| Composition | Published | 
| Larghetto (No.1) from Arrangement of Larghetto (No.1) from Nocturnes, Op. 27 (Chopin, Frédéric) for strings 2 violins, viola and cello
 |  | 
| Variations and Fugue, Op. 13 (Bungert, August) for piano | 1877 | 
| Mondnacht, WoO 21 (Brahms, Johannes) for voice and piano | 1872 | 
| Fantasiestücke, Op. 73 (Schumann, Robert) for clarinet and piano violin and piano
 cello and piano
 |  | 
| Souvenir de Naples, Op. 128 (Mayer, Charles) for piano | 1850 | 
| 4 Duets, Op. 78 (Schumann, Robert) for 2 voices and piano | 1855 | 
| Lieder, Op. 49 (Bungert, August) for voice and piano | 1890 | 
| Lieder, Op. 49 (Bungert, August) for voice and piano | 1891 | 
| Das Grab im Busento, Op. 52 (Gernsheim, Friedrich) for male chorus and orchestra | 1887 | 
| Impromptu, Op. 13 (Fitzenhagen, Wilhelm) for cello and piano | 1878 | 
| String Sextet, Op. 140 (Spohr, Louis) for 2 violins, 2 violas and 2 cellos | 1850 | 
| Frühlingsblumen (No.2) from 2 Lieder, Op. 26 (Reinecke, Carl) for voice, violin and piano | 1855 | 
| Concert Etude, Op. 13 (Eschmann, Johann Carl) for piano | 1852 | 
| Instruktive Gänge durch die Kompositionen von Haydn, Mozart und Beethoven (Eschmann, Johann Carl) for |  | 
| Instruktive Gänge durch die Kompositionen von Haydn, Mozart und Beethoven (Eschmann, Johann Carl) for | 1864 | 
| Lebens Leid und Lust, Op. 27 (Eschmann, Johann Carl) for piano |  | 
| Grillenfang, Op. 35 (Eschmann, Johann Carl) for piano |  | 
| Galop brillant, Op. 129 (Mayer, Charles) for piano | 1850 | 
| Album élégant des dames pianistes, Op. 804 (Czerny, Carl) for piano | 1850 | 
| Album élégant des dames pianistes, Op. 804 (Czerny, Carl) for piano |  | 
| Fantasie, Op. 68 (Kiel, Friedrich) for piano | 1878 | 
| String Quartet No. 32, Op. 141 (Spohr, Louis) for 2 violins, viola and cello | 1849 | 
| Arrangement of Romanesca (Bott, Jean Joseph) for violin and piano | 1852 | 
| Mass, Op. 6 (Klose, Friedrich) for soprano, alto, tenor, bass, mixed chorus and orchestra | 1889 | 
| Piano Sonata, Op. 21 (Reinsdorf, Otto) for piano | 1873 | 
| Adagio religioso, Op. 8 (Rundnagel, Carl) for violin and piano clarinet and piano
 cello and piano
 violin, piano and harmonium
 clarinet, piano and harmonium
 cello, piano and harmonium
 | 1875 | 
| Piano Sonata, Op. 8 (Le Beau, Luise Adolpha) for piano |  | 
| Originalthema mit Variationen, Op. 3 (Le Beau, Luise Adolpha) for piano | 1876 | 
| Arrangement of Elegie, Op. 21 (Fitzenhagen, Wilhelm) for cello and piano | 1879 | 
| 2 Lieder, Op. 8 (Spicker, Max) for voice and piano |  | 
| 3 Lieder, Op. 32 (Spicker, Max) for voice and piano |  | 
| 2 Duette, Op. 6 (Le Beau, Luise Adolpha) for 2 sopranos and piano | 1877 | 
| Verbunden, Op. 8 (Klose, Friedrich) for voice and piano |  | 
| 5 Lieder, Op. 7 (Le Beau, Luise Adolpha) for soprano and piano | 1878 | 
| Cavatine, Op. 76 (Spiess, Ernst) for violin and piano | 1896 | 
| Ein Traumgebilde, Op. 74 (Spiess, Ernst) for violin and piano |  | 
| Wiegenlied, Op. 53 (Häser, Josef) for voice and piano |  | 
| Arrangement of Träumerei (Schmelz, Reinhard) for violin and piano | 1889 | 
| 6 Lieder, Op. 5 (Staehle, Hugo) for baritone and piano bass and piano
 | 1849 | 
| 3 Scherzi, Op. 4 (Staehle, Hugo) for piano | 1849 | 
| Four Leaf Clover (Brownell, Leila M.) for soprano and piano piano
 tenor and piano
 baritone and piano
 |  | 
| Tribute to Old Glory (Graham, Mary Thorpe) for mixed chorus |  | 
| What Pity Is Akin To (Gottschalk, Louis Ferdinand) for voice and piano |  | 
| 5 Lieder, Op. 4 (Le Beau, Luise Adolpha) for mezzosoprano and piano | 1876 |