Composition |
Published |
7 Preludes (Williams, Joseph) for piano |
1909 |
6 Songs (Arne, Thomas Augustine) for voice and orchestra |
|
6 Songs (Arne, Thomas Augustine) for voice and orchestra |
|
His Excellency (Carr, Frank Osmond) for voices, mixed chorus and orchestra |
1894 |
6 Miniatures for Violin and Piano (Tacchinardi, Guido) for violin and piano |
1913 |
Les Cloches de Corneville, Op. 228 (Smith, Sydney) for piano |
|
Pascal la Chatelaine, Op. 231 (Smith, Sydney) for piano |
1888 |
2 Album Leaves, Op. 16 (Rowley, Alec) for piano |
1916 |
Venus and Adonis (Blow, John) for 6 voices, mixed chorus and orchestra |
|
Amphion Anglicus (Blow, John) for voices, strings and continuo voices and continuo voice and continuo |
|
From the North, Op. 53 (Mackenzie, Alexander Campbell) for violin and piano |
1894 |
Arrangement of Billee Taylor (Solomon, Edward) for piano |
|
Im alten Styl (Barnett, John Francis) for orchestra |
1897 |
Ayeres or Phantasticke Spirites (Weelkes, Thomas) for 3 voices |
|
Masque in Honour of the Marriage of Lord Hayes (Campion, Thomas) for voices and orchestra |
|
6 Anthems (Milton Sr., John) for soprano, alto, tenor, bass and lute soprano, alto, tenor, bass and cittern mixed chorus and lute mixed chorus and cittern voices and continuo |
|
The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices voice, lute and viol |
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The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices voice, lute and viol |
|
14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices 6 voices |
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14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices 6 voices |
|
Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass |
|
Lydia (Gibsone, Ignace) for piano |
|
Waltz-Melody, Op. 54 No. 2 (Austin, Ernest) for piano |
1916 |
Curiosity Suite, Op. 42 (Bowen, York) for piano |
|
Arrangement of A Phantasy of Life and Love (Cowen, Frederic Hymen) for piano |
1902 |
Volume I: from Elizabethan Virginal Composers (Various) for harpsichord keyboard |
1922 |
Morris Dance (No.2) from 6 Sketches, Op. 155 (Stanford, Charles Villiers) for violin and piano |
1919 |
Morocco Bound (Carr, Frank Osmond) for voices, mixed chorus and orchestra |
1893 |
6 Shakespeare Songs (Shaw, Geoffrey Turton) for mixed chorus and piano female chorus and piano male chorus and piano |
1912 |
The Vicar of Bray (Solomon, Edward) for voices, mixed chorus and orchestra |
1892 |
10 Pianoforte Studies, Op. 51 (Dunhill, Thomas) for piano |
1917 |
Harold (Cowen, Frederic Hymen) for voices, mixed chorus and orchestra |
1895 |
Arrangement of I Heard a Spirit Sing (Taylor, William Frederick) for piano |
|
Arrangement of Rosalie the Prairie Flower (Root, George Frederick) for piano |
|
Scandinavian Suite No. 1 (Mullen, Alfred Frederic) for piano |
|
6 Trios (Alderson, Albion Percy) for organ |
|
3 Violin Pieces, Op. 84 (Dunhill, Thomas) for violin and piano |
1937 |
Dance on Portuguese Folk-Tunes (Murrill, Herbert Henry John) for 2 pianos |
1951 |
Portefeuille de musique No. 2, Op. 51 (Kullak, Theodor) for piano |
|
6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for violin and piano |
|
Lullaby in G major (No.1) from Arrangement of Lullaby in G major (No.1) from 6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for cello and piano |
1904 |
Studies in Phrasing and Form (Macpherson, Stewart) for |
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