| Composition |
Score attributes |
| Sonatina in C major (No.3) from Arrangement of Sonatina in C major (No.3) from 6 Piano Sonatinas, Op. 36 (Clementi, Muzio) for piano and harmonium |
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| Andante from Requiem (Weyse, Christoph Ernst Friedrich) for male chorus |
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| Messe pour deux voix égales, Op. 167 (Chaminade, Cécile) for soprano, alto and organ or soprano, alto and harmonium |
selections |
| Christe eleison a 2 Cori voci Concertante from Missa à 16 voci in Quattro Cori (Fasch, Karl Friedrich Christian) for 4 sopranos, 4 altos, 4 tenors, 4 basses and continuo or 4 mixed chorus and continuo or mixed chorus and orchestra |
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| La Vita caduca (In una siepe ombrosa) from Duetti, terzetti, e madrigali a più voci (Lotti, Antonio) for 2 sopranos, alto, tenor, bass and continuo |
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| No.1 from 3 Adagi per l'Elevazione (Petrali, Vincenzo) for organ |
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| 8 Preludes and Fugues, B.302 (Dvořák, Antonín) for organ |
selections |
| No.3 Adagio from 3 Ricercari per l'Elevazione (Petrali, Vincenzo) for organ |
— |
| Arrangement of Final alla Schumann, Op. 83 (Guilmant, Alexandre) for piano and harmonium |
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| Sonata settima sopra l'aria d'un balletto from Varie sonate, sinfonie, gagliarde, brandi, e corrente, Libro 4 (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos |
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| Sinfonia a 5 et à 3 si placet, con doi soprani et il Chittarrone from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
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| Gagliarda à 5 et a 3 si placet detta L'andreasina from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
— |
| Gagliarda a 5 et a 3 si placet detta la Norsina from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
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| Gagliarda a 5 detta la Massara from Sinfonie et gagliarde, Libro 1 (Rossi, Salamone) for 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments or continuo and 2 sopranos or continuo and 3 Unspecified instruments or continuo and 4 Unspecified instruments or 2 violins and continuo or 2 cornetts and continuo |
— |
| Sinfonie et gagliarde, Libro 2 (Rossi, Salamone) for 2 viols and continuo or lute and 2 viols or 3 viols or 4 viols or 5 viols or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments |
selections |
| Gagliarda a 5 & a 3 si placet detta la Narciso from Sinfonie et gagliarde, Libro 2 (Rossi, Salamone) for 2 viols and continuo or lute and 2 viols or 3 viols or 4 viols or 5 viols or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments |
— |
| Sinfonia a 5 & a 3 si placet from Sinfonie et gagliarde, Libro 2 (Rossi, Salamone) for 2 viols and continuo or lute and 2 viols or 3 viols or 4 viols or 5 viols or 3 Unspecified instruments or 4 Unspecified instruments or 5 Unspecified instruments |
— |
| Elegy on the Death of Mr. Shenstone (Arne, Thomas Augustine) for alto, 2 tenors and bass or alto, tenor, baritone and bass or 2 tenors and 2 basses |
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| Sehnsucht nach Italien (Hensel, Fanny) for voice and piano |
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| Viola da Gamba Sonata, BuxWV 268 (Buxtehude, Dietrich) for viol and continuo |
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| 5 Pièces pour harmonium (Franck, César) for harmonium |
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| Albumblatt in F major (Humperdinck, Engelbert) for violin and piano |
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| Remember Not, Lord, Our Offences, Z.50 (Purcell, Henry) for 2 sopranos, alto, tenor, bass and continuo or mixed chorus and continuo |
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| 6 Pieces, Op. 150 (Rheinberger, Josef Gabriel) for violin and organ |
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| Lord, I Can Suffer Thy Rebukes, Z.136 (Purcell, Henry) for continuo, 2 sopranos, alto and bass or 4 voices and continuo or mixed chorus and continuo |
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| Arrangement of Here on His Back doth Lay (Battishill, Jonathan) for |
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