| Composition |
Score attributes |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
vocal score |
| Psalms (Allison, Richard) for soprano, alto, tenor and bass or 2 sopranos, tenor and bass |
— |
| Psalm 78 (Cavendish, Michael) for mixed chorus |
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| Ah Me! My Mistress Scorns My Love (Bateson, Thomas) for 2 sopranos and tenor |
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| Parthenia (Various) for keyboard or harpsichord |
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| Mass for 5 Voices (Byrd, William) for soprano, alto, 2 tenors and bass |
— |
| Hail, Bright Cecilia, Z.328 (Purcell, Henry) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
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| Bonduca, Z.574 (Purcell, Henry) for voices, mixed chorus and orchestra |
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| All People Clap Your Hands (Weelkes, Thomas) for voices and organ |
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| The Booke of Common Praier Noted (Merbecke, John) for voice |
— |
| The Booke of Common Praier Noted (Merbecke, John) for voice |
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| The Earl of Salisbury Pavan and 2 Galliards (Byrd, William) for harpsichord |
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| Fantasias of 3 Parts (Gibbons, Orlando) for alto, tenor and bass or 3 viols |
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| When David Heard (Weelkes, Thomas) for mixed chorus |
— |
| Gloria tibi Trinitas (Blitheman, John) for organ |
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| Suite de Pièces for Keyboard in D minor (excerpts) from Meslanges à 2, 3, 4 et 5 parties (Du Mont, Henry) for voices and continuo or organ or 4 viols |
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| Octi-tonium novum organicum, Op. 1 (Murschhauser, Franz Xaver) for organ or harpsichord |
selections |
| Galliard, Parthenia XIV (Bull, John) for harpsichord |
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| Preludium, Parthenia IX (Bull, John) for harpsichord |
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| Galliard Mrs. Mary Brownlo (Byrd, William) for harpsichord |
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| Pavan and Galliard 'Sir William Petre' (Byrd, William) for harpsichord |
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| Galliard, Parthenia XIII (Bull, John) for harpsichord |
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| Cathedral Chants of the 16th, 17th and 18th Centuries (Rimbault, Edward Francis) for soprano, alto, tenor, bass and organ or mixed chorus and organ |
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| Prelude in G minor, T 515 (Byrd, William) for keyboard or harpsichord |
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