| Composition |
Published |
| II. Andante con moto from Arrangement of II. Andante con moto from Symphony No. 39 in E-flat major, K.543 (Mozart, Wolfgang Amadeus) for organ |
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| Andante con variazioni from Arrangement of Andante con variazioni from Piano Sonata No. 12, Op. 26 (Beethoven, Ludwig van) for organ |
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| Allegretto scherzando from Arrangement of Allegretto scherzando from Symphony No. 8, Op. 93 (Beethoven, Ludwig van) for organ |
|
| Andante cantabile con moto (No.2) from Arrangement of Andante cantabile con moto (No.2) from Symphony No. 1, Op. 21 (Beethoven, Ludwig van) for organ |
1911 |
| Andante cantabile con moto (No.2) from Arrangement of Andante cantabile con moto (No.2) from Symphony No. 1, Op. 21 (Beethoven, Ludwig van) for organ |
1911 |
| Andante cantabile (No.2) from Arrangement of Andante cantabile (No.2) from Symphony No. 41 in C major, K.551 (Mozart, Wolfgang Amadeus) for organ |
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| Adagio appassionato from Arrangement of Adagio appassionato from Piano Sonata No. 2, Op. 2 No. 2 (Beethoven, Ludwig van) for organ |
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| Adagio (No.2) from Arrangement of Adagio (No.2) from Piano Sonata No. 3, Op. 2 No. 3 (Beethoven, Ludwig van) for organ |
|
| Adagio (No.2) from Arrangement of Adagio (No.2) from Symphony No. 4, Op. 60 (Beethoven, Ludwig van) for cello |
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| Andante con moto (No.2) from Arrangement of Andante con moto (No.2) from Symphony No. 5, Op. 67 (Beethoven, Ludwig van) for organ |
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| Allegretto (No.2) from Arrangement of Allegretto (No.2) from Symphony No. 7, Op. 92 (Beethoven, Ludwig van) for organ |
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| II. Allegretto quasi Andantino from Arrangement of II. Allegretto quasi Andantino from Piano Sonata in A minor, D.537 (Schubert, Franz) for organ |
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| Allegretto, ma non troppo, (quasi Andante con moto) from Fantasia in C minor, Op. 80 (Beethoven, Ludwig van) for mixed chorus, piano and orchestra |
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| Prelude in C minor (No.20) from Preludes, Op. 28 (Chopin, Frédéric) for piano |
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| Marche funèbre (No.3) from Arrangement of Marche funèbre (No.3) from Piano Sonata No. 2, Op. 35 (Chopin, Frédéric) for piano |
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| Marche funèbre (No.3) from Arrangement of Marche funèbre (No.3) from Piano Sonata No. 2, Op. 35 (Chopin, Frédéric) for organ |
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| Andantino in A flat major (No.2) from Arrangement of Andantino in A flat major (No.2) from Moments musicaux, D.780 (Schubert, Franz) for organ |
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| Larghetto from Arrangement of Larghetto from Symphony No. 2, Op. 36 (Beethoven, Ludwig van) for 2 voices and piano |
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| Larghetto from Arrangement of Larghetto from Symphony No. 2, Op. 36 (Beethoven, Ludwig van) for organ |
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| Trauermarsch (No.3) from Arrangement of Trauermarsch (No.3) from Lieder ohne Worte, Op. 62 (Mendelssohn, Felix) for organ |
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| Trauermarsch (No.3) from Arrangement of Trauermarsch (No.3) from Lieder ohne Worte, Op. 62 (Mendelssohn, Felix) for organ |
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| Arrangement of Romance in G major, Op. 40 (Beethoven, Ludwig van) for organ |
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| Die Ruinen von Athen, Op. 113 (Beethoven, Ludwig van) for soprano, 2 basses, mixed chorus and orchestra |
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| Die Ruinen von Athen, Op. 113 (Beethoven, Ludwig van) for soprano, 2 basses, mixed chorus and orchestra |
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| Marcia from Entracte III (No.5) from Arrangement of Marcia from Entracte III (No.5) from Egmont, Op. 84 (Beethoven, Ludwig van) for violin and piano |
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| Arrangement of Selections from Album für die Jugend, Op. 68 (Schumann, Robert) for organ |
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| Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
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| Recordare from Arrangement of Recordare from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for organ |
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| 1814 version, 2 acts from Fidelio, Op. 72 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
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| Act 1. Finale: "O welche Lust, in freier Luft" (Prisoners' Chorus) from Fidelio, Op. 72 (Beethoven, Ludwig van) for voices, mixed chorus and orchestra |
|
| April is in My Mistress' Face (Morley, Thomas) for 4 voices |
1852 |
| Andante cantabile (No.4) from Arrangement of Andante cantabile (No.4) from 11 Bagatelles, Op. 119 (Beethoven, Ludwig van) for organ |
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| Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
1911 |
| Solomon, HWV 67 (Handel, George Frideric) for voices, mixed chorus and orchestra |
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| Arrangement of Selections from Solomon, HWV 67 (Handel, George Frideric) for organ |
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| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1897 |
| Mass in B minor, BWV 232 (Bach, Johann Sebastian) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1908 |
| Dona nobis pacem (No.27) from Arrangement of Dona nobis pacem (No.27) from Mass in B minor, BWV 232 (Bach, Johann Sebastian) for organ |
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| Lohengrin, WWV 75 (Wagner, Richard) for voices, mixed chorus and orchestra |
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| Der Zug zum Münster (Act II, sc.4) from Arrangement of Der Zug zum Münster (Act II, sc.4) from Lohengrin, WWV 75 (Wagner, Richard) for organ |
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| Tema con variazioni. Andante (No.4) from Arrangement of Tema con variazioni. Andante (No.4) from Septet in E-flat major, Op. 20 (Beethoven, Ludwig van) for harmonium |
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| Andante (No.2) from Arrangement of Andante (No.2) from Violin Concerto, Op. 64 (Mendelssohn, Felix) for organ |
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| Andante con moto quasi Allegretto from Arrangement of Andante con moto quasi Allegretto from String Quartet No. 9, Op. 59 No. 3 (Beethoven, Ludwig van) for organ |
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| Andante cantabile (No.2) from Arrangement of Andante cantabile (No.2) from String Quartet No. 19 in C major, K.465 (Mozart, Wolfgang Amadeus) for violin and piano |
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| II. Larghetto from Arrangement of II. Larghetto from String Quartet No. 22 in B-flat major, K.589 (Mozart, Wolfgang Amadeus) for organ |
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| Lieder ohne Worte (Mendelssohn, Felix) for piano |
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| I. Allegro moderato from Arrangement of I. Allegro moderato from String Quartet No. 15 in D minor, K.421/417b (Mozart, Wolfgang Amadeus) for organ |
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| Adagio (No.2) from Arrangement of Adagio (No.2) from Sonata for Piano Four-Hands in B-flat major, K.358/186c (Mozart, Wolfgang Amadeus) for organ |
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| Arrangement of Sonata for Piano Four-Hands in D major, K.381/123a (Mozart, Wolfgang Amadeus) for organ |
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| Arrangement of Sonata for Piano Four-Hands in C major, K.521 (Mozart, Wolfgang Amadeus) for organ |
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| Arrangement of Selections from String Quintet No. 6 in E-flat major, K.614 (Mozart, Wolfgang Amadeus) for organ |
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| Prélude in C-sharp minor (No.2) from Arrangement of Prélude in C-sharp minor (No.2) from Morceaux de fantaisie, Op. 3 (Rachmaninoff, Sergei) for orchestra |
1914 |
| Mélodie (No.3) from Arrangement of Mélodie (No.3) from Morceaux de fantaisie, Op. 3 (Rachmaninoff, Sergei) for organ |
1899 |
| Bois épais (Act II, Sc.4) from Arrangement of Bois épais (Act II, Sc.4) from Amadis, LWV 63 (Lully, Jean-Baptiste) for 4 voices |
1934 |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
1889 |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
1889 |
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Dido and Aeneas, Z.626 (Purcell, Henry) for voices, mixed chorus and orchestra |
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| Mass in A-flat major, D.678 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
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| Geisterchor (No.4) from Arrangement of Geisterchor (No.4) from Rosamunde, D.797 (Schubert, Franz) for organ |
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| In Memoriam (Sullivan, Arthur) for orchestra |
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| In Memoriam (Sullivan, Arthur) for orchestra |
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| Arrangement of In Memoriam (Sullivan, Arthur) for military band |
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| Arrangement of In Memoriam (Sullivan, Arthur) for piano |
|
| Adagio (No.2) from Arrangement of Adagio (No.2) from Violin Sonata in G minor, H.542.5 (Bach, Carl Philipp Emanuel) for organ |
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| Mass in E-flat major, D.950 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Chorus: 'Sicut locutus est' (No.11) from Arrangement of Chorus: 'Sicut locutus est' (No.11) from Magnificat in D major, BWV 243 (Bach, Johann Sebastian) for organ |
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| Sinfonia ''Pastoral Symphony'' (No.10) from Arrangement of Sinfonia ''Pastoral Symphony'' (No.10) from Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for organ |
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| Chor: 'Fallt mit Danken, fallt mit Loben' (No.36) from Arrangement of Chor: 'Fallt mit Danken, fallt mit Loben' (No.36) from Weihnachtsoratorium, BWV 248 (Bach, Johann Sebastian) for organ |
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| Il trovatore (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
1871 |
| Barcarolle (Act IV) from Les contes d'Hoffmann (Offenbach, Jacques) for voices, mixed chorus and orchestra |
|
| Arrangement of Cantique de Noël (Adam, Adolphe) for voice, mixed chorus and organ |
1910 |
| Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for orchestra |
1899 |
| Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for orchestra |
1899 |
| Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for orchestra |
1899 |
| Arrangement of Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for 2 pianos |
|
| Arrangement of Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for piano 4 hands |
1905 |
| Arrangement of Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for piano |
1899 |
| Var.IX. Adagio "Nimrod" from Arrangement of Var.IX. Adagio "Nimrod" from Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for piano |
1899 |
| Var.X. Intermezzo: Allegretto "Dorabella" from Arrangement of Var.X. Intermezzo: Allegretto "Dorabella" from Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for orchestra |
1901 |
| Var.X. Intermezzo: Allegretto "Dorabella" from Arrangement of Var.X. Intermezzo: Allegretto "Dorabella" from Variations on an Original Theme 'Enigma', Op. 36 (Elgar, Edward) for piano |
1901 |
| Adagio (No.1) from Arrangement of Adagio (No.1) from 3 Piano Pieces, D.459a (Schubert, Franz) for organ |
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| Adagio (No.2) from Arrangement of Adagio (No.2) from Symphony No. 99 in E-flat major, Hob.I:99 (Haydn, Joseph) for organ |
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| Andante (No.2) from Arrangement of Andante (No.2) from Symphony No. 101 in D major, Hob.I:101 (Haydn, Joseph) for organ |
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| Andante (No.2) from Arrangement of Andante (No.2) from Symphony No. 103 in E-flat major, Hob.I:103 (Haydn, Joseph) for organ |
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| 12 Études de salon, Op. 5 (Henselt, Adolf von) for piano |
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| Ave Maria (No.4) from Arrangement of Ave Maria (No.4) from 12 Études de salon, Op. 5 (Henselt, Adolf von) for organ |
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| Violin Sonata, Op. 82 (Elgar, Edward) for violin and piano |
1919 |
| Violin Concerto, Op. 61 (Elgar, Edward) for violin and orchestra |
1910 |
| Violin Concerto, Op. 61 (Elgar, Edward) for violin and orchestra |
1910 |
| Violin Concerto, Op. 61 (Elgar, Edward) for violin and orchestra |
1910 |
| Arrangement of Violin Concerto, Op. 61 (Elgar, Edward) for violin and piano |
1910 |
| Andante (No.2) from Arrangement of Andante (No.2) from Violin Concerto, Op. 61 (Elgar, Edward) for organ |
1911 |
| III. Andante (quasi Allegretto) consolante from Arrangement of III. Andante (quasi Allegretto) consolante from Piano Sonata No. 4 in E minor, Op. 70 (Weber, Carl Maria von) for organ |
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| Arrangement of Selections from Water Music, HWV 348-350 (Handel, George Frideric) for piano |
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| Violin Sonata No. 3, Op. 57 (Medtner, Nikolay) for violin and piano |
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| Stabat Mater, Op. 58 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1883 |
| Stabat Mater, Op. 58 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Chaconne and Fugue Trilogy, Op. 73 (Karg-Elert, Sigfrid) for organ
organ, brass ensemble and percussion |
1910 |
10 Voluntaries, Op. 6 (Stanley, John) for organ
harpsichord |
|
| March in ( D major ) (No.3) from Arrangement of March in ( D major ) (No.3) from 3 Marches, Op. 45 (Beethoven, Ludwig van) for organ |
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| 6 Organ Sonatas, Op. 65 (Mendelssohn, Felix) for organ |
|
| Andante con variazioni from Arrangement of Andante con variazioni from Serenade in D major, Op. 25 (Beethoven, Ludwig van) for organ |
|
| Cello Concerto, Op. 85 (Elgar, Edward) for cello and orchestra |
1921 |
| Cello Concerto, Op. 85 (Elgar, Edward) for cello and orchestra |
1920 |
| Cello Concerto, Op. 85 (Elgar, Edward) for cello and orchestra |
1921 |
| Arrangement of Cello Concerto, Op. 85 (Elgar, Edward) for cello and piano |
1920 |
| Arrangement of Cello Concerto, Op. 85 (Elgar, Edward) for cello and piano |
1920 |
| Romance (No.3) from Arrangement of Romance (No.3) from 6 Pieces, Op. 5 (Arensky, Anton) for organ |
|
Turn Thy Face from My Sins (Attwood, Thomas) for soprano and mixed chorus
soprano, mixed chorus and organ |
|
| 7 Pastels from the Lake of Constance, Op. 96 (Karg-Elert, Sigfrid) for organ |
1923 |
| Arrangement of Selections from Die Meistersinger von Nürnberg, WWV 96 (Wagner, Richard) for organ |
|
Equali Nos.1 & 3 from Arrangement of Equali Nos.1 & 3 from 3 Equali, WoO 30 (Beethoven, Ludwig van) for male chorus, 4 trombones and organ
male chorus, 4 trombones and piano |
|
| Wedding March (No.9) from Arrangement of Wedding March (No.9) from A Midsummer Night's Dream, incidental music, Op. 61 (Mendelssohn, Felix) for organ |
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| Wedding March (No.9) from Arrangement of Wedding March (No.9) from A Midsummer Night's Dream, incidental music, Op. 61 (Mendelssohn, Felix) for organ |
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| 4 Characteristic Waltzes, Op. 22 (Coleridge-Taylor, Samuel) for orchestra |
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| 4 Characteristic Waltzes, Op. 22 (Coleridge-Taylor, Samuel) for orchestra |
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| Arrangement of 4 Characteristic Waltzes, Op. 22 (Coleridge-Taylor, Samuel) for violin and piano |
1903 |
| Arrangement of 4 Characteristic Waltzes, Op. 22 (Coleridge-Taylor, Samuel) for piano |
1903 |
| Toccatina, Op. 25 (Henselt, Adolf von) for piano |
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| Wiegenlied, Op. 45 (Henselt, Adolf von) for piano |
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| II. Andante from Arrangement of II. Andante from Cello Sonata No. 1, Op. 45 (Mendelssohn, Felix) for organ |
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| II. Andante from Arrangement of II. Andante from Symphony No. 1, Op. 11 (Mendelssohn, Felix) for organ |
|
| Con moto moderato (No.3) from Arrangement of Con moto moderato (No.3) from Symphony No. 4, Op. 90 (Mendelssohn, Felix) for organ |
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| Symphony No. 2, Op. 52 (Mendelssohn, Felix) for 2 sopranos, tenor, mixed chorus, organ and orchestra |
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| Symphony No. 2, Op. 52 (Mendelssohn, Felix) for 2 sopranos, tenor, mixed chorus, organ and orchestra |
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| Sinfonia (No.1) from Arrangement of Sinfonia (No.1) from Symphony No. 2, Op. 52 (Mendelssohn, Felix) for organ |
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| Sinfonia (No.1) from Arrangement of Sinfonia (No.1) from Symphony No. 2, Op. 52 (Mendelssohn, Felix) for organ |
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| "Ich harrete des Herrn" (I waited for the Lord) (No.5) from Arrangement of "Ich harrete des Herrn" (I waited for the Lord) (No.5) from Symphony No. 2, Op. 52 (Mendelssohn, Felix) for |
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| "Ich harrete des Herrn" (I waited for the Lord) (No.5) from Arrangement of "Ich harrete des Herrn" (I waited for the Lord) (No.5) from Symphony No. 2, Op. 52 (Mendelssohn, Felix) for organ |
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| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
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| Overture from Arrangement of Overture from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for organ |
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| Overture from Arrangement of Overture from Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for organ |
|
| Piano Quintet, Op. 25 (Stanford, Charles Villiers) for 2 violins, viola, cello and piano |
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| Piano Quintet, Op. 25 (Stanford, Charles Villiers) for 2 violins, viola, cello and piano |
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| Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
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Stabat Mater, IGP 90 (Palestrina, Giovanni Pierluigi da) for 8 voices
2 mixed chorus |
1899 |
| Entr'acte (Act III) from Arrangement of Entr'acte (Act III) from Tannhäuser, WWV 70 (Wagner, Richard) for organ |
|
| March in D major (No.4) from Arrangement of March in D major (No.4) from 6 Grandes marches, D.819 (Schubert, Franz) for organ |
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| March in E flat minor (No.5) from Arrangement of March in E flat minor (No.5) from 6 Grandes marches, D.819 (Schubert, Franz) for organ |
|
| Nicht schnell 'Chanson Orientale' (No.4) from Arrangement of Nicht schnell 'Chanson Orientale' (No.4) from Bilder aus Osten, Op. 66 (Schumann, Robert) for organ |
|
| Wiegenlied (No.4) from Arrangement of Wiegenlied (No.4) from 5 Lieder, Op. 49 (Brahms, Johannes) for 2 voices and piano |
1911 |
| 6 Gesänge, Op. 19a (Mendelssohn, Felix) for voice and piano |
|
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
1902 |
| Arrangement of Messiah, HWV 56 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Chorus: He trusted in God (Part II, No.28) from Arrangement of Chorus: He trusted in God (Part II, No.28) from Messiah, HWV 56 (Handel, George Frideric) for organ |
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| Selections (Nos.1, 6) from Arrangement of Selections (Nos.1, 6) from 7 Charakterstücke, Op. 7 (Mendelssohn, Felix) for 2 violins, viola and cello |
|
| Arrangement of Symphony No. 5, Op. 107 (Mendelssohn, Felix) for organ |
|
| Arrangement of Selections from Symphony No. 5, Op. 107 (Mendelssohn, Felix) for organ |
|
| Die erste Walpurgisnacht, Op. 60 (Mendelssohn, Felix) for alto, tenor, baritone, bass, mixed chorus and orchestra |
|
| 6 Kinderstücke, Op. 72 (Mendelssohn, Felix) for piano |
|
| Falstaff, Op. 68 (Elgar, Edward) for orchestra |
1913 |
| Falstaff, Op. 68 (Elgar, Edward) for orchestra |
1913 |
| Two Interludes from Arrangement of Two Interludes from Falstaff, Op. 68 (Elgar, Edward) for piano |
|
| Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for violin and piano |
1899 |
| Arrangement of Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for organ |
1904 |
| Arrangement of Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for piano |
1901 |
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for orchestra |
1901 |
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for orchestra |
1916 |
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for orchestra |
1901 |
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for orchestra |
|
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for cello and piano |
1897 |
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for viola and piano |
|
| Chanson de nuit (No.1) from Arrangement of Chanson de nuit (No.1) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for viola and piano |
1901 |
| Chanson de matin (No.2) from Arrangement of Chanson de matin (No.2) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for orchestra |
1901 |
| Chanson de matin (No.2) from Arrangement of Chanson de matin (No.2) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for oboe and piano |
1899 |
| Chanson de matin (No.2) from Arrangement of Chanson de matin (No.2) from Chanson de nuit and chanson de matin, Op. 15 (Elgar, Edward) for cello and piano |
1899 |
| Arrangement of Rondo in A major, D.951 (Schubert, Franz) for organ |
1906 |
| La damnation de Faust, H 111 (Berlioz, Hector) for mezzosoprano, tenor, baritone, bass, mixed chorus, childrens chorus and orchestra |
1903 |
| Marche Hongroise (Part I, Scene 3) from Arrangement of Marche Hongroise (Part I, Scene 3) from La damnation de Faust, H 111 (Berlioz, Hector) for organ |
|
| 3 Piano Pieces, Op. 15 (Mackenzie, Alexander Campbell) for piano |
|
| Arrangement of God Save the King (Carey, Henry) for soprano, mixed chorus, orchestra and military band |
1902 |
| Arrangement of God Save the King (Carey, Henry) for soprano, mixed chorus, orchestra and military band |
1902 |
| Arrangement of God Save the King (Carey, Henry) for soprano, mixed chorus, orchestra and military band |
1902 |
| Arrangement of God Save the King (Carey, Henry) for voice, mixed chorus and piano |
1902 |
| Arrangement of God Save the King (Carey, Henry) for voice, mixed chorus and piano |
1902 |
| Arrangement of God Save the King (Carey, Henry) for 3 voices |
|
| Arrangement of String Quartet No. 3, Op. 44 No. 1 (Mendelssohn, Felix) for organ |
|
| III. Adagio non troppo from Arrangement of III. Adagio non troppo from String Quartet No. 5, Op. 44 No. 3 (Mendelssohn, Felix) for organ |
|
| Arrangement of Selections from 4 Pieces for String Quartet, Op. 81 (Mendelssohn, Felix) for organ |
|
| Athalie, Op. 74 (Mendelssohn, Felix) for narrator, 2 sopranos, 2 altos, 2 mixed chorus and orchestra |
|
| Athalie, Op. 74 (Mendelssohn, Felix) for narrator, 2 sopranos, 2 altos, 2 mixed chorus and orchestra |
|
| Arrangement of Athalie, Op. 74 (Mendelssohn, Felix) for piano and harmonium |
|
| Overture from Arrangement of Overture from Athalie, Op. 74 (Mendelssohn, Felix) for organ |
|
| Ist es Glück, ist es Leid (No.4) from Arrangement of Ist es Glück, ist es Leid (No.4) from Athalie, Op. 74 (Mendelssohn, Felix) for 3 voices and piano |
|
| Kriegsmarsch der Priester (No.4a) from Arrangement of Kriegsmarsch der Priester (No.4a) from Athalie, Op. 74 (Mendelssohn, Felix) for organ |
|
| Kriegsmarsch der Priester (No.4a) from Arrangement of Kriegsmarsch der Priester (No.4a) from Athalie, Op. 74 (Mendelssohn, Felix) for organ |
|
| Canzonetta (No.2) from Arrangement of Canzonetta (No.2) from String Quartet No. 1, Op. 12 (Mendelssohn, Felix) for organ |
|
| The Apostles, Op. 49 (Elgar, Edward) for mixed chorus and organ |
1903 |
| Prologue: The Spirit of the Lord is upon me from The Apostles, Op. 49 (Elgar, Edward) for mixed chorus and organ |
1903 |
| Prelude to Part II from Arrangement of Prelude to Part II from The Apostles, Op. 49 (Elgar, Edward) for organ |
1905 |
| Elijah, Op. 70 (Mendelssohn, Felix) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Fra Diavolo (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
|
| Revised version (1855), with Le Chef d'Orchestre from Grand traité d'instrumentation et d'orchestration modernes, Op. 10 (Berlioz, Hector) for |
1858 |
| Revised version (1855), with Le Chef d'Orchestre from Grand traité d'instrumentation et d'orchestration modernes, Op. 10 (Berlioz, Hector) for |
1882 |
| Arrangement of 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for violin and piano |
1888 |
| Arrangement of Selections from 12 Violin Sonatas, Op. 5 (Corelli, Arcangelo) for cello and piano |
|
| 3 Organ Sonatas (Lemmens, Jacques-Nicolas) for organ |
|
| L'enfance du Christ, H 130 (Berlioz, Hector) for voices, mixed chorus and orchestra |
|
| Arrangement of Minuet, WoO 82 (Beethoven, Ludwig van) for organ |
|
| Dixit Dominus, HWV 232 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
1894 |
| La fille du régiment (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
|
| The Music Makers, Op. 69 (Elgar, Edward) for alto, mixed chorus and orchestra |
1912 |
| The Music Makers, Op. 69 (Elgar, Edward) for alto, mixed chorus and orchestra |
1912 |
| The Music Makers, Op. 69 (Elgar, Edward) for alto, mixed chorus and orchestra |
1912 |
| The Music Makers, Op. 69 (Elgar, Edward) for alto, mixed chorus and orchestra |
1912 |
| Missa brevis in F major, K.192/186f (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Arrangement of Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (Meyerbeer, Giacomo) for organ |
|
| Iphigénie en Aulide, Wq.40 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
|
| Don Giovanni, K.527 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
1898 |
| Impromptu No. 4, Op. 37 (Henselt, Adolf von) for piano |
|
| Symphony No. 1, Op. 55 (Elgar, Edward) for orchestra |
1908 |
| Symphony No. 1, Op. 55 (Elgar, Edward) for orchestra |
1908 |
| Arrangement of Symphony No. 1, Op. 55 (Elgar, Edward) for piano 4 hands |
1909 |
| Arrangement of Symphony No. 1, Op. 55 (Elgar, Edward) for piano |
1909 |
| Themes from 'Andante. Nobilmente e semplice' (No.1) from Arrangement of Themes from 'Andante. Nobilmente e semplice' (No.1) from Symphony No. 1, Op. 55 (Elgar, Edward) for organ |
1909 |
| Adagio (No.3) from Arrangement of Adagio (No.3) from Symphony No. 1, Op. 55 (Elgar, Edward) for organ |
1909 |
| Symphony No. 2, Op. 63 (Elgar, Edward) for orchestra |
1911 |
| Symphony No. 2, Op. 63 (Elgar, Edward) for orchestra |
1911 |
| Arrangement of Symphony No. 2, Op. 63 (Elgar, Edward) for piano 4 hands |
1912 |
| Arrangement of Symphony No. 2, Op. 63 (Elgar, Edward) for piano |
1912 |
| Chorus: 'Placido è il mar' (Act II, No.15) from Idomeneo, K.366 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Idomeneo, K.366 (Mozart, Wolfgang Amadeus) for organ |
|
| Menuetto (in canone) (No.3) from Arrangement of Menuetto (in canone) (No.3) from Serenade in C minor, K.388/384a (Mozart, Wolfgang Amadeus) for organ |
|
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
1859 |
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
|
| Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for 2 sopranos, tenor, baritone, bass, mixed chorus and orchestra |
|
| Mit Staunen sieht das Wunderwerk (Part I, No.4) from Arrangement of Mit Staunen sieht das Wunderwerk (Part I, No.4) from Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for organ |
|
| Die Himmel erzählen die Ehre Gottes (Part I, No.13) from Arrangement of Die Himmel erzählen die Ehre Gottes (Part I, No.13) from Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for organ |
|
| Introduction (Part III) from Arrangement of Introduction (Part III) from Die Schöpfung, Hob.XXI:2 (Haydn, Joseph) for organ |
|
| Allegro maestoso (No.1) from Arrangement of Allegro maestoso (No.1) from Serenade in E-flat major, K.375 (Mozart, Wolfgang Amadeus) for organ |
|
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
1902 |
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
1901 |
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
|
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
1900 |
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
1905 |
| The Dream of Gerontius, Op. 38 (Elgar, Edward) for mezzosoprano, tenor, bass, mixed chorus and orchestra |
1900 |
| Prelude and Angel's Farewell from Arrangement of Prelude and Angel's Farewell from The Dream of Gerontius, Op. 38 (Elgar, Edward) for orchestra |
1902 |
| Prelude and Angel's Farewell from Arrangement of Prelude and Angel's Farewell from The Dream of Gerontius, Op. 38 (Elgar, Edward) for organ |
1903 |
| Prelude and Angel's Farewell from Arrangement of Prelude and Angel's Farewell from The Dream of Gerontius, Op. 38 (Elgar, Edward) for piano |
1902 |
| Hora Novissima, Op. 30 (Parker, Horatio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1900 |
| Hora Novissima, Op. 30 (Parker, Horatio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1900 |
| Hora Novissima, Op. 30 (Parker, Horatio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1893 |
| The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for orchestra |
1908 |
| The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for orchestra |
|
| The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for orchestra |
1908 |
| The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for orchestra |
|
| The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for orchestra |
1908 |
| Arrangement of The Wand of Youth, Suite No. 2, Op. 1b (Elgar, Edward) for piano |
1908 |
| The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for orchestra |
1908 |
| The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for orchestra |
|
| The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for orchestra |
1907 |
| The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for orchestra |
|
| Arrangement of The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for piano |
1907 |
| Serenade from Arrangement of Serenade from The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for 2 violins, viola, cello and piano |
1910 |
| Serenade from Arrangement of Serenade from The Wand of Youth, Suite No. 1, Op. 1a (Elgar, Edward) for cello and piano |
1910 |
| Tema con variazioni. Andante quasi allegretto (No.5) from Arrangement of Tema con variazioni. Andante quasi allegretto (No.5) from Serenade in D major, Op. 8 (Beethoven, Ludwig van) for flute and piano |
|
| String Quartet, Op. 83 (Elgar, Edward) for 2 violins, viola and cello |
1919 |
| String Quartet, Op. 83 (Elgar, Edward) for 2 violins, viola and cello |
1919 |
| Practische Orgelschule, Op. 55 (Rinck, Christian Heinrich) for organ |
|
| Overture from Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Saul, HWV 53 (Handel, George Frideric) for organ |
|
| Symphony: Dead March (Act III, No.77) from Arrangement of Symphony: Dead March (Act III, No.77) from Saul, HWV 53 (Handel, George Frideric) for organ |
|
| Larghetto (No.2) from Arrangement of Larghetto (No.2) from Clarinet Quintet in A major, K.581 (Mozart, Wolfgang Amadeus) for organ |
|
| Arrangement of Coronation March, TH 50 (Tchaikovsky, Pyotr) for organ |
|
| Arrangement of Sweet and Low (Barnby, Joseph) for 3 voices |
|
| Air: Ask if yon damas rose be sweet, (Act II, Scene 2, No.34) from Arrangement of Air: Ask if yon damas rose be sweet, (Act II, Scene 2, No.34) from Susanna, HWV 66 (Handel, George Frideric) for organ |
|
| Nocturne (No.4) from Arrangement of Nocturne (No.4) from 6 Pieces, Op. 19 (Tchaikovsky, Pyotr) for organ |
|
| Athalia, HWV 52 (Handel, George Frideric) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Athalia, HWV 52 (Handel, George Frideric) for organ |
|
| Chorus: The traitor if you there descry (Act I, Sc. 3, No. 20) from Arrangement of Chorus: The traitor if you there descry (Act I, Sc. 3, No. 20) from Athalia, HWV 52 (Handel, George Frideric) for organ |
|
| The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Brockes-Passion, HWV 48 (Handel, George Frideric) for organ |
|
| Ode for St. Cecilia's Day, HWV 76 (Handel, George Frideric) for soprano, tenor, mixed chorus and orchestra |
|
| Alexander Balus, HWV 65 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Samson, HWV 57 (Handel, George Frideric) for organ |
|
| Overture or Sinfonia (Act I, No.1) from Arrangement of Overture or Sinfonia (Act I, No.1) from Samson, HWV 57 (Handel, George Frideric) for orchestra |
|
| Aria: Let the Bright Seraphim (Act III, Sc.3) from Arrangement of Aria: Let the Bright Seraphim (Act III, Sc.3) from Samson, HWV 57 (Handel, George Frideric) for voice and orchestra |
|
| Chorus: Queen of Summer, Queen of Love (Act II, Sc.1, No.30) from Arrangement of Chorus: Queen of Summer, Queen of Love (Act II, Sc.1, No.30) from Theodora, HWV 68 (Handel, George Frideric) for organ |
|
| March (Act I, Scene 5. No. 21) from Arrangement of March (Act I, Scene 5. No. 21) from Hercules, HWV 60 (Handel, George Frideric) for organ |
|
| Jubilate Deo in D major, HWV 279 (Handel, George Frideric) for mixed chorus and orchestra |
|
| Te Deum in D major, HWV 283 (Handel, George Frideric) for alto, tenor, bass, mixed chorus and orchestra |
1848 |
| Arrangement of Selections from Israel in Egypt, HWV 54 (Handel, George Frideric) for organ |
|
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| Arrangement of Selections from Judas Maccabaeus, HWV 63 (Handel, George Frideric) for organ |
|
| Aria: Myself I shall adore (Act III, Sc. 3) from Arrangement of Aria: Myself I shall adore (Act III, Sc. 3) from Semele, HWV 58 (Handel, George Frideric) for organ |
|
| Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Arrangement of Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Chorus: Wretched Lovers (Act 2, No.10) from Arrangement of Chorus: Wretched Lovers (Act 2, No.10) from Acis and Galatea, HWV 49 (Handel, George Frideric) for organ |
|
| Chor: Wir haben keinen König denn den Kaiser/We have no king but Cæsar from Arrangement of Chor: Wir haben keinen König denn den Kaiser/We have no king but Cæsar from Passion nach dem Evangelisten Johannes (Böhm, Georg) for organ |
|
| Chor: Lässest du diesen los/If thou let this man go from Arrangement of Chor: Lässest du diesen los/If thou let this man go from Passion nach dem Evangelisten Johannes (Böhm, Georg) for organ |
|
| Chor: Lasset uns den nicht zertheilen/Let us not rend it from Arrangement of Chor: Lasset uns den nicht zertheilen/Let us not rend it from Passion nach dem Evangelisten Johannes (Böhm, Georg) for organ |
|
| Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Chorus: The many rend the skies (Act I, No.20) from Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Selections from Joshua, HWV 64 (Handel, George Frideric) for organ |
|
| Arrangement of Selections from An Occasional Oratorio, HWV 62 (Handel, George Frideric) for organ |
|
| Alceste, HWV 45 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Esther, HWV 50b (Handel, George Frideric) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Esther, HWV 50b (Handel, George Frideric) for organ |
|
| Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Poro, re dell'Indie, HWV 28 (Handel, George Frideric) for organ |
|
| Aria: Cangio d’aspetto (Act I, Sc.6) from Arrangement of Aria: Cangio d’aspetto (Act I, Sc.6) from Admeto, HWV 22 (Handel, George Frideric) for organ |
|
| Andante-Larghetto (Minuet) from Arrangement of Andante-Larghetto (Minuet) from Berenice, HWV 38 (Handel, George Frideric) for organ |
|
| Andante-Larghetto (Minuet) from Arrangement of Andante-Larghetto (Minuet) from Berenice, HWV 38 (Handel, George Frideric) for piano |
1924 |
| Now on land and sea decending from Arrangement of Now on land and sea decending from Berenice, HWV 38 (Handel, George Frideric) for 4 voices |
|
| Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
|
| March (Act I, Scene 1) from Arrangement of March (Act I, Scene 1) from Publio Cornelio Scipione, HWV 20 (Handel, George Frideric) for organ |
|
| Aria: Lascia ch'io pianga (Act II) from Arrangement of Aria: Lascia ch'io pianga (Act II) from Rinaldo, HWV 7b (Handel, George Frideric) for 2 voices and piano |
|
| Nature and Love, TH 72 (Tchaikovsky, Pyotr) for 2 sopranos, alto, mixed chorus and piano |
|
| In the South, Op. 50 (Elgar, Edward) for orchestra |
1904 |
| In the South, Op. 50 (Elgar, Edward) for orchestra |
1904 |
| Arrangement of In the South, Op. 50 (Elgar, Edward) for piano 4 hands |
1904 |
| Arrangement of In the South, Op. 50 (Elgar, Edward) for piano |
1904 |
| Canto popolare from Arrangement of Canto popolare from In the South, Op. 50 (Elgar, Edward) for violin and piano |
1904 |
| Canto popolare from Arrangement of Canto popolare from In the South, Op. 50 (Elgar, Edward) for violin and piano |
1904 |
| Canto popolare from Arrangement of Canto popolare from In the South, Op. 50 (Elgar, Edward) for viola and piano |
1904 |
| Canto popolare from Arrangement of Canto popolare from In the South, Op. 50 (Elgar, Edward) for organ |
1904 |
| Canto popolare from Arrangement of Canto popolare from In the South, Op. 50 (Elgar, Edward) for piano |
1904 |
| Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz) for soprano, alto, 3 baritones, 2 basses, mixed chorus, organ and orchestra |
|
As Vesta Was, from Latmos Hill Descending (Weelkes, Thomas) for 6 voices
2 sopranos, alto, 2 tenors and bass |
|
| Froissart, Op. 19 (Elgar, Edward) for orchestra |
1901 |
| Froissart, Op. 19 (Elgar, Edward) for orchestra |
1901 |
| Froissart, Op. 19 (Elgar, Edward) for orchestra |
|
| Arrangement of Froissart, Op. 19 (Elgar, Edward) for piano |
1904 |
| Arrangement of Ô Canada (Lavallée, Calixa) for mixed chorus and piano |
|
| Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
1902 |
| Incidental Music & Funeral March (No. 1 & 2) from Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
|
| Song: 'There are seven that pull the thread' (No.3) from Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
|
| Incidental Music & Funeral March (Nos.1-2) from Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
1902 |
| Incidental Music & Funeral March (Nos.1-2) from Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
|
| Song: 'There are seven that pull the thread' (No.3) from Grania and Diarmid, Op. 42 (Elgar, Edward) for voice and orchestra |
|
| Funeral March (No.2) from Arrangement of Funeral March (No.2) from Grania and Diarmid, Op. 42 (Elgar, Edward) for organ |
1903 |
| Funeral March (No.2) from Arrangement of Funeral March (No.2) from Grania and Diarmid, Op. 42 (Elgar, Edward) for piano |
1903 |
| III. Finale from Arrangement of III. Finale from Overture, Scherzo and Finale, Op. 52 (Schumann, Robert) for organ |
|
Zigeunerleben (No.3) from 3 Gedichte, Op. 29 (Schumann, Robert) for 2 voices and piano
3 voices and piano
4 voices and piano
mixed chorus and piano |
|
| Chaconne (No.1) from Arrangement of Chaconne (No.1) from First Suite for Military Band, Op. 28 No. 1 (Holst, Gustav) for organ |
1933 |
| Chœur des soldats (Act IV) from Arrangement of Chœur des soldats (Act IV) from Faust, CG 4 (Gounod, Charles) for mixed chorus and piano |
|
| Arrangement of Selections from 12 Klavierstücke für kleine und große Kinder, Op. 85 (Schumann, Robert) for organ |
|
| 3 Intermezzi, Op. 13 (Stanford, Charles Villiers) for clarinet and piano |
|
| Euryanthe, Op. 81 (Weber, Carl Maria von) for voices, mixed chorus and orchestra |
|
| Preciosa, Op. 78 (Weber, Carl Maria von) for voice, mixed chorus and orchestra |
|
| Arrangement of Jubel-Ouvertüre, Op. 59 (Weber, Carl Maria von) for organ |
|
| Romance (No.2) from Arrangement of Romance (No.2) from 3 Morceaux, Op. 42 (Arensky, Anton) for organ |
|
| Introduction and Allegro, Op. 47 (Elgar, Edward) for 2 violins, viola, cello and strings |
1905 |
| Introduction and Allegro, Op. 47 (Elgar, Edward) for 2 violins, viola, cello and strings |
1905 |
| Arrangement of Introduction and Allegro, Op. 47 (Elgar, Edward) for piano 4 hands |
1905 |
4 Songs, Op. 17 (Brahms, Johannes) for female chorus, 2 horns and harp
female chorus, 2 horns and piano |
1923 |
| 3 Songs, Op. 42 (Brahms, Johannes) for mixed chorus |
|
| In stiller Nacht, zur ersten Wacht (Vol.2 No.8) from 14 Deutsche Volkslieder, WoO 34 (Brahms, Johannes) for mixed chorus |
1908 |
| Abschiedslied (Vol.2 No.9) from 14 Deutsche Volkslieder, WoO 34 (Brahms, Johannes) for mixed chorus |
1908 |
| Symphony No. 4, Op. 31 (Stanford, Charles Villiers) for orchestra |
1891 |
| Symphony No. 4, Op. 31 (Stanford, Charles Villiers) for orchestra |
1891 |
| Arrangement of Symphony No. 4, Op. 31 (Stanford, Charles Villiers) for piano 4 hands |
|
| 2 Polonaises, Op. 30 (Cui, César) for piano |
|
| 2 Polkas de salon, Op. 23 (Wollenhaupt, Hermann Adolf) for piano |
|
| Chorus: Non sdegnare, o bella Venere (Act I, sc. 1) from Arrangement of Chorus: Non sdegnare, o bella Venere (Act I, sc. 1) from Paride ed Elena, Wq.39 (Gluck, Christoph Willibald) for organ |
|
| Mazeppa. Grand Galop de Concert, Op. 43 (Wollenhaupt, Hermann Adolf) for piano |
|
| 6 Songs, Op. 37 (Coleridge-Taylor, Samuel) for voice and piano |
|
| Rebekah (Barnby, Joseph) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Rebekah (Barnby, Joseph) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Rebekah (Barnby, Joseph) for organ |
|
| The Black Knight, Op. 25 (Elgar, Edward) for mixed chorus and orchestra |
1893 |
| Solemn March from Arrangement of Solemn March from The Black Knight, Op. 25 (Elgar, Edward) for organ |
1894 |
| Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for soprano, tenor, bass, mixed chorus and orchestra |
1896 |
| The Challenge of Thor from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for soprano, tenor, bass, mixed chorus and orchestra |
1896 |
| As Torrents in Summer from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for soprano, tenor, bass, mixed chorus and orchestra |
1896 |
| As Torrents in Summer from Arrangement of As Torrents in Summer from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for 3 voices and piano |
1927 |
| As Torrents in Summer from Arrangement of As Torrents in Summer from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for unison chorus and piano |
1933 |
| As Torrents in Summer from Arrangement of As Torrents in Summer from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for male chorus |
1934 |
| As Torrents in Summer from Arrangement of As Torrents in Summer from Scenes from the Saga of King Olaf, Op. 30 (Elgar, Edward) for 2 sopranos and piano |
1937 |
| Loreley, Op. 98 (Mendelssohn, Felix) for voices, mixed chorus and orchestra |
|
| Loreley, Op. 98 (Mendelssohn, Felix) for voices, mixed chorus and orchestra |
|
Morning, Evening and Communion Service in B-flat major, Op. 10 (Stanford, Charles Villiers) for soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and orchestra |
|
Morning, Evening and Communion Service in B-flat major, Op. 10 (Stanford, Charles Villiers) for soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and orchestra |
|
Morning, Evening and Communion Service in B-flat major, Op. 10 (Stanford, Charles Villiers) for soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and orchestra |
1903 |
Morning, Evening and Communion Service in B-flat major, Op. 10 (Stanford, Charles Villiers) for soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and orchestra |
|
| Kyrie from Arrangement of Kyrie from Morning, Evening and Communion Service in B-flat major, Op. 10 (Stanford, Charles Villiers) for |
|
| Arrangement of Pibroch, Suite for Violin and Orchestra, Op. 42 (Mackenzie, Alexander Campbell) for violin and piano |
|
| Arrangement of Pibroch, Suite for Violin and Orchestra, Op. 42 (Mackenzie, Alexander Campbell) for violin and piano |
|
| Mass in F major, D.105 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Adagio and Allegro in F minor, K.594 (Mozart, Wolfgang Amadeus) for mechanical instrument |
|
Les nuits d'été, H 81 (Berlioz, Hector) for mezzosoprano and piano
voices and orchestra |
1881 |
| Arrangement of Adagio and Fugue in C minor, K.546 (Mozart, Wolfgang Amadeus) for organ |
|
| Gavotte (Acte III, Scène IV) from Arrangement of Gavotte (Acte III, Scène IV) from Le Temple de la gloire, RCT 59 (Rameau, Jean-Philippe) for orchestra |
|
| Gavotte (Acte III, Scène IV) from Arrangement of Gavotte (Acte III, Scène IV) from Le Temple de la gloire, RCT 59 (Rameau, Jean-Philippe) for piano |
|
| Larghetto affettuoso e non troppo Lento (No.2) from Arrangement of Larghetto affettuoso e non troppo Lento (No.2) from Grand Sonata for Piano 4-Hands, Op. 48 (Dussek, Jan Ladislav) for organ |
|
| Thamos, König in Ägypten, K.345/336a (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
|
| Arrangement of Selections from Thamos, König in Ägypten, K.345/336a (Mozart, Wolfgang Amadeus) for organ |
|
Byron, Op. 39 (Holbrooke, Joseph) for orchestra
mixed chorus and orchestra |
1904 |
| Triumphal March (No. 1) from Arrangement of Triumphal March (No. 1) from Tarpeja, WoO 2 (Beethoven, Ludwig van) for organ |
|
| Die Ehre Gottes aus der Natur (No.4) from 6 Lieder, Op. 48 (Beethoven, Ludwig van) for voice and piano |
|
| Messe solennelle de Sainte-Cécile (Gounod, Charles) for soprano, tenor, bass, mixed chorus and orchestra |
1872 |
| Requiem in C minor (Cherubini, Luigi) for mixed chorus and orchestra |
|
Mass in D major, Op. 86 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass, mixed chorus and orchestra |
|
Orchestral arrangement, B.175 from Mass in D major, Op. 86 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and organ
soprano, alto, tenor, bass, mixed chorus and orchestra |
1893 |
| The Raven, Op. 25 (Holbrooke, Joseph) for orchestra |
1912 |
| Three Blind Mice, Op. 37 No. 1 (Holbrooke, Joseph) for orchestra |
1915 |
| Three Blind Mice, Op. 37 No. 1 (Holbrooke, Joseph) for orchestra |
1915 |
| I puritani (Bellini, Vincenzo) for voices, mixed chorus and orchestra |
|
| The Children of Don, Op. 56 (Holbrooke, Joseph) for voices, mixed chorus and orchestra |
1912 |
| Romance (No.2) from Arrangement of Romance (No.2) from Symphony No. 85 in B-flat major, Hob.I:85 (Haydn, Joseph) for organ |
|
| Adagio ma non troppo from Arrangement of Adagio ma non troppo from Symphony No. 97 in C major, Hob.I:97 (Haydn, Joseph) for organ |
|
| Chor des Landvolks: Komm, holder Lenz! (No.2) from Arrangement of Chor des Landvolks: Komm, holder Lenz! (No.2) from Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph) for organ |
|
| Mass in C major, K.317 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Arrangement of Mass in C major, K.317 (Mozart, Wolfgang Amadeus) for piano |
|
| Messe solennelle de Pâques (Gounod, Charles) for mixed chorus and orchestra |
|
| Ave Maria (No.2) from Kirchenmusik, Op. 23 (Mendelssohn, Felix) for voices, mixed chorus and organ |
|
| Arrangement of Overture in C major, Op. 24 (Mendelssohn, Felix) for organ |
|
| Das Paradies und die Peri, Op. 50 (Schumann, Robert) for voices, mixed chorus and orchestra |
|
| Adventlied, Op. 71 (Schumann, Robert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| A Shropshire Lad (Butterworth, George) for orchestra |
|
Es ist ein Ros entsprungen (Praetorius, Michael) for soprano, alto, tenor and bass
mixed chorus |
|
| Triumphal March: "The march triumphal thunders" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Triumphal March: "The march triumphal thunders" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Triumphal March: "The march triumphal thunders" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Triumphal March: "The march triumphal thunders" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1898 |
| Triumphal March: "The march triumphal thunders" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1914 |
| Chorus: "Britons, alert!" from Caractacus, Op. 35 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1900 |
| The Sword Song "Leap to the light" from Arrangement of The Sword Song "Leap to the light" from Caractacus, Op. 35 (Elgar, Edward) for |
1898 |
| Triumphal March from Arrangement of Triumphal March from Caractacus, Op. 35 (Elgar, Edward) for organ |
1899 |
| Coronation March (Act IV) from Arrangement of Coronation March (Act IV) from Le prophète (Meyerbeer, Giacomo) for organ |
|
| Ernani (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| Hail, Bright Cecilia, Z.328 (Purcell, Henry) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
|
| 17. Shepherd, Shepherd, Leave Decoying (Act II, Scene 2) from King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
1911 |
| 31. Two Daughters of this Aged Stream Are We (Act IV, Scene 2) from King Arthur, Z.628 (Purcell, Henry) for voices, mixed chorus and orchestra |
1911 |
| The Golden Legend (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
| The Golden Legend (Sullivan, Arthur) for voices, mixed chorus and orchestra |
|
For the Fallen (No.3) from The Spirit of England, Op. 80 (Elgar, Edward) for soprano, mixed chorus and orchestra
tenor, mixed chorus and orchestra |
1916 |
The Spirit of England, Op. 80 (Elgar, Edward) for soprano, mixed chorus and orchestra
tenor, mixed chorus and orchestra |
1917 |
The Spirit of England, Op. 80 (Elgar, Edward) for soprano, mixed chorus and orchestra
tenor, mixed chorus and orchestra |
1920 |
| Te Deum, GraunWV B:VI:2 (Graun, Karl Heinrich) for voices, mixed chorus and orchestra |
|
| Ave Maria (Cherubini, Luigi) for soprano, clarinet, 2 violins, viola, cello and double bass |
|
| Saint Ludmila, Op. 71 (Dvořák, Antonín) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Arrangement of Selections from Saint Ludmila, Op. 71 (Dvořák, Antonín) for organ |
|
| Gipsy Suite (German, Edward) for orchestra |
1902 |
| Gipsy Suite (German, Edward) for orchestra |
1902 |
| Gipsy Suite (German, Edward) for orchestra |
1902 |
| Arrangement of Gipsy Suite (German, Edward) for piano |
1894 |
| Arrangement of Gipsy Suite (German, Edward) for piano 4 hands |
1895 |
| 6 Pieces for Violin and Piano, Op. 37 (Mackenzie, Alexander Campbell) for violin and piano |
|
| Benedictus (No.3) from Arrangement of Benedictus (No.3) from 6 Pieces for Violin and Piano, Op. 37 (Mackenzie, Alexander Campbell) for orchestra |
|
| Benedictus (No.3) from Arrangement of Benedictus (No.3) from 6 Pieces for Violin and Piano, Op. 37 (Mackenzie, Alexander Campbell) for cello and piano |
|
| Benedictus (No.3) from Arrangement of Benedictus (No.3) from 6 Pieces for Violin and Piano, Op. 37 (Mackenzie, Alexander Campbell) for piano |
|
| Piano Quintet, Op. 84 (Elgar, Edward) for 2 violins, viola, cello and piano |
1919 |
Marino Faliero, Op. 41a (Holbrooke, Joseph) for bass and orchestra
baritone and orchestra |
|
| The Kingdom, Op. 51 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1907 |
| The Kingdom, Op. 51 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| The Kingdom, Op. 51 (Elgar, Edward) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1906 |
| Prelude from Arrangement of Prelude from The Kingdom, Op. 51 (Elgar, Edward) for organ |
1922 |
| The Revenge, Op. 24 (Stanford, Charles Villiers) for mixed chorus and orchestra |
|
| Dylan, Op. 53 (Holbrooke, Joseph) for voices, mixed chorus and orchestra |
1910 |
| 12 Characteristic Pieces, Op. 156 (Rheinberger, Josef Gabriel) for organ |
|
| 12 Characteristic Pieces, Op. 156 (Rheinberger, Josef Gabriel) for organ |
|
| Menuetto (No.4) from Arrangement of Menuetto (No.4) from Brandenburg Concerto No. 1 in F major, BWV 1046 (Bach, Johann Sebastian) for organ |
|
Volume 2 (1812) from 24 Voluntaries for the Organ (Russell, William) for organ
piano |
|
Volume 2 (1812) from 24 Voluntaries for the Organ (Russell, William) for organ
piano |
1907 |
| Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for soprano, tenor, bass, mixed chorus and orchestra |
|
| 6b. Chor der Engel: Welten singen Dank und Ehre ('Hallelujah') from Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for soprano, tenor, bass, mixed chorus and orchestra |
|
| 6b. Chor der Engel: Welten singen Dank und Ehre ('Hallelujah') from Arrangement of 6b. Chor der Engel: Welten singen Dank und Ehre ('Hallelujah') from Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for organ |
|
| Overture from Bronwen, Op. 75 (Holbrooke, Joseph) for voices, mixed chorus and orchestra |
|
| Cello Sonata (Parry, Charles Hubert Hastings) for cello and piano |
1883 |
| With the Wild Geese (Harty, Hamilton) for orchestra |
1912 |
| Arrangement of Solemn Melody (Davies, Walford) for orchestra |
1911 |
| Arrangement of Solemn Melody (Davies, Walford) for orchestra |
1911 |
| Arrangement of Solemn Melody (Davies, Walford) for cello and piano |
1912 |
| Arrangement of Solemn Melody (Davies, Walford) for organ |
1910 |
| Arrangement of Solemn Melody (Davies, Walford) for piano |
1909 |
| The Promised Land, Op. 140 (Saint-Saëns, Camille) for voices, mixed chorus and orchestra |
1913 |
| Bon-Bon Suite, Op. 68 (Coleridge-Taylor, Samuel) for baritone, mixed chorus and orchestra |
|
Gorgheggi e solfeggi (Rossini, Gioacchino) for voice
voice and piano |
|
| Requiem, Op. 89 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1892 |
| Requiem, Op. 89 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1892 |
| Requiem, Op. 89 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1892 |
| Requiem, Op. 89 (Dvořák, Antonín) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1891 |
| Summer Sketches, Op. 73 (Lemare, Edwin Henry) for organ |
1911 |
| Andantino in D-flat major, WoO 1 (Lemare, Edwin Henry) for organ |
1892 |
| The Crucifixion (Stainer, John) for tenor, bass, mixed chorus and orchestra |
|
| God So Loved the World (No.9) from The Crucifixion (Stainer, John) for tenor, bass, mixed chorus and orchestra |
|
| Adagio (No.4) from Arrangement of Adagio (No.4) from String Trio in E-flat major, Op. 3 (Beethoven, Ludwig van) for organ |
|
| Gavotte (No.3) from Arrangement of Gavotte (No.3) from Orchestral Suite No. 3 in D major, BWV 1068 (Bach, Johann Sebastian) for organ |
|
| Mass in C major, K.257 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
|
| Herr, wir trau'n auf deine Güte (No.3) from Arrangement of Herr, wir trau'n auf deine Güte (No.3) from 3 Hymns, Op. 96 (Mendelssohn, Felix) for organ |
|
Mailied (No.1) from Mädchenlieder, Op. 103 (Schumann, Robert) for 2 voices and piano
2 sopranos and piano
soprano, alto and piano |
|
| Krieger-Chor: "Wir bauen und sterben" (No.1) from Arrangement of Krieger-Chor: "Wir bauen und sterben" (No.1) from Leonore Prohaska, WoO 96 (Beethoven, Ludwig van) for male chorus and piano |
1861 |
| Der glorreiche Augenblick, Op. 136 (Beethoven, Ludwig van) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of March for Military Band, WoO 24 (Beethoven, Ludwig van) for organ |
|
| Violin Concerto, Op. 32 (Mackenzie, Alexander Campbell) for violin and orchestra |
|
| Arrangement of Fantasia and Fugue in C minor, BWV 537 (Bach, Johann Sebastian) for orchestra |
1922 |
| Arrangement of Fantasia and Fugue in C minor, BWV 537 (Bach, Johann Sebastian) for orchestra |
1922 |
| Prelude and Fugue in G major, BWV 541 (Bach, Johann Sebastian) for organ |
|
| Toccata and Fugue in F major, BWV 540 (Bach, Johann Sebastian) for organ |
|
| Prelude and Fugue in E minor, BWV 533 (Bach, Johann Sebastian) for organ |
|
| Fantasia and Fugue in G minor, BWV 542 (Bach, Johann Sebastian) for organ |
|
| Prelude and Fugue in D major, BWV 532 (Bach, Johann Sebastian) for organ |
|
| Prelude and Fugue in A minor, BWV 543 (Bach, Johann Sebastian) for organ |
|
| Prelude and Fugue in C minor, BWV 546 (Bach, Johann Sebastian) for organ |
|
| A Tale of Old Japan, Op. 76 (Coleridge-Taylor, Samuel) for soprano, tenor, baritone, mixed chorus and orchestra |
1911 |
| Elegy, Op. 58 (Elgar, Edward) for strings |
1910 |
| Elegy, Op. 58 (Elgar, Edward) for strings |
1910 |
| Elegy, Op. 58 (Elgar, Edward) for strings |
1910 |
| Elegy, Op. 58 (Elgar, Edward) for strings |
1910 |
| Arrangement of Elegy, Op. 58 (Elgar, Edward) for organ |
1910 |
| Overture from Arrangement of Overture from Jessonda, WoO 53 (Spohr, Louis) for organ |
|
| Missa Assumpta est Maria (Palestrina, Giovanni Pierluigi da) for 6 voices |
1883 |
| Arrangement of Symphony No. 4 'The Welsh' (Cowen, Frederic Hymen) for piano 4 hands |
1884 |
| Symphonic Variations (Parry, Charles Hubert Hastings) for orchestra |
1898 |
| Symphonic Variations (Parry, Charles Hubert Hastings) for orchestra |
1898 |
| Symphonic Variations (Parry, Charles Hubert Hastings) for orchestra |
1898 |
| Symphony No. 3 'The English' (Parry, Charles Hubert Hastings) for orchestra |
1907 |
| Symphony No. 3 'The English' (Parry, Charles Hubert Hastings) for orchestra |
1907 |
| Symphony No. 3 'The English' (Parry, Charles Hubert Hastings) for orchestra |
1907 |
| Geschwinde, ihr wirbelnden Winde, BWV 201 (Bach, Johann Sebastian) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
|
| Aria: 'Patron, das macht der Wind' (No.3) from Geschwinde, ihr wirbelnden Winde, BWV 201 (Bach, Johann Sebastian) for soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra |
1912 |
| Bleib bei uns, denn es will Abend werden, BWV 6 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Selections from Abdelazer, Z.570 (Purcell, Henry) for strings |
|
| Mass in G major (Müller, Wenzel) for voices, mixed chorus and orchestra |
|
| Mass in G major (Müller, Wenzel) for voices, mixed chorus and orchestra |
|
| Gloria (No.2) from Mass in G major (Müller, Wenzel) for voices, mixed chorus and orchestra |
|
| Mass in G major (Müller, Wenzel) for voices, mixed chorus and orchestra |
|
Matona mia cara, LV 663 (Lassus, Orlande de) for mixed chorus
soprano, alto, tenor and bass |
1885 |
| 1st Version (BC A 137a) from Liebster Gott, wenn werd ich sterben?, BWV 8 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Prière du matin, H 112 (Berlioz, Hector) for childrens chorus and piano |
|
If Ye Love Me (Tallis, Thomas) for male chorus
2 altos, tenor and bass
male chorus and organ
2 altos, tenor, bass and organ |
|
| Sonata da Camera No. 1 (Peace, Albert Lister) for organ |
1891 |
| Phantasie (Hurlstone, William Yeates) for 2 violins, viola and cello |
|
| Mass in D minor, Hob.XXII:11 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| L'étoile du nord (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
|
| String Quartet in G major (Mee, John Henry) for 2 violins, viola and cello |
1890 |
| Act II Scene 1: Hermines qui glisse from Hulda (Franck, César) for voices, mixed chorus and orchestra |
|
| Le Printemps, Op. 7 (Stojowski, Sigismond) for mixed chorus and orchestra |
1905 |
| Funerale and 3 Chorale Improvisations, Op. 75 (Karg-Elert, Sigfrid) for organ |
1912 |
| Funerale and 3 Chorale Improvisations, Op. 75 (Karg-Elert, Sigfrid) for organ |
1923 |
| Funerale and 3 Chorale Improvisations, Op. 75 (Karg-Elert, Sigfrid) for organ |
1912 |
| 4 English Dances in the Olden Style (Cowen, Frederic Hymen) for orchestra |
1901 |
| Arrangement of 4 English Dances in the Olden Style (Cowen, Frederic Hymen) for 2 violins, viola, cello and piano |
|
| Te Deum and Jubilate Deo, Z.232 (Purcell, Henry) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
|
| Nun ist das Heil und die Kraft, BWV 50 (Bach, Johann Sebastian) for 2 mixed chorus and orchestra |
|
| Chorus: 'Freue dich, erlöste Schaar' (No.1) from Arrangement of Chorus: 'Freue dich, erlöste Schaar' (No.1) from Freue dich, erlöste Schaar, BWV 30 (Bach, Johann Sebastian) for organ |
|
| Final Version (BWV 80) from Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arrangement of Ballade, Op. 33 (Coleridge-Taylor, Samuel) for piano |
1898 |
| Wachet auf, ruft uns die Stimme, BWV 140 (Bach, Johann Sebastian) for soprano, tenor, bass, mixed chorus and orchestra |
1901 |
| Chorale: 'Jesus bleibet meine Freude' (No.10) from Arrangement of Chorale: 'Jesus bleibet meine Freude' (No.10) from Herz und Mund und Tat und Leben, BWV 147 (Bach, Johann Sebastian) for organ |
1928 |
| Chorus: 'Nimm, was dein ist, und gehe hin' (No.1) from Arrangement of Chorus: 'Nimm, was dein ist, und gehe hin' (No.1) from Nimm, was dein ist, und gehe hin, BWV 144 (Bach, Johann Sebastian) for organ |
|
| Chorale: 'So laßet uns gehen in Salem der Freuden' (No.8) from Arrangement of Chorale: 'So laßet uns gehen in Salem der Freuden' (No.8) from Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian) for organ |
|
| 3 Compositions for Organ (Diggle, Roland) for organ |
1914 |
| Symphony No. 5 (Cowen, Frederic Hymen) for orchestra |
1906 |
| Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
|
| Kyrie eleison (No.1) from Arrangement of Kyrie eleison (No.1) from Mass in G major, BWV 236 (Bach, Johann Sebastian) for organ |
|
Fürchte dich nicht, ich bin bei dir, BWV 228 (Bach, Johann Sebastian) for 2 mixed chorus
2 sopranos, 2 altos, 2 tenors and 2 basses
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo
2 mixed chorus and continuo |
|
Jesu, meine Freude, BWV 227 (Bach, Johann Sebastian) for mixed chorus
mixed chorus and orchestra |
|
| Gloria in excelsis Deo (No.7b) from Arrangement of Gloria in excelsis Deo (No.7b) from Magnificat in E-flat major, BWV 243a (Bach, Johann Sebastian) for organ |
|
| Arrangement of Organ Sonata No. 1 in E-flat major, BWV 525 (Bach, Johann Sebastian) for orchestra |
|
| Prelude and Fugue in E-flat major, BWV 552 (Bach, Johann Sebastian) for organ |
|
| Toccata and Fugue in E major, BWV 566 (Bach, Johann Sebastian) for organ |
|
| Arrangement of Ballade for Violin and Orchestra, Op. 4 (Coleridge-Taylor, Samuel) for violin and piano |
1895 |
| Gallia, CG 40 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Gallia, CG 40 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Mass in C major, Hob.XXII:9 (Haydn, Joseph) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Overture di ballo (Sullivan, Arthur) for orchestra |
1889 |
| Overture di ballo (Sullivan, Arthur) for orchestra |
1889 |
| Overture di ballo (Sullivan, Arthur) for orchestra |
1889 |
| Arrangement of Overture di ballo (Sullivan, Arthur) for piano |
1909 |
| Concert Overture for Organ (Fricker, Herbert A.) for organ |
1906 |
| Arrangement of Misericordias Domini, K.222/205a (Mozart, Wolfgang Amadeus) for organ |
|
| Arrangement of March in D major, K.189/167b (Mozart, Wolfgang Amadeus) for organ |
|
| Judex (No.4) from Mors et vita, CG 33 (Gounod, Charles) for soprano, tenor, baritone, mixed chorus and orchestra |
|
| Judex (No.4) from Mors et vita, CG 33 (Gounod, Charles) for soprano, tenor, baritone, mixed chorus and orchestra |
1896 |
| Mors et vita, CG 33 (Gounod, Charles) for soprano, tenor, baritone, mixed chorus and orchestra |
1885 |
| Arrangement of Selections from Mors et vita, CG 33 (Gounod, Charles) for organ |
|
| Judex (No.4) from Arrangement of Judex (No.4) from Mors et vita, CG 33 (Gounod, Charles) for piano |
1896 |
| La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Unfold, Ye Portals from La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| Unfold, Ye Portals from La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
| La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
|
Sonata No.7 in D minor from Arrangement of Sonata No.7 in D minor from 12 Trio Sonatas (Boyce, William) for 2 violins and piano
2 violins, cello and piano |
|
| Litaniae de venerabili altaris sacramento, K.125 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1877 |
| 7. Chorus 'Viaticum in Domino' and 8. Fugue 'Pignus futuræ' from Arrangement of 7. Chorus 'Viaticum in Domino' and 8. Fugue 'Pignus futuræ' from Litaniae de venerabili altaris sacramento, K.125 (Mozart, Wolfgang Amadeus) for organ |
|
| Litaniae de venerabili altaris sacramento, K.243 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa brevis in C major, K.220/196b (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa brevis in D major, K.194/186h (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Missa brevis in B-flat major, K.275/272b (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus, strings and continuo |
|
| Missa solemnis in C major, K.337 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa brevis in C major, K.259 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Missa brevis in C major, K.258 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Der Fall Babylons, WoO 63 (Spohr, Louis) for voices, mixed chorus and orchestra |
|
| Der Fall Babylons, WoO 63 (Spohr, Louis) for voices, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from Der Fall Babylons, WoO 63 (Spohr, Louis) for organ |
|
| 31. Final chorus: Give thanks unto God from Arrangement of 31. Final chorus: Give thanks unto God from Der Fall Babylons, WoO 63 (Spohr, Louis) for organ |
|
| Pastourelle (No.2) from 3 Pieces for Violin and Piano, Op. 4 (Elgar, Edward) for violin and piano |
|
| Virelai (No.3) from 3 Pieces for Violin and Piano, Op. 4 (Elgar, Edward) for violin and piano |
|
| Pastourelle (No.2) from Arrangement of Pastourelle (No.2) from 3 Pieces for Violin and Piano, Op. 4 (Elgar, Edward) for piano |
|
| Arrangement of Vater unser im Himmelreich (Weinmann, Johann) for organ |
|
| Die letzten Dinge, WoO 61 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Overture from Die letzten Dinge, WoO 61 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Dinge, WoO 61 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Dinge, WoO 61 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Die letzten Dinge, WoO 61 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1880 |
| Air & chorus: Holy, Holy, Holy, Lord God of Hosts! (No. 4) from Arrangement of Air & chorus: Holy, Holy, Holy, Lord God of Hosts! (No. 4) from Die letzten Dinge, WoO 61 (Spohr, Louis) for organ |
|
| Lady Radnor's Suite (Parry, Charles Hubert Hastings) for strings |
1902 |
| Lady Radnor's Suite (Parry, Charles Hubert Hastings) for strings |
1902 |
| 3 Dances from Henry VIII (German, Edward) for orchestra |
1901 |
| 3 Dances from Henry VIII (German, Edward) for orchestra |
1901 |
| Coronation March from Henry VIII (German, Edward) for orchestra |
1902 |
| 3 Dances from Henry VIII (German, Edward) for orchestra |
|
| Coronation March from Henry VIII (German, Edward) for orchestra |
|
| 3 Dances from Arrangement of 3 Dances from Henry VIII (German, Edward) for 2 violins, viola, cello and piano |
1892 |
| 3 Dances from Arrangement of 3 Dances from Henry VIII (German, Edward) for violin and piano |
1893 |
| 3 Dances from Arrangement of 3 Dances from Henry VIII (German, Edward) for piano |
1892 |
| 3 Dances from Arrangement of 3 Dances from Henry VIII (German, Edward) for organ |
|
| Coronation March from Arrangement of Coronation March from Henry VIII (German, Edward) for organ |
1911 |
| Coronation March from Arrangement of Coronation March from Henry VIII (German, Edward) for piano |
1897 |
| Orpheus With His Lute from Arrangement of Orpheus With His Lute from Henry VIII (German, Edward) for 8 voices and piano |
1921 |
| Orpheus With His Lute from Arrangement of Orpheus With His Lute from Henry VIII (German, Edward) for 4 voices and piano |
1921 |
| Sonata No.2 in A major from Arrangement of Sonata No.2 in A major from 6 Oboe Sonatas, Op. 1 (Vincent, Thomas) for violin and piano |
|
| Old English Suite (Bantock, Granville) for piano |
1909 |
| Madrigals for 4 voices from Arrangement of Madrigals for 4 voices from Madrigals to 3, 4, 5 and 6 Voyces (Weelkes, Thomas) for 3 voices |
|
12 Organ Voluntaries (Greene, Maurice) for organ
harpsichord |
|
| Scherzo in B-flat major (Hoyte, William Stevenson) for organ |
1898 |
| Revised version (Paris, 1827) from Mosè in Egitto (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Preghiera: Dal tuo stellato soglio from Mosè in Egitto (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
|
| Preghiera: Dal tuo stellato soglio (Act.IV, Sc.3) from Arrangement of Preghiera: Dal tuo stellato soglio (Act.IV, Sc.3) from Mosè in Egitto (Rossini, Gioacchino) for organ |
|
| Vêpres du commun des fêtes de la Sainte Vierge, Op. 18 (Dupré, Marcel) for organ |
1920 |
| Fugue from Arrangement of Fugue from Toccata in G minor, BWV 915 (Bach, Johann Sebastian) for organ |
|
| 12 Zigeunermelodien (Bendl, Karel) for voice and piano |
1887 |
| Arrangement of Fugue in E minor, BWV 945 (Bach, Johann Sebastian) for organ |
|
| Arrangement of Fugue in A minor, BWV 947 (Bach, Johann Sebastian) for organ |
|
| O Praise the Lord with One Consent, HWV 254 (Handel, George Frideric) for soprano, 2 tenors, bass, mixed chorus and orchestra |
|
| O Praise the Lord with One Consent, HWV 254 (Handel, George Frideric) for soprano, 2 tenors, bass, mixed chorus and orchestra |
|
| Old Easter Melody (West, John Ebenezer) for organ |
1893 |
| Des Heilands letzte Stunden, WoO 62 (Spohr, Louis) for voices, mixed chorus and orchestra |
|
| Des Heilands letzte Stunden, WoO 62 (Spohr, Louis) for voices, mixed chorus and orchestra |
|
Convent Music (Novello, Vincent) for organ and soprano
soprano, mixed chorus and organ
voices and organ |
|
| Stabat Mater Dolorosa (Hunt, William H.) for voices, mixed chorus and orchestra |
|
The Martyrdom of St. Polycarp (Ouseley, Frederick Arthur Gore) for voices and orchestra
voices and organ |
|
| St. Peter (Benedict, Julius) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
|
| O Happy Eyes (No.1) from 3 Part Songs, Op. 18 (Elgar, Edward) for mixed chorus |
1896 |
| Love (No.2) from 3 Part Songs, Op. 18 (Elgar, Edward) for mixed chorus |
1907 |
| My Love Dwelt in a Northern Land (No.3) from 3 Part Songs, Op. 18 (Elgar, Edward) for mixed chorus |
1890 |
| My Love Dwelt in a Northern Land (No.3) from Arrangement of My Love Dwelt in a Northern Land (No.3) from 3 Part Songs, Op. 18 (Elgar, Edward) for female chorus and piano |
1917 |
| My Love Dwelt in a Northern Land (No.3) from Arrangement of My Love Dwelt in a Northern Land (No.3) from 3 Part Songs, Op. 18 (Elgar, Edward) for female chorus and piano |
1933 |
| Mass in C minor, Op. 54 (Spohr, Louis) for voices and 2 mixed chorus |
|
| Hymn to Music (Buck, Dudley) for mixed chorus |
|
4 Novelletten for String Orchestra, Op. 52 (Coleridge-Taylor, Samuel) for strings
percussion and strings |
1903 |
4 Novelletten for String Orchestra, Op. 52 (Coleridge-Taylor, Samuel) for strings
percussion and strings |
1903 |
| Arrangement of 4 Novelletten for String Orchestra, Op. 52 (Coleridge-Taylor, Samuel) for violin and piano |
1903 |
| I Love the Lord (Carter, George) for soprano, alto, tenor, bass and organ |
|
| St. Barnabas (Armes, Philip) for soprano, tenor, baritone, bass, mixed chorus and organ |
|
| The Story of Calvary (Adams II, Thomas) for tenor, bass, mixed chorus and organ |
|
| Te Deum laudamus (Sullivan, Arthur) for mixed chorus and orchestra |
|
Die Worte des Erlösers am Kreuze, Hob.XX:2 (Haydn, Joseph) for orchestra
soprano, alto, tenor, bass, mixed chorus and orchestra |
1875 |
Die Worte des Erlösers am Kreuze, Hob.XX:2 (Haydn, Joseph) for orchestra
soprano, alto, tenor, bass, mixed chorus and orchestra |
1875 |
| 3 Morceaux de salon, Op. 25 (Ernst, Heinrich Wilhelm) for violin and piano |
|
| The Booke of Common Praier Noted (Merbecke, John) for voice |
|
| The Booke of Common Praier Noted (Merbecke, John) for voice |
|
| Phantasie for String Quartet, H.55 (Bridge, Frank) for 2 violins, viola and cello |
|
| Motet: ''Insanae et vanae curae/Des Staubes eitle Sorgen'' (Hob.XXI:1/13c)* from Arrangement of Motet: ''Insanae et vanae curae/Des Staubes eitle Sorgen'' (Hob.XXI:1/13c)* from Il Ritorno di Tobia, Hob.XXI:1 (Haydn, Joseph) for organ |
|
| Phantasie for Piano Trio in E minor (Friskin, James) for violin, cello and piano |
|
| Piano Quintet, Op. 45 (Trowell, Arnold) for 2 violins, viola, cello and piano |
1920 |
| [[Novello]] from Publishers' Catalogues (Various) for |
1890 |
| Jeremiah (Naylor, John) for 4 voices and organ |
|
| When Winds Breathe Soft (Webbe, Samuel) for soprano, alto, 2 tenors and bass |
1845 |
| Bethlehem (Maunder, John Henry) for voices, mixed chorus and organ |
1910 |
| The Caravan of the Magi from Arrangement of The Caravan of the Magi from Bethlehem (Maunder, John Henry) for |
1913 |
| How Calmly the Evening (Elgar, Edward) for mixed chorus |
1907 |
| Arrangement of How Calmly the Evening (Elgar, Edward) for 3 voices and piano |
1925 |
| Arrangement of How Calmly the Evening (Elgar, Edward) for 2 sopranos and piano |
1933 |
| A Fugal Concerto, Op. 40 No. 2 (Holst, Gustav) for flute, oboe and strings |
1923 |
| A Fugal Concerto, Op. 40 No. 2 (Holst, Gustav) for flute, oboe and strings |
1923 |
| Arrangement of A Fugal Concerto, Op. 40 No. 2 (Holst, Gustav) for flute, oboe and piano |
1923 |
| Dioclesian, Z.627 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
Penitence, Pardon and Peace (Maunder, John Henry) for soprano, baritone, mixed chorus and organ
tenor, baritone, mixed chorus and organ |
1898 |
| Song of Thanksgiving (Maunder, John Henry) for voices, mixed chorus and organ |
1905 |
| Festive March (Smart, Henry Thomas) for organ |
|
| Arrangement of Libera me Domine (Seyfried, Ignaz) for male chorus and organ |
|
| The Holy City, Op. 36 (Gaul, Alfred Robert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| The Holy City, Op. 36 (Gaul, Alfred Robert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Aus der Tiefe, Op. 30 (Henschel, George) for soprano, tenor, bass, mixed chorus and orchestra |
1879 |
| Overture to an Unwritten Tragedy (Parry, Charles Hubert Hastings) for orchestra |
1906 |
| Overture to an Unwritten Tragedy (Parry, Charles Hubert Hastings) for orchestra |
1906 |
| Overture to an Unwritten Tragedy (Parry, Charles Hubert Hastings) for orchestra |
1906 |
| Jehovah, quam multi sunt hostes mei, Z.135 (Purcell, Henry) for tenor, bass, mixed chorus and continuo |
|
| Symphony No. 3, Op. 22 (Prout, Ebenezer) for orchestra |
1885 |
| Mass in C major (Cherubini, Luigi) for voices, mixed chorus and orchestra |
|
| 12 Morceaux mélodiques et progressifs, Op. 41 (Wollenhaupt, Hermann Adolf) for piano |
|
| The Kobolds, Op. 21 (Parker, Horatio) for mixed chorus and orchestra |
1891 |
| Festival Prelude on 'Ein Feste Burg' (Faulkes, William) for organ |
1913 |
Lordly Gallants (Callcott, John Wall) for 3 voices
3 voices and piano |
|
| The Red Cross Knight (Callcott, John Wall) for 3 voices |
|
| Valse styrienne (No.2) from 2 Morceaux de salon, Op. 27 (Wollenhaupt, Hermann Adolf) for piano |
|
| Blest Pair of Sirens (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
1892 |
| Blest Pair of Sirens (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
1892 |
| Blest Pair of Sirens (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
1892 |
| Blest Pair of Sirens (Parry, Charles Hubert Hastings) for mixed chorus and orchestra |
1892 |
| Judith (Parry, Charles Hubert Hastings) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Arioso: The Lord is Long-Suffering from Judith (Parry, Charles Hubert Hastings) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| II. Andantino from Arrangement of II. Andantino from Symphony No. 4, Op. 86 (Spohr, Louis) for organ |
|
| I was Glad (Parry, Charles Hubert Hastings) for 2 mixed chorus and organ |
|
| The Snow (No.1) from 2 Part Songs, Op. 26 (Elgar, Edward) for 2 sopranos, alto, 2 violins and piano |
1895 |
| Fly, Singing Bird (No.2) from 2 Part Songs, Op. 26 (Elgar, Edward) for 2 sopranos, alto, 2 violins and piano |
1895 |
| Fly, Singing Bird (No.2) from 2 Part Songs, Op. 26 (Elgar, Edward) for 2 sopranos, alto, 2 violins and piano |
1908 |
| The Snow (No.1) from Arrangement of The Snow (No.1) from 2 Part Songs, Op. 26 (Elgar, Edward) for voices and orchestra |
1904 |
| The Snow (No.1) from Arrangement of The Snow (No.1) from 2 Part Songs, Op. 26 (Elgar, Edward) for voices and orchestra |
1895 |
| The Snow (No.1) from Arrangement of The Snow (No.1) from 2 Part Songs, Op. 26 (Elgar, Edward) for soprano, alto, tenor, bass, 2 violins and piano |
1909 |
| The Snow (No.1) from Arrangement of The Snow (No.1) from 2 Part Songs, Op. 26 (Elgar, Edward) for 2 sopranos, 2 violins and piano |
1933 |
| Fly, Singing Bird (No.2) from Arrangement of Fly, Singing Bird (No.2) from 2 Part Songs, Op. 26 (Elgar, Edward) for 2 voices, 2 violins and piano |
1933 |
| Bourrée and Gigue from Much Ado about Nothing (German, Edward) for orchestra |
1895 |
| Bourrée and Gigue from Arrangement of Bourrée and Gigue from Much Ado about Nothing (German, Edward) for piano 4 hands |
1898 |
| Arrangement of Welsh Rhapsody (German, Edward) for piano 4 hands |
1905 |
| Pavane from Romeo and Juliet (German, Edward) for orchestra |
1902 |
| The Nightingale (No.25) from Arrangement of The Nightingale (No.25) from Ayeres or Phantasticke Spirites (Weelkes, Thomas) for 3 voices |
|
| The Light of Asia (Buck, Dudley) for soprano, tenor, bass, mixed chorus and orchestra |
1886 |
| Arrangement of All Creatures Now are Merry-minded (Bennet, John) for 3 voices |
|
| The Fairy Queen, Z.629 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| The Fairy Queen, Z.629 (Purcell, Henry) for voices, mixed chorus and orchestra |
|
| Arise, Awake (Morley, Thomas) for soprano, alto, 2 tenors and bass |
|
| Hodie Christus natus est, SwWV 163 (Sweelinck, Jan Pieterszoon) for 2 sopranos, alto, tenor and bass |
|
| Chaconne (No.5) from Arrangement of Chaconne (No.5) from Violin Partita No. 2 in D minor, BWV 1004 (Bach, Johann Sebastian) for organ |
|
| Sarabande (No.5) from Arrangement of Sarabande (No.5) from Violin Partita No. 1 in B minor, BWV 1002 (Bach, Johann Sebastian) for organ |
|
| Tempo di Bourrée (No.7) from Arrangement of Tempo di Bourrée (No.7) from Violin Partita No. 1 in B minor, BWV 1002 (Bach, Johann Sebastian) for organ |
|
| Prelude & Fugue (Nos.1-2) from Arrangement of Prelude & Fugue (Nos.1-2) from Violin Sonata No. 3 in C major, BWV 1005 (Bach, Johann Sebastian) for organ |
|
| Menuet I-II (Nos.4-5) from Arrangement of Menuet I-II (Nos.4-5) from Violin Partita No. 3 in E major, BWV 1006 (Bach, Johann Sebastian) for piano left hand |
|
| Musette (No.3) from Arrangement of Musette (No.3) from Concerto Grosso in G minor, HWV 324 (Handel, George Frideric) for organ |
|
| Stabat Mater in C minor (Astorga, Emanuele) for voices and orchestra |
|
Noël, CG 184 (Gounod, Charles) for soprano, alto, female chorus and piano
soprano, alto, female chorus, piano and organ |
|
| Arrangement of Marche triomphale, Op. 34 (Guilmant, Alexandre) for organ |
|
| Arrangement of Marche triomphale, Op. 34 (Guilmant, Alexandre) for organ |
|
| Fantasia in C minor (No.1) from 6 Organ Pieces (Adams I, Thomas) for organ |
|
| Double Fugue and Andante with Variations in D minor (No.6) from 6 Organ Pieces (Adams I, Thomas) for organ |
|
| Missa Aeterna Christi munera (Palestrina, Giovanni Pierluigi da) for soprano, alto, tenor and bass |
|
| Missa Papae Marcelli (Palestrina, Giovanni Pierluigi da) for 7 voices |
|
| O, Yes! Has any Found a Lad (Tomkins, Thomas) for 4 voices |
|
| There is a Paradise on Earth (Pearsall, Robert Lucas) for alto, tenor, 2 basses and piano |
|
| Fantasia and Fugue, Op. 188 (Parry, Charles Hubert Hastings) for organ |
1913 |
| 12 Voluntaries, Op. 6 (Wesley, Samuel) for organ |
|
| Ballet Music from The Perfect Fool, Op. 39 (Holst, Gustav) for voices, mixed chorus and orchestra |
1923 |
| The Perfect Fool, Op. 39 (Holst, Gustav) for voices, mixed chorus and orchestra |
1923 |
| Arrangement of The Perfect Fool, Op. 39 (Holst, Gustav) for piano |
1923 |
| No. 2 Allegro from Arrangement of No. 2 Allegro from 8 Pieces, Op. 60 (Weber, Carl Maria von) for organ |
|
| No. 3 Adagio from Arrangement of No. 3 Adagio from 8 Pieces, Op. 60 (Weber, Carl Maria von) for organ |
|
| Missa Sancta No. 1, Op. 75a (Weber, Carl Maria von) for soprano, alto, tenor, bass and orchestra |
|
Selected Songs (Dibdin, Charles) for voice and keyboard
voice and piano |
1890 |
Lullaby, My Sweet Little Baby (Byrd, William) for voice
5 voices |
|
| 8 Four-Part Songs (Parry, Charles Hubert Hastings) for soprano, alto, tenor and bass |
1898 |
| Arrangement of Excelsior (Balfe, Michael William) for 4 voices and piano |
|
| The Music to Shakespeare's Hamlet, Op. 50 (Henschel, George) for mixed chorus and orchestra |
1892 |
| Act II: Prelude to 'On the Cliffs of Cornwall' from The Wreckers (Smyth, Ethel) for voices, mixed chorus and orchestra |
1909 |
| Act II: Prelude 'On The Cliffs of Cornwall' from The Wreckers (Smyth, Ethel) for voices, mixed chorus and orchestra |
|
| Act II: Prelude 'On The Cliffs of Cornwall' from The Wreckers (Smyth, Ethel) for voices, mixed chorus and orchestra |
|
| Lady Audrey's Suite, Op. 19 (Howells, Herbert) for 2 violins, viola and cello |
|
Israel in the Wilderness, Op. 43 (Gaul, Alfred Robert) for soprano, tenor, bass, mixed chorus and orchestra
voices and orchestra |
1892 |
| God is Our Hope and Strength, Op. 8 (Stanford, Charles Villiers) for voices, mixed chorus and orchestra |
1877 |
| Eden, Op. 40 (Stanford, Charles Villiers) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
1891 |
| Arrangement of 12 Neue leichte Präludien (Albrechtsberger, Johann Georg) for organ |
1895 |
| The Smile of Spring (Fletcher, Percy Eastman) for voice and piano |
|
| Arrangement of Pleading, Op. 48 (Elgar, Edward) for voice and piano |
1908 |
| 6 Pieces, Op. 15 (Harwood, Basil) for organ |
1903 |
| Dithyramb, Op. 7 (Harwood, Basil) for organ |
1893 |
| Prelude and Fugue in C major (Krebs, Johann Tobias) for organ |
|
| Suite in D major (Parry, Charles Hubert Hastings) for violin and piano |
1907 |
| 10 Leichte Duetten, Op. 174 (Abt, Franz) for 2 voices and piano |
|
| The Dream of Endymion (Cowen, Frederic Hymen) for tenor and orchestra |
1897 |
Turn Thee Again, O Lord (Attwood, Thomas) for voice, mixed chorus and organ
voice and mixed chorus |
|
| 6 Pieces for Cello and Piano (Hollman, Joseph) for cello and piano |
1892 |
| The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1908 |
| Meditation (Orchestra) (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1903 |
| Meditation (Orchestra) (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1903 |
| Meditation (Orchestra) (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1896 |
| Meditation (Orchestra) (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1896 |
| The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1896 |
| Duet: Doubt not thy Father's care (No.8) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1896 |
| Solo: As a spirit didst Thou pass (No.10) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1896 |
| Chorus: Light of the World, we know Thy praise (No.16) from The Light of Life, Op. 29 (Elgar, Edward) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
|
| Meditation (No.1) from Arrangement of Meditation (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for military band |
|
| Meditation (No.1) from Arrangement of Meditation (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for organ |
1898 |
| Meditation (No.1) from Arrangement of Meditation (No.1) from The Light of Life, Op. 29 (Elgar, Edward) for piano |
1896 |
| Chorus: 'Light out of darkness' (No.6) from Arrangement of Chorus: 'Light out of darkness' (No.6) from The Light of Life, Op. 29 (Elgar, Edward) for mixed chorus and organ |
1936 |
| Arrangement of An English Joy-Peal, Op. 75 (Mackenzie, Alexander Campbell) for piano |
1911 |
| Sleeping Beauty (Cowen, Frederic Hymen) for voices, mixed chorus and orchestra |
1885 |
| Sleeping Beauty (Cowen, Frederic Hymen) for voices, mixed chorus and orchestra |
1885 |
| 100 English Folksongs (Sharp, Cecil) for |
|
| 100 English Folksongs (Sharp, Cecil) for |
|
The Months (Cowen, Frederic Hymen) for orchestra
piano |
1912 |
| The Bride, Op. 25 (Mackenzie, Alexander Campbell) for soprano, tenor, mixed chorus and orchestra |
1881 |
| Rondo-caprice, Op. 35 (Buck, Dudley) for organ |
|
| Arrangement of The Fairies (Callcott, John Wall) for 3 voices and piano |
|
| Quartet: 'Five Times by the Taper's Light' from The Iron Chest (Storace, Stephen) for voices and orchestra |
|
| The Veil (Cowen, Frederic Hymen) for soprano, 2 altos, 2 tenors, baritone, mixed chorus and orchestra |
1910 |
| The Veil (Cowen, Frederic Hymen) for soprano, 2 altos, 2 tenors, baritone, mixed chorus and orchestra |
1910 |
| Solemn March from Arrangement of Solemn March from The Story of Sayid, Op. 34 (Mackenzie, Alexander Campbell) for organ |
|
| Solemn March from Arrangement of Solemn March from The Story of Sayid, Op. 34 (Mackenzie, Alexander Campbell) for organ |
|
| John Gilpin (Cowen, Frederic Hymen) for mixed chorus and orchestra |
1904 |
| A Jubilee Ode, Op. 36 (Mackenzie, Alexander Campbell) for soprano, tenor, mixed chorus and orchestra |
1887 |
| The Cotter's Saturday Night, Op. 39 (Mackenzie, Alexander Campbell) for mixed chorus and orchestra |
1889 |
| The Dream of Jubal, Op. 41 (Mackenzie, Alexander Campbell) for narrator, soprano, tenor, mixed chorus and orchestra |
1889 |
| The Daughter of Jairus (Stainer, John) for soprano, tenor, bass, mixed chorus and orchestra |
|
| The Daughter of Jairus (Stainer, John) for soprano, tenor, bass, mixed chorus and orchestra |
|
| Overture from Arrangement of Overture from The Daughter of Jairus (Stainer, John) for organ |
|
| East to West, Op. 52 (Stanford, Charles Villiers) for male chorus and orchestra |
1893 |
| Organ Sonatina, Op. 74 (Karg-Elert, Sigfrid) for organ |
1911 |
The Long Day Closes (Sullivan, Arthur) for mixed chorus and piano
male chorus and piano
alto, tenor, 2 basses and piano
2 tenors, 2 basses and piano |
|
| Arrangement of The Long Day Closes (Sullivan, Arthur) for mixed chorus |
1902 |
| Introits (Macfarren, George Alexander) for mixed chorus and organ |
|
| Jessy Lea (Macfarren, George Alexander) for 2 sopranos, tenor and orchestra |
|
| The Vision of Life (Parry, Charles Hubert Hastings) for soprano, bass, mixed chorus and orchestra |
1907 |
| Ode on St. Cecilia's Day (Parry, Charles Hubert Hastings) for soprano, baritone, mixed chorus and orchestra |
|
| Ode on St. Cecilia's Day (Parry, Charles Hubert Hastings) for soprano, baritone, mixed chorus and orchestra |
1889 |
| The Hardy Norseman's House of Yore (Pearsall, Robert Lucas) for mixed chorus and piano |
|
| Great God of Love (Pearsall, Robert Lucas) for 2 mixed chorus and piano |
|
| O Who Will O'er the Downs So Free (Pearsall, Robert Lucas) for mixed chorus and piano |
|
When Allen-a-Dale Went A-Hunting (Pearsall, Robert Lucas) for soprano, alto, tenor and bass
soprano, alto, tenor, bass and piano |
|
| Arrangement of In dulci jubilo (Pearsall, Robert Lucas) for soprano, alto, tenor and bass |
|
| St. John's Eve (Cowen, Frederic Hymen) for soprano, alto, tenor, baritone, mixed chorus and orchestra |
1889 |
| The Battle of the Baltic, Op. 41 (Stanford, Charles Villiers) for mixed chorus and orchestra |
1891 |
| I Did Call Upon the Lord (Moir, Frank Lewis) for mixed chorus and organ |
1893 |
| Mass in G major, Op. 46 (Stanford, Charles Villiers) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1893 |
| Sing to the Lord of Harvest (Barnby, Joseph) for mixed chorus and organ |
|
| Arrangement of Selections from Italienische Liebesnovelle, Op. 19 (Hofmann, Heinrich) for organ |
1899 |
| Arrangement of O salutaris No. 2, AWV 69 (Auber, Daniel François Esprit) for organ |
|
| Everyman, Op. 17 (Davies, Walford) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
1904 |
| Everyman, Op. 17 (Davies, Walford) for soprano, alto, tenor, bass, 2 mixed chorus and orchestra |
1904 |
| Song of Saint Francis, Op. 36 (Davies, Walford) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1912 |
| Agamemnon (Parry, Charles Hubert Hastings) for male chorus and orchestra |
1900 |
| The Lord is King (Barnby, Joseph) for soprano, alto, baritone, mixed chorus and orchestra |
|
| The Tempest (Sullivan, Arthur) for 3 voices, mixed chorus and orchestra |
1891 |
| The Tempest (Sullivan, Arthur) for 3 voices, mixed chorus and orchestra |
1891 |
| Selections (3 Dances) from The Tempest (Sullivan, Arthur) for 3 voices, mixed chorus and orchestra |
|
| The Tempest (Sullivan, Arthur) for 3 voices, mixed chorus and orchestra |
1891 |
| Selections (3 Dances) from The Tempest (Sullivan, Arthur) for 3 voices, mixed chorus and orchestra |
|
| Arrangement of The Tempest (Sullivan, Arthur) for piano 4 hands |
|
Balfe version from Moore's Irish Melodies (Various) for voice and piano
2 voices and piano
3 voices and piano
soprano, alto, tenor, bass and piano
piano 4 hands |
|
| Freedom, Op. 20 (Prout, Ebenezer) for baritone, mixed chorus and orchestra |
1885 |
| A Pageant of Human Life (Bantock, Granville) for mixed chorus |
1914 |
| The Woman of Samaria, Op. 44 (Bennett, William Sterndale) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| The Woman of Samaria, Op. 44 (Bennett, William Sterndale) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1879 |
| God is a Spirit (No.12) from Arrangement of God is a Spirit (No.12) from The Woman of Samaria, Op. 44 (Bennett, William Sterndale) for childrens chorus and piano |
|
| Sonata for 2 Keyboards (Pasquini, Bernardo) for 2 keyboards |
|
| Arrangement of Invocation, Op. 76 (Mackenzie, Alexander Campbell) for violin and piano |
1913 |
| The Banner of St. George, Op. 33 (Elgar, Edward) for mixed chorus and orchestra |
|
| The Banner of St. George, Op. 33 (Elgar, Edward) for mixed chorus and orchestra |
|
| The Banner of St. George, Op. 33 (Elgar, Edward) for mixed chorus and orchestra |
1897 |
| It comes from the misty ages: Epilogue (March) from The Banner of St. George, Op. 33 (Elgar, Edward) for mixed chorus and orchestra |
|
| Arrangement of The Banner of St. George, Op. 33 (Elgar, Edward) for female chorus and piano |
1934 |
| It comes from the misty ages from Arrangement of It comes from the misty ages from The Banner of St. George, Op. 33 (Elgar, Edward) for unison chorus and piano |
1927 |
| Thyrsis, Sleepest Thou (Bennet, John) for 4 voices |
|
The Anthem Book of the United Free Church of Scotland (Various) for voices and organ
soprano, alto, tenor, bass and organ |
|
| The Organist's Quarterly Journal (Various) for organ |
|
| The Organist's Quarterly Journal (Various) for organ |
|
| Praised be the Lord (Hope, William) for soprano, alto, tenor, bass and organ |
|
| Canzone (Hall, King) for organ |
1894 |
| Canzone (Hall, King) for organ |
1936 |
| Arrangement of Idyll, Op. 44 (Coleridge-Taylor, Samuel) for violin and piano |
1901 |
| Arrangement of Selections from The Gordion Knot Untied, Z.597 (Purcell, Henry) for orchestra |
1922 |
| Arrangement of Cantique, Op. 3 (Elgar, Edward) for organ |
1913 |
| Te Deum laudamus, Op. 52 (Henschel, George) for soprano, alto, mixed chorus and orchestra |
1893 |
| Surge illuminare Jerusalem (Palestrina, Giovanni Pierluigi da) for 8 voices |
|
Selected Songs (Purcell, Henry) for voice and piano
voice and continuo |
|
| How Merrily We Live (East, Michael) for 3 voices |
|
| Chorus: "In these delightful, pleasant groves' (Act IV) from The Libertine, Z.600 (Purcell, Henry) for soprano, alto, bass and orchestra |
|
| Arrangement of The Knotting Song, Z.371 (Purcell, Henry) for voice and piano |
|
| Arrangement of Recercar secondo, F 9.02 (Frescobaldi, Girolamo) for organ |
|
| The Lord is My Shepherd (Wilson, Henry Lane) for voice and organ |
1912 |
| Arrangement of Liebes Mädchen hör mir zu, Hob.XXVIa:D1 (Haydn, Joseph) for 3 voices and keyboard |
|
| 2 Songs without Words, Op. 22 (Holst, Gustav) for orchestra |
1922 |
| 2 Songs without Words, Op. 22 (Holst, Gustav) for orchestra |
1922 |
| Country Song (No.1) from 2 Songs without Words, Op. 22 (Holst, Gustav) for orchestra |
|
| Marching Song (No.2) from 2 Songs without Words, Op. 22 (Holst, Gustav) for orchestra |
1922 |
Second series from Novello's Part-Song Book (Various) for voices
voices and piano
soprano, alto, tenor, bass and piano |
|
Second series from Novello's Part-Song Book (Various) for voices
voices and piano
soprano, alto, tenor, bass and piano |
1869 |
| The Invincible Armada, Op. 12 (Boughton, Rutland) for mixed chorus and orchestra |
1909 |
| Coronation Ode (Cowen, Frederic Hymen) for mixed chorus and orchestra |
1902 |
Elegy for 24 Violins and Organ (Corder, Frederick) for 24 violins and organ
organ and strings |
1910 |
| Arrangement of Gloucester Cathedral Chimes (Various) for piano |
1891 |
Hearken unto Me, My People (Sullivan, Arthur) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
1877 |
The Orpheus: New Series (Various) for male chorus
voices |
|
| Alleluia! the Lord Liveth (Harris, Cuthbert) for mixed chorus and organ |
1902 |
| I Will Go unto the Altar of God (Harris, Cuthbert) for mixed chorus and organ |
1898 |
There Is a Green Hill Far Away (Gounod, Charles) for voice and piano
voice and organ |
|
| Arrangement of There Is a Green Hill Far Away (Gounod, Charles) for voice, mixed chorus and organ |
|
| Arrangement of There Is a Green Hill Far Away (Gounod, Charles) for soprano, alto and piano |
|
| Arrangement of There Is a Green Hill Far Away (Gounod, Charles) for organ |
|
| This is the Day (Marchant, Arthur William) for mixed chorus and organ |
1894 |
| If Ye Then be Risen with Christ (Naylor, John) for mixed chorus and organ |
|
| Arrangement of Concerto Grosso in C major, HWV 318 (Handel, George Frideric) for organ |
|
Most Glorious Lord of Life! (West, John Ebenezer) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
1905 |
| The Lord is My Strength (Smart, Henry Thomas) for mixed chorus and organ |
|
| Processional Wedding March (Bird, Henry Richard) for organ |
|
| Grand Sonata No. 3, Op. 18 (Dienel, Otto) for organ |
1898 |
| 2 Andanti espressivi, Op. 20 (Dienel, Otto) for organ |
1898 |
| Echo-Andante, Op. 19 (Dienel, Otto) for organ |
1898 |
| Coronation March, Op. 65 (Elgar, Edward) for orchestra |
1912 |
| Coronation March, Op. 65 (Elgar, Edward) for orchestra |
1912 |
| Coronation March, Op. 65 (Elgar, Edward) for orchestra |
1912 |
| Arrangement of Coronation March, Op. 65 (Elgar, Edward) for organ |
1912 |
| English Folk-Carols (Sharp, Cecil) for voices |
1911 |
| 6. Souvenir de printemps from Arrangement of 6. Souvenir de printemps from 6 Pieces, Op. 23 (Holbrooke, Joseph) for organ |
1908 |
| The Golden Legend (Hodson, Henry Edward) for voices, mixed chorus and orchestra |
|
| Arrangement of Musica Sacra (Croft, William) for organ |
|
6 Masses by Webbe from Arrangement of 6 Masses by Webbe from A Collection of Masses (Webbe, Samuel) for 2 voices and organ
3 voices and organ
2 voices and piano
3 voices and piano
4 voices and piano |
|
| Concert Version from King Arthur (Sullivan, Arthur) for mixed chorus and orchestra |
1903 |
| Overture from Arrangement of Overture from In the Lord put I my Trust, HWV 247 (Handel, George Frideric) for orchestra |
1923 |
| Callirhoë (Bridge, Frederick) for mixed chorus and orchestra |
1888 |
| Processional March from Arrangement of Processional March from Callirhoë (Bridge, Frederick) for organ |
|
| Queen Aimée, Op. 21 (Prout, Ebenezer) for voices, female chorus and piano |
1885 |
| Arrangement of Sapphic Poem (Bantock, Granville) for cello and piano |
1908 |
| Arrangement of Sapphic Poem (Bantock, Granville) for cello and piano |
1908 |
| The Spectre's Bride, Op. 69 (Dvořák, Antonín) for soprano, tenor, bass, mixed chorus and orchestra |
|
| The Spectre's Bride, Op. 69 (Dvořák, Antonín) for soprano, tenor, bass, mixed chorus and orchestra |
|
| The Spectre's Bride, Op. 69 (Dvořák, Antonín) for soprano, tenor, bass, mixed chorus and orchestra |
|
| The Nativity (Adams II, Thomas) for soprano, tenor, bass, mixed chorus and organ |
|
| Arrangement of Selections from English Suite No. 2 in A minor, BWV 807 (Bach, Johann Sebastian) for organ |
|
| Carmen Saeculare, Op. 26 (Stanford, Charles Villiers) for voices, mixed chorus and orchestra |
1887 |
March of the Jewish Warriors (Shinn, George) for mixed chorus and piano
mixed chorus and organ |
|
March of the Medes (Shinn, George) for mixed chorus and piano
mixed chorus and organ |
|
| Ariadne, Op. 4 (Smieton, John More) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Hymne an die heilige Cäcilie (Spohr, Louis) for soprano, mixed chorus and piano |
|
| Arrangement of Psalm 24, Op. 97a (Spohr, Louis) for organ |
|
| When it was Yet Dark (Woodman, Raymond Huntington) for tenor, bass, mixed chorus and organ |
1899 |
| As it Began to Dawn (Vincent, Charles) for mixed chorus and organ |
|
| Be Glad, O Ye Righteous (Smart, Henry Thomas) for tenor, bass, mixed chorus and organ |
|
| Gavottes I & II (Nos.5 & 6) from Arrangement of Gavottes I & II (Nos.5 & 6) from English Suite No. 3 in G minor, BWV 808 (Bach, Johann Sebastian) for organ |
|
Come and Worship the Lord (Adams II, Thomas) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
1901 |
| Christ's Incarnation (Foster, Myles Birket) for mixed chorus and organ |
1908 |
| Shoot, False Love, I Care Not (Morley, Thomas) for 5 voices |
|
| Anthems from Hymn Tunes and Anthems, Op. 1 (Holbrooke, Joseph) for mixed chorus and organ |
1906 |
| 6 Elizabethan Pastorals, Op. 53 (Stanford, Charles Villiers) for mixed chorus |
|
| 6 Elizabethan Pastorals, Op. 49 (Stanford, Charles Villiers) for mixed chorus |
|
| Weary Wind of the West (Elgar, Edward) for mixed chorus |
1903 |
| Weary Wind of the West (Elgar, Edward) for mixed chorus |
1903 |
Arrangement of Weary Wind of the West (Elgar, Edward) for 2 sopranos, alto and piano
female chorus and piano |
1931 |
| Arrangement of Weary Wind of the West (Elgar, Edward) for 2 sopranos and piano |
1933 |
| 12 Songs, Opp.23, 35 (Bennett, William Sterndale) for voice and piano |
|
| O Peaceful Night (German, Edward) for mixed chorus |
1904 |
| Près du fleuve étranger (Gounod, Charles) for voices, mixed chorus and orchestra |
1912 |
| Larghetto con moto (No.2) from Arrangement of Larghetto con moto (No.2) from Symphony No. 1, Op. 20 (Spohr, Louis) for organ |
|
| Triumphal March, Op. 26 (Buck, Dudley) for organ |
|
| Morris Dance Tunes (Sharp, Cecil) for |
1909 |
| Morris Dance Tunes (Sharp, Cecil) for |
|
| Set 1 from Arrangement of Set 1 from Morris Dance Tunes (Sharp, Cecil) for orchestra |
1910 |
| Set 2 from Arrangement of Set 2 from Morris Dance Tunes (Sharp, Cecil) for orchestra |
1910 |
| The Sword Dances of Northern England (Sharp, Cecil) for |
1911 |
| The Sword Dances of Northern England (Sharp, Cecil) for |
1911 |
| Violin Sonata No. 1, Op. 5 (Davies, Walford) for violin and piano |
|
Foresters, Sound the Cheerful Horn (Bishop, Henry Rowley) for alto, 2 tenors, bass, 2 horns and piano
alto, 2 tenors, bass, 2 horns and harp |
|
Gute Nacht (No.1) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus
2 tenors and 2 basses |
|
Oktoberlied (No.2) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus
2 tenors and 2 basses |
|
Waldszene (No.3) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus
2 tenors and 2 basses |
1892 |
Trinklied (No.4) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus
2 tenors and 2 basses |
|
A Cavalier War Song (Hopkins, John) for male chorus
alto, tenor and 2 basses |
|
| The Cloud Cap't Towers (Stevens, Richard John Samuel) for 2 altos, 2 tenors and 2 basses |
|
The Goslings (Bridge, Frederick) for alto, 2 tenors, bass and piano
alto, 2 tenors and bass
male chorus |
1891 |
Arrangement of The Goslings (Bridge, Frederick) for 2 tenors, 2 basses and piano
male chorus and piano |
1930 |
| Mynheer Vandunck (Bishop, Henry Rowley) for alto, tenor, bass, mixed chorus and orchestra |
|
| What Shall He Have that Killed the Deer (Bishop, Henry Rowley) for alto, 2 tenors, bass and piano |
|
| Awake, Aeolian Lyre (Danby, John) for mixed chorus |
|
| An die Hoffnung (No.3) from Arrangement of An die Hoffnung (No.3) from Gesänge aus Tiedges 'Urania', Op. 18 (Himmel, Friedrich Heinrich) for voice, mixed chorus and organ |
|
| Violin Sonata in D major, D.384 (Schubert, Franz) for violin and piano |
1900 |
Ye Shepherds, Tell Me (Mazzinghi, Joseph) for 2 sopranos, bass and piano
2 tenors, bass and piano |
|
Hymns Ancient and Modern (Monk, William Henry) for 4 voices
mixed chorus
mixed chorus and organ |
1861 |
Sweet Love, if Thou wilt Gain (Wilbye, John) for 6 voices
mixed chorus |
|
| Lady, When I behold the Roses (Wilbye, John) for 6 voices |
|
12 Canonische Gesänge, Op. 163 (Reinecke, Carl) for 2 voices and piano
female chorus and piano |
|
| I Tremble Not at Noyse of Warre (Gibbons, Orlando) for 5 voices |
|
| The Red Cross Knight, Op. 24 (Prout, Ebenezer) for voices, mixed chorus and orchestra |
1887 |
| Worthy is the Lamb (Thorne, Edward H.) for mixed chorus and organ |
1904 |
| In the Beginning (Macpherson, Charles) for mixed chorus and organ |
1901 |
The Lord is King (Pittman, Josiah) for mixed chorus and piano
mixed chorus and organ |
|
| Sing, O Heavens (Tours, Berthold) for mixed chorus and organ |
1878 |
| Outward Bound (Macfarren, George Alexander) for voices, mixed chorus and orchestra |
|
| Violin Sonata No. 2, Op. 7 (Davies, Walford) for violin and piano |
1900 |
| Selections (Nos.2, 4-5) from Arrangement of Selections (Nos.2, 4-5) from French Suite No. 5 in G major, BWV 816 (Bach, Johann Sebastian) for organ |
|
| Arrangement of Abendlied zu Gott, Hob.XXVc:9 (Haydn, Joseph) for mixed chorus and organ |
|
| 10 Canzonets (Haydn, Joseph) for voice and piano |
|
| Overture (Adams I, Thomas) for organ |
|
| Impromptu (Alcock, Walter Galpin) for organ |
1913 |
| Postlude (Alcock, Walter Galpin) for organ |
1911 |
| De profundis, CG 88 (Gounod, Charles) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| De profundis, CG 88 (Gounod, Charles) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| 10 Celebrated String Quartets (Mozart, Wolfgang Amadeus) for 2 violins, viola and cello |
|
| Benedictus in C major (Ireland, John) for soprano, alto, tenor, bass, mixed chorus and organ |
|
| Sunset (Demarest, Clifford) for harp and organ |
1914 |
| Suite Ancienne, Op. 58 (Holloway, Frederick William) for organ |
1913 |
| The King Shall Rejoice, HWV 260 (Handel, George Frideric) for mixed chorus and orchestra |
|
| Arrangement of My Heart Is Inditing, HWV 261 (Handel, George Frideric) for piano |
|
| Zadok the Priest, HWV 258 (Handel, George Frideric) for mixed chorus and orchestra |
|
| Arrangement of Zadok the Priest, HWV 258 (Handel, George Frideric) for mixed chorus and piano |
|
| Nala und Damayanti, Op. 150 (Hiller, Ferdinand) for 3 voices, mixed chorus and orchestra |
1890 |
| 3 Pieces for Organ, H.63 (Bridge, Frank) for organ |
1905 |
| Credo: Et vitam venturi sæculi from Arrangement of Credo: Et vitam venturi sæculi from Mass in D minor (Righini, Vincenzo) for organ |
|
| Marche Religieuse, WoO 1 (Merkel, Gustav Adolf) for organ |
1889 |
| Arrangement of Choral Fugue (Spohr, Louis) for organ |
|
| Faerie Suite (Johnson, Bernard) for piano |
1904 |
Christmas Suite (Rowley, Alec) for strings
piano and strings |
1930 |
The Lady of Shalott (Bendall, Wilfred) for 2 sopranos, alto and piano
female chorus and piano |
|
| Physical Exercises, Dances and Games in the Infant School (Hughes, Margaret Alexander) for voice and piano |
|
| Arrangement of O pescator dell'onne (Cottrau, Guillaume Louis) for 3 voices |
|
| Te Deum in B-flat major, HWV 281 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Organ Pieces, Op. 13 (Dienel, Otto) for organ |
|
| The Village Organist (Stainer, John) for organ |
1899 |
| Festive March (Thorne, Edward H.) for organ |
|
| Original Compositions for the Organ (Calkin, John Baptiste) for organ |
|
| Original Compositions for the Organ (Calkin, John Baptiste) for organ |
|
| Original Compositions for the Organ (Calkin, John Baptiste) for organ |
|
| Fantaisie sur deux mélodies anglaises, Op. 43 (Guilmant, Alexandre) for organ |
|
| Fantaisie sur deux mélodies anglaises, Op. 43 (Guilmant, Alexandre) for organ |
|
| Arrangement of Concerto Grosso in B minor, HWV 330 (Handel, George Frideric) for piano |
|
| Arrangement of Selections from Concerto Grosso in B minor, HWV 330 (Handel, George Frideric) for organ |
|
| Symphony No. 1, Op. 35 (Lemare, Edwin Henry) for organ |
1899 |
| Egdon Heath, Op. 47 (Holst, Gustav) for orchestra |
1928 |
| An English Suite (Parry, Charles Hubert Hastings) for strings |
1921 |
| An English Suite (Parry, Charles Hubert Hastings) for strings |
1921 |
| An English Suite (Parry, Charles Hubert Hastings) for strings |
1921 |
| 3 Pieces for Violin and Piano (Boyce, William) for |
|
| 12 Persian Folk-Songs (Fairchild, Blair) for voice and piano |
|
| The Norman Baron (Anderton, Thomas) for voices, mixed chorus and piano |
|
The Deacon's Masterpiece (Fletcher, Percy Eastman) for voices, mixed chorus and orchestra
mixed chorus and orchestra |
1911 |
| Killiecrankie (Moonie, James Anderson) for tenor, mixed chorus and orchestra |
1902 |
| Missa O Admirabile Commercium (Palestrina, Giovanni Pierluigi da) for mixed chorus and organ |
1891 |
| A Legend of Bregenz (Bendall, Wilfred) for female chorus and piano |
1897 |
| Princess Zara (Somervell, Arthur) for voices, mixed chorus and orchestra |
1899 |
| 12. Rolling down to Rio from Arrangement of 12. Rolling down to Rio from Just so Song Book (German, Edward) for soprano, alto and piano |
1925 |
| Row Us, Row Us Swiftly (Campana, Fabio) for female chorus and piano |
|
| O Lord, Give Thy Holy Spirit (Tallis, Thomas) for 4 voices |
1899 |
| Blessed are They that Considereth the Poor, HWV 268 (Handel, George Frideric) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
|
| Thanks be to God (Smallwood, William) for mixed chorus and organ |
|
O Clap Your Hands (Trimnell, Thomas Tallis) for 4 voices and organ
mixed chorus and organ |
|
| This is the Day (Sewell, John) for mixed chorus |
|
I will Greatly Rejoice in the Lord (Cruickshank, William Alexander Campbell) for tenor, bass, mixed chorus and organ
bass, mixed chorus and organ |
1893 |
| I Declare to You the Gospel (Cruickshank, William Alexander Campbell) for soprano, bass, mixed chorus and organ |
1896 |
| Ten Thousand times Ten Thousand (Tozer, Ferris) for baritone, mixed chorus and organ |
1899 |
At the Lamb's High Feast We Sing (Hall, Edward Vine) for soprano, tenor, bass, mixed chorus and organ
mixed chorus and organ |
1892 |
| Christ our Passover (Hall, Edward Vine) for mixed chorus and organ |
|
| Christ the Lord is Risen Again (Hall, Edward Vine) for soprano, mixed chorus and organ |
1904 |
| Christ the Lord is Risen To-day (Hall, Edward Vine) for mixed chorus and organ |
|
| Come, Let us Join our Cheerful Songs (Hall, Edward Vine) for soprano, alto, tenor, bass, mixed chorus and organ |
1907 |
| Come, Ye Faithful, Raise the Anthem (Hall, Edward Vine) for soprano, alto, tenor, bass, mixed chorus and organ |
|
| Come, Ye Faithful, Raise the Strain (Hall, Edward Vine) for soprano, alto, tenor, bass, mixed chorus and organ |
1908 |
| The Day of Resurrection (Hall, Edward Vine) for tenor, mixed chorus and organ |
1894 |
| Far be Sorrow, Tears, and Sighing (Hall, Edward Vine) for soprano, mixed chorus and organ |
1899 |
| Ten Thousand times Ten Thousand (Hall, Edward Vine) for soprano, mixed chorus and organ |
1905 |
| This is the Day which the Lord hath Made (Hall, Edward Vine) for mixed chorus and organ |
|
| Olivet to Calvary (Maunder, John Henry) for tenor, baritone, mixed chorus and orchestra |
1904 |
| Adonis-Feier (Jensen, Adolf) for voices, mixed chorus and piano |
|
| A General History of the Science and Practice of Music (Hawkins, John) for |
1853 |
| A General History of the Science and Practice of Music (Hawkins, John) for |
1875 |
| Arrangement of Agincourt Carol (Anonymous) for childrens chorus and piano |
|
| Come, Ye Lofty (Button, Henry Elliot) for mixed chorus and piano |
1900 |
| The Hymn of the Angels (West, John Ebenezer) for mixed chorus and piano |
1902 |
| Angels, from the Realms of Glory (Hall, Edward Vine) for mixed chorus and piano |
1902 |
| Blessed be the Lord God of Israel (Hall, Edward Vine) for mixed chorus and piano |
1906 |
| Love Divine, All Love Excelling (Hall, Edward Vine) for mixed chorus and piano |
1905 |
| While Shepherds Watched their Flocks by Night (Hall, Edward Vine) for mixed chorus and piano |
1907 |
| Dr. Arne and Rule, Britannia (Cummings, William Hayman) for |
1912 |
| My Friends Pictured Within (Elgar, Edward) for |
|
| Cathedral Organists Past and Present (West, John Ebenezer) for |
1921 |
| Open to Me the Gates (Adlam, Frank) for mixed chorus and organ |
1894 |
| Why Seek Ye the Living among the Dead? (Alexander, Alfred) for mixed chorus and organ |
|
| He Shall Swallow up Death in Victory (Greenish, Frederick Robert) for mixed chorus and organ |
|
| Reflections (Fletcher, Percy Eastman) for piano |
1918 |
| The Natural and Universal Principles of Harmony and Modulation (Parkinson, William Wignall) for |
|
Christmas Bells (Elvey, George Job) for organ
piano |
|
| Jerusalem the Golden (Dearnaley, Irvine) for organ |
|
| Organ Pedal Technique (Horner, Burnham W.) for organ |
|
| Original Compositions for the Organ (Smart, Henry Thomas) for organ |
|
| Compositions for Piano (Mackenzie, Alexander Campbell) for piano |
|
| Arrangement of Selection of Pieces Composed for the Harpsichord (Pasquini, Bernardo) for piano |
|
| Oriental Rhapsody, Op. 32a (Pitt, Percy) for piano |
1903 |
| Arrangement of Selection of Pieces Composed for the Harpsichord (Greco, Gaetano) for piano |
|
| 6 Melodies Arranged for the Organ (Mendelssohn, Felix) for |
|
| Transcriptions for the Organ (Mendelssohn, Felix) for |
|
| Dufay and his Contemporaries (Various) for |
1898 |
| The Organist’s Journal (Archer, Frederic) for organ |
|
| 12 Sacred Songs for Tenor (Randegger, Alberto) for |
|
| 12 Sacred Songs for Bass (Randegger, Alberto) for bass and piano |
|
The Fitzwilliam Music (Novello, Vincent) for voices
mixed chorus
voices and organ
voices and strings
voices and orchestra |
|
| With Proud Thanksgiving (Elgar, Edward) for mixed chorus and orchestra |
1920 |
| 9. Fugue in E minor from Arrangement of 9. Fugue in E minor from 9 Toccatas and Fugues (Eberlin, Johann Ernst) for organ |
|
| 3 Organ Pieces (Barnby, Joseph) for organ |
|
| 12 Pieces (Stainer, John) for organ |
1897 |
| 12 Pieces (Stainer, John) for organ |
1900 |
| Canzonetta and Rêverie (Brewer, Alfred Herbert) for organ |
1902 |
| Arrangement of Kathleen Mavourneen (Crouch, Frederick William Nicholls) for 4 voices |
|
| In Heavenly Love Abiding (Parker, Horatio) for soprano, mixed chorus and organ |
1900 |
| Selections (Nos.3-4) from Arrangement of Selections (Nos.3-4) from French Suite No. 6 in E major, BWV 817 (Bach, Johann Sebastian) for organ |
|
| Sarabande (No.4) from Arrangement of Sarabande (No.4) from English Suite No. 4 in F major, BWV 809 (Bach, Johann Sebastian) for organ |
|
| Gavottes I and II (Nos.6-7) from Arrangement of Gavottes I and II (Nos.6-7) from English Suite No. 6 in D minor, BWV 811 (Bach, Johann Sebastian) for organ |
|
| Capucine. Légende (No.7) from Arrangement of Capucine. Légende (No.7) from Les Fleurs animées, Op. 57 (Kullak, Theodor) for organ |
|
O Lord, Grant the King a Long Life (Attwood, Thomas) for soprano, alto, tenor, bass and orchestra
mixed chorus and orchestra |
1831 |
| Norwegian Suite (Kreuz, Emil) for violin and piano |
1909 |
| Patriotic Suite (Kreuz, Emil) for violin and piano |
1911 |
| Come, Ye Gentles, Hear the Story (Bairstow, Edward Cuthbert) for mixed chorus and organ |
1902 |
| Suite, Op. 2 (Dale, Benjamin) for viola and piano |
1906 |
| Toccata and Fugue 'The Wanderer' (Parry, Charles Hubert Hastings) for organ |
1921 |
| 3 Chorale Fantasias (Parry, Charles Hubert Hastings) for organ |
1915 |
| 2 Part Songs, Op. 71 (Elgar, Edward) for mixed chorus |
1914 |
| 2 Part Songs, Op. 73 (Elgar, Edward) for mixed chorus |
1914 |
| Death on the Hills, Op. 72 (Elgar, Edward) for mixed chorus |
1914 |
| Arrangement of What Saith My Daintie Darling? (Morley, Thomas) for 4 voices |
1923 |
| Morning, Evening and Communion Service in A major, Op. 12 (Stanford, Charles Villiers) for mixed chorus and organ |
1895 |
| 4 Intermezzi, Op. 189 (Stanford, Charles Villiers) for organ |
1923 |
How Beauteous are Their Feet (Stanford, Charles Villiers) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
1923 |
| 3 Preludes and Fugues, Op. 193 (Stanford, Charles Villiers) for organ |
1923 |
| Prelude and Fugue in E minor (Stanford, Charles Villiers) for organ |
|
| Impromptu in A major (Goodhart, Arthur Murray) for organ |
1906 |
| O Praise God in His Holiness (Stanford, Charles Villiers) for mixed chorus and organ |
1909 |
| Presto (No.4) from Arrangement of Presto (No.4) from Violin Sonata in A major, BWV 1015 (Bach, Johann Sebastian) for organ |
|
| Allegro (No.2) from Arrangement of Allegro (No.2) from Violin Sonata in E major, BWV 1016 (Bach, Johann Sebastian) for organ |
|
| Five Poems of the Spirit (Bairstow, Edward Cuthbert) for baritone, mixed chorus and orchestra |
1954 |
| Allegretto in A-flat major, Op. 2 (Wolstenholme, William) for organ |
1899 |
| Arrangement of 8 Pieces for Piano, Op. 47 (Strelezki, Anton) for organ |
|
| The Recital Series of Original Organ Compositions (Lemare, Edwin Henry) for organ |
|
| Song of Triumph (West, John Ebenezer) for organ |
1908 |
| Toccata di concerto, Op. 59 (Lemare, Edwin Henry) for organ |
1909 |
| Fantasia in F major (Barnett, John Francis) for organ |
1902 |
| 2 Pieces for Viola and Piano, Op. 17 (Wolstenholme, William) for viola and piano |
|
| Andantino No. 2 in D-flat major, WoO 17 (Lemare, Edwin Henry) for organ |
1902 |
| Introduction and Fugue (Pearsall, Robert Lucas) for organ |
|
| The Wreck of the Hesperus (Wareing, Herbert Walter) for soprano, tenor, bass, mixed chorus and orchestra |
1895 |
| 2 Pieces for Organ (Gibbons, Orlando) for organ |
1908 |
| Fugues and Other Pieces, Book 1 (Cooke, Benjamin) for organ |
|
| 12 Fugues on Chant Themes (Crotch, William) for organ |
|
| Prelude and Fugue in E minor (Walmisley, Thomas Attwood) for organ |
|
| Old English Organ Music (West, John Ebenezer) for organ |
|
| Prelude and Fugue in C minor, B.146 (Willan, Healey) for organ |
1909 |
| Epilogue (Willan, Healey) for organ |
1909 |
| Prelude and Fugue in B minor (Willan, Healey) for organ |
1909 |
| While All Things Were in Quiet Silence (Willan, Healey) for voices, mixed chorus and organ |
1907 |
| There Were Shepherds Abiding in the Field (Willan, Healey) for tenor, bass, mixed chorus and organ |
1906 |
| Heut triumphieret Gottes Sohn, BWV 630 (Bach, Johann Sebastian) for organ |
|
| Book 1: Folk-Songs from Dorset from Folk-Songs of England (Sharp, Cecil) for |
1908 |
| Book 2: Folk-Songs from the Eastern Counties from Folk-Songs of England (Sharp, Cecil) for |
1908 |
| Book 3: Folk-Songs from Hampshire from Folk-Songs of England (Sharp, Cecil) for |
1909 |
| Book 4: Folk-Songs from Various Counties from Folk-Songs of England (Sharp, Cecil) for |
1912 |
| Book 5: Folk-Songs from Sussex from Folk-Songs of England (Sharp, Cecil) for |
1912 |
| Volume 2 from Violin Sonata in D minor, Op. 5 No. 7 (Corelli, Arcangelo) for violin and continuo |
|
| 6 Pieces for Organ, Op. 134 (Higgs, Henry Marcellus) for organ |
1906 |
| Earl Haldan's Daughter (Reed, William Henry) for mixed chorus and keyboard |
1939 |
| The Ballad of Carmilhan, Op. 10 (Arnott, Archibald Davidson) for baritone, mixed chorus and orchestra |
1894 |
| Ode to the West Wind, Op. 3 (Wood, Charles) for tenor, mixed chorus and orchestra |
|
| Ode to the Sea (Somervell, Arthur) for soprano, mixed chorus and orchestra |
1897 |
| III. Adagio - IV. Allegro from Arrangement of III. Adagio - IV. Allegro from String Quartet No. 1, Op. 4 No. 1 (Spohr, Louis) for organ |
|
| King Arthur, Op. 15 (Smieton, John More) for voices, mixed chorus and orchestra |
|
| The Wake of O'Connor (Bath, Hubert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1913 |
Naomi (Chipp, Edmund Thomas) for soprano, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra
2 sopranos, mezzosoprano, alto, bass, mixed chorus and orchestra |
|
Interludium in F major (Brewer, Alfred Herbert) for organ
harmonium |
1951 |
| Hervé Riel (Davies, Walford) for baritone, mixed chorus and orchestra |
1895 |
| The Consecration of the Banner (Read, John Francis Holcombe) for soprano, alto, mixed chorus and orchestra |
|
| Caractacus (Read, John Francis Holcombe) for soprano, alto, tenor, baritone, bass, mixed chorus and orchestra |
1882 |
| Psyche (Read, John Francis Holcombe) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Ye That do Live in Pleasures (Wilbye, John) for 5 voices |
|
| The Bride of Dunkerron (Smart, Henry Thomas) for soprano, tenor, bass, mixed chorus and orchestra |
|
| The Eve of Saint Agnes (Surette, Thomas Whitney) for soprano, tenor, mixed chorus and orchestra |
1897 |
| The Months, Op. 38 (Gaul, Alfred Robert) for soprano, alto and piano |
|
| Hohenlinden, Op. 5 (Pitt, Percy) for male chorus and orchestra |
1899 |
| The First Nowell (Stainer, John) for |
1880 |
| Love Blows as the Wind Blows (Butterworth, George) for voice, 2 violins, viola and cello |
|
| Love Blows as the Wind Blows (Butterworth, George) for voice, 2 violins, viola and cello |
1921 |
| Overture from Who Can from Joy Refrain?, Z.342 (Purcell, Henry) for voices, mixed chorus and orchestra |
1891 |
| Overture from Who Can from Joy Refrain?, Z.342 (Purcell, Henry) for voices, mixed chorus and orchestra |
1891 |
Christmas Carols New and Old (Stainer, John) for voices
voices and piano
voices and organ
mixed chorus
mixed chorus and piano
mixed chorus and organ |
1880 |
Christmas Carols New and Old (Stainer, John) for voices
voices and piano
voices and organ
mixed chorus
mixed chorus and piano
mixed chorus and organ |
|
| Arrangement of Selections from Christmas Carols New and Old (Stainer, John) for male chorus |
|
| The Virtuous Wife, Z.611 (Purcell, Henry) for strings and continuo |
1925 |
| Concert Allegro, Op. 46 (Elgar, Edward) for piano |
1982 |
| Symphony in E major (Sullivan, Arthur) for orchestra |
1915 |
| Symphony in E major (Sullivan, Arthur) for orchestra |
|
| Arrangement of The Lass with the Delicate Air (Arne, Michael) for 3 voices and piano |
|
| Latin Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1902 |
| Latin Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1907 |
| Latin Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1907 |
| English Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1907 |
| English Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1907 |
| English Version from 3 Motets, Op. 2 (Elgar, Edward) for soprano, mixed chorus and organ |
1907 |
| 5 Part Songs from the Greek Anthology, Op. 45 (Elgar, Edward) for male chorus |
1903 |
| 5 Part Songs from the Greek Anthology, Op. 45 (Elgar, Edward) for male chorus |
1903 |
| Arrangement of 5 Part Songs from the Greek Anthology, Op. 45 (Elgar, Edward) for mixed chorus |
1922 |
| Revised Edition from Mass in D major (Smyth, Ethel) for mixed chorus and orchestra |
1925 |
| Morning, Communion and Evening Service, Op. 6 (Harwood, Basil) for mixed chorus and organ |
|
Short and Easy Communion Service, Op. 35 (Harwood, Basil) for voice and organ
mixed chorus and organ |
1920 |
God is Our Refuge (Foote, Arthur) for tenor, mixed chorus and organ
soprano, mixed chorus and organ |
|
| Largo sostenuto (No.3) from Arrangement of Largo sostenuto (No.3) from String Quartet in E-flat major, Hob.III:38 (Haydn, Joseph) for organ |
|
| Arrangements from the Scores of the Great Masters (Best, William Thomas) for |
|
Come Again, Sweet Love doth Now Invite (Dowland, John) for voice and lute
4 voices and lute
voice, lute and viol
voice and viol
lute |
1856 |
| Organ Sonata in D minor (Bridge, Frederick) for organ |
|
| Soutenir, Op. 58 (Lemare, Edwin Henry) for organ |
1909 |
| Christ lag in Todes Banden, BWV 4 (Bach, Johann Sebastian) for soprano, alto, tenor, bass and orchestra |
|
| The Day of Rest (Booth, Josiah) for soprano, alto, female chorus and orchestra |
1891 |
| O Sing unto the Lord a New Song (Brewer, Alfred Herbert) for soprano, bass, mixed chorus and orchestra |
1898 |
| A Song of Redemption (Gray, Alan) for soprano, mixed chorus and orchestra |
1898 |
| Vexilla Regis (Shelley, Harry Rowe) for soprano, bass, mixed chorus and orchestra |
1893 |
| Among the Pines, Op. 36 (King, Oliver) for orchestra |
|
| Ode to Death, Op. 38 (Holst, Gustav) for mixed chorus and orchestra |
1922 |
| Ode to Death, Op. 38 (Holst, Gustav) for mixed chorus and orchestra |
1922 |
| Christmas Day (Holst, Gustav) for 5 voices, mixed chorus and orchestra |
|
| Christmas Day (Holst, Gustav) for 5 voices, mixed chorus and orchestra |
1910 |
| Christmas Day (Holst, Gustav) for 5 voices, mixed chorus and orchestra |
|
| Christmas Day (Holst, Gustav) for 5 voices, mixed chorus and orchestra |
|
| Christmas Day (Holst, Gustav) for 5 voices, mixed chorus and orchestra |
1910 |
| Gott, du bist gross, Op. 98 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Gott, du bist gross, Op. 98 (Spohr, Louis) for soprano, alto, tenor, bass, mixed chorus and orchestra |
|
| Final Chorus from Arrangement of Final Chorus from Gott, du bist gross, Op. 98 (Spohr, Louis) for organ |
|
| Concert-Fantasie, Op. 1 (Freyer, August) for organ |
|
| Fuga (No.2) from Arrangement of Fuga (No.2) from Prelude and Fugue in E-flat major, BWV 876 (Bach, Johann Sebastian) for organ |
|
| A Christmas Greeting, Op. 52 (Elgar, Edward) for |
1909 |
| Processional, Op. 30 (Blair, Hugh) for organ |
1912 |
| 4 Pieces for Organ, Op. 29 (Blair, Hugh) for organ |
1912 |
| 2 Pieces for Organ (Blair, Hugh) for organ |
1925 |
| Arrangement of Violin Sonata in G major (Lates, James) for violin and piano |
1906 |
| Arrangement of Violin Sonata in G minor (Stanley, John) for violin and piano |
|
| Arrangement of Violin Sonata in G Minor (Croft, William) for violin and piano |
|
Adieu, Sweet Amaryllis (Wilbye, John) for 4 voices
mixed chorus |
|
| Arrangement of Violin Sonata in D minor (Gibbs, Joseph) for violin and piano |
1909 |
| Biographical Dictionary of Musicians (Cummings, William Hayman) for |
1892 |
| 10 Pianoforte Pieces (Purcell, Henry) for |
1895 |
The Later Part-Songs (Elgar, Edward) for mixed chorus
mixed chorus and piano |
1903 |
| Evening Scene (Elgar, Edward) for mixed chorus |
1906 |
| Voix Séraphique (Maunder, John Henry) for organ |
1896 |
| Arrangement of Album of Selected Pieces (Farnaby, Giles) for piano |
|
| Gesangs-Methode (Stockhausen, Julius Christian) for voice |
|
| Legend, Op. 16 (Grace, Harvey) for organ |
1913 |
4 Part Songs, Op. 53 (Elgar, Edward) for 8 voices
mixed chorus |
1908 |
| Trio on Ancient Irish Folk-Tunes, Op. 32 (Trowell, Arnold) for violin, cello and piano |
1918 |
| III. Andante (D major) from String Quartet in F major, Hob.III:82 (Haydn, Joseph) for 2 violins, viola and cello |
|
| Suite Italienne, Op. 42 (Liebling, Georg) for piano |
1899 |
| Palestine (Crotch, William) for voices, mixed chorus and orchestra |
|
| Early One Morning (Dunhill, Thomas) for |
1904 |
| Arrangement of Strike The Lyre (Cooke, Thomas) for mixed chorus |
|
| Qual'anelante cervo che fugge, S.641 (Marcello, Benedetto) for continuo and 2 sopranos |
|
| Albion (Wurm, Mary) for 2 sopranos, alto and piano |
|
| Fugue (No.2) from Arrangement of Fugue (No.2) from Prelude and Fugue in D major, BWV 874 (Bach, Johann Sebastian) for organ |
|
| Fugue from Arrangement of Fugue from Prelude and Fugue in E major, BWV 878 (Bach, Johann Sebastian) for organ |
|
| God So Loved The World (Goss, John) for mixed chorus |
|
| Super flumina Babylonis, IGP 91 (Palestrina, Giovanni Pierluigi da) for soprano, alto, tenor and bass |
1920 |
| Te Deum in C major, Hob.XXIIIc:2 (Haydn, Joseph) for mixed chorus and orchestra |
|
| Despair, Hob.XXVIa:28 (Haydn, Joseph) for voice and piano |
|
| Fidelity, Hob.XXVIa:30 (Haydn, Joseph) for voice and piano |
|
| O tuneful Voice, Hob.XXVIa:42 (Haydn, Joseph) for voice and piano |
|
| Recollection, Hob.XXVIa:26 (Haydn, Joseph) for voice and piano |
|
| The Spirit's Song, Hob.XXVIa:41 (Haydn, Joseph) for voice and piano |
|
| The Mermaid's Song, Hob.XXVIa:25 (Haydn, Joseph) for voice and piano |
|
| A Pastoral Song, Hob.XXVIa:27 (Haydn, Joseph) for voice and piano |
|
| She never told her love, Hob.XXVIa:34 (Haydn, Joseph) for voice and piano |
|
| Sympathy, Hob.XXVIa:33 (Haydn, Joseph) for voice and piano |
|
| Sailor's Song, Hob.XXVIa:31 (Haydn, Joseph) for voice and piano |
|
| Arrangement of Missa Simplex (Gregorian Chant) for voice and organ |
|
| Spring fancies (Harty, Hamilton) for harp |
1915 |
| A Celtic Suite, Op. 11 (Farrar, Ernest Bristow) for violin and piano |
1920 |
| Arrangement of Violin Sonata in B-flat major (Babell, William) for violin and piano |
|
| Arrangement of Violin Sonata in E major (MacLean, Charles) for violin and piano |
|
| Arrangement of Violin Sonata in D minor (Eccles, Henry) for violin and piano |
|
| Arrangement of Violin Sonata in D minor (Humphries, John) for violin and piano |
|
| Arrangement of Violin Sonata in A major (Collett, John) for violin and piano |
|
| Arrangement of Violin Sonata in D major (Jones, Richard) for violin and piano |
|
| Before the Paling of the Stars (Dale, Benjamin) for mixed chorus and orchestra |
1912 |
| Arrangement of Nun freut euch lieben (Ducis, Benedictus) for organ |
|
| Coro e Fuga from Arrangement of Coro e Fuga from Der Herr macht alles wohl (Reissiger, Carl Gottlieb) for organ |
|
| Overture from Arrangement of Overture from Das jüngste Gericht, WoO 60 (Spohr, Louis) for organ |
|
| Arrangement of Kyrie Eleison (Schneider, Friedrich) for organ |
|
| Arrangement of In aeternum jubilantes, S.74 (Hummel, Johann Nepomuk) for organ |
|
| Arrangement of Unendlicher! Gott, unser Herr!, Op. 85 No. 1 (Spohr, Louis) for organ |
|
| Arrangement of Alma Virgo, Op. 89a (Hummel, Johann Nepomuk) for organ |
|
4 Choruses in Old Sonata Form (Salzedo, Carlos) for 2 tenors, bass and harp
2 tenors, bass and organ
2 tenors, bass and piano |
1918 |
| Arrangement of Jesu dulcis memoria (Bühler, Franz) for organ |
|
| The Heirs of the White Mountain, Op. 30 (Dvořák, Antonín) for mixed chorus and orchestra |
1885 |
| The Heirs of the White Mountain, Op. 30 (Dvořák, Antonín) for mixed chorus and orchestra |
1885 |
| Final version, B.134 from The Heirs of the White Mountain, Op. 30 (Dvořák, Antonín) for mixed chorus and orchestra |
1885 |
| Folk-Songs from Dorset (Sharp, Cecil) for |
1908 |
| Arrangement of Prelude and Fugue in B major, BWV 892 (Bach, Johann Sebastian) for organ |
|
| Magnificat and Nunc dimittis in B-flat major (Willan, Healey) for mixed chorus and organ |
1906 |
| Magnificat and Nunc dimittis in E-flat major (Willan, Healey) for mixed chorus and organ |
1912 |
| II. Andante from Arrangement of II. Andante from Symphony No. 1, Op. 6 (Romberg, Andreas) for organ |
|
| Arrangement of Harpsichord Sonata in E major, P 893.03 (Paradies, Pietro Domenico) for organ |
|
| Arrangement of Aus der Tiefen, Op. 85 No. 3 (Spohr, Louis) for organ |
|
| Arrangement of Pater noster (Cherubini, Luigi) for organ |
|
| Symphony No. 2 in F major (Parry, Charles Hubert Hastings) for orchestra |
1905 |
| Symphony No. 2 in F major (Parry, Charles Hubert Hastings) for orchestra |
1905 |
| Thou visitest the earth (Greene, Maurice) for tenor, mixed chorus and organ |
|
| Arrangement of 3 Marches for Piano, Op. 24 (Spindler, Fritz) for organ |
|
| Arrangement of Marche religieuse (Adam, Adolphe) for organ |
|
| O salutaris hostia in E-flat major (Cherubini, Luigi) for alto and strings |
|
| O salutaris hostia in E-flat major (Cherubini, Luigi) for alto and strings |
|
| O salutaris hostia in E-flat major (Cherubini, Luigi) for alto and strings |
|
| O Sing unto the Lord, Z.44 (Purcell, Henry) for soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo |
|
| No.1 Aspiration from Arrangement of No.1 Aspiration from 3 Short Pieces (West, John Ebenezer) for violin and piano |
|
Arrangement of Trio Sonata in E minor, Op. 3 No. 7 (Arne, Thomas Augustine) for 2 violins and piano
2 violins, cello and piano |
1907 |
| Fugue (Higgs, James) for |
|
| Double Counterpoint and Canon (Bridge, Frederick) for |
|
| A Wanderer's Psalm, Op. 50 (Parker, Horatio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
1900 |
| Scherzo (Warner, Harry Waldo) for violin and piano |
1900 |
| Postlude (Guilmant, Alexandre) for organ |
|
| Postlude (Guilmant, Alexandre) for organ |
|
Falmouth (Woodman, Richard Townley) for 2 mixed chorus
2 mixed chorus and piano |
1914 |
Voluntary (Hine, William) for organ
keyboard |
1906 |
| Stabat Mater, Op. 53 (Henschel, George) for 4 voices, mixed chorus and orchestra |
1894 |
| Ah dear heart (Gibbons, Orlando) for 5 voices |
|
| Far from the World, O Lord, I Flee (Parker, Horatio) for voice, mixed chorus and organ |
1901 |
6 Part Songs, Op. 7 (Lacy, Frederick St. John) for 4 voices
mixed chorus |
|
| Lord's Prayer and Apostles' Creed in F major (Roberts, John Varley) for unison chorus and organ |
1903 |
| Apostles' Creed in G major (Monk, Edwin George) for unison chorus and organ |
|
| Arrangement of Allegretto in E-flat major (Wolstenholme, William) for piano |
1908 |
| Klänge aus Süden, Op. 148 (Spindler, Fritz) for piano |
|
| Rosalba (Novello, Vincent) for 6 voices and orchestra |
|
| Come, ye children (Higgs, Henry Marcellus) for tenor, bass, mixed chorus and organ |
1899 |
| The King of Love my Shepherd is (Arnott, Archibald Davidson) for bass, mixed chorus and organ |
1901 |
| The Woods and Every Sweetsmelling Tree (West, John Ebenezer) for mixed chorus and organ |
1899 |
| Come, weayry Pilgrims, come (Tozer, Ferris) for mixed chorus and organ |
|
| Far down the ages now (Edwards, Arthur Charles) for mixed chorus and organ |
|
| The earth is the Lord's (Hollins, Alfred) for mixed chorus and organ |
|
| Unto Thee, o Lord (Wolstenholme, William) for mixed chorus and organ |
|
| Benedicite, omnia opera (Macpherson, Charles) for mixed chorus and organ |
|
| Thou art gone to the grave (Williams, Charles Lee) for mixed chorus |
1900 |
| The Rainbow of Peace (Adams II, Thomas) for tenor, bass, mixed chorus and organ |
|
The King shall rejoice (Goss, John) for tenor, mixed chorus and organ
soprano, mixed chorus and organ |
1901 |
| The Holy Innocents (Brewer, Alfred Herbert) for |
|
| Whence comes this Light (Brewer, Alfred Herbert) for mixed chorus and piano |
|
| If a man die, shall he live again? (Macpherson, Charles) for mixed chorus and organ |
1902 |
| Look on the Fields (Macpherson, Charles) for mixed chorus and organ |
1901 |
| All People that on Earth do dwell (West, John Ebenezer) for mixed chorus and organ |
1901 |
| Weary of Earth and laden with my Sin (Tozer, Ferris) for mixed chorus and organ |
1898 |
| Now I know that the Lord (Foster, Myles Birket) for mixed chorus and organ |
|
| He sendeth the spring into the valleys (Wareing, Herbert Walter) for mixed chorus and organ |
|
The sacrifice of God (Wareing, Herbert Walter) for 4 voices and organ
mixed chorus and organ |
|
Through the day Thy love has spared us (Naylor, Charles Legh) for alto, mixed chorus and organ
mezzosoprano, mixed chorus and organ |
1898 |
| I will feed my Flock (Bridge, Frederick) for mixed chorus and organ |
1892 |
| Spirit of Mercy, Truth and Love (Luard-Selby, Bertram) for mixed chorus and organ |
1898 |
| Eye hath not seen (Foster, Myles Birket) for bass, mixed chorus and organ |
|
| Great is our Lord (Foster, Myles Birket) for mixed chorus and organ |
|
| O God, who is like unto Thee (Foster, Myles Birket) for mixed chorus and organ |
|
| The Glory of the God of Israel (Adams II, Thomas) for mixed chorus and organ |
|
Sweeter than Songs of Summer (Bridge, Frederick) for 4 voices and organ
mixed chorus and organ |
1892 |
| This is the Day (Steane, Bruce) for mixed chorus and organ |
1902 |
| Be glad and rejoice (Foster, Myles Birket) for mixed chorus and organ |
|
| Lord, I call upon Thee (Culley, Arnold Duncan) for soprano, mixed chorus and organ |
|
| Angels, from the realms of glory (Cowen, Frederic Hymen) for mixed chorus and organ |
1898 |
| God be merciful unto us (West, John Ebenezer) for mixed chorus and organ |
|
| O give thanks unto the Lord (West, John Ebenezer) for mixed chorus and organ |
|
| Arrangement of A Prayer for Peace (Crotch, William) for mixed chorus and organ |
1898 |
| I heard a Great Voice, Op. 39 (Cobb, Gerard Francis) for baritone, mixed chorus and organ |
1898 |
| Rest, weary Earth! (Goodhart, Arthur Murray) for mixed chorus and organ |
1902 |
| Come, Thou Holy Spirit (Barnett, John Francis) for soprano, mixed chorus and organ |
1904 |
Let Thy merciful Ears (Shaw, James Fallas) for bass, mixed chorus and organ
baritone, mixed chorus and organ |
1903 |
| Lord, I have loved the Habitation of Thy house (Torrance, George William) for mixed chorus and organ |
1901 |
| Jesu, priceless Treasure (Roberts, John Varley) for childrens chorus, mixed chorus and organ |
1894 |
| Thou crownest the Year with Thy Goodness (Booth, Josiah) for mixed chorus and organ |
1894 |
| Praised be the Lord daily (Lloyd, Charles Harford) for mixed chorus and organ |
1902 |
| O that men would praise the Lord (McEwen, John Blackwood) for mixed chorus and organ |
1903 |
| Sing unto the Lord (Harris, Cuthbert) for mixed chorus and organ |
1898 |
| Lead, Kindly Light (Evans, David Pughe) for voice and piano |
|
| Arrangement of Lead, Kindly Light (Evans, David Pughe) for soprano, mixed chorus and organ |
1898 |
| Father of Mercies, God of Love (Hall, Edward Vine) for soprano, mixed chorus and organ |
1903 |
| Thy word is a lantern unto my feet (Young, George Coleman) for mixed chorus and organ |
1904 |
| Thou wilt keep him in perfect peace (Williams, Charles Lee) for mixed chorus and organ |
1903 |
| Thou wilt keep him in perfect peace (Williams, Charles Lee) for mixed chorus and organ |
1922 |
| Crossing the Bar (Woodward, Herbert Hall) for mixed chorus and organ |
1893 |
| Blessed are the Poor in Spirit (Hiles, Henry) for mixed chorus and organ |
1901 |
| The Star that Now is Shining (King, Oliver) for baritone, mixed chorus and organ |
1892 |
| Whosoever drinketh of this water (Field, John Thomas) for bass, mixed chorus and organ |
|
| What are these that are arryed in white Robes (Stainer, John) for mixed chorus and organ |
|
| Arrangement of 2 Trios (Greene, Maurice) for organ |
1937 |
| Five Short & Easy Pieces Founded on Hymn Tunes (Hylton Stewart, Charles) for organ |
1928 |
| Choral Symphony (Holst, Gustav) for soprano, mixed chorus and orchestra |
1926 |
| Larghetto (Walmisley, Thomas Attwood) for organ |
1933 |
| Alla marcia (Rhodes, Harold William) for organ |
1958 |
| Arrangement of Scherzo in D minor (Faning, Eaton) for organ |
1903 |
| 6 Trios for Organ (Albrechtsberger, Johann Georg) for organ |
|
| Choral Improvisation on Hanover (Francis, George Thomas) for organ |
|
| Alla Marcia (Ireland, John) for organ |
1911 |
| Sursum Corda (Ireland, John) for organ |
1911 |
| 3 Chorale Preludes (West, John Ebenezer) for organ |
1916 |
| Introduction and Fugue in C-sharp minor (Wesley, Samuel Sebastian) for organ |
|
| Berceuse in E major (Ross, William G.) for organ |
1916 |
| Chanson d'espoir (Meale, John Arthur) for organ |
1918 |
| Celtic Melody, Op. 43 No. 3 (O'Connor-Morris, Geoffrey) for organ |
|
| Berceuse in A major (Ross, William G.) for organ |
|
| Concluding Voluntary (Foster, Myles Birket) for organ |
1911 |
| Cradle Song (Hailing, Robert George) for organ |
1920 |
| Solemn Prelude (Blair, Hugh) for organ |
1920 |
| Song of Rejoicing (Ross, William G.) for organ |
1930 |
| Allegro Pomposo (Adams II, Thomas) for organ |
1906 |
| Andantino in D-flat major (Wetton, Henry Davan) for organ |
1905 |
| Cantilene (Hailing, Robert George) for organ |
1913 |
| Festal Postlude (Lee, Ernest Markham) for organ |
|
| Grand Choeur in D major (Montgomery, William Augustus) for organ |
1901 |
| March in F major (Wallis, John Henry) for organ |
1897 |
| March in F major (Wallis, John Henry) for organ |
1934 |
| 7 Seasonal Sketches (Milford, Robin) for organ |
1957 |
| Andante Tranquillo (Hopkins, Edward John) for organ |
|
| Te Decet Hymnus (West, John Ebenezer) for organ |
1951 |
| Arrangement of Meditation in B-flat major (Oesten, Max) for organ |
|
| Tempo di Minuetto (Foster, Myles Birket) for organ |
1951 |
| Fantasia on Adeste Fideles (Shaw, Geoffrey Turton) for organ |
1935 |
| A Carol, Op. 44 No. 2 (O'Connor-Morris, Geoffrey) for organ |
1935 |
| A Souvenir (Douglas, Harry) for organ |
1920 |
| Andante and Allegro (Bache, Francis Edward) for organ |
|
| Postlude (West, John Ebenezer) for organ |
1911 |
| Romance in A major (Lee, Ernest Markham) for organ |
1906 |
| Andante serioso (West, John Ebenezer) for organ |
1909 |
| Andante religioso (Marchant, Arthur William) for organ |
1910 |
| Andante con moto (Adams II, Thomas) for organ |
1909 |
| Andante sostenuto (Foster, Myles Birket) for organ |
1910 |
| Adagio (Wolstenholme, William) for organ |
1909 |
| Adagio (May, Charles John) for organ |
1909 |
| Andantino (Hailing, Robert George) for organ |
1910 |
| Andantino (Hollins, Alfred) for organ |
1909 |
| Dolente (Chipp, Edmund Thomas) for organ |
1910 |
| Con moto (Hollins, Alfred) for organ |
1910 |
| Cantabile (Lemmens, Jacques-Nicolas) for organ |
1910 |
| Lento (May, Charles John) for organ |
1910 |
| Con moto (Alcock, Walter Galpin) for organ |
1909 |
| Marziale, poco lento (Foster, Myles Birket) for organ |
1909 |
| Moderato (Hollins, Alfred) for organ |
1909 |
| Andante (West, John Ebenezer) for organ |
1909 |
| Moderato (Chambers, Herbert Arthur) for organ |
1909 |
| The Canterbury March (Perrin, Henry Crane) for organ |
|
| Thema Ostinata (Palmer, Clement Charlton) for organ |
|
| Allegretto (Lloyd, Charles Harford) for organ |
|
| Andante affetuoso (Sewell, William) for organ |
1910 |
| Adagio e mesto (Sewell, William) for organ |
1910 |
| Andante Pastorale (Adams I, Thomas) for organ |
|
| Prelude (Adams I, Thomas) for organ |
|
| Alla Marcia (Battishill, Jonathan) for organ |
|
| Andante (Battishill, Jonathan) for organ |
|
| Air (Wesley, Samuel) for organ |
|
| Sweet Honey-sucking Bees (Wilbye, John) for 5 voices |
|
| The English Country Dance (Sharp, Cecil) for |
1909 |
| The English Country Dance (Sharp, Cecil) for |
1909 |
| Country Dance Tunes (Sharp, Cecil) for |
1909 |
| Psalm 125, Op. 60 (Hiller, Ferdinand) for tenor, mixed chorus and orchestra |
|
| Mit Thränen säen (No.5) from Israel's Siegesgesang, Op. 151 (Hiller, Ferdinand) for soprano, mixed chorus and orchestra |
|
| The First Christmas (Barnby, Joseph) for mixed chorus and organ |
1893 |
| Arrangement of Caller Herrin' (Gow, Nathaniel) for 2 voices and piano |
1931 |
| Ye shall dwell in the land (Stainer, John) for mixed chorus and organ |
|
| Arrangement of The Boy (Brewer, Alfred Herbert) for mixed chorus |
1914 |
| Te Deum laudamus in D major (Sullivan, Arthur) for mixed chorus and organ |
|
| Te Deum Laudamus No. 2 (Maunder, John Henry) for mixed chorus and organ |
|
| Praised Be the Lord Daily, Op. 106 (Calkin, John Baptiste) for mixed chorus and organ |
|
| Sing Praises to God (Wareing, Herbert Walter) for mixed chorus and organ |
|
| Unto Thee Have I Cried (Elvey, George Job) for mixed chorus and organ |
|
| The Lord Is My Strength (Lowe, Albert) for mixed chorus and organ |
|
| The Angel Gabriel Was Sent from God (Smart, Henry Thomas) for mixed chorus and organ |
|
| O Lord My God (Wesley, Samuel Sebastian) for mixed chorus and organ |
|
| Arrangement of The Frog (Newton, Ernest Richard) for 3 voices and piano |
1933 |
| Arrangement of The Frog (Newton, Ernest Richard) for 2 voices and piano |
1898 |
| The Lord Is Loving (Garrett, George Mursell) for mixed chorus and organ |
|
| O Come Let Us Sing to the Lord (Tours, Berthold) for mixed chorus and organ |
|
| O Can Ye Sew Cushions? (Bantock, Granville) for mixed chorus |
1913 |
| Sing, O Heavens (Simper, Caleb) for mixed chorus |
|
| The Lord Is My Shepherd (Smart, Henry Thomas) for soprano, alto and piano |
|
| Arrangement of The Lord Is My Shepherd (Smart, Henry Thomas) for mixed chorus and organ |
|
| O Give Thanks unto the Lord (Farebrother, Bernard) for mixed chorus and organ |
|
The Sea Hath Its Pearls (Pinsuti, Ciro) for mixed chorus and piano
mixed chorus |
|
| Arrangement of In This Hour of Softened Splendour (Pinsuti, Ciro) for 3 voices and piano |
|
A Madrigal of Spring (Fletcher, Percy Eastman) for mixed chorus
mixed chorus and piano |
1922 |
| Arrangement of A Madrigal of Spring (Fletcher, Percy Eastman) for 4 voices and piano |
1929 |
The Ash Grove (Dunhill, Thomas) for mixed chorus
soprano, alto, tenor and bass |
1913 |
| The Reproaches (Hoyte, William Stevenson) for tenor, mixed chorus and organ |
|
Song of the Pedlar (Williams, Charles Lee) for soprano, alto, tenor, bass and piano
mixed chorus and piano |
|
Thy Word is a Lantern, Z.61 (Purcell, Henry) for alto, tenor, bass and organ
mixed chorus and organ |
|
O Lord, thou art my God, Z.41 (Purcell, Henry) for 3 voices
mixed chorus |
|
| O Give Thanks unto the Lord, Z.33 (Purcell, Henry) for soprano, alto, tenor, bass, mixed chorus and organ |
|
| 3 Psalm-Preludes Set I, Op. 32 (Howells, Herbert) for organ |
1921 |
A Manual of Plain Song (Helmore, Thomas) for voice
unison chorus |
|
A Manual of Plain Song (Helmore, Thomas) for voice
unison chorus |
|
Plain-Song (Helmore, Thomas) for voice
voice and organ
mixed chorus |
|
| I Sing the Birth (Elgar, Edward) for mixed chorus |
1928 |
| Lo, Christ the Lord is Born (Elgar, Edward) for mixed chorus |
1909 |
| Harvest Cantata, Op. 20 (Garrett, George Mursell) for mixed chorus and organ |
|
| A Child Asleep (Elgar, Edward) for voice and piano |
1910 |
Voice and Piano with Male Chorus from Follow the Colours (Elgar, Edward) for voice and piano
voice, male chorus and piano |
1914 |
Follow the Colours (Elgar, Edward) for voice and piano
voice, male chorus and piano |
1908 |
| Holiday Trumpets (Sowerby, Leo) for organ |
1960 |
| In Moonlight (Elgar, Edward) for voice and piano |
1904 |
| 30 Melodies (Tours, Berthold) for cello and piano |
|
| 30 Melodies (Tours, Berthold) for cello and piano |
|
| Prologue on 'Ascension' (Willan, Healey) for organ |
|
| O Lord, Our Governour (Willan, Healey) for mixed chorus and organ |
|
The Torch (No.1) from 2 Songs, Op. 60 (Elgar, Edward) for voice and piano
voice and orchestra |
1910 |
The River (No.2) from 2 Songs, Op. 60 (Elgar, Edward) for voice and piano
voice and orchestra |
1910 |
| Oh, Soft was the Song (No.3) from 3 Songs, Op. 59 (Elgar, Edward) for voice and piano |
1910 |
| Was it some Golden Star? (No.5) from 3 Songs, Op. 59 (Elgar, Edward) for voice and piano |
1910 |
| Twilight (No.6) from 3 Songs, Op. 59 (Elgar, Edward) for voice and piano |
1910 |
| Hero and Leander (Lloyd, Charles Harford) for soprano, baritone, mixed chorus and orchestra |
|
| A Fugal Overture, Op. 40 No. 1 (Holst, Gustav) for orchestra |
1923 |
| 4 Songs by Tennyson, Op. 79 (Mackenzie, Alexander Campbell) for voice and piano |
|
| Fantasia upon the Plainchant Melody 'Ad coenam agni', HWC 144 (Willan, Healey) for organ |
1906 |
| Epilogue on 'St. Theodulph' (Willan, Healey) for organ |
1956 |
| Rondino, Elegy and Chaconne (Willan, Healey) for organ |
1957 |
| The day Thou gavest (Woodward, Herbert Hall) for mixed chorus and organ |
|
Glory to God in the Highest (Bayley, Clowes) for soprano, mixed chorus and organ
tenor, mixed chorus and organ |
|
| Violin Sonata, Op. 15 (Randegger, Alberto Iginio) for violin and piano |
1903 |
| I Looked, and Behold a White Cloud, HWC 344 (Willan, Healey) for soprano, tenor, mixed chorus and organ |
1907 |
| 1. Gavotte from 3 Dances in Canon Throughout (Haynes, Battison) for 2 violins and piano |
1902 |
| Bushes and Briars (Vaughan Williams, Ralph) for |
1908 |
To fair Fidele's grassy tomb (Walmisley, Thomas Forbes) for alto, 2 tenors and bass
alto, 2 tenors, bass and piano |
1862 |
Who comes so dark (Callcott, John Wall) for alto, tenor and bass
alto, tenor, bass and piano |
|
| Benedicite, omnia opera (Maunder, John Henry) for mixed chorus and organ |
|
| The Story of the Cross (Stainer, John) for mixed chorus and organ |
1893 |
| Arrangement of Processional Fanfare (Demuth, Norman) for organ |
1959 |
The Double Bass (White, Adolphus Charles) for double bass
2 double basses |
|
| Arrangement of Memorial Chimes (Elgar, Edward) for organ |
1987 |
| Grand Studies for the Organ (Bach, Johann Sebastian) for organ |
|
Christmas is Coming (Davies, Walford) for soprano, alto, tenor and bass
mixed chorus |
|
| Hosanna in the Highest (Stainer, John) for mixed chorus and organ |
|
| Worship (Shaw, Geoffrey Turton) for unison chorus and piano |
1923 |
| Arrangement of Worship (Shaw, Geoffrey Turton) for mixed chorus and organ |
1927 |
| Hosanna to the Son of David (Gibbons, Orlando) for mixed chorus |
|
How far is it to Bethlehem? (Shaw, Geoffrey Turton) for mixed chorus
soprano, 2 altos, tenor and 2 basses |
1922 |
| Arrangement of How far is it to Bethlehem? (Shaw, Geoffrey Turton) for 3 voices and piano |
1924 |
| Arrangement of The Cryes of London (Weelkes, Thomas) for 5 voices and piano |
|
The Violin (Tours, Berthold) for violin
2 violins |
|
| Suite venitienne (Reed, William Henry) for orchestra |
|
Thy Mighty Power (Novello, Vincent) for soprano, double bass and piano
soprano, cello and piano |
|
| Macbeth (Leveridge, Richard) for voices, strings and continuo |
|
| Spanish Serenade, Op. 23 (Elgar, Edward) for mixed chorus and orchestra |
1904 |
| Spanish Serenade, Op. 23 (Elgar, Edward) for mixed chorus and orchestra |
1904 |
| Spanish Serenade, Op. 23 (Elgar, Edward) for mixed chorus and orchestra |
1904 |
| Spanish Serenade, Op. 23 (Elgar, Edward) for mixed chorus and orchestra |
1892 |
| Arrangement of Spanish Serenade, Op. 23 (Elgar, Edward) for female chorus |
1912 |
| Flute Quintet in E-flat major, G.424 (Boccherini, Luigi) for flute, 2 violins, viola and cello |
1960 |
| Ye Tuneful Muses, Z.344 (Purcell, Henry) for voices, mixed chorus, strings and continuo |
|
| Since My Tears and Lamenting (Morley, Thomas) for 4 voices |
|
| Piano Sonata in E minor (McEwen, John Blackwood) for piano |
|
Sing a Light and Cheerful Lay (Nicol, Edward) for soprano, alto and piano
childrens chorus and piano |
1905 |
| Arrangement of A Song of Rest (Davies, Walford) for 3 voices and piano |
1927 |
Faint not, fear not, God is near thee (Smart, Henry Thomas) for female chorus and piano
childrens chorus and piano
soprano, alto and piano |
|
Encinctured with a Twine of Leaves (Coleridge-Taylor, Samuel) for 2 sopranos, alto and piano
female chorus and piano |
1908 |
| Arrangement of Father of Mercies, God of Love (West, John Ebenezer) for soprano, female chorus and organ |
1917 |
Except the Lord build the house (Monk, Mark James) for female chorus and organ
childrens chorus and organ |
1897 |
| 2. A Cradle Song from 4 Songs of Innocence (Davies, Walford) for 2 sopranos, alto and piano |
1900 |
| Arrangement of Sevenfold Amen (Stainer, John) for 3 voices |
|
| Bagatelle (Ireland, John) for violin and piano |
1913 |
| Arrangement of Cello Concerto (Moeran, Ernest John) for cello and piano |
1947 |
Come unto Me, ye weary (Jordan, Charles Warwick) for soprano, bass, mixed chorus and organ
tenor, bass, mixed chorus and organ |
|
Mass (Winter, Joseph) for mixed chorus and organ
mixed chorus and piano
3 voices and organ
3 voices and piano |
|
| Corinna (Boyce, Ethel Mary) for 2 sopranos, alto and piano |
1918 |
I am Alpha and Omega (Stainer, John) for soprano, mixed chorus and organ
tenor, mixed chorus and organ |
|
The Lincolnshire Poacher (Dunhill, Thomas) for male chorus
2 tenors and 2 basses |
1930 |
| Let All the World in Every Corner Sing (Shaw, Geoffrey Turton) for unison chorus and piano |
1935 |
| Magnificat and Nunc Dimittis (West, John Ebenezer) for childrens chorus and organ |
1906 |
| What Can Lambkins Do? (Coleridge-Taylor, Samuel) for 2 sopranos, alto and piano |
1908 |
| Pan is our all (No.2) from Three Hymns from "Pan's Anniversary" (Shaw, Geoffrey Turton) for female chorus and orchestra |
1917 |
| The Summer Night (Dunhill, Thomas) for 2 sopranos, alto and piano |
1937 |
There Rolls the Deep (Parry, Charles Hubert Hastings) for soprano, alto, tenor and bass
mixed chorus |
1896 |
The Wanderer (Elgar, Edward) for 2 tenors and 2 basses
male chorus |
1923 |
| Who Liveth so Merry (Fletcher, Percy Eastman) for 2 sopranos, alto and piano |
1924 |
The Reveille, Op. 54 (Elgar, Edward) for 2 tenors and 2 basses
male chorus |
1908 |
| Annie Laurie (Macpherson, Charles) for 2 sopranos, alto and piano |
1910 |
The Wood Nymphs (Smart, Henry Thomas) for 2 sopranos, alto and piano
female chorus and piano |
|
| Ave Maria (Marchetti, Filippo) for 2 sopranos, alto and piano |
|
| Angelus, Op. 56 (Elgar, Edward) for mixed chorus |
1909 |
The Birthright (Elgar, Edward) for male chorus, 3 bugles, percussion and piano
male chorus
male chorus and piano |
1914 |
| Evening and Morning (Oakeley, Herbert Stanley) for mixed chorus and keyboard |
|
| Gloria Patri (Tallis, Thomas) for 4 voices |
|
| I Will Not Leave You Comfortless (Steane, Bruce) for mixed chorus and organ |
1897 |
| Magnificat and Nunc Dimittis (Macpherson, Charles) for childrens chorus and organ |
1916 |
| Rejoice Greatly (Woodward, Herbert Hall) for mixed chorus and organ |
|
Bees (Fletcher, Percy Eastman) for soprano, alto, tenor and bass
soprano, alto, tenor, bass and piano
mixed chorus
mixed chorus and piano |
1929 |
| Behold, I Bring You Good Tidings (Hall, Edward Vine) for soprano, mixed chorus and organ |
|
| The Lord is my Shepherd (Macfarren, George Alexander) for mixed chorus and organ |
|
| Let not your heart be troubled (Foster, Myles Birket) for mixed chorus and organ |
1893 |
Magnificat and Nunc Dimittis in F major (Bunnett, Edward) for unison chorus and organ
mixed chorus and organ |
|
| The Night is Far Spent (Foster, Myles Birket) for mixed chorus and organ |
1898 |
| O Holy Ghost, into our minds (Macfarren, George Alexander) for mixed chorus and organ |
|
| Ring Out, Wild Bells (Fletcher, Percy Eastman) for mixed chorus and organ |
1914 |
| The Souls of the Righteous (Elvey, George Job) for mixed chorus |
|
| Wi' A Hundred Pipers (West, John Ebenezer) for |
1920 |
| Doth Not Wisdom Cry? (Haking, Richard) for mixed chorus and organ |
|
Drink to Me only with Thine Eyes (Button, Henry Elliot) for 2 tenors and 2 basses
male chorus |
1907 |
London Town (German, Edward) for 4 voices
mixed chorus |
|
| Arrangement of London Town (German, Edward) for male chorus |
1921 |
| Go, Song of Mine, Op. 57 (Elgar, Edward) for mixed chorus |
1909 |
| Do Not I Fill Heaven and Earth? (Blair, Hugh) for mixed chorus and organ |
1907 |
| Song of the Grey Seas (Fletcher, Percy Eastman) for mixed chorus and orchestra |
1915 |
| 5 English Folk-Songs (Morris, Reginald Owen) for |
1931 |
| Behold I Have Given You Every Herb (Harris, Cuthbert) for soprano, tenor, mixed chorus and organ |
1901 |
Let the people praise Thee, O God (Fletcher, Percy Eastman) for tenor, mixed chorus and organ
soprano, mixed chorus and organ |
1923 |
| 3 Trios for Female Voices (Leslie, Henry) for 2 sopranos, alto and piano |
|
| From the Green Heart of the Waters (Nymphs' Song) from Ulysses, Op. 49 (Coleridge-Taylor, Samuel) for orchestra |
1902 |
| Dafydd y Garreg Wen (Evans, Harry) for |
|
| The Sailor from Sea (Sharp, Cecil) for |
1922 |
The Watchword (Pinsuti, Ciro) for 4 voices
4 voices and piano
mixed chorus
mixed chorus and piano |
|
| In Sherwood Lived Stout Robin Hood (Lloyd, Charles Harford) for mixed chorus |
1897 |
The Flight of the Earls (Shaw, Geoffrey Turton) for soprano, alto and piano
2 voices and piano |
|
| Arrangement of Sally in our Alley (Anonymous) for voice and piano |
|
| Awake, my Soul (Macpherson, Charles) for childrens chorus and organ |
1916 |
Bring thy Treasures (Hayes, William) for 3 voices
childrens chorus |
1908 |
| Hey! Diddle, Diddle (Sweeting, Edward Thomas) for childrens chorus |
|
| The Ballad of London River (Borland, John Ernest) for childrens chorus and piano |
1910 |
| What Shall he Have that Killed the Deer? (Lowe, Claude Egerton) for unison chorus and piano |
1908 |
| Il Cuccu (Ferrari, Giacomo Gotifredo) for piano |
1908 |
| Fie, Nay, Prithee John (Purcell, Henry) for 3 voices |
1908 |
Arrangement of Old Winter's Voice (Anonymous) for mixed chorus and piano
female chorus and piano
unison chorus and piano |
|
Lovely England (Dicker, Seymour) for voice and piano
unison chorus and piano |
|
The Night Song (Mainzer, Joseph) for 2 sopranos and alto
2 sopranos, alto and piano
childrens chorus
childrens chorus and piano |
|
I Will Look unto the Lord (Macfarren, George Alexander) for soprano, alto and organ
childrens chorus and organ |
|
O Mistress Mine (West, John Ebenezer) for 2 voices and piano
piano |
1920 |
I Know a Bank (Horn, Charles Edward) for 2 sopranos and piano
female chorus and piano |
|
| Give Rest, O Christ (Parratt, Walter) for mixed chorus |
|
| God of Glory, King of Nations (Parratt, Walter) for mixed chorus and organ |
|
| The Earth is the Lord's (Walker, Ernest) for 2 sopranos and alto |
1933 |
Now is the Month of Maying (Webber, Amherst) for soprano, female chorus and piano
childrens chorus and piano |
1924 |
| The Souls of the Righteous (Marchant, Stanley) for mixed chorus |
1936 |
| Ye Dainty Nymphs (Boyce, Ethel Mary) for 2 sopranos, alto and piano |
1924 |
| Arrangement of Te Deum (Marchant, Stanley) for female chorus and organ |
1935 |
| Magnificat and Nunc dimittis in A-flat major (Harwood, Basil) for mixed chorus and organ |
|
| Magnificat and Nunc dimittis in A-flat major (Prendergast, William) for mixed chorus and organ |
|
| Magnificat and Nunc dimittis in C minor (Wood, Charles) for mixed chorus and organ |
|
| The Children's Winter Day (Foster, Myles Birket) for childrens chorus and piano |
1909 |
| March Rhapsody (German, Edward) for orchestra |
1912 |
| The Old Year's Vision (Fletcher, Percy Eastman) for |
1903 |
| Short Chorale Preludes (Smyth, Ethel) for organ |
|
| Under the Greenwood Tree (Linton, Arthur Henry) for piano |
|
| Blessed are They that Dwelleth in Thy House (Tours, Berthold) for mixed chorus and organ |
|
| Enter not into Judgement (Attwood, Thomas) for mixed chorus and organ |
|
| O King, and Desire of all Nations (Stainer, John) for mixed chorus and organ |
|
| 6 Duets (Cowen, Frederic Hymen) for soprano, alto and piano |
|
| 7 Part-songs, Op. 44 (Holst, Gustav) for female chorus and strings |
1926 |
| 7 Part-songs, Op. 44 (Holst, Gustav) for female chorus and strings |
1926 |
| Great is the Lord, Op. 67 (Elgar, Edward) for bass, mixed chorus and organ |
1912 |
Give unto the Lord, Op. 74 (Elgar, Edward) for mixed chorus and organ
mixed chorus and orchestra |
1914 |
| Let Thy Hand be Strengthened (Blow, John) for mixed chorus |
|
| Good Morrow (Elgar, Edward) for mixed chorus and piano |
|
Eye hath not seen (2-part setting) (Foster, Myles Birket) for childrens chorus and organ
childrens chorus and harmonium |
|
May-Day Song (Hall, King) for soprano, alto and piano
childrens chorus and piano
female chorus and piano |
1891 |
| O Mightiest of the mighty (Elgar, Edward) for mixed chorus and organ |
1902 |
| Psalm 75 (Elgar, Edward) for mixed chorus and organ |
1909 |
| Psalm 68 (Elgar, Edward) for mixed chorus and organ |
1909 |
| When Cats Run Home (Brewer, Alfred Herbert) for female chorus and piano |
1927 |
| O hearken Thou, Op. 64 (Elgar, Edward) for mixed chorus and orchestra |
1911 |
| 2 Single Chants for the Venite (Elgar, Edward) for mixed chorus and organ |
1909 |
| Great is the Lord (Sydenham, Edwin Augustus) for mixed chorus and organ |
|
| In Humble Faith and Holy Love (Garrett, George Mursell) for mixed chorus and organ |
|
Praise the Lord, O Jerusalem (Hall, Edward Vine) for tenor, mixed chorus and organ
soprano, mixed chorus and organ |
|
The Fairest Flower (Stewart, Robert Prescott) for 4 voices
mixed chorus |
|
Allan Water (Button, Henry Elliot) for mixed chorus
soprano, alto, tenor and bass |
1907 |
Who Rides for the King? (Somerville, Reginald) for soprano, alto, tenor and bass
mixed chorus |
1908 |
| A Madrigal (Sampson, Godfrey) for 2 sopranos, alto and piano |
1930 |
| To the Nightingale (Wassell, Richard) for 2 sopranos, alto and piano |
1938 |
| Lullaby for Women's Voices and Piano (Davies, Walford) for soprano, female chorus and piano |
1932 |
Evening (Smart, Henry Thomas) for soprano, 2 altos and piano
female chorus and piano |
|
| The Nightingale (Bateson, Thomas) for 2 sopranos and alto |
|
| Arrangement of Trip Away (Horn, Charles Edward) for soprano and female chorus |
1912 |
When Time was Entwining (Callcott, John Wall) for soprano, alto and bass
mixed chorus |
|
12 Canons, Op. 50 (Hauptmann, Moritz) for 2 sopranos and alto
3 sopranos
female chorus
childrens chorus |
|
O Happy Fair (Shield, William) for soprano, alto and bass
mixed chorus |
|
| Organ Arrangements (Cooper Jr., George) for |
|
| Symphony in G minor (Moeran, Ernest John) for orchestra |
1942 |
| Serenade in G major (Moeran, Ernest John) for orchestra |
1952 |
| Violin Concerto (Moeran, Ernest John) for violin and orchestra |
1950 |
| Arrangement of Violin Concerto (Moeran, Ernest John) for violin and piano |
1943 |
| Whythorne's Shadow (Moeran, Ernest John) for orchestra |
1935 |
| Nocturne (Moeran, Ernest John) for baritone, mixed chorus and orchestra |
1935 |
| 4 Shakespeare Songs (Moeran, Ernest John) for voice and piano |
1940 |
| Phyllida and Corydon (Moeran, Ernest John) for mixed chorus |
1939 |
Lonely Waters (Moeran, Ernest John) for orchestra
voice and orchestra |
1935 |
| Invitation in Autumn (Moeran, Ernest John) for voice and piano |
1946 |
| String Quartet in E-flat major (Moeran, Ernest John) for 2 violins, viola and cello |
1956 |
| Arrangement of Violin Concerto (Dyson, George) for violin and piano |
1943 |
| Chorale Prelude on 'Waltham' (Anderson, Horace James) for organ |
1938 |
Traité de chant en chœur (Fétis, François-Joseph) for voice
mixed chorus
voice and piano
3 voices and piano
4 voices and piano
2 voices and organ
3 voices and organ
4 voices and organ |
1854 |
| Sonata No.3 in G minor from Arrangement of Sonata No.3 in G minor from 3 Violin Sonatas (Croft, William) for violin and piano |
|
| 3 Chorale Preludes, Op. 20 (Darke, Harold) for organ |
1919 |
| Fantasy in C major (Douglas, Harry) for organ |
1909 |
The Development of the Voice (D'Este, John) for voice
voice and piano |
|
The Development of the Voice (D'Este, John) for voice
voice and piano |
|
Anglo-Italian Elements of Singing (Newton, William) for voice
voice and piano |
|
70 Solfeggi (Marshall, Florence) for voice
2 voices
voice and piano
unison chorus and piano
2 voices and piano
2 voices, mixed chorus and piano |
|
| March in E-flat major (Hoyte, William Stevenson) for organ |
1896 |
Christmas Minstrelsy (Various) for mixed chorus
mixed chorus and piano
mixed chorus and organ
voices and piano
voices and organ |
|
| Magnificat and Nunc Dimittis in B flat major (Smart, Henry Thomas) for mixed chorus and organ |
|
| Magnificat and Nunc Dimittis in E flat major (Brewer, Alfred Herbert) for mixed chorus and organ |
1904 |
| Magnificat and Nunc Dimittis in C major (Grace, Harvey) for mixed chorus and organ |
|
| Judge Eternal (Marchant, Stanley) for mixed chorus and organ |
1936 |
Es liegt so abendstill der See, Op. 11 (Goetz, Hermann) for tenor, male chorus and orchestra
soprano, male chorus and orchestra |
|
| The Pocket Sing-Song Book (McNaught, William Gray) for voice and piano |
|
| Speech in song (Ellis, Alexander John) for voice |
|
| Overture 'Twelfth Night', Op. 40 (Mackenzie, Alexander Campbell) for orchestra |
1888 |
| Sir Eglamore (Gardiner, Henry Balfour) for 7 voices and piano |
1917 |
| The Soul's Expression, Op. 42 (Coleridge-Taylor, Samuel) for voice and piano |
1900 |
| The Soul's Expression, Op. 42 (Coleridge-Taylor, Samuel) for voice and piano |
|
| The Lover and his Lass (Moeran, Ernest John) for soprano, alto and piano |
1934 |
When Christ was born of Mary free (Parry, Charles Hubert Hastings) for soprano, alto, tenor and bass
mixed chorus |
|
Welcome, Yule! (Parry, Charles Hubert Hastings) for mixed chorus
soprano, alto, tenor and bass |
|
Morning and Evening Service (Wesley, Samuel) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
|
Antient Christmas Carols (Sedding, Edmund) for 4 voices
mixed chorus |
|
La Preĝo sub la verda standardo (Hill, Harrison) for mixed chorus
mixed chorus and piano |
|
In Thee, O Lord (Coleridge-Taylor, Samuel) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
| O ye that love the Lord (Coleridge-Taylor, Samuel) for mixed chorus |
|
| O ye that love the Lord (Coleridge-Taylor, Samuel) for mixed chorus |
1892 |
| Lift Up Your Heads (Coleridge-Taylor, Samuel) for mixed chorus |
|
Magnificat and Nunc Dimittis in A minor (Rogers, Benjamin) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in C major (Cooke, Robert) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in D major (Evans, John Thomas) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in E major (Novello, Vincent) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in F major (King, Charles) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in G major (Aldrich, Henry) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in G (Cooke, Benjamin) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
| Cantate Domino and Deus Misereatur in E-flat major (Hayes, William) for mixed chorus and organ |
|
Service in F major (Nares, James) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Service in F major (Nares, James) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in C major (Greene, Maurice) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in E flat major (Creighton, Robert) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in F major (Travers, John) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
Magnificat and Nunc Dimittis in G major (Bryne, Albertus) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
| Nicene Creed in G (Bryne, Albertus) for mixed chorus and organ |
|
| Magnificat and Nunc Dimittis on Parisian Tones (Nicholson, Sydney Hugo) for childrens chorus and organ |
1940 |
| Blessing, Glory, Wisdom, and Thanks (Brewer, Alfred Herbert) for mixed chorus and organ |
|
| Gavotte, Op. 14 (Zimmermann, Agnes) for piano |
|
Comfort, O Lord, The Soul of Thy Servant (Crotch, William) for 4 voices and organ
mixed chorus and organ |
|
| Magnificat and Nunc Dimittis in F major (Tours, Berthold) for unison chorus and organ |
|
Spiritual Songs (Davies, Walford) for 4 voices
5 voices
6 voices
4 voices and organ
5 voices and organ
6 voices and organ |
1918 |
| 3 Pieces, Set 2 (Wesley, Samuel Sebastian) for organ |
|
| Arrangement of Greeting (Holst, Gustav) for orchestra |
1904 |
| Suite de Ballet, Op. 10 (Holst, Gustav) for orchestra |
1914 |
| Lady, Your Eye (Weelkes, Thomas) for 5 voices |
|
| Fair Orian (Milton Sr., John) for 6 voices |
|
| Hark did ye ever hear (Hunt, Thomas) for 6 voices |
|
| In Goinge to my Naked Bedde (Edwards, Richard) for 4 voices |
|
A Shepherd in a Shade his Plaining Made (Dowland, John) for soprano, alto, tenor, bass and lute
voice and lute |
|
| Come Gentle Swains (Cavendish, Michael) for 5 voices |
|
| I languish to complain me (Bennet, John) for soprano, alto, tenor and bass |
|
| Hark, hear you not? (Bateson, Thomas) for 5 voices |
|
| A Lullaby (Williams, Charles Lee) for soprano, alto, tenor and bass |
|
| Three Sleeps (Williams, Gerrard) for soprano, alto, tenor and bass |
|
| 2. Sweet Kate from Old English Lyrics (Williams, Gerrard) for soprano, alto, tenor and bass |
|
| 3. Fair, sweet, cruel from Old English Lyrics (Williams, Gerrard) for soprano, alto, tenor and bass |
|
| Johnnie Cope (Sweeting, Edward Thomas) for soprano, alto, tenor and bass |
|
| 4. Gather Ye Rose-Buds from Part Songs, Op. 9 (Pointer, John) for 2 sopranos, alto, tenor and bass |
|
| My Delight and Thy Delight (Parry, Charles Hubert Hastings) for soprano, alto, tenor and bass |
|
| Arrangement of Orpheus With His Lute (German, Edward) for 8 voices and piano |
1921 |
| Arrangement of Orpheus With His Lute (German, Edward) for 4 voices and piano |
1921 |
| My Bonnie Lass She Smileth (German, Edward) for |
|
| In Praise of Neptune (German, Edward) for soprano, alto, tenor and bass |
|
| Folly's Song (Fletcher, Percy Eastman) for 4 voices |
|
| Dream-Love (Fletcher, Percy Eastman) for soprano, alto, tenor and bass |
|
| The Lee Shore (Coleridge-Taylor, Samuel) for soprano, alto, tenor and bass |
|
The World is Too Much With Us (Bantock, Granville) for mixed chorus
2 sopranos, alto, tenor and 2 basses |
|
| Sweet Day, So Cool (Parry, Charles Hubert Hastings) for soprano, alto, tenor and bass |
|
| I vaghi fiori (Palestrina, Giovanni Pierluigi da) for 4 voices |
|
| Quando dal terzo cielo (Palestrina, Giovanni Pierluigi da) for 6 voices |
|
| Gethsemane (Williams, Charles Lee) for soprano, alto, tenor, mixed chorus and orchestra |
1892 |
Dixit Dominus (Wesley, Samuel) for 2 mixed chorus
2 mixed chorus and organ |
|
| 3 Pieces (Mendelssohn, Felix) for piano |
1947 |
Heart To Heart (Salaman, Charles Kensington) for tenor and piano
baritone and piano |
|
| 6 Songs (Ouseley, Frederick Arthur Gore) for voice and piano |
|
| Old Bells (Ouseley, Frederick Arthur Gore) for voice and piano |
|
7 Short Anthems (Blow, John) for soprano, alto, tenor, bass, mixed chorus and continuo
6 voices, mixed chorus and continuo
soprano, alto, tenor, bass and continuo
mixed chorus and continuo |
|
| Kubla Khan, Op. 61 (Coleridge-Taylor, Samuel) for alto, mixed chorus and orchestra |
|
| Saltarello, CG 525 (Gounod, Charles) for orchestra |
|
| Saltarello, CG 525 (Gounod, Charles) for orchestra |
|
| 12 Days of Christmas (Austin, Frederic) for voice and piano |
1909 |
In dead of night profound (Havergal, Henry East) for soprano, alto, tenor and bass
mixed chorus |
|
Tunes, Chants and Responses (Havergal, Henry East) for mixed chorus
mixed chorus and organ |
|
38 Hymn Tunes (Havergal, Henry East) for mixed chorus
mixed chorus and organ |
|
| Volume 1 from The Village Organist (Matthews, Timothy Richard) for organ |
|
| Volume 2 from The Village Organist (Matthews, Timothy Richard) for organ |
|
Fain Would I Change That Note (Vaughan Williams, Ralph) for mixed chorus
soprano, alto, tenor and bass |
1907 |
50 Metrical Anthems (Metcalfe, Joseph Powell) for mixed chorus and organ
mixed chorus and harmonium
soprano, alto, tenor, bass and organ
soprano, alto, tenor, bass and harmonium |
|
A Manual of Psalm Tunes (Elvey, Stephen) for mixed chorus and organ
mixed chorus and piano
soprano, alto, tenor, bass and organ
4 voices and piano |
|
Wash me thoroughly (Wesley, Samuel Sebastian) for soprano, alto, tenor, bass and organ
mixed chorus and organ |
|
| Sonata No.3 in G major from Arrangement of Sonata No.3 in G major from 6 Violin Sonatas, Op. 3 (Lates, James) for violin and piano |
1906 |
Join our chorus full and free (Guynemer, Charles) for 2 voices, mixed chorus and piano
2 voices, mixed chorus and organ |
|
| Magnificat and Nunc dimittis (Purcell, Daniel) for mixed chorus and organ |
1900 |
Bow down Thine ear, O Lord (Brewer, Alfred Herbert) for soprano, alto, tenor and bass
mixed chorus |
|
| By the waters of Babylon (Coleridge-Taylor, Samuel) for voices, mixed chorus and organ |
1899 |
| Magnificat and Nunc dimittis in F major, Op. 18 (Coleridge-Taylor, Samuel) for mixed chorus and organ |
1899 |
| Jubilate Deo in F major, Op. 18 (Coleridge-Taylor, Samuel) for |
1899 |
| Te Deum in F major, Op. 18 (Coleridge-Taylor, Samuel) for mixed chorus and organ |
1899 |
| Benedictus in F major, Op. 18 (Coleridge-Taylor, Samuel) for mixed chorus and organ |
1899 |
| Salvete cives nostri (Peace, Albert Lister) for |
|
| May Morning (Distin, Theodore) for |
|
Cupid Once Upon a Bed of Roses (Roberts, John Varley) for male chorus
alto, 2 tenors and bass |
|
The Ladies (Mackenzie, Alexander Campbell) for 2 tenors and 2 basses
2 tenors, 2 basses and piano
male chorus
male chorus and piano |
|
The Cryer (Hall, King) for male chorus
alto, 2 tenors and bass |
|
Bacchanalian (Distin, Theodore) for male chorus
alto, 2 tenors and bass |
|
The Hunt Is Up (Hatton, John Liptrot) for male chorus
alto, 2 tenors, bass and piano |
|
Heave The Anchor (Barrett, William Alexander) for male chorus
male chorus and piano
2 tenors and 2 basses
2 tenors, 2 basses and piano |
|
Good-Night (Barton, Claude) for male chorus
alto, 2 tenors and bass |
|
I Prithee Send Me Back My Heart (Hall, King) for male chorus
alto, tenor and 2 basses |
|
Like Apple-Blossom, White and Red (Lloyd, Charles Harford) for male chorus
alto, 2 tenors and bass |
|
Part Songs, Op. 54 (King, Oliver) for male chorus
2 tenors and 2 basses |
|
Part Songs, Op. 54 (King, Oliver) for male chorus
2 tenors and 2 basses |
|
A Wet Sheet and a Flowing Sea (Culley, Arnold Duncan) for male chorus
2 tenors and 2 basses |
|
O Mistress Mine! (Cruickshank, William Alexander Campbell) for male chorus
alto, 2 tenors and bass |
|
Peace (Williams, Charles Lee) for male chorus
alto, 2 tenors and 2 basses |
|
There is a Garden in Her Face (Brewer, Alfred Herbert) for male chorus
alto, 2 tenors and bass
male chorus and piano
4 voices and piano |
|
Sunset (Barrett, William Alexander) for alto, 2 tenors and bass
male chorus |
|
To a Brother Artist (Mackenzie, Alexander Campbell) for male chorus
2 tenors and 2 basses |
|
The Stream (Attwater, John P.) for male chorus
alto, tenor, baritone and bass |
|
Shepherds, Rise! And Shake Off Sleep (Lahee, Henry) for male chorus
alto, 2 tenors and bass |
|
Ode To The Terrestrial Globe (Bridge, Frederick) for male chorus
alto, 2 tenors and bass |
|
The Cab Catch (Caldicott, Alfred James) for 2 tenors, 2 basses and piano
male chorus and piano |
|
Go, Happy Rose (Iliffe, Frederick) for male chorus
alto, 2 tenors and bass |
|
Midnight and Noon (Clarke, Hamilton) for 2 tenors and 2 basses
male chorus
2 tenors, 2 basses and piano
male chorus and piano |
|
A Soldiers' Song (Clarke, Hamilton) for 2 tenors and 2 basses
2 tenors, 2 basses and piano |
|
Part Songs, Op. 11 (Müller, J.) for male chorus
2 tenors and 2 basses
male chorus and piano
2 tenors, 2 basses and piano |
1892 |
The 3 Jolly Pigeons (Löhr, Harvey) for male chorus
alto, 2 tenors and bass |
1892 |
Come, My Dear One, Share My Gladness (Roberts, John Varley) for male chorus
alto, 2 tenors and bass |
|
I Love My Jean (Bennett, George John) for male chorus
alto, 2 tenors and bass |
|
A Lover's Counsel (Cowen, Frederic Hymen) for male chorus
2 tenors and 2 basses |
|
The Trysting Tree (Bennett, George John) for male chorus
alto, 2 tenors and bass |
1893 |
Where Sunless Rivers Weep (Naylor, Charles Legh) for male chorus
alto, 2 tenors and bass
alto, tenor and 2 basses |
1892 |
| Grand Sonata in C minor (Gleitsmann, Josef) for piano |
|
| Arrangement of Requiem Mass No. 1 in G minor (Webbe, Samuel) for 4 voices and organ |
|
| Arrangement of Mass No. 7 in F major (Webbe, Samuel) for 4 voices and organ |
|
| Arrangement of Requiem Mass No. 2 in E minor (Webbe, Samuel) for 4 voices and organ |
|
| 6 Pedal Fugues and 8 Other Movements (Stirling, Elizabeth) for organ |
|
| Scenes from Fairy-Land, Op. 115 (Krug, Arnold) for piano |
1903 |
| Love Incarnate, Op. 37 (Harwood, Basil) for mixed chorus, organ and orchestra |
1925 |
| The Pied Piper of Hamelin (Walthew, Richard Henry) for tenor, bass, mixed chorus and orchestra |
1893 |
National Psalmody (Jacob, Benjamin) for 4 voices and organ
mixed chorus and organ |
|
Score Reading Exercises (Lang, Craig Sellar) for organ
keyboard |
1949 |
| Nocturne in B minor, Op. 41 (Lemare, Edwin Henry) for organ |
1901 |
| Sons of the Sea (Coleridge-Taylor, Samuel) for voice and piano |
|
| Sons of the Sea (Coleridge-Taylor, Samuel) for voice and piano |
|
I will lay me down in peace (Colborne, Langdon) for soprano, mixed chorus and organ
soprano, mixed chorus and piano |
|
| Theory of Harmony (Shirlaw, Matthew) for |
|
6 American Lyrics (Coleridge-Taylor, Samuel) for voice and piano
voice and orchestra |
|
| Mass in G major (Schack, Benedikt) for mixed chorus and orchestra |
|
Service in G major (Steggall, Charles) for mixed chorus and organ
soprano, alto, tenor, bass and organ |
|
| All Ye who weep, CG 189a (Gounod, Charles) for 6 voices and piano |
|
| Theme and Six Diversions (German, Edward) for orchestra |
1920 |
| Theme and Six Diversions (German, Edward) for orchestra |
1920 |
| Mass in C minor (Somervell, Arthur) for |
|
Morning and Evening Service in E-flat major (Stainer, John) for mixed chorus and organ
male chorus and organ |
|
| The Works of Henry Purcell (Purcell, Henry) for |
1878 |
| Ode on the Intimations of Immortality (Somervell, Arthur) for baritone, mixed chorus and orchestra |
|
Sleeping, Why Now Sleeping (Stirling, Elizabeth) for male chorus
2 tenors and 2 basses |
|
| The Power of Sound (Somervell, Arthur) for |
|