| Composition |
Attributes |
| Matinas do Sábado Santo (Lobo de Mesquita, Emerico) for mixed chorus and orchestra |
— |
| Matinas do Sábado Santo (Lobo de Mesquita, Emerico) for mixed chorus and orchestra |
parts |
| Matinas do Sábado Santo (Lobo de Mesquita, Emerico) for mixed chorus and orchestra |
vocal score |
| Novena do Espírito Santo (Couto, Frutuoso de Matos) for mixed chorus and orchestra |
— |
| Novena do Espírito Santo (Couto, Frutuoso de Matos) for mixed chorus and orchestra |
parts |
| Novena do Espírito Santo (Couto, Frutuoso de Matos) for mixed chorus and orchestra |
vocal score |
Novena de Nossa Senhora da Assunção (Anonymous) for mixed chorus and orchestra
mixed chorus, 2 horns and strings |
— |
Novena de Nossa Senhora da Assunção (Anonymous) for mixed chorus and orchestra
mixed chorus, 2 horns and strings |
parts |
Novena de Nossa Senhora da Assunção (Anonymous) for mixed chorus and orchestra
mixed chorus, 2 horns and strings |
vocal score |
| Maria, Mater gratiae (Horta Júnior, Emílio Soares de Gouveia) for soprano and orchestra |
— |
| Maria, Mater gratiae (Horta Júnior, Emílio Soares de Gouveia) for soprano and orchestra |
parts |
| Gradual e Ofertório de Quinta-feira Santa II (Anonymous) for soprano, alto, tenor, bass and orchestra |
— |
| Gradual e Ofertório de Quinta-feira Santa II (Anonymous) for soprano, alto, tenor, bass and orchestra |
parts |
| Gradual e Ofertório de Quinta-feira Santa II (Anonymous) for soprano, alto, tenor, bass and orchestra |
vocal score |
| Trezena de Santo Antônio de Pádua (Anonymous) for mixed chorus, 2 violins and continuo |
— |
| Hino a Santa Cecília (Horta Júnior, Emílio Soares de Gouveia) for soprano and orchestra |
— |
| Ladainha in B-flat major (Lobo de Mesquita, Emerico) for soprano, alto, tenor, bass and orchestra |
— |
| Ladainha in B-flat major (Lobo de Mesquita, Emerico) for soprano, alto, tenor, bass and orchestra |
parts |