| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Dido and Aeneas (Dido and Æneas) | Henry Purcell, composer Nahum Tate, librettist |
Z.626 | 1677 | voices, mixed chorus and orchestra | Baroque | Operas | ![]() |
||
| Suite in G major | Henry Purcell, composer | G major | Z.660 | keyboard | Baroque | Suites, Lessons | |||
| Voluntary in A major on the 100th Psalm | Henry Purcell, composer | Z.721 | organ | Baroque | Voluntaries | ||||
| Rejoice in the Lord Alway, Z.49 | Henry Purcell, composer | Z.49 | alto, tenor, bass, mixed chorus, strings and continuo | Baroque | Anthems | ||||
| Pavane and Chaconne in G minor (Pavan and chacony) | Henry Purcell, composer | Z.752 (Pavane) and Z.730 (Chaconne) | 1680 | 3 violins and continuo 3 violins and bass strings |
Baroque | Pavans, Chaconnes | |||
| 3 Parts upon a Ground (3 parts upon a Ground play'd 2 notes higher for d.) | Henry Purcell, composer | Z.731 | 1678 | 3 violins and continuo | Baroque | Fantasias, Grounds | |||
| Fantazias and In Nomines | Henry Purcell, composer | Z.732–747 | 1680 | 3 viols 3 Unspecified instruments 4 viols 4 Unspecified instruments 5 viols 5 Unspecified instruments 6 viols 6 Unspecified instruments 7 viols 7 Unspecified instruments |
Baroque | Fantasias, In nomines | ![]() |
||
| Hail, Bright Cecilia! (Ode for St. Cecilia's Day) | Henry Purcell, composer Nicholas Brady, librettist |
Z.328 | 1692 | soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra | Baroque | Odes | |||
| King Arthur, or The British Worthy (Dramatick opera or semi-opera) | Henry Purcell, composer John Dryden, librettist |
Z.628 | 1691 | voices, mixed chorus and orchestra | Baroque | Operas | ![]() |
||
| Bonduca, or The British Heroine (A tragedy, incidental music) | Henry Purcell, composer | Z.574 | 1695 | voices, mixed chorus and orchestra | Baroque | Operas | |||
| 12 Sonatas of Three Parts (Sonnata's of III Parts: Two Viollins And Basse: To the Organ or Harpsecord. ) | Henry Purcell, composer | Z.790–801 | 1680 | 2 violins, viol and continuo 2 violins, cello and continuo |
Baroque | Sonatas | |||
| 10 Sonatas in Four Parts | Henry Purcell, composer | Z.802-811 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | ||||
| Five sacred choruses | Henry Purcell, composer | voices | Baroque | Sacred choruses | |||||
| Abdelazer (The Moor's Revenge) | Henry Purcell, composer Aphra Behn, librettist |
Z.570 | 1695 | soprano, strings and continuo | Baroque | Incidental music | |||
| Orpheus Britannicus ({{TPtr}} :Orpheus Britannicus. A Collection of all the choicest songs for One, Two, and Three Voices, compos'd by Mr. Henry Purcell. together with such Symphonies for Violins or Flutes [recorders], as were by him design's for any of them: and a thorough-bass to each song; figur'd for the Organ, Harpsichord, or Theorbo-Lute. All which are placed in their several Keys according to the Order of the Gamut.) | Henry Purcell, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo voices, strings and continuo voice, recorder and continuo |
Baroque | Songs, Airs, Pieces | |||||
| Aureng-Zebe (The Great Mogul) | Henry Purcell, composer John Dryden, librettist |
Z.573 | 1692 | voice and continuo | Baroque | Songs, Incidental music | |||
| Pausanius (The Betrayer of his Country) | Henry Purcell, composer | Z.585 | 1695 | voice and continuo 2 voices and continuo |
Baroque | Incidental music, Songs, Duets | |||
| The Rival Sisters (The Violence of Love) | Henry Purcell, composer Robert Gould, librettist |
Z.609 | soprano, strings and continuo | Baroque | Incidental music | ||||
| I Lov'd Fair Celia | Henry Purcell, composer | D minor | Z.381 | 1694 | voice and continuo | Baroque | Songs | ||
| If Music Be the Food of Love | Henry Purcell, composer | Z.379 | 1692 | voice and continuo | Baroque | Songs | ![]() |
||
| Love Arms Himself in Celia's Eyes | Henry Purcell, composer Matthew Prior, librettist |
Z.392 | voice and continuo | Baroque | Songs | ||||
| Stript of Their Green Our Groves Appear | Henry Purcell, composer Peter Anthony Motteux, librettist |
Z.444 | 1692 | voice and continuo | Baroque | Songs | |||
| This Poet Sings the Trojan Wars (Anacreon's Defeat) | Henry Purcell, composer | Z.423 | voice and continuo | Baroque | Songs | ||||
| The Tempest (The Enchanted Island) | Henry Purcell, composer | Z.631 | 1695 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Incidental music | |||
| 14 Pieces for the Violin | Henry Purcell, composer | Baroque | Pieces | ||||||
| Hear My Prayer, O Lord (Anthem) | Henry Purcell, composer | Z.15 | 1682 | mixed chorus and continuo | Baroque | Anthems | |||
| Te Deum and Jubilate Deo, for St. Cecilia's Day 1694 (Morning Service) | Henry Purcell, composer | D major | Z.232 | 1694 | 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra | Baroque | Te Deum | ||
| A Choice Collection of Lessons for the Harpsichord or Spinnet (''Title-page transcription'' ) | Henry Purcell, composer | keyboard | Baroque | Lessons, Suites | |||||
| Harmonia sacra or select anthems in score for one, two, and three voices. | Henry Purcell, composer | RISM A/I: P 5811 | voices and continuo | Baroque | Anthems | ||||
| Dioclesian (The Prophetess: or, The History of Dioclesian ; Diocletian) | Henry Purcell, composer Thomas Betterton, librettist |
Z.627 | voices, mixed chorus and orchestra | Baroque | Operas | ||||
| A Fool's Preferment, or, The Three Dukes of Dunstable | Henry Purcell, composer Thomas D'Urfey, librettist |
Z.571 | voice and continuo | Baroque | Incidental music | ||||
| The Indian Queen | Henry Purcell, composer | Z.630 | voices, mixed chorus and orchestra | Baroque | Operas | ![]() |
|||
| A Song Tune | Henry Purcell, composer | C major | ZT 695 | 1687 | keyboard | Baroque | Songs | ||
| Jehovah, quam multi sunt hostes mei | Henry Purcell, composer | Z.135 | tenor, bass, mixed chorus and continuo | Baroque | Psalms | ||||
| Air in D minor | Henry Purcell, composer | D minor | ZT 676 | Baroque | Airs | ||||
| The Fairy Queen (Semi-opera in Five Acts) | Henry Purcell, composer | Z.629 | voices, mixed chorus and orchestra | Baroque | Operas | ||||
| Prelude | Henry Purcell, composer | G minor | ZN 773 | violin | Baroque | Preludes | |||
| Music for the Funeral of Queen Mary | Henry Purcell, composer | Z.860 | 1695 | 4 voices, 4 trumpets and organ mixed chorus, 4 trumpets and organ |
Baroque | Funeral music | ![]() |
||
| Evening Service (Magnificat and Nunc Dimittis ; Geistliche Abendmusik) | Henry Purcell, composer | G minor | Z.231 | 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo | Baroque | Vespers | |||
| Ground in C minor | Henry Purcell, composer | C minor | ZD 221 | harpsichord | Baroque | Grounds | |||
| Suite in D major | Henry Purcell, composer | D major | Z.667 | keyboard | Baroque | Suites, Lessons | |||
| The Old Bachelor | Henry Purcell, composer | Z.607 | 1691 | voice and orchestra | Baroque | Incidental music | ![]() |
||
| Incidental Music to The Gordion Knot Untied | Henry Purcell, composer | Z.597 | strings and continuo | Baroque | Incidental music, Suites | ||||
| Selected Songs | Henry Purcell, composer | Various | voice and piano voice and continuo |
Baroque | Songs, Arias | ![]() |
|||
| The Libertine (The Libertine Destroyed, Incidental Music) | Henry Purcell, composer Thomas Shadwell, librettist |
Z.600 | 1692 | soprano, alto, bass and orchestra | Baroque | Incidental music | |||
| The Knotting Song (Hears not my Phyllis) | Henry Purcell, composer Charles Sedley, librettist |
Z.371 | 1695 | voice and continuo | Baroque | Songs | |||
| Prelude in D major | Henry Purcell, composer | organ | Baroque | Preludes | |||||
| Suite in D major | Henry Purcell, composer | Baroque | Suites | ![]() |
|||||
| Sonata in D major | Henry Purcell, composer | D major | Z.850 | trumpet and strings | Baroque | Sonatas | |||
| Suite in C major | Henry Purcell, composer | Z 666 | keyboard | Baroque | Suites, Lessons | ||||
| Sound the Trumpet, Beat the Drum (Welcome Ode for James II) | Henry Purcell, composer | A minor | Z.335 | 1687 | alto, 2 tenors, bass, mixed chorus, strings and continuo | Baroque | Odes | ||
| Come, ye sons of art away (Ode for Queen Mary's birthday, 1694 ; Come, ye sons of arts) | Henry Purcell, composer Nahum Tate, librettist |
Z.323 | 1694 | soprano, 2 altos, bass, mixed chorus and orchestra | Baroque | Odes | |||
| Chacony | Henry Purcell, composer | G minor | Z.730 | 1680 | 2 violins, viola and continuo | Baroque | Chaconnes | ||
| O dive custos auriacae domus (Elegy upon the Death of Queen Mary) | Henry Purcell, composer | C minor | Z.504 | continuo and 2 sopranos | Baroque | Elegies | |||
| Celebrate this Festival (Ode for Queen Mary's Birthday (1693)) | Henry Purcell, composer | Z.321 | 1693 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | Baroque | Odes | |||
| Suite for Strings | Henry Purcell, composer | G major | Z.770 | strings | Baroque | Suites | |||
| Timon of Athens | Henry Purcell, composer | Z.632 | voices, mixed chorus and orchestra | Baroque | Masques | ||||
| My Beloved Spake | Henry Purcell, composer | Z.28 | 1677 | mixed chorus, strings and continuo | Baroque | Anthems | |||
| Suites, Lessons and Pieces for the Harpsichord | Henry Purcell, composer | harpsichord | Baroque | Suites, Lessons | |||||
| Remember Not, Lord, Our Offences (Full Anthem) | Henry Purcell, composer | A minor | Z.50 | 2 sopranos, alto, tenor, bass and continuo mixed chorus and continuo |
Baroque | Anthems | |||
| The Queen's Dolour | Henry Purcell, composer | A minor | Z.670 | harpsichord | Baroque | Pieces | |||
| Lord, I Can Suffer Thy Rebukes (Hymn) | Henry Purcell, composer | G minor - G major | Z.136 | 1680 | continuo, 2 sopranos, alto and bass 4 voices and continuo mixed chorus and continuo |
Baroque | Hymns | ||
| Suite in C major | Henry Purcell, composer | trumpet and organ | Baroque | Suites | ![]() |
||||
| Rigadoon in C major | Henry Purcell, composer | C major | Z.653 | keyboard | Baroque | Rigaudons | |||
| A Ground in Gamut | Henry Purcell, composer | G major | Z.645 | keyboard | Baroque | Grounds | ![]() |
||
| March in C major | Henry Purcell, composer | C major | Z.647 | 1687 | keyboard | Baroque | Marches | ||
| March in C major | Henry Purcell, composer | C major | Z.648 | 1687 | keyboard | Baroque | Marches | ||
| Voluntary in C major | Henry Purcell, composer | C major | Z.717 | keyboard | Baroque | Voluntaries | |||
| Verset in F major (Verset ; Voluntary) | Henry Purcell, composer | F major | Z.716 | keyboard | Baroque | Voluntaries | |||
| Suite in G minor | Henry Purcell, composer | G minor | Z.661 | keyboard | Baroque | Suites, Lessons | |||
| Suite in G major | Henry Purcell, composer | G major | Z.662 | 1687 | keyboard | Baroque | Suites, Lessons | ||
| Trumpet Tune in C major | Henry Purcell, composer | C major | ZT 697 | 1696 | keyboard | Baroque | Pieces | ||
| Fantasia No. 11 | Henry Purcell, composer | Z.742 | 1680 | 4 viols 4 Unspecified instruments |
Baroque | Fantasias | |||
| A collection of ayres, compos'd for the theatre (A collection of ayres, compos'd for the theatre and upon other occasions) | Henry Purcell, composer | 2 violins, viola and continuo 2 violins, viola and bass |
Baroque | Airs, Incidental music | |||||
| 6 Vocal Duets | Henry Purcell, composer | 2 voices and continuo 2 voices and orchestra |
Baroque | Duets | |||||
| Suite Anglaise (Ronchini's title) | Henry Purcell, composer | Baroque | Pieces | ||||||
| Trumpet Tune in C major (Cibell) | Henry Purcell, composer | C major | ZT 678 | 1696 | keyboard | Baroque | Pieces | ||
| Gloria Patri et Filio | Henry Purcell, composer | Z.105 | 1677 | 2 sopranos, tenor and bass | Baroque | Gloria | |||
| Beati omnes qui timent Dominum | Henry Purcell, composer | G minor | Z.131 | 1680 | continuo, 2 sopranos, alto and bass mixed chorus and continuo |
Baroque | Hymns | ||
| Minuet in E minor | Henry Purcell, composer | E minor | ZD 225 | harpsichord | Baroque | Minuets | |||
| Almond & Borry, ZD 219 | Henry Purcell, composer | D major | ZD 219 | harpsichord | Baroque | Allemandes, Bourrees | |||
| Song Tune | Henry Purcell, composer | C major | ZT 694 | Baroque | Songs | ||||
| New Minuet | Henry Purcell, composer | D minor | ZT 689 | harpsichord | Baroque | Minuets | |||
| Minuet in A minor | Henry Purcell, composer | A minor | Z.649 | harpsichord | Baroque | Minuets | |||
| Fantasy No. 12 in D minor | Henry Purcell, composer | D minor | Z.743 | 4 viols 4 Unspecified instruments |
Baroque | Fantasias | |||
| Fantasy No. 10 in E minor | Henry Purcell, composer | E minor | Z.741 | 4 viols | Baroque | Fantasias | |||
| Fantasia upon One Note (Fantasy upon One Note) | Henry Purcell, composer | F major | Z.745 | 1680 | 5 viols 5 Unspecified instruments |
Baroque | Fantasias | ||
| In Nomine of Six Parts (In Nomine in G minor) | Henry Purcell, composer | G minor | Z.746 | 1680 | 6 viols 6 Unspecified instruments |
Baroque | Fantasias, In nomines | ![]() |
|
| Suite in F major | Henry Purcell, composer | F major | Z.669 | keyboard | Baroque | Suites, Lessons | |||
| Suite in A minor | Henry Purcell, composer | A minor | Z.663 | keyboard | Baroque | Suites, Lessons | |||
| Suite in D minor | Henry Purcell, composer | D minor | Z.668 | keyboard | Baroque | Suites, Lessons | |||
| Minuet in A minor | Henry Purcell, composer | A minor | Z.650 | keyboard | Baroque | Minuets | |||
| Saraband with Division | Henry Purcell, composer | A minor | Z.654 | harpsichord | Baroque | Sarabandes, Divisions | |||
| Corant in G major | Henry Purcell, composer | G major | Z.644 | keyboard | Baroque | Courantes | |||
| Minuet in G major | Henry Purcell, composer | G major | Z.651 | keyboard | Baroque | Minuets | |||
| Suite in C major | Henry Purcell, composer | C major | Z.665 | keyboard | Baroque | Suites | |||
| O Lord Our Governor | Henry Purcell, composer | C minor | Z.39 | 1679 | 3 sopranos, 2 basses, mixed chorus and continuo | Baroque | Anthems, Psalms | ||
| Drei Stücke | Henry Purcell, composer | Baroque | Allemandes, Sarabandes | ||||||
| A New Scotch Tune | Henry Purcell, composer | G major | Z.655 | 1687 | keyboard | Baroque | Pieces | ||
| The Beauties of Purcell ({{TPtr}} :The Beauties of Purcell. A Selection of the favorite songs, duetts, trios & chorusses, from the different works of Purcell, selected, adapted & arranged (from the original scores) with an accompaniment for the Piano Forte ... by John Clarke [Whitfeld], Mus. Doc. Cambridge) | Henry Purcell, composer | Baroque | Songs, Duets, Trios, Secular choruses | ||||||
| Trio Sonata in G minor | Henry Purcell, composer | G minor | Z.790 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in C major | Henry Purcell, composer | C major | Z.795 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in E minor | Henry Purcell, composer | E minor | Z.796 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in C minor | Henry Purcell, composer | C minor | Z.798 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in D major | Henry Purcell, composer | D major | Z.801 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo |
Baroque | Sonatas | ||
| O God the King of Glory | Henry Purcell, composer | Z.34 | 1679 | 4 voices | Baroque | Anthems, Sacred choruses | |||
| Lord, How Long wilt Thou be Angry? | Henry Purcell, composer | Z.25 | 1680 | 5 voices mixed chorus |
Baroque | Anthems | |||
| I was Glad when They Said unto Me | Henry Purcell, composer | 1685 | 5 voices | Baroque | Anthems, Sacred choruses | ||||
| Trio Sonata in B-flat major | Henry Purcell, composer | B flat major | Z.791 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo 2 violins and viola violin, viola and cello |
Baroque | Sonatas | |||
| Trio Sonata in D minor | Henry Purcell, composer | D minor | Z.792 | 2 violins, viol and continuo 2 violins, cello and continuo |
Baroque | Sonatas | |||
| Sonata No. 1 in B minor | Henry Purcell, composer | B minor | Z.802 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Sonata in F major 'Golden Sonata' | Henry Purcell, composer | F major | Z.810 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Sonata No. 7 in C major | Henry Purcell, composer | C major | Z.808 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Trio Sonata in F major | Henry Purcell, composer | F major | Z.793 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | |||
| Trio Sonatain A minor (Sonata No.5) | Henry Purcell, composer | A minor | Z.794 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in G major (Sonata No.8) | Henry Purcell, composer | G major | Z.797 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in A major (Sonata No.10) | Henry Purcell, composer | A major | Z.799 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Trio Sonata in F minor (Sonata No.9) | Henry Purcell, composer | F minor | Z.800 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
Baroque | Sonatas | ||
| Sonata No. 2 in E-flat major | Henry Purcell, composer | E flat major | Z.803 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Sonata No. 6 in G minor | Henry Purcell, composer | G minor | Z.807 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Sonata No. 3 in A minor | Henry Purcell, composer | A minor | Z.804 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Trio Sonata in G minor | Henry Purcell, composer | Z.780 | violin, viol and continuo | Baroque | Sonatas | ||||
| Who can from Joy Refrain? (A Birthday Song for the Duke of Gloucester) | Henry Purcell, composer Nahum Tate, librettist |
C major | Z.342 | 1689 | voices, mixed chorus and orchestra | Baroque | Secular choruses, Songs, Odes | ||
| The Virtuous Wife (Good Luck at Last) | Henry Purcell, composer | Z.611 | 1694 | strings and continuo | Baroque | Incidental music | |||
| Sonata in D minor | Henry Purcell, composer | D minor | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | ||||
| Sonata in G minor | Henry Purcell, composer | G minor | Z.809 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Of old when heroes thought it base (Yorkshire Feast Song) | Henry Purcell, composer Thomas D'Urfey, librettist |
Z.333 | 1690 | 5 voices, mixed chorus and orchestra | Baroque | Odes | |||
| Distressed Innocence (The Princess of Persia) | Henry Purcell, composer | Z.577 | 1694 | strings and continuo | Baroque | Incidental music | |||
| Oedipus (Incidental music) | Henry Purcell, composer | Z.583 | 1692 | voices and orchestra | Baroque | Incidental music | ![]() |
||
| Oh Solitude (A Song on a Ground) | Henry Purcell, composer Katherine Philips, librettist |
C minor | Z.406 | voice and continuo | Baroque | Songs, Grounds | |||
| 10 Pianoforte Pieces | Henry Purcell, composer | Baroque | Pieces | ||||||
| Let mines eyes run down with tears | Henry Purcell, composer | 5 voices and continuo | Baroque | Anthems | |||||
| O sing unto the Lord | Henry Purcell, composer | Z.44 | soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo | Baroque | Anthems | ||||
| Air in G-major | Henry Purcell, composer | G major | Z.641 | keyboard | Baroque | Airs | |||
| Thou Know'st, Lord, the Secrets of Our Hearts | Henry Purcell, composer | G minor | Z.58 | mixed chorus and continuo | Baroque | Services, Anthems | |||
| Fantasy in D minor | Henry Purcell, composer | D minor | Z.739 | 1680 | 4 viols 4 Unspecified instruments |
Baroque | Fantasias | ||
| Amphitryon (The Two Sosias) | Henry Purcell, composer John Dryden, librettist |
voices and orchestra | Baroque | Incidental music | |||||
| Album of Trumpet Tunes (Arranged for Organ) | Henry Purcell, composer | Baroque | Pieces | ||||||
| Since God so Tender a Regard | Henry Purcell, composer | Z. 143 | 1677 | 3 voices and continuo | Baroque | Sacred choruses | |||
| Thy Word is a Lantern | Henry Purcell, composer | C major | Z.61 | alto, tenor, bass and organ mixed chorus and organ |
Baroque | Anthems | |||
| O Lord thou art my God | Henry Purcell, composer | A minor | 3 voices mixed chorus |
Baroque | Anthems | ||||
| O Give Thanks Unto the Lord | Henry Purcell, composer | C major | Z.33 | 1693 | soprano, alto, tenor, bass, mixed chorus and organ | Baroque | Anthems | ||
| Air in D Minor | Henry Purcell, composer | D minor | ZT 675 | harpsichord | Baroque | Airs | |||
| Miserere mei (Double Canon for 4 voices) | Henry Purcell, composer Catholic Liturgy, librettist |
A minor | Z.109 | mixed chorus | Baroque | Sacred choruses | ![]() |
||
| Ye Tuneful Muses (Welcome Song. 1686.) | Henry Purcell, composer | Z.344 | 1686 | voices, mixed chorus, strings and continuo | Baroque | Songs | |||
| Passacaglia in G minor (from "King Arthur", Act IV) | Henry Purcell, composer | G minor | Z.628 | 1691 | harpsichord keyboard |
Baroque | Passacaglias | ||
| Fantasia No. 5 in Bb major Z.736 | Henry Purcell, composer | B flat major | Z.736 | 1680 | 4 viols 4 Unspecified instruments |
Baroque | Fantasias | ||
| Fie, nay prithee, John | Henry Purcell, composer | A flat major | 3 voices | Baroque | Catches | ||||
| Fantasia in D minor | Henry Purcell, composer | D minor | Z.732 | 1680 | 3 viols | Baroque | Fantasias | ||
| Fantasy in F major | Henry Purcell, composer | F major | Z.733 | 1680 | 3 viols | Baroque | Fantasias | ||
| Fantasia in G minor | Henry Purcell, composer | G minor | Z.734 | 1680 | 3 viols | Baroque | Fantasias | ||
| A New Irish Tune (Lillibulero. Lilliburlero) | Henry Purcell, composer | G major | Z 646 | 1689 | harpsichord | Baroque | Pieces | ||
| From hardy climes and dangerous toils of war | Henry Purcell, composer | D major | Z. 325 | 1683 | 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo | Baroque | Odes | ||
| What shall be done in behalf of the man | Henry Purcell, composer | B flat major | Z.341 | 1682 | voices, mixed chorus, 2 recorders, strings and continuo voices, mixed chorus and orchestra |
Baroque | Songs | ||
| The summer's absence unconcerned we bear | Henry Purcell, composer | C major | Z.337 | 1682 | voices, mixed chorus, strings and continuo | Baroque | Songs | ||
| Laudate Ceciliam (A Latin Song made upon St Cecilia's Day) | Henry Purcell, composer | C major | Z.329 | 1683 | alto, tenor, bass, 2 violins and continuo | Baroque | Sacred songs | ||
| Fly, bold rebellion | Henry Purcell, composer | F major | Z.324 | 1683 | 2 altos, tenor, 2 basses, mixed chorus, strings and continuo | Baroque | Secular cantatas | ||
| From Those Serene and Rapturous Joys | Henry Purcell, composer Thomas Flatman, librettist |
D minor | Z.326 | 1684 | voices, mixed chorus, strings and continuo | Baroque | Songs | ||
| Why, Why Are All the Muses Mute? (Welcome Song, 1685. Being the First Song Performed to King James II.) | Henry Purcell, composer | D minor | Z.343 | 1685 | voices, mixed chorus, strings and continuo | Baroque | Songs | ||
| Hark, how the wild musicians sing | Henry Purcell, composer | B flat major | Z.542 | 1683 | 2 tenors, bass, 2 violins and continuo | Baroque | Songs | ||
| Celestial Music Did the Gods Inspire | Henry Purcell, composer | C major | Z.322 | 1689 | voices, mixed chorus and orchestra voices, mixed chorus, 2 recorders, strings and continuo |
Baroque | Songs | ||
| It Is a Good Thing to Give Thanks | Henry Purcell, composer | G minor | Z.18 | 1682 | voices, mixed chorus and orchestra voices, mixed chorus, strings and continuo |
Baroque | Anthems | ||
| O Praise God in His Holiness | Henry Purcell, composer | B flat major | Z.42 | 1682 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| In Thee, O Lord, Do I Put My Trust | Henry Purcell, composer | C minor | Z.16 | 1682 | 3 voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| The Lord is my light | Henry Purcell, composer Psalm XXVII, librettist |
B minor | Z.55 | 1682 | alto, tenor, bass, mixed chorus, strings and continuo | Baroque | Anthems, Psalms | ||
| I Was Glad When They Said unto Me | Henry Purcell, composer CXXII, librettist |
G major | Z.19 | 1683 | 3 voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| My Heart is Fixed | Henry Purcell, composer | A major | Z.29 | 1683 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| Praise the Lord, O My Soul | Henry Purcell, composer | F major | Z.47 | 1683 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| Why do the heathen | Henry Purcell, composer | C minor | Z.65 | 1683 | 3 voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| Unto thee will I cry | Henry Purcell, composer Psalm XXVIII, librettist |
D minor | Z.63 | 1683 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| I will give thanks unto thee, O Lord | Henry Purcell, composer | G major | Z.20 | 1684 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| My heart is inditing | Henry Purcell, composer Isaiah XLIX, librettist |
C major | Z.30 | 1685 | voices, mixed chorus, strings and continuo | Baroque | Anthems | ||
| Don Quixote | Henry Purcell, composer | Z.578 | 1694 | voices and orchestra | Baroque | Incidental music | ![]() |
||
| 15 Fantasias | Henry Purcell, composer | 3 viols 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments |
Baroque | Fantasias | |||||
| An English Suite | Henry Purcell, composer | 1968 | Baroque | Suites | |||||
| The Married Beau (The Curious Impertinent) | Henry Purcell, composer John Crowne, librettist |
Z.603 | 1694 | voice, strings and continuo strings and continuo |
Baroque | Incidental music | |||
| The Double Dealer | Henry Purcell, composer | Z.592 | 1693 | voice, strings and continuo | Baroque | Incidental music | |||
| Welcome to All the Pleasures (Ode for Saint Cecilia's Day) | Henry Purcell, composer Christopher Fishburn, librettist |
Z.339 | 1683 | voices, mixed chorus, strings and continuo | Baroque | Odes | |||
| Minuet in D major | Henry Purcell, composer | Baroque | |||||||
| We reap all the pleasures | Henry Purcell, composer | D minor | Z.547 | 1682 | Baroque | ||||
| Hark, Damon, hark | Henry Purcell, composer | G major | Z.541 | 1683 | 2 sopranos, bass and orchestra | Baroque | Songs | ||
| How Pleasant Is this Flowery Plain | Henry Purcell, composer | G minor | Z.543 | 1682 | soprano, tenor, 2 recorders and continuo | Baroque | Songs | ||
| See Where She Sits | Henry Purcell, composer Abraham Cowley, librettist |
G minor | Z.508 | 1683 | soprano, bass, 2 violins and continuo tenor, bass, 2 violins and continuo |
Baroque | Songs | ||
| Soft notes and gently raised (A Serenading Song) | Henry Purcell, composer | G minor | Z.510 | 1684 | Baroque | ||||
| Oh! What a Scene Does Entertain My Sight | Henry Purcell, composer | D major | Z.506 | 1682 | soprano, violin, continuo and bass tenor, bass, violin and continuo |
Baroque | Songs | ||
| If ever I more riches did desire | Henry Purcell, composer Abraham Cowley, librettist |
G major | Z.544 | 1686 | 2 sopranos, tenor, bass, mixed chorus, 2 violins and continuo | Baroque | Songs | ||
| Mad Tom, ZS 68 | Henry Purcell, composer | G major | ZS 68 | voice and continuo | Baroque | Songs | |||
| The Works of Henry Purcell | Henry Purcell, composer | Baroque | Critical editions | ||||||
| Trumpet Tune in C major | Henry Purcell, composer | C major | ZT 698 | 1696 | keyboard | Baroque | Pieces | ||
| March in C major | Henry Purcell, composer | ZT 687 | 1696 | keyboard | Baroque | Marches | |||
| Chaconne in G minor | Henry Purcell, composer | G minor | ZT 680 | 1696 | keyboard | Baroque | Chaconnes | ||
| Jig in G minor | Henry Purcell, composer | G minor | ZT 686 | 1696 | keyboard | Baroque | Gigues | ||
| A New Ground in E minor | Henry Purcell, composer | E minor | ZT 682 | keyboard | Baroque | Grounds | |||
| Sefauchi's Farewell | Henry Purcell, composer | D minor | Z.656 | 1687 | keyboard | Baroque | Pieces | ||
| Minuet in D minor | Henry Purcell, composer | D minor | ZT 688 | 1687 | keyboard | Baroque | Minuets | ||
| Ground in C minor | Henry Purcell, composer | ZT 681 | keyboard | Baroque | Grounds | ||||
| Prelude in A minor | Henry Purcell, composer | A minor | Z.652 | keyboard | Baroque | Preludes | |||
| Hornpipe in E minor | Henry Purcell, composer | E minor | ZT 685 | keyboard | Baroque | Hornpipes | |||
| Prelude in G major | Henry Purcell, composer | G major | keyboard | Baroque | Preludes | ||||
| Overture, Air and Jig | Henry Purcell, composer | G minor | ZT 693 | keyboard | Baroque | Overtures, Airs, Gigues | |||
| Voluntary in D minor | Henry Purcell, composer | D minor | Z.718 | organ | Baroque | Voluntaries | |||
| Gavotte in G major (Gavott) | Henry Purcell, composer | G major | keyboard | Baroque | Gavottes | ||||
| Toccata quasi Fantasia con Fuga | Henry Purcell, composer | (BWV Anh.178) | keyboard | Baroque | Toccatas, Fantasias, Fugues | ![]() |
|||
| Voluntary in C major | Henry Purcell, composer | C major | organ | Baroque | Voluntaries | ||||
| Voluntary in D minor | Henry Purcell, composer | D minor | Z.719 | organ | Baroque | Voluntaries | |||
| Sonata in G minor | Henry Purcell, composer | Z.806 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | ||||
| Sonata in D major | Henry Purcell, composer | D major | Z.811 | 2 violins and continuo 2 violins, viol and continuo |
Baroque | Sonatas | |||
| Raise the Voice (Ode for Saint Cecilia's Day) | Henry Purcell, composer | Z.334 | 1685 | voices, mixed chorus, strings and continuo | Baroque | Odes | |||
| The Canterbury Guests (A Bargain Broken) | Henry Purcell, composer | Z.591 | 1694 | Baroque | |||||
| Cleomenes, the Spartan Hero | Henry Purcell, composer John Dryden, librettist |
Z.576 | 1692 | Baroque | |||||
| The English Lawyer | Henry Purcell, composer | Z.594 | 1685 | Baroque | |||||
| Epsom Wells | Henry Purcell, composer | Z.579 | 1693 | Baroque | |||||
| Circe | Henry Purcell, composer | Z.575 | 1690 | voices, mixed chorus and orchestra voices, mixed chorus, strings and continuo |
Baroque | Incidental music | |||
| Arise, My Muse | Henry Purcell, composer | D major | Z.320 | 1690 | mixed chorus, 2 trumpets, strings and continuo | Baroque | Odes | ||
| Welcome, Welcome Glorious Morn | Henry Purcell, composer | C major | Z.338 | 1691 | mixed chorus and orchestra | Baroque | Odes | ||
| In the Midst of Life | Henry Purcell, composer | Z.17 | mixed chorus and continuo | Baroque | Anthems | ||||
| Who Hath Believed Our Report? | Henry Purcell, composer | Z.64 | mixed chorus and continuo | Baroque | Anthems | ||||
| Behold Now, Praise the Lord | Henry Purcell, composer | Z.3 | 1680 | mixed chorus, strings and continuo | Baroque | Anthems | |||
| Save Me, O God | Henry Purcell, composer | Z.51 | mixed chorus and continuo | Baroque | Anthems | ||||
| Blessed Is He whose Unrighteousness | Henry Purcell, composer | Z.8 | mixed chorus and continuo | Baroque | Anthems | ||||
| Hear Me, O Lord | Henry Purcell, composer | Z.13 | mixed chorus and continuo | Baroque | Anthems | ||||
| Bow Down Thine Ear | Henry Purcell, composer | Z.11 | mixed chorus and continuo | Baroque | Anthems | ||||
| Awake, Awake, Put on Thy Strength | Henry Purcell, composer | Z.1 | mixed chorus, strings and continuo | Baroque | Anthems | ||||
| Welcome, Vicegerent of the Mighty King (A Song to Welcome Home His Majesty from Windsor) | Henry Purcell, composer | C major | Z.340 | 1680 | mixed chorus, strings and continuo | Baroque | Odes, Songs | ||
| Swifter, Isis, Swifter Flow (A Welcome Song in the Year 1681 for the King) | Henry Purcell, composer | G major | Z.336 | 1681 | mixed chorus, strings and continuo | Baroque | Odes, Songs | ||
| Praise the Lord, O Jerusalem | Henry Purcell, composer | Z.46 | 1689 | mixed chorus, strings and continuo | Baroque | Anthems | |||
| Praise the Lord, O My Soul, O Lord My God | Henry Purcell, composer | G major | Z.48 | 1687 | mixed chorus, strings and continuo | Baroque | Anthems | ||
| Now Does the Glorious Day Appear | Henry Purcell, composer | Z.332 | 1689 | mixed chorus, strings and continuo | Baroque | Odes | |||
| In Nomine of Seven Parts, Z.747 (In Nomine in G minor) | Henry Purcell, composer | G minor | 1680 | 7 viols 7 Unspecified instruments |
Baroque | Fantasias, In nomines | ![]() |
||
| Oroonoko | Henry Purcell, composer | Z.584 | 1695 | continuo and 2 sopranos | Baroque | Incidental music | |||
| Regulus | Henry Purcell, composer | Z.586 | soprano and continuo | Baroque | Incidental music | ||||
| The Richmond Heiress (A Woman Once in the Right) | Henry Purcell, composer | Z.608 | 1691 | soprano, bass and continuo | Baroque | Incidental music | |||
| Rule a Wife and Have a Wife (There's Not a Swain) | Henry Purcell, composer | Z.587 | 1693 | soprano and continuo | Baroque | Incidental music, Songs | |||
| Sir Anthony Love (The Rambling Lady) | Henry Purcell, composer | Z.588 | 1692 | voices, strings and continuo | Baroque | Incidental music | |||
| Sir Barnaby Whigg (No Wit Like a Woman's) | Henry Purcell, composer | Z.589 | 1681 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Incidental music | |||
| Sophonisba (Hannibal's Overthrow) | Henry Purcell, composer | Z.590 | 1685 | soprano and continuo | Baroque | Incidental music | |||
| The Spanish Friar (The Double Discovery / Whilst I with Grief) | Henry Purcell, composer | Z.610 | 1694 | soprano and continuo | Baroque | Incidental music | |||
| Theodosius (The Force of Love) | Henry Purcell, composer | Z.606 | 1680 | voices, 2 flutes and continuo | Baroque | Incidental music | |||
| Tyrannic Love (The Royal Martyr) | Henry Purcell, composer | Z.613 | 1694 | soprano, bass and continuo | Baroque | Incidental music | |||
| The Wives' Excuse (Cuckolds Make Themselves) | Henry Purcell, composer | Z.612 | 1691 | soprano and continuo | Baroque | Incidental music | |||
| When Night Her Purple Veil | Henry Purcell, composer | ZD 201 | 2 violins, continuo and bass bass, 2 flutes and continuo |
Baroque | Secular cantatas | ||||
| An Ape, a Lion, a Fox and an Ass | Henry Purcell, composer | D minor | Z.241 | 1686 | 3 voices | Baroque | Catches | ||
| As Roger Last Night | Henry Purcell, composer | C minor | Z.242 | 3 voices | Baroque | Catches | |||
| Bring the Bowl and Cool Nantz | Henry Purcell, composer | D minor | Z.243 | 1693 | 3 voices | Baroque | Catches | ||
| Call for the Reckoning | Henry Purcell, composer | G major | Z.244 | 3 voices | Baroque | Catches | |||
| Come, Let Us Drink | Henry Purcell, composer | C major | Z.245 | 3 voices and continuo | Baroque | Catches | |||
| Come, My Hearts | Henry Purcell, composer | F major | Z.246 | 1685 | 3 voices | Baroque | Catches | ||
| Down, Down with Bacchus | Henry Purcell, composer | F major | Z.247 | 1693 | 3 voices | Baroque | Catches | ||
| Drink On, till Night Be Spent | Henry Purcell, composer | C major | Z.248 | 1686 | 3 voices | Baroque | Catches | ||
| God Save Our Sovereign Charles | Henry Purcell, composer | C major | Z.250 | 1685 | 3 voices | Baroque | Catches | ||
| Great Apollo and Bacchus | Henry Purcell, composer | C major | Z.251 | 3 voices | Baroque | Catches | |||
| He that Drinks Is Immortal | Henry Purcell, composer | G major | Z.254 | 1686 | 3 voices | Baroque | Catches | ||
| A Health to the Nut-Brown Lass | Henry Purcell, composer | F major | Z.240 | 1685 | 3 voices | Baroque | Catches | ||
| Here's a Health, Pray Let It Pass | Henry Purcell, composer | D minor | Z.252 | 3 voices | Baroque | Catches | |||
| Here's that Will Challenge All the Fair (Bartholomew Fair) | Henry Purcell, composer | C major | Z.253 | 1680 | 3 voices | Baroque | Catches | ||
| I Gave Her Cakes | Henry Purcell, composer | C major | Z.256 | 1690 | 3 voices | Baroque | Catches | ||
| If All Be True that I Do Think | Henry Purcell, composer | G minor | Z.255 | 1689 | 3 voices | Baroque | Catches | ||
| Is Charleroy's Siege Come To? (A Catch upon Charleroy) | Henry Purcell, composer | G minor | Z.257 | 1693 | 3 voices | Baroque | Catches | ||
| Let the Grave Folks Go Preach (The Jovial Drinker) | Henry Purcell, composer | G major | Z.258 | 1685 | 3 voices | Baroque | Catches | ||
| Let Us Drink to the Blades | Henry Purcell, composer | C major | Z.259 | 1691 | 3 voices | Baroque | Catches | ||
| The Macedon Youth | Henry Purcell, composer | C major | Z.276 | 1686 | 4 voices | Baroque | Catches | ||
| My Lady's Coachman, John (Thee Pensioner) | Henry Purcell, composer | C major | Z.260 | 1688 | 3 voices | Baroque | Catches | ||
| Now England's Great Council's | Henry Purcell, composer | G major | Z.261 | 3 voices | Baroque | Catches | |||
| Now, Now We Are Met | Henry Purcell, composer | C major | Z.262 | 1688 | 3 voices | Baroque | Catches | ||
| Of All the Instruments that Are | Henry Purcell, composer | C major | Z.263 | 1693 | 3 voices | Baroque | Catches | ||
| Once in Our Lives | Henry Purcell, composer | C minor | Z.264 | 1686 | 3 voices | Baroque | Catches | ||
| Once, Twice, Thrice, I Julia Tried | Henry Purcell, composer | G minor | Z.265 | 3 voices | Baroque | Catches | |||
| One Industrious Insect | Henry Purcell, composer | A minor | Z.266 | 3 voices | Baroque | Catches | |||
| Pale Faces, Stand By | Henry Purcell, composer | D minor | Z.267 | 1688 | 3 voices | Baroque | Catches | ||
| Pox on You for a Fop (Plague on You for a Fop) | Henry Purcell, composer | C major | Z.268 | 3 voices | Baroque | Catches | |||
| Prithee Ben't So Sad and Serious | Henry Purcell, composer | A minor | Z.269 | 3 voices and continuo | Baroque | Catches | |||
| Die Nacht (Gesänge für eine hohe Stimme und Streichinstrumente) | Henry Purcell, composer | strings and soprano | Baroque | Arias | |||||
| Room for th' Express | Henry Purcell, composer | C major | Z.270 | 1694 | 3 voices | Baroque | Catches | ||
| Since the Duke is Return'd (Upon the Duke's Return) | Henry Purcell, composer | B flat major | Z.271 | 1685 | 3 voices | Baroque | Catches | ||
| Since Time So Kind to Us Does Prove | Henry Purcell, composer | A minor | Z.272 | 3 voices | Baroque | Catches | |||
| Soldier, Soldier, Take Off Thy Wine | Henry Purcell, composer | C major | Z.274 | 4 voices | Baroque | Catches | |||
| Tis Easy to Force ('Tis Easy to Force) | Henry Purcell, composer | F major | Z.279 | 1685 | 4 voices | Baroque | Catches | ||
| The Surrender of Limerick | Henry Purcell, composer | G minor | Z.278 | 1691 | 3 voices | Baroque | Catches | ||
| Sir Walter Enjoying (The Scolding) | Henry Purcell, composer | D major | Z.273 | 3 voices | Baroque | Catches | |||
| Sum Up All the Delights | Henry Purcell, composer | F major | Z.275 | 1688 | 3 voices | Baroque | Catches | ||
| Tis Too Late for a Coach ('Tis Too Late for a Coach) | Henry Purcell, composer | C major | Z.280 | 1686 | 3 voices | Baroque | Catches | ||
| Tis Women Makes Us Love ('Tis Women Makes Us Love) | Henry Purcell, composer | C major | Z.281 | 1685 | 4 voices | Baroque | Catches | ||
| To Thee and to a Lass | Henry Purcell, composer | G minor | Z.283 | 1685 | 3 voices | Baroque | Catches | ||
| True Englishmen Drink a Good Health | Henry Purcell, composer | G minor | Z.284 | 1689 | 3 voices | Baroque | Catches | ||
| Under a Green Elm | Henry Purcell, composer | G major | Z.285 | 1686 | 4 voices | Baroque | Catches | ||
| Under this Stone Lies Gabriel John | Henry Purcell, composer | A minor | Z.286 | 1686 | 3 voices | Baroque | Catches | ||
| When V and I Together Meet | Henry Purcell, composer | D minor | Z.287 | 1686 | 3 voices | Baroque | Catches | ||
| Who Comes There? | Henry Purcell, composer | C major | Z.288 | 1685 | 3 voices | Baroque | Catches | ||
| Wine in a Morning | Henry Purcell, composer | C major | Z.289 | 1686 | 3 voices | Baroque | Catches | ||
| Young Colin Cleaving | Henry Purcell, composer | C major | Z.291 | 1691 | 3 voices | Baroque | Catches | ||
| Would You Know How We Meet | Henry Purcell, composer | D major | Z.290 | 1685 | 3 voices | Baroque | Catches | ||
| To All Lovers of Music | Henry Purcell, composer | C minor | Z.282 | 1687 | 3 voices | Baroque | Catches | ||
| Young John the Gardener (The Servants' Ball) | Henry Purcell, composer | C major | Z.292 | 1683 | 4 voices | Baroque | Catches | ||
| Full Bags | Henry Purcell, composer | G major | Z.249 | 1686 | 3 voices | Baroque | Catches | ||
| The Miller's Daughter Riding | Henry Purcell, composer | A minor | Z.277 | 1686 | 3 voices | Baroque | Catches | ||
| The Glass Was Just Timed | Henry Purcell, composer | C major | 3 voices | Baroque | Catches | ||||
| Since Women So False | Henry Purcell, composer | C minor | 3 voices | Baroque | Catches | ||||
| Tom Making a Manteau | Henry Purcell, composer | F major | 3 voices | Baroque | Catches | ||||
| When Gay Philander Left the Plain | Henry Purcell, composer | A minor | Z.519 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Come, Lay by All Care (Adieu to His Mistress) | Henry Purcell, composer | F major | Z.484 | 1685 | soprano, bass and continuo tenor, bass and continuo soprano and bass tenor and bass |
Baroque | Songs | ||
| Though My Mistress Be Fair | Henry Purcell, composer | G minor | Z.514 | 1685 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Sit Down, My Dear Sylvia (A Dialogue Betwixt Alexis and Sylvia) | Henry Purcell, composer | F major | Z.509 | 1685 | soprano, bass, mixed chorus and continuo | Baroque | Songs | ||
| When, Lovely Phyllis, Thou Art Kind | Henry Purcell, composer | D minor | Z.520 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| I Saw Fair Cloris All Alone | Henry Purcell, composer | A minor | Z.498 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Sylvia, 'Tis True You're Fair | Henry Purcell, composer | C major | Z.512 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Come, Dear Companions of th' Arcadian Fields | Henry Purcell, composer | C major | Z.483 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| How Great Are the Blessings (A Health to King James II) | Henry Purcell, composer | Z.494 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Saccharissa's Grown Old | Henry Purcell, composer | D minor | Z.507 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| When Teucer from His Father Fled (Teucer's Voyage) | Henry Purcell, composer | Z.522 | 1686 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Oft Am I by the Women Told | Henry Purcell, composer | D minor | Z.505 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| How Sweet Is the Air and Refreshing | Henry Purcell, composer | G major | Z.495 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Fill the Bowl with Rosy Wine | Henry Purcell, composer | C major | Z.487 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| I Some Kind Dream | Henry Purcell, composer | D minor | Z.497 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Hence, Fond Deceiver (Love and Despair / A Dialogue) | Henry Purcell, composer | D minor | Z.492 | 1687 | soprano, bass and continuo | Baroque | Songs | ||
| Has Yet Your Breast No Pity Learn'd? (A Dialogue between Strephon and Dorinda) | Henry Purcell, composer | G minor | Z.491 | 1688 | soprano, bass and continuo | Baroque | Songs | ||
| Here's to Thee, Dick | Henry Purcell, composer | G major | Z.493 | 1688 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Let Hector, Achilles and Each Brave Commander | Henry Purcell, composer | C major | Z.501 | 1689 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Were I to Choose the Greatest Bliss | Henry Purcell, composer | D minor | Z.517 | 1689 | soprano and continuo tenor and continuo |
Baroque | Songs | ||
| Nestor, Who Did to Thrice Man's Age Attain | Henry Purcell, composer | D minor | Z.503 | 1689 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Lost Is My Quiet Forever | Henry Purcell, composer | C minor | Z.502 | 1691 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Why, My Daphne, Why Complaining? (A Dialogue between Thirsis and Daphne) | Henry Purcell, composer | D minor | Z.525 | 1691 | soprano, bass and continuo | Baroque | Songs | ||
| Fair Cloe, My Breast So Alarms | Henry Purcell, composer | Z.486 | 1692 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Underneath this Myrtle Shade (The Epicure) | Henry Purcell, composer | Z.516 | 1692 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| What Can We Poor Females Do? | Henry Purcell, composer | A minor | Z.429 | 1694 | soprano, bass and continuo | Baroque | Songs | ||
| Dulcibella, Whene'er I Sue for a Kiss | Henry Purcell, composer | D minor | Z.485 | 1694 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| When Myra Sings | Henry Purcell, composer | C minor | Z.521 | 1695 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| There Never Was So Wretched Lover as I | Henry Purcell, composer | Z.513 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||||
| In All Our Cynthia's Shining Sphere (Dialogue) | Henry Purcell, composer | D major | Z.496 | soprano, bass and continuo | Baroque | Songs | |||
| While Bolts and Bars My Days Control | Henry Purcell, composer | G minor | Z.523 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Trip It, Trip It in a Ring | Henry Purcell, composer | F major | Z.515 | soprano, bass and continuo | Baroque | Songs | |||
| Go Tell Amynta, Gentle Swain | Henry Purcell, composer | E minor | Z.489 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Julia, Your Unjust Disdain | Henry Purcell, composer | A minor | Z.500 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| I Spy Celia | Henry Purcell, composer | D minor | Z.499 | 1687 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| While You for Me Alone Had Charms (The 9th Ode of Horace Imitated / A Dialogue betwixt the Poet and Lydia) | Henry Purcell, composer | C major | Z.524 | soprano, bass, mixed chorus and continuo | Baroque | Songs | |||
| Above the Tumults of a Busy State | Henry Purcell, composer | D minor | Z.480 | 1683 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | ||
| Alas, How Barbarous We Are | Henry Purcell, composer | A minor | Z.482 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Sylvia, Thou Brighter Eye of Night (A Serenading Song) | Henry Purcell, composer | C minor | Z.511 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Songs | |||
| Haste, Gentle Charon (A Dialogue between Charon and Orpheus) | Henry Purcell, composer | F major | Z.490 | continuo and 2 basses | Baroque | Songs | |||
| Tis Wine Was Made to Rule the Day (A Drinking Song) | Henry Purcell, composer | C major | Z.546 | soprano, tenor, bass and continuo 2 tenors, bass and continuo |
Baroque | Songs | |||
| When the Cock Begins to Crow | Henry Purcell, composer | F major | ZD 172 | 2 sopranos, bass and continuo 2 tenors, bass and continuo |
Baroque | Songs | |||
| A Poor Blind Woman, ZD 171 (The Blind Beggar's Song) | Henry Purcell, composer | A minor | ZD 171 | 2 sopranos, bass and continuo | Baroque | Songs | |||
| Sweet Tyranness, I Now Resign, ZS 70 | Henry Purcell, composer | A minor | 1678 | 2 sopranos, bass and continuo | Baroque | Songs | |||
| Turn Then Thine Eeyes | Henry Purcell, composer | A minor | Z.425 | voice and continuo | Baroque | Songs | |||
| The Fatal Marriage (The Innocent Adultery) | Henry Purcell, composer | Z.595 | 1694 | soprano, bass and continuo | Baroque | Incidental music | |||
| The Female Virtuosos | Henry Purcell, composer | Z.596 | 1693 | 2 voices and continuo | Baroque | Incidental music | |||
| Henry the Second (Henry the Second, King of England) | Henry Purcell, composer | Z.580 | 1692 | soprano, bass, strings and continuo | Baroque | Incidental music | |||
| The Indian Emperor (The Conquest of Mexico) | Henry Purcell, composer | Z.598 | 1691 | tenor and continuo | Baroque | Incidental music | |||
| King Richard the Second (The History of King Richard the Second / The Sicilian Usurper) | Henry Purcell, composer | Z.581 | 1681 | soprano and continuo tenor and continuo |
Baroque | Incidental music | |||
| The Knight of Malta | Henry Purcell, composer | Z.599 | 1691 | 3 voices | Baroque | Incidental music | |||
| The Maid's Last Prayer (Any Rather Than Fail) | Henry Purcell, composer | Z.601 | 1693 | soprano, alto and continuo | Baroque | Incidental music | |||
| The Marriage-Hater Matched | Henry Purcell, composer | Z.602 | 1693 | soprano, bass and continuo tenor, bass and continuo |
Baroque | Incidental music | |||
| The Massacre of Paris | Henry Purcell, composer | Z.604 | 1693 | soprano, bass and continuo | Baroque | Incidental music | |||
| The Mock Marriage | Henry Purcell, composer | Z.605 | 1695 | soprano and continuo | Baroque | Incidental music | |||
| Ah! Cruel Nymph (Ah! Cruel Nymph, You Give Despair) | Henry Purcell, composer | Z.352 | voice and continuo | Baroque | Songs | ||||
| Ah! How Pleasant 'Tis to Love | Henry Purcell, composer | C major | Z.353 | 1688 | voice and continuo | Baroque | Songs | ||
| Ah! What Pains | Henry Purcell, composer | Z.354 | voice and continuo | Baroque | Songs | ||||
| Amidst the Shades and Cool Refreshing Streams | Henry Purcell, composer | A minor | Z.355 | 1687 | voice and continuo | Baroque | Songs | ||
| Amintas, to My Grief I See | Henry Purcell, composer | D minor | Z.356 | 1679 | voice and continuo | Baroque | Songs | ||
| Amintor, Heedless of his Flocks | Henry Purcell, composer | C minor | Z.357 | 1681 | voice and continuo | Baroque | Songs | ||
| Ask Me to Love No More | Henry Purcell, composer | B flat major | Z.358 | 1694 | voice and continuo | Baroque | Songs | ||
| Bacchus Is a Power Divine | Henry Purcell, composer | D major | Z.360 | voice and continuo | Baroque | Songs | |||
| Beneath a Dark, a Melancholy Grove | Henry Purcell, composer | D minor | Z.761 | voice and continuo | Baroque | Songs | |||
| Beware, Poor Shepherds | Henry Purcell, composer | D minor | Z.361 | 1684 | voice and continuo | Baroque | Songs | ||
| Cease, Anxious World | Henry Purcell, composer | G minor | Z.362 | 1687 | voice and continuo | Baroque | Songs | ||
| Cease, O My Sad Soul | Henry Purcell, composer | C minor | Z.363 | 1678 | voice and continuo | Baroque | Songs | ||
| Celia's Fond, Too Long I've Loved Her | Henry Purcell, composer | D minor | Z.364 | 1694 | voice and continuo | Baroque | Songs | ||
| Corinna Is Divinely Fair | Henry Purcell, composer | G minor | Z.365 | 1692 | voice and continuo | Baroque | Songs | ||
| Cupid, the Slyest Rogue Alive | Henry Purcell, composer | G minor | Z.367 | 1685 | voice and continuo | Baroque | Songs | ||
| Draw Near, You Lovers | Henry Purcell, composer | D minor | Z.462 | voice and continuo | Baroque | Songs | |||
| Farewell, All Joys | Henry Purcell, composer | G minor | Z.368 | 1685 | voice and continuo | Baroque | Songs | ||
| The Fatal Hour Comes On | Henry Purcell, composer | E minor | Z.421 | voice and continuo | Baroque | Songs | |||
| Fly Swift, Ye Hours | Henry Purcell, composer | D minor | Z.369 | 1692 | voice and continuo | Baroque | Songs | ||
| Farewell, Ye Rocks (The Storm) | Henry Purcell, composer | Z.463 | 1685 | voice and continuo | Baroque | Songs | |||
| High on a Throne of Glitt'ring Ore | Henry Purcell, composer | G major | Z.465 | 1690 | voice and continuo | Baroque | Songs | ||
| From Silent Shades (Bess of Bedlam) | Henry Purcell, composer | C major | Z.370 | 1683 | voice and continuo | Baroque | Songs | ||
| Gentle Shepherds, You that Know (A Pastoral Elegy on the Death of Mr. John Playford) | Henry Purcell, composer | Z.464 | 1687 | voice and continuo | Baroque | Songs | |||
| A Grasshopper and a Fly (An Allegory) | Henry Purcell, composer | G minor | Z.481 | voice and continuo | Baroque | Songs | |||
| He Himself Courts His Own Ruin | Henry Purcell, composer | F major | Z.372 | 1684 | voice and continuo | Baroque | Songs | ||
| How Delightful's the Fife of an Innocent Swain | Henry Purcell, composer | G major | Z.373 | voice and continuo | Baroque | Songs | |||
| How I Sigh when I Think of the Charms | Henry Purcell, composer | C minor | Z.374 | 1681 | voice and continuo | Baroque | Songs | ||
| I Came, I Saw, and Was Undone (The Thraldom) | Henry Purcell, composer | A minor | Z.375 | voice and continuo | Baroque | Songs | |||
| I Envy Not a Monarch's Fate | Henry Purcell, composer | D major | Z.376 | 1693 | voice and continuo | Baroque | Songs | ||
| I Fain Would Be Free | Henry Purcell, composer | C major | Z.377 | voice and continuo | Baroque | Songs | |||
| I Love and I Must | Henry Purcell, composer | C minor | Z.382 | voice and continuo | Baroque | Songs | |||
| I Resolve Against Cringing | Henry Purcell, composer | A minor | Z.386 | 1679 | voice and continuo | Baroque | Songs | ||
| I Saw that You Were Grown So High | Henry Purcell, composer | D minor | Z.387 | 1678 | voice and continuo | Baroque | Songs | ||
| I Take No Pleasure in the Sun's Bright Beams | Henry Purcell, composer | A minor | Z.388 | 1681 | voice and continuo | Baroque | Songs | ||
| If Grief Has Any Power to Kill | Henry Purcell, composer | D minor | Z.378 | 1685 | voice and continuo | Baroque | Songs | ||
| If Pray'rs and Tears (Sighs for Our Late Sovereign King Charles the Second) | Henry Purcell, composer | C minor | Z.380 | voice and continuo | Baroque | Songs | |||
| In Cloris All Soft Charms | Henry Purcell, composer | G major | Z.384 | 1684 | voice and continuo | Baroque | Songs | ||
| In Vain We Dissemble | Henry Purcell, composer | D minor | Z.385 | 1685 | voice and continuo | Baroque | Songs | ||
| Incassum Lesbia (The Queen's Epicedium / Elegy on the Death of Queen Mary (1695)) | Henry Purcell, composer | C minor | Z.383 | 1695 | voice and continuo | Baroque | Songs | ||
| Leave these Useless Arts in Loving | Henry Purcell, composer | G minor | Z.389 | voice and continuo | Baroque | Songs | |||
| Let Each Gallant Heart (A Song to a Ground) | Henry Purcell, composer | C major | Z.390 | 1683 | voice and continuo | Baroque | Songs | ||
| Let Us, Kind Lesbia, Give Away | Henry Purcell, composer | G major | Z.466 | 1684 | voice and continuo | Baroque | Songs | ||
| Let Formal Lovers Still Pursue | Henry Purcell, composer | A minor | Z.391 | 1687 | voice and continuo | Baroque | Songs | ||
| Love Is Now Become a Trade | Henry Purcell, composer | G minor | Z.393 | 1685 | voice and continuo | Baroque | Songs | ||
| Love, Thou Canst Hear, Tho' Thou Art Blind | Henry Purcell, composer | Z.396 | 1695 | voice and continuo | Baroque | Songs | |||
| Love's Power in My Heart Shall Find No Compliance | Henry Purcell, composer | C major | Z.395 | 1688 | voice and continuo | Baroque | Songs | ||
| Lovely Albina's Come Ashore | Henry Purcell, composer | C major | Z.394 | voice and continuo | Baroque | Songs | |||
| More Love or More Disdain I Crave | Henry Purcell, composer | G major | Z.397 | 1678 | voice and continuo | Baroque | Songs | ||
| Musing on Cares of Human Fate | Henry Purcell, composer | A minor | Z.467 | 1685 | voice and continuo | Baroque | Songs | ||
| My Heart, Wherever You Appear | Henry Purcell, composer | D minor | Z.399 | 1685 | voice and continuo | Baroque | Songs | ||
| The Concealment (No, to what Purpose Should I Speak?) | Henry Purcell, composer | D minor | Z.468 | voice and continuo | Baroque | Songs | |||
| No Watch, Dear Celia, Just Is Found | Henry Purcell, composer | G minor | Z.401 | 1693 | voice and continuo | Baroque | Songs | ||
| Not All My Torments Can Your Pity Move | Henry Purcell, composer | C minor | Z.400 | voice and continuo | Baroque | Songs | |||
| O! Fair Cedaria, Hide those Eyes | Henry Purcell, composer | Z.402 | voice and continuo | Baroque | Songs | ||||
| O! How Happy's He | Henry Purcell, composer | D minor | Z.403 | 1690 | voice and continuo | Baroque | Songs | ||
| Pastora's Beauties when Unblown | Henry Purcell, composer | C minor | Z.407 | 1681 | voice and continuo | Baroque | Songs | ||
| On the Brow of Richmond Hill | Henry Purcell, composer | B flat major | Z.405 | 1692 | voice and continuo | Baroque | Songs | ||
| Olinda in the Shades Unseen | Henry Purcell, composer | G major | Z.404 | voice and continuo | Baroque | Songs | |||
| Phyllis, I Can Ne'er Forgive It | Henry Purcell, composer | G minor | Z.408 | 1688 | voice and continuo | Baroque | Songs | ||
| Phillis, Talk no more of Passion | Henry Purcell, composer | C minor | Z.409 | 1685 | voice and continuo | Baroque | Songs | ||
| Pious Celinda Goes to Prayers | Henry Purcell, composer | D minor | Z.410 | 1695 | voice and continuo | Baroque | Songs | ||
| Rashly I Swore I Would Disown | Henry Purcell, composer | B flat major | Z.411 | 1683 | voice and continuo | Baroque | Songs | ||
| Sawney Is a Bonny Lad | Henry Purcell, composer | G major | Z.412 | 1694 | voice and continuo | Baroque | Songs | ||
| Scarce Had the Rising Sun Appear'd | Henry Purcell, composer | G minor | Z.469 | 1679 | voice and continuo | Baroque | Songs | ||
| See How the Fading Glories of the Year | Henry Purcell, composer | E minor | Z.470 | 1689 | voice and continuo | Baroque | Songs | ||
| She Loves and She Confesses Too | Henry Purcell, composer | C major | Z.413 | 1683 | voice and continuo | Baroque | Songs | ||
| She that Would Gain a Faithful Lover | Henry Purcell, composer | B flat major | Z.414 | 1695 | voice and continuo | Baroque | Songs | ||
| She, Who My Poor Heart Possesses | Henry Purcell, composer | G minor | Z.415 | 1683 | voice and continuo | Baroque | Songs | ||
| Sylvia, Now Your Scorn Give Over | Henry Purcell, composer | C major | Z.420 | 1688 | voice and continuo | Baroque | Songs | ||
| Since One Poor View Has Drawn My Heart | Henry Purcell, composer | C major | Z.416 | 1681 | voice and continuo | Baroque | Songs | ||
| Since the Pox or the Plague | Henry Purcell, composer | F major | Z.471 | 1679 | voice and continuo | Baroque | Songs | ||
| Spite of the Godhead, Powerful Love | Henry Purcell, composer | E minor | Z.417 | 1687 | voice and continuo | Baroque | Songs | ||
| Sweet, Be No Longer Sad | Henry Purcell, composer | A minor | Z.418 | 1678 | voice and continuo | Baroque | Songs | ||
| They Say You're Angry (The Rich Rival) | Henry Purcell, composer | B flat major | Z.422 | 1685 | voice and continuo | Baroque | Songs | ||
| A Thousand Sev'ral Ways I Tried | Henry Purcell, composer | B flat major | Z.359 | 1684 | voice and continuo | Baroque | Songs | ||
| Sweet Tyranness, I Now Resign | Henry Purcell, composer | A minor | ZS 69 | 1667 | voice and continuo | Baroque | Songs | ||
| Through Mournful Shades and Solitary Groves | Henry Purcell, composer | C minor | Z.424 | 1684 | voice and continuo | Baroque | Songs | ||
| Urge Me No More | Henry Purcell, composer | C minor | Z.426 | voice and continuo | Baroque | Songs | |||
| We Now, My Thyrsis, Never Find | Henry Purcell, composer | D minor | Z.427 | 1693 | voice and continuo | Baroque | Songs | ||
| What a Sad Fate | Henry Purcell, composer | A minor | Z.428 | voice and continuo | Baroque | Songs | |||
| What Can We Poor Females Do? | Henry Purcell, composer | A minor | Z.518 | voice and continuo | Baroque | Songs | |||
| What Hope for Us Remains Now He Is Gone? | Henry Purcell, composer | D minor | Z.472 | 1679 | voice and continuo | Baroque | Songs | ||
| When First Amintas Sued for a Kiss | Henry Purcell, composer | A major | Z.430 | 1687 | voice and continuo | Baroque | Songs | ||
| When First My Shepherdess and I | Henry Purcell, composer | A minor | Z.431 | 1687 | voice and continuo | Baroque | Songs | ||
| When Her Languishing Eyes Said Love | Henry Purcell, composer | E minor | Z.432 | 1681 | voice and continuo | Baroque | Songs | ||
| When I a Lover Pale Do See | Henry Purcell, composer | C major | Z.433 | 1678 | voice and continuo | Baroque | Songs | ||
| When My Aemelia Smiles | Henry Purcell, composer | B minor | Z.434 | voice and continuo | Baroque | Songs | |||
| When Strephon Found His Passion Vain | Henry Purcell, composer | G major | Z.435 | 1683 | voice and continuo | Baroque | Songs | ||
| When Thyrsis Did the Splendid Eye | Henry Purcell, composer | D minor | Z.436 | 1675 | voice and continuo | Baroque | Songs | ||
| While Thyrsis, Wrapt in Downy Sleep | Henry Purcell, composer | F major | Z.437 | 1685 | voice and continuo | Baroque | Songs | ||
| Whilst Cynthia Sung (Whilst Cynthia Sung, All Angry Winds Lay Still) | Henry Purcell, composer | D minor | Z.438 | 1686 | voice and continuo | Baroque | Songs | ||
| Who But a Slave Can Well Express | Henry Purcell, composer | G minor | Z.440 | voice and continuo | Baroque | Songs | |||
| Who Can Behold Florella's Charms? | Henry Purcell, composer | F major | Z.441 | 1695 | voice and continuo | Baroque | Songs | ||
| Why So Serious, Why So Grave? | Henry Purcell, composer | A minor | Z.442 | voice and continuo | Baroque | Songs | |||
| Ye Happy Swains (Ye Happy Swains, Whose Nymphs Are Kind) | Henry Purcell, composer | D minor | Z.443 | 1685 | voice and continuo | Baroque | Songs | ||
| Young Thyrsis' Fate (An Elegy upon the Death of Mr. Thomas Farmer, B.M.) | Henry Purcell, composer | C minor | Z.473 | voice and continuo | Baroque | Songs | |||
| Te Deum | Henry Purcell, composer | B flat major | Z.230 | 1682 | mixed chorus and continuo | Baroque | Te Deum | ||
| Love's Goddess Sure Was Blind (Ode for Queen Mary's Birthday (1692)) | Henry Purcell, composer | G minor | Z.331 | 1692 | mixed chorus, strings and continuo | Baroque | Odes |
©2026 CMI