| Composition |
Score attributes |
| Suite in G major, Z.660 (Purcell, Henry) for keyboard |
— |
| Suite in G major, Z.660 (Purcell, Henry) for keyboard |
— |
| Suite in G major, Z.660 (Purcell, Henry) for keyboard |
selections |
| Fitzwilliam Virginal Book (Various) for keyboard |
— |
| Fitzwilliam Virginal Book (Various) for keyboard |
— |
| Fitzwilliam Virginal Book (Various) for keyboard |
— |
| Fitzwilliam Virginal Book (Various) for keyboard |
— |
| Voluntary in A major on the 100th Psalm, Z.721 (Purcell, Henry) for organ |
— |
| Stabat Mater, IGP 90 (Palestrina, Giovanni Pierluigi da) for 8 voices or 2 mixed chorus |
— |
| 34. For Love ev'ry Creature (Act IV, Scene 2) from King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
vocal score |
| Rondeau (No.2) from Arrangement of Rondeau (No.2) from Abdelazer, Z.570 (Purcell, Henry) for keyboard |
— |
| A Choice Collection of Lessons for the Harpsichord or Spinnet (Purcell, Henry) for keyboard |
— |
| Air in D minor, ZT 676 (Purcell, Henry) |
— |
| Ut, re, mi, fa, sol, la, FVB 101 (Byrd, William) for keyboard or organ or harpsichord |
— |
| Duet: Turn Then Thine Eyes (Act V) from The Fairy Queen, Z.629 (Purcell, Henry) for voices, mixed chorus and orchestra |
vocal score |
| Hodie Christus natus est, SwWV 163 (Sweelinck, Jan Pieterszoon) for 2 sopranos, alto, tenor and bass |
— |
| Callino Casturame, FVB 158 (Byrd, William) for keyboard or harpsichord |
— |
| Trumpet Tune (Clarke, Jeremiah) for keyboard |
— |
| Alman for 2 Virginals, FVB 55 (Farnaby, Giles) for 2 harpsichords |
— |
| Fantasia, FVB 261 (Byrd, William) for keyboard or organ or harpsichord |
— |
| Arrangement of Bonjour mon coeur, LV 167 (Lassus, Orlande de) for harpsichord |
— |
| Arrangement of Le rossignol plaisant et gratieux, LV 91 (Lassus, Orlande de) for harpsichord |
— |
| Arrangement of Pavana dolorosa Tregian, FVB 80 (Philips, Peter) for harpsichord |
— |
| The Muses Gardin for Delights (Jones, Robert) for voice, lute and viol |
— |
| A Toye, FVB 270 (Farnaby, Giles) for keyboard or harpsichord |
— |
| Ground in C minor, ZD 221 (Purcell, Henry) for harpsichord |
— |
| Praeludium, FVB 210 (Bull, John) for keyboard or harpsichord or organ |
— |
| His Humour, FVB 196 (Farnaby, Giles) for keyboard or harpsichord |
— |
| The Spanish Paven, FVB 139 (Bull, John) for harpsichord |
— |
| Suite in D major, Z.667 (Purcell, Henry) for keyboard |
— |
| Suite in D major, Z.667 (Purcell, Henry) for keyboard |
— |
| Hornpipe from Arrangement of Hornpipe from The Old Bachelor, Z.607 (Purcell, Henry) for keyboard |
— |
| The Leaves bee greene, FVB 251 (Inglott, William) for harpsichord or keyboard |
— |
| Doctor Bull's my selfe. A Gigge, FVB 189 (Bull, John) for harpsichord |
— |
| Fortune, FVB 65 (Byrd, William) for keyboard or harpsichord |
— |
| Loth to Depart, FVB 230 (Farnaby, Giles) for harpsichord |
— |
| Robin, FVB 15 (Mundy, John) for keyboard or harpsichord |
— |
| Jhonson's Medley, FVB 243 (Johnson, Edward) for harpsichord or keyboard |
— |
| Pavan 'Philippa Tregian' and Galiard (Byrd, William) for keyboard or harpsichord |
— |
| Barafostus' Dreame, FVB 18 (Anonymous) for keyboard or harpsichord |
— |
| French Coranto, T 449 (Byrd, William) for keyboard or harpsichord |
— |
| The Duchesse of Brunswick's Toye, FVB 262 (Bull, John) for harpsichord |
— |
| In Nomine à 3, FVB 37 (Bull, John) for organ or harpsichord or keyboard |
— |
| Pavana, FVB 16 (Anonymous) for harpsichord or keyboard or organ |
— |
| Pawles Wharfe, FVB 113 (Farnaby, Giles) for keyboard or harpsichord |
— |
| Alman, FVB 152 (Morley, Thomas) for harpsichord |
— |
| Suite in C major, Z.666 (Purcell, Henry) for keyboard |
— |
| Suite in C major, Z.666 (Purcell, Henry) for keyboard |
— |
| O dive custos auriacae domus, Z.504 (Purcell, Henry) for continuo and 2 sopranos |
— |
| Pavan 'Bray' and Galliard (Byrd, William) for keyboard or harpsichord |
— |
| Arrangement of Galliard, FVB 278 (Johnson, Edward) for harpsichord |
— |
| Allemanda, FVB 187 (Marchant, John) for harpsichord or keyboard |
— |
| Alman, FVB 145 (Johnson, Robert) for harpsichord or lute |
— |
| A Gigg, FVB 181 (Byrd, William) for harpsichord |
— |
| Galliard, FVB 175 (Byrd, William) for keyboard or harpsichord |
— |
| Suites, Lessons and Pieces for the Harpsichord (Purcell, Henry) for harpsichord |
— |
| Fantasia à 4, FVB 84 (Philips, Peter) for harpsichord or organ or 4 viols |
— |
| Rigadoon in C major, Z.653 (Purcell, Henry) for keyboard |
— |
| Rigadoon in C major, Z.653 (Purcell, Henry) for keyboard |
— |
| A Ground in Gamut, Z.645 (Purcell, Henry) for keyboard |
— |
| Monsieur's Alman & Variatio, FVB 61-62 (Byrd, William) for harpsichord |
— |
| March in C major, Z.647 (Purcell, Henry) for keyboard |
— |
| March in C major, Z.647 (Purcell, Henry) for keyboard |
— |
| March in C major, Z.648 (Purcell, Henry) for keyboard |
— |
| March in C major, Z.648 (Purcell, Henry) for keyboard |
— |
| Voluntary in C major, Z.717 (Purcell, Henry) for keyboard |
— |
| Verset in F major, Z.716 (Purcell, Henry) for keyboard |
— |
| Pavana, FVB 220 (Tisdale, William) for harpsichord or keyboard |
— |
| A Maske, FVB 199 (Farnaby, Giles) for keyboard |
— |
| Suite in G minor, Z.661 (Purcell, Henry) for keyboard |
— |
| Suite in G minor, Z.661 (Purcell, Henry) for keyboard |
— |
| Suite in G major, Z.662 (Purcell, Henry) for keyboard |
— |
| Suite in G major, Z.662 (Purcell, Henry) for keyboard |
— |
| Trumpet Tune in C major, ZT 697 (Purcell, Henry) for keyboard |
— |
| The Fall of the Leafe, FVB 272 (Peerson, Martin) for harpsichord or keyboard |
— |
| Dr. Bull's Jewell, FVB 138 (Bull, John) for keyboard or harpsichord |
— |
| Spagnioletta, FVB 54 (Farnaby, Giles) for keyboard or harpsichord |
— |
| The Old Spagnoletta, FVB 289 (Farnaby, Giles) for keyboard or harpsichord |
— |
| The King's Hunt, FVB 135 (Bull, John) for harpsichord |
— |
| The Carman's Whistle (Byrd, William) for keyboard or harpsichord |
— |
| Lady Montegle's Paven, FVB 294 (Byrd, William) for keyboard or harpsichord |
— |
| Galiarda, FVB 295 (Tisdale, William) for harpsichord or keyboard |
— |
| Fantasia, T 457 (Byrd, William) for harpsichord or organ |
— |
| Arrangement of Tirsi morir volea (Marenzio, Luca) for harpsichord |
— |
| In Nomine à 4, FVB 119 (Bull, John) for keyboard or organ or harpsichord |
— |
| The Queen's Alman, FVB 172 (Byrd, William) for keyboard or harpsichord |
— |
| Trumpet Tune in C major, ZT 678 (Purcell, Henry) for keyboard |
— |
| Trumpet Tune in C major, ZT 678 (Purcell, Henry) for keyboard |
— |
| Tell mee, Daphne, FVB 280 (Farnaby, Giles) for keyboard or harpsichord |
— |
| Arrangement of Chi fara fed al cielo (Striggio, Alessandro) for harpsichord |
— |
| Toccata in A minor, SwWV 296 (Sweelinck, Jan Pieterszoon) for organ or harpsichord or organ |
— |
| Minuet in E minor, ZD 225 (Purcell, Henry) for harpsichord |
— |
| Almond and Borry, ZD 219 (Purcell, Henry) for harpsichord |
— |
| Almond and Borry, ZD 219 (Purcell, Henry) for harpsichord |
— |
| A Song Tune, ZT 694 (Purcell, Henry) |
— |
| New Minuet, ZT 689 (Purcell, Henry) for harpsichord |
— |
| New Minuet, ZT 689 (Purcell, Henry) for harpsichord |
— |
| Minuet in A minor, Z.649 (Purcell, Henry) for harpsichord |
— |
| Minuet in A minor, Z.649 (Purcell, Henry) for harpsichord |
— |
| Barafostus Dreame, FVB 131 (Tomkins, Thomas) for harpsichord |
— |
| Fayne would I Wedd, FVB 197 (Farnaby, Richard) for keyboard or harpsichord |
— |
| Arrangement of Margot labourez les vignes, LV 169 (Lassus, Orlande de) for harpsichord |
— |
| Why aske you, FVB 161 (Anonymous) for harpsichord |
— |
| Suite in F major, Z.669 (Purcell, Henry) for keyboard |
— |
| Suite in F major, Z.669 (Purcell, Henry) for keyboard |
— |
| Suite in A minor, Z.663 (Purcell, Henry) for keyboard |
— |
| Suite in A minor, Z.663 (Purcell, Henry) for keyboard |
— |
| Suite in D minor, Z.668 (Purcell, Henry) for keyboard |
— |
| Suite in D minor, Z.668 (Purcell, Henry) for keyboard |
— |
| Minuet in A minor, Z.650 (Purcell, Henry) for keyboard |
— |
| Minuet in A minor, Z.650 (Purcell, Henry) for keyboard |
— |
| Saraband with Division, Z.654 (Purcell, Henry) for harpsichord |
— |
| Saraband with Division, Z.654 (Purcell, Henry) for harpsichord |
— |
| Corant in G major, Z.644 (Purcell, Henry) for keyboard |
— |
| Corant in G major, Z.644 (Purcell, Henry) for keyboard |
— |
| Minuet in G major, Z.651 (Purcell, Henry) for keyboard |
— |
| Minuet in G major, Z.651 (Purcell, Henry) for keyboard |
— |
| Suite in C major, Z.665 (Purcell, Henry) for keyboard |
— |
| Almand (No.2) from Suite in C major, Z.665 (Purcell, Henry) for keyboard |
— |
| Almand (No.2) from Suite in C major, Z.665 (Purcell, Henry) for keyboard |
— |
| The Bells (Byrd, William) for keyboard or harpsichord |
— |
| A New Scotch Tune, Z.655 (Purcell, Henry) for keyboard |
— |
| Pavan & Galiardo, FVB 85, 87 (Philips, Peter) for keyboard or harpsichord |
— |
| Arrangement of Amarilli, mia bella (Caccini, Giulio) for harpsichord |
— |
| Almand, FVB 213 (Tisdale, William) for keyboard or harpsichord |
— |
| Christe Redemptor, FVB 125 (Bull, John) for keyboard or harpsichord or organ |
— |
| Fantasia for Keyboard, FVB 124 (Morley, Thomas) for keyboard or harpsichord or organ |
— |
| 14 Pieces for Keyed Instruments (Byrd, William) for keyboard |
— |
| O Mistress Mine (Byrd, William) for keyboard or harpsichord |
— |
| Felix Namque I, FVB 109 (Tallis, Thomas) for keyboard or organ or harpsichord |
— |
| Air in G major, Z.641 (Purcell, Henry) for keyboard |
— |
| The Duke of Brunswick's Alman, FVB 142 (Bull, John) for keyboard or harpsichord |
— |
| Prelude in C major, T 517 (Byrd, William) for harpsichord or organ or keyboard |
— |
| Jhon come kisse me now (Byrd, William) for keyboard or harpsichord |
— |
| Miserere a 3 (Clarifica me pater), FVB 176 (Byrd, William) for keyboard or organ or harpsichord |
— |
| Nobodyes Gigge, FVB 149 (Farnaby, Richard) for keyboard |
— |
| Pavana & Variatio, FVB 4-5 (Richardson, Ferdinando) for keyboard |
— |
| Pavana of my L. Lumley, FVB 41 (Bull, John) for keyboard or harpsichord |
— |
| Nancie, FVB 12 (Morley, Thomas) for keyboard or harpsichord |
— |
| Goe from my window, FVB 9 (Morley, Thomas) for keyboard |
— |
| Fantasia "Faire Wether", FVB 3 (Mundy, John) for keyboard |
— |
| Fantasia, FVB 2 (Mundy, John) for keyboard |
— |
| Galiarda & Variatio, FVB 6-7 (Richardson, Ferdinando) for keyboard |
— |
| Goe from my window, FVB 42 (Mundy, John) for keyboard or harpsichord |
— |
| Walsingham, FVB 1 (Bull, John) for keyboard |
— |
| Galliarda to my L. Lumley’s Paven, FVB 11 (Bull, John) for keyboard or harpsichord |
— |
| Pavana, FVB 13 (Bull, John) for keyboard or harpsichord |
— |
| Alman, FVB 14 (Anonymous) for keyboard or harpsichord |
— |
| Arrangement of Lachrimae Pavan for Lute (Dowland, John) for harpsichord |
— |
| Arrangement of Lachrimae Pavan for Lute (Dowland, John) for harpsichord |
— |
| Fie, Nay, Prithee John (Purcell, Henry) for 3 voices |
— |
| Sellinger's Round, FVB 64 (Byrd, William) for keyboard |
— |
| Muscadin, FVB 19 (Anonymous) for keyboard or harpsichord |
— |
| Galiarda, FVB 17 (Bull, John) for keyboard |
— |
| Alman, FVB 20 (Anonymous) for keyboard |
— |
| Galiarda & Variatio, FVB 29-30 (Richardson, Ferdinando) for keyboard |
— |
| Galiarda, FVB 21 (Anonymous) for keyboard |
— |
| The Hunt's Up, FVB 59 (Byrd, William) for keyboard |
— |
| In Nomine, FVB 50 (Blitheman, John) for keyboard |
— |
| The King's Hunt, FVB 53 (Farnaby, Giles) for keyboard |
— |
| The Irish Ho-Hoane, FVB 26 (Anonymous) for keyboard or harpsichord |
— |
| Pavana & Galiard, FVB 34-35 (Bull, John) for keyboard |
— |
| Pavana & Galiardas 'Passamezzo', FVB 56-57 (Byrd, William) for keyboard |
— |
| Pavana, FVB 39 (Johnson, Robert) for keyboard |
— |
| Pavane & Variatio, FVB 27-28 (Richardson, Ferdinando) for keyboard |
— |
| Praeludium & Fantasia, FVB 100, 52 (Byrd, William) for keyboard |
— |
| Fantasia, FVB 38 (Bull, John) for keyboard |
— |
| Praeludium, FVB 43 (Bull, John) for keyboard |
— |
| Præludium “El. Kiderminster”, FVB 23 (Anonymous) for keyboard |
— |
| Præludium, FVB 25 (Anonymous) for keyboard |
— |
| Præludium, FVB 49 (Oldfield, Thomas) for keyboard |
— |
| The Quadran Pavan Variation, FVB 32 (Bull, John) for keyboard |
— |
| The Quadran Pavan, FVB 31 (Bull, John) for keyboard |
— |
| Saint Thomas Wake, FVB 36 (Bull, John) for keyboard |
— |
| Salvator Mundi, FVB 45 (Bull, John) for keyboard |
— |
| Præludium, FVB 22 (Anonymous) for keyboard |
— |
| The Woods so Wilde, FVB 40 (Gibbons, Orlando) for keyboard |
— |
| Galiarda to the Paven No. XXXIV, FVB 48 (Bull, John) for keyboard |
— |
| Galiard to the Quadran Pavan, FVB 33 (Bull, John) for keyboard |
— |
| Galliarda & Variatio, FVB 46-47 (Bull, John) for keyboard |
— |
| Gloria Tibi Trinitas, FVB 44 (Bull, John) for keyboard |
— |
| Ut, re, mi, fa, sol, la, FVB 51 (Bull, John) for keyboard |
— |
| Alman, FVB 63 (Byrd, William) for keyboard |
— |
| Toccata, FVB 95 (Picchi, Giovanni) for harpsichord or keyboard |
— |
| All in a Garden Green, FVB 104 (Byrd, William) for keyboard |
— |
| Daphne, FVB 112 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 88 (Philips, Peter) for keyboard |
— |
| Fantasia, FVB 89 (Strogers, Nicholas) for keyboard |
— |
| Fantasia, FVB 108 (Bull, John) for keyboard |
— |
| Felix Namque II, FVB 110 (Tallis, Thomas) for keyboard |
— |
| Heaven and Earth, FVB 105 (Tregian, Francis) for keyboard |
— |
| Alman, FVB 90 (Peerson, Martin) for keyboard or harpsichord |
— |
| Pavana & Galiarda, FVB 97-98 (Warrock, Thomas) for keyboard |
— |
| Arrangement of Pavana dolorosa, FVB 80 (Tregian, Francis) for harpsichord |
— |
| Pavana Pagget & Galiarda, FVB 74-75 (Philips, Peter) for keyboard |
— |
| Pavana Passamezzo & Galiarda, FVB 76-77 (Philips, Peter) for keyboard |
— |
| Galiarda dolorosa, FVB 81 (Philips, Peter) for keyboard |
— |
| Praeludium, FVB 99 (Galeazzo) for keyboard |
— |
| Praeludium, FVB 106 (Bull, John) for keyboard |
— |
| Praeludium, FVB 115 (Bull, John) for keyboard |
— |
| Praeludium. Dor. FVB 116 (Bull, John) for keyboard |
— |
| Præludium, FVB 117 (Anonymous) for keyboard |
— |
| Præludium, FVB 120 (Anonymous) for keyboard |
— |
| Quodlings Delight, FVB 114 (Farnaby, Giles) for keyboard |
— |
| The Woods So Wild, FVB 67 (Byrd, William) for keyboard |
— |
| Tregian's Ground, FVB 60 (Byrd, William) for keyboard |
— |
| Untitled, FVB 111 (Anonymous) for keyboard |
— |
| Ut, mi, re, FVB 102 (Byrd, William) for keyboard |
— |
| Veni, FVB 107 (Anonymous) for keyboard |
— |
| Walsingham, FVB 68 (Byrd, William) for keyboard |
— |
| Fece da voi à 6, FVB 73 (Philips, Peter) for keyboard |
— |
| Ut, re, mi, fa, sol, la, a 4 voci. FVB 118 (Sweelinck, Jan Pieterszoon) for keyboard |
— |
| Fantasia, FVB 103 (Byrd, William) for keyboard |
— |
| Bony sweet Robin, FVB 128 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 129 (Farnaby, Giles) for keyboard |
— |
| Arrangement of Galiarda, FVB 122 (Harding, James) for harpsichord |
— |
| Galliard, FVB 164 (Byrd, William) for keyboard |
— |
| A Grounde, FVB 130 (Tomkins, Thomas) for keyboard |
— |
| The Hunting Galliard, FVB 132 (Tomkins, Thomas) for keyboard |
— |
| In Nomine, FVB 140 (Parsons, Robert) for keyboard |
— |
| Malt's come downe, FVB 150 (Byrd, William) for keyboard |
— |
| The Maydens Song, FVB 126 (Byrd, William) for keyboard |
— |
| A Medley, FVB 173 (Byrd, William) for keyboard |
— |
| The Ghost, FVB 162 (Byrd, William) for keyboard or harpsichord |
— |
| Pavana & Galiarda, FVB 136-137 (Bull, John) for keyboard |
— |
| Pavana & Galiarda, FVB 153-154 (Morley, Thomas) for keyboard |
— |
| Pavana & Galliarda, FVB 165-166 (Byrd, William) for keyboard |
— |
| Pavana & Galliarda, FVB 169-170 (Morley, Thomas) for keyboard |
— |
| Pavana & Galliarda, FVB 174-175 (Byrd, William) for keyboard |
— |
| Pavana, FVB 123 (Tomkins, Thomas) for keyboard |
— |
| Alman, FVB 146 (Johnson, Robert) for keyboard |
— |
| Arrangement of Alman, FVB 147 (Johnson, Robert) for harpsichord |
— |
| Alman, FVB 156 (Byrd, William) for keyboard |
— |
| Psalm 140, FVB 144 (Sweelinck, Jan Pieterszoon) for organ or harpsichord |
— |
| Præludium, FVB 151 (Anonymous) for keyboard |
— |
| The Quadran Paven & Galiard, FVB 133-134 (Byrd, William) for keyboard |
— |
| Put up thy Dagger, Jemy, FVB 127 (Farnaby, Giles) for keyboard |
— |
| The New Sa-Hoo, FVB 148 (Farnaby, Giles) for keyboard |
— |
| Alman, FVB 163 (Byrd, William) for keyboard |
— |
| Rowland, FVB 160 (Byrd, William) for keyboard |
— |
| Rosasolis, FVB 143 (Farnaby, Giles) for keyboard |
— |
| Miserere a 4, FVB 177 (Byrd, William) for keyboard |
— |
| The Irish Dumpe, FVB 179 (Anonymous) for keyboard |
— |
| Pakington's Pownde, FVB 178 (Anonymous) for keyboard |
— |
| Wooddy-Cock, FVB 141 (Farnaby, Giles) for keyboard |
— |
| La Volta, FVB 155 (Byrd, William) for keyboard |
— |
| Arrangement of La Volta, FVB 159 (Morley, Thomas) for harpsichord |
— |
| Wolseys Wilde, FVB 157 (Byrd, William) for keyboard |
— |
| Pavana & Galiarda, FVB 167-168 (Byrd, William) for keyboard |
— |
| Fantasia, FVB 208 (Farnaby, Giles) for keyboard |
— |
| A Maske, FVB 209 (Farnaby, Giles) for keyboard |
— |
| Pipers Paven, FVB 182 (Peerson, Martin) for keyboard |
— |
| A Maske, FVB 198 (Farnaby, Giles) for keyboard |
— |
| Sr. Jhon Grayes Galiard, FVB 191 (Byrd, William) for keyboard |
— |
| Worster Braules, FVB 207 (Tomkins, Thomas) for keyboard |
— |
| Can shee, FVB 188 (Anonymous) for keyboard |
— |
| Piper's Galliard & Variatio Ejusdem, FVB 182-183 (Bull, John) for keyboard |
— |
| 7 Dances, FVB 200-206 (Anonymous) for keyboard |
— |
| Galiarda, FVB 185 (Bull, John) for keyboard |
— |
| Galiarda, FVB 186 (Bull, John) for keyboard |
— |
| A Gigge, FVB 190 (Bull, John) for keyboard |
— |
| Alman, FVB 222 (Hooper, Edmund) for keyboard |
— |
| Alman, FVB 227 (Anonymous) for keyboard |
— |
| Coranto, FVB 221 (Anonymous) for keyboard |
— |
| Gipseis Round, FVB 216 (Byrd, William) for keyboard |
— |
| Pavana "Clement Cotton", FVB 219 (Tisdale, William) for keyboard |
— |
| Pavana Chromatica "Mrs Katherin Tregians Paven", FVB 214 (Tisdale, William) for keyboard |
— |
| Fantasia, FVB 229 (Farnaby, Giles) for keyboard or harpsichord or organ |
— |
| Fantasia, FVB 231 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 237 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 238 (Farnaby, Giles) for keyboard |
— |
| The L. Zouches Maske, FVB 239 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 232 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 236 (Farnaby, Giles) for keyboard |
— |
| Fantasia, FVB 234 (Farnaby, Giles) for keyboard |
— |
| Fantasia "Ay me, poore heart", FVB 233 (Farnaby, Giles) for keyboard |
— |
| Ut, re, mi, fa, sol, la, FVB 215 (Bull, John) for keyboard |
— |
| Walter Erle's Paven, FVB 235 (Farnaby, Giles) for keyboard |
— |
| 4 Corrente, FVB 223-226 (Anonymous) for keyboard |
— |
| Fantasia, FVB 217 (Sweelinck, Jan Pieterszoon) for keyboard or organ or harpsichord |
— |
| Coranto, FVB 241 (Byrd, William) for keyboard |
— |
| A Duo, FVB 248 (Farnaby, Richard) for keyboard |
— |
| The Earle of Oxfords Marche, FVB 259 (Byrd, William) for keyboard |
— |
| Grounde, FVB 240 (Farnaby, Giles) for keyboard |
— |
| The King's Morisco, FVB 247 (Anonymous) for keyboard |
— |
| Allemanda, FVB 274 (Anonymous) for keyboard |
— |
| Corranto, FVB 264 (Anonymous) for keyboard |
— |
| Corranto, FVB 266 (Anonymous) for keyboard |
— |
| Dalling Alman, FVB 288 (Anonymous) for keyboard |
— |
| Fantasia, FVB 296 (Farnaby, Giles) for keyboard |
— |
| Farmer’s Paven, FVB 287 (Farnaby, Giles) for keyboard |
— |
| The Flatt Pavan, FVB 284 (Farnaby, Giles) for keyboard |
— |
| Galiarda, FVB 269 (Farnaby, Giles) for keyboard |
— |
| A Gigge, FVB 267 (Farnaby, Giles) for keyboard |
— |
| Mal Sims, FVB 281 (Farnaby, Giles) for keyboard |
— |
| Meridian Alman, FVB 291 (Farnaby, Giles) for keyboard |
— |
| Miserere, FVB 279 (Bull, John) for keyboard |
— |
| Munday’s Joy, FVB 282 (Mundy, John) for keyboard |
— |
| Muscadin, FVB 293 (Farnaby, Giles) for keyboard |
— |
| Nowel's Galliard, FVB 244 (Anonymous) for keyboard |
— |
| Galiarda, FVB 260 (Oystermayre, John) for keyboard |
— |
| Corranto "Lady Riche", FVB 265 (Anonymous) for keyboard |
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| A Galliard Ground, FVB 250 (Inglott, William) for keyboard |
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| Hanskin, FVB 297 (Farnaby, Richard) for keyboard |
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| Arrangement of Pavana "Delight", FVB 277 (Johnson, Edward) for harpsichord |
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| Pavana & Galiarda, FVB 252-253 (Byrd, William) for keyboard |
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| Pavana & Galiarda, FVB 254-255 (Byrd, William) for keyboard |
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| Pavana Fantasia & Galiarda, FVB 257-258 (Byrd, William) for keyboard |
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| Pavana, FVB 256 (Byrd, William) for keyboard |
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| Pavana, FVB 285 (Farnaby, Giles) for keyboard |
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| Pavana, FVB 292 (Gibbons, Orlando) for keyboard |
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| Pavana. Canon, FVB 275 (Byrd, William) for keyboard |
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| Farnabye's Conceit, FVB 273 (Farnaby, Giles) for keyboard |
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| Praeludium, FVB 246 (Farnaby, Giles) for keyboard |
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| Alman, FVB 249 (Anonymous) for keyboard |
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| The Primerose, FVB 271 (Peerson, Martin) for keyboard |
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| Arrangement of Rosseter’s Galiard, FVB 283 (Rosseter, Philip) for harpsichord |
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| Why aske you, FVB 286 (Farnaby, Giles) for keyboard |
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| Tower Hill, FVB 245 (Farnaby, Giles) for keyboard |
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| A Toy, FVB 268 (Anonymous) for keyboard |
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| A Toye, FVB 263 (Anonymous) for keyboard |
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| Up Tails All, FVB 242 (Farnaby, Giles) for keyboard |
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| Pescodd Time, FVB 276 (Byrd, William) for keyboard |
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| A New Irish Tune, Z.646 (Purcell, Henry) for harpsichord |
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| How Pleasant Is this Flowery Plain, Z.543 (Purcell, Henry) for soprano, tenor, 2 recorders and continuo |
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| See Where She Sits, Z.508 (Purcell, Henry) for soprano, bass, 2 violins and continuo or tenor, bass, 2 violins and continuo |
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| Oh! What a Scene Does Entertain My Sight, Z.506 (Purcell, Henry) for soprano, violin, continuo and bass or tenor, bass, violin and continuo |
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| Trumpet Tune in C major, ZT 698 (Purcell, Henry) for keyboard |
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| March in C major, ZT 687 (Purcell, Henry) for keyboard |
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| Chaconne in G minor, ZT 680 (Purcell, Henry) for keyboard |
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| Jig in G minor, ZT 686 (Purcell, Henry) for keyboard |
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| A New Ground in E minor, ZT 682 (Purcell, Henry) for keyboard |
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| Sefauchi's Farewell, Z.656 (Purcell, Henry) for keyboard |
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| Minuet in D minor, ZT 688 (Purcell, Henry) for keyboard |
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| Ground in C minor, ZT 681 (Purcell, Henry) for keyboard |
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| Prelude in A minor, Z.652 (Purcell, Henry) for keyboard |
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| Hornpipe in E minor, ZT 685 (Purcell, Henry) for keyboard |
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| Prelude in G major (Purcell, Henry) for keyboard |
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| Overture, Air and Jig, ZT 693 (Purcell, Henry) for keyboard |
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| Voluntary in D minor, Z.718 (Purcell, Henry) for organ |
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| Gavotte in G major (Purcell, Henry) for keyboard |
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| Toccata quasi fantasia con fuga (Purcell, Henry) for keyboard |
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| Voluntary in C major (Purcell, Henry) for organ |
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| Voluntary in D minor, Z.719 (Purcell, Henry) for organ |
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| An Ape, a Lion, a Fox and an Ass, Z.241 (Purcell, Henry) for 3 voices |
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| As Roger Last Night, Z.242 (Purcell, Henry) for 3 voices |
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| Bring the Bowl and Cool Nantz, Z.243 (Purcell, Henry) for 3 voices |
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| Call for the Reckoning, Z.244 (Purcell, Henry) for 3 voices |
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| Come, Let Us Drink, Z.245 (Purcell, Henry) for 3 voices and continuo |
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| Come, My Hearts, Z.246 (Purcell, Henry) for 3 voices |
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| Down, Down with Bacchus, Z.247 (Purcell, Henry) for 3 voices |
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| Drink On, till Night Be Spent, Z.248 (Purcell, Henry) for 3 voices |
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| God Save Our Sovereign Charles, Z.250 (Purcell, Henry) for 3 voices |
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| Great Apollo and Bacchus, Z.251 (Purcell, Henry) for 3 voices |
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| He that Drinks Is Immortal, Z.254 (Purcell, Henry) for 3 voices |
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| A Health to the Nut-Brown Lass, Z.240 (Purcell, Henry) for 3 voices |
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| Here's a Health, Pray Let It Pass, Z.252 (Purcell, Henry) for 3 voices |
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| Here's that Will Challenge All the Fair, Z.253 (Purcell, Henry) for 3 voices |
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| I Gave Her Cakes, Z.256 (Purcell, Henry) for 3 voices |
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| If All Be True that I Do Think, Z.255 (Purcell, Henry) for 3 voices |
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| Is Charleroy's Siege Come To?, Z.257 (Purcell, Henry) for 3 voices |
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| Let the Grave Folks Go Preach, Z.258 (Purcell, Henry) for 3 voices |
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| Let Us Drink to the Blades, Z.259 (Purcell, Henry) for 3 voices |
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| The Macedon Youth, Z.276 (Purcell, Henry) for 4 voices |
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| My Lady's Coachman, John, Z.260 (Purcell, Henry) for 3 voices |
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| Now England's Great Council's, Z.261 (Purcell, Henry) for 3 voices |
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| Now, Now We Are Met, Z.262 (Purcell, Henry) for 3 voices |
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| Of All the Instruments that Are, Z.263 (Purcell, Henry) for 3 voices |
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| Once in Our Lives, Z.264 (Purcell, Henry) for 3 voices |
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| Once, Twice, Thrice, I Julia Tried, Z.265 (Purcell, Henry) for 3 voices |
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| One Industrious Insect, Z.266 (Purcell, Henry) for 3 voices |
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| Pale Faces, Stand By, Z.267 (Purcell, Henry) for 3 voices |
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| Pox on You for a Fop, Z.268 (Purcell, Henry) for 3 voices |
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| Prithee Ben't So Sad and Serious, Z.269 (Purcell, Henry) for 3 voices and continuo |
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| Room for th' Express, Z.270 (Purcell, Henry) for 3 voices |
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| Since the Duke is Return'd, Z.271 (Purcell, Henry) for 3 voices |
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| Since Time So Kind to Us Does Prove, Z.272 (Purcell, Henry) for 3 voices |
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| Soldier, Soldier, Take Off Thy Wine, Z.274 (Purcell, Henry) for 4 voices |
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| Tis Easy to Force, Z.279 (Purcell, Henry) for 4 voices |
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| The Surrender of Limerick, Z.278 (Purcell, Henry) for 3 voices |
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| Sir Walter Enjoying, Z.273 (Purcell, Henry) for 3 voices |
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| Sum Up All the Delights, Z.275 (Purcell, Henry) for 3 voices |
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| Tis Too Late for a Coach, Z.280 (Purcell, Henry) for 3 voices |
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| Tis Women Makes Us Love, Z.281 (Purcell, Henry) for 4 voices |
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| To Thee and to a Lass, Z.283 (Purcell, Henry) for 3 voices |
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| True Englishmen Drink a Good Health, Z.284 (Purcell, Henry) for 3 voices |
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| Under a Green Elm, Z.285 (Purcell, Henry) for 4 voices |
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| Under this Stone Lies Gabriel John, Z.286 (Purcell, Henry) for 3 voices |
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| When V and I Together Meet, Z.287 (Purcell, Henry) for 3 voices |
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| Who Comes There?, Z.288 (Purcell, Henry) for 3 voices |
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| Wine in a Morning, Z.289 (Purcell, Henry) for 3 voices |
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| Young Colin Cleaving, Z.291 (Purcell, Henry) for 3 voices |
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| Would You Know How We Meet, Z.290 (Purcell, Henry) for 3 voices |
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| To All Lovers of Music, Z.282 (Purcell, Henry) for 3 voices |
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| Young John the Gardener, Z.292 (Purcell, Henry) for 4 voices |
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| Full Bags, Z.249 (Purcell, Henry) for 3 voices |
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| The Miller's Daughter Riding, Z.277 (Purcell, Henry) for 3 voices |
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| The Glass Was Just Timed (Purcell, Henry) for 3 voices |
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| Since Women So False (Purcell, Henry) for 3 voices |
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| Tom Making a Manteau (Purcell, Henry) for 3 voices |
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| When Gay Philander Left the Plain, Z.519 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Come, Lay by All Care, Z.484 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo or soprano and bass or tenor and bass |
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| Though My Mistress Be Fair, Z.514 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Sit Down, My Dear Sylvia, Z.509 (Purcell, Henry) for soprano, bass, mixed chorus and continuo |
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| When, Lovely Phyllis, Thou Art Kind, Z.520 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| I Saw Fair Cloris All Alone, Z.498 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Sylvia, 'Tis True You're Fair, Z.512 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Come, Dear Companions of th' Arcadian Fields, Z.483 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| How Great Are the Blessings, Z.494 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Saccharissa's Grown Old, Z.507 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| When Teucer from His Father Fled, Z.522 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Oft Am I by the Women Told, Z.505 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| How Sweet Is the Air and Refreshing, Z.495 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Fill the Bowl with Rosy Wine, Z.487 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| I Some Kind Dream, Z.497 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Hence, Fond Deceiver, Z.492 (Purcell, Henry) for soprano, bass and continuo |
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| Has Yet Your Breast No Pity Learn'd?, Z.491 (Purcell, Henry) for soprano, bass and continuo |
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| Here's to Thee, Dick, Z.493 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Let Hector, Achilles and Each Brave Commander, Z.501 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Were I to Choose the Greatest Bliss, Z.517 (Purcell, Henry) for soprano and continuo or tenor and continuo |
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| Nestor, Who Did to Thrice Man's Age Attain, Z.503 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Lost Is My Quiet Forever, Z.502 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Why, My Daphne, Why Complaining?, Z.525 (Purcell, Henry) for soprano, bass and continuo |
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| Fair Cloe, My Breast So Alarms, Z.486 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Underneath this Myrtle Shade, Z.516 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| What Can We Poor Females Do?, Z.429 (Purcell, Henry) for soprano, bass and continuo |
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| Dulcibella, Whene'er I Sue for a Kiss, Z.485 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| When Myra Sings, Z.521 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| There Never Was So Wretched Lover as I, Z.513 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| In All Our Cynthia's Shining Sphere, Z.496 (Purcell, Henry) for soprano, bass and continuo |
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| While Bolts and Bars My Days Control, Z.523 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Trip It, Trip It in a Ring, Z.515 (Purcell, Henry) for soprano, bass and continuo |
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| Go Tell Amynta, Gentle Swain, Z.489 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Julia, Your Unjust Disdain, Z.500 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| I Spy Celia, Z.499 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| While You for Me Alone Had Charms, Z.524 (Purcell, Henry) for soprano, bass, mixed chorus and continuo |
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| Above the Tumults of a Busy State, Z.480 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Alas, How Barbarous We Are, Z.482 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Sylvia, Thou Brighter Eye of Night, Z.511 (Purcell, Henry) for soprano, bass and continuo or tenor, bass and continuo |
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| Haste, Gentle Charon, Z.490 (Purcell, Henry) for continuo and 2 basses |
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| Tis Wine Was Made to Rule the Day, Z.546 (Purcell, Henry) for soprano, tenor, bass and continuo or 2 tenors, bass and continuo |
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| When the Cock Begins to Crow, ZD 172 (Purcell, Henry) for 2 sopranos, bass and continuo or 2 tenors, bass and continuo |
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| A Poor Blind Woman, ZD 171 (Purcell, Henry) for 2 sopranos, bass and continuo |
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| Sweet Tyranness, I Now Resign, ZS 70 (Purcell, Henry) for 2 sopranos, bass and continuo |
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