Works with Henry Purcell as composer
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
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| Dido and Aeneas | Henry Purcell (composer) and Nahum Tate (librettist) |  |
Z.626 | 1677 | voices, mixed chorus and orchestra |  |
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| Suite in G major | Henry Purcell (composer) | |
G major | Z.660 | keyboard | |
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| Voluntary in A major on the 100th Psalm | Henry Purcell (composer) | |
Z.721 | organ | |
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| Rejoice in the Lord Alway, Z.49 | Henry Purcell (composer) | |
Z.49 | alto, tenor, bass, mixed chorus, strings and continuo | |
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| Pavane and Chaconne in G minor | Henry Purcell (composer) | |
Z.752 (Pavane) and Z.730 (Chaconne) | 1680 | 3 violins and continuo 3 violins and bass strings |
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| 3 Parts upon a Ground | Henry Purcell (composer) | |
Z.731 | 1678 | 3 violins and continuo | |
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| Fantazias and In Nomines | Henry Purcell (composer) | |
Z.732–747 | 1680 | 3 viols 3 Unspecified instruments 4 viols 4 Unspecified instruments 5 viols 5 Unspecified instruments 6 viols 6 Unspecified instruments 7 viols 7 Unspecified instruments |
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| Hail, Bright Cecilia! | Henry Purcell (composer) and Nicholas Brady (librettist) | |
Z.328 | 1692 | soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra | |
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| King Arthur, or The British Worthy | Henry Purcell (composer) and John Dryden (librettist) | |
Z.628 | 1691 | voices, mixed chorus and orchestra | |
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| Bonduca, or The British Heroine | Henry Purcell (composer) | |
Z.574 | 1695 | voices, mixed chorus and orchestra | |
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| 12 Sonatas of Three Parts | Henry Purcell (composer) | |
Z.790–801 | 1680 | 2 violins, viol and continuo 2 violins, cello and continuo |
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| 10 Sonatas in Four Parts | Henry Purcell (composer) | |
Z.802-811 | 2 violins and continuo 2 violins, viol and continuo |
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| Five sacred choruses | Henry Purcell (composer) | |
voices | |
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| Abdelazer | Henry Purcell (composer) and Aphra Behn (librettist) | |
Z.570 | 1695 | soprano, strings and continuo | |
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| Orpheus Britannicus | Henry Purcell (composer) | |
voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo voices, strings and continuo voice, recorder and continuo |
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| Aureng-Zebe | Henry Purcell (composer) and John Dryden (librettist) | |
Z.573 | 1692 | voice and continuo | |
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| Pausanius | Henry Purcell (composer) | |
Z.585 | 1695 | voice and continuo 2 voices and continuo |
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| The Rival Sisters | Henry Purcell (composer) and Robert Gould (librettist) | |
Z.609 | soprano, strings and continuo | |
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| I Lov'd Fair Celia | Henry Purcell (composer) | |
D minor | Z.381 | 1694 | voice and continuo | |
| If Music Be the Food of Love | Henry Purcell (composer) | |
Z.379 | 1692 | voice and continuo | |
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| Love Arms Himself in Celia's Eyes | Henry Purcell (composer) and Matthew Prior (librettist) | |
Z.392 | voice and continuo | |
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| Stript of Their Green Our Groves Appear | Henry Purcell (composer) and Peter Anthony Motteux (librettist) | |
Z.444 | 1692 | voice and continuo | |
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| This Poet Sings the Trojan Wars | Henry Purcell (composer) | |
Z.423 | voice and continuo | |
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| The Tempest | Henry Purcell (composer) | |
Z.631 | 1695 | soprano, alto, tenor, bass, mixed chorus and orchestra | |
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| 14 Pieces for the Violin | Henry Purcell (composer) | |
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| Hear My Prayer, O Lord | Henry Purcell (composer) | |
Z.15 | 1682 | mixed chorus and continuo | |
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| Te Deum and Jubilate Deo, for St. Cecilia's Day 1694 | Henry Purcell (composer) | |
D major | Z.232 | 1694 | 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra | |
| A Choice Collection of Lessons for the Harpsichord or Spinnet | Henry Purcell (composer) | |
keyboard | |
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| Harmonia sacra or select anthems in score for one, two, and three voices. | Henry Purcell (composer) | |
RISM A/I: P 5811 | voices and continuo | |
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| Dioclesian | Henry Purcell (composer) and Thomas Betterton (librettist) | |
Z.627 | voices, mixed chorus and orchestra | |
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| A Fool's Preferment, or, The Three Dukes of Dunstable | Henry Purcell (composer) and Thomas D'Urfey (librettist) | |
Z.571 | voice and continuo | |
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| The Indian Queen | Henry Purcell (composer) | |
Z.630 | voices, mixed chorus and orchestra | |
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| A Song Tune | Henry Purcell (composer) | |
C major | ZT 695 | 1687 | keyboard | |
| Jehovah, quam multi sunt hostes mei | Henry Purcell (composer) | |
Z.135 | tenor, bass, mixed chorus and continuo | |
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| Air in D minor | Henry Purcell (composer) | |
D minor | ZT 676 | |
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| The Fairy Queen | Henry Purcell (composer) | |
Z.629 | voices, mixed chorus and orchestra | |
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| Prelude | Henry Purcell (composer) | |
G minor | ZN 773 | violin | |
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| Music for the Funeral of Queen Mary | Henry Purcell (composer) | |
Z.860 | 1695 | 4 voices, 4 trumpets and organ mixed chorus, 4 trumpets and organ |
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| Evening Service | Henry Purcell (composer) | |
G minor | Z.231 | 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo | |
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| Ground in C minor | Henry Purcell (composer) | |
C minor | ZD 221 | harpsichord | |
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| Suite in D major | Henry Purcell (composer) | |
D major | Z.667 | keyboard | |
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| The Old Bachelor | Henry Purcell (composer) | |
Z.607 | 1691 | voice and orchestra | |
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| Incidental Music to The Gordion Knot Untied | Henry Purcell (composer) | |
Z.597 | strings and continuo | |
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| Selected Songs | Henry Purcell (composer) | |
Various | voice and piano voice and continuo |
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| The Libertine | Henry Purcell (composer) and Thomas Shadwell (librettist) | |
Z.600 | 1692 | soprano, alto, bass and orchestra | |
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| The Knotting Song | Henry Purcell (composer) and Charles Sedley (librettist) | |
Z.371 | 1695 | voice and continuo | |
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| Prelude in D major | Henry Purcell (composer) | |
organ | |
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| Suite in D major | Henry Purcell (composer) | |
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| Sonata in D major | Henry Purcell (composer) | |
D major | Z.850 | trumpet and strings | |
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| Suite in C major | Henry Purcell (composer) | |
Z 666 | keyboard | |
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| Sound the Trumpet, Beat the Drum | Henry Purcell (composer) | |
A minor | Z.335 | 1687 | alto, 2 tenors, bass, mixed chorus, strings and continuo | |
| Come, ye sons of art away | Henry Purcell (composer) and Nahum Tate (librettist) | |
Z.323 | 1694 | soprano, 2 altos, bass, mixed chorus and orchestra | |
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| Chacony | Henry Purcell (composer) | |
G minor | Z.730 | 1680 | 2 violins, viola and continuo | |
| O dive custos auriacae domus | Henry Purcell (composer) | |
C minor | Z.504 | continuo and 2 sopranos | |
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| Celebrate this Festival | Henry Purcell (composer) | |
Z.321 | 1693 | 2 sopranos, alto, tenor, bass, mixed chorus and orchestra | |
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| Suite for Strings | Henry Purcell (composer) | |
G major | Z.770 | strings | |
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| Timon of Athens | Henry Purcell (composer) | |
Z.632 | voices, mixed chorus and orchestra | |
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| My Beloved Spake | Henry Purcell (composer) | |
Z.28 | 1677 | mixed chorus, strings and continuo | |
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| Suites, Lessons and Pieces for the Harpsichord | Henry Purcell (composer) | |
harpsichord | |
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| Remember Not, Lord, Our Offences | Henry Purcell (composer) | |
A minor | Z.50 | 2 sopranos, alto, tenor, bass and continuo mixed chorus and continuo |
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| The Queen's Dolour | Henry Purcell (composer) | |
A minor | Z.670 | harpsichord | |
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| Lord, I Can Suffer Thy Rebukes | Henry Purcell (composer) | |
G minor - G major | Z.136 | 1680 | continuo, 2 sopranos, alto and bass 4 voices and continuo mixed chorus and continuo |
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| Suite in C major | Henry Purcell (composer) | |
trumpet and organ | |
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| Rigadoon in C major | Henry Purcell (composer) | |
C major | Z.653 | keyboard | |
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| A Ground in Gamut | Henry Purcell (composer) | |
G major | Z.645 | keyboard | |
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| March in C major | Henry Purcell (composer) | |
C major | Z.647 | 1687 | keyboard | |
| March in C major | Henry Purcell (composer) | |
C major | Z.648 | 1687 | keyboard | |
| Voluntary in C major | Henry Purcell (composer) | |
C major | Z.717 | keyboard | |
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| Verset in F major | Henry Purcell (composer) | |
F major | Z.716 | keyboard | |
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| Suite in G minor | Henry Purcell (composer) | |
G minor | Z.661 | keyboard | |
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| Suite in G major | Henry Purcell (composer) | |
G major | Z.662 | 1687 | keyboard | |
| Trumpet Tune in C major | Henry Purcell (composer) | |
C major | ZT 697 | 1696 | keyboard | |
| Fantasia No. 11 | Henry Purcell (composer) | |
Z.742 | 1680 | 4 viols 4 Unspecified instruments |
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| A collection of ayres, compos'd for the theatre | Henry Purcell (composer) | |
2 violins, viola and continuo 2 violins, viola and bass |
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| 6 Vocal Duets | Henry Purcell (composer) | |
2 voices and continuo 2 voices and orchestra |
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| Suite Anglaise (Ronchini's title) | Henry Purcell (composer) | |
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| Trumpet Tune in C major | Henry Purcell (composer) | |
C major | ZT 678 | 1696 | keyboard | |
| Gloria Patri et Filio | Henry Purcell (composer) | |
Z.105 | 1677 | 2 sopranos, tenor and bass | |
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| Beati omnes qui timent Dominum | Henry Purcell (composer) | |
G minor | Z.131 | 1680 | continuo, 2 sopranos, alto and bass mixed chorus and continuo |
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| Minuet in E minor | Henry Purcell (composer) | |
E minor | ZD 225 | harpsichord | |
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| Almond & Borry, ZD 219 | Henry Purcell (composer) | |
D major | ZD 219 | harpsichord | |
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| Song Tune | Henry Purcell (composer) | |
C major | ZT 694 | |
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| New Minuet | Henry Purcell (composer) | |
D minor | ZT 689 | harpsichord | |
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| Minuet in A minor | Henry Purcell (composer) | |
A minor | Z.649 | harpsichord | |
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| Fantasy No. 12 in D minor | Henry Purcell (composer) | |
D minor | Z.743 | 4 viols 4 Unspecified instruments |
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| Fantasy No. 10 in E minor | Henry Purcell (composer) | |
E minor | Z.741 | 4 viols | |
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| Fantasia upon One Note | Henry Purcell (composer) | |
F major | Z.745 | 1680 | 5 viols 5 Unspecified instruments |
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| In Nomine of Six Parts | Henry Purcell (composer) | |
G minor | Z.746 | 1680 | 6 viols 6 Unspecified instruments |
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| Suite in F major | Henry Purcell (composer) | |
F major | Z.669 | keyboard | |
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| Suite in A minor | Henry Purcell (composer) | |
A minor | Z.663 | keyboard | |
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| Suite in D minor | Henry Purcell (composer) | |
D minor | Z.668 | keyboard | |
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| Minuet in A minor | Henry Purcell (composer) | |
A minor | Z.650 | keyboard | |
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| Saraband with Division | Henry Purcell (composer) | |
A minor | Z.654 | harpsichord | |
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| Corant in G major | Henry Purcell (composer) | |
G major | Z.644 | keyboard | |
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| Minuet in G major | Henry Purcell (composer) | |
G major | Z.651 | keyboard | |
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| Suite in C major | Henry Purcell (composer) | |
C major | Z.665 | keyboard | |
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| O Lord Our Governor | Henry Purcell (composer) | |
C minor | Z.39 | 1679 | 3 sopranos, 2 basses, mixed chorus and continuo | |
| Drei Stücke | Henry Purcell (composer) | |
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| A New Scotch Tune | Henry Purcell (composer) | |
G major | Z.655 | 1687 | keyboard | |
| The Beauties of Purcell | Henry Purcell (composer) | |
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| Trio Sonata in G minor | Henry Purcell (composer) | |
G minor | Z.790 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in C major | Henry Purcell (composer) | |
C major | Z.795 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in E minor | Henry Purcell (composer) | |
E minor | Z.796 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in C minor | Henry Purcell (composer) | |
C minor | Z.798 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in D major | Henry Purcell (composer) | |
D major | Z.801 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo |
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| O God the King of Glory | Henry Purcell (composer) | |
Z.34 | 1679 | 4 voices | |
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| Lord, How Long wilt Thou be Angry? | Henry Purcell (composer) | |
Z.25 | 1680 | 5 voices mixed chorus |
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| I was Glad when They Said unto Me | Henry Purcell (composer) | |
1685 | 5 voices | |
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| Trio Sonata in B-flat major | Henry Purcell (composer) | |
B flat major | Z.791 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo 2 violins and viola violin, viola and cello |
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| Trio Sonata in D minor | Henry Purcell (composer) | |
D minor | Z.792 | 2 violins, viol and continuo 2 violins, cello and continuo |
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| Sonata No. 1 in B minor | Henry Purcell (composer) | |
B minor | Z.802 | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata in F major 'Golden Sonata' | Henry Purcell (composer) | |
F major | Z.810 | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata No. 7 in C major | Henry Purcell (composer) | |
C major | Z.808 | 2 violins and continuo 2 violins, viol and continuo |
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| Trio Sonata in F major | Henry Purcell (composer) | |
F major | Z.793 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonatain A minor | Henry Purcell (composer) | |
A minor | Z.794 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in G major | Henry Purcell (composer) | |
G major | Z.797 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in A major | Henry Purcell (composer) | |
A major | Z.799 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Trio Sonata in F minor | Henry Purcell (composer) | |
F minor | Z.800 | 1680 | 2 violins and continuo 2 violins, viol and continuo 2 violins, cello and continuo violin, viola and cello 2 violins and viola |
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| Sonata No. 2 in E-flat major | Henry Purcell (composer) | |
E flat major | Z.803 | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata No. 6 in G minor | Henry Purcell (composer) | |
G minor | Z.807 | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata No. 3 in A minor | Henry Purcell (composer) | |
A minor | Z.804 | 2 violins and continuo 2 violins, viol and continuo |
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| Trio Sonata in G minor | Henry Purcell (composer) | |
Z.780 | violin, viol and continuo | |
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| Who can from Joy Refrain? | Henry Purcell (composer) and Nahum Tate (librettist) | |
C major | Z.342 | 1689 | voices, mixed chorus and orchestra | |
| The Virtuous Wife | Henry Purcell (composer) | |
Z.611 | 1694 | strings and continuo | |
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| Sonata in D minor | Henry Purcell (composer) | |
D minor | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata in G minor | Henry Purcell (composer) | |
G minor | Z.809 | 2 violins and continuo 2 violins, viol and continuo |
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| Of old when heroes thought it base | Henry Purcell (composer) and Thomas D'Urfey (librettist) | |
Z.333 | 1690 | 5 voices, mixed chorus and orchestra | |
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| Distressed Innocence | Henry Purcell (composer) | |
Z.577 | 1694 | strings and continuo | |
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| Oedipus | Henry Purcell (composer) | |
Z.583 | 1692 | voices and orchestra | |
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| Oh Solitude | Henry Purcell (composer) and Katherine Philips (librettist) | |
C minor | Z.406 | voice and continuo | |
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| 10 Pianoforte Pieces | Henry Purcell (composer) | |
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| Let mines eyes run down with tears | Henry Purcell (composer) | |
5 voices and continuo | |
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| O sing unto the Lord | Henry Purcell (composer) | |
Z.44 | soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo | |
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| Air in G-major | Henry Purcell (composer) | |
G major | Z.641 | keyboard | |
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| Thou Know'st, Lord, the Secrets of Our Hearts | Henry Purcell (composer) | |
G minor | Z.58 | mixed chorus and continuo | |
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| Fantasy in D minor | Henry Purcell (composer) | |
D minor | Z.739 | 1680 | 4 viols 4 Unspecified instruments |
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| Amphitryon | Henry Purcell (composer) and John Dryden (librettist) | |
voices and orchestra | |
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| Album of Trumpet Tunes | Henry Purcell (composer) | |
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| Since God so Tender a Regard | Henry Purcell (composer) | |
Z. 143 | 1677 | 3 voices and continuo | |
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| Thy Word is a Lantern | Henry Purcell (composer) | |
C major | Z.61 | alto, tenor, bass and organ mixed chorus and organ |
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| O Lord thou art my God | Henry Purcell (composer) | |
A minor | 3 voices mixed chorus |
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| O Give Thanks Unto the Lord | Henry Purcell (composer) | |
C major | Z.33 | 1693 | soprano, alto, tenor, bass, mixed chorus and organ | |
| Air in D Minor | Henry Purcell (composer) | |
D minor | ZT 675 | harpsichord | |
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| Miserere mei | Henry Purcell (composer) and Catholic Liturgy (librettist) | |
A minor | Z.109 | mixed chorus | |
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| Ye Tuneful Muses | Henry Purcell (composer) | |
Z.344 | 1686 | voices, mixed chorus, strings and continuo | |
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| Passacaglia in G minor | Henry Purcell (composer) | |
G minor | Z.628 | 1691 | harpsichord keyboard |
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| Fantasia No. 5 in Bb major Z.736 | Henry Purcell (composer) | |
B flat major | Z.736 | 1680 | 4 viols 4 Unspecified instruments |
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| Fie, nay prithee, John | Henry Purcell (composer) | |
A flat major | 3 voices | |
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| Fantasia in D minor | Henry Purcell (composer) | |
D minor | Z.732 | 1680 | 3 viols | |
| Fantasy in F major | Henry Purcell (composer) | |
F major | Z.733 | 1680 | 3 viols | |
| Fantasia in G minor | Henry Purcell (composer) | |
G minor | Z.734 | 1680 | 3 viols | |
| A New Irish Tune | Henry Purcell (composer) | |
G major | Z 646 | 1689 | harpsichord | |
| From hardy climes and dangerous toils of war | Henry Purcell (composer) | |
D major | Z. 325 | 1683 | 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo | |
| What shall be done in behalf of the man | Henry Purcell (composer) | |
B flat major | Z.341 | 1682 | voices, mixed chorus, 2 recorders, strings and continuo voices, mixed chorus and orchestra |
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| The summer's absence unconcerned we bear | Henry Purcell (composer) | |
C major | Z.337 | 1682 | voices, mixed chorus, strings and continuo | |
| Laudate Ceciliam | Henry Purcell (composer) | |
C major | Z.329 | 1683 | alto, tenor, bass, 2 violins and continuo | |
| Fly, bold rebellion | Henry Purcell (composer) | |
F major | Z.324 | 1683 | 2 altos, tenor, 2 basses, mixed chorus, strings and continuo | |
| From Those Serene and Rapturous Joys | Henry Purcell (composer) and Thomas Flatman (librettist) | |
D minor | Z.326 | 1684 | voices, mixed chorus, strings and continuo | |
| Why, Why Are All the Muses Mute? | Henry Purcell (composer) | |
D minor | Z.343 | 1685 | voices, mixed chorus, strings and continuo | |
| Hark, how the wild musicians sing | Henry Purcell (composer) | |
B flat major | Z.542 | 1683 | 2 tenors, bass, 2 violins and continuo | |
| Celestial Music Did the Gods Inspire | Henry Purcell (composer) | |
C major | Z.322 | 1689 | voices, mixed chorus and orchestra voices, mixed chorus, 2 recorders, strings and continuo |
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| It Is a Good Thing to Give Thanks | Henry Purcell (composer) | |
G minor | Z.18 | 1682 | voices, mixed chorus and orchestra voices, mixed chorus, strings and continuo |
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| O Praise God in His Holiness | Henry Purcell (composer) | |
B flat major | Z.42 | 1682 | voices, mixed chorus, strings and continuo | |
| In Thee, O Lord, Do I Put My Trust | Henry Purcell (composer) | |
C minor | Z.16 | 1682 | 3 voices, mixed chorus, strings and continuo | |
| The Lord is my light | Henry Purcell (composer) and Psalm XXVII (librettist) | |
B minor | Z.55 | 1682 | alto, tenor, bass, mixed chorus, strings and continuo | |
| I Was Glad When They Said unto Me | Henry Purcell (composer) and CXXII (librettist) | |
G major | Z.19 | 1683 | 3 voices, mixed chorus, strings and continuo | |
| My Heart is Fixed | Henry Purcell (composer) | |
A major | Z.29 | 1683 | voices, mixed chorus, strings and continuo | |
| Praise the Lord, O My Soul | Henry Purcell (composer) | |
F major | Z.47 | 1683 | voices, mixed chorus, strings and continuo | |
| Why do the heathen | Henry Purcell (composer) | |
C minor | Z.65 | 1683 | 3 voices, mixed chorus, strings and continuo | |
| Unto thee will I cry | Henry Purcell (composer) and Psalm XXVIII (librettist) | |
D minor | Z.63 | 1683 | voices, mixed chorus, strings and continuo | |
| I will give thanks unto thee, O Lord | Henry Purcell (composer) | |
G major | Z.20 | 1684 | voices, mixed chorus, strings and continuo | |
| My heart is inditing | Henry Purcell (composer) and Isaiah XLIX (librettist) | |
C major | Z.30 | 1685 | voices, mixed chorus, strings and continuo | |
| Don Quixote | Henry Purcell (composer) | |
Z.578 | 1694 | voices and orchestra | |
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| 15 Fantasias | Henry Purcell (composer) | |
3 viols 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments |
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| An English Suite | Henry Purcell (composer) | |
1968 | |
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| The Married Beau | Henry Purcell (composer) and John Crowne (librettist) | |
Z.603 | 1694 | voice, strings and continuo strings and continuo |
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| The Double Dealer | Henry Purcell (composer) | |
Z.592 | 1693 | voice, strings and continuo | |
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| Welcome to All the Pleasures | Henry Purcell (composer) and Christopher Fishburn (librettist) | |
Z.339 | 1683 | voices, mixed chorus, strings and continuo | |
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| Minuet in D major | Henry Purcell (composer) | |
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| We reap all the pleasures | Henry Purcell (composer) | |
D minor | Z.547 | 1682 | |
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| Hark, Damon, hark | Henry Purcell (composer) | |
G major | Z.541 | 1683 | 2 sopranos, bass and orchestra | |
| How Pleasant Is this Flowery Plain | Henry Purcell (composer) | |
G minor | Z.543 | 1682 | soprano, tenor, 2 recorders and continuo | |
| See Where She Sits | Henry Purcell (composer) and Abraham Cowley (librettist) | |
G minor | Z.508 | 1683 | soprano, bass, 2 violins and continuo tenor, bass, 2 violins and continuo |
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| Soft notes and gently raised | Henry Purcell (composer) | |
G minor | Z.510 | 1684 | |
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| Oh! What a Scene Does Entertain My Sight | Henry Purcell (composer) | |
D major | Z.506 | 1682 | soprano, violin, continuo and bass tenor, bass, violin and continuo |
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| If ever I more riches did desire | Henry Purcell (composer) and Abraham Cowley (librettist) | |
G major | Z.544 | 1686 | 2 sopranos, tenor, bass, mixed chorus, 2 violins and continuo | |
| Mad Tom, ZS 68 | Henry Purcell (composer) | |
G major | ZS 68 | voice and continuo | |
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| The Works of Henry Purcell | Henry Purcell (composer) | |
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| Trumpet Tune in C major | Henry Purcell (composer) | |
C major | ZT 698 | 1696 | keyboard | |
| March in C major | Henry Purcell (composer) | |
ZT 687 | 1696 | keyboard | |
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| Chaconne in G minor | Henry Purcell (composer) | |
G minor | ZT 680 | 1696 | keyboard | |
| Jig in G minor | Henry Purcell (composer) | |
G minor | ZT 686 | 1696 | keyboard | |
| A New Ground in E minor | Henry Purcell (composer) | |
E minor | ZT 682 | keyboard | |
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| Sefauchi's Farewell | Henry Purcell (composer) | |
D minor | Z.656 | 1687 | keyboard | |
| Minuet in D minor | Henry Purcell (composer) | |
D minor | ZT 688 | 1687 | keyboard | |
| Ground in C minor | Henry Purcell (composer) | |
ZT 681 | keyboard | |
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| Prelude in A minor | Henry Purcell (composer) | |
A minor | Z.652 | keyboard | |
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| Hornpipe in E minor | Henry Purcell (composer) | |
E minor | ZT 685 | keyboard | |
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| Prelude in G major | Henry Purcell (composer) | |
G major | keyboard | |
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| Overture, Air and Jig | Henry Purcell (composer) | |
G minor | ZT 693 | keyboard | |
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| Voluntary in D minor | Henry Purcell (composer) | |
D minor | Z.718 | organ | |
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| Gavotte in G major | Henry Purcell (composer) | |
G major | keyboard | |
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| Toccata quasi Fantasia con Fuga | Henry Purcell (composer) | |
(BWV Anh.178) | keyboard | |
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| Voluntary in C major | Henry Purcell (composer) | |
C major | organ | |
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| Voluntary in D minor | Henry Purcell (composer) | |
D minor | Z.719 | organ | |
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| Sonata in G minor | Henry Purcell (composer) | |
Z.806 | 2 violins and continuo 2 violins, viol and continuo |
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| Sonata in D major | Henry Purcell (composer) | |
D major | Z.811 | 2 violins and continuo 2 violins, viol and continuo |
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| Raise the Voice | Henry Purcell (composer) | |
Z.334 | 1685 | voices, mixed chorus, strings and continuo | |
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| The Canterbury Guests | Henry Purcell (composer) | |
Z.591 | 1694 | |
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| Cleomenes, the Spartan Hero | Henry Purcell (composer) and John Dryden (librettist) | |
Z.576 | 1692 | |
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| The English Lawyer | Henry Purcell (composer) | |
Z.594 | 1685 | |
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| Epsom Wells | Henry Purcell (composer) | |
Z.579 | 1693 | |
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| Circe | Henry Purcell (composer) | |
Z.575 | 1690 | voices, mixed chorus and orchestra voices, mixed chorus, strings and continuo |
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| Arise, My Muse | Henry Purcell (composer) | |
D major | Z.320 | 1690 | mixed chorus, 2 trumpets, strings and continuo | |
| Welcome, Welcome Glorious Morn | Henry Purcell (composer) | |
C major | Z.338 | 1691 | mixed chorus and orchestra | |
| In the Midst of Life | Henry Purcell (composer) | |
Z.17 | mixed chorus and continuo | |
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| Who Hath Believed Our Report? | Henry Purcell (composer) | |
Z.64 | mixed chorus and continuo | |
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| Behold Now, Praise the Lord | Henry Purcell (composer) | |
Z.3 | 1680 | mixed chorus, strings and continuo | |
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| Save Me, O God | Henry Purcell (composer) | |
Z.51 | mixed chorus and continuo | |
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| Blessed Is He whose Unrighteousness | Henry Purcell (composer) | |
Z.8 | mixed chorus and continuo | |
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| Hear Me, O Lord | Henry Purcell (composer) | |
Z.13 | mixed chorus and continuo | |
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| Bow Down Thine Ear | Henry Purcell (composer) | |
Z.11 | mixed chorus and continuo | |
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| Awake, Awake, Put on Thy Strength | Henry Purcell (composer) | |
Z.1 | mixed chorus, strings and continuo | |
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| Welcome, Vicegerent of the Mighty King | Henry Purcell (composer) | |
C major | Z.340 | 1680 | mixed chorus, strings and continuo | |
| Swifter, Isis, Swifter Flow | Henry Purcell (composer) | |
G major | Z.336 | 1681 | mixed chorus, strings and continuo | |
| Praise the Lord, O Jerusalem | Henry Purcell (composer) | |
Z.46 | 1689 | mixed chorus, strings and continuo | |
|
| Praise the Lord, O My Soul, O Lord My God | Henry Purcell (composer) | |
G major | Z.48 | 1687 | mixed chorus, strings and continuo | |
| Now Does the Glorious Day Appear | Henry Purcell (composer) | |
Z.332 | 1689 | mixed chorus, strings and continuo | |
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| In Nomine of Seven Parts, Z.747 | Henry Purcell (composer) | |
G minor | 1680 | 7 viols 7 Unspecified instruments |
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| Oroonoko | Henry Purcell (composer) | |
Z.584 | 1695 | continuo and 2 sopranos | |
|
| Regulus | Henry Purcell (composer) | |
Z.586 | soprano and continuo | |
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| The Richmond Heiress | Henry Purcell (composer) | |
Z.608 | 1691 | soprano, bass and continuo | |
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| Rule a Wife and Have a Wife | Henry Purcell (composer) | |
Z.587 | 1693 | soprano and continuo | |
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| Sir Anthony Love | Henry Purcell (composer) | |
Z.588 | 1692 | voices, strings and continuo | |
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| Sir Barnaby Whigg | Henry Purcell (composer) | |
Z.589 | 1681 | soprano, bass and continuo tenor, bass and continuo |
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| Sophonisba | Henry Purcell (composer) | |
Z.590 | 1685 | soprano and continuo | |
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| The Spanish Friar | Henry Purcell (composer) | |
Z.610 | 1694 | soprano and continuo | |
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| Theodosius | Henry Purcell (composer) | |
Z.606 | 1680 | voices, 2 flutes and continuo | |
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| Tyrannic Love | Henry Purcell (composer) | |
Z.613 | 1694 | soprano, bass and continuo | |
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| The Wives' Excuse | Henry Purcell (composer) | |
Z.612 | 1691 | soprano and continuo | |
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| When Night Her Purple Veil | Henry Purcell (composer) | |
ZD 201 | 2 violins, continuo and bass bass, 2 flutes and continuo |
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| An Ape, a Lion, a Fox and an Ass | Henry Purcell (composer) | |
D minor | Z.241 | 1686 | 3 voices | |
| As Roger Last Night | Henry Purcell (composer) | |
C minor | Z.242 | 3 voices | |
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| Bring the Bowl and Cool Nantz | Henry Purcell (composer) | |
D minor | Z.243 | 1693 | 3 voices | |
| Call for the Reckoning | Henry Purcell (composer) | |
G major | Z.244 | 3 voices | |
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| Come, Let Us Drink | Henry Purcell (composer) | |
C major | Z.245 | 3 voices and continuo | |
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| Come, My Hearts | Henry Purcell (composer) | |
F major | Z.246 | 1685 | 3 voices | |
| Down, Down with Bacchus | Henry Purcell (composer) | |
F major | Z.247 | 1693 | 3 voices | |
| Drink On, till Night Be Spent | Henry Purcell (composer) | |
C major | Z.248 | 1686 | 3 voices | |
| God Save Our Sovereign Charles | Henry Purcell (composer) | |
C major | Z.250 | 1685 | 3 voices | |
| Great Apollo and Bacchus | Henry Purcell (composer) | |
C major | Z.251 | 3 voices | |
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| He that Drinks Is Immortal | Henry Purcell (composer) | |
G major | Z.254 | 1686 | 3 voices | |
| A Health to the Nut-Brown Lass | Henry Purcell (composer) | |
F major | Z.240 | 1685 | 3 voices | |
| Here's a Health, Pray Let It Pass | Henry Purcell (composer) | |
D minor | Z.252 | 3 voices | |
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| Here's that Will Challenge All the Fair | Henry Purcell (composer) | |
C major | Z.253 | 1680 | 3 voices | |
| I Gave Her Cakes | Henry Purcell (composer) | |
C major | Z.256 | 1690 | 3 voices | |
| If All Be True that I Do Think | Henry Purcell (composer) | |
G minor | Z.255 | 1689 | 3 voices | |
| Is Charleroy's Siege Come To? | Henry Purcell (composer) | |
G minor | Z.257 | 1693 | 3 voices | |
| Let the Grave Folks Go Preach | Henry Purcell (composer) | |
G major | Z.258 | 1685 | 3 voices | |
| Let Us Drink to the Blades | Henry Purcell (composer) | |
C major | Z.259 | 1691 | 3 voices | |
| The Macedon Youth | Henry Purcell (composer) | |
C major | Z.276 | 1686 | 4 voices | |
| My Lady's Coachman, John | Henry Purcell (composer) | |
C major | Z.260 | 1688 | 3 voices | |
| Now England's Great Council's | Henry Purcell (composer) | |
G major | Z.261 | 3 voices | |
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| Now, Now We Are Met | Henry Purcell (composer) | |
C major | Z.262 | 1688 | 3 voices | |
| Of All the Instruments that Are | Henry Purcell (composer) | |
C major | Z.263 | 1693 | 3 voices | |
| Once in Our Lives | Henry Purcell (composer) | |
C minor | Z.264 | 1686 | 3 voices | |
| Once, Twice, Thrice, I Julia Tried | Henry Purcell (composer) | |
G minor | Z.265 | 3 voices | |
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| One Industrious Insect | Henry Purcell (composer) | |
A minor | Z.266 | 3 voices | |
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| Pale Faces, Stand By | Henry Purcell (composer) | |
D minor | Z.267 | 1688 | 3 voices | |
| Pox on You for a Fop | Henry Purcell (composer) | |
C major | Z.268 | 3 voices | |
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| Prithee Ben't So Sad and Serious | Henry Purcell (composer) | |
A minor | Z.269 | 3 voices and continuo | |
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| Die Nacht | Henry Purcell (composer) | |
strings and soprano | |
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| Room for th' Express | Henry Purcell (composer) | |
C major | Z.270 | 1694 | 3 voices | |
| Since the Duke is Return'd | Henry Purcell (composer) | |
B flat major | Z.271 | 1685 | 3 voices | |
| Since Time So Kind to Us Does Prove | Henry Purcell (composer) | |
A minor | Z.272 | 3 voices | |
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| Soldier, Soldier, Take Off Thy Wine | Henry Purcell (composer) | |
C major | Z.274 | 4 voices | |
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| Tis Easy to Force | Henry Purcell (composer) | |
F major | Z.279 | 1685 | 4 voices | |
| The Surrender of Limerick | Henry Purcell (composer) | |
G minor | Z.278 | 1691 | 3 voices | |
| Sir Walter Enjoying | Henry Purcell (composer) | |
D major | Z.273 | 3 voices | |
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| Sum Up All the Delights | Henry Purcell (composer) | |
F major | Z.275 | 1688 | 3 voices | |
| Tis Too Late for a Coach | Henry Purcell (composer) | |
C major | Z.280 | 1686 | 3 voices | |
| Tis Women Makes Us Love | Henry Purcell (composer) | |
C major | Z.281 | 1685 | 4 voices | |
| To Thee and to a Lass | Henry Purcell (composer) | |
G minor | Z.283 | 1685 | 3 voices | |
| True Englishmen Drink a Good Health | Henry Purcell (composer) | |
G minor | Z.284 | 1689 | 3 voices | |
| Under a Green Elm | Henry Purcell (composer) | |
G major | Z.285 | 1686 | 4 voices | |
| Under this Stone Lies Gabriel John | Henry Purcell (composer) | |
A minor | Z.286 | 1686 | 3 voices | |
| When V and I Together Meet | Henry Purcell (composer) | |
D minor | Z.287 | 1686 | 3 voices | |
| Who Comes There? | Henry Purcell (composer) | |
C major | Z.288 | 1685 | 3 voices | |
| Wine in a Morning | Henry Purcell (composer) | |
C major | Z.289 | 1686 | 3 voices | |
| Young Colin Cleaving | Henry Purcell (composer) | |
C major | Z.291 | 1691 | 3 voices | |
| Would You Know How We Meet | Henry Purcell (composer) | |
D major | Z.290 | 1685 | 3 voices | |
| To All Lovers of Music | Henry Purcell (composer) | |
C minor | Z.282 | 1687 | 3 voices | |
| Young John the Gardener | Henry Purcell (composer) | |
C major | Z.292 | 1683 | 4 voices | |
| Full Bags | Henry Purcell (composer) | |
G major | Z.249 | 1686 | 3 voices | |
| The Miller's Daughter Riding | Henry Purcell (composer) | |
A minor | Z.277 | 1686 | 3 voices | |
| The Glass Was Just Timed | Henry Purcell (composer) | |
C major | 3 voices | |
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| Since Women So False | Henry Purcell (composer) | |
C minor | 3 voices | |
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| Tom Making a Manteau | Henry Purcell (composer) | |
F major | 3 voices | |
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| When Gay Philander Left the Plain | Henry Purcell (composer) | |
A minor | Z.519 | soprano, bass and continuo tenor, bass and continuo |
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| Come, Lay by All Care | Henry Purcell (composer) | |
F major | Z.484 | 1685 | soprano, bass and continuo tenor, bass and continuo soprano and bass tenor and bass |
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| Though My Mistress Be Fair | Henry Purcell (composer) | |
G minor | Z.514 | 1685 | soprano, bass and continuo tenor, bass and continuo |
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| Sit Down, My Dear Sylvia | Henry Purcell (composer) | |
F major | Z.509 | 1685 | soprano, bass, mixed chorus and continuo | |
| When, Lovely Phyllis, Thou Art Kind | Henry Purcell (composer) | |
D minor | Z.520 | soprano, bass and continuo tenor, bass and continuo |
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| I Saw Fair Cloris All Alone | Henry Purcell (composer) | |
A minor | Z.498 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| Sylvia, 'Tis True You're Fair | Henry Purcell (composer) | |
C major | Z.512 | 1686 | soprano, bass and continuo tenor, bass and continuo |
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| Come, Dear Companions of th' Arcadian Fields | Henry Purcell (composer) | |
C major | Z.483 | 1686 | soprano, bass and continuo tenor, bass and continuo |
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| How Great Are the Blessings | Henry Purcell (composer) | |
Z.494 | 1686 | soprano, bass and continuo tenor, bass and continuo |
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| Saccharissa's Grown Old | Henry Purcell (composer) | |
D minor | Z.507 | 1686 | soprano, bass and continuo tenor, bass and continuo |
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| When Teucer from His Father Fled | Henry Purcell (composer) | |
Z.522 | 1686 | soprano, bass and continuo tenor, bass and continuo |
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| Oft Am I by the Women Told | Henry Purcell (composer) | |
D minor | Z.505 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| How Sweet Is the Air and Refreshing | Henry Purcell (composer) | |
G major | Z.495 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| Fill the Bowl with Rosy Wine | Henry Purcell (composer) | |
C major | Z.487 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| I Some Kind Dream | Henry Purcell (composer) | |
D minor | Z.497 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| Hence, Fond Deceiver | Henry Purcell (composer) | |
D minor | Z.492 | 1687 | soprano, bass and continuo | |
| Has Yet Your Breast No Pity Learn'd? | Henry Purcell (composer) | |
G minor | Z.491 | 1688 | soprano, bass and continuo | |
| Here's to Thee, Dick | Henry Purcell (composer) | |
G major | Z.493 | 1688 | soprano, bass and continuo tenor, bass and continuo |
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| Let Hector, Achilles and Each Brave Commander | Henry Purcell (composer) | |
C major | Z.501 | 1689 | soprano, bass and continuo tenor, bass and continuo |
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| Were I to Choose the Greatest Bliss | Henry Purcell (composer) | |
D minor | Z.517 | 1689 | soprano and continuo tenor and continuo |
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| Nestor, Who Did to Thrice Man's Age Attain | Henry Purcell (composer) | |
D minor | Z.503 | 1689 | soprano, bass and continuo tenor, bass and continuo |
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| Lost Is My Quiet Forever | Henry Purcell (composer) | |
C minor | Z.502 | 1691 | soprano, bass and continuo tenor, bass and continuo |
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| Why, My Daphne, Why Complaining? | Henry Purcell (composer) | |
D minor | Z.525 | 1691 | soprano, bass and continuo | |
| Fair Cloe, My Breast So Alarms | Henry Purcell (composer) | |
Z.486 | 1692 | soprano, bass and continuo tenor, bass and continuo |
|
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| Underneath this Myrtle Shade | Henry Purcell (composer) | |
Z.516 | 1692 | soprano, bass and continuo tenor, bass and continuo |
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| What Can We Poor Females Do? | Henry Purcell (composer) | |
A minor | Z.429 | 1694 | soprano, bass and continuo | |
| Dulcibella, Whene'er I Sue for a Kiss | Henry Purcell (composer) | |
D minor | Z.485 | 1694 | soprano, bass and continuo tenor, bass and continuo |
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| When Myra Sings | Henry Purcell (composer) | |
C minor | Z.521 | 1695 | soprano, bass and continuo tenor, bass and continuo |
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| There Never Was So Wretched Lover as I | Henry Purcell (composer) | |
Z.513 | soprano, bass and continuo tenor, bass and continuo |
|
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| In All Our Cynthia's Shining Sphere | Henry Purcell (composer) | |
D major | Z.496 | soprano, bass and continuo | |
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| While Bolts and Bars My Days Control | Henry Purcell (composer) | |
G minor | Z.523 | soprano, bass and continuo tenor, bass and continuo |
|
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| Trip It, Trip It in a Ring | Henry Purcell (composer) | |
F major | Z.515 | soprano, bass and continuo | |
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| Go Tell Amynta, Gentle Swain | Henry Purcell (composer) | |
E minor | Z.489 | soprano, bass and continuo tenor, bass and continuo |
|
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| Julia, Your Unjust Disdain | Henry Purcell (composer) | |
A minor | Z.500 | 1687 | soprano, bass and continuo tenor, bass and continuo |
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| I Spy Celia | Henry Purcell (composer) | |
D minor | Z.499 | 1687 | soprano, bass and continuo tenor, bass and continuo |
|
| While You for Me Alone Had Charms | Henry Purcell (composer) | |
C major | Z.524 | soprano, bass, mixed chorus and continuo | |
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| Above the Tumults of a Busy State | Henry Purcell (composer) | |
D minor | Z.480 | 1683 | soprano, bass and continuo tenor, bass and continuo |
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| Alas, How Barbarous We Are | Henry Purcell (composer) | |
A minor | Z.482 | soprano, bass and continuo tenor, bass and continuo |
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|
| Sylvia, Thou Brighter Eye of Night | Henry Purcell (composer) | |
C minor | Z.511 | soprano, bass and continuo tenor, bass and continuo |
|
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| Haste, Gentle Charon | Henry Purcell (composer) | |
F major | Z.490 | continuo and 2 basses | |
|
| Tis Wine Was Made to Rule the Day | Henry Purcell (composer) | |
C major | Z.546 | soprano, tenor, bass and continuo 2 tenors, bass and continuo |
|
|
| When the Cock Begins to Crow | Henry Purcell (composer) | |
F major | ZD 172 | 2 sopranos, bass and continuo 2 tenors, bass and continuo |
|
|
| A Poor Blind Woman, ZD 171 | Henry Purcell (composer) | |
A minor | ZD 171 | 2 sopranos, bass and continuo | |
|
| Sweet Tyranness, I Now Resign, ZS 70 | Henry Purcell (composer) | |
A minor | 1678 | 2 sopranos, bass and continuo | |
|
| Turn Then Thine Eeyes | Henry Purcell (composer) | |
A minor | Z.425 | voice and continuo | |
|
| The Fatal Marriage | Henry Purcell (composer) | |
Z.595 | 1694 | soprano, bass and continuo | |
|
| The Female Virtuosos | Henry Purcell (composer) | |
Z.596 | 1693 | 2 voices and continuo | |
|
| Henry the Second | Henry Purcell (composer) | |
Z.580 | 1692 | soprano, bass, strings and continuo | |
|
| The Indian Emperor | Henry Purcell (composer) | |
Z.598 | 1691 | tenor and continuo | |
|
| King Richard the Second | Henry Purcell (composer) | |
Z.581 | 1681 | soprano and continuo tenor and continuo |
|
|
| The Knight of Malta | Henry Purcell (composer) | |
Z.599 | 1691 | 3 voices | |
|
| The Maid's Last Prayer | Henry Purcell (composer) | |
Z.601 | 1693 | soprano, alto and continuo | |
|
| The Marriage-Hater Matched | Henry Purcell (composer) | |
Z.602 | 1693 | soprano, bass and continuo tenor, bass and continuo |
|
|
| The Massacre of Paris | Henry Purcell (composer) | |
Z.604 | 1693 | soprano, bass and continuo | |
|
| The Mock Marriage | Henry Purcell (composer) | |
Z.605 | 1695 | soprano and continuo | |
|
| Ah! Cruel Nymph | Henry Purcell (composer) | |
Z.352 | voice and continuo | |
||
| Ah! How Pleasant 'Tis to Love | Henry Purcell (composer) | |
C major | Z.353 | 1688 | voice and continuo | |
| Ah! What Pains | Henry Purcell (composer) | |
Z.354 | voice and continuo | |
||
| Amidst the Shades and Cool Refreshing Streams | Henry Purcell (composer) | |
A minor | Z.355 | 1687 | voice and continuo | |
| Amintas, to My Grief I See | Henry Purcell (composer) | |
D minor | Z.356 | 1679 | voice and continuo | |
| Amintor, Heedless of his Flocks | Henry Purcell (composer) | |
C minor | Z.357 | 1681 | voice and continuo | |
| Ask Me to Love No More | Henry Purcell (composer) | |
B flat major | Z.358 | 1694 | voice and continuo | |
| Bacchus Is a Power Divine | Henry Purcell (composer) | |
D major | Z.360 | voice and continuo | |
|
| Beneath a Dark, a Melancholy Grove | Henry Purcell (composer) | |
D minor | Z.761 | voice and continuo | |
|
| Beware, Poor Shepherds | Henry Purcell (composer) | |
D minor | Z.361 | 1684 | voice and continuo | |
| Cease, Anxious World | Henry Purcell (composer) | |
G minor | Z.362 | 1687 | voice and continuo | |
| Cease, O My Sad Soul | Henry Purcell (composer) | |
C minor | Z.363 | 1678 | voice and continuo | |
| Celia's Fond, Too Long I've Loved Her | Henry Purcell (composer) | |
D minor | Z.364 | 1694 | voice and continuo | |
| Corinna Is Divinely Fair | Henry Purcell (composer) | |
G minor | Z.365 | 1692 | voice and continuo | |
| Cupid, the Slyest Rogue Alive | Henry Purcell (composer) | |
G minor | Z.367 | 1685 | voice and continuo | |
| Draw Near, You Lovers | Henry Purcell (composer) | |
D minor | Z.462 | voice and continuo | |
|
| Farewell, All Joys | Henry Purcell (composer) | |
G minor | Z.368 | 1685 | voice and continuo | |
| The Fatal Hour Comes On | Henry Purcell (composer) | |
E minor | Z.421 | voice and continuo | |
|
| Fly Swift, Ye Hours | Henry Purcell (composer) | |
D minor | Z.369 | 1692 | voice and continuo | |
| Farewell, Ye Rocks | Henry Purcell (composer) | |
Z.463 | 1685 | voice and continuo | |
|
| High on a Throne of Glitt'ring Ore | Henry Purcell (composer) | |
G major | Z.465 | 1690 | voice and continuo | |
| From Silent Shades | Henry Purcell (composer) | |
C major | Z.370 | 1683 | voice and continuo | |
| Gentle Shepherds, You that Know | Henry Purcell (composer) | |
Z.464 | 1687 | voice and continuo | |
|
| A Grasshopper and a Fly | Henry Purcell (composer) | |
G minor | Z.481 | voice and continuo | |
|
| He Himself Courts His Own Ruin | Henry Purcell (composer) | |
F major | Z.372 | 1684 | voice and continuo | |
| How Delightful's the Fife of an Innocent Swain | Henry Purcell (composer) | |
G major | Z.373 | voice and continuo | |
|
| How I Sigh when I Think of the Charms | Henry Purcell (composer) | |
C minor | Z.374 | 1681 | voice and continuo | |
| I Came, I Saw, and Was Undone | Henry Purcell (composer) | |
A minor | Z.375 | voice and continuo | |
|
| I Envy Not a Monarch's Fate | Henry Purcell (composer) | |
D major | Z.376 | 1693 | voice and continuo | |
| I Fain Would Be Free | Henry Purcell (composer) | |
C major | Z.377 | voice and continuo | |
|
| I Love and I Must | Henry Purcell (composer) | |
C minor | Z.382 | voice and continuo | |
|
| I Resolve Against Cringing | Henry Purcell (composer) | |
A minor | Z.386 | 1679 | voice and continuo | |
| I Saw that You Were Grown So High | Henry Purcell (composer) | |
D minor | Z.387 | 1678 | voice and continuo | |
| I Take No Pleasure in the Sun's Bright Beams | Henry Purcell (composer) | |
A minor | Z.388 | 1681 | voice and continuo | |
| If Grief Has Any Power to Kill | Henry Purcell (composer) | |
D minor | Z.378 | 1685 | voice and continuo | |
| If Pray'rs and Tears | Henry Purcell (composer) | |
C minor | Z.380 | voice and continuo | |
|
| In Cloris All Soft Charms | Henry Purcell (composer) | |
G major | Z.384 | 1684 | voice and continuo | |
| In Vain We Dissemble | Henry Purcell (composer) | |
D minor | Z.385 | 1685 | voice and continuo | |
| Incassum Lesbia | Henry Purcell (composer) | |
C minor | Z.383 | 1695 | voice and continuo | |
| Leave these Useless Arts in Loving | Henry Purcell (composer) | |
G minor | Z.389 | voice and continuo | |
|
| Let Each Gallant Heart | Henry Purcell (composer) | |
C major | Z.390 | 1683 | voice and continuo | |
| Let Us, Kind Lesbia, Give Away | Henry Purcell (composer) | |
G major | Z.466 | 1684 | voice and continuo | |
| Let Formal Lovers Still Pursue | Henry Purcell (composer) | |
A minor | Z.391 | 1687 | voice and continuo | |
| Love Is Now Become a Trade | Henry Purcell (composer) | |
G minor | Z.393 | 1685 | voice and continuo | |
| Love, Thou Canst Hear, Tho' Thou Art Blind | Henry Purcell (composer) | |
Z.396 | 1695 | voice and continuo | |
|
| Love's Power in My Heart Shall Find No Compliance | Henry Purcell (composer) | |
C major | Z.395 | 1688 | voice and continuo | |
| Lovely Albina's Come Ashore | Henry Purcell (composer) | |
C major | Z.394 | voice and continuo | |
|
| More Love or More Disdain I Crave | Henry Purcell (composer) | |
G major | Z.397 | 1678 | voice and continuo | |
| Musing on Cares of Human Fate | Henry Purcell (composer) | |
A minor | Z.467 | 1685 | voice and continuo | |
| My Heart, Wherever You Appear | Henry Purcell (composer) | |
D minor | Z.399 | 1685 | voice and continuo | |
| The Concealment | Henry Purcell (composer) | |
D minor | Z.468 | voice and continuo | |
|
| No Watch, Dear Celia, Just Is Found | Henry Purcell (composer) | |
G minor | Z.401 | 1693 | voice and continuo | |
| Not All My Torments Can Your Pity Move | Henry Purcell (composer) | |
C minor | Z.400 | voice and continuo | |
|
| O! Fair Cedaria, Hide those Eyes | Henry Purcell (composer) | |
Z.402 | voice and continuo | |
||
| O! How Happy's He | Henry Purcell (composer) | |
D minor | Z.403 | 1690 | voice and continuo | |
| Pastora's Beauties when Unblown | Henry Purcell (composer) | |
C minor | Z.407 | 1681 | voice and continuo | |
| On the Brow of Richmond Hill | Henry Purcell (composer) | |
B flat major | Z.405 | 1692 | voice and continuo | |
| Olinda in the Shades Unseen | Henry Purcell (composer) | |
G major | Z.404 | voice and continuo | |
|
| Phyllis, I Can Ne'er Forgive It | Henry Purcell (composer) | |
G minor | Z.408 | 1688 | voice and continuo | |
| Phillis, Talk no more of Passion | Henry Purcell (composer) | |
C minor | Z.409 | 1685 | voice and continuo | |
| Pious Celinda Goes to Prayers | Henry Purcell (composer) | |
D minor | Z.410 | 1695 | voice and continuo | |
| Rashly I Swore I Would Disown | Henry Purcell (composer) | |
B flat major | Z.411 | 1683 | voice and continuo | |
| Sawney Is a Bonny Lad | Henry Purcell (composer) | |
G major | Z.412 | 1694 | voice and continuo | |
| Scarce Had the Rising Sun Appear'd | Henry Purcell (composer) | |
G minor | Z.469 | 1679 | voice and continuo | |
| See How the Fading Glories of the Year | Henry Purcell (composer) | |
E minor | Z.470 | 1689 | voice and continuo | |
| She Loves and She Confesses Too | Henry Purcell (composer) | |
C major | Z.413 | 1683 | voice and continuo | |
| She that Would Gain a Faithful Lover | Henry Purcell (composer) | |
B flat major | Z.414 | 1695 | voice and continuo | |
| She, Who My Poor Heart Possesses | Henry Purcell (composer) | |
G minor | Z.415 | 1683 | voice and continuo | |
| Sylvia, Now Your Scorn Give Over | Henry Purcell (composer) | |
C major | Z.420 | 1688 | voice and continuo | |
| Since One Poor View Has Drawn My Heart | Henry Purcell (composer) | |
C major | Z.416 | 1681 | voice and continuo | |
| Since the Pox or the Plague | Henry Purcell (composer) | |
F major | Z.471 | 1679 | voice and continuo | |
| Spite of the Godhead, Powerful Love | Henry Purcell (composer) | |
E minor | Z.417 | 1687 | voice and continuo | |
| Sweet, Be No Longer Sad | Henry Purcell (composer) | |
A minor | Z.418 | 1678 | voice and continuo | |
| They Say You're Angry | Henry Purcell (composer) | |
B flat major | Z.422 | 1685 | voice and continuo | |
| A Thousand Sev'ral Ways I Tried | Henry Purcell (composer) | |
B flat major | Z.359 | 1684 | voice and continuo | |
| Sweet Tyranness, I Now Resign | Henry Purcell (composer) | |
A minor | ZS 69 | 1667 | voice and continuo | |
| Through Mournful Shades and Solitary Groves | Henry Purcell (composer) | |
C minor | Z.424 | 1684 | voice and continuo | |
| Urge Me No More | Henry Purcell (composer) | |
C minor | Z.426 | voice and continuo | |
|
| We Now, My Thyrsis, Never Find | Henry Purcell (composer) | |
D minor | Z.427 | 1693 | voice and continuo | |
| What a Sad Fate | Henry Purcell (composer) | |
A minor | Z.428 | voice and continuo | |
|
| What Can We Poor Females Do? | Henry Purcell (composer) | |
A minor | Z.518 | voice and continuo | |
|
| What Hope for Us Remains Now He Is Gone? | Henry Purcell (composer) | |
D minor | Z.472 | 1679 | voice and continuo | |
| When First Amintas Sued for a Kiss | Henry Purcell (composer) | |
A major | Z.430 | 1687 | voice and continuo | |
| When First My Shepherdess and I | Henry Purcell (composer) | |
A minor | Z.431 | 1687 | voice and continuo | |
| When Her Languishing Eyes Said Love | Henry Purcell (composer) | |
E minor | Z.432 | 1681 | voice and continuo | |
| When I a Lover Pale Do See | Henry Purcell (composer) | |
C major | Z.433 | 1678 | voice and continuo | |
| When My Aemelia Smiles | Henry Purcell (composer) | |
B minor | Z.434 | voice and continuo | |
|
| When Strephon Found His Passion Vain | Henry Purcell (composer) | |
G major | Z.435 | 1683 | voice and continuo | |
| When Thyrsis Did the Splendid Eye | Henry Purcell (composer) | |
D minor | Z.436 | 1675 | voice and continuo | |
| While Thyrsis, Wrapt in Downy Sleep | Henry Purcell (composer) | |
F major | Z.437 | 1685 | voice and continuo | |
| Whilst Cynthia Sung | Henry Purcell (composer) | |
D minor | Z.438 | 1686 | voice and continuo | |
| Who But a Slave Can Well Express | Henry Purcell (composer) | |
G minor | Z.440 | voice and continuo | |
|
| Who Can Behold Florella's Charms? | Henry Purcell (composer) | |
F major | Z.441 | 1695 | voice and continuo | |
| Why So Serious, Why So Grave? | Henry Purcell (composer) | |
A minor | Z.442 | voice and continuo | |
|
| Ye Happy Swains | Henry Purcell (composer) | |
D minor | Z.443 | 1685 | voice and continuo | |
| Young Thyrsis' Fate | Henry Purcell (composer) | |
C minor | Z.473 | voice and continuo | |
|
| Te Deum | Henry Purcell (composer) | |
B flat major | Z.230 | 1682 | mixed chorus and continuo | |
| Love's Goddess Sure Was Blind | Henry Purcell (composer) | |
G minor | Z.331 | 1692 | mixed chorus, strings and continuo | |
©2025 David P. Anderson