| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Eastertide Mass | Melvin Clive Bird, composer | 2015 | unison chorus and organ | Modern | Masses | ||||
| This Endris Night (Nativity Carol) | Melvin Clive Bird, composer | 2014 | 3 voices and organ | Modern | Carols | ||||
| Ligature for Oboe | Melvin Clive Bird, composer | Microtonal | 2010 | oboe | Modern | Pieces | |||
| Organ solo on 'A solis ortus cardine' | Melvin Clive Bird, composer | 2013 | organ | Modern | Pieces | ||||
| A solis ortus cardine (Vom Morgentor der Sonnenbahn) (Geistliche Concert fur Singstimme und vier Tuben) | Melvin Clive Bird, composer | 2013 | voice and 4 tubas | Modern | Sacred concertos | ||||
| Referencias Portuguesa | Melvin Clive Bird, composer | 2009 | clarinet | Modern | Pieces | ||||
| Czardas | Melvin Clive Bird, composer | 2012 | 5 double basses and piano | Modern | Czardas | ||||
| Eros ; Liebe ; Love (An die Nachgeborenen 'An die Uberlebenden' (No.2)) | Melvin Clive Bird, composer Johann Wolfgang von Goethe, librettist |
Atonal | 2012 | voice and orchestra | Modern | Lieder | |||
| Psalm 130 ; Shir hamalos, Mimaamakim Kerosicho Adonoi (De profundis) | Melvin Clive Bird, composer | Atonal | 2012 | tenor, baritone, 2 male chorus, 2 trumpets, 2 trombones, 2 violins, 2 violas, cello, double bass and organ | Modern | Psalms | |||
| First Delphic Hymn (Address to those who live in harsh times) | Melvin Clive Bird, composer | Atonal | 2012 | soprano and orchestra | Modern | Secular hymns | |||
| Tuche, das Zufallige | Melvin Clive Bird, composer Johann Wolfgang von Goethe, librettist |
Atonal | 2013 | voice, flute, oboe, clarinet, trombone, tuba, 2 violins, viola, cello and double bass | Modern | Songs | |||
| Urworte, Orphisch (Damon [DAIMoN, Daemon]) | Melvin Clive Bird, composer Johann Wolfgang von Goethe, librettist |
Atonal | 2013 | soprano, flute, oboe, clarinet, trombone, tuba, 2 violins, viola, cello and double bass | Modern | Pieces | |||
| Antigone (An die Nachgeborenen 'An die Uberlebenden' (No.5)) | Melvin Clive Bird, composer Bertolt Brecht, librettist |
Atonal | 2013 | soprano and orchestra | Modern | Songs | |||
| Elpis ; Hoffnung (Hope) | Melvin Clive Bird, composer Johann Wolfgang von Goethe, librettist |
(Atonal) | 2013 | voice and orchestra | Modern | Lieder | |||
| The Shield of Achilles (An die Nachgeborenen 'An die Uberlebenden' (No.4)) | Melvin Clive Bird, composer Wynstan Hugh Auden, librettist |
Polytonal / Atonal | 2013 | voice, alto flute, English horn, bass clarinet, bass trombone, tuba, 2 violins, viola, cello and double bass | Modern | Songs | |||
| Aristeas I ; Die erste Fruhe (An die Nachgeborenen 'An die Uberlebenden' (Interlude III)) | Melvin Clive Bird, composer Peter Huchel, librettist |
Polytonal / Atonal | 2013 | voice, alto flute, English horn, bass clarinet, bass trombone, tuba, 2 violins, viola, cello and double bass | Modern | Interludes | |||
| Aristeas, in Seven Years (An die Nachgeborenen 'An die Uberlebenden' ; To those born later 'To the survivors' (No.3)) | Melvin Clive Bird, composer Jeremy Halvard Prynne, librettist |
Tonal | 2013 | voice, piccolo, oboe, clarinet, trombone, tuba, 2 violins, viola, cello and double bass | Modern | Songs | |||
| Notigung (Necessity) | Melvin Clive Bird, composer Johann Wolfgang von Goethe, librettist |
F minor | 2013 | soprano and orchestra | Modern | Songs | |||
| Konzert für Blechblaser (Concerto for Brass) | Melvin Clive Bird, composer | Quasi tonal | 2013 | brass ensemble 3 horns, 3 trumpets, 2 trombones and 4 tubas |
Modern | Concertos | |||
| Holy Trinity Funchal Mass for Lent (Mass for the Lenten Eucharist) | Melvin Clive Bird, composer | Tonal | 2015 | unison chorus and organ | Modern | Masses | |||
| Missa Ave Maris Stella (Mass 'Mary of the stars') | Melvin Clive Bird, composer | Polytonal | 2009 | soprano, alto, tenor and bass | Modern | Masses | |||
| Anthem for Communion (Music for the mass) | Melvin Clive Bird, composer | Tonal | 2014 | 3 voices and organ voice and organ |
Modern | Masses | |||
| Hymnus (Conditor alme siderum) | Melvin Clive Bird, composer | Polytonal | 2013 | soprano, alto, bass and organ | Modern | Hymns | |||
| Kyrie (Mass for the Eucharist) | Melvin Clive Bird, composer | F major | 2014 | 3 voices and organ | Modern | Kyrie | |||
| Music for the Eucharist (Music for the mass) | Melvin Clive Bird, composer | Tonal | 2014 | 3 sopranos and organ 3 tenors and organ |
Modern | Masses | |||
| Conditor alme siderum (Creator of the stars of night) (Music for Advent II) | Melvin Clive Bird, composer | Polytonal | 2013 | mixed chorus soprano, alto and bass |
Modern | Hymns | |||
| Geistlichen Konzert (Sacred Concerto) | Melvin Clive Bird, composer Paul Gerhardt, librettist |
Tonal F | 2014 | organ and soprano | Modern | ||||
| Geistlichen Konzert II (Sacred Concerto 2) | Melvin Clive Bird, composer Christian Scriver, librettist |
F | 2014 | voice and organ | Modern | Sacred concertos | |||
| Handel's intricate canons. (Some comments by Carolan) | Melvin Clive Bird, composer | Polytonal / Atonal | 2001 | 2 flutes, 2 clarinets, 2 saxophones, accordion, horn, 2 trumpets, trombone, tuba, marimba, mandolin, 2 violins, 2 cellos and piano | Modern | Pieces | |||
| Expectation of the resurrection (Sacred song) | Melvin Clive Bird, composer | Atonal | 2003 | mezzosoprano and piano | Modern | Sacred songs | |||
| A Hymn to God the Father (Sacred song) | Melvin Clive Bird, composer John Donne, librettist |
F mode | organ and soprano tenor and organ unison chorus and organ |
Modern | Hymns, Sacred songs | ||||
| Sobre el Evangelio 'In principio erat Verbum' acerca de la Santisima Trinidad (Upon the Gospel 'In the Beginning was the Word' relating to the most Holy Trinity) | Melvin Clive Bird, composer | E modal | 2011 | organ and soprano | Modern | Sacred songs | |||
| Advent Antiphons and Magnificat. (Music for Advent.) | Melvin Clive Bird, composer | G sharp G modal. | 2014 | organ and soprano 3 sopranos and organ |
Modern | Antiphons, Magnificats | |||
| El ente dilucidado ; The Deluded Ones (Symphonic Study No.1) | Melvin Clive Bird, composer | Atonal | 2000 | orchestra | Modern | Pieces, Symphonic poems | |||
| Just a faint memory ((prelude in a major key)) | Melvin Clive Bird, composer | Modal | 1993 | piano | Modern | Pieces | |||
| The Song of Solomon II (Old Testament Song ; I am the rose of Sharon) | Melvin Clive Bird, composer Old Testament, librettist |
F-sharp / E modal. | 2011 | organ and soprano | Modern | Sacred songs | |||
| Rout (Kammermusik 1 ; Music for string trio and piano 1) | Melvin Clive Bird, composer | Atonal | 2004 | violin, viola, cello and piano | Modern | Pieces | |||
| Kyrie (Music for Ordinary time.) | Melvin Clive Bird, composer | Tonal | 2007 | soprano, alto, tenor, bass and organ mixed chorus and organ organ |
Modern | Kyrie, Postludes | |||
| Of the coming to, Of the being at, Of the going from (from seven pieces [with short introductions]) | Melvin Clive Bird, composer | Polytonal | 2001 | clarinet, 2 violins, viola and cello | Modern | Pieces | |||
| Piece without end (without end amen) | Melvin Clive Bird, composer | Atonal | 2004 | piano | Modern | Pieces | |||
| quasi una scherzo (Klavier Stucke III) | Melvin Clive Bird, composer | Atonal | 2004 | piano | Modern | Pieces | |||
| Klavier Stucke IV (message from an intermediary) | Melvin Clive Bird, composer | Quasi tonal. | 1995 | piano | Modern | Pieces | |||
| Klavier Stucke V (skip Bach / skip boy / trip / come what may) | Melvin Clive Bird, composer | Atonal / Serial | 2004 | piano | Modern | Pieces | |||
| Song without words (Piano piece 2001) | Melvin Clive Bird, composer | Atonal | 2001 | piano | Modern | Lieder, Pieces | |||
| Cherubic Hymn For Holy Saturday | Melvin Clive Bird, composer | Modal / Atonal | 2013 | voice, alto flute, English horn, bass clarinet, bass trombone, tuba, 2 violins, viola, cello and double bass | Modern | Hymns | |||
| To Emily Dickinson (You who desired so much) | Melvin Clive Bird, composer Hart Crane, librettist |
Tonal / Atonal | 2002 | baritone and piano | Modern | Songs | |||
| Touch lightly nature's sweet guitar ... (Song for Soprano and Piano, to words by Emily Dickinson.) | Melvin Clive Bird, composer Emily Dickinson, librettist |
Atonal | 1996 | soprano and piano | Modern | Songs | |||
| Over the fence ... (Song for Soprano and Piano, to words by Emily Dickinson.) | Melvin Clive Bird, composer Emily Dickinson, librettist |
Atonal | 1996 | soprano and piano | Modern | Songs | |||
| Echoes 1-3 (Slivers of rain upon the pane ...) | Melvin Clive Bird, composer Hart Crane, librettist |
Tonal / Atonal | 2001 | baritone and piano | Modern | Songs | |||
| Love Song (Song for voice and piano) | Melvin Clive Bird, composer Elizabeth Jennings, librettist |
Tonal | 2003 | voice and piano | Modern | Songs | |||
| Old Song (Thy absence overflows the rose ...) | Melvin Clive Bird, composer Hart Crane, librettist |
Tonal / Atonal | 2002 | baritone and piano | Modern | Songs | |||
| Song, for soprano and piano to words by Emily Dickinson | Melvin Clive Bird, composer Emily Dickinson, librettist |
Quasi tonal | 2001 | soprano and piano | Modern | Songs | |||
| all the unsoiled light of the new day, of the new day at last, and everyone is gone home to oblivion ... (Music for chamber ensemble 2001) | Melvin Clive Bird, composer | Modal | 2001 | 2 clarinets, 4 violins, 2 violas, 2 cellos and piano | Modern | Pieces | |||
| Scenes from a life-story ; An operatic song cycle. (Songs, Interludes and a Finale, for Soprano (with Piano, Treble Recorder, Percussion) and Violin solo.) | Melvin Clive Bird, composer | Quasi tonal / Atonal | 2001 | soprano, recorder, percussion, violin and piano | Modern | Songs | |||
| Fix (Transcendental Study for Piano) | Melvin Clive Bird, composer | Atonal | 2001 | piano | Modern | Studies, Pieces | |||
| Oboe Quintet (Quintet for Oboe and String Quartet.) | Melvin Clive Bird, composer | Microtonal | 2003 | oboe, 2 violins, viola and cello | Modern | Pieces | |||
| A Fruity Toccata (Organ Toccata) | Melvin Clive Bird, composer | Quasi tonal. | 2015 | organ | Modern | Toccatas | ![]() |
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| Variations on 'Die goldne Sonne, voll Freud' und Wonne' (Theme and Variations for Organ ; Choral Variations for Organ) | Melvin Clive Bird, composer | Tonal | 2014 | organ | Modern | Variations | |||
| Jubilate (Psalm 100 for S.A.T.B. and Organ) | Melvin Clive Bird, composer | Modal | 2002 | soprano, alto, tenor, bass and organ mixed chorus and organ |
Modern | Psalms | |||
| Laudate. (Psalm 150. For S.A.T.B. and Organ) | Melvin Clive Bird, composer | Modal | 2002 | soprano, alto, tenor, bass and organ mixed chorus and organ |
Modern | Psalms | |||
| Agnus Dei (Music for the Eucharist) | Melvin Clive Bird, composer | Tonal. | 2009 | mixed chorus and organ | Modern | ||||
| Music for the Eucharist (Lamb of God 1) | Melvin Clive Bird, composer | Tonal. | 2007 | mixed chorus and organ | Modern | ||||
| Song for Baritone voice with Piano. (Medusa, for Baritone and Piano) | Melvin Clive Bird, composer Hart Crane, librettist |
2003 | baritone and piano | Modern | Songs | ||||
| Sanctus (Holy, Holy, Holy, Lord, 2) | Melvin Clive Bird, composer | Tonal. | 2009 | soprano, alto, tenor, bass and organ mixed chorus and organ |
Modern | Sanctus | |||
| Music for the Eucharist (Holy, Holy, Holy, Lord, 1) | Melvin Clive Bird, composer | Tonal | 2007 | mixed chorus and organ | Modern | Sanctus | |||
| A solis ortus cardine for organ solo (A solis ortis cardine) | Melvin Clive Bird, composer | Modal. | 2012 | organ | Modern | Pieces | |||
| Gloria (Simple Gloria for use in the Eucharist.) | Melvin Clive Bird, composer | Tonal. | 2014 | unison chorus and organ male chorus and organ |
Modern | ||||
| One crown that no one seeks ... (Song for Baritone voice with Piano) | Melvin Clive Bird, composer Emily Dickinson, librettist |
Atonal. | 1996 | baritone and piano | Modern | Songs | |||
| The Sky is Thin as Paper Here (Reflections on William Burroughs ; Piano piece 2004 / 2015) | Melvin Clive Bird, composer | Mixed tonality. | 2003 | piano | Modern | Pieces | |||
| Fantasia I (Fantasia for Saxophone Quartet) | Melvin Clive Bird, composer | Atonal. | 2009 | 4 saxophones | Modern | Fantasias | |||
| A weather spell (Song for Soprano and Piano.) | Melvin Clive Bird, composer Elizabeth Jennings, librettist |
Atonal. | 2003 | voice and piano | Modern | Songs | |||
| I feel (I feel: a Song for Soprano and Piano.) | Melvin Clive Bird, composer Elizabeth Jennings, librettist |
Atonal. | 2003 | soprano and piano | Modern | Songs | |||
| Psalm I (The dying poet's address to young people) | Melvin Clive Bird, composer Bertolt Brecht, librettist |
Atonal | 2012 | tenor, baritone, bass, flute, alto flute, English horn, clarinet, 2 violins, 2 violas, cello, double bass and piano | Modern | Pieces | |||
| Mass for Edith Stein (Mass of the Bread of Life) | Melvin Clive Bird, composer Edith Stein, librettist |
Quasi tonal. | 2014 | 4 sopranos, 2 violins, viola, cello, double bass and organ | Modern | Masses | |||
| The Lord's Prayer (An Anthem for SATB and Organ) | Melvin Clive Bird, composer | Polytonal / Atonal | 2002 | soprano, alto, tenor, bass and organ mixed chorus and organ |
Modern | Anthems | |||
| Variationen 'Complainte a la mode ancienne' (Jehan Alain) für die Orgel (Variations on a Theme by Jehan Alain ; Theme and Variations for Organ) | Melvin Clive Bird, composer | Polytonal / Modal | 2013 | organ | Modern | Variations | |||
| Song of Solomon I. (Shir hashirim: for male voices and organ.) | Melvin Clive Bird, composer Old Testament, librettist |
Modal. | 2011 | male chorus and organ | Modern | Sacred songs | |||
| Sonata for Bass Tuba and Piano (Trauermusik ; Funeral Music) | Melvin Clive Bird, composer | Polytonal / Atonal | 2014 | tuba and piano | Modern | Sonatas, Funeral music | |||
| Fugues: Evocations for Claribel Alegria. (Three Pieces for Alto Saxophone or Clarinet) | Melvin Clive Bird, composer | Polytonal / Atonal | 2001 | saxophone and piano | Modern | Pieces | |||
| Invention for Piano (Homage to J.S. Bach) | Melvin Clive Bird, composer | Atonal | 2008 | piano | Modern | Inventions, Pieces | |||
| Little Preludes for Piano and Percussion. (Preludes 1-4) | Melvin Clive Bird, composer | Atonal. | 1996 | percussion and piano | Modern | Preludes | |||
| Meditation (Meditation in memory of Jean Langlais) | Melvin Clive Bird, composer | Modal. | 2008 | organ | Modern | Meditations | |||
| Agnus Dei for Ordinary Time Eucharist (Jesus, Lamb of God) | Melvin Clive Bird, composer | Tonal | 2007 | soprano, alto, tenor, bass and organ | Modern | Agnus Dei | |||
| Communion Hymn (A Communion Hymn for Ordinary Time.) | Melvin Clive Bird, composer Fred Kaan, librettist |
Tonal. | 2014 | unison chorus and organ | Modern | Hymns | |||
| Geistliche Konzert II (Orgel) (Choral Variations on 'Der lieben Sonnen lLicht und Pracht'.) | Melvin Clive Bird, composer | B flat. | 2014 | organ | Modern | Variations | |||
| Hail Holy Spirit (Veni Sancte Spiritus) | Melvin Clive Bird, composer | Modal. | 2007 | organ | Modern | Pieces | |||
| Attend to the music divine ... (Psalm 134, for Soprano, Tenor or Treble voices with Organ.) | Melvin Clive Bird, composer | Modal. | 2012 | soprano, tenor and organ mixed chorus and organ |
Modern | Psalms | |||
| Missa (Mass for Soprano or Treble Voices.) | Melvin Clive Bird, composer | Modal. | 2014 | organ and soprano voices and organ unison chorus and organ |
Modern | Masses | |||
| Lord Have Mercy version 3. (Music for the Eucharist) | Melvin Clive Bird, composer | Tonal. | 2007 | unison chorus and organ | Modern | Kyrie | |||
| Song for Baritone voice with Piano. (I have drawn my hands away toward peace ...) | Melvin Clive Bird, composer | Tonal / Atonal | 2002 | baritone and piano | Modern | Meditations, Songs | |||
| Die Krise (Crisis) | Melvin Clive Bird, composer | Atonal. | 2003 | horn and piano | Modern | Pieces | |||
| incident (ricerca (incident) for ensemble.) | Melvin Clive Bird, composer | Atonal. | 2003 | orchestra | Modern | Pieces | |||
| The Sky is Thin as Paper There (Quintet for Clarinet Bb, Piano and Strings.) | Melvin Clive Bird, composer | Tonal. | 2002 | clarinet, 2 violins, viola, cello and piano | Modern | Quintets | |||
| No number ( ... for pianoforte solo ...: 2003 / 2015) (Piano piece in memory of Samuel Beckett.) | Melvin Clive Bird, composer | Atonal. | 2003 | piano | Modern | Pieces | |||
| Organ Piece in Memoriam Jean Langlais (Entrada: Choral quasi Toccata ; Organ Piece II) | Melvin Clive Bird, composer | Modal. | 2009 | organ | Modern | Pieces | |||
| Organ Piece i (Hymn for Organ) | Melvin Clive Bird, composer | Modal | 2009 | organ | Modern | Hymns | |||
| Cantos de Fernando Echevarria (Canto: Eram outros os outros) | Melvin Clive Bird, composer | Atonal | 2010 | soprano, 2 flutes, alto flute, viola and 2 cellos | Modern | Songs | |||
| To What Serves Mortal Beauty? (A Canticle ; A choral study.) | Melvin Clive Bird, composer Gerard Manley Hopkins, librettist |
Atonal. | 2012 | male chorus, 3 trumpets, 3 trombones and organ | Modern | Canticles, Sacred choruses | |||
| My Melancholy … from Seven Pieces with short Introductions. (Piece for Violin and Piano) | Melvin Clive Bird, composer | Modal. | 2001 | violin and piano | Modern | Pieces, Introductions | |||
| 'Thee, God, I come from, to Thee go' ((The Holy Trinity Choral Sequence, 2012)) | Melvin Clive Bird, composer | Modal. | 2012 | voice, organ and strings | Modern | Canticles | |||
| a graphic score (from five graphic scores) | Melvin Clive Bird, composer | no key? | 2001 | Modern | Pieces | ||||
| Fantasia e Toccata (Choral Fantasia 'Salve o Maria') | Melvin Clive Bird, composer | Modal. | 2006 | 2 sopranos, 2 altos, 2 tenors, 2 basses and organ mixed chorus and organ |
Modern | Sacred choruses, Fantasias, Toccatas | |||
| Trio for Violin, Cello and Piano. (Kammermusik Dresden 1945.) | Melvin Clive Bird, composer | Atonal / Modal | 2005 | violin, cello and piano | Modern | Trios | |||
| Faune et flore (Fauna and Flora. Their postures, or tableaux-vivants: mute enteaties, supplications, intense calm, triumphs. Time bracket piece for chamber ensemble, with voice and electro-acoustics.) | Melvin Clive Bird, composer | Atonal / Time bracket. | 2002 | soprano, alto, tenor, baritone, flute, clarinet, bass clarinet, horn, trumpet, percussion, guitar, 2 bass guitars, 2 violins, cello, double bass and piano soprano, alto, tenor, bass, flute, clarinet, bass clarinet, horn, trumpet, percussion, guitar, 2 bass guitars, 2 violins, cello, double bass and piano |
Modern | Pieces | |||
| A Religious Song Cycle (Religious Songs) | Melvin Clive Bird, composer Elizabeth Jennings, librettist |
Atonal | 1995 | soprano and piano | Modern | Sacred songs | |||
| I. An die Musik; II. ... Wer singt das ferne Herz (Homage to Rilke, for Viola and Piano) | Melvin Clive Bird, composer | Atonal | 2002 | viola and piano | Modern | Pieces | |||
| Roundelay for chamber ensemble (Music for ensemble) | Melvin Clive Bird, composer | Atonal | 2002 | flute, alto flute, clarinet, horn, trombone, guitar, 2 violins, viola, cello, double bass, 2 pianos and electronic sounds | Modern | Pieces | |||
| Spiritual (Organ Piece II) | Melvin Clive Bird, composer | 2008 | organ | Modern | Pieces | ||||
| Ave Regina caelorum (Organ fantasy) | Melvin Clive Bird, composer | Atonal / Modal | 2008 | organ | Modern | Fantasias | |||
| Music for Abu Jusuf Jaqub ibn Ishaq Al-Kindi (Music for Wind Quintet.) | Melvin Clive Bird, composer | Modal. | 2015 | flute, oboe, clarinet, bassoon and horn | Modern | Pieces | |||
| Choral (Piece for Organ in the form of a Choral.) | Melvin Clive Bird, composer | Modal. | 2008 | organ | Modern | Chorales | |||
| Interlude (Organ Interlude) | Melvin Clive Bird, composer | Modal. | 2008 | organ | Modern | Interludes | |||
| Kammersymphonie fur 18 Solo-Instrumente (Chamber Symphony) | Melvin Clive Bird, composer | 2014 | orchestra | Modern | Symphonies | ||||
| Study for Wind Quintet (Elegie Etude) | Melvin Clive Bird, composer | 2017 | flute, oboe, clarinet, bassoon and horn | Modern | Studies | ||||
| String Quartet No. 2 ((Fantasy) String Quartet.) | Melvin Clive Bird, composer | 2016 | 2 violins, viola and cello | Modern | Quartets | ||||
| Quintet for Brass ensemble (Brass Quintet) | Melvin Clive Bird, composer | 2018 | horn, 2 trumpets, bass trombone and tuba | Modern | Quintets | ||||
| Concerto for ten instruments | Melvin Clive Bird, composer | 2018 | flute, oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass | Modern | Concertos | ||||
| Quasi modo geniti infantes... Introit (Second Sunday of Easter) (Or of Divine Mercy) | Melvin Clive Bird, composer | 2018 | Modern | Introits | |||||
| Metamorphic Intermezzo on Eram outros os outros | Melvin Clive Bird, composer | 2010 | soprano, 2 flutes, alto flute, viola and 2 cellos | Modern | Intermezzos | ||||
| Inventory II (2 Part Invention for Piano) | Melvin Clive Bird, composer | 2018 | piano | Modern | Inventions | ||||
| Inventory I (2 Part Invention for Piano) | Melvin Clive Bird, composer | 2018 | piano | Modern | Inventions | ||||
| Inventory III (2 Part Invention for Piano) | Melvin Clive Bird, composer | 2018 | piano | Modern | Inventions | ||||
| Hymn without words (2) (Piece for organ) | Melvin Clive Bird, composer | 2015 | organ | Modern | Pieces | ||||
| NA PRIMAVERA OS MORTOS ABREM SITIOS | Melvin Clive Bird, composer Fernando Echevarria, librettist |
2010 | soprano, 2 flutes, alto flute, viola and 2 cellos | Modern | Pieces |
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