Compositions with Thomas Augustine Arne as composer
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Thomas and Sally (The Sailor's Return) | Thomas Augustine Arne, composer Isaac Bickerstaffe, librettist |
1760 | 4 voices, male chorus and orchestra | Classical | Pastoral operas |  |
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| Hymn of Eve (Uxbridge) | Thomas Augustine Arne, composer | 1755 | mixed chorus | Classical | Hymns | |
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| 7 Trio Sonatas (VII Sonatas for two Violins with a Thorough Bass for the Harpsicord or Violoncello) | Thomas Augustine Arne, composer | Op.3 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Artaxerxes | Thomas Augustine Arne, composer | voices and orchestra | Classical | Opera seria | |
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| 6 Songs | Thomas Augustine Arne, composer | Various | voice and orchestra | Classical | Songs | |
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| Comus (The Masque of Comus) | Thomas Augustine Arne, composer John Dalton, librettist |
RISM A/I: A 1745 | 2 sopranos, mixed chorus and orchestra | Baroque | Masques | |
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| As You Like It | Thomas Augustine Arne, composer William Shakespeare, librettist |
voice and cittern voice, flute and continuo |
Baroque | Songs | |
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| Celia's Complaint | Thomas Augustine Arne, composer | G minor | voice and continuo | Classical | Songs | |
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| Rule Britannia (Celebrated Ode, in Honour of Great-Britain) | Thomas Augustine Arne, composer James Thomson, librettist |
C major | 1740 | voice and orchestra | Baroque | Songs | |
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| The Weeders (Joan marching forth) | Thomas Augustine Arne, composer | G major | 4 voices | Baroque | Catches | |
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| The Family Quarrel (Good neighbours be quiet) | Thomas Augustine Arne, composer | C major | Baroque | Catches | |
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| The Blind Beggar of Bethnal Green | Thomas Augustine Arne, composer | voice and orchestra 2 voices and orchestra |
Baroque | Ballads | |
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| The monthly melody: or polite amusement for gentlemen and ladies. (The Monthly Melody: or Polite Amusement for Gentlemen and Ladies. Being a Collection of Vocal and Instrumental Music composed by Dr. Arne) | Thomas Augustine Arne, composer | voice and continuo voice, violin and continuo voice, 2 violins and continuo voice, flute and continuo voice, 2 flutes and continuo voice, 2 horns, 2 violins and continuo 2 voices and continuo voice, flute, violin and continuo voice, 2 flutes, 2 violins and continuo voice and cittern cittern 2 flutes |
Baroque | Songs, Ballads, Odes, Duets | |
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| Elegy on the Death of Mr. Shenstone (Come shepherds we'll follow the hearse ; Glee) | Thomas Augustine Arne, composer John Cunningham, librettist |
E minor | alto, 2 tenors and bass alto, tenor, baritone and bass 2 tenors and 2 basses |
Baroque | Elegies, Glees | |
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| Love Relaps'd | Thomas Augustine Arne, composer | C minor | voice and continuo voice, recorder and continuo |
Baroque | Songs | |
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| The Miller of Mansfield | Thomas Augustine Arne, composer | G major | voice and continuo voice, recorder and continuo |
Baroque | Songs | |
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| Allegro | Thomas Augustine Arne, composer | C major | harpsichord organ piano |
Classical | Allegros | |
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| VIII Sonatas or Lessons for the Harpsichord (8 Harpsichord Sonatas) | Thomas Augustine Arne, composer | RISM A/I: A 2160 | harpsichord | Classical | Sonatas, Lessons | |
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| Hush to Peace (Glee. From a favorite air in Artaxerxes) | Thomas Augustine Arne, composer | G major | 3 voices | Baroque | Glees | |
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| Blow, blow, thou winter wind | Thomas Augustine Arne, composer William Shakespeare, librettist |
voice and continuo | Classical | Songs | |
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| Eliza (Eliza. An English Opera) | Thomas Augustine Arne, composer Richard Rolt, librettist |
voices and orchestra | Baroque | Operas | |
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| The Fairy Prince | Thomas Augustine Arne, composer George Colman the Elder, librettist |
1771 | voices and orchestra | Baroque | Masques | |
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| Con Spirito (Organ solo from a Concerto) | Thomas Augustine Arne, composer | E major | organ | Baroque | Pieces | |
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| 8 Overtures in 8 parts | Thomas Augustine Arne, composer | orchestra | Baroque | Overtures | |
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| Favourite Songs and Cantatas (A Collection consisting of favourite Songs and Cantatas, ) | Thomas Augustine Arne, composer | voice and orchestra voice, strings and continuo voice, 2 flutes and continuo voice, violin and continuo voice, flute and continuo 2 voices, strings and continuo 3 voices and orchestra mixed chorus and orchestra |
Baroque | Songs, Secular cantatas | |
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| The Masque of Alfred | Thomas Augustine Arne, composer | 1740 | voices, mixed chorus and orchestra | Baroque | Masques | |
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| Britannia (Britannia, a Masque as it is perform'd at the Theatre-Royal in Drury-Lane...) | Thomas Augustine Arne, composer | 1755 | voices and orchestra | Baroque | Masques | |
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| Judith (An oratorio) | Thomas Augustine Arne, composer Isaac Bickerstaffe, librettist |
voices, mixed chorus and orchestra | Baroque | Sacred oratorios | |
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| Lyric Harmony (Lyric Harmony consisting of Eighteen entire new Ballads with Colin and Phaebe, in Score) | Thomas Augustine Arne, composer | Op.4 | voice and continuo voice and harpsichord voice, 2 violins and continuo voice, strings and continuo 3 voices, strings and continuo |
Baroque | Ballads, Songs, Secular cantatas | |
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| Love in a Village | Thomas Augustine Arne, composer Isaac Bickerstaffe, librettist |
voices and orchestra | Baroque | Ballad operas, Comic operas | |
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| 6 Organ Concertos (Six favourite concertos for the Organ, Harpsichord or Piano Forte, with Instrumental Parts) | Thomas Augustine Arne, composer | organ and orchestra harpsichord and orchestra piano and orchestra |
Classical | Concertos | |
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| Trio Sonata in A major (Sonata I) | Thomas Augustine Arne, composer | A major | Op.3 No.1 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in G major (Sonata II) | Thomas Augustine Arne, composer | G major | Op.3 No.2 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in E-flat major (Sonata III) | Thomas Augustine Arne, composer | E flat major | Op.3 No.3 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in F minor (Sonata IV) | Thomas Augustine Arne, composer | F minor | Op.3 No.4 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in E minor (Sonata VII) | Thomas Augustine Arne, composer | E minor | Op.3 No.7 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in B minor | Thomas Augustine Arne, composer | B minor | Op.3 No.6 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| Trio Sonata in D major | Thomas Augustine Arne, composer | D major | Op.3 No.5 | 1757 | 2 violins and continuo 2 violins and cello |
Baroque | Sonatas | |
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| By Dimpled Brook | Thomas Augustine Arne, composer John Milton, librettist |
F major | voice and continuo | Classical | Songs | |
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| The Morning (Cantata No.5) | Thomas Augustine Arne, composer John Milton, librettist |
1755 | voice and orchestra | Baroque | Secular cantatas | |
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| Rosamond | Thomas Augustine Arne, composer Joseph Addison, librettist |
6 voices | Baroque | Operas | |
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| Cymon and Iphigenia | Thomas Augustine Arne, composer | voice and continuo | Baroque | Secular cantatas | |
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| Romeo and Juliet | Thomas Augustine Arne, composer William Shakespeare, librettist |
voices and orchestra | Baroque | Incidental music | |
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| The Guardian Out-witted (The Guardian Outwitted) | Thomas Augustine Arne, composer | voices and orchestra | Baroque | Operas | |
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| Elfrida | Thomas Augustine Arne, composer George Colman the Elder, librettist |
voices, mixed chorus and orchestra | Classical | Operas | |
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| Reffley Spring (Reffley Spring, A Cantata composed for the Dedication of the Water to the Deities of Love and Social Enjoyment) | Thomas Augustine Arne, composer | soprano, mixed chorus, 2 violins and continuo tenor, mixed chorus, 2 violins and continuo |
Baroque | Secular cantatas | |
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| Alfred | Thomas Augustine Arne, composer James Thomson, librettist |
voices and orchestra | Baroque | Stage works | |
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