| Composition |
Score attributes |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
— |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
parts |
| Magnificat in D major, BWV 243 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
| Magnificat in D major, BWV 243 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Te Deum, H.146 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
| Te Deum, H.146 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Gloria in D major, RV 589 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus and orchestra |
— |
| Gloria in D major, RV 589 (Vivaldi, Antonio) for 2 sopranos, alto, mixed chorus and orchestra |
parts |
| 1st Version (1727, BC A 169a) from Ich habe genug, BWV 82 (Bach, Johann Sebastian) for bass, oboe, strings and continuo or soprano, flute, strings and continuo |
— |
| Hymno lusitano, Op. 10 (Bomtempo, João Domingos) for soprano, mixed chorus and orchestra |
— |
| Hymno lusitano, Op. 10 (Bomtempo, João Domingos) for soprano, mixed chorus and orchestra |
parts |
| 6 Harpsichord Sonatas, Op. 2 (Bon, Anna) for harpsichord |
— |
| Come, Ye Sons of Art Away, Z.323 (Purcell, Henry) for soprano, 2 altos, bass, mixed chorus and orchestra |
— |
| Madrigali, Op. 1 (Strozzi, Barbara) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or mixed chorus and continuo |
— |
| Thétis, RCT 28 (Rameau, Jean-Philippe) for bass, violin and continuo |
— |
| Mass in B-flat major, Hob.XXII:7 (Haydn, Joseph) for voice, mixed chorus, strings and continuo |
— |
| Mass in B-flat major, Hob.XXII:7 (Haydn, Joseph) for voice, mixed chorus, strings and continuo |
parts |
| Saloia Namorada (Moreira, António Leal) for voices and orchestra |
— |
| Stabat Mater (Moreira, António Leal) for soprano, alto, tenor, bass, mixed chorus and continuo |
— |
| Salve Regina des Jesuites, H.27 (Charpentier, Marc-Antoine) for tenor and continuo |
— |