| Composition |
Attributes |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
vocal score |
Psalms (Allison, Richard) for soprano, alto, tenor and bass
2 sopranos, tenor and bass |
— |
| Psalm 78 (Cavendish, Michael) for mixed chorus |
— |
| Ah Me! My Mistress Scorns My Love (Bateson, Thomas) for 2 sopranos and tenor |
— |
Parthenia (Various) for keyboard
harpsichord |
— |
| Mass for 5 Voices (Byrd, William) for soprano, alto, 2 tenors and bass |
— |
| Hail, Bright Cecilia, Z.328 (Purcell, Henry) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
— |
| Bonduca, Z.574 (Purcell, Henry) for voices, mixed chorus and orchestra |
— |
| All People Clap Your Hands (Weelkes, Thomas) for voices and organ |
— |
| The Booke of Common Praier Noted (Merbecke, John) for voice |
— |
| The Booke of Common Praier Noted (Merbecke, John) for voice |
— |
| The Earl of Salisbury Pavan and 2 Galliards (Byrd, William) for harpsichord |
— |
Fantasias of 3 Parts (Gibbons, Orlando) for alto, tenor and bass
3 viols |
— |
| When David Heard (Weelkes, Thomas) for mixed chorus |
— |
| Gloria tibi Trinitas (Blitheman, John) for organ |
— |
Suite de Pièces for Keyboard in D minor (excerpts) from Meslanges à 2, 3, 4 et 5 parties (Du Mont, Henry) for voices and continuo
organ
4 viols |
— |
Octi-tonium novum organicum, Op. 1 (Murschhauser, Franz Xaver) for organ
harpsichord |
selections |
| Galliard, Parthenia XIV (Bull, John) for harpsichord |
— |
| Preludium, Parthenia IX (Bull, John) for harpsichord |
— |
| Galliard Mrs. Mary Brownlo (Byrd, William) for harpsichord |
— |
| Pavan and Galliard 'Sir William Petre' (Byrd, William) for harpsichord |
— |
| Galliard, Parthenia XIII (Bull, John) for harpsichord |
— |
Cathedral Chants of the 16th, 17th and 18th Centuries (Rimbault, Edward Francis) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
— |
Prelude in G minor, T 515 (Byrd, William) for keyboard
harpsichord |
— |