| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Te Deum | Marc-Antoine Charpentier, composer | D major | H.146 | 1688 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | Baroque | Te Deum | ![]() |
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| Les plaisirs de Versailles (The Pleasures of Versailles) | Marc-Antoine Charpentier, composer | H.480 | voices and orchestra | Baroque | Divertissements | ||||
| Actéon (Actaeon) | Marc-Antoine Charpentier, composer | H.481 | 1683 | voices, mixed chorus and orchestra | Baroque | Pastoral operas, Tragedies en musique | |||
| Concert pour quatre parties de violes | Marc-Antoine Charpentier, composer | H.545 | 1680 | 4 viols | Baroque | Concertos | |||
| David et Jonathas | Marc-Antoine Charpentier, composer François de Paule Bretonneau, librettist |
H.490 | 1688 | voices, mixed chorus and orchestra | Baroque | Tragedies en musique | |||
| Le malade imaginaire (The Imaginary Invalid) | Marc-Antoine Charpentier, composer | H.495 | voices, mixed chorus, strings and continuo | Baroque | Incidental music | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | H.284 | 1670 | 2 altos, bass and continuo | Baroque | Motets | |||
| Offerte (Offerte pour l'orgue et pour les violons, flûtes et hautbois) | Marc-Antoine Charpentier, composer | H.514 | 1670 | orchestra | Baroque | Offertories | |||
| Veni creator Spiritus (Hymne du Saint Esprit à 3 voix pareilles) | Marc-Antoine Charpentier, composer | H.54 | 1670 | alto, tenor, bass, strings and continuo alto, tenor, bass, mixed chorus, strings and continuo |
Baroque | Hymns | |||
| Domine salvum, H.283 | Marc-Antoine Charpentier, composer | H.283 | 1670 | 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra | Baroque | Motets | |||
| Messe à 8 voix et 8 violons et flûtes, H.3 | Marc-Antoine Charpentier, composer | H.3 | 1671 | 2 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and orchestra | Baroque | Masses | |||
| Magnificat à 3 voix sur une basse obligée (Magnificat à 3 voix sur la même basse avec symphonie) | Marc-Antoine Charpentier, composer | H.73 | 1670 | 2 sopranos, alto, tenor, bass and continuo | Baroque | Magnificats | |||
| Lauda Jerusalem | Marc-Antoine Charpentier, composer | H.158 | 1670 | 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo | Baroque | Psalms | |||
| Symphonies pour un reposoir | Marc-Antoine Charpentier, composer | H.515 | 1672 | strings and continuo | Baroque | Symphonies | |||
| Nisi Dominus | Marc-Antoine Charpentier, composer | H.160 | soprano, alto, tenor, bass, mixed chorus and continuo | Baroque | Psalms | ||||
| O filii | Marc-Antoine Charpentier, composer | H.312 | 1671 | 2 altos, bass and continuo 2 altos, bass, 2 flutes and continuo |
Baroque | Motets | |||
| Te Deum à 8 voix avec flûtes et violons | Marc-Antoine Charpentier, composer | H.145 | 1672 | 2 sopranos, 2 altos, tenor, 2 basses, 2 mixed chorus and orchestra | Baroque | Te Deum | |||
| Filius prodigus (L'enfant prodigue) | Marc-Antoine Charpentier, composer | H.399 | 1680 | soprano, 2 altos, 2 tenors, 2 basses, mixed chorus, strings and continuo | Baroque | Motets | |||
| 3 hymnes à saint Nicaise | Marc-Antoine Charpentier, composer | H.55-57 | 1671 | tenor bass |
Baroque | Hymns | |||
| In nativitatem Domini nostri Jesu Christi canticum (Quem vidistis pastores) | Marc-Antoine Charpentier, composer | H.314 | 1671 | soprano, alto, tenor, bass and orchestra | Baroque | Masses | |||
| Victimae paschali laudes (Prose pour le jour de Pâques) | Marc-Antoine Charpentier, composer | H.13 | 1671 | 2 altos, bass and continuo | Baroque | Motets | |||
| Laetatus sum | Marc-Antoine Charpentier, composer | H.161 | 1671 | soprano, alto, tenor, 2 basses, mixed chorus and orchestra | Baroque | Psalms | |||
| Exaudiat te Dominus | Marc-Antoine Charpentier, composer | H.162 | 1672 | 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra | Baroque | Psalms | |||
| Messe | Marc-Antoine Charpentier, composer | H.1 | 1670 | 2 sopranos, 2 altos, tenor, bass, 2 mixed chorus, continuo and 2 sopranos | Baroque | Masses | |||
| O coelestis Jerusalem (Mottetto) | Marc-Antoine Charpentier, composer | A major | H.252 | 1680 | alto, tenor, bass and continuo | Baroque | Motets | ||
| In honorem Sancti Xaverij canticum (''Vidi angelum volantem'') | Marc-Antoine Charpentier, composer | B | H.355 | 2 sopranos, tenor, bass, mixed chorus and orchestra | Baroque | Motets | |||
| Élévation au St Sacrement, H.264 ("O amantissime salvator noster Jesu") | Marc-Antoine Charpentier, composer | G minor | H.264 | 1690 | alto, tenor, bass and continuo | Baroque | Motets | ||
| Méditations pour le Carême | Marc-Antoine Charpentier, composer | H.380-389 | alto, tenor, bass and continuo | Baroque | Motets | ||||
| Médée (Médée, tragédie mise en musique) | Marc-Antoine Charpentier, composer Thomas Corneille, librettist |
H.491 | voices, mixed chorus and orchestra | Baroque | Operas | ||||
| Circé | Marc-Antoine Charpentier, composer Thomas Corneille, librettist |
H.496 | 5 voices, mixed chorus, strings and continuo | Baroque | Interludes | ||||
| O Salutaris hostia | Marc-Antoine Charpentier, composer | D major | H.262 | soprano, 2 oboes and continuo | Baroque | Motets | |||
| Miserere | Marc-Antoine Charpentier, composer | H.157 | 2 sopranos, 2 flutes and continuo | Baroque | Miserere | ||||
| Pour Ste. Anne | Marc-Antoine Charpentier, composer | B flat major | H.315 | 1674 | continuo and 2 sopranos | Baroque | Motets | ||
| Salut de la veille des O et les 7 O suivant le Romain | Marc-Antoine Charpentier, composer | H.36-43 | 1693 | 4 voices and orchestra | Baroque | Antiphons | |||
| Noël pour les instruments | Marc-Antoine Charpentier, composer | H.531 | 1690 | orchestra | Baroque | Carols | |||
| Noël sur les instruments | Marc-Antoine Charpentier, composer | H.534 | 1693 | orchestra | Baroque | Carols | ![]() |
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| Sur la naissance de notre Seigneur Jésus Christ (Pastorale) | Marc-Antoine Charpentier, composer | H.482 | 6 voices, mixed chorus, 2 violins and continuo | Baroque | Pastorales | ||||
| Veni creator Spiritus | Marc-Antoine Charpentier, composer | B flat major | H.69 | 1690 | soprano and continuo | Baroque | Hymns | ||
| Euge serve bone (Pour un confesseur non pontife) | Marc-Antoine Charpentier, composer | H.375 | alto, tenor and continuo | Baroque | Motets | ||||
| Lauda Sion (Élévation à voix seule pour une taille) | Marc-Antoine Charpentier, composer | H.268 | 1695 | tenor and continuo | Baroque | Motets | |||
| Cur mundus militat (Pour plusieurs fêtes) | Marc-Antoine Charpentier, composer | H.379 | alto, tenor, bass and continuo | Baroque | Motets | ||||
| Panis angelicus voce sola (Élévation) | Marc-Antoine Charpentier, composer | H.243 | 1679 | soprano and continuo | Baroque | Motets | |||
| Domine salvum fac regem | Marc-Antoine Charpentier, composer | H.285 | 1672 | 6 voices, mixed chorus, strings and continuo | Baroque | Motets | |||
| Domine salvum (Motet) | Marc-Antoine Charpentier, composer | H.305 | soprano, alto, tenor and orchestra | Baroque | Motets | ||||
| Egredimini filiæ Sion (Motet du Saint Sacrement) | Marc-Antoine Charpentier, composer | H.280 | soprano, 2 violins and continuo | Baroque | Motets | ||||
| Messe à quatre choeurs | Marc-Antoine Charpentier, composer | H.4 | 1672 | voices, mixed chorus, strings and continuo | Baroque | Masses | |||
| O amor, o bonitas (Motet à voix seule pour une Élévation) | Marc-Antoine Charpentier, composer | H.279 | soprano and continuo | Baroque | Motets | ||||
| Ouverture de la Comtesse d'Escarbagnas, Intermèdes nouveaux du Mariage forcé (Ouverture de la Comtesse d'Escarbagnas et intermèdes pour 'Le mariage forcé') | Marc-Antoine Charpentier, composer | H.494 | 1672 | alto, tenor, bass, strings and continuo | Baroque | Overtures, Interludes | |||
| Pour Saint Augustin mourant (Bonum certamen certavit Augustinus) | Marc-Antoine Charpentier, composer | H.419 | continuo and 2 sopranos | Baroque | Motets | ||||
| Ave Regina | Marc-Antoine Charpentier, composer | H.22 | 1677 | continuo and 2 sopranos | Baroque | Antiphons, Hymns | |||
| Beatus vir qui inventus est (Pour un confesseur) | Marc-Antoine Charpentier, composer | H.376 | alto and continuo | Baroque | Motets | ||||
| O vos amici Dei (Pour tous les saints) | Marc-Antoine Charpentier, composer | H.377 | tenor and continuo | Baroque | Motets | ||||
| Peccavi Domine (Pour le Carême) | Marc-Antoine Charpentier, composer | H.378 | 2 sopranos, bass and continuo | Baroque | Motets | ||||
| Extremum Dei judicium (Audite coeli quae loquor. Histoire sacrée, for 6? voices, 2 treble instruments, 2 trumpets and continuo) | Marc-Antoine Charpentier, composer | H.401 | voices, mixed chorus and orchestra | Baroque | Sacred oratorios | ||||
| Dialogus inter Magdalenam et Jesum | Marc-Antoine Charpentier, composer | H.423 | soprano, alto and continuo | Baroque | Motets, Sacred oratorios | ||||
| Tristis est anima mea | Marc-Antoine Charpentier, composer | B flat major | H.126 | 2 tenors and continuo | Baroque | Responsories | |||
| Missa Assumpta est Maria | Marc-Antoine Charpentier, composer | H.11 | 1698 | mixed chorus, strings and continuo 6 voices, strings and continuo mixed chorus and orchestra |
Baroque | Masses | |||
| Messe de Minuit à 4 voix, flûtes et violons pour Noël | Marc-Antoine Charpentier, composer | H.9 | 1694 | soprano, alto, tenor, bass and orchestra | Baroque | Masses | ![]() |
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| Le Reniement de Saint Pierre | Marc-Antoine Charpentier, composer | H.424 | 1680 | 5 voices and continuo | Baroque | Motets | ![]() |
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| In Assumptione Beatae Mariae Virginis | Marc-Antoine Charpentier, composer | H.353 | 1690 | 4 voices and orchestra | Baroque | Motets | |||
| Litanies de la Vierge à 6 voix et 2 dessus de violles | Marc-Antoine Charpentier, composer | H.83 | 1684 | 6 voices, 2 viols and continuo | Baroque | Litanies | |||
| Magnificat (3e) à 4 voix avec instruments | Marc-Antoine Charpentier, composer | H.79 | 1692 | 4 voices and orchestra | Baroque | Magnificats | |||
| Premier Magnificat à 4 voix sans instruments | Marc-Antoine Charpentier, composer | H.76 | 1688 | 4 voices | Baroque | Magnificats | |||
| Pro omnibus festis B V M | Marc-Antoine Charpentier, composer | H.333 | 1683 | 6 voices, strings and continuo | Baroque | Motets | |||
| O amor (Elévation à 2 dessus et Basse chant) | Marc-Antoine Charpentier, composer | H.253 | 1683 | 2 sopranos, bass and continuo | Baroque | Motets | |||
| In nativitatem Domini nostri Jesu Christi canticum | Marc-Antoine Charpentier, composer | H.421 | 1698 | 3 voices and continuo | Baroque | Motets | |||
| In nativitatem Domini nostri Jesu Christi canticum | Marc-Antoine Charpentier, composer | H.416 | 1690 | 4 voices and orchestra | Baroque | Motets | |||
| In Nativitatem DNJC canticum, H.414 | Marc-Antoine Charpentier, composer | H.414 | 1684 | 6 voices and orchestra | Baroque | Motets | |||
| Pastorale sur la Naissance de Notre Seigneur Jesus Christ (Que nos soupirs) | Marc-Antoine Charpentier, composer | H.483 | 1684 | 6 voices, mixed chorus, 2 flutes, 2 violins and continuo | Baroque | Pastorales | |||
| Dixit Dominus | Marc-Antoine Charpentier, composer | H.197 | 4 voices and continuo | Baroque | Psalms | ||||
| Beatus vir | Marc-Antoine Charpentier, composer | H.199 | 4 voices and continuo | Baroque | Psalms | ||||
| Antiennes pour les Vêpres d'un Confesseur non pontife | Marc-Antoine Charpentier, composer | H.33-35 | continuo and 2 sopranos alto, tenor, 2 violins and continuo |
Baroque | Antiphons | ||||
| Antiennes pour les Vêpres de l'Assomption de la Vierge | Marc-Antoine Charpentier, composer | H.50-52 | mezzosoprano, 2 violins and continuo soprano, 2 flutes and continuo 2 sopranos, mezzosoprano and continuo |
Baroque | Antiphons | ||||
| Ecce panis Angelorum | Marc-Antoine Charpentier, composer | H.242 | soprano and continuo | Baroque | Motets | ||||
| Gloria in excelsis Deo | Marc-Antoine Charpentier, composer | H.370 | soprano and continuo | Baroque | Motets | ||||
| Gustate et videte | Marc-Antoine Charpentier, composer | H.257 | soprano and continuo | Baroque | Motets | ||||
| Alma Dei creatoris | Marc-Antoine Charpentier, composer | H.334 | soprano and continuo | Baroque | Motets | ||||
| Nonne Deo subjecta erit | Marc-Antoine Charpentier, composer | H.258 | soprano and continuo alto and continuo |
Baroque | Motets | ||||
| O pretiosum et admirabile convivium | Marc-Antoine Charpentier, composer | H.247 | soprano and continuo continuo |
Baroque | Motets | ||||
| Ave Regina cælorum | Marc-Antoine Charpentier, composer | H.45 | 4 voices, 2 violins and continuo | Baroque | Antiphons, Hymns | ||||
| Alma Redemptoris | Marc-Antoine Charpentier, composer | H.44 | 4 voices, 2 violins and continuo | Baroque | Antiphons, Hymns | ||||
| Regina cæli | Marc-Antoine Charpentier, composer | H.46 | 4 voices, 2 violins and continuo | Baroque | Antiphons, Hymns | ||||
| Salve Regina | Marc-Antoine Charpentier, composer | H.47 | 4 voices, 2 violins and continuo | Baroque | Salve Regina | ||||
| Credidi propter | Marc-Antoine Charpentier, composer | H.209 | 4 voices and continuo | Baroque | Motets | ||||
| Exaudiat te Dominus (Exaudiat pour le Roy) | Marc-Antoine Charpentier, composer | H.180 | 1681 | 4 voices and continuo | Baroque | Motets | |||
| Marche de triomphe et air (Marche de triomphe pour les violons, trompettes, timbales, flûtes et hautbois, Second air de trompettes, violons, flûtes et hautbois et timbales) | Marc-Antoine Charpentier, composer | H.547 | orchestra | Baroque | Marches, Airs | ![]() |
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| Josué | Marc-Antoine Charpentier, composer | H.404 | 1682 | 2 mixed chorus, strings and continuo 8 voices, strings and continuo |
Baroque | Motets | |||
| Mélanges autographes (volume 2) | Marc-Antoine Charpentier, composer | continuo and 2 sopranos voices, mixed chorus and orchestra alto, tenor, bass and orchestra 2 sopranos, bass and orchestra bass and orchestra alto, tenor, bass, 2 flutes and continuo alto, tenor, bass and continuo soprano, alto, bass and continuo continuo and 3 sopranos |
Baroque | Motets, Sacred oratorios, Psalms, Pastorales, Hymns, Antiphons | |||||
| Mélanges autographes, Volume 1 | Marc-Antoine Charpentier, composer | Baroque | |||||||
| Mélanges autographes | Marc-Antoine Charpentier, composer | Baroque | |||||||
| O pretiosum, O salutiferum (Elevation) | Marc-Antoine Charpentier, composer | D minor | H.245 | 1670 | soprano, 2 violins and continuo | Baroque | Sacred songs | ||
| Salve regina | Marc-Antoine Charpentier, composer | D minor | H.18 | 1680 | 2 sopranos, alto and continuo | Baroque | Salve Regina | ||
| Pange lingua | Marc-Antoine Charpentier, composer | A minor | H.58 | 1670 | alto, tenor, bass, 2 violins and continuo | Baroque | Hymns | ||
| Ouverture pour quelque belle entreprise à cinq | Marc-Antoine Charpentier, composer | H.540 | strings | Baroque | Overtures | ||||
| Pour le sacre d’un évêque | Marc-Antoine Charpentier, composer | H.518 | continuo and 4 Unspecified instruments | Baroque | Pieces | ||||
| Pour un reposoir | Marc-Antoine Charpentier, composer | H.508 | strings | Baroque | Pieces | ||||
| In Nativitatem Domini canticum | Marc-Antoine Charpentier, composer | H.393 | 1682 | soprano, alto, bass, 2 violins and continuo 2 sopranos, bass, 2 violins and continuo |
Baroque | Motets | |||
| Confitebor tibi... in concilio | Marc-Antoine Charpentier, composer | H.225 | voices, mixed chorus and orchestra | Baroque | Psalms | ||||
| Sonate à 8 | Marc-Antoine Charpentier, composer | H.548 | 2 flutes, lute, 2 violins, cello, viol and harpsichord 2 flutes, lute, 2 violins, double bass, viol and harpsichord |
Baroque | Sonatas | ||||
| Judith | Marc-Antoine Charpentier, composer | A minor/major | H.391 | 1674 | 8 voices, mixed chorus, 2 flutes, 2 violins and continuo | Baroque | Sacred oratorios | ||
| Historia Esther (chorus judeorum.) | Marc-Antoine Charpentier, composer | C major | H.396 | 1677 | voices, mixed chorus and orchestra | Baroque | Motets, Sacred oratorios | ||
| Sù, sù, sù, non dormite (Serenata a tre voci e simphonia) | Marc-Antoine Charpentier, composer | B flat major | H.472 | 1685 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo |
Baroque | Secular cantatas | ||
| Orphée descendant aux enfers | Marc-Antoine Charpentier, composer | E minor | H.471 | 1683 | alto, tenor, bass, flute, recorder, 2 violins and continuo alto, tenor, bass, flute, recorder, 2 viols and continuo |
Baroque | Secular cantatas | ||
| Confitebor tibi Domine | Marc-Antoine Charpentier, composer | H.200 | 1680 | 4 voices, 2 violins and continuo | Baroque | Psalms | |||
| Idylle sur le retour de la santé du Roi | Marc-Antoine Charpentier, composer Antoinette Deshoulieres, librettist |
A minor | H.489 | 1687 | 2 sopranos, alto, tenor, bass, 2 violins and continuo 2 sopranos, alto, tenor, bass, 2 viols and continuo |
Baroque | Pastorales | ||
| Les arts florissants | Marc-Antoine Charpentier, composer | G major | H.487 | 1685 | 2 sopranos, alto, bass, mixed chorus, 2 recorders, 2 violins and continuo 2 sopranos, alto, bass, mixed chorus, 2 recorders, 2 viols and continuo |
Baroque | Operas | ||
| Beatus vir qui timet Dominum | Marc-Antoine Charpentier, composer | H.221 | 4 voices and continuo | Baroque | Psalms | ||||
| Laudate pueri Dominum | Marc-Antoine Charpentier, composer | H.203 | 1680 | 4 voices, 2 violins and continuo | Baroque | Psalms | |||
| Transfige dulcissime Jesu | Marc-Antoine Charpentier, composer | H.251 | 2 sopranos, alto, tenor, bass and continuo | Baroque | Motets | ||||
| Ego mater agnitionis, H.371 (A la vierge a 4 voix pareilles) | Marc-Antoine Charpentier, composer | C major | H.371 | 1696 | alto, 2 tenors, bass and continuo | Baroque | Motets | ||
| Dixit Dominus | Marc-Antoine Charpentier, composer | D minor | H.202 | 1688 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | ||
| Dies irae (Prose des Morts) | Marc-Antoine Charpentier, composer | C minor | H.12 | 1671 | 2 mixed chorus, strings and continuo | Baroque | Dies irae, Sequences | ||
| Confitebor tibi, Domine | Marc-Antoine Charpentier, composer | H.220 | 4 voices and continuo | Baroque | Psalms | ||||
| Bone pastor | Marc-Antoine Charpentier, composer | C minor | H.439 | 2 sopranos, bass and continuo | Baroque | Motets | |||
| Nisi Dominus | Marc-Antoine Charpentier, composer | B flat major | H.231 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
Baroque | Psalms | ||
| De Profundis | Marc-Antoine Charpentier, composer | C minor | H.189 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
Baroque | Psalms | ![]() |
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| Domine Dominus noster | Marc-Antoine Charpentier, composer | C major | H.163 | 1674 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo |
Baroque | Psalms | ||
| O crux, ave spes unica (Pour la Passion de Notre Seigneur) | Marc-Antoine Charpentier, composer | A minor | H.349 | 1690 | alto, tenor and continuo | Baroque | Motets | ||
| O crux, ave spes unica (Pour le Jour de la Passion de Notre Seigneur Jesus Christ) | Marc-Antoine Charpentier, composer | E minor | H.351 | 1690 | alto, tenor, bass and continuo | Baroque | Motets | ||
| Jerusalem, convertere (Autre Jerusalem pour les lecons de tenebres) | Marc-Antoine Charpentier, composer | G major | H.94 | 1670 | continuo and 2 sopranos | Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.93 | 1670 | continuo and 2 sopranos | Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint (De lamentatione Jeremiae) | Marc-Antoine Charpentier, composer | B flat major | H.91 | 1670 | 2 sopranos, alto, 2 flutes and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint (Autre leçon de ténèbres) | Marc-Antoine Charpentier, composer | G major | H.92 | 1670 | continuo and 2 sopranos | Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | G major | H.95 | 1670 | 2 sopranos, 2 violins and continuo 2 sopranos, 2 viols and continuo |
Baroque | Lamentations | ||
| Leçons de ténèbres du Mercredi saint (Deuxième leçon du mercredi) | Marc-Antoine Charpentier, composer | G major | H.97 | 1678 | soprano and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | F major | H.96 | 1670 | soprano and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | G major | H.98 | 1678 | continuo and 2 sopranos | Baroque | Lamentations | ||
| Amicus meus | Marc-Antoine Charpentier, composer | G major | H.113 | alto and continuo | Baroque | Responsories | |||
| Seniores populi | Marc-Antoine Charpentier, composer | E minor | H.117 | alto and continuo | Baroque | Responsories | |||
| Leçon de ténèbres du Jeudi saint, H.102 | Marc-Antoine Charpentier, composer | G major | H.102 | 1678 | soprano and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.103 | 1678 | continuo and 2 sopranos | Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.104 | 1678 | soprano and continuo | Baroque | Lamentations | ||
| Una hora | Marc-Antoine Charpentier, composer | A minor | H.116 | 1680 | 2 sopranos, alto and continuo | Baroque | Responsories | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.107 | 1680 | soprano and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.109 | 1680 | 2 sopranos, alto and continuo | Baroque | Lamentations | ||
| Leçons de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | G major | H.106 | 1680 | soprano and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | F major | H.105 | 1680 | soprano, viol and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | G major | H.108 | 1680 | 2 sopranos, alto and continuo | Baroque | Lamentations | ![]() |
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| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | G major | H.110 | 1680 | 2 sopranos, alto and continuo | Baroque | Lamentations | ![]() |
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| Tristis est anima mea | Marc-Antoine Charpentier, composer | G major | H. 112 | 1680 | continuo and 2 sopranos | Baroque | Responsories | ||
| Eram quasi agnus | Marc-Antoine Charpentier, composer | A minor | H.115 | 1680 | soprano and continuo | Baroque | Responsories | ||
| In monte Oliveti | Marc-Antoine Charpentier, composer | G major | H.111 | 1680 | 2 sopranos, alto and continuo | Baroque | Responsories | ||
| Unus ex discipulis meis | Marc-Antoine Charpentier, composer | A minor | H.114 | 1680 | soprano, alto and continuo | Baroque | Responsories | ||
| O Juda | Marc-Antoine Charpentier, composer | E minor | H.119 | 1680 | continuo and 2 sopranos | Baroque | Responsories | ||
| Revelabunt coeli | Marc-Antoine Charpentier, composer | E minor | H.118 | 1680 | 2 sopranos, alto and continuo | Baroque | Responsories | ||
| Leçon de Ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | F major | H.121 | 1680 | bass and orchestra | Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | F major | H.122 | 1680 | bass and orchestra | Baroque | Lamentations | ||
| Leçon de Ténèbres du Mercredi Saint | Marc-Antoine Charpentier, composer | F major | H.120 | 1680 | bass and orchestra | Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | G major | H.124 | 1688 | baritone, flute, oboe, 2 violins and continuo baritone, 2 flutes, 2 violins and continuo |
Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | G major | H.123 | 1688 | bass, 2 flutes, 2 violins and continuo bass, flute, recorder, 2 violins and continuo bass, flute, oboe, 2 violins and continuo |
Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | G major | H.125 | 1688 | baritone, flute, oboe, 2 violins and continuo baritone, 2 flutes, 2 violins and continuo |
Baroque | Lamentations | ||
| Jerusalem surge | Marc-Antoine Charpentier, composer | B flat major | H.130 | 1690 | 2 tenors, 2 recorders and continuo 2 tenors, 2 flutes and continuo |
Baroque | Responsories | ||
| Tanquam ad latronem | Marc-Antoine Charpentier, composer | D minor | H.133 | 1690 | bass, 2 recorders, 2 violins and continuo bass, 2 flutes, 2 violins and continuo |
Baroque | Responsories | ||
| Tenebrae factae sunt | Marc-Antoine Charpentier, composer | D minor | H.129 | 1690 | bass, 2 recorders, 2 violins, viola and continuo bass, flute, 2 violins, viola and continuo |
Baroque | Responsories | ||
| Unus ex discipulis meis | Marc-Antoine Charpentier, composer | A minor | H.132 | 1690 | 2 violins, continuo and bass | Baroque | Responsories | ||
| Velum templi | Marc-Antoine Charpentier, composer | B flat major | H.128 | 1690 | soprano, alto, tenor, bass, 2 recorders, 2 violins and continuo soprano, alto, tenor, bass, 2 flutes, 2 violins and continuo mixed chorus, 2 flutes, 2 violins and continuo mixed chorus, 2 recorders, 2 violins and continuo |
Baroque | Responsories | ||
| Amicus meus | Marc-Antoine Charpentier, composer | A minor | H.127 | 1690 | tenor, 2 flutes and continuo tenor, 2 recorders and continuo |
Baroque | Responsories | ||
| Ecce quomodo moritur | Marc-Antoine Charpentier, composer | C minor | H.131 | 1690 | alto, strings and continuo | Baroque | Responsories | ||
| O vos omnes | Marc-Antoine Charpentier, composer | G major | H.134 | 1690 | soprano, 2 recorders and continuo soprano, 2 flutes and continuo |
Baroque | Responsories | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | C minor | H.136 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | C minor | H.135 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | C minor | H.137 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
Baroque | Lamentations | ||
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier, composer | C major | H.139 | 1690 | alto and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier, composer | C major | H.138 | 1690 | alto and continuo | Baroque | Lamentations | ||
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier, composer | C major | H.140 | 1690 | alto and continuo | Baroque | Lamentations | ||
| Lettres hébraïques | Marc-Antoine Charpentier, composer | F major | H.99 | 1680 | 2 sopranos, alto and continuo | Baroque | Lamentations | ||
| Messe pour le Samedi de Paques | Marc-Antoine Charpentier, composer | D minor | H.8 | 1690 | soprano, alto, tenor, bass, mixed chorus and continuo | Baroque | Masses | ||
| Commencement d’ouverture | Marc-Antoine Charpentier, composer | H.546 | strings strings and continuo 2 violins, viola and continuo |
Baroque | Overtures | ||||
| Beatus vir qui timet Dominum | Marc-Antoine Charpentier, composer | H.208 | 4 voices and orchestra | Baroque | Psalms | ||||
| Ouverture pour le sacre d’un évêque | Marc-Antoine Charpentier, composer | H.537 | 1690 | orchestra | Baroque | Overtures | |||
| Ouverture pour le sacre d’un évêque | Marc-Antoine Charpentier, composer | H.536 | 1690 | orchestra | Baroque | Overtures | |||
| Ouverture pour l’église | Marc-Antoine Charpentier, composer | H.524 | 1683 | flute and strings 3 flutes and continuo |
Baroque | Overtures | |||
| Ad beatam Virginem canticum | Marc-Antoine Charpentier, composer | A minor | H.340 | 1686 | alto, tenor, bass, 2 recorders, 2 violins and continuo alto, tenor, bass, 2 flutes, 2 violins and continuo |
Baroque | Motets | ||
| Alma redemptoris mater | Marc-Antoine Charpentier, composer | B flat major | H.21 | 1675 | continuo and 2 sopranos | Baroque | Antiphons | ||
| Messe pour Mr Mauroy | Marc-Antoine Charpentier, composer | G minor | H.6 | 1690 | 6 voices, mixed chorus and orchestra | Baroque | Masses | ||
| Messe pour les trépassés | Marc-Antoine Charpentier, composer | A minor | H.2 | 1672 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Masses | ||
| La couronne de fleurs | Marc-Antoine Charpentier, composer | D major | H.486 | 1685 | 4 sopranos, alto, tenor, 2 basses, mixed chorus, 2 violins and continuo 4 sopranos, alto, tenor, 2 basses, mixed chorus, 2 viols and continuo |
Baroque | Pastorales | ||
| O filii | Marc-Antoine Charpentier, composer | C minor | H.356 | 1685 | mixed chorus, strings and continuo voice, mixed chorus, strings and continuo |
Baroque | Motets | ||
| Magdalena Lugens (Voce sola cum symphonie) | Marc-Antoine Charpentier, composer | E minor | H.343 | voice, 2 violins and continuo voice, 2 viols and continuo |
Baroque | Motets | |||
| Amor vince (Pastoraletta) | Marc-Antoine Charpentier, composer | B flat major | H.492 | 5 voices, 2 violins and continuo 5 voices, 2 viols and continuo |
Baroque | Pastorales | |||
| Ascendat ad te, Domine (Elevation) | Marc-Antoine Charpentier, composer | F major | H.250 | 1683 | 2 violins, continuo and bass bass, 2 viols and continuo |
Baroque | Motets | ||
| Canticum de Sancto Xaverio reformatum | Marc-Antoine Charpentier, composer | B flat major | H.355a | 1692 | voices, mixed chorus and orchestra | Baroque | Motets | ||
| Ave verum corpus | Marc-Antoine Charpentier, composer | A minor | H.233 | 1673 | 2 sopranos, 2 violins and continuo 2 sopranos, 2 viols and continuo soprano, alto, 2 violins and continuo soprano, alto, 2 viols and continuo |
Baroque | Motets | ||
| Domine salvum | Marc-Antoine Charpentier, composer | A major | H.282 | 1673 | continuo and 2 sopranos | Baroque | Motets | ||
| Ave maris stella | Marc-Antoine Charpentier, composer | A minor | H.63 | 1682 | continuo and 2 sopranos soprano, alto and continuo |
Baroque | Hymns | ||
| Ave Regina | Marc-Antoine Charpentier, composer | C major | H.19 | 1672 | 2 sopranos, alto and continuo 2 sopranos, mezzosoprano and continuo |
Baroque | Antiphons | ||
| Beata es Maria (Antiphon in honorem beatae virginis a redemptione captivorum) | Marc-Antoine Charpentier, composer | C major | H.25 | 1677 | alto, tenor, 2 violins and continuo alto, tenor, 2 viols and continuo |
Baroque | Antiphons | ||
| Domine salvum | Marc-Antoine Charpentier, composer | G major | H.286 | 1675 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
Baroque | Motets | ||
| Domine salvum | Marc-Antoine Charpentier, composer | C major | H.287 | 1675 | alto, tenor, bass, 2 violins and continuo alto, tenor, bass, 2 viols and continuo |
Baroque | Motets | ||
| Ave maris stella (Hymne pour tous les fetes de la vierge) | Marc-Antoine Charpentier, composer | G major | H.60 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
Baroque | Hymns | ||
| Caro mea vere est cibus (Elevation) | Marc-Antoine Charpentier, composer | A minor | H.246 | 1678 | soprano, alto, bass and continuo 2 sopranos, bass and continuo |
Baroque | Motets | ||
| Quam dilecta (Psalm 83) | Marc-Antoine Charpentier, composer | A minor | H.186 | 1682 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
Baroque | Psalms | ||
| Regina coeli | Marc-Antoine Charpentier, composer | C major | H.30 | 1687 | alto, tenor, bass and continuo | Baroque | Antiphons | ||
| Veni sancte Spiritus (Pour le Saint Esprit) | Marc-Antoine Charpentier, composer | A major | H.366 | 1692 | alto, tenor, bass and continuo | Baroque | Motets | ||
| Veni sponsa Christi | Marc-Antoine Charpentier, composer | B flat major | H.17 | 1672 | 2 sopranos, recorder and continuo 2 sopranos, flute and continuo |
Baroque | Antiphons | ||
| Venite fideles (Elevation) | Marc-Antoine Charpentier, composer | C major | H.241 | 1677 | 2 violins, continuo and bass bass, 2 viols and continuo |
Baroque | Motets | ||
| Verbum caro, panum verbum (Elevation) | Marc-Antoine Charpentier, composer | A minor | H.267 | 1692 | alto, tenor, bass and continuo | Baroque | Motets | ||
| Quae est ista | Marc-Antoine Charpentier, composer | F major | H.426 | 1672 | soprano, alto and continuo continuo and 2 sopranos |
Baroque | Motets | ||
| Quam pulchra es (Motet de la vierge pour tous les fetes) | Marc-Antoine Charpentier, composer | B flat major | H.322 | 1675 | 2 sopranos, alto, 2 flutes and continuo 2 sopranos, alto, 2 recorders and continuo |
Baroque | Motets | ||
| Sub tuum praesidium (Motet pour le catechisme) | Marc-Antoine Charpentier, composer | B flat major | H.352 | 1687 | soprano and continuo | Baroque | Motets | ||
| Lamentations pour les obsèques de la reine Marie-Thérèse (In obitum augustissimae nec non piissimae Gallorum reginae lamentum) | Marc-Antoine Charpentier, composer | H.409 | 1683 | 9 voices, mixed chorus and orchestra | Baroque | Sacred cantatas | ![]() |
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| Miserere des Jésuites (Miserere mei Deus secundum) | Marc-Antoine Charpentier, composer | H.193 | 1680 | voices, mixed chorus and orchestra | Baroque | Miserere | ![]() |
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| Pour O filii | Marc-Antoine Charpentier, composer | H.511 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Prélude | Marc-Antoine Charpentier, composer | H.512 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Prélude pour Sub tuum | Marc-Antoine Charpentier, composer | H.527 | 1690 | continuo and 2 sopranos 2 violins and continuo |
Baroque | Preludes | |||
| Symphonie à 3 flûtes | Marc-Antoine Charpentier, composer | H.529 | 1690 | 2 flutes and continuo 2 violins and continuo |
Baroque | Symphonies | |||
| Prélude pour Magnificat | Marc-Antoine Charpentier, composer | H.533 | 1693 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Prélude pour le Domine salvum | Marc-Antoine Charpentier, composer | H.535 | 1694 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Symphonie devant Regina | Marc-Antoine Charpentier, composer | H.509 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Symphonies | |||
| Prélude | Marc-Antoine Charpentier, composer | H.510 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Prélude pour Lauda Jerusalem | Marc-Antoine Charpentier, composer | H.538 | 1698 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Prélude pour Dixit Dominus | Marc-Antoine Charpentier, composer | H.539 | 1698 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
Baroque | Preludes | |||
| Caprice pour trois violons | Marc-Antoine Charpentier, composer | H.542 | 1679 | 2 violins and continuo | Baroque | Caprices | |||
| Trio suivi de deux menuets | Marc-Antoine Charpentier, composer | continuo and 2 sopranos | Baroque | Trios | |||||
| Pièce pour une viole | Marc-Antoine Charpentier, composer | H.543 | 1679 | viol | Baroque | Pieces | |||
| 2 menuets pour les flûtes allemandes | Marc-Antoine Charpentier, composer | H.541 | 1679 | 2 flutes and continuo | Baroque | Minuets | |||
| 3 pièces pour les flûtes et hautbois | Marc-Antoine Charpentier, composer | H.520 | 1679 | 2 flutes, 2 oboes and continuo 2 recorders, 2 oboes and continuo |
Baroque | Pieces | |||
| Les neuf repons pour le mercredi saint | Marc-Antoine Charpentier, composer | H.111-119 | 1680 | 2 sopranos, alto and continuo continuo and 2 sopranos alto and continuo soprano, alto and continuo soprano and continuo |
Baroque | Responsories | |||
| Magnificat | Marc-Antoine Charpentier, composer | H.78 | alto, 2 tenors, bass, mixed chorus, strings and continuo | Baroque | Magnificats | ||||
| Dixit Dominus | Marc-Antoine Charpentier, composer | D minor | H.204 | 1690 | 2 tenors, 2 basses, mixed chorus and orchestra | Baroque | Psalms | ||
| Magnificat pour le Port-Royal | Marc-Antoine Charpentier, composer | H.81 | 3 voices, female chorus and continuo | Baroque | Magnificats | ||||
| Laudate Dominum omnes gentes (Psalm 117 (Vulgate 116)) | Marc-Antoine Charpentier, composer | C major | H.159 | 1674 | 3 voices, continuo and 2 sopranos | Baroque | Psalms | ||
| Regina cæli (antienne à la Vierge) | Marc-Antoine Charpentier, composer | H.32 | 2 voices and continuo | Baroque | Antiphons | ||||
| Salve Regina à 3 chœurs | Marc-Antoine Charpentier, composer | H.24 | 3 mixed chorus and continuo | Baroque | Salve Regina | ||||
| Sub tuum præsidium | Marc-Antoine Charpentier, composer | H. 28 | 2 sopranos and mezzosoprano | Baroque | Antiphons | ||||
| Messe pour plusieurs instruments au lieu des orgues, H 513 | Marc-Antoine Charpentier, composer | voices and orchestra | Baroque | Masses | |||||
| Magnificat (Grand Magnificat) | Marc-Antoine Charpentier, composer | H. 74 | 8 voices, 2 recorders, 2 bassoons, 4 violins, 2 violas and continuo | Baroque | Magnificats | ![]() |
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| Oculi omnium in te sperant | Marc-Antoine Charpentier, composer | H346 | voices, mixed chorus and continuo | Baroque | Motets | ![]() |
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| Messe des morts (Messe des morts à 4 voix et orchestre (symphonie)) | Marc-Antoine Charpentier, composer | G minor | H.10 | 1695 | voices, mixed chorus and orchestra | Baroque | Requiems | ||
| Caecilia Virgo et Martyr | Marc-Antoine Charpentier, composer | G major | H.397 | 8 voices, 2 strings and continuo 2 mixed chorus, 2 strings and continuo |
Baroque | Sacred oratorios | |||
| Canticum Annae | Marc-Antoine Charpentier, composer | B flat major | H.325 | 2 sopranos, bass, 2 violins and continuo | Baroque | Motets | |||
| Canticum pro pace | Marc-Antoine Charpentier, composer | D major | H.392 | 2 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus, 2 strings and continuo | Baroque | Motets | |||
| Canticum in honoris BMV inter homines et angelos (Motet dramatique) | Marc-Antoine Charpentier, composer | G major | H.400 | 2 sopranos, alto, tenor, bass and continuo | Baroque | Motets | |||
| Caecilia Virgo et Martyr (Motet dramatique) | Marc-Antoine Charpentier, composer | D major | H.415 | 3 sopranos, alto, tenor, bass, mixed chorus, 2 violins and continuo | Baroque | Motets | |||
| Caecilia Virgo et Martyr (Motet dramatique) | Marc-Antoine Charpentier, composer | D major | H.413 | 6 voices, mixed chorus, 2 violins, organ and continuo | Baroque | Motets | |||
| Salve Regina des Jesuites | Marc-Antoine Charpentier, composer | A minor | H.27 | tenor and continuo | Baroque | Salve Regina | |||
| Motet pour St François de Borgia (Beatus vir qui inventus est sine macula) | Marc-Antoine Charpentier, composer | B flat major | H.354 | 1690 | alto, 2 violins and continuo voice, 2 viols and continuo |
Baroque | Motets | ||
| Que Louis par sa vaillance (Menuet de Strasbourg) | Marc-Antoine Charpentier, composer | F major | H.454c | soprano and continuo | Early 20th century | Airs, Minuets | |||
| Motets melêz de symphonie | Marc-Antoine Charpentier, composer | voice, 2 flutes and continuo voice and continuo 2 voices and continuo 3 voices and continuo 2 voices, 2 violins and continuo 4 voices and orchestra |
Baroque | Motets, Sacred songs | |||||
| Dialogus inter Christum et peccatores (Dialogue en Trio) | Marc-Antoine Charpentier, composer Jean Commire, librettist |
E minor | H.425 | 3 voices and continuo | Baroque | Motets, Sacred songs | |||
| Le Sicilien | Marc-Antoine Charpentier, composer | H. 497 | 1678 | Baroque | |||||
| Cum invocarem | Marc-Antoine Charpentier, composer | D minor | H.198 | 1688 | Baroque | ||||
| Cupido perfido (Pastoraletta italiana seconda) | Marc-Antoine Charpentier, composer | C major | H.493 | Baroque | |||||
| Dialogus inter Christum et homines | Marc-Antoine Charpentier, composer | G minor | H.417 | 1692 | Baroque | ||||
| Bonum est confiteri Domino | Marc-Antoine Charpentier, composer | G major | H.185 | 1681 | 2 sopranos, bass, 2 violins and continuo | Baroque | Motets, Psalms | ||
| Circumdederunt me dolores (Gratiarum actiones ex sacris codicibus excerptae pro restituta Serenissmi galliarum Delphini saluta) | Marc-Antoine Charpentier, composer | C minor | H.326 | 1680 | soprano, alto, bass, 3 recorders and continuo | Baroque | Sacred cantatas | ||
| Deus judicium tuum (Precautio pro filio regis) | Marc-Antoine Charpentier, composer | D minor | H.166 | 1677 | soprano, alto, bass, 2 violins and continuo | Baroque | Motets, Psalms | ||
| Canticum Zachariae | Marc-Antoine Charpentier, composer Catholic Liturgy, librettist |
G major | H.345 | 1687 | 6 voices, 2 violins and continuo | Baroque | Motets | ||
| De Profundis (Court De Profundis a 4 voix) | Marc-Antoine Charpentier, composer | B flat major | H.222 | 1696 | alto, tenor, bass, mixed chorus and continuo | Baroque | Psalms, Motets | ||
| Dialogus inter Esurientem, Sitientem et Christum | Marc-Antoine Charpentier, composer | A minor | H.407 | 1682 | Baroque | ||||
| Dixit Dominus | Marc-Antoine Charpentier, composer Psalm CX, librettist |
G minor | H.190 | 1683 | Baroque | ||||
| Domine Deus salutis meae | Marc-Antoine Charpentier, composer Psalm LXXXVII, librettist |
C minor | H.207 | 1691 | Baroque | ||||
| Domine in virtute tua (Prière pour le Roy) | Marc-Antoine Charpentier, composer Psalm XXI, librettist |
C major | H.164 | 1677 | Baroque | ||||
| Domine, quid multiplicati sunt (Psalmus 3us) | Marc-Antoine Charpentier, composer | G minor | H.172 | 1679 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass and orchestra |
Baroque | Motets, Psalms | ||
| Ecce sacerdos magnus (Offertoire pour le sacré d'un Evesque) | Marc-Antoine Charpentier, composer | C major | H.432 | 1696 | Baroque | ||||
| Exaudiat te Dominus (Precautio pro Rege) | Marc-Antoine Charpentier, composer | F major | H.165 | 1677 | Baroque | ||||
| Epithalamio (Epithalamio in lode dell Altezza Serenissima Elettorale di Maximiliano Emanuel, Duca di Baviera) | Marc-Antoine Charpentier, composer | D major | H.473 | 1685 | 2 sopranos, bass, mixed chorus and orchestra | Baroque | Epithalamia | ||
| Fundamenta ejus in montibus (Psalmus 86) | Marc-Antoine Charpentier, composer Psalmus LXXXVI, librettist |
D major | H.187 | 1683 | Baroque | ||||
| Felix namque (Pour la Vierge) | Marc-Antoine Charpentier, composer Catholic Liturgy, librettist |
C major | H.360 | 1691 | Baroque | ||||
| Gaudia Beatae Virginis Mariae (Gaudia Virgo Mater Christi) | Marc-Antoine Charpentier, composer | G major | H.330 | 1681 | Baroque | ||||
| Pour le jour de Sainte Geneviève | Marc-Antoine Charpentier, composer | B flat major | H.317 | 1676 | Baroque | ||||
| Gaudete fideles | Marc-Antoine Charpentier, composer | G major | H.306 | 1670 | Baroque | ||||
| Gaudete dilectissimi (Elevation) | Marc-Antoine Charpentier, composer | C major | H.238 | 1676 | Baroque | ||||
| Gratitudina erga Deum canticum | Marc-Antoine Charpentier, composer | G major | H.431 | 1687 | Baroque | ||||
| Haec dies | Marc-Antoine Charpentier, composer | B flat major | H.308 | 1671 | Baroque | ||||
| Gloria Patri pour le De Profundis | Marc-Antoine Charpentier, composer | C major | H.205 | 1690 | Baroque | ||||
| In circumcisione Domini | Marc-Antoine Charpentier, composer | G major | H.316 | 1676 | Baroque | ||||
| Antiphona in honorem beate Genovesae (Gloriosam Christi sponsam) | Marc-Antoine Charpentier, composer | B flat major | H.29 | 1686 | soprano and continuo | Baroque | Antiphons | ||
| In festo Corporis Christi (Pandite portas populi) | Marc-Antoine Charpentier, composer | B flat major | H.358 | 1691 | Baroque | ||||
| In festo purificationis | Marc-Antoine Charpentier, composer | C major | H.318 | 1677 | Baroque | ||||
| In honorem Caeciliae, Valeriani et Tiburtii canticum | Marc-Antoine Charpentier, composer | C major | H.394 | 1676 | Baroque | ||||
| In purificationem BVM canticum | Marc-Antoine Charpentier, composer | B flat major | H.357 | 1691 | Baroque | ||||
| Inviolata, integra et casta es Maria (Antienne à la Vierge pour toutes les saisons de l'année) | Marc-Antoine Charpentier, composer | F major | H.48 | 1696 | Baroque | ||||
| Inviolata, integra et casta es Maria | Marc-Antoine Charpentier, composer | C major | H.26 | 1680 | Baroque | ||||
| In honorem Sancti Ludovici Regis Galliae canticum | Marc-Antoine Charpentier, composer | C major | H.323 | 1679 | Baroque | ||||
| In honorem Sancti Ludovici Regis Galliae | Marc-Antoine Charpentier, composer | C major | H.332 | 1683 | Baroque | ||||
| In honorem Sancti Ludovici Regis Galliae | Marc-Antoine Charpentier, composer | C minor | H.418 | 1692 | Baroque | ||||
| In convertendo (Psalmus David 125tus) | Marc-Antoine Charpentier, composer Psalm CXXV, librettist |
C major | H.169 | 1678 | Baroque | ||||
| Jesu corona virginum (Hymne au commun des Vierges) | Marc-Antoine Charpentier, composer | C major | H.53 | 1670 | Baroque | ||||
| Pour St François. H.310 (Jubilate Deo fideles) | Marc-Antoine Charpentier, composer | 1671 | Baroque | ||||||
| Judica Domine nocentes me (Psalmus 34us) | Marc-Antoine Charpentier, composer | D major | H.201 | 1688 | Baroque | ||||
| Lauda Sion (Prose du Saint Sacrament) | Marc-Antoine Charpentier, composer | C major | H.14 | 1678 | Baroque | ||||
| Lauda Jerusalem (Psalmus 147) | Marc-Antoine Charpentier, composer | C major | H.191 | 1683 | Baroque | ||||
| Courtes Litanies de la Vierge | Marc-Antoine Charpentier, composer | B flat major | H.90 | 1696 | Baroque | ||||
| Luctus de morte Augustissime Maria Theresiae Regina Galliae | Marc-Antoine Charpentier, composer | C minor | H.331 | 1683 | Baroque | ||||
| Magnificat à 3 dessus | Marc-Antoine Charpentier, composer | F major | H.75 | 1684 | 2 sopranos, alto and continuo | Baroque | Magnificats | ||
| Litanies de la Vierge | Marc-Antoine Charpentier, composer | A minor | H.82 | 1681 | alto, tenor, bass and continuo | Baroque | Litanies | ||
| Litanies de la Vierge | Marc-Antoine Charpentier, composer | G minor | H.85 | 1690 | voices, mixed chorus and orchestra | Baroque | Litanies | ||
| Motet de Saint Laurent | Marc-Antoine Charpentier, composer | B flat major | H.321 | 1677 | alto, 2 violins and continuo alto, 2 viols and continuo alto, 2 recorders and continuo |
Baroque | Motets, Religious works | ||
| Magnificat | Marc-Antoine Charpentier, composer | F major | H.77 | 1688 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Magnificats | ||
| Miserere | Marc-Antoine Charpentier, composer | A minor | H.173 | 1680 | 2 sopranos, alto and continuo | Baroque | Miserere | ||
| Mors Saulis et Jonathae | Marc-Antoine Charpentier, composer | C major | H.403 | 1681 | Baroque | ||||
| Nativité de la Vierge (Sicut spina rosam genuit) | Marc-Antoine Charpentier, composer | G major | H.309 | 1671 | Baroque | ||||
| Motet pour les tréspassés (Miseremini mei, Plaintes des âmes du purgatoire) | Marc-Antoine Charpentier, composer | E minor | H.311 | 1671 | 2 mixed chorus, strings and continuo | Baroque | Motets, Religious works | ||
| Notus in Judea Deus (Psalmus David 5tus post septuagesimum) | Marc-Antoine Charpentier, composer | C major | H.206 | 1691 | Baroque | ||||
| Elévation pour la paix (O bone Jesu) | Marc-Antoine Charpentier, composer | A minor | H.237 | 1674 | Baroque | ||||
| Elévation à 2 dessus et une basse chantante (O bone Jesu) | Marc-Antoine Charpentier, composer | B flat major/D major | H.244 | 1679 | Baroque | ||||
| O doctor optime (Motet pour St Augustine) | Marc-Antoine Charpentier, composer | D minor | H.307 | 1670 | Baroque | ||||
| O pretiosum et admirabile convivium | Marc-Antoine Charpentier, composer | A major | H.254 | 1683 | Baroque | ||||
| O pretiosum et admirandum convivium | Marc-Antoine Charpentier, composer | A major | H.255 | 1683 | Baroque | ||||
| O sacrum convivium (O sacrum à trois) | Marc-Antoine Charpentier, composer | F major | H.239 | 1677 | Baroque | ||||
| O sacrum convivium (O sacrum pour trois religieuses) | Marc-Antoine Charpentier, composer | A minor | H.240 | 1677 | Baroque | ||||
| O salutaris à 3 dessus (O salutaris hostia) | Marc-Antoine Charpentier, composer | B flat major | H.261 | 1692 | Baroque | ||||
| Pour tous les saints (O vos amici Dei) | Marc-Antoine Charpentier, composer | G major | H.377 | Baroque | |||||
| Paratum cor meum (Psalmus David 107) | Marc-Antoine Charpentier, composer | C major | H.183 | 1681 | Baroque | ||||
| Pange Lingua (Pange Lingua pour la Jeudi Saint) | Marc-Antoine Charpentier, composer | A minor | H.68 | 1690 | Baroque | ||||
| Omnes gentes plaudite manibus | Marc-Antoine Charpentier, composer | F major | H.192 | 1683 | Baroque | ||||
| Pie Jesu | Marc-Antoine Charpentier, composer | A minor | H.427 | 1674 | Baroque | ||||
| Popule meus (Pour la Passion, seconde partie) | Marc-Antoine Charpentier, composer | A minor | H.350 | 1690 | Baroque | ||||
| Pestis Mediolanensis (La Peste de Milan) | Marc-Antoine Charpentier, composer | C minor | H.398 | 1679 | Baroque | ||||
| Pour la fête de l'Epiphanie | Marc-Antoine Charpentier, composer | D minor | H.395 | 1676 | Baroque | ||||
| Pour la conception de la Vierge (Conceptio tua Dei genetrix virgo) | Marc-Antoine Charpentier, composer | F major | H.313 | 1671 | soprano, alto and continuo | Baroque | Motets, Sacred songs | ||
| Motet pour la vierge (Omni die dic Mariae) | Marc-Antoine Charpentier, composer | A minor | H.359 | 1691 | alto, tenor and continuo | Baroque | Motets, Religious works | ||
| Pour Ste. Thérèse (Flores, O Gallia) | Marc-Antoine Charpentier, composer | A major | H.342 | 1686 | Baroque | ||||
| Quare fremuerunt gentes (Psalmus David 5tus [sic] in tempore belli pro rege) | Marc-Antoine Charpentier, composer Psalm II, librettist |
F major | H.168 | 1677 | Baroque | ||||
| Pour plusieurs martyrs (Sancti Dei per fidem vicerunt regna) | Marc-Antoine Charpentier, composer | A major | H.361 | 1691 | Baroque | ||||
| Te Deum (Te Deum a quatre voix) | Marc-Antoine Charpentier, composer | D major | H.147 | 1693 | soprano, alto, tenor, bass, mixed chorus, strings and continuo | Baroque | Te Deum | ||
| Veni creator Spiritus (Veni creator Spiritus pour un dessus seul pour le catechisme) | Marc-Antoine Charpentier, composer | E minor | H.70 | 1690 | Baroque | ||||
| Domine salvum pour trois religieuses | Marc-Antoine Charpentier, composer | C major | H.288 | 1677 | Baroque | ||||
| Domine salvum à trois dessus | Marc-Antoine Charpentier, composer | A major | H.300 | 1692 | Baroque | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | D minor | H.291 | 1681 | Baroque | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | F major | H.293 | 1683 | Baroque | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | G minor | H.299 | 1691 | Baroque | ||||
| Domine salvum pour un haut et un bas dessus | Marc-Antoine Charpentier, composer | G major | H.297 | 1688 | soprano, alto and continuo continuo and 2 sopranos |
Baroque | Motets | ||
| Domine salvum (Autre Domine) | Marc-Antoine Charpentier, composer | G major | H.294 | 1683 | soprano, alto, bass, 2 violins and continuo | Baroque | Motets | ||
| Domine salvum | Marc-Antoine Charpentier, composer | G major | H.296 | 1688 | 2 tenors, bass and continuo | Baroque | Motets | ||
| Pour la seconde fois que le St Sacrement vient au mesme reposoir (O Deus, O salvator noster) | Marc-Antoine Charpentier, composer | G minor | H.372 | 1696 | Baroque | ||||
| O vere, O bone, O care Jesu (Elevation) | Marc-Antoine Charpentier, composer | G major | H.273 | 1698 | Baroque | ||||
| Te Deum (6eme Te Deum a 4 voix) | Marc-Antoine Charpentier, composer | C major | H.148 | 1699 | 2 sopranos, 2 altos, 2 tenors, 2 basses, mixed chorus and organ | Baroque | Te Deum | ||
| Motet pour une longue offrande (Motet pour l'offertoire de la Messe Rouge) | Marc-Antoine Charpentier, composer | D major | H.434 | 1698 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | Baroque | Motets, Religious works | ||
| In te Domine speravi (Psalmus 70) | Marc-Antoine Charpentier, composer Psalm LXX, librettist |
C major | H.228 | 1699 | Baroque | ||||
| Dominus illuminatio mea (Psalmus David 26mus) | Marc-Antoine Charpentier, composer | D minor | H.229 | 1699 | voices, mixed chorus, strings and continuo | Baroque | Motets, Psalms | ||
| Conserva me Domine (Psalmus David 15us) | Marc-Antoine Charpentier, composer | A minor | H.230 | 1699 | voices, mixed chorus, strings and continuo | Baroque | Motets, Psalms | ||
| La Descente d'Orphée aux Enfers | Marc-Antoine Charpentier, composer | H.488 | 1686 | Baroque | |||||
| Laudate pueri Dominum | Marc-Antoine Charpentier, composer | C major | H.149 | 1670 | 2 sopranos, tenor and bass mixed chorus, 2 violins and continuo |
Baroque | Psalms | ||
| Nisi Dominus | Marc-Antoine Charpentier, composer | G minor | H.150 | 1670 | Baroque | ||||
| Confitebor tibi Domine | Marc-Antoine Charpentier, composer | A minor | H.151 | 1670 | voices, mixed chorus, 2 violins and continuo | Baroque | Motets, Psalms | ||
| Laudate Dominum | Marc-Antoine Charpentier, composer | D major | H.152 | 1670 | Baroque | ||||
| Magnificat | Marc-Antoine Charpentier, composer | D minor | H.72 | 1670 | soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo | Baroque | Magnificats | ||
| Dixit Dominus | Marc-Antoine Charpentier, composer | G minor | H.153 | 1670 | voices, mixed chorus, 2 violins and continuo | Baroque | Psalms, Motets | ||
| Beatus vir | Marc-Antoine Charpentier, composer | A major | H.154 | 1670 | voices, mixed chorus, 2 violins and continuo | Baroque | Motets, Psalms | ||
| Memento nomine David | Marc-Antoine Charpentier, composer | D minor | H.155 | 1670 | Baroque | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | G minor | H.281 | 1670 | Baroque | ||||
| Stabat Mater pour des Religieuses | Marc-Antoine Charpentier, composer | A major | H.15 | voice, unison chorus and continuo | Baroque | Stabat Mater | |||
| Quam dilecta | Marc-Antoine Charpentier, composer | G minor | H.167 | 1675 | voices, 2 mixed chorus and orchestra | Baroque | Psalms | ||
| Sacrificium Abrahae | Marc-Antoine Charpentier, composer | C major | H.402 | 1681 | Baroque | ||||
| Beati omnes | Marc-Antoine Charpentier, composer | B flat major | H.178 | 1681 | 2 sopranos, bass, 2 violins and continuo 3 voices and orchestra |
Baroque | Psalms, Motets | ||
| Pange lingua | Marc-Antoine Charpentier, composer | A minor | H.61 | 1681 | Baroque | ||||
| Pange lingua (Pange lingua pour des Religieuses, pour le Port Royal) | Marc-Antoine Charpentier, composer | A minor | H.62 | 1681 | voice, unison chorus and continuo | Baroque | Hymns | ||
| O salutaris hostia | Marc-Antoine Charpentier, composer | D minor | H.249 | 1681 | Baroque | ||||
| Notus in Judea Deus | Marc-Antoine Charpentier, composer | C major | H.179 | 1681 | Baroque | ||||
| Supplicatio pro defunctis ad Beatam Virginem (Languentibus in Purgatorio) | Marc-Antoine Charpentier, composer | A minor | H.328 | 1681 | Baroque | ||||
| Motet pour toutes les fêtes de la Vierge (Corde et animo) | Marc-Antoine Charpentier, composer | C major | H.327 | 1681 | 2 sopranos, bass, 2 violins and continuo soprano, bass and orchestra |
Baroque | Motets, Religious works | ||
| Quemadmodum desiderat cervus | Marc-Antoine Charpentier, composer Psalm XLI, librettist |
C minor | H.174 | 1679 | Baroque | ||||
| O salutaris hostia (Elevation) | Marc-Antoine Charpentier, composer | C major | H.248 | 1679 | Baroque | ||||
| Beatus vir | Marc-Antoine Charpentier, composer | C major | H.175 | 1679 | Baroque | ||||
| Cantate Domino | Marc-Antoine Charpentier, composer | F major | H.176 | 1679 | Baroque | ||||
| Domine salvum | Marc-Antoine Charpentier, composer | G minor | H.292 | 1682 | Baroque | ||||
| Laudate Dominum | Marc-Antoine Charpentier, composer | B flat major | H.177 | 1679 | Baroque | ||||
| Eamus volemus | Marc-Antoine Charpentier, composer | B flat major | H.429 | 1682 | Baroque | ||||
| Quare fremuerunt gentes | Marc-Antoine Charpentier, composer | C major | H.184 | 1682 | Baroque | ||||
| Dialogus Inter Angelos et Pastores Judæ In Nativitatem domini (Grand motet pour la Nativité de Notre Seigneur) | Marc-Antoine Charpentier, composer | D major | H. 420 | Baroque | |||||
| Antiphonia sine organo ad Virginem (Sub tuum præsidium) | Marc-Antoine Charpentier, composer | A minor | H. 28 | 2 sopranos and alto | Baroque | Antiphons | |||
| Psalmus David centesimus sexdecimus sine organo (Laudate dominum omnes gentes) | Marc-Antoine Charpentier, composer | C major | H. 182 | 1682 | 3 sopranos and alto | Baroque | Psalms, Motets | ||
| Epitaphium Carpentarij | Marc-Antoine Charpentier, composer | A minor | H. 474 | Baroque |
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