| Composition |
Published |
| 7 Preludes (Williams, Joseph) for piano |
1909 |
| 6 Songs (Arne, Thomas Augustine) for voice and orchestra |
|
| 6 Songs (Arne, Thomas Augustine) for voice and orchestra |
|
| His Excellency (Carr, Frank Osmond) for voices, mixed chorus and orchestra |
1894 |
| 6 Miniatures for Violin and Piano (Tacchinardi, Guido) for violin and piano |
1913 |
| Les Cloches de Corneville, Op. 228 (Smith, Sydney) for piano |
|
| Pascal la Chatelaine, Op. 231 (Smith, Sydney) for piano |
1888 |
| 2 Album Leaves, Op. 16 (Rowley, Alec) for piano |
1916 |
| Venus and Adonis (Blow, John) for 6 voices, mixed chorus and orchestra |
|
| Amphion Anglicus (Blow, John) for voices, strings and continuo or voices and continuo or voice and continuo |
|
| From the North, Op. 53 (Mackenzie, Alexander Campbell) for violin and piano |
1894 |
| Arrangement of Billee Taylor (Solomon, Edward) for piano |
|
| Im alten Styl (Barnett, John Francis) for orchestra |
1897 |
| Ayeres or Phantasticke Spirites (Weelkes, Thomas) for 3 voices |
|
| Masque in Honour of the Marriage of Lord Hayes (Campion, Thomas) for voices and orchestra |
|
| 6 Anthems (Milton Sr., John) for soprano, alto, tenor, bass and lute or soprano, alto, tenor, bass and cittern or mixed chorus and lute or mixed chorus and cittern or voices and continuo |
|
| The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices or voice, lute and viol |
|
| The First Book of Songs or Airs of Four Parts (Pilkington, Francis) for 4 voices or voice, lute and viol |
|
| 14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices or 6 voices |
|
| 14 Madrigals from Musica Transalpina (Ferrabosco Sr., Alfonso) for 5 voices or 6 voices |
|
| Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass |
|
| Lydia (Gibsone, Ignace) for piano |
|
| Waltz-Melody, Op. 54 No. 2 (Austin, Ernest) for piano |
1916 |
| Curiosity Suite, Op. 42 (Bowen, York) for piano |
|
| Arrangement of A Phantasy of Life and Love (Cowen, Frederic Hymen) for piano |
1902 |
| Volume I: from Elizabethan Virginal Composers (Various) for harpsichord or keyboard |
1922 |
| Morris Dance (No.2) from 6 Sketches, Op. 155 (Stanford, Charles Villiers) for violin and piano |
1919 |
| Morocco Bound (Carr, Frank Osmond) for voices, mixed chorus and orchestra |
1893 |
| 6 Shakespeare Songs (Shaw, Geoffrey Turton) for mixed chorus and piano or female chorus and piano or male chorus and piano |
1912 |
| The Vicar of Bray (Solomon, Edward) for voices, mixed chorus and orchestra |
1892 |
| 10 Pianoforte Studies, Op. 51 (Dunhill, Thomas) for piano |
1917 |
| Harold (Cowen, Frederic Hymen) for voices, mixed chorus and orchestra |
1895 |
| Arrangement of I Heard a Spirit Sing (Taylor, William Frederick) for piano |
|
| Arrangement of Rosalie the Prairie Flower (Root, George Frederick) for piano |
|
| Scandinavian Suite No. 1 (Mullen, Alfred Frederic) for piano |
|
| 6 Trios (Alderson, Albion Percy) for organ |
|
| 3 Violin Pieces, Op. 84 (Dunhill, Thomas) for violin and piano |
1937 |
| Dance on Portuguese Folk-Tunes (Murrill, Herbert Henry John) for 2 pianos |
1951 |
| Portefeuille de musique No. 2, Op. 51 (Kullak, Theodor) for piano |
|
| 6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for violin and piano |
|
| Lullaby in G major (No.1) from Arrangement of Lullaby in G major (No.1) from 6 Short Pieces for Violin and Piano (Cover, Claude Ernest) for cello and piano |
1904 |
| Studies in Phrasing and Form (Macpherson, Stewart) |
|