| Composition |
Published |
| Étude de concert No. 1, Op. 7 (Goria, Alexandre Édouard) for piano |
|
| Pensée poétique, Op. 18 (Gottschalk, Louis Moreau) for piano |
|
| Don Pasquale (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Don Pasquale (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| Mazurka in A minor, B.140 (Chopin, Frédéric) for piano |
1845 |
| Grande valse de concert, Op. 80 (Goria, Alexandre Édouard) for piano |
1856 |
| Sérénade du 'barbier de Séville', Op. 70 (Goria, Alexandre Édouard) for piano |
|
| Chants irlandais de Thomas Moore (Alary, Giulio) for voice and piano |
|
| L'invito (Alary, Giulio) for soprano, tenor and piano |
|
| Étude de concert No. 2, Op. 8 (Goria, Alexandre Édouard) for piano |
|
| Tyrolienne, Op. 58 (Ascher, Joseph) for piano |
|
| Les violettes, Op. 30 (Kontski, Anton de) for piano 4 hands |
|
Exercices de chant (Rillé, Laurent de) for tenor
baritone
bass |
1856 |
| Ave Regina (Rillé, Laurent de) for male chorus |
|
| La Dieppoise (Alary, Giulio) for piano |
1844 |
| La favorite (Alary, Giulio) for piano |
1846 |
| Mathilde (Alary, Giulio) for piano |
|
| Le trémolo, Op. 9 (Fronti, Miguel) for piano |
|
| Quando avvolto (Alary, Giulio) for alto and piano |
|
| Viva bacco ed amor (Alary, Giulio) for mezzosoprano, bass and piano |
1842 |
| Romanza di Almachilde (Act II) from Rosmunda (Alary, Giulio) for voices, mixed chorus and orchestra |
1843 |
| Valdora, Op. 14 (Guénée, L.) for piano |
|
| Arrangement of String Quintet No. 2, Op. 51 (Mayseder, Joseph) for violin, cello and piano |
|
Nouvelle méthode progressive pour cornet (Schultz, Nicomède) for cornet
2 cornets |
|
| La maschera (Kastner, Jean-Georges) for voices and orchestra |
|
| La brise, Op. 27 (Delioux, Charles) for piano |
1854 |
| Saltarelle, Op. 23 (Goria, Alexandre Édouard) for piano |
|
| Alice, Op. 12 (Goria, Alexandre Édouard) for piano |
1844 |
| Lucifer (Leduc, Alphonse) for piano 4 hands |
|
| Arrangement of Le petit mousse noir (Leduc, Alphonse) for piano 4 hands |
|
| 3 Mazurkas, Op. 4 (Orda, Napoleon) for piano |
|
| 2 Polonaises, Op. 10 (Orda, Napoleon) for piano |
|
| Valse brillante, Op. 11 (Orda, Napoleon) for piano |
|
| Belida et Metidjah, Op. 9 (Orda, Napoleon) for piano |
|
| 2 Valses, Op. 9 (Orda, Napoleon) for piano |
|
| Les Madrilènes (Bordèse, Luigi) for 2 voices and piano |
1852 |
| Les célèbres balanciers (Bach, Nicolas Gottlibe) for piano |
|
| L'Art de déchiffrer (Dalla Casa, Luigi) for piano |
|
| Harmonie du soir, Op. 2 (Goria, Alexandre Édouard) for piano |
|
Partimenti (Colet, Hippolyte Raymond) for piano
continuo |
|
Partimenti (Colet, Hippolyte Raymond) for piano
continuo |
|
| Une Saison a Londre (Alkan, Maxime) for piano |
1856 |
| Première suite (Nos. 1-3) from Chants du crépuscule, Op. 29 (Offenbach, Jacques) for cello and piano |
1846 |
| Sérénade du toréro (Offenbach, Jacques) for voice and piano |
1850 |