| Composition | Published | 
| Italian version (L'assedio di Corinto) from Le siège de Corinthe (Rossini, Gioacchino) for voices, mixed chorus and orchestra |  | 
| Arrangement of The Lancer's Quadrilles (Anonymous) for piano |  | 
| The Canary Bird (Ball, William) for voice and piano |  | 
| March from Arrangement of March from Il crociato in Egitto (Meyerbeer, Giacomo) for harp and piano |  | 
| Il Paragone (Costa, Michael) for voice and piano |  | 
| Introduction and Variations on a French Waltz (Dibdin, Mary Ann) for harp |  | 
| Moorish March (Dibdin, Mary Ann) for harp |  | 
| The Tyrolese Melodies (Moscheles, Ignaz) for voice and piano 4 voices and piano
 piano
 |  | 
| The Tyrolese Melodies (Moscheles, Ignaz) for voice and piano 4 voices and piano
 piano
 |  | 
| Cherry Ripe (Horn, Charles Edward) for voice and piano |  | 
| The Captive Knight (Browne, Harriet) for voice and piano |  | 
| I'd be a butterfly! (Bayly, Thomas Haynes) for voice and piano |  | 
| Ave Sanctissima (Browne, Harriet) for 2 voices and piano |  | 
| The Treasures of the Deep (Browne, Harriet) for voice and piano |  | 
| Hark! 'tis the signal (Stockhausen, Franz) for voice and piano |  | 
| Zara's Ear Rings (Browne, Harriet) for voice and piano |  | 
| The Messenger Bird (Browne, Harriet) for 2 voices and piano |  | 
| Tyrolese Evening Hymn (Browne, Harriet) for voice and piano |  | 
| Soft in the East (Hodson, George Alexander) for voice and orchestra |  | 
| Le Parnasse No. 2, Op. 10 (Masarnau, Santiago de) for piano |  | 
| The Farewell, Op. 5 (Masarnau, Santiago de) for piano |  | 
| The Landing of the Pilgrim Fathers (Browne, Harriet) for voice and piano |  | 
| Souvenir du Tyrol (Bochsa, Nicholas Charles) for harp |  | 
| Spring Song (Stockhausen, Franz) for voice and piano voice and harp
 |  | 
| The Death of Weber (Braham, John) for voice and piano |  | 
| My Heart's True Pulse (Carnaby, William) for voice and piano |  | 
| The Knight of Ardennes (Carnaby, William) for voice and piano |  | 
| Arrangement of The Duke of Reichstadt's Valse (Musard, Philippe) for piano |  | 
| England's Dead (Browne, Harriet) for voice and piano |  | 
| The Better Land (Davis, Eliza) for voice and piano |  | 
| Old King Cole (Corri, Haydn) for |  | 
| Arrangement of Overture to Lalla Rookh (Horn, Charles Edward) for piano |  | 
| The Parting Song (Browne, Harriet) for voice and piano |  | 
| Version for Three Voices from German Watchman's Hymn (Browne, Harriet) for voice and piano 3 voices and piano
 |  | 
| The Bonnie Wee Wife (Guest, Jane Mary) for voice and piano |  | 
| Italian version: Ah quando torni al core from Arrangement of Italian version: Ah quando torni al core from The Bonnie Wee Wife (Guest, Jane Mary) for voice and piano |  | 
| There were lights and sounds of revelling (Sneyd, Charlotte Augusta) for voice and piano |  | 
| Time was! (Sneyd, Charlotte Augusta) for voice and piano |  | 
| Thy form was fair (Gordon, Augusta) for voice and piano |  | 
| One Hour with Thee! (Carnaby, William) for voice and piano |  | 
| Grand Waltz de la Solitudine for the Spanish Guitar (Huerta, Francisco Trinidad) for guitar |  | 
| Arrangement of Then farewell my trim-built wherry (Dibdin, Charles) for voice and piano |  | 
| Erin's Harp (Willis, Isaac) for voice and piano |  |