| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Raven (A Melodrama) | Arthur Bergh, composer Edgar Allan Poe, librettist |
Op.20 | narrator and piano | Early 20th century | Melodramas | ||||
| The Pied Piper of Hamelin, Op. 23 (Recitation with pianoforte) | Arthur Bergh, composer Robert Browning, librettist |
Op.23 | narrator and piano | Early 20th century | Melodramas | ||||
| Evening, Op. 15 No. 1 (A Reverie) | Arthur Bergh, composer | A major | Op.15 No.1 | violin and piano | Early 20th century | Pieces | |||
| Meditation, Op. 15 No. 2 | Arthur Bergh, composer | A flat major | Op.15 No.2 | voice and piano | Early 20th century | Meditations | |||
| Sérénade Coquette | Arthur Bergh, composer | G major | Op.15 No.3 | violin and piano | Early 20th century | Serenades | |||
| Awake, Thou That Sleepest (Easter anthem) | Arthur Bergh, composer | D major | mixed chorus and organ | Early 20th century | Anthems | ||||
| The Congo (A cycle of songs for baritone) | Arthur Bergh, composer Vachel Lindsay, librettist |
baritone and piano | Early 20th century | Songs | |||||
| Mellican Man (Part-song for women's voices) | Arthur Bergh, composer Eugene Nowland, librettist |
F minor | female chorus and piano | Early 20th century | Secular choruses | ||||
| The Steersman's Song (Part-song for chorus of men's voices) | Arthur Bergh, composer Thomas Moore, librettist |
B flat major | male chorus | Early 20th century | Secular choruses | ||||
| Miss Blue Eyes (Caprice) | Arthur Bergh, composer | piano | Early 20th century | Caprices |
©2026 CMI