Composition |
Published |
Arrangement of Selections from Fatinitza (Suppé, Franz von) for piano 4 hands |
1879 |
Restless Wavelets (Adams, William P.) for piano |
1880 |
Nuovi solfeggi progressivi (Crescentini, Girolamo) for voice and continuo |
1885 |
Ivy Leaves (Maylath, Henry) for piano |
1879 |
Potpourri on 'The Sea Cadet' (Maylath, Henry) for piano |
1880 |
Siciliana (Maylath, Henry) for piano |
1881 |
Technical Piano Studies (Maylath, Henry) for piano |
1870 |
Arrangement of Galop hongroise (Maylath, Henry) for piano 4 hands |
1874 |
Chorus from 'I Lombardi' (Maylath, Henry) for |
1874 |
Glorious Things of Thee Are Spoken (Thomas, John Rogers) for voice, mixed chorus and piano |
1870 |
God Bless Us Every One (Thomas, John Rogers) for voice, mixed chorus and piano |
1868 |
Just As I Am! (Thomas, John Rogers) for soprano, bass, mixed chorus and organ soprano, bass, mixed chorus and piano |
1870 |
Loved Ones Far Away (Thomas, John Rogers) for voice and piano |
1873 |
My 'Good for Nothing' (Thomas, John Rogers) for voice and piano |
1866 |
O Come, Buy My Blossoms (Thomas, John Rogers) for voice and piano |
1884 |
O! Sweet Be Thy Repose (Thomas, John Rogers) for tenor and piano |
1865 |
Oh! Let Me Shed One Silent Tear (Thomas, John Rogers) for tenor, baritone, mixed chorus and piano |
1862 |
Our Noble Chief Has Passed Away (Thomas, John Rogers) for voice, mixed chorus and piano |
1865 |
Our Wandering Ships (Thomas, John Rogers) for voice and piano |
1874 |
Strangers No More (Thomas, John Rogers) for voice and piano |
1872 |
That Song of Thine (Thomas, John Rogers) for voice and piano |
1874 |
Oh Fare Thee Well Mine Own Love (Thomas, John Rogers) for voice, mixed chorus and piano |
1855 |