| Composition | Published | 
| 7 Preludes (Williams, Joseph) for piano | 1909 | 
| 6 Songs (Arne, Thomas Augustine) for voice and orchestra |  | 
| 6 Songs (Arne, Thomas Augustine) for voice and orchestra |  | 
| His Excellency (Carr, Frank Osmond) for voices, mixed chorus and orchestra | 1894 | 
| 6 Miniatures for Violin and Piano (Tacchinardi, Guido) for violin and piano | 1913 | 
| Les Cloches de Corneville, Op. 228 (Smith, Sydney) for piano |  | 
| Pascal la Chatelaine, Op. 231 (Smith, Sydney) for piano | 1888 | 
| 2 Album Leaves, Op. 16 (Rowley, Alec) for piano | 1916 | 
| Venus and Adonis (Blow, John) for 6 voices, mixed chorus and orchestra |  | 
| Amphion Anglicus (Blow, John) for voices, strings and continuo voices and continuo
 voice and continuo
 |  | 
| From the North, Op. 53 (Mackenzie, Alexander Campbell) for violin and piano | 1894 | 
| Arrangement of Billee Taylor (Solomon, Edward) for piano |  | 
| Im alten Styl (Barnett, John Francis) for orchestra | 1897 | 
| Ayeres or Phantasticke Spirites (Weelkes, Thomas) for 3 voices |  | 
| Masque in Honour of the Marriage of Lord Hayes (Campion, Thomas) for voices and orchestra |  | 
| 6 Anthems (Milton Sr., John) for soprano, alto, tenor, bass and lute soprano, alto, tenor, bass and cittern
 mixed chorus and lute
 mixed chorus and cittern
 voices and continuo
 |  | 
| The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices voice, lute and viol
 |  | 
| The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices voice, lute and viol
 |  | 
| 14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices 6 voices
 |  | 
| 14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices 6 voices
 |  | 
| Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass |  | 
| Lydia (Gibsone, Ignace) for piano |  | 
| Waltz-Melody, Op. 54 No. 2 (Austin, Ernest) for piano | 1916 | 
| Curiosity Suite, Op. 42 (Bowen, York) for piano |  | 
| Arrangement of A Phantasy of Life and Love (Cowen, Frederic Hymen) for piano | 1902 | 
| Volume I: from Elizabethan Virginal Composers (Various) for harpsichord keyboard
 | 1922 | 
| Morris Dance (No.2) from 6 Sketches, Op. 155 (Stanford, Charles Villiers) for violin and piano | 1919 | 
| Morocco Bound (Carr, Frank Osmond) for voices, mixed chorus and orchestra | 1893 | 
| 6 Shakespeare Songs (Shaw, Geoffrey Turton) for mixed chorus and piano female chorus and piano
 male chorus and piano
 | 1912 | 
| The Vicar of Bray (Solomon, Edward) for voices, mixed chorus and orchestra | 1892 | 
| 10 Pianoforte Studies, Op. 51 (Dunhill, Thomas) for piano | 1917 | 
| Harold (Cowen, Frederic Hymen) for voices, mixed chorus and orchestra | 1895 | 
| Arrangement of I Heard a Spirit Sing (Taylor, William Frederick) for piano |  | 
| Arrangement of Rosalie the Prairie Flower (Root, George Frederick) for piano |  | 
| Scandinavian Suite No. 1 (Mullen, Alfred Frederic) for piano |  | 
| 6 Trios (Alderson, Albion Percy) for organ |  | 
| 3 Violin Pieces, Op. 84 (Dunhill, Thomas) for violin and piano | 1937 | 
| Dance on Portuguese Folk-Tunes (Murrill, Herbert Henry John) for 2 pianos | 1951 | 
| Portefeuille de musique No. 2, Op. 51 (Kullak, Theodor) for piano |  | 
| 6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for violin and piano |  | 
| Lullaby in G major (No.1) from Arrangement of Lullaby in G major (No.1) from 6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for cello and piano | 1904 | 
| Studies in Phrasing and Form (Macpherson, Stewart) for |  |