Composition | A Comparison of Sampled and Synthesized Pianos (Kram, Richard) for electronic sounds |
Performers | |
Synthesized? | Yes |
Section | — |
Instrumentation | Chopin Op. 64. No.1 - Virtual Performances using MIDI file and Indicated Libraries |
License | Creative Commons Attribution-NonCommercial-ShareAlike 3.0 |
Description | IMSLP filename |
---|---|
PMLP502711-Chopin_Op64_No1_Kram_Final_VSL_Close_Mozart_Saal.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_VSL_Player_Mozart_Saal.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_VSL_Distant_Mozart_Saal.mp3 | |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_Bos290_Bos_Studio_Performer_Amb.mp3 |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_Bos290_Bos_Studio_Audience_Amb.mp3 |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_GermD_Boden_Hall_Performer.mp3 |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_GermD_Boden_Hall_Audience.mp3 |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_C7_Grand16_Bosen_Hall_Performer_Amb.mp3 |
Bösendorfer Hall Reverb w/Ambiance |
PMLP502711-Chopin_Op64_No1_Kram_Final_IvoryII_C7_Grand16_Bosen_Hall_Audience_Amb.mp3 |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bos290_Close_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bos290_Player_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bos290_Room_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bech280_Close_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bech280_Player_Piano_Hall1_-5.mp3 | |
Room (25%)Piano Hall 1, w/ Ambience |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Bech280_Mix_(50-75-25)_Piano_Hall1.mp3 |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_SteinD_Close_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_SteinD_Player_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_SteinD_Room_Piano_Hall1_-5.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Yamaha_Close_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Yamaha_Player_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_QL_Yamaha_Room_Piano_Hall1.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_AKeys_Artist.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_AKeys_Audience.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Upright_Close_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Upright_Near_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Berlin_CG_Close_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Berlin_CG_Near_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Berlin_CG_Medium_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Berlin_CG_Far_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_NY_CG_Close_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_NY_CG_Near_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Vienna_CG_Close_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Vienna_CG_Near_Concert_Hall_50%.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Fact_AFoer_Concert_Hall_A.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Fact_CG_Concert_Hall_A.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Garritan_Steinway_Spaces_NY_Piano_Hall.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Garritan_Steinway_Jazz_Spaces_NY_Piano_Hall.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Komplete_8DIO_Steinway_Close_Church_CLS1_Soft.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Komplete_8DIO_1969_a.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Komplete_8DIO_1969_b.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Komplete_8DIO_1969_c.mp3 | |
PMLP502711-Chopin_Op64_No1_Kram_Final_Kontakt_Spitfire_Orch_Grand_Close_CHord_-10_Spaces_NYH.mp3 |
©2025 David P. Anderson