| Title click for details | Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code | 
|---|---|---|---|---|---|---|---|
| Andromeda | Antonio Maria Bononcini (composer) |  | 1707 | 4 voices and orchestra |  | ||
| Sul margine adorato | Antonio Maria Bononcini (composer) |  | B flat major ; G minor | soprano, 2 violins and continuo |  | ||
| Vorrei pupille belle | Antonio Maria Bononcini (composer) |  | C minor ; G minor | soprano, 2 violins and continuo |  | ||
| Troppo, troppo rigore | Antonio Maria Bononcini (composer) |  | E minor ; A minor ; D minor | soprano, 2 violins and continuo |  | ||
| Lontananza ; Mentre al novo apparir | Antonio Maria Bononcini (composer) |  | G minor ; F major ; A minor ; B flat major | alto, 2 violins and continuo |  | ||
| Tanto avezzo ho il core | Antonio Maria Bononcini (composer) |  | alto, 2 violins and continuo |  | |||
| Sopra l'orme d'Irene | Antonio Maria Bononcini (composer) |  | alto, 2 violins and continuo |  | |||
| 6 Cantatas, A-Wn Mus.Hs.17607 | Antonio Maria Bononcini (composer) |  | soprano, 2 violins and continuo alto, 2 violins and continuo |  | |||
| Selve, placide selve | Antonio Maria Bononcini (composer) |  | C minor ; B flat major | soprano and continuo alto and continuo |  | ||
| La presa di Tebe | Antonio Maria Bononcini (composer) and Silvio Stampiglia (librettist) |  | 5 voices and orchestra |  | |||
| Merope | Antonio Maria Bononcini (composer) |  | 7 voices and orchestra |  | |||
| Arminio | Antonio Maria Bononcini (composer) and Pietro Antonio Bernardoni (librettist) |  | 6 voices and orchestra |  | |||
| Sesostri, re d'Egitto | Antonio Maria Bononcini (composer) and Apostolo Zeno (librettist) and Pietro Pariati (librettist) |  | 7 voices and orchestra |  | |||
| Il tiranno eroe | Antonio Maria Bononcini (composer) and Vincenzo Cassani (librettist) |  | 7 voices and orchestra |  | |||
| Idol mio, bel tesoro | Antonio Maria Bononcini (composer) |  | G major | 1711 | soprano, recorder and continuo |  | |
| Tutta fiamme e tutta ardore | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| Mentre in placido sonno | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| Occhi, voi che mirate | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| Quando a mille rose | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| Amore ingannatore | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| Se avessi in mezzo al petto | Antonio Maria Bononcini (composer) |  | 1708 | soprano, 2 flutes and continuo |  | ||
| 6 Secular Cantatas, A-Wn Mus.Hs.17587 | Antonio Maria Bononcini (composer) |  | soprano, 2 flutes and continuo |  | |||
| La decollazione di S. Giovanni Batista | Antonio Maria Bononcini (composer) and Giovanni Domenico Filippeschi (librettist) |  | 5 voices and orchestra |  | |||
| Sinfonia per camera in C minor | Antonio Maria Bononcini (composer) |  | C minor | cello and continuo |  | ||
| Endimione | Antonio Maria Bononcini (composer) and Francesco De Lemene (librettist) |  | 6 voices and orchestra |  | |||
| Mentre canta l'augelletto | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| Finché la bella Irene | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Sans cesse des tourments | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Clori perché d'amore | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Zingaretta che predici | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Erano ancor immote | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Tortorella innamorata | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| Augelletti, ruscelli ed aurette | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| E sarà vero o Fille | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| Cagnoletto vezzosetto | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| Mira o Fille nel prato | Antonio Maria Bononcini (composer) |  | soprano and continuo alto and continuo |  | |||
| Clori dal colle al prato | Antonio Maria Bononcini (composer) |  | alto and continuo |  | |||
| Quanto lieto saria mio stato allora | Antonio Maria Bononcini (composer) |  | soprano and continuo |  | |||
| Direi che sei il mio bene | Antonio Maria Bononcini (composer) |  | soprano, 2 violins and continuo |  | |||
| Il trionfo della grazia | Antonio Maria Bononcini (composer) and Benedetto Pamphili (librettist) |  | 3 voices and orchestra |  | |||
| Ecco Amor che mi segue | Antonio Maria Bononcini (composer) |  | soprano, strings and continuo |  | |||
| La Fortuna, il Valore e la Giustitia | Antonio Maria Bononcini (composer) and Pietro Antonio Bernardoni (librettist) |  | 3 voices and orchestra |  | |||
| La conquista del vello d'oro | Antonio Maria Bononcini (composer) |  | 8 voices and orchestra |  | 
©2025 David P. Anderson