| Composition |
Attributes |
| Divinités du Styx (Act 1, Scene 7) from Alceste, Wq.44 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
vocal score |
| Il trovatore (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
selections, vocal score |
| 5 Lieder, Op. 47 (Brahms, Johannes) for voice and piano |
— |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Mignon (Thomas, Ambroise) for voices, mixed chorus and orchestra |
selections, vocal score |
| Inspirez-moi, race divine (Act II) from La reine de Saba, CG 7 (Gounod, Charles) for voices, mixed chorus and orchestra |
vocal score |
| Samson et Dalila, Op. 47 (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
selections, vocal score |
| 6 Lieder, Op. 97 (Brahms, Johannes) for voice and piano |
selections |
| Baritone or Bass from Praktische Gesangschule, Op. 474 (Abt, Franz) for voice |
— |
| Mezzo-soprano or Alto from Praktische Gesangschule, Op. 474 (Abt, Franz) for voice |
— |
| Soprano or Tenor from Praktische Gesangschule, Op. 474 (Abt, Franz) for voice |
— |
| Soprano or Tenor from Praktische Gesangschule, Op. 474 (Abt, Franz) for voice |
— |
| Vocalizzi secondo il gusto moderno (Bordogni, Marco) for voice and piano |
— |
| The Bohemian Girl (Balfe, Michael William) for voices, mixed chorus and orchestra |
vocal score |
| A Lucette (Pierné, Gabriel) for voice and piano |
— |
| A Lucette (Pierné, Gabriel) for voice and piano |
— |
| 8 Vortragsstücke, Op. 69 (Brambach, Carl Joseph) for piano |
— |
| 4 Charakteristische Stücke, Op. 71 (Brambach, Carl Joseph) for piano |
— |
| Es hat nicht sollen sein (It was not so to be) from Der Trompeter von Säkkingen (Nessler, Viktor Ernst) for voices, mixed chorus and orchestra |
vocal score |
| The Woman of Samaria, Op. 44 (Bennett, William Sterndale) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| High Voice from Die Kunst der Kehlfertigkeit (Lutgen, Balthazar) for voice and piano |
— |
| Anthology of Modern French Song (Spicker, Max) for voice and piano |
— |
| Solfeggi elementari, Op. 9 (Nava, Gaetano) for voice and piano |
— |
| The Lass with the Delicate Air (Arne, Michael) for voice and continuo |
— |