Works with Marc-Antoine Charpentier as composer
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
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| Te Deum | Marc-Antoine Charpentier (composer) |  |
D major | H.146 | 1688 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |  |
| Les plaisirs de Versailles | Marc-Antoine Charpentier (composer) | |
H.480 | voices and orchestra | |
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| Actéon | Marc-Antoine Charpentier (composer) | |
H.481 | 1683 | voices, mixed chorus and orchestra | |
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| Concert pour quatre parties de violes | Marc-Antoine Charpentier (composer) | |
H.545 | 1680 | 4 viols | |
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| David et Jonathas | Marc-Antoine Charpentier (composer) and François de Paule Bretonneau (librettist) | |
H.490 | 1688 | voices, mixed chorus and orchestra | |
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| Le malade imaginaire | Marc-Antoine Charpentier (composer) | |
H.495 | voices, mixed chorus, strings and continuo | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
H.284 | 1670 | 2 altos, bass and continuo | |
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| Offerte | Marc-Antoine Charpentier (composer) | |
H.514 | 1670 | orchestra | |
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| Veni creator Spiritus | Marc-Antoine Charpentier (composer) | |
H.54 | 1670 | alto, tenor, bass, strings and continuo alto, tenor, bass, mixed chorus, strings and continuo |
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| Domine salvum, H.283 | Marc-Antoine Charpentier (composer) | |
H.283 | 1670 | 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra | |
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| Messe à 8 voix et 8 violons et flûtes, H.3 | Marc-Antoine Charpentier (composer) | |
H.3 | 1671 | 2 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and orchestra | |
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| Magnificat à 3 voix sur une basse obligée | Marc-Antoine Charpentier (composer) | |
H.73 | 1670 | 2 sopranos, alto, tenor, bass and continuo | |
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| Lauda Jerusalem | Marc-Antoine Charpentier (composer) | |
H.158 | 1670 | 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo | |
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| Symphonies pour un reposoir | Marc-Antoine Charpentier (composer) | |
H.515 | 1672 | strings and continuo | |
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| Nisi Dominus | Marc-Antoine Charpentier (composer) | |
H.160 | soprano, alto, tenor, bass, mixed chorus and continuo | |
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| O filii | Marc-Antoine Charpentier (composer) | |
H.312 | 1671 | 2 altos, bass and continuo 2 altos, bass, 2 flutes and continuo |
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| Te Deum à 8 voix avec flûtes et violons | Marc-Antoine Charpentier (composer) | |
H.145 | 1672 | 2 sopranos, 2 altos, tenor, 2 basses, 2 mixed chorus and orchestra | |
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| Filius prodigus | Marc-Antoine Charpentier (composer) | |
H.399 | 1680 | soprano, 2 altos, 2 tenors, 2 basses, mixed chorus, strings and continuo | |
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| 3 hymnes à saint Nicaise | Marc-Antoine Charpentier (composer) | |
H.55-57 | 1671 | tenor bass |
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| In nativitatem Domini nostri Jesu Christi canticum | Marc-Antoine Charpentier (composer) | |
H.314 | 1671 | soprano, alto, tenor, bass and orchestra | |
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| Victimae paschali laudes | Marc-Antoine Charpentier (composer) | |
H.13 | 1671 | 2 altos, bass and continuo | |
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| Laetatus sum | Marc-Antoine Charpentier (composer) | |
H.161 | 1671 | soprano, alto, tenor, 2 basses, mixed chorus and orchestra | |
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| Exaudiat te Dominus | Marc-Antoine Charpentier (composer) | |
H.162 | 1672 | 2 sopranos, alto, tenor, bass, 2 mixed chorus and orchestra | |
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| Messe | Marc-Antoine Charpentier (composer) | |
H.1 | 1670 | 2 sopranos, 2 altos, tenor, bass, 2 mixed chorus, continuo and 2 sopranos | |
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| O coelestis Jerusalem | Marc-Antoine Charpentier (composer) | |
A major | H.252 | 1680 | alto, tenor, bass and continuo | |
| In honorem Sancti Xaverij canticum | Marc-Antoine Charpentier (composer) | |
B | H.355 | 2 sopranos, tenor, bass, mixed chorus and orchestra | |
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| Élévation au St Sacrement, H.264 | Marc-Antoine Charpentier (composer) | |
G minor | H.264 | 1690 | alto, tenor, bass and continuo | |
| Méditations pour le Carême | Marc-Antoine Charpentier (composer) | |
H.380-389 | alto, tenor, bass and continuo | |
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| Médée | Marc-Antoine Charpentier (composer) and Thomas Corneille (librettist) | |
H.491 | voices, mixed chorus and orchestra | |
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| Circé | Marc-Antoine Charpentier (composer) and Thomas Corneille (librettist) | |
H.496 | 5 voices, mixed chorus, strings and continuo | |
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| O Salutaris hostia | Marc-Antoine Charpentier (composer) | |
D major | H.262 | soprano, 2 oboes and continuo | |
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| Miserere | Marc-Antoine Charpentier (composer) | |
H.157 | 2 sopranos, 2 flutes and continuo | |
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| Pour Ste. Anne | Marc-Antoine Charpentier (composer) | |
B flat major | H.315 | 1674 | continuo and 2 sopranos | |
| Salut de la veille des O et les 7 O suivant le Romain | Marc-Antoine Charpentier (composer) | |
H.36-43 | 1693 | 4 voices and orchestra | |
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| Noël pour les instruments | Marc-Antoine Charpentier (composer) | |
H.531 | 1690 | orchestra | |
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| Noël sur les instruments | Marc-Antoine Charpentier (composer) | |
H.534 | 1693 | orchestra | |
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| Sur la naissance de notre Seigneur Jésus Christ | Marc-Antoine Charpentier (composer) | |
H.482 | 6 voices, mixed chorus, 2 violins and continuo | |
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| Veni creator Spiritus | Marc-Antoine Charpentier (composer) | |
B flat major | H.69 | 1690 | soprano and continuo | |
| Euge serve bone | Marc-Antoine Charpentier (composer) | |
H.375 | alto, tenor and continuo | |
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| Lauda Sion | Marc-Antoine Charpentier (composer) | |
H.268 | 1695 | tenor and continuo | |
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| Cur mundus militat | Marc-Antoine Charpentier (composer) | |
H.379 | alto, tenor, bass and continuo | |
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| Panis angelicus voce sola | Marc-Antoine Charpentier (composer) | |
H.243 | 1679 | soprano and continuo | |
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| Domine salvum fac regem | Marc-Antoine Charpentier (composer) | |
H.285 | 1672 | 6 voices, mixed chorus, strings and continuo | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
H.305 | soprano, alto, tenor and orchestra | |
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| Egredimini filiæ Sion | Marc-Antoine Charpentier (composer) | |
H.280 | soprano, 2 violins and continuo | |
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| Messe à quatre choeurs | Marc-Antoine Charpentier (composer) | |
H.4 | 1672 | voices, mixed chorus, strings and continuo | |
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| O amor, o bonitas | Marc-Antoine Charpentier (composer) | |
H.279 | soprano and continuo | |
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| Ouverture de la Comtesse d'Escarbagnas, Intermèdes nouveaux du Mariage forcé | Marc-Antoine Charpentier (composer) | |
H.494 | 1672 | alto, tenor, bass, strings and continuo | |
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| Pour Saint Augustin mourant | Marc-Antoine Charpentier (composer) | |
H.419 | continuo and 2 sopranos | |
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| Ave Regina | Marc-Antoine Charpentier (composer) | |
H.22 | 1677 | continuo and 2 sopranos | |
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| Beatus vir qui inventus est | Marc-Antoine Charpentier (composer) | |
H.376 | alto and continuo | |
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| O vos amici Dei | Marc-Antoine Charpentier (composer) | |
H.377 | tenor and continuo | |
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| Peccavi Domine | Marc-Antoine Charpentier (composer) | |
H.378 | 2 sopranos, bass and continuo | |
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| Extremum Dei judicium | Marc-Antoine Charpentier (composer) | |
H.401 | voices, mixed chorus and orchestra | |
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| Dialogus inter Magdalenam et Jesum | Marc-Antoine Charpentier (composer) | |
H.423 | soprano, alto and continuo | |
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| Tristis est anima mea | Marc-Antoine Charpentier (composer) | |
B flat major | H.126 | 2 tenors and continuo | |
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| Missa Assumpta est Maria | Marc-Antoine Charpentier (composer) | |
H.11 | 1698 | mixed chorus, strings and continuo 6 voices, strings and continuo mixed chorus and orchestra |
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| Messe de Minuit à 4 voix, flûtes et violons pour Noël | Marc-Antoine Charpentier (composer) | |
H.9 | 1694 | soprano, alto, tenor, bass and orchestra | |
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| Le Reniement de Saint Pierre | Marc-Antoine Charpentier (composer) | |
H.424 | 1680 | 5 voices and continuo | |
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| In Assumptione Beatae Mariae Virginis | Marc-Antoine Charpentier (composer) | |
H.353 | 1690 | 4 voices and orchestra | |
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| Litanies de la Vierge à 6 voix et 2 dessus de violles | Marc-Antoine Charpentier (composer) | |
H.83 | 1684 | 6 voices, 2 viols and continuo | |
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| Magnificat (3e) à 4 voix avec instruments | Marc-Antoine Charpentier (composer) | |
H.79 | 1692 | 4 voices and orchestra | |
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| Premier Magnificat à 4 voix sans instruments | Marc-Antoine Charpentier (composer) | |
H.76 | 1688 | 4 voices | |
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| Pro omnibus festis B V M | Marc-Antoine Charpentier (composer) | |
H.333 | 1683 | 6 voices, strings and continuo | |
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| O amor | Marc-Antoine Charpentier (composer) | |
H.253 | 1683 | 2 sopranos, bass and continuo | |
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| In nativitatem Domini nostri Jesu Christi canticum | Marc-Antoine Charpentier (composer) | |
H.421 | 1698 | 3 voices and continuo | |
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| In nativitatem Domini nostri Jesu Christi canticum | Marc-Antoine Charpentier (composer) | |
H.416 | 1690 | 4 voices and orchestra | |
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| In Nativitatem DNJC canticum, H.414 | Marc-Antoine Charpentier (composer) | |
H.414 | 1684 | 6 voices and orchestra | |
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| Pastorale sur la Naissance de Notre Seigneur Jesus Christ | Marc-Antoine Charpentier (composer) | |
H.483 | 1684 | 6 voices, mixed chorus, 2 flutes, 2 violins and continuo | |
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| Dixit Dominus | Marc-Antoine Charpentier (composer) | |
H.197 | 4 voices and continuo | |
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| Beatus vir | Marc-Antoine Charpentier (composer) | |
H.199 | 4 voices and continuo | |
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| Antiennes pour les Vêpres d'un Confesseur non pontife | Marc-Antoine Charpentier (composer) | |
H.33-35 | continuo and 2 sopranos alto, tenor, 2 violins and continuo |
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| Antiennes pour les Vêpres de l'Assomption de la Vierge | Marc-Antoine Charpentier (composer) | |
H.50-52 | mezzosoprano, 2 violins and continuo soprano, 2 flutes and continuo 2 sopranos, mezzosoprano and continuo |
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| Ecce panis Angelorum | Marc-Antoine Charpentier (composer) | |
H.242 | soprano and continuo | |
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| Gloria in excelsis Deo | Marc-Antoine Charpentier (composer) | |
H.370 | soprano and continuo | |
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| Gustate et videte | Marc-Antoine Charpentier (composer) | |
H.257 | soprano and continuo | |
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| Alma Dei creatoris | Marc-Antoine Charpentier (composer) | |
H.334 | soprano and continuo | |
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| Nonne Deo subjecta erit | Marc-Antoine Charpentier (composer) | |
H.258 | soprano and continuo alto and continuo |
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| O pretiosum et admirabile convivium | Marc-Antoine Charpentier (composer) | |
H.247 | soprano and continuo continuo |
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| Ave Regina cælorum | Marc-Antoine Charpentier (composer) | |
H.45 | 4 voices, 2 violins and continuo | |
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| Alma Redemptoris | Marc-Antoine Charpentier (composer) | |
H.44 | 4 voices, 2 violins and continuo | |
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| Regina cæli | Marc-Antoine Charpentier (composer) | |
H.46 | 4 voices, 2 violins and continuo | |
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| Salve Regina | Marc-Antoine Charpentier (composer) | |
H.47 | 4 voices, 2 violins and continuo | |
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| Credidi propter | Marc-Antoine Charpentier (composer) | |
H.209 | 4 voices and continuo | |
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| Exaudiat te Dominus | Marc-Antoine Charpentier (composer) | |
H.180 | 1681 | 4 voices and continuo | |
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| Marche de triomphe et air | Marc-Antoine Charpentier (composer) | |
H.547 | orchestra | |
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| Josué | Marc-Antoine Charpentier (composer) | |
H.404 | 1682 | 2 mixed chorus, strings and continuo 8 voices, strings and continuo |
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| Mélanges autographes (volume 2) | Marc-Antoine Charpentier (composer) | |
continuo and 2 sopranos voices, mixed chorus and orchestra alto, tenor, bass and orchestra 2 sopranos, bass and orchestra bass and orchestra alto, tenor, bass, 2 flutes and continuo alto, tenor, bass and continuo soprano, alto, bass and continuo continuo and 3 sopranos |
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| Mélanges autographes, Volume 1 | Marc-Antoine Charpentier (composer) | |
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| Mélanges autographes | Marc-Antoine Charpentier (composer) | |
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| O pretiosum, O salutiferum | Marc-Antoine Charpentier (composer) | |
D minor | H.245 | 1670 | soprano, 2 violins and continuo | |
| Salve regina | Marc-Antoine Charpentier (composer) | |
D minor | H.18 | 1680 | 2 sopranos, alto and continuo | |
| Pange lingua | Marc-Antoine Charpentier (composer) | |
A minor | H.58 | 1670 | alto, tenor, bass, 2 violins and continuo | |
| Ouverture pour quelque belle entreprise à cinq | Marc-Antoine Charpentier (composer) | |
H.540 | strings | |
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| Pour le sacre d’un évêque | Marc-Antoine Charpentier (composer) | |
H.518 | continuo and 4 Unspecified instruments | |
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| Pour un reposoir | Marc-Antoine Charpentier (composer) | |
H.508 | strings | |
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| In Nativitatem Domini canticum | Marc-Antoine Charpentier (composer) | |
H.393 | 1682 | soprano, alto, bass, 2 violins and continuo 2 sopranos, bass, 2 violins and continuo |
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| Confitebor tibi... in concilio | Marc-Antoine Charpentier (composer) | |
H.225 | voices, mixed chorus and orchestra | |
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| Sonate à 8 | Marc-Antoine Charpentier (composer) | |
H.548 | 2 flutes, lute, 2 violins, cello, viol and harpsichord 2 flutes, lute, 2 violins, double bass, viol and harpsichord |
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| Judith | Marc-Antoine Charpentier (composer) | |
A minor/major | H.391 | 1674 | 8 voices, mixed chorus, 2 flutes, 2 violins and continuo | |
| Historia Esther | Marc-Antoine Charpentier (composer) | |
C major | H.396 | 1677 | voices, mixed chorus and orchestra | |
| Sù, sù, sù, non dormite | Marc-Antoine Charpentier (composer) | |
B flat major | H.472 | 1685 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo |
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| Orphée descendant aux enfers | Marc-Antoine Charpentier (composer) | |
E minor | H.471 | 1683 | alto, tenor, bass, flute, recorder, 2 violins and continuo alto, tenor, bass, flute, recorder, 2 viols and continuo |
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| Confitebor tibi Domine | Marc-Antoine Charpentier (composer) | |
H.200 | 1680 | 4 voices, 2 violins and continuo | |
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| Idylle sur le retour de la santé du Roi | Marc-Antoine Charpentier (composer) and Antoinette Deshoulieres (librettist) | |
A minor | H.489 | 1687 | 2 sopranos, alto, tenor, bass, 2 violins and continuo 2 sopranos, alto, tenor, bass, 2 viols and continuo |
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| Les arts florissants | Marc-Antoine Charpentier (composer) | |
G major | H.487 | 1685 | 2 sopranos, alto, bass, mixed chorus, 2 recorders, 2 violins and continuo 2 sopranos, alto, bass, mixed chorus, 2 recorders, 2 viols and continuo |
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| Beatus vir qui timet Dominum | Marc-Antoine Charpentier (composer) | |
H.221 | 4 voices and continuo | |
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| Laudate pueri Dominum | Marc-Antoine Charpentier (composer) | |
H.203 | 1680 | 4 voices, 2 violins and continuo | |
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| Transfige dulcissime Jesu | Marc-Antoine Charpentier (composer) | |
H.251 | 2 sopranos, alto, tenor, bass and continuo | |
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| Ego mater agnitionis, H.371 | Marc-Antoine Charpentier (composer) | |
C major | H.371 | 1696 | alto, 2 tenors, bass and continuo | |
| Dixit Dominus | Marc-Antoine Charpentier (composer) | |
D minor | H.202 | 1688 | soprano, alto, tenor, bass, mixed chorus and orchestra | |
| Dies irae | Marc-Antoine Charpentier (composer) | |
C minor | H.12 | 1671 | 2 mixed chorus, strings and continuo | |
| Confitebor tibi, Domine | Marc-Antoine Charpentier (composer) | |
H.220 | 4 voices and continuo | |
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| Bone pastor | Marc-Antoine Charpentier (composer) | |
C minor | H.439 | 2 sopranos, bass and continuo | |
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| Nisi Dominus | Marc-Antoine Charpentier (composer) | |
B flat major | H.231 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
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| De Profundis | Marc-Antoine Charpentier (composer) | |
C minor | H.189 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
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| Domine Dominus noster | Marc-Antoine Charpentier (composer) | |
C major | H.163 | 1674 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo |
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| O crux, ave spes unica | Marc-Antoine Charpentier (composer) | |
A minor | H.349 | 1690 | alto, tenor and continuo | |
| O crux, ave spes unica | Marc-Antoine Charpentier (composer) | |
E minor | H.351 | 1690 | alto, tenor, bass and continuo | |
| Jerusalem, convertere | Marc-Antoine Charpentier (composer) | |
G major | H.94 | 1670 | continuo and 2 sopranos | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.93 | 1670 | continuo and 2 sopranos | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
B flat major | H.91 | 1670 | 2 sopranos, alto, 2 flutes and continuo | |
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.92 | 1670 | continuo and 2 sopranos | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.95 | 1670 | 2 sopranos, 2 violins and continuo 2 sopranos, 2 viols and continuo |
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| Leçons de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.97 | 1678 | soprano and continuo | |
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
F major | H.96 | 1670 | soprano and continuo | |
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.98 | 1678 | continuo and 2 sopranos | |
| Amicus meus | Marc-Antoine Charpentier (composer) | |
G major | H.113 | alto and continuo | |
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| Seniores populi | Marc-Antoine Charpentier (composer) | |
E minor | H.117 | alto and continuo | |
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| Leçon de ténèbres du Jeudi saint, H.102 | Marc-Antoine Charpentier (composer) | |
G major | H.102 | 1678 | soprano and continuo | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.103 | 1678 | continuo and 2 sopranos | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.104 | 1678 | soprano and continuo | |
| Una hora | Marc-Antoine Charpentier (composer) | |
A minor | H.116 | 1680 | 2 sopranos, alto and continuo | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.107 | 1680 | soprano and continuo | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.109 | 1680 | 2 sopranos, alto and continuo | |
| Leçons de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.106 | 1680 | soprano and continuo | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
F major | H.105 | 1680 | soprano, viol and continuo | |
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.108 | 1680 | 2 sopranos, alto and continuo | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.110 | 1680 | 2 sopranos, alto and continuo | |
| Tristis est anima mea | Marc-Antoine Charpentier (composer) | |
G major | H. 112 | 1680 | continuo and 2 sopranos | |
| Eram quasi agnus | Marc-Antoine Charpentier (composer) | |
A minor | H.115 | 1680 | soprano and continuo | |
| In monte Oliveti | Marc-Antoine Charpentier (composer) | |
G major | H.111 | 1680 | 2 sopranos, alto and continuo | |
| Unus ex discipulis meis | Marc-Antoine Charpentier (composer) | |
A minor | H.114 | 1680 | soprano, alto and continuo | |
| O Juda | Marc-Antoine Charpentier (composer) | |
E minor | H.119 | 1680 | continuo and 2 sopranos | |
| Revelabunt coeli | Marc-Antoine Charpentier (composer) | |
E minor | H.118 | 1680 | 2 sopranos, alto and continuo | |
| Leçon de Ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
F major | H.121 | 1680 | bass and orchestra | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
F major | H.122 | 1680 | bass and orchestra | |
| Leçon de Ténèbres du Mercredi Saint | Marc-Antoine Charpentier (composer) | |
F major | H.120 | 1680 | bass and orchestra | |
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
G major | H.124 | 1688 | baritone, flute, oboe, 2 violins and continuo baritone, 2 flutes, 2 violins and continuo |
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| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.123 | 1688 | bass, 2 flutes, 2 violins and continuo bass, flute, recorder, 2 violins and continuo bass, flute, oboe, 2 violins and continuo |
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| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
G major | H.125 | 1688 | baritone, flute, oboe, 2 violins and continuo baritone, 2 flutes, 2 violins and continuo |
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| Jerusalem surge | Marc-Antoine Charpentier (composer) | |
B flat major | H.130 | 1690 | 2 tenors, 2 recorders and continuo 2 tenors, 2 flutes and continuo |
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| Tanquam ad latronem | Marc-Antoine Charpentier (composer) | |
D minor | H.133 | 1690 | bass, 2 recorders, 2 violins and continuo bass, 2 flutes, 2 violins and continuo |
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| Tenebrae factae sunt | Marc-Antoine Charpentier (composer) | |
D minor | H.129 | 1690 | bass, 2 recorders, 2 violins, viola and continuo bass, flute, 2 violins, viola and continuo |
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| Unus ex discipulis meis | Marc-Antoine Charpentier (composer) | |
A minor | H.132 | 1690 | 2 violins, continuo and bass | |
| Velum templi | Marc-Antoine Charpentier (composer) | |
B flat major | H.128 | 1690 | soprano, alto, tenor, bass, 2 recorders, 2 violins and continuo soprano, alto, tenor, bass, 2 flutes, 2 violins and continuo mixed chorus, 2 flutes, 2 violins and continuo mixed chorus, 2 recorders, 2 violins and continuo |
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| Amicus meus | Marc-Antoine Charpentier (composer) | |
A minor | H.127 | 1690 | tenor, 2 flutes and continuo tenor, 2 recorders and continuo |
|
| Ecce quomodo moritur | Marc-Antoine Charpentier (composer) | |
C minor | H.131 | 1690 | alto, strings and continuo | |
| O vos omnes | Marc-Antoine Charpentier (composer) | |
G major | H.134 | 1690 | soprano, 2 recorders and continuo soprano, 2 flutes and continuo |
|
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
C minor | H.136 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
|
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
C minor | H.135 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
|
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
C minor | H.137 | 1690 | 3 voices, 2 recorders, 2 violins and continuo 3 voices and orchestra |
|
| Leçon de ténèbres du Jeudi saint | Marc-Antoine Charpentier (composer) | |
C major | H.139 | 1690 | alto and continuo | |
| Leçon de ténèbres du Mercredi saint | Marc-Antoine Charpentier (composer) | |
C major | H.138 | 1690 | alto and continuo | |
| Leçon de ténèbres du Vendredi saint | Marc-Antoine Charpentier (composer) | |
C major | H.140 | 1690 | alto and continuo | |
| Lettres hébraïques | Marc-Antoine Charpentier (composer) | |
F major | H.99 | 1680 | 2 sopranos, alto and continuo | |
| Messe pour le Samedi de Paques | Marc-Antoine Charpentier (composer) | |
D minor | H.8 | 1690 | soprano, alto, tenor, bass, mixed chorus and continuo | |
| Commencement d’ouverture | Marc-Antoine Charpentier (composer) | |
H.546 | strings strings and continuo 2 violins, viola and continuo |
|
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| Beatus vir qui timet Dominum | Marc-Antoine Charpentier (composer) | |
H.208 | 4 voices and orchestra | |
||
| Ouverture pour le sacre d’un évêque | Marc-Antoine Charpentier (composer) | |
H.537 | 1690 | orchestra | |
|
| Ouverture pour le sacre d’un évêque | Marc-Antoine Charpentier (composer) | |
H.536 | 1690 | orchestra | |
|
| Ouverture pour l’église | Marc-Antoine Charpentier (composer) | |
H.524 | 1683 | flute and strings 3 flutes and continuo |
|
|
| Ad beatam Virginem canticum | Marc-Antoine Charpentier (composer) | |
A minor | H.340 | 1686 | alto, tenor, bass, 2 recorders, 2 violins and continuo alto, tenor, bass, 2 flutes, 2 violins and continuo |
|
| Alma redemptoris mater | Marc-Antoine Charpentier (composer) | |
B flat major | H.21 | 1675 | continuo and 2 sopranos | |
| Messe pour Mr Mauroy | Marc-Antoine Charpentier (composer) | |
G minor | H.6 | 1690 | 6 voices, mixed chorus and orchestra | |
| Messe pour les trépassés | Marc-Antoine Charpentier (composer) | |
A minor | H.2 | 1672 | soprano, alto, tenor, bass, mixed chorus and orchestra | |
| La couronne de fleurs | Marc-Antoine Charpentier (composer) | |
D major | H.486 | 1685 | 4 sopranos, alto, tenor, 2 basses, mixed chorus, 2 violins and continuo 4 sopranos, alto, tenor, 2 basses, mixed chorus, 2 viols and continuo |
|
| O filii | Marc-Antoine Charpentier (composer) | |
C minor | H.356 | 1685 | mixed chorus, strings and continuo voice, mixed chorus, strings and continuo |
|
| Magdalena Lugens | Marc-Antoine Charpentier (composer) | |
E minor | H.343 | voice, 2 violins and continuo voice, 2 viols and continuo |
|
|
| Amor vince | Marc-Antoine Charpentier (composer) | |
B flat major | H.492 | 5 voices, 2 violins and continuo 5 voices, 2 viols and continuo |
|
|
| Ascendat ad te, Domine | Marc-Antoine Charpentier (composer) | |
F major | H.250 | 1683 | 2 violins, continuo and bass bass, 2 viols and continuo |
|
| Canticum de Sancto Xaverio reformatum | Marc-Antoine Charpentier (composer) | |
B flat major | H.355a | 1692 | voices, mixed chorus and orchestra | |
| Ave verum corpus | Marc-Antoine Charpentier (composer) | |
A minor | H.233 | 1673 | 2 sopranos, 2 violins and continuo 2 sopranos, 2 viols and continuo soprano, alto, 2 violins and continuo soprano, alto, 2 viols and continuo |
|
| Domine salvum | Marc-Antoine Charpentier (composer) | |
A major | H.282 | 1673 | continuo and 2 sopranos | |
| Ave maris stella | Marc-Antoine Charpentier (composer) | |
A minor | H.63 | 1682 | continuo and 2 sopranos soprano, alto and continuo |
|
| Ave Regina | Marc-Antoine Charpentier (composer) | |
C major | H.19 | 1672 | 2 sopranos, alto and continuo 2 sopranos, mezzosoprano and continuo |
|
| Beata es Maria | Marc-Antoine Charpentier (composer) | |
C major | H.25 | 1677 | alto, tenor, 2 violins and continuo alto, tenor, 2 viols and continuo |
|
| Domine salvum | Marc-Antoine Charpentier (composer) | |
G major | H.286 | 1675 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass, 2 viols and continuo 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
|
| Domine salvum | Marc-Antoine Charpentier (composer) | |
C major | H.287 | 1675 | alto, tenor, bass, 2 violins and continuo alto, tenor, bass, 2 viols and continuo |
|
| Ave maris stella | Marc-Antoine Charpentier (composer) | |
G major | H.60 | 1675 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
|
| Caro mea vere est cibus | Marc-Antoine Charpentier (composer) | |
A minor | H.246 | 1678 | soprano, alto, bass and continuo 2 sopranos, bass and continuo |
|
| Quam dilecta | Marc-Antoine Charpentier (composer) | |
A minor | H.186 | 1682 | 2 sopranos, bass, 2 violins and continuo 2 sopranos, bass, 2 viols and continuo |
|
| Regina coeli | Marc-Antoine Charpentier (composer) | |
C major | H.30 | 1687 | alto, tenor, bass and continuo | |
| Veni sancte Spiritus | Marc-Antoine Charpentier (composer) | |
A major | H.366 | 1692 | alto, tenor, bass and continuo | |
| Veni sponsa Christi | Marc-Antoine Charpentier (composer) | |
B flat major | H.17 | 1672 | 2 sopranos, recorder and continuo 2 sopranos, flute and continuo |
|
| Venite fideles | Marc-Antoine Charpentier (composer) | |
C major | H.241 | 1677 | 2 violins, continuo and bass bass, 2 viols and continuo |
|
| Verbum caro, panum verbum | Marc-Antoine Charpentier (composer) | |
A minor | H.267 | 1692 | alto, tenor, bass and continuo | |
| Quae est ista | Marc-Antoine Charpentier (composer) | |
F major | H.426 | 1672 | soprano, alto and continuo continuo and 2 sopranos |
|
| Quam pulchra es | Marc-Antoine Charpentier (composer) | |
B flat major | H.322 | 1675 | 2 sopranos, alto, 2 flutes and continuo 2 sopranos, alto, 2 recorders and continuo |
|
| Sub tuum praesidium | Marc-Antoine Charpentier (composer) | |
B flat major | H.352 | 1687 | soprano and continuo | |
| Lamentations pour les obsèques de la reine Marie-Thérèse | Marc-Antoine Charpentier (composer) | |
H.409 | 1683 | 9 voices, mixed chorus and orchestra | |
|
| Miserere des Jésuites | Marc-Antoine Charpentier (composer) | |
H.193 | 1680 | voices, mixed chorus and orchestra | |
|
| Pour O filii | Marc-Antoine Charpentier (composer) | |
H.511 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude | Marc-Antoine Charpentier (composer) | |
H.512 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude pour Sub tuum | Marc-Antoine Charpentier (composer) | |
H.527 | 1690 | continuo and 2 sopranos 2 violins and continuo |
|
|
| Symphonie à 3 flûtes | Marc-Antoine Charpentier (composer) | |
H.529 | 1690 | 2 flutes and continuo 2 violins and continuo |
|
|
| Prélude pour Magnificat | Marc-Antoine Charpentier (composer) | |
H.533 | 1693 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude pour le Domine salvum | Marc-Antoine Charpentier (composer) | |
H.535 | 1694 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Symphonie devant Regina | Marc-Antoine Charpentier (composer) | |
H.509 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude | Marc-Antoine Charpentier (composer) | |
H.510 | 1673 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude pour Lauda Jerusalem | Marc-Antoine Charpentier (composer) | |
H.538 | 1698 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Prélude pour Dixit Dominus | Marc-Antoine Charpentier (composer) | |
H.539 | 1698 | continuo and 2 sopranos 2 violins and continuo 2 viols and continuo |
|
|
| Caprice pour trois violons | Marc-Antoine Charpentier (composer) | |
H.542 | 1679 | 2 violins and continuo | |
|
| Trio suivi de deux menuets | Marc-Antoine Charpentier (composer) | |
continuo and 2 sopranos | |
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| Pièce pour une viole | Marc-Antoine Charpentier (composer) | |
H.543 | 1679 | viol | |
|
| 2 menuets pour les flûtes allemandes | Marc-Antoine Charpentier (composer) | |
H.541 | 1679 | 2 flutes and continuo | |
|
| 3 pièces pour les flûtes et hautbois | Marc-Antoine Charpentier (composer) | |
H.520 | 1679 | 2 flutes, 2 oboes and continuo 2 recorders, 2 oboes and continuo |
|
|
| Les neuf repons pour le mercredi saint | Marc-Antoine Charpentier (composer) | |
H.111-119 | 1680 | 2 sopranos, alto and continuo continuo and 2 sopranos alto and continuo soprano, alto and continuo soprano and continuo |
|
|
| Magnificat | Marc-Antoine Charpentier (composer) | |
H.78 | alto, 2 tenors, bass, mixed chorus, strings and continuo | |
||
| Dixit Dominus | Marc-Antoine Charpentier (composer) | |
D minor | H.204 | 1690 | 2 tenors, 2 basses, mixed chorus and orchestra | |
| Magnificat pour le Port-Royal | Marc-Antoine Charpentier (composer) | |
H.81 | 3 voices, female chorus and continuo | |
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| Laudate Dominum omnes gentes | Marc-Antoine Charpentier (composer) | |
C major | H.159 | 1674 | 3 voices, continuo and 2 sopranos | |
| Regina cæli | Marc-Antoine Charpentier (composer) | |
H.32 | 2 voices and continuo | |
||
| Salve Regina à 3 chœurs | Marc-Antoine Charpentier (composer) | |
H.24 | 3 mixed chorus and continuo | |
||
| Sub tuum præsidium | Marc-Antoine Charpentier (composer) | |
H. 28 | 2 sopranos and mezzosoprano | |
||
| Messe pour plusieurs instruments au lieu des orgues, H 513 | Marc-Antoine Charpentier (composer) | |
voices and orchestra | |
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| Magnificat | Marc-Antoine Charpentier (composer) | |
H. 74 | 8 voices, 2 recorders, 2 bassoons, 4 violins, 2 violas and continuo | |
||
| Oculi omnium in te sperant | Marc-Antoine Charpentier (composer) | |
H346 | voices, mixed chorus and continuo | |
||
| Messe des morts | Marc-Antoine Charpentier (composer) | |
G minor | H.10 | 1695 | voices, mixed chorus and orchestra | |
| Caecilia Virgo et Martyr | Marc-Antoine Charpentier (composer) | |
G major | H.397 | 8 voices, 2 strings and continuo 2 mixed chorus, 2 strings and continuo |
|
|
| Canticum Annae | Marc-Antoine Charpentier (composer) | |
B flat major | H.325 | 2 sopranos, bass, 2 violins and continuo | |
|
| Canticum pro pace | Marc-Antoine Charpentier (composer) | |
D major | H.392 | 2 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus, 2 strings and continuo | |
|
| Canticum in honoris BMV inter homines et angelos | Marc-Antoine Charpentier (composer) | |
G major | H.400 | 2 sopranos, alto, tenor, bass and continuo | |
|
| Caecilia Virgo et Martyr | Marc-Antoine Charpentier (composer) | |
D major | H.415 | 3 sopranos, alto, tenor, bass, mixed chorus, 2 violins and continuo | |
|
| Caecilia Virgo et Martyr | Marc-Antoine Charpentier (composer) | |
D major | H.413 | 6 voices, mixed chorus, 2 violins, organ and continuo | |
|
| Salve Regina des Jesuites | Marc-Antoine Charpentier (composer) | |
A minor | H.27 | tenor and continuo | |
|
| Motet pour St François de Borgia | Marc-Antoine Charpentier (composer) | |
B flat major | H.354 | 1690 | alto, 2 violins and continuo voice, 2 viols and continuo |
|
| Que Louis par sa vaillance | Marc-Antoine Charpentier (composer) | |
F major | H.454c | soprano and continuo | |
|
| Motets melêz de symphonie | Marc-Antoine Charpentier (composer) | |
voice, 2 flutes and continuo voice and continuo 2 voices and continuo 3 voices and continuo 2 voices, 2 violins and continuo 4 voices and orchestra |
|
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| Dialogus inter Christum et peccatores | Marc-Antoine Charpentier (composer) and Jean Commire (librettist) | |
E minor | H.425 | 3 voices and continuo | |
|
| Le Sicilien | Marc-Antoine Charpentier (composer) | |
H. 497 | 1678 | |
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| Cum invocarem | Marc-Antoine Charpentier (composer) | |
D minor | H.198 | 1688 | |
|
| Cupido perfido | Marc-Antoine Charpentier (composer) | |
C major | H.493 | |
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| Dialogus inter Christum et homines | Marc-Antoine Charpentier (composer) | |
G minor | H.417 | 1692 | |
|
| Bonum est confiteri Domino | Marc-Antoine Charpentier (composer) | |
G major | H.185 | 1681 | 2 sopranos, bass, 2 violins and continuo | |
| Circumdederunt me dolores | Marc-Antoine Charpentier (composer) | |
C minor | H.326 | 1680 | soprano, alto, bass, 3 recorders and continuo | |
| Deus judicium tuum | Marc-Antoine Charpentier (composer) | |
D minor | H.166 | 1677 | soprano, alto, bass, 2 violins and continuo | |
| Canticum Zachariae | Marc-Antoine Charpentier (composer) and Catholic Liturgy (librettist) | |
G major | H.345 | 1687 | 6 voices, 2 violins and continuo | |
| De Profundis | Marc-Antoine Charpentier (composer) | |
B flat major | H.222 | 1696 | alto, tenor, bass, mixed chorus and continuo | |
| Dialogus inter Esurientem, Sitientem et Christum | Marc-Antoine Charpentier (composer) | |
A minor | H.407 | 1682 | |
|
| Dixit Dominus | Marc-Antoine Charpentier (composer) and Psalm CX (librettist) | |
G minor | H.190 | 1683 | |
|
| Domine Deus salutis meae | Marc-Antoine Charpentier (composer) and Psalm LXXXVII (librettist) | |
C minor | H.207 | 1691 | |
|
| Domine in virtute tua | Marc-Antoine Charpentier (composer) and Psalm XXI (librettist) | |
C major | H.164 | 1677 | |
|
| Domine, quid multiplicati sunt | Marc-Antoine Charpentier (composer) | |
G minor | H.172 | 1679 | soprano, alto, bass, 2 violins and continuo soprano, alto, bass and orchestra |
|
| Ecce sacerdos magnus | Marc-Antoine Charpentier (composer) | |
C major | H.432 | 1696 | |
|
| Exaudiat te Dominus | Marc-Antoine Charpentier (composer) | |
F major | H.165 | 1677 | |
|
| Epithalamio | Marc-Antoine Charpentier (composer) | |
D major | H.473 | 1685 | 2 sopranos, bass, mixed chorus and orchestra | |
| Fundamenta ejus in montibus | Marc-Antoine Charpentier (composer) and Psalmus LXXXVI (librettist) | |
D major | H.187 | 1683 | |
|
| Felix namque | Marc-Antoine Charpentier (composer) and Catholic Liturgy (librettist) | |
C major | H.360 | 1691 | |
|
| Gaudia Beatae Virginis Mariae | Marc-Antoine Charpentier (composer) | |
G major | H.330 | 1681 | |
|
| Pour le jour de Sainte Geneviève | Marc-Antoine Charpentier (composer) | |
B flat major | H.317 | 1676 | |
|
| Gaudete fideles | Marc-Antoine Charpentier (composer) | |
G major | H.306 | 1670 | |
|
| Gaudete dilectissimi | Marc-Antoine Charpentier (composer) | |
C major | H.238 | 1676 | |
|
| Gratitudina erga Deum canticum | Marc-Antoine Charpentier (composer) | |
G major | H.431 | 1687 | |
|
| Haec dies | Marc-Antoine Charpentier (composer) | |
B flat major | H.308 | 1671 | |
|
| Gloria Patri pour le De Profundis | Marc-Antoine Charpentier (composer) | |
C major | H.205 | 1690 | |
|
| In circumcisione Domini | Marc-Antoine Charpentier (composer) | |
G major | H.316 | 1676 | |
|
| Antiphona in honorem beate Genovesae | Marc-Antoine Charpentier (composer) | |
B flat major | H.29 | 1686 | soprano and continuo | |
| In festo Corporis Christi | Marc-Antoine Charpentier (composer) | |
B flat major | H.358 | 1691 | |
|
| In festo purificationis | Marc-Antoine Charpentier (composer) | |
C major | H.318 | 1677 | |
|
| In honorem Caeciliae, Valeriani et Tiburtii canticum | Marc-Antoine Charpentier (composer) | |
C major | H.394 | 1676 | |
|
| In purificationem BVM canticum | Marc-Antoine Charpentier (composer) | |
B flat major | H.357 | 1691 | |
|
| Inviolata, integra et casta es Maria | Marc-Antoine Charpentier (composer) | |
F major | H.48 | 1696 | |
|
| Inviolata, integra et casta es Maria | Marc-Antoine Charpentier (composer) | |
C major | H.26 | 1680 | |
|
| In honorem Sancti Ludovici Regis Galliae canticum | Marc-Antoine Charpentier (composer) | |
C major | H.323 | 1679 | |
|
| In honorem Sancti Ludovici Regis Galliae | Marc-Antoine Charpentier (composer) | |
C major | H.332 | 1683 | |
|
| In honorem Sancti Ludovici Regis Galliae | Marc-Antoine Charpentier (composer) | |
C minor | H.418 | 1692 | |
|
| In convertendo | Marc-Antoine Charpentier (composer) and Psalm CXXV (librettist) | |
C major | H.169 | 1678 | |
|
| Jesu corona virginum | Marc-Antoine Charpentier (composer) | |
C major | H.53 | 1670 | |
|
| Pour St François. H.310 | Marc-Antoine Charpentier (composer) | |
1671 | |
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| Judica Domine nocentes me | Marc-Antoine Charpentier (composer) | |
D major | H.201 | 1688 | |
|
| Lauda Sion | Marc-Antoine Charpentier (composer) | |
C major | H.14 | 1678 | |
|
| Lauda Jerusalem | Marc-Antoine Charpentier (composer) | |
C major | H.191 | 1683 | |
|
| Courtes Litanies de la Vierge | Marc-Antoine Charpentier (composer) | |
B flat major | H.90 | 1696 | |
|
| Luctus de morte Augustissime Maria Theresiae Regina Galliae | Marc-Antoine Charpentier (composer) | |
C minor | H.331 | 1683 | |
|
| Magnificat à 3 dessus | Marc-Antoine Charpentier (composer) | |
F major | H.75 | 1684 | 2 sopranos, alto and continuo | |
| Litanies de la Vierge | Marc-Antoine Charpentier (composer) | |
A minor | H.82 | 1681 | alto, tenor, bass and continuo | |
| Litanies de la Vierge | Marc-Antoine Charpentier (composer) | |
G minor | H.85 | 1690 | voices, mixed chorus and orchestra | |
| Motet de Saint Laurent | Marc-Antoine Charpentier (composer) | |
B flat major | H.321 | 1677 | alto, 2 violins and continuo alto, 2 viols and continuo alto, 2 recorders and continuo |
|
| Magnificat | Marc-Antoine Charpentier (composer) | |
F major | H.77 | 1688 | soprano, alto, tenor, bass, mixed chorus and orchestra | |
| Miserere | Marc-Antoine Charpentier (composer) | |
A minor | H.173 | 1680 | 2 sopranos, alto and continuo | |
| Mors Saulis et Jonathae | Marc-Antoine Charpentier (composer) | |
C major | H.403 | 1681 | |
|
| Nativité de la Vierge | Marc-Antoine Charpentier (composer) | |
G major | H.309 | 1671 | |
|
| Motet pour les tréspassés | Marc-Antoine Charpentier (composer) | |
E minor | H.311 | 1671 | 2 mixed chorus, strings and continuo | |
| Notus in Judea Deus | Marc-Antoine Charpentier (composer) | |
C major | H.206 | 1691 | |
|
| Elévation pour la paix | Marc-Antoine Charpentier (composer) | |
A minor | H.237 | 1674 | |
|
| Elévation à 2 dessus et une basse chantante | Marc-Antoine Charpentier (composer) | |
B flat major/D major | H.244 | 1679 | |
|
| O doctor optime | Marc-Antoine Charpentier (composer) | |
D minor | H.307 | 1670 | |
|
| O pretiosum et admirabile convivium | Marc-Antoine Charpentier (composer) | |
A major | H.254 | 1683 | |
|
| O pretiosum et admirandum convivium | Marc-Antoine Charpentier (composer) | |
A major | H.255 | 1683 | |
|
| O sacrum convivium | Marc-Antoine Charpentier (composer) | |
F major | H.239 | 1677 | |
|
| O sacrum convivium | Marc-Antoine Charpentier (composer) | |
A minor | H.240 | 1677 | |
|
| O salutaris à 3 dessus | Marc-Antoine Charpentier (composer) | |
B flat major | H.261 | 1692 | |
|
| Pour tous les saints | Marc-Antoine Charpentier (composer) | |
G major | H.377 | |
||
| Paratum cor meum | Marc-Antoine Charpentier (composer) | |
C major | H.183 | 1681 | |
|
| Pange Lingua | Marc-Antoine Charpentier (composer) | |
A minor | H.68 | 1690 | |
|
| Omnes gentes plaudite manibus | Marc-Antoine Charpentier (composer) | |
F major | H.192 | 1683 | |
|
| Pie Jesu | Marc-Antoine Charpentier (composer) | |
A minor | H.427 | 1674 | |
|
| Popule meus | Marc-Antoine Charpentier (composer) | |
A minor | H.350 | 1690 | |
|
| Pestis Mediolanensis | Marc-Antoine Charpentier (composer) | |
C minor | H.398 | 1679 | |
|
| Pour la fête de l'Epiphanie | Marc-Antoine Charpentier (composer) | |
D minor | H.395 | 1676 | |
|
| Pour la conception de la Vierge | Marc-Antoine Charpentier (composer) | |
F major | H.313 | 1671 | soprano, alto and continuo | |
| Motet pour la vierge | Marc-Antoine Charpentier (composer) | |
A minor | H.359 | 1691 | alto, tenor and continuo | |
| Pour Ste. Thérèse | Marc-Antoine Charpentier (composer) | |
A major | H.342 | 1686 | |
|
| Quare fremuerunt gentes | Marc-Antoine Charpentier (composer) and Psalm II (librettist) | |
F major | H.168 | 1677 | |
|
| Pour plusieurs martyrs | Marc-Antoine Charpentier (composer) | |
A major | H.361 | 1691 | |
|
| Te Deum | Marc-Antoine Charpentier (composer) | |
D major | H.147 | 1693 | soprano, alto, tenor, bass, mixed chorus, strings and continuo | |
| Veni creator Spiritus | Marc-Antoine Charpentier (composer) | |
E minor | H.70 | 1690 | |
|
| Domine salvum pour trois religieuses | Marc-Antoine Charpentier (composer) | |
C major | H.288 | 1677 | |
|
| Domine salvum à trois dessus | Marc-Antoine Charpentier (composer) | |
A major | H.300 | 1692 | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
D minor | H.291 | 1681 | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
F major | H.293 | 1683 | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
G minor | H.299 | 1691 | |
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| Domine salvum pour un haut et un bas dessus | Marc-Antoine Charpentier (composer) | |
G major | H.297 | 1688 | soprano, alto and continuo continuo and 2 sopranos |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
G major | H.294 | 1683 | soprano, alto, bass, 2 violins and continuo | |
| Domine salvum | Marc-Antoine Charpentier (composer) | |
G major | H.296 | 1688 | 2 tenors, bass and continuo | |
| Pour la seconde fois que le St Sacrement vient au mesme reposoir | Marc-Antoine Charpentier (composer) | |
G minor | H.372 | 1696 | |
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| O vere, O bone, O care Jesu | Marc-Antoine Charpentier (composer) | |
G major | H.273 | 1698 | |
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| Te Deum | Marc-Antoine Charpentier (composer) | |
C major | H.148 | 1699 | 2 sopranos, 2 altos, 2 tenors, 2 basses, mixed chorus and organ | |
| Motet pour une longue offrande | Marc-Antoine Charpentier (composer) | |
D major | H.434 | 1698 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | |
| In te Domine speravi | Marc-Antoine Charpentier (composer) and Psalm LXX (librettist) | |
C major | H.228 | 1699 | |
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| Dominus illuminatio mea | Marc-Antoine Charpentier (composer) | |
D minor | H.229 | 1699 | voices, mixed chorus, strings and continuo | |
| Conserva me Domine | Marc-Antoine Charpentier (composer) | |
A minor | H.230 | 1699 | voices, mixed chorus, strings and continuo | |
| La Descente d'Orphée aux Enfers | Marc-Antoine Charpentier (composer) | |
H.488 | 1686 | |
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| Laudate pueri Dominum | Marc-Antoine Charpentier (composer) | |
C major | H.149 | 1670 | 2 sopranos, tenor and bass mixed chorus, 2 violins and continuo |
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| Nisi Dominus | Marc-Antoine Charpentier (composer) | |
G minor | H.150 | 1670 | |
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| Confitebor tibi Domine | Marc-Antoine Charpentier (composer) | |
A minor | H.151 | 1670 | voices, mixed chorus, 2 violins and continuo | |
| Laudate Dominum | Marc-Antoine Charpentier (composer) | |
D major | H.152 | 1670 | |
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| Magnificat | Marc-Antoine Charpentier (composer) | |
D minor | H.72 | 1670 | soprano, alto, tenor, bass, mixed chorus, 2 violins and continuo | |
| Dixit Dominus | Marc-Antoine Charpentier (composer) | |
G minor | H.153 | 1670 | voices, mixed chorus, 2 violins and continuo | |
| Beatus vir | Marc-Antoine Charpentier (composer) | |
A major | H.154 | 1670 | voices, mixed chorus, 2 violins and continuo | |
| Memento nomine David | Marc-Antoine Charpentier (composer) | |
D minor | H.155 | 1670 | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
G minor | H.281 | 1670 | |
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| Stabat Mater pour des Religieuses | Marc-Antoine Charpentier (composer) | |
A major | H.15 | voice, unison chorus and continuo | |
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| Quam dilecta | Marc-Antoine Charpentier (composer) | |
G minor | H.167 | 1675 | voices, 2 mixed chorus and orchestra | |
| Sacrificium Abrahae | Marc-Antoine Charpentier (composer) | |
C major | H.402 | 1681 | |
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| Beati omnes | Marc-Antoine Charpentier (composer) | |
B flat major | H.178 | 1681 | 2 sopranos, bass, 2 violins and continuo 3 voices and orchestra |
|
| Pange lingua | Marc-Antoine Charpentier (composer) | |
A minor | H.61 | 1681 | |
|
| Pange lingua | Marc-Antoine Charpentier (composer) | |
A minor | H.62 | 1681 | voice, unison chorus and continuo | |
| O salutaris hostia | Marc-Antoine Charpentier (composer) | |
D minor | H.249 | 1681 | |
|
| Notus in Judea Deus | Marc-Antoine Charpentier (composer) | |
C major | H.179 | 1681 | |
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| Supplicatio pro defunctis ad Beatam Virginem | Marc-Antoine Charpentier (composer) | |
A minor | H.328 | 1681 | |
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| Motet pour toutes les fêtes de la Vierge | Marc-Antoine Charpentier (composer) | |
C major | H.327 | 1681 | 2 sopranos, bass, 2 violins and continuo soprano, bass and orchestra |
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| Quemadmodum desiderat cervus | Marc-Antoine Charpentier (composer) and Psalm XLI (librettist) | |
C minor | H.174 | 1679 | |
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| O salutaris hostia | Marc-Antoine Charpentier (composer) | |
C major | H.248 | 1679 | |
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| Beatus vir | Marc-Antoine Charpentier (composer) | |
C major | H.175 | 1679 | |
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| Cantate Domino | Marc-Antoine Charpentier (composer) | |
F major | H.176 | 1679 | |
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| Domine salvum | Marc-Antoine Charpentier (composer) | |
G minor | H.292 | 1682 | |
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| Laudate Dominum | Marc-Antoine Charpentier (composer) | |
B flat major | H.177 | 1679 | |
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| Eamus volemus | Marc-Antoine Charpentier (composer) | |
B flat major | H.429 | 1682 | |
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| Quare fremuerunt gentes | Marc-Antoine Charpentier (composer) | |
C major | H.184 | 1682 | |
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| Dialogus Inter Angelos et Pastores Judæ In Nativitatem domini | Marc-Antoine Charpentier (composer) | |
D major | H. 420 | |
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| Antiphonia sine organo ad Virginem | Marc-Antoine Charpentier (composer) | |
A minor | H. 28 | 2 sopranos and alto | |
|
| Psalmus David centesimus sexdecimus sine organo | Marc-Antoine Charpentier (composer) | |
C major | H. 182 | 1682 | 3 sopranos and alto | |
| Epitaphium Carpentarij | Marc-Antoine Charpentier (composer) | |
A minor | H. 474 | |
©2025 David P. Anderson