| Composition |
Published |
| Nymphes des bois / Requiem, NJE 29.18 (Josquin Desprez) for 5 voices |
1782 |
| Il Bell'umore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
1789 |
Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass
male chorus |
1789 |
Sumer is icumen in (Anonymous) for voices
6 voices |
1782 |
| A General History of Music (Burney, Charles) for |
|
| A General History of Music (Burney, Charles) for |
|
| A General History of Music (Burney, Charles) for |
1789 |
| Euge bone (Tye, Christopher) for 2 sopranos, 2 altos, tenor and bass |
1782 |
| L’innamorato (Gastoldi, Giovanni Giacomo) for 5 voices |
1789 |
| Old Hundredth (Bourgeois, Loys) for 4 voices |
|
My Mind to Me a Kingdom Is (Byrd, William) for voice
5 voices |
1789 |
| Fiume ch’a l’onde tue (Marenzio, Luca) for 5 voices |
1789 |
See, See, Myne Own Sweet Jewell (Morley, Thomas) for mixed chorus
soprano, alto and bass |
|
Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices
soprano, alto, tenor and bass |
|
Bon jour m'amie (Anonymous) for 4 voices
5 voices |
1789 |
| Chi la gagliarda (Donato, Baldassare) for soprano, alto, tenor and bass |
1789 |
The Carman's Whistle (Byrd, William) for keyboard
harpsichord |
1789 |
| Stracciami pur il core ragion è ben ingrato, SV 64 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
|
Cantica sacra I (Dering, Richard) for 2 voices and continuo
3 voices and continuo
4 voices and continuo |
1789 |
Moro, lasso, al mio duolo (Gesualdo, Carlo) for 5 voices
mixed chorus |
1789 |
| My Flocks Feed Not (Weelkes, Thomas) for 3 voices |
1789 |
| 6 Quatuors concertants (Pieltain, Dieudonné-Pascal) for 2 violins, viola and cello |
|
| That was my woo (Fayrfax, Robert) for 2 voices |
1782 |
| Dum transisset Sabbatum (Taverner, John) for 5 voices |
1782 |
| Calami Sonum ferentes (Rore, Cipriano de) for 4 voices |
|
| Alma Nemes, quad sola Nemes, LV 46 (Lassus, Orlande de) for 4 voices |
1789 |
| Ta bonne grace (Canis, Cornelius) for 5 voices |
|
| Five Bell Consort (Jenkins, John) for 3 viols |
|
| Ne'er Trouble Thyself (Locke, Matthew) for 2 sopranos and bass |
1789 |
Come my Celia (Ferrabosco Jr., Alfonso) for voice and continuo
voice and bass |
|
| Salvator mundi (Tallis, Thomas) for 5 voices |
|
| Derelinquit impius (Tallis, Thomas) for 5 voices |
1789 |
| In Deep Distress (Mundy, John) for 4 voices |
|
| Harmony to 'Psalm 100' (Le Jeune, Claude) for 4 voices |
|
| Lord, Who Shall Dwell in Thy Tabernacle (White, Robert) for 5 voices |
1789 |
| O Lord My God (Byrd, William) for 4 voices |
|
| Ve voglio dire donne (Cambio, Perissone) for 4 voices |
1789 |
| Exaltabo te Domine (Palestrina, Giovanni Pierluigi da) for 5 voices |
|
| Noel (Du Caurroy, Eustache) for 4 voices |
1789 |
| Dum transisset Sabbatum (Johnson I, Robert) for 5 voices |
|
| Esurientes implevit bonis (Sheppard, John) for 5 voices |
|
| Domine quid multiplicati (Goudimel, Claude) for 4 voices |
|
| Enforced by Love and Fear (Parsons, Robert) for alto and 4 viols |
|
| Sicut erat in principio (Pontio, Pietro) for 5 voices |
|
| Your Counterfeiting (Newark, William) for 3 voices |
|
| My Woeful Heart (Sheryngham) for soprano and alto |
1782 |
| Misericordias Domini, NJE 18.4 (Josquin Desprez) for 4 voices |
1782 |
| Diffusa est (Porta, Costanzo) for 7 voices |
|
| Piano Concerto in E major, Op. 8 (Kollmann, Augustus Frederic Christopher) for piano and orchestra |
|
| March No. 3 (Griffin, George Eugene) for piano |
|
3 Sonatas for Harp or Piano, Op. 1 (Delaval, Adelaide Suzanne Camille) for harp
piano
harp and violin
violin and piano |
|
3 Sonatas, Op. 9 (Graeff, Johann Georg) for flute and piano
violin and piano |
|
| Favorite Polacca (Janiewicz, Feliks) for piano |
|