| Title | Cantates italiennes de différents auteurs, Tome 1 | 
| Creators | Various (composer) | 
| Opus | F-Pn, RES VM7-59-101 | 
| Instrumentation | soprano and continuo continuo and 2 sopranos 2 sopranos, alto and continuo | 
| Number of movements | 47 | 
| Keys | — | 
| Composed | — | 
| First published | 1650 | 
| Dedication | — | 
| Tempo markings | — | 
| Metronome markings | — | 
| Time signatures | — | 
| Average duration (sec) | — | 
| Number of measures | — | 
| Composition types | Secular cantatas | 
| Language | Italian | 
| Period | Baroque | 
| View on IMSLP |  | 
| Code |  | 
| Title click for details | Metronome | Key | Measures | 
|---|---|---|---|
| 1. | — | — | — | 
| 2. | — | — | — | 
| 3. | — | — | — | 
| 4. | — | — | — | 
| 5. | — | — | — | 
| 6. | — | — | — | 
| 7. | — | — | — | 
| 8. | — | — | — | 
| 9. | — | — | — | 
| 10. | — | — | — | 
| 11. | — | — | — | 
| 12. | — | — | — | 
| 13. | — | — | — | 
| 14. | — | — | — | 
| 15. | — | — | — | 
| 16. | — | — | — | 
| 17. Anonymous: Havessi, ohimè, quando la lingua | — | — | — | 
| 18. | — | — | — | 
| 19. | — | — | — | 
| 20. | — | — | — | 
| 21. | — | — | — | 
| 22. Non v'è più chi non discerna (Marco Marazzoli) | — | — | — | 
| 23. | — | — | — | 
| 24. | — | — | — | 
| 25. | — | — | — | 
| 26. | — | — | — | 
| 27. | — | — | — | 
| 28. | — | — | — | 
| 29. | — | — | — | 
| 30. | — | — | — | 
| 31. Marco Marazzoli: Così contento amando sto | — | — | — | 
| 32. | — | — | — | 
| 33. | — | — | — | 
| 34. | — | — | — | 
| 35. | — | — | — | 
| 36. | — | — | — | 
| 37. Anonymous: S'io son pazzo, che v'importa | — | — | — | 
| 38. | — | — | — | 
| 39. | — | — | — | 
| 40. | — | — | — | 
| 41. | — | — | — | 
| 42. | — | — | — | 
| 43. | — | — | — | 
| 44. | — | — | — | 
| 45. Francesco Boccalini: Dove fuggi, pensier mio | — | — | — | 
| 46. | — | — | — | 
| 47. | — | — | — | 
(No arrangements)
| Details | Section | Type | Publisher | Date | File | 
|---|---|---|---|---|---|
| view | Complete | — | Manuscript | — | Complete Score · view | 
(No recordings)
©2025 David P. Anderson