| Title | 17 Cantiunculae Pascales |
| Alternative title | Cantiunculae Pascales |
| Creators | Johann Rasch (composer) |
| Opus | |
| Instrumentation | 4 voices 5 voices 6 voices 7 voices |
| Number of movements | 17 |
| Keys | — |
| Composed | — |
| First published | 1572 |
| Dedication | Georg, Abbot of Garsten |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Sacred songs, Hymns |
| Language | German |
| Period | Renaissance |
| View on IMSLP | ![]() |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Christ ist erstanden I (5 equal voices) | — | — | — |
| Christ ist erstanden II (4 voices) | — | — | — |
| Christ ist erstanden III (5 voices | — | — | — |
| Christ ist erstanden IV (6 voices) | — | — | — |
| Christ ist erstanden V (4 voices) | — | — | — |
| Christ ist erstanden VI (4 voices) | — | — | — |
| Christ lag in Todesbanden (4 voices) | — | — | — |
| Jesus Christus unser Hailand (5 voices) | — | — | — |
| Christ ist erstanden VII (5 voices) | — | — | — |
| Christ ist erstanden VIII (4 voices) | — | — | — |
| Christ ist erstanden IX (5 voices) | — | — | — |
| Christ ist erstanden X (4 voices) | — | — | — |
| Christ ist erstanden XI (4 voices) | — | — | — |
| Ascendo ad patrem meum (5 voices) | — | — | — |
| Nu bitten wir den hailigen Gaist (5 voices) | — | — | — |
| Nu bitten wir den hailigen Gaist (4 voices) | — | — | — |
| Kehr umb, kehr umb du junger Sohn (De Filio prodigo) (7 voices) | — | — | — |
(No arrangements)
(No recordings)
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