continuo |
|
| Cagnoletto vezzosetto (Bononcini, Antonio Maria) for soprano and continuo |
|
Mira o Fille nel prato (Bononcini, Antonio Maria) for soprano and continuo
alto and continuo |
|
Mira o Fille nel prato (Bononcini, Antonio Maria) for soprano and continuo
alto and continuo |
|
Mira o Fille nel prato (Bononcini, Antonio Maria) for soprano and continuo
alto and continuo |
|
| Jesus liegt in letzten Zügen, TWV 1:983 (Telemann, Georg Philipp) for bass and orchestra |
1758 |
| Clori dal colle al prato (Bononcini, Antonio Maria) for alto and continuo |
|
| Clori dal colle al prato (Bononcini, Antonio Maria) for alto and continuo |
|
| Su collinetta erbosa (Romaldi, Nicola) for alto and continuo |
|
| Tarantella di Concerto (Anzoletti, Marco) for violin and piano |
|
| Il carnevale di Venezia, Op. 80 (Anzoletti, Marco) for violin and piano |
|
| Quanto lieto saria mio stato allora (Bononcini, Antonio Maria) for soprano and continuo |
|
| Direi che sei il mio bene (Bononcini, Antonio Maria) for soprano, 2 violins and continuo |
|
| Il trionfo della grazia (Bononcini, Antonio Maria) for 3 voices and orchestra |
|
| Ecco Amor che mi segue (Bononcini, Antonio Maria) for soprano, strings and continuo |
|
| La Fortuna, il Valore e la Giustitia (Bononcini, Antonio Maria) for 3 voices and orchestra |
|
| La conquista del vello d'oro (Bononcini, Antonio Maria) for 8 voices and orchestra |
|
| O Fileno, Filen crudele (Bononcini, Giovanni) for alto and continuo |
|
| Due brunette pupilette (Fregiotti, Dionigio) for soprano, cello and continuo |
|
| Va sospirando il core, WM 195 (Mancini, Francesco) for soprano and continuo |
|
| Allor che più fastoso (Fregiotti, Dionigio) for soprano and continuo |
|
| Pascea la bella Clori (Della Porta, Giuseppe) for alto and continuo |
|
8 Cantatas, A-Wn Mus.Hs.2403 (Various) for soprano and continuo
soprano, cello and continuo
alto and continuo |
|
| Paride o del mio core, WM 132 (Mancini, Francesco) for soprano and continuo |
|
| Paride o del mio core, WM 132 (Mancini, Francesco) for soprano and continuo |
|
20 Cantatas, A-Wn Mus.Hs.17576 (Various) for soprano and continuo
soprano, flute and continuo |
|
| 22 Cantatas, F-Pn D-1111 (Bigaglia, Diogenio) for soprano and continuo |
|
| Pensier che ti nutrisci (Bononcini, Giovanni) for soprano and continuo |
|
| Deh tu m'insegni amore (Bononcini, Giovanni) for soprano and continuo |
|
| Dolce e molesta cura, WM 62 (Mancini, Francesco) for soprano and continuo |
|
| Dolce e molesta cura, WM 62 (Mancini, Francesco) for soprano and continuo |
|
| Doppo tante e sì strane (Mancini, Francesco) for soprano and continuo |
|
| Per narrar il mio contento (Mancini, Francesco) for soprano and continuo |
|
| Quella delle più belle (Saratelli, Giacomo Giuseppe) for soprano and continuo |
|
| Clori che un dì vantava (Mancini, Francesco) for soprano and continuo |
|
| Clori che un dì vantava (Mancini, Francesco) for soprano and continuo |
|
| Tirsi novello amante, WM 184 (Mancini, Francesco) for soprano and continuo |
|
| Tirsi novello amante, WM 184 (Mancini, Francesco) for soprano and continuo |
|
| Già che teco io son mio bene (Mancini, Francesco) for soprano and continuo |
|
| Già che teco io son mio bene (Mancini, Francesco) for soprano and continuo |
|
| Qualor per erme selve (Carpani, Gaetano) for soprano, flute and continuo |
|
Bassoon Sonata in E-flat major, D-SWl Mus.519 (Anonymous) for bassoon and bass
bassoon and continuo
2 bassoons |
|
| Piano Trio, Op. 7 (Reesen, Emil) for violin, cello and piano |
|
| Harpsichord Sonata in G major (Hertel, Johann Wilhelm) for harpsichord |
|
| Morì Tirsi e morto amore (Bigaglia, Diogenio) for soprano and continuo |
|
| O frondoso arboscello (Bigaglia, Diogenio) for soprano and continuo |
|
| Siedi Amarilli mia (Bigaglia, Diogenio) for soprano and continuo |
|
| Io vorrei ben della mia Nice (Bigaglia, Diogenio) for soprano and continuo |
|
| Se il ver mi disse amore (Bigaglia, Diogenio) for soprano and continuo |
|
| Fiumicel che lento (Bigaglia, Diogenio) for soprano and continuo |
|
| Deh vanne al mar più lento (Bigaglia, Diogenio) for soprano and continuo |
|
| Tinto di duol la fronte (Bigaglia, Diogenio) for soprano and continuo |
|
| Peregrin desto a gran giorno (Bigaglia, Diogenio) for soprano and continuo |
|
| Ombre amiche, ombre care (Bigaglia, Diogenio) for soprano and continuo |
|
| Ninfe quel Tirsi, quel pastor (Bigaglia, Diogenio) for soprano and continuo |
|
| Aure piangete (Bigaglia, Diogenio) for soprano and continuo |
|
| Misero pastorello ardo di sete (Bigaglia, Diogenio) for soprano and continuo |
|
| Quanto per te soffersi (Bigaglia, Diogenio) for soprano and continuo |
|
| Mie pecorelle l'erbe novelle (Bigaglia, Diogenio) for soprano and continuo |
|
| Sentite il mio dolor (Bigaglia, Diogenio) for soprano and continuo |
|
| Le fresch'erbette si pascete (Bigaglia, Diogenio) for soprano and continuo |
|
| Già mi diceva il core (Bigaglia, Diogenio) for soprano and continuo |
|
| Vanne sì ruscelletto contento (Bigaglia, Diogenio) for soprano and continuo |
|
| Udite e sospirate (Bigaglia, Diogenio) for soprano and continuo |
|
| Tortorella vo languendo (Bigaglia, Diogenio) for soprano and continuo |
|
| Nemmeno un guardo per un momento (Bigaglia, Diogenio) for soprano and continuo |
|
| Putta cosa dixevi (Bigaglia, Diogenio) for soprano and continuo |
|
| Donn'elena seu quà (Bigaglia, Diogenio) for soprano and continuo |
1725 |
| Bettina femo pase (Bigaglia, Diogenio) for soprano and continuo |
1725 |
| Vorrei che il mio timor (Bigaglia, Diogenio) for soprano and continuo |
|
| Ite dilette mio candide agnelle (Bigaglia, Diogenio) for soprano and continuo |
|
| Contra navem in mari agitatam (Bigaglia, Diogenio) for alto, strings and continuo |
|
| Senti Dorinda senti (Bigaglia, Diogenio) for soprano and continuo |
|
| Un pensiero gentil (Bigaglia, Diogenio) for soprano and continuo |
|
| Bella ninfa al prato (Bigaglia, Diogenio) for soprano and continuo |
|
13 Cantatas, I-Ra MS 472 (Marcello, Benedetto) for soprano and continuo
alto and continuo
bass and continuo |
|
| Il trionfo di Camilla, regina de' Volsci (Leo, Leonardo) for 8 voices and orchestra |
|
| L'ambizione delusa (Leo, Leonardo) for 7 voices and orchestra |
1742 |
| La simpatia del sangue (Leo, Leonardo) for 8 voices and orchestra |
1737 |
| Le stelle fortunate (Lotti, Antonio) for soprano, bass, 2 oboes, strings and continuo |
|
| Il nome glorioso in terra, santificato in cielo (Albinoni, Tomaso) for 3 voices and orchestra |
|
| Amore e Psiche (Leo, Leonardo) for 5 voices and orchestra |
1700 |
| String Quartet in E-flat major (Lachner, Franz Paul) for 2 violins, viola and cello |
1824 |
| Orfeo ed Euridice, K. 309 (Fux, Johann Joseph) for 6 voices, mixed chorus and orchestra |
|
| Orfeo ed Euridice, K. 309 (Fux, Johann Joseph) for 6 voices, mixed chorus and orchestra |
|
| Lo splendor o notte bella (Porpora, Nicola Antonio) for 2 sopranos, alto, bass, strings and continuo |
|
| Alarico, re de' Goti (Pollarolo, Carlo Francesco) for 8 voices and orchestra |
|
| La costanza gelosa negl'amori di Cefalo e Procri (Pollarolo, Carlo Francesco) for 9 voices and orchestra |
|
| Mirate o voi siete (Pollarolo, Carlo Francesco) for 4 voices and orchestra |
|
| Le pazzie degl'amanti (Pollarolo, Carlo Francesco) for 6 voices and orchestra |
|
| Faramondo (Pollarolo, Carlo Francesco) for 9 voices and orchestra |
|
| La forza della virtù (Pollarolo, Carlo Francesco) for 9 voices and orchestra |
|
| Oficio de Ramos 2 (Lobo de Mesquita, Emerico) for |
|
| Variations on a Theme from Bellini's 'I Capuleti' (Sychra, Andrei) for guitar |
|
| Ai Que Linda Moça (Colaço, Alexandre Rey) for voice and piano |
|
| Il Demetrio (Caldara, Antonio) for 6 voices and orchestra |
|
| Il Demetrio (Caldara, Antonio) for 6 voices and orchestra |
|
| La clemenza di Tito (Caldara, Antonio) for 6 voices and orchestra |
|
| La clemenza di Tito (Caldara, Antonio) for 6 voices and orchestra |
|
| La clemenza di Tito (Caldara, Antonio) for 6 voices and orchestra |
|
| Achille in Sciro (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Achille in Sciro (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| L'asilo d'amore (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| L'asilo d'amore (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| L'asilo d'amore (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Caio Fabbricio (Caldara, Antonio) for 8 voices and orchestra |
|
| Caio Fabbricio (Caldara, Antonio) for 8 voices and orchestra |
|
| Caio Fabbricio (Caldara, Antonio) for 8 voices and orchestra |
|
| Caio Fabbricio (Caldara, Antonio) for 8 voices and orchestra |
|
| Complete (1729 Version) from Enone (Caldara, Antonio) for 8 voices and orchestra |
|
| Complete (1729 Version) from Enone (Caldara, Antonio) for 8 voices and orchestra |
|
| Complete (1734 Version) from Enone (Caldara, Antonio) for 8 voices and orchestra |
|
| Complete (1734 Version) from Enone (Caldara, Antonio) for 8 voices and orchestra |
|
| The Beauties of Hanover Gallop (Schacht, Albert M.) for piano |
1858 |
| Amor Galopp (Schacht, Albert M.) for piano |
1858 |
| Variations on an Arietta from Die Schweizerfamilie (Sychra, Andrei) for guitar |
|
| Mitridate (Caldara, Antonio) for 8 voices and orchestra |
|
| Mitridate (Caldara, Antonio) for 8 voices and orchestra |
|
| I disingannati (Caldara, Antonio) for 9 voices and orchestra |
|
| I disingannati (Caldara, Antonio) for 9 voices and orchestra |
|
| Ornospade (Caldara, Antonio) for 8 voices and orchestra |
|
| Ornospade (Caldara, Antonio) for 8 voices and orchestra |
|
| Ornospade (Caldara, Antonio) for 8 voices and orchestra |
|
| Ornospade (Caldara, Antonio) for 8 voices and orchestra |
|
| Imeneo (Caldara, Antonio) for 8 voices, mixed chorus and orchestra |
|
| Imeneo (Caldara, Antonio) for 8 voices, mixed chorus and orchestra |
|
| Imeneo (Caldara, Antonio) for 8 voices, mixed chorus and orchestra |
|
| Semiramide in Ascalona (Caldara, Antonio) for 7 voices and orchestra |
|
| Semiramide in Ascalona (Caldara, Antonio) for 7 voices and orchestra |
|
| Semiramide in Ascalona (Caldara, Antonio) for 7 voices and orchestra |
|
| Introit, Op. 6 (Finzi, Gerald) for violin and orchestra |
|
| La forza dell'amicizia (Various) for 8 voices and orchestra |
|
| David umiliato (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| La Passione di Gesù Cristo (Caldara, Antonio) for 4 voices, mixed chorus and orchestra |
|
| La Passione di Gesù Cristo (Caldara, Antonio) for 4 voices, mixed chorus and orchestra |
|
| La Passione di Gesù Cristo (Caldara, Antonio) for 4 voices, mixed chorus and orchestra |
|
| Naboth (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Ester (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Il re del dolore (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Giuseppe (Caldara, Antonio) for 7 voices, mixed chorus and orchestra |
|
| Il martirio di San Terenziano (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| Cristo condannato (Caldara, Antonio) for 5 voices, mixed chorus and orchestra |
|
| 44 Cello Lessons, A-Wn EM.69 (Caldara, Antonio) for cello and continuo |
|
| Instrumental Music, I-Tn Foà 32 (Vivaldi, Antonio) for |
1700 |
| Santa Francesca Romana (Caldara, Antonio) for 5 voices and orchestra |
1710 |
| Santa Francesca Romana (Caldara, Antonio) for 5 voices and orchestra |
1710 |
| Mazurek (Szretter, Piotr) for voice |
|
| Śpiew litwina (Szretter, Piotr) for voice |
|
| Santa Flavia Domitilla (Caldara, Antonio) for 4 voices, strings and continuo |
|
6 American Lyrics (Coleridge-Taylor, Samuel) for voice and piano
voice and orchestra |
|
| Suite from Hypatia (Parry, Charles Hubert Hastings) for orchestra |
|
| Il trionfo della religione e dell'amore (Caldara, Antonio) for 6 voices, mixed chorus and orchestra |
|
| Tancredi (Bertoni, Ferdinando) for 7 voices and orchestra |
|
| Adria consolata (Bertoni, Ferdinando) for 4 voices, mixed chorus and orchestra |
|
| La concordia della virtù e della fortuna (Badia, Carlo Agostino) for 3 sopranos and orchestra |
1702 |
| Mazurka of Liszt (Sychra, Andrei) for |
|
| Non piu dilette amiche (Bottesini, Giovanni) for voice and piano |
1856 |
| Romanza from La Spia (Arditi, Luigi) for voices, mixed chorus and orchestra |
1857 |
| Demetrio (Bianchi, Francesco) for 6 voices and orchestra |
|
| L'olimpiade (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| La Zulima (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| La Zulima (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| Cajo Mario (Bianchi, Francesco) for 6 voices and orchestra |
|
| Cajo Mario (Bianchi, Francesco) for 6 voices and orchestra |
|
| Alessandro nell'Indie (Bianchi, Francesco) for 6 voices and orchestra |
|
| Lo stravagante inglese (Bianchi, Francesco) for 7 voices and orchestra |
|
| Mesenzio, re d'Etruria (Bianchi, Francesco) for 6 voices and orchestra |
|
| Barcarolle from the Opera 'Robert' (Sychra, Andrei) for guitar |
|
| Arrangement of Air de l'Opera Beatrice (Sychra, Andrei) for guitar |
|
| Divertissement de Molino (Sychra, Andrei) for guitar |
|
| Les Séparés (Dulaurens, André) for voice and piano |
|
| Souvenir (Dulaurens, André) for voice and piano |
|
| L'orfano cinese (Bianchi, Francesco) for 7 voices and orchestra |
|
| Artaserse (Bianchi, Francesco) for 6 voices and orchestra |
1787 |
| Pizzarro (Bianchi, Francesco) for 6 voices and orchestra |
|
| Scipione Africano (Bianchi, Francesco) for 6 voices and orchestra |
|
| Il ritratto (Bianchi, Francesco) for 6 voices and orchestra |
|
| Il ritratto (Bianchi, Francesco) for 6 voices and orchestra |
|
| Daliso e Delmita (Bianchi, Francesco) for 4 voices, mixed chorus and orchestra |
|
| Il finto astrologo (Bianchi, Francesco) for 5 voices and orchestra |
|
| La sposa in equivoco (Bianchi, Francesco) for 7 voices and orchestra |
|
| Seleuco, re di Siria (Bianchi, Francesco) for 6 voices, mixed chorus and orchestra |
|
| Aci e Galatea (Bianchi, Francesco) for 6 voices and orchestra |
|
| Tarara (Bianchi, Francesco) for 9 voices, mixed chorus and orchestra |
|
| Ines de Castro (Bianchi, Francesco) for 6 voices and orchestra |
|
| La capricciosa ravveduta (Bianchi, Francesco) for 7 voices and orchestra |
|
| Il cinese in Italia (Bianchi, Francesco) for 7 voices, mixed chorus and orchestra |
|
| Agar fugiens in desertum (Bianchi, Francesco) for 3 voices, female chorus and orchestra |
|
| Joas rex Juda (Bianchi, Francesco) for voices, female chorus and orchestra |
|
| La villanella rapita (Bianchi, Francesco) for 7 voices and orchestra |
|
| Arrangement of Romance de l'Opera 'Robert' (Sychra, Andrei) for guitar |
|
| Etude melancolique (Sychra, Andrei) for guitar |
|
| Grand Waltz of Pashkov (Sychra, Andrei) for guitar |
|
| Symphony in E-flat major, TH 238 (Tchaikovsky, Pyotr) for orchestra |
|
| Idrottsmän (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Leve General´n (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Carl Eduard (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Lefve Stockholm (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Leve Översten! (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| På Solliden (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Skön Iris (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| U.S.A. - Sweden (Korsgren, Gösta) for wind ensemble, brass ensemble and percussion |
|
| Collecção de hymnos para piano-forte (Various) for |
|
| You Think I have a Merry Heart (G. P. ...) for voice and piano |
1850 |
| Fantasia in G minor (Vysotsky, Mikhail) for guitar |
|
| Piano Concerto in D major (Beck, Christoph Friedrich) for piano and orchestra |
|
| Arrangement of Ouverture in C major (Beck, Christoph Friedrich) for harpsichord |
|
6 Easy Pieces for Piano 4-Hands (Beck, Christoph Friedrich) for keyboard 4 hands
piano 4 hands |
|
| 36 Easy Pieces for Piano (Beck, Christoph Friedrich) for piano |
|
| Serenade No. 2, H.216 (Martinů, Bohuslav) for 2 violins and viola |
|
| Tabulaturbuch auff dem Instrumente (Nörmiger, August) for organ |
1598 |
| W karczmie (Gall, Jan Karol) for mixed chorus |
|
| Der alte Dessauer (Siebenkäs, Johann Wilhelm) for piano |
1860 |
| March from Arrangement of March from Die Weiber von Weinsberg (Schmidt, Gustav) for piano |
1860 |
| Pappenheim Marsch (Streck, Peter) for piano |
1860 |
| Serenade (Reissiger, Friedrich August) for piano |
1860 |
| Violin Sonata (Jaëll, Marie) for violin |
|
| Piano Quartet (Jaëll, Marie) for violin, viola, cello and piano |
|
| Ballade (Jaëll, Marie) for violin and piano |
|
| Surely, he is my dear; from the Opera 'Cossack Poet' (Vysotsky, Mikhail) for |
|
| Violin Sonata No. 3 in F major (Kunzen, Johann Paul) for violin and continuo |
|
Harpsichord Sonata in F major, D-SWl Mus.269b (Anonymous) for harpsichord
keyboard |
|
Bassoon Sonata in C major (Ogiński, Karol) for bassoon and bass
2 bassoons |
|
| String Quartet, Op. 14 (Fiedler, Max) for 2 violins, viola and cello |
|
| Polka No. 1 (Cellarius, Henri) for piano |
1856 |
| Polka No. 2 (Cellarius, Henri) for piano |
1856 |
| Faxsen Polka (Cellarius, Henri) for piano |
1856 |
| Sonata for Bassoon and Cello in B-flat major (Pfeiffer, Franz Anton) for bassoon and cello |
|
| Violin Concerto in B-flat major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A minor (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto No. 1 in A major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto No. 1 in A major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto No. 2 in A major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto No. 2 in A major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Trio Sonata in B-flat major, SA 3441 (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
1761 |
| Theme and Variations in G minor (Vysotsky, Mikhail) for guitar |
|
| Trio Sonata in G minor, SA 3440 (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Violin Sonata in G major, B.G29 (Tartini, Giuseppe) for violin and continuo |
|
| Sonata No. 1 for Violin, Cello and Harpsichord in C major (Noëlli, Georg) for violin, cello and harpsichord |
|
| Sonata for Violin and Cello in A major, D-SWl Mus.479 (Anonymous) for violin and cello |
|
| Violin Concerto in A major (3) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A major (3) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A major (4) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A major (4) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A major (5) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in A major (5) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (1) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (1) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (2) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (3) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (3) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in G major (4) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in E major (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (2) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (3) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (4) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (4) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in C major (1) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in C major (2) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in C major (2) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (1) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Violin Concerto in D major (1) (Alberghi, Paolo Tommaso) for violin, strings and continuo |
|
| Mass in C minor (Perti, Giacomo Antonio) for 5 voices, mixed chorus, strings and continuo |
|
| Harpsichord Concerto in C major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in E-flat major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in G major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 1 in F major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in C minor (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto in A major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Harpsichord Concerto No. 2 in F major (Galuppi, Baldassare) for harpsichord, strings and continuo |
|
| Peter Schmoll und seine Nachbarn, J.8 (Weber, Carl Maria von) for soprano, 2 tenors, 3 basses and orchestra |
1800 |
| Trio Sonata in A major (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Trio Sonata in A-flat major (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Trio Sonata in E-flat major, SA 3438 (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Trio Sonata in E-flat major, SA 3439 (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
|
| Trio Sonata in G major, Mus.ms.11106 (Janitsch, Johann Gottlieb) for oboe, violin and continuo |
1740 |
| Impromptu (Miguez, Leopoldo) for double bass and piano |
|
| Pieni la barca i pronta (Bortolini, Giacomo) for |
|
| Bäuerlein (Taulch, W.) for voice and piano |
|
| Hosanah (Miguez, Leopoldo) for female chorus and organ |
|
| Klarynecik magnetyczny (Damse, Józef) for |
|
| 5 Harpsichord Concertos, I-MC 1-A-14 (Anonymous) for harpsichord and orchestra |
|
| Missa in A major (Baliani, Carlo) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1739 |
| Gloria et honore, J.226 (Weber, Carl Maria von) for soprano, mixed chorus and orchestra |
1818 |
| Gloria et honore, J.226 (Weber, Carl Maria von) for soprano, mixed chorus and orchestra |
1818 |
| Oboe Concerto No. 2 in F major (Winter, Peter von) for oboe and orchestra |
|
| Oboe Concerto No. 2 in F major (Winter, Peter von) for oboe and orchestra |
|
| Fantasia di Concerto sopra l'opera La Fanciulla del West di G. Puccini (Anzoletti, Marco) for violin and piano |
1915 |
| Fantasia di Concerto sopra l'opera La Fanciulla del West di G. Puccini (Anzoletti, Marco) for violin and piano |
|
| Amor prigioniero (Predieri, Luca Antonio) for 2 sopranos, strings and continuo |
1732 |
| La pace fra la virtù e la bellezza (Predieri, Luca Antonio) for 5 voices, strings and continuo |
|
| L'Alidoro (Leo, Leonardo) for 7 voices and orchestra |
|
| Tamiri (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Scipione nelle Spagne (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Evergete (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Evergete (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Evergete (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Evergete (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Evergete (Galuppi, Baldassare) for 6 voices and orchestra |
|
| Argenide (Galuppi, Baldassare) for 6 voices and orchestra |
|
| String Quartet No. 1 (Parker, James Cutler Dunn) for 2 violins, viola and cello |
|
| Cease a while ye winds to blow, W.H 36 (Bach, Johann Christian) for voice and orchestra |
|
| Complete (1748 Version) from Il contrasto delle regine Malghera e Mestre per il trono (Apolloni, Salvatore) for 6 voices and orchestra |
|
| Violin Concerto in A major (Paganelli, Giuseppe Antonio) for violin, strings and continuo |
|
| Flute Concerto in C major (Paganelli, Giuseppe Antonio) for flute, strings and continuo |
|
| La contesa de' numi (Vinci, Leonardo) for 6 voices and orchestra |
|
| Violin Concerto in D major, KapM Jiranek 6 (Jiránek, František) for violin, strings and continuo |
|
| Trio Sonata in E-flat major, ED.3:Eb1 (Mysliveček, Josef) for 2 violins and continuo |
|
| Violin Concerto in E-flat major, KapM Jiranek 8 (Jiránek, František) for violin, strings and continuo |
|
| Violin Concerto in D major, KapM Jiranek Ap.1 (Jiránek, František) for violin, strings and continuo |
|
| Maria Vergine al Calvario (Schiassi, Gaetano Maria) for 3 voices, mixed chorus, strings and continuo |
|
| Sicut ovis (Cunha, Antônio dos Santos) for |
1790 |
| Jerusalem surge (Cunha, Antônio dos Santos) for |
1790 |
| Plange quasi virgo (Cunha, Antônio dos Santos) for |
1790 |
| 3 Love Songs, Op. 9 (Daniels, Mabel Wheeler) for voice and piano |
1906 |
Duetti e Terzetti, GB-Lcm MS 601 (Stradella, Alessandro) for 2 voices and continuo
3 voices and continuo |
|
| Midst silent shades and purling streams, W.H 33 (Bach, Johann Christian) for voice and orchestra |
|
| Symphony No. 8 in D major (Anzoletti, Marco) for orchestra |
1898 |
| Sinfonia No. 1 in F major (Martini, Giovanni Battista) for 2 horns, strings and continuo |
1700 |
| O vos omnes (Cunha, Antônio dos Santos) for |
1790 |
| Sinfonia No. 1 in D major (Martini, Giovanni Battista) for orchestra |
1743 |
| Cello Concerto in D major (Martini, Giovanni Battista) for cello, strings and continuo |
1749 |
| Sinfonia No. 2 in D major (Martini, Giovanni Battista) for violin, cello and orchestra |
1748 |
| Grave all'Elevazione (Martini, Giovanni Battista) for strings and continuo |
1757 |
| Sinfonia No. 3 in D major (Martini, Giovanni Battista) for strings and continuo |
1751 |
| Sinfonia No. 2 in F major (Martini, Giovanni Battista) for strings and continuo |
1700 |
| Sinfonia No. 4 in D major (Martini, Giovanni Battista) for strings and continuo |
1754 |
| Sinfonia No. 3 in F major (Martini, Giovanni Battista) for strings and continuo |
1756 |
| Violin Concerto in F major (Martini, Giovanni Battista) for violin, strings and continuo |
1757 |
| Sinfonia No. 4 in F major (Martini, Giovanni Battista) for 2 horns, strings and continuo |
1760 |
| Sinfonia No. 5 in D major (Martini, Giovanni Battista) for 4 trumpets, strings and continuo |
1762 |
| Sinfonia No. 5 in F major (Martini, Giovanni Battista) for 2 horns, strings and continuo |
1764 |
| Sinfonia No. 6 in D major (Martini, Giovanni Battista) for 2 trumpets, strings and continuo |
1764 |
| Sinfonia No. 7 in D major (Martini, Giovanni Battista) for 2 trumpets, strings and continuo |
1777 |
| Instrumental Music, I-Bc HH.27 (Martini, Giovanni Battista) for |
1700 |
Ecce quomodo (Cunha, Antônio dos Santos) for mixed chorus and orchestra
soprano, alto, tenor, bass and orchestra |
1790 |
| Bevare Gud vår kung (Anonymous) for |
|
| Sepulto Domino (Cunha, Antônio dos Santos) for |
1790 |
| Capriccio No. 2 di Concerto (Anzoletti, Marco) for violin and piano |
|
| Aestimatus sum (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Astiterunt (Cunha, Antônio dos Santos) for mixed chorus and orchestra |
1790 |
| Begin the Song (Boyce, William) for voices and orchestra |
1760 |
| Ye guardian powers (Boyce, William) for voices and orchestra |
1760 |
| Again the Sun's Revolving Sphere (Boyce, William) for voices and orchestra |
1760 |
| Dramatic Fantasia, H.66 (Bridge, Frank) for piano |
1906 |
| When Othbert left (Boyce, William) for voices and orchestra |
1760 |
| Musyk Voor De Fiool Anno 1739 (Anonymous) for violin |
1739 |
Musyk Voor De Fluyt Anno 1739 (Anonymous) for flute
recorder |
1739 |
| Freüntlich von art (Wüst, Paulus) for soprano, alto, tenor and bass |
|
| Complete (Undentified Version) from Flavio Cuniberto (Scarlatti, Alessandro) for 9 voices and orchestra |
|
| Amulio e Numitore (Tosi, Giuseppe Felice) for 11 voices and orchestra |
|
| Il Celindo (Tosi, Giuseppe Felice) for 8 voices and orchestra |
|
| Attila (Ziani, Pietro Andrea) for 12 voices and orchestra |
|
| Totila (Legrenzi, Giovanni) for 12 voices and orchestra |
|
| Giustino (Legrenzi, Giovanni) for 11 voices and orchestra |
|
| Giustino (Legrenzi, Giovanni) for 11 voices and orchestra |
|
| Germanico sul Reno (Legrenzi, Giovanni) for 10 voices and orchestra |
|
| Eteocle e Polinice (Legrenzi, Giovanni) for 12 voices and orchestra |
|
| Eteocle e Polinice (Legrenzi, Giovanni) for 12 voices and orchestra |
|
| Eteocle e Polinice (Legrenzi, Giovanni) for 12 voices and orchestra |
|
| Teodora Augusta (Scarlatti, Alessandro) for 9 voices and orchestra |
|
| Fuga (Tinel, Edgar) for 2 violins, viola and cello |
|
| Incomplete from L'Aiace (Various) for 9 voices and orchestra |
|
| Tito Manlio (Various) for 8 voices and orchestra |
|
| Maria Salve (Tinel, Edgar) for mixed chorus and orchestra |
|
| Der Thuner See, WoO.27 (Draeseke, Felix) for orchestra |
1903 |
| Symphony No. 6 in E minor (Anzoletti, Marco) for orchestra |
1800 |
| Symphony No. 9 in F major (Anzoletti, Marco) for orchestra |
1898 |
| Symphony No. 11 in A minor (Anzoletti, Marco) for orchestra |
1899 |
| Suite per Orchestra (Anzoletti, Marco) for orchestra |
1893 |
| Symphony in D minor (Anzoletti, Marco) for orchestra |
1800 |
| La morte del cor penitente (Legrenzi, Giovanni) for 3 voices, mixed chorus, strings and continuo |
|
| La principessa fedele (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| Il pastor di Corinto (Scarlatti, Alessandro) for 8 voices and orchestra |
|
| Scipione nelle Spagne (Scarlatti, Alessandro) for 9 voices and orchestra |
|
| Clearco in Negroponte (Scarlatti, Alessandro) for 9 voices and orchestra |
|
| Arrangement of Violin Concerto No. 13 in B major (Anzoletti, Marco) for violin and piano |
1900 |
Messa in pastorale (Gazzaniga, Giuseppe) for 2 tenors, bass and organ
male chorus and organ |
1700 |
| Children's Cantata (Davies, Walford) for |
1900 |
| Trio Sonata in A major (Bodinus, Sebastian) for flute, violin and cello |
|
| Arrangement of The Holly and the Ivy (Anonymous) for 4 voices |
1913 |
| Violin Suite (Koessler, Hans) for violin and organ |
|
| Part Songs, Op. 40 (Davies, Walford) for soprano, alto, tenor and bass |
1900 |
| Part Songs, Op. 40 (Davies, Walford) for soprano, alto, tenor and bass |
1900 |
| Part Songs, Op. 40 (Davies, Walford) for soprano, alto, tenor and bass |
1914 |
| Part Songs, Op. 40 (Davies, Walford) for soprano, alto, tenor and bass |
1913 |
| Part Songs, Op. 41 (Davies, Walford) for 4 voices and piano |
1914 |
| Part Songs, Op. 41 (Davies, Walford) for 4 voices and piano |
|
Mass in F minor (Koessler, Hans) for female chorus and organ
2 sopranos, alto and organ |
|
| These Sweeter Far Than Lilies Are, Op. 39 (Davies, Walford) for soprano, alto, tenor and bass |
1900 |
| Psalm 19 (Davies, Walford) for mixed chorus |
1900 |
Psalm 23 (Davies, Walford) for unison chorus and 2 mixed chorus
unison chorus and mixed chorus |
1900 |
Fighting Men (Davies, Walford) for 2 tenors and 2 basses
male chorus |
1900 |
In Memoriam G. F. H. (Davies, Walford) for 2 trumpets, 3 trombones and organ
brass ensemble and organ |
1900 |
| The Cloud (Davies, Walford) for 2 sopranos, alto and piano |
1914 |
| Unter Lilien jener Freuden (Romberg, Carl Julius Hermann Bernhard) for mixed chorus |
|
| Europa riconosciuta (Salieri, Antonio) for voices and orchestra |
1778 |
| Benedictus sit Deus Pater, ZWV 207 (Zelenka, Jan Dismas) for soprano, alto, tenor, bass and continuo |
1729 |
| Solo for Clarinet and Piano (Bochsa, Nicholas Charles) for clarinet and piano |
|
Auferstehung und Lob Gottes (Schaeffer, Julius) for soprano, alto, tenor and bass
mixed chorus |
|
| Pour la basse (Monsieur de Sainte-Colombe) for |
|
| Per la collezione della Biblioteca Reale di Berlino (Rossini, Gioacchino) for |
1844 |
| Siehe es hat überwunden der Löwe (Graun, Karl Heinrich) for voices, mixed chorus and orchestra |
|
| Choralübungen (Schaeffer, Julius) for soprano and alto |
|
| La Giuditta (Almeida, Francisco António de) for 4 voices and orchestra |
|
| Flute Sonata in B-flat major, Op. 1 No. 3 (Bon, Anna) for flute and continuo |
|
| Sofonisba (Boroni, Antonio) for 6 voices and orchestra |
1764 |
| L'isola disabitata (Boroni, Antonio) for 4 voices and orchestra |
|
| Gavotte (Sabra, Wadia) for piano |
1909 |
| Missa in G minor (Conti, Francesco Bartolomeo) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| L'Europa galante, GraunWV B:I:17 (Graun, Karl Heinrich) for voices and orchestra |
|
| I fratelli nemici, GraunWV B:I:31 (Graun, Karl Heinrich) for 8 voices, mixed chorus and orchestra |
|
| Violin Sonata in B-flat major (Dušek, František Xaver) for violin and piano |
|
| Divertimento a 3 (Ivanschiz, Amandus) for violin, viola and continuo |
|
| L'asilo della virtù (Maggiore, Francesco) for soprano and orchestra |
|
| Componimento pastorale a 4 voci (Perez, Davide) for 4 voices and orchestra |
|
| Selections (1775 Venice Version) from La discordia fortunata, R.1.46 (Paisiello, Giovanni) for 7 voices and orchestra |
|
| Incomplete (1769 Version) from Le mbroglie de le bajasse, R.1.9 (Paisiello, Giovanni) for 8 voices and orchestra |
1700 |
| Symphony in A major (Filtz, Johann Anton) for orchestra |
|
| Trio Sonata in E-flat major, Z.56 (Pugnani, Gaetano) for 2 violins and continuo |
|
| Andantino in C major (Dušek, František Xaver) for harpsichord 4 hands |
|
| Sinfonia in G major (Ivanschiz, Amandus) for 2 violins, viola and cello |
|
| Symphony in G minor (Filtz, Johann Anton) for orchestra |
|
| Mass in C minor (Somervell, Arthur) for |
1889 |
| Agnus Dei from Messe solennelle, AWV 52 (Auber, Daniel François Esprit) for soprano, tenor, bass, mixed chorus and orchestra |
1815 |
| Gloria No. 2, AWV 75 (Auber, Daniel François Esprit) for voice, mixed chorus, harp and organ |
1800 |
| Gloria No. 1, AWV 62 (Auber, Daniel François Esprit) for mixed chorus and organ |
1800 |
| Benedictus No. 5, AWV 80 (Auber, Daniel François Esprit) for baritone, clarinet, harp and organ |
1800 |
| Benedictus No. 3, AWV 78 (Auber, Daniel François Esprit) for 2 sopranos, harp and organ |
1800 |
Lieder, Chansons und Motetten, CH-Bu F X 1-4 (Various) for 4 voices
5 voices
6 voices |
|
| La Marseillaise (Auber, Daniel François Esprit) for orchestra |
1884 |
| Flute Sonata in F major, Op. 1 No. 2 (Bon, Anna) for flute and continuo |
|
| Kyrie No. 11, AWV 99 (Auber, Daniel François Esprit) for mixed chorus and organ |
1800 |
| O salutaris No. 7, AWV 87 (Auber, Daniel François Esprit) for soprano, tenor, harp and organ |
1800 |
| Ich armer man (Wüst, Paulus) for 5 voices |
|
| Complete (1792 Naples Version) from Il mondo della luna, R.1.65 (Paisiello, Giovanni) for 6 voices, mixed chorus and orchestra |
|
| L'osteria di Marechiaro, R.1.19 (Paisiello, Giovanni) for 10 voices and orchestra |
1768 |
| La Claudia vendicata, R.1.20 (Paisiello, Giovanni) for 9 voices and orchestra |
1768 |
| 10 Etudes (Kling, Henri) for horn |
1906 |
| Flute Sonata in G minor, Op. 1 No. 5 (Bon, Anna) for flute and continuo |
|
| Hör zu von neuen sachen (Wüst, Paulus) for soprano, alto, tenor and bass |
|
| Psaume 46 (Baum, Alfred) for alto and organ |
|
| Nachtpoëma (Eechaute, Prosper Van) for horn and orchestra |
|
| Etude in C major (Vetrov, Alexander Alekseevich) for guitar |
|
| Il Roderico (Pollarolo, Carlo Francesco) for 9 voices and orchestra |
|
| Flute Sonata in C major, Op. 1 No. 1 (Bon, Anna) for flute and continuo |
|
| Flute Sonata in G major, Op. 1 No. 6 (Bon, Anna) for flute and continuo |
|
| Già la notte s'avvicina (Adolfati, Andrea) for soprano, strings and continuo |
1700 |
| Allegro maestoso (Auber, Daniel François Esprit) for orchestra |
1800 |
| Cello Sonata in C major (Mayer, Emilie) for cello and piano |
1800 |
| Cello Sonata in E minor (Mayer, Emilie) for cello and piano |
1800 |
| Fantasia estatica, Op. 21 (Raitio, Väinö) for orchestra |
1921 |
| Anfang minr lieb (Wüst, Paulus) for 5 voices |
|
| Piano Quartet in E-flat major (Mayer, Emilie) for violin, viola, cello and piano |
1800 |
| Apaixonada (Braga, Marceliano) for piano |
1902 |
| 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Solveigs vuggevise (No.2) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Fra Monte Pincio (No.3) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Våren (No.5) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Våren (No.5) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Våren (No.5) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
|
| Henrik Wergeland (No.6) from 6 Songs for Orchestra, EG 177 (Grieg, Edvard) for voice and orchestra |
1898 |
Version from Resignation, EG 182 (Grieg, Edvard) for orchestra
voice, horn and strings |
|
| String Quartet No. 1, AWV 159 (Auber, Daniel François Esprit) for 2 violins, viola and cello |
1799 |
| O salutaris No. 4, AWV 74 (Auber, Daniel François Esprit) for mixed chorus and orchestra |
1800 |
| O salutaris No. 3, AWV 70 (Auber, Daniel François Esprit) for mixed chorus and orchestra |
1800 |
O salutaris No. 5, AWV 85 (Auber, Daniel François Esprit) for voice, oboe, harp and organ
voice, clarinet, harp and organ |
1800 |
| Litanies de la Sainte Vierge, AWV 53 (Auber, Daniel François Esprit) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Litanies de la Sainte Vierge, AWV 53 (Auber, Daniel François Esprit) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1800 |
| Mement (Wüst, Paulus) for soprano, alto, tenor and bass |
|
Keyboard Sonata in C minor (Benda, Georg) for keyboard
harpsichord
clavichord |
|
Variations on a Russian Theme for Cello and Strings (Reicha, Anton) for cello and strings
2 violins, viola and 2 cellos |
1805 |
| Elslin liepstes Elselin (Wüst, Paulus) for soprano, alto, tenor and bass |
|
| Solo for Horn (Cherubini, Luigi) for horn and cello |
1825 |
| String Quartet No. 7 (Auber, Daniel François Esprit) for 2 violins, viola and cello |
1800 |
| String Quartet No. 5 (Auber, Daniel François Esprit) for 2 violins, viola and cello |
1800 |
Fugue sur un thème de 'Faniska' de Cherubini, AWV 164 (Auber, Daniel François Esprit) for flute, oboe, clarinet and bassoon
2 violins, viola and cello |
1800 |
| Fugue in F minor (Bizet, Georges) for 4 Unspecified instruments |
1855 |
| Gli affetti generosi (Bonno, Giuseppe) for 5 voices and orchestra |
|
| La clemenza di Cesare (Porsile, Giuseppe) for voices, mixed chorus and orchestra |
1727 |
| Agnus Dei No. 6, AWV 101 (Auber, Daniel François Esprit) for mixed chorus, harp and organ |
1800 |
| Legend, Op. 14 (Coleridge-Taylor, Samuel) for violin and orchestra |
1800 |
| Legend, Op. 14 (Coleridge-Taylor, Samuel) for violin and orchestra |
1800 |
| Lobt Gott, ihr Christen, allzugleich, BWV 609 (Bach, Johann Sebastian) for organ |
1700 |
| Ach wie nichtig, ach wie flüchtig, BWV 644 (Bach, Johann Sebastian) for organ |
1700 |
| Christum wir sollen loben schon, BWV 611 (Bach, Johann Sebastian) for organ |
1700 |
| Wir Christenleut, BWV 612 (Bach, Johann Sebastian) for organ |
1700 |
| Das alte Jahr vergangen ist, BWV 614 (Bach, Johann Sebastian) for organ |
1700 |
| Fantasia I fiori belliniani (Scontrino, Antonio) for double bass and piano |
1869 |
| Reißt euch los, bekränkte Sinnen, BWV 224 (Bach, Johann Sebastian) for |
|
| Daniello (Hasse, Johann Adolph) for 5 voices and orchestra |
1731 |
| Violin Sonata No. 3, Op. 27 (Wolf-Ferrari, Ermanno) for violin and piano |
|
| Mein Odem ist schwach (Bach, Johann Ernst) for soprano, alto, bass, mixed chorus, strings and continuo |
|
| Alyssa (Ravel, Maurice) for soprano, tenor, baritone and orchestra |
1903 |
| L'Issipile (Conti, Francesco Bartolomeo) for 6 voices and orchestra |
1732 |
| 1716 Version from Violin Sonata in E major, H.10 (Geminiani, Francesco) for violin and continuo |
1716 |
| On Windy Way when morning breaks (Stanford, Charles Villiers) for |
|
| 6 Songs, Op. 4 (Stanford, Charles Villiers) for voice and piano |
1874 |
| No longer mourn for me (Somervell, Arthur) for soprano, alto, tenor and bass |
|
| Clarinet Concerto No. 2 in E-flat major (Cramer, Franz Seraph) for clarinet and orchestra |
1809 |
| Concertante for 2 Clarinets in E-flat major (Cramer, Franz Seraph) for 2 clarinets and orchestra |
1817 |
| Concertante for 2 Clarinets in G minor (Cramer, Franz Seraph) for 2 clarinets and orchestra |
|
| Clarinet Concertino No. 2 in E-flat major (Cramer, Franz Seraph) for clarinet and orchestra |
1819 |
| Rondo No. 1 in B-flat major (Cramer, Franz Seraph) for clarinet and orchestra |
1808 |
| Rondo No. 2 in B-flat major (Cramer, Franz Seraph) for clarinet and orchestra |
1808 |
| Clarinet Concerto in B-flat major, IFC 6 (Cramer, Franz Seraph) for clarinet and orchestra |
1810 |
| Aria in A minor, W.A 27 (Bach, Johann Christian) for keyboard |
|
| Minuet in C major, W.A 25 (Bach, Johann Christian) for keyboard |
|
| Minuet in C major, W.A 30 (Bach, Johann Christian) for keyboard |
|
| Minuet in C major, W.A 31 (Bach, Johann Christian) for keyboard |
|
| Minuet in C minor, W.A 24 (Bach, Johann Christian) for keyboard |
|
| Minuet in D minor, W.A 28 (Bach, Johann Christian) for keyboard |
|
| Minuet in G minor, W.A 29 (Bach, Johann Christian) for keyboard |
|
| Polonaise in B-flat major, W.A 23 (Bach, Johann Christian) for keyboard |
|
| Polonaise in E-flat major, W.A 26 (Bach, Johann Christian) for keyboard |
|
| Keyboard Sonata in A minor, W.A 13 (Bach, Johann Christian) for keyboard |
|
| Intabulatura di Lauto Fior di Virtu (Ferruzio, Girolamo) for lute |
|
| Revised Version (1934) from Ode on the Intimations of Immortality (Somervell, Arthur) for baritone, mixed chorus and orchestra |
1934 |
| Duet for 2 Flutes, TWV 40:130 (Telemann, Georg Philipp) for 2 flutes |
1770 |
| Symphony in G minor, L.311 (Brunetti, Gaetano) for orchestra |
1783 |
| Symphony in B minor, L.308 (Brunetti, Gaetano) for orchestra |
1779 |
| Symphony in D minor, L.320 (Brunetti, Gaetano) for orchestra |
1783 |
| Symphony in C minor, L.322 (Brunetti, Gaetano) for orchestra |
1780 |
| Symphony in B-flat major, L.299 (Brunetti, Gaetano) for orchestra |
1780 |
| Symphony in F major, L.312 (Brunetti, Gaetano) for orchestra |
1783 |
| Symphony in B-flat major, L.306 (Brunetti, Gaetano) for orchestra |
1789 |
| Symphony in D major, L.307 (Brunetti, Gaetano) for orchestra |
1779 |
| Symphony in C major, L.313 (Brunetti, Gaetano) for orchestra |
1783 |
| Symphony in E-flat major, L.319 (Brunetti, Gaetano) for orchestra |
1783 |
| Symphony in B-flat major, L.316 (Brunetti, Gaetano) for orchestra |
1787 |
| Symphony in B-flat major, L.294 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in D major, L.302 (Brunetti, Gaetano) for orchestra |
1700 |
| Mein Gott ich bin gesinnt, TWV 1:1112 (Telemann, Georg Philipp) for |
|
| Duet for 2 Flutes, TWV 40:131 (Telemann, Georg Philipp) for 2 flutes |
1770 |
| Gott straft den Kanken auf seinem Bette, TWV 1:684 (Telemann, Georg Philipp) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1700 |
| Zenobia (Predieri, Luca Antonio) for voices and orchestra |
1740 |
| Duet for 2 Flutes, TWV 40:132 (Telemann, Georg Philipp) for 2 flutes |
1770 |
| Duet for 2 Flutes, TWV 40:133 (Telemann, Georg Philipp) for 2 flutes |
1770 |
| Der Herr Zebaoth ist mit uns, TWV 15:25a (Telemann, Georg Philipp) for |
1763 |
| Duet for 2 Flutes, TWV 40:134 (Telemann, Georg Philipp) for 2 flutes |
|
| Duet for 2 Flutes, TWV 40:135 (Telemann, Georg Philipp) for 2 flutes |
1770 |
| Symphony in C major, L.293 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in E-flat major, L.290 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in D major, L.295 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in F major, L.292 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in D major, L.291 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in C major, L.303 (Brunetti, Gaetano) for orchestra |
1779 |
| Symphony Concertante in C major, L.330 (Brunetti, Gaetano) for orchestra |
1794 |
| Symphony in F major, L.297 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in A major, L.297 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in E-flat major, L.309 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in B-flat major, L.304 (Brunetti, Gaetano) for orchestra |
1700 |
| Symphony in E-flat major, L.296 (Brunetti, Gaetano) for orchestra |
1700 |
| Ezio (Porpora, Nicola Antonio) for 6 voices and orchestra |
|
| Offt wünsch ich dir (Wüst, Paulus) for soprano, alto, tenor and bass |
|
| Il barone in angustie (Tritto, Giacomo) for 6 voices and orchestra |
1796 |
| Incomplete from La donna sensibile (Tritto, Giacomo) for 8 voices and orchestra |
1798 |
| La donna sensibile (Tritto, Giacomo) for 8 voices and orchestra |
1798 |
| Nicaboro in Jucatan (Tritto, Giacomo) for 6 voices and orchestra |
1798 |
| I matrimoni in contrasto (Tritto, Giacomo) for 9 voices and orchestra |
1800 |
| Ginevra ed Ariodante (Tritto, Giacomo) for 6 voices and orchestra |
1801 |
| Gli americani (Tritto, Giacomo) for 6 voices and orchestra |
|
| Cesare in Egitto (Tritto, Giacomo) for 6 voices and orchestra |
1805 |
| Violin Sonata in C minor, ICM 1 (Müller, Christian Friedrich) for violin and continuo |
|
| 2 Violin Sonatas (Müller, Christian Friedrich) for violin and continuo |
|
| Violin Sonata in G major (Müller, Christian Friedrich) for violin and continuo |
|
| 6 Duos, Op. 1 (Müller, Christian Friedrich) for violin and viola |
|
| Fantaisie (No.1) from Arrangement of Fantaisie (No.1) from 2 Pièces amusantes, Op. 184 (Kalliwoda, Johann Wenzel) for violin and piano |
|
| Duet for 2 Violins in G major (Müller, Christian Friedrich) for 2 violins |
|
| Violin Sonata in C minor, ICM 2 (Müller, Christian Friedrich) for violin and continuo |
|
| Morceau de salon, Op. 230 (Kalliwoda, Johann Wenzel) for bassoon and piano |
|
| Missa Therezinha de Jesus (Gomes Jr., João) for |
1933 |
| Missa Grande (Jordani, João) for |
1857 |
| Missa Grande (Jordani, João) for |
1869 |
| Ursach zwingt mich (Wüst, Paulus) for 5 voices |
|
| La Cena del Signore (Fux, Johann Joseph) for 6 voices, mixed chorus and orchestra |
1720 |
| Arrangement of Gavotta (Handel, George Frideric) for piano |
|
Keyboard Partita in G major (Straube, Rudolf) for harpsichord
clavichord |
|
Keyboard Sonata in A major (Straube, Rudolf) for clavichord
harpsichord |
|
Salve Regina (Leuttner, Georg Christoph) for soprano, strings and continuo
soprano, 2 violins, 3 viols and continuo |
|
| 2 Fantasies Brillantes on Themes from 'La Prison d'Edimbourg', Op. 382 (Czerny, Carl) for piano |
1835 |
| Violin Concerto in B-flat major, RV 376 (Vivaldi, Antonio) for violin, strings and continuo |
|
| Sonata No. 2 for Violin and Cello (Anzoletti, Marco) for violin and cello |
1800 |
| Da quel sembiante from L'eroe cinese (Rauzzini, Venanzio) for voices and orchestra |
|
| Dolce vita from L'eroe cinese (Rauzzini, Venanzio) for voices and orchestra |
|
| Splende a rei from La vestale (Rauzzini, Venanzio) for voices and orchestra |
|
| Splende a rei from La vestale (Rauzzini, Venanzio) for voices and orchestra |
|
| Senza i dolci interni affetti from La vestale (Rauzzini, Venanzio) for voices and orchestra |
|
| Son vestale e sono amante from La vestale (Rauzzini, Venanzio) for voices and orchestra |
|
| Inter oves locum presta from Requiem (Rauzzini, Venanzio) for voices, mixed chorus and orchestra |
|
| Ch'io ti lasci cor mio (Rauzzini, Venanzio) for voice and orchestra |
|
| Ch'io ti lasci cor mio (Rauzzini, Venanzio) for voice and orchestra |
|
| False Shepherd (Rauzzini, Venanzio) for voice and orchestra |
|
| Sweet Ellen Sorrow's Child (Rauzzini, Venanzio) for |
|
| Oh dei che dolce incanto (Rauzzini, Venanzio) for |
|
| Da cento affanni from L'ali d'amore (Rauzzini, Venanzio) for voices and orchestra |
|
| Da cento affanni from L'ali d'amore (Rauzzini, Venanzio) for voices and orchestra |
|
| Troppo paventa from La sorpresa (Rauzzini, Venanzio) for voices and orchestra |
|
| Affannosi miei pensieri from La sorpresa (Rauzzini, Venanzio) for voices and orchestra |
|
| Elisa, K.312 (Fux, Johann Joseph) for |
1719 |
| Rhapsody, H.176 (Bridge, Frank) for 2 violins and viola |
1928 |
| Rhapsody, H.176 (Bridge, Frank) for 2 violins and viola |
|
| Der erste Frühlingstag, Op. 28 (Mozart, Franz Xaver Wolfgang) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
1820 |
| Der erste Frühlingstag, Op. 28 (Mozart, Franz Xaver Wolfgang) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Choral Parts from Der erste Frühlingstag, Op. 28 (Mozart, Franz Xaver Wolfgang) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Grande Fantaisie, Op. 41 (Kalliwoda, Johann Wenzel) for violin and orchestra |
|
| Cavatina varié, Op. 10 (Rudersdorff, Joseph) for 2 violins, viola and cello |
1800 |
| Piano Concerto, Op. 37 (Le Beau, Luise Adolpha) for piano and orchestra |
1888 |
| Piano Concerto, Op. 37 (Le Beau, Luise Adolpha) for piano and orchestra |
1888 |
| Arrangement of Piano Concerto, Op. 37 (Le Beau, Luise Adolpha) for 2 pianos |
1888 |
| A Brasileirinha (Albano da Conceição, Levino) for guitar |
|
Messa a 3 voci (Ventrella, Giuseppe) for 2 tenors, bass and orchestra
male chorus and orchestra |
1880 |
| Tu ad dexteram Dei sedes (Pollini, Francesco) for voice and orchestra |
|
| Ao Luar (Albano da Conceição, Levino) for guitar |
|
| Ao Luar (Albano da Conceição, Levino) for guitar |
|
| 6 Canzonette con accompagnamento per la Chitarra (Moretti, Luigi) for voice and guitar |
|
| Discantus from Motetten, Chansons, Madrigale, Lieder (Various) for |
|
| Altus from Motetten, Chansons, Madrigale, Lieder (Various) for |
|
| Tenor from Motetten, Chansons, Madrigale, Lieder (Various) for |
|
| Vagans from Motetten, Chansons, Madrigale, Lieder (Various) for |
|
| Bassus from Motetten, Chansons, Madrigale, Lieder (Various) for |
|
| String Quartet No. 1, Op. 33 (Foerster, Adolph Martin) for 2 violins, viola and cello |
|
| Cecy (Albano da Conceição, Levino) for |
1942 |
| Estudo Melódico Para o Polegar (Albano da Conceição, Levino) for |
1942 |
| Estudo Para o Anelar Direito (Albano da Conceição, Levino) for |
1942 |
| Há Quem Resista? (Albano da Conceição, Levino) for |
1942 |
| Lembrança (Albano da Conceição, Levino) for |
1942 |
| Enamorado do Luar (Albano da Conceição, Levino) for |
|
| Prelúdio No. 7 (Albano da Conceição, Levino) for |
|
| Recorder Sonata in C major, I-PAc (Anonymous) for |
|
| The Power of Sound (Somervell, Arthur) for |
1895 |
| Rei da Boemia (Albano da Conceição, Levino) for |
1942 |
| Soluçando (Albano da Conceição, Levino) for |
1942 |
| Transportes D'alma (Albano da Conceição, Levino) for |
|
| Triste Ausência (Albano da Conceição, Levino) for |
1907 |
| Triste Ausência (Albano da Conceição, Levino) for |
|
| Sonatina em Lá Maior (Albano da Conceição, Levino) for |
|
| Conzert-Polonaise componirt für die 10 saitige Guitarre (Dubez, Johann) for |
1887 |
| Vorrei Saper (Rinaldi, Giovanni) for |
|
| Natale (Rinaldi, Giovanni) for |
|
| Achte oder blütige Fantaisie für die Guitarre (Dubez, Johann) for |
|
| Erinnerung an Bucarest (Dubez, Johann) for |
|
| Fantaisie über ein Volkslied (Dubez, Johann) for |
1874 |
| Fantasie in A major (Dubez, Johann) for |
1848 |
| Marsch-Fantasie, Op. 8 (Foerster, Adolph Martin) for |
1877 |
| Marsch-Fantasie, Op. 8 (Foerster, Adolph Martin) for |
|
| Love Song, Op. 23 (Foerster, Adolph Martin) for |
1800 |
| Love Song, Op. 23 (Foerster, Adolph Martin) for |
1894 |
| Symphonic Ode to Byron, Op. 35 (Foerster, Adolph Martin) for |
1800 |
| Symphonic Ode to Byron, Op. 35 (Foerster, Adolph Martin) for |
|
| Fantasie in G major (Dubez, Johann) for |
1847 |
| Freie Fantaisie in D major (Dubez, Johann) for |
1848 |
| Hero and Leander, Op. 44 (Foerster, Adolph Martin) for |
1800 |
| Hero and Leander, Op. 44 (Foerster, Adolph Martin) for |
1897 |
| Bauern Tanz (Othmayr, Caspar) for |
|
| Valses ou Execices, Op. 6 (Czerny, Carl) for |
1819 |
| Sinfonia concertante in C major, ReiF 2.11 (Fiala, Joseph) for |
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