| Composition |
Score attributes |
| Achille et Polixène, LWV 74 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
selections |
| Prélude & Ouverture from Achille et Polixène, LWV 74 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Persée, LWV 60 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
selections |
| Passacaille (Act V) from Persée, LWV 60 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Ouverture from Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Ouverture from Amadis, LWV 63 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Le mariage forcé, LWV 20 (Lully, Jean-Baptiste) for voices and orchestra |
— |
| Passacaille (Act V) from Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
— |
| Passacaille (Act V) from Armide, LWV 71 (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo |
parts |
| Le triomphe de l'amour, LWV 59 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Prélude pour la Nuit from Le triomphe de l'amour, LWV 59 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Sinfonia (Act III) from Orlando, HWV 31 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra |
— |
| Sinfonia (Act III) from Orlando, HWV 31 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra |
parts |
| Gavotte (Act I) from Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
— |
| Gavotte (Act I, sc.6) from Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
parts |
| Musica Notturna delle Strade di Madrid, G.324 (1st version) from 6 String Quintets, G.319-324 (Op. 30) (Boccherini, Luigi) for 2 violins, viola and 2 cellos |
— |
| King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
selections |
| Your Hay it is Mow'd from King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
parts |
| Ouverture from Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Ouverture from Alceste, LWV 50 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Ouverture-Suite, TWV 55:c2 (Telemann, Georg Philipp) for strings and continuo |
— |
| Overture from Tancrède (Campra, André) for voices, mixed chorus and orchestra |
— |
| Overture from Tancrède (Campra, André) for voices, mixed chorus and orchestra |
parts |
| Incidental Music from Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Incidental Music from Cadmus et Hermione, LWV 49 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Scène Première from La Guirlande, RCT 42 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
— |
| Scène Première from La Guirlande, RCT 42 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
parts |
| Incidental Music from Vénus et Adonis (Desmarets, Henri) for voices, mixed chorus and orchestra |
— |
| Incidental Music from Vénus et Adonis (Desmarets, Henri) for voices, mixed chorus and orchestra |
parts |
| Incidental Music from Alcide (Marais, Marin) for voices, mixed chorus and orchestra |
— |
| Ritornello (No.5) from Vereinigte Zwietracht der wechselnden Saiten, BWV 207 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Ritornello (No.5) from Vereinigte Zwietracht der wechselnden Saiten, BWV 207 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Recueil de plusieurs vieux airs (Philidor l'ainé, André Danican) for 6 Unspecified instruments or 2 sopranos, 2 altos and bass or 4 voices or orchestra |
selections |
| Florilegium Secundum (Muffat, Georg) for strings and continuo |
— |
| Florilegium Secundum (Muffat, Georg) for strings and continuo |
selections |
| Florilegium Secundum (Muffat, Georg) for strings and continuo |
parts |
| Fasciculus I. Nobilis Juventus from Florilegium Secundum (Muffat, Georg) for strings and continuo |
parts |
| Fasciculus II. Laeta Poesis from Florilegium Secundum (Muffat, Georg) for strings and continuo |
parts |
| Allegro (No.1) from Double Bass Concerto No. 2 in B minor (Bottesini, Giovanni) for double bass and orchestra |
— |
| Allegro (No.1) from Double Bass Concerto No. 2 in B minor (Bottesini, Giovanni) for double bass and orchestra |
parts |
| Capriol Suite (Warlock, Peter) for strings |
— |
| Basse-Danse (No.1) from Capriol Suite (Warlock, Peter) for strings |
parts |
| Concerto for Recorder and Viola da Gamba, TWV 52:a1 (Telemann, Georg Philipp) for recorder, viol, strings and continuo |
— |
| Concerto for Recorder and Viola da Gamba, TWV 52:a1 (Telemann, Georg Philipp) for recorder, viol, strings and continuo |
parts |
| First Musick from Dioclesian, Z.627 (Purcell, Henry) for voices, mixed chorus and orchestra |
— |
| First Musick from Dioclesian, Z.627 (Purcell, Henry) for voices, mixed chorus and orchestra |
parts |
| Gigue from Céphale et Procris (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
— |
| Gigue from Céphale et Procris (Grétry, André Ernest Modeste) for voices, mixed chorus and orchestra |
parts |
| Ouverture in G minor, BeRI 43 (Roman, Johan Helmich) for orchestra |
— |
| Overture and Incidental Music from Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Overture and Incidental Music from Acis et Galatée, LWV 73 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Ouverture I from 6 Overture Suites 'Composition de musique suivant la méthode françoise' (Kusser, Johann Sigismund) for strings and continuo |
— |
| Ouverture II from 6 Overture Suites 'Composition de musique suivant la méthode françoise' (Kusser, Johann Sigismund) for strings and continuo |
— |
| Ouverture in C minor, MWV 3.9 (Molter, Johann Melchior) for orchestra |
— |
| Concert donné au soupé du roy (Lully, Jean-Baptiste de) for 2 oboes, strings and continuo or orchestra |
— |
| Concert donné au soupé du roy (Lully, Jean-Baptiste de) for 2 oboes, strings and continuo or orchestra |
selections |
| Concert donné au soupé du roy (Lully, Jean-Baptiste de) for 2 oboes, strings and continuo or orchestra |
parts |
| Concert donné au soupé du roy (Lully, Jean-Baptiste de) for 2 oboes, strings and continuo or orchestra |
parts, selections |
| Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
selections |
| La Folie (Prologue, Scène 2) from Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
parts |
| Chaconne (L'Amour Saltinbanque, Scène 3) from Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
parts |
| Air des Espagnolles (L'Amour Saltinbanque, Scène 3) from Les fêtes vénitiennes (Campra, André) for voices, mixed chorus and orchestra |
parts |
| Ouverture from Céphale et Procris (Jacquet de La Guerre, Elisabeth) for voices, mixed chorus and orchestra |
— |
| Oboe Concerto in G minor, S.237 (Heinichen, Johann David) for oboe, strings and continuo |
— |
| Oboe Concerto in G minor, S.237 (Heinichen, Johann David) for oboe, strings and continuo |
parts |
| Ouverture-Suite in C minor, Mus Ms 261-04 (Endler, Johann Samuel) for strings and continuo |
— |
| Ouverture-Suite in C minor, Mus Ms 261-04 (Endler, Johann Samuel) for strings and continuo |
parts |
| Ouverture-Suite in D major, Mus Ms 261-07 (Endler, Johann Samuel) for violin and orchestra |
— |
| Ouverture-Suite in D major, Mus Ms 261-07 (Endler, Johann Samuel) for violin and orchestra |
parts |
| Sinfonia in F major, CobE 15 (Endler, Johann Samuel) for orchestra |
— |
| Sinfonia in F major, CobE 15 (Endler, Johann Samuel) for orchestra |
parts |
| Air Pour Madame La Dauphine: Pavane (Part II) from Idylle sur le Paix, LWV 68 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
| Air Pour Madame La Dauphine: Pavane (Part II) from Idylle sur le Paix, LWV 68 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
parts |
| Concerto Grosso in G minor, BeRI 47 (Roman, Johan Helmich) for 2 violins, strings and continuo |
— |
| Concerto Grosso in G minor, BeRI 47 (Roman, Johan Helmich) for 2 violins, strings and continuo |
parts |
| Air/Ground (No.5) from The Mad Lover (Eccles, John) |
— |
| The Mad Lover (Eccles, John) |
parts, selections |
| Ouverture-Suite in G major (Bach, Johann Bernhard) for strings and continuo |
— |
| Ouverture-Suite in G major (Bach, Johann Bernhard) for strings and continuo |
parts |
| Ouverture-Suite in D major (Bach, Johann Bernhard) for strings and continuo |
— |
| Ouverture-Suite in G minor (Bach, Johann Bernhard) for violin, strings and continuo |
— |
| Ouverture-Suite in G minor (Bach, Johann Bernhard) for violin, strings and continuo |
parts |
| Introitus - Requiem Aeternam from Messe de Requiem (Campra, André) for voices, strings and continuo |
— |
| Concerto/Sinfonia for Strings in E minor, RV 134 (Vivaldi, Antonio) for strings and continuo |
— |
| Concerto/Sinfonia for Strings in E minor, RV 134 (Vivaldi, Antonio) for strings and continuo |
parts |
| Ouverture from Amadis di Grecia (Torri, Pietro) for voices and orchestra |
— |
| Ouverture from Amadis di Grecia (Torri, Pietro) for voices and orchestra |
parts |
| Musicalisches Concert No. 7 (Schieferdecker, Johann Christian) for orchestra |
— |
| Musicalisches Concert No. 7 (Schieferdecker, Johann Christian) for orchestra |
parts |
| Musicalisches Concert No. 1 (Schieferdecker, Johann Christian) for orchestra |
— |
| Musicalisches Concert No. 1 (Schieferdecker, Johann Christian) for orchestra |
parts |
| Musicalisches Concert No. 1 (Schieferdecker, Johann Christian) for orchestra |
— |
| Musicalisches Concert No. 13 (Schieferdecker, Johann Christian) for 3 oboes, bassoon, 3 violins and continuo |
— |
| Musicalisches Concert No. 13 (Schieferdecker, Johann Christian) for 3 oboes, bassoon, 3 violins and continuo |
parts |
| Musicalisches Concert No. 3 (Schieferdecker, Johann Christian) for orchestra |
— |
| Musicalisches Concert No. 3 (Schieferdecker, Johann Christian) for orchestra |
parts |
| Ouverture-Suite in E minor (Bach, Johann Bernhard) for strings and continuo |
— |
| Pirame et Thisbé (Francœur, François) for voices and orchestra |
— |
| Prologue from Pirame et Thisbé (Francœur, François) for voices and orchestra |
parts |
| Suite No.1 in E minor from Pièces de simphonie (Desmazures, Charles) for 4 Unspecified instruments |
— |
| Suite No.2 in D minor from Pièces de simphonie (Desmazures, Charles) for 4 Unspecified instruments |
— |
| Suite No.3 in C major from Pièces de simphonie (Desmazures, Charles) for 4 Unspecified instruments |
— |
| Overture in G minor (No.1) from 6 Overture Suites 'Festin des Muses' (Kusser, Johann Sigismund) for orchestra |
— |
| Marcia Villanesca from Die Bauernhochzeit (Mozart, Leopold) for orchestra |
— |
| Marcia Villanesca from Die Bauernhochzeit (Mozart, Leopold) for orchestra |
parts |
| Suite in G minor (No.1) from 12 Suites (Farinel, Jean-Baptiste) for strings and continuo |
— |
| Suite in G minor (No.1) from 12 Suites (Farinel, Jean-Baptiste) for strings and continuo |
parts |
| Suite No.2 from Simphonie du Festin Royal de Monseigneur Le Comte d'Artois (Francœur, François) for orchestra |
— |
| Suite No.2 from Simphonie du Festin Royal de Monseigneur Le Comte d'Artois (Francœur, François) for orchestra |
parts |
| Tassilone (Steffani, Agostino) for voices and orchestra |
— |
| Sinfonia from Tassilone (Steffani, Agostino) for voices and orchestra |
parts |
| Notturno for Harp and Strings (Schoenberg, Arnold) for harp and strings |
— |
| Notturno for Harp and Strings (Schoenberg, Arnold) for harp and strings |
parts |
| Sinfonia in E minor, BeRI 22 (Roman, Johan Helmich) for orchestra |
— |
| Sinfonia in E minor, BeRI 22 (Roman, Johan Helmich) for orchestra |
parts |
| Ouverture in F major, BeRI 5 (Roman, Johan Helmich) for orchestra |
— |
| Suite in E minor, IMB 17 (La Barre, Michel de) for continuo and 2 sopranos |
— |
| Ouverture No.1 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Ouverture No.2 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Ouverture No.3 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Ouverture No.4 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Ouverture No.5 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Ouverture No.6 from 6 Ouvertures (Erlebach, Philipp Heinrich) for strings and continuo |
— |
| Serenada III from Concors Discordia, Op. 2 (Aufschnaiter, Benedikt Anton) for strings and continuo or violin, strings and continuo |
— |
| Serenada IV from Concors Discordia, Op. 2 (Aufschnaiter, Benedikt Anton) for strings and continuo or violin, strings and continuo |
— |
| Serenada V from Concors Discordia, Op. 2 (Aufschnaiter, Benedikt Anton) for strings and continuo or violin, strings and continuo |
— |
| Serenada VI from Concors Discordia, Op. 2 (Aufschnaiter, Benedikt Anton) for strings and continuo or violin, strings and continuo |
— |
| Overture from Admiralitätsmusik, TWV 24:1 (Telemann, Georg Philipp) for voices, mixed chorus and orchestra |
— |
| Scherzo, 161T from Symphony in C minor, RSW:Anh:A6 (Schumann, Robert) for orchestra |
— |
| Scherzo, 161T from Symphony in C minor, RSW:Anh:A6 (Schumann, Robert) for orchestra |
parts |