| Composition |
Published |
| Ensom vandrer (No.2) from Arrangement of Ensom vandrer (No.2) from Lyric Pieces, Op. 43 (Grieg, Edvard) for guitar |
|
| Arrangement of Concierto fantástico, Op. 78 (Albéniz, Isaac) for 2 pianos |
|
| Arrangement of Rapsodia española, Op. 70 (Albéniz, Isaac) for 2 pianos |
1887 |
| Arrangement of Rapsodia española, Op. 70 (Albéniz, Isaac) for 2 pianos |
1887 |
| Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
|
| Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| Leyenda - Barcarola (No.2) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| Alborada (No.3) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| En la Alhambra (No.4) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| Puerta de Tierra (No.5) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| Rumores de la Caleta - Malagueña (No.6) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
|
| En la playa (No.7) from Recuerdos de viaje, Op. 71 (Albéniz, Isaac) for piano |
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| Piano Sonata No. 4, Op. 72 (Albéniz, Isaac) for piano |
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| Danzas españolas, Op. 37 (Albéniz, Isaac) for piano |
|
| Suite ancienne No. 1, Op. 54 (Albéniz, Isaac) for piano |
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| Suite ancienne No. 1, Op. 54 (Albéniz, Isaac) for piano |
|
| Arrangement of Ave Maria (Gounod, Charles) for piano 4 hands |
|
| Andante con moto (No.2) from Arrangement of Andante con moto (No.2) from Symphony No. 4, Op. 90 (Mendelssohn, Felix) for guitar |
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| Arrangement of Pastorale, Op. 71 (Pfeiffer, Georges Jean) for piano |
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| Sinfonia from Arrangement of Sinfonia from Nabucco (Verdi, Giuseppe) for guitar |
|
| Arrangement of Selections from La Grande-Duchesse de Gérolstein (Offenbach, Jacques) for voice and guitar |
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| Sinfonia from Arrangement of Sinfonia from Giovanna d'Arco (Verdi, Giuseppe) for guitar |
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| Arrangement of Lied ohne Worte, Op. 109 (Mendelssohn, Felix) for harmonium |
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| Gran cotillon (Zabalza, Dámaso) for piano |
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| Arrangement of En la Alhambra (Bretón, Tomás) for piano |
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| María-Concha, Op. 58 (Zabalza, Dámaso) for piano |
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| Arrangement of Lejos de Ti (Perlado, Pablo de Miguel) for voice and guitar |
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| Canto de Amor (López Almagro, Antonio) for narrator and piano |
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| Canto de Amor (López Almagro, Antonio) for narrator and piano |
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| Arrangement of Canto de Amor (López Almagro, Antonio) for violin, cello and piano |
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| Arrangement of Canto de Amor (López Almagro, Antonio) for piano |
|
| Le tourbillon, Op. 22 (Mattei, Tito) for piano |
|
| Overture from Arrangement of Overture from Le domino noir (Auber, Daniel François Esprit) for guitar |
|
Sérénade (Gounod, Charles) for voice and piano
voice, piano and harmonium
voice, cello and piano |
|
Sérénade (Gounod, Charles) for voice and piano
voice, piano and harmonium
voice, cello and piano |
|
| Komm, du schönes Fischermädchen (Meyerbeer, Giacomo) for voice and piano |
|
| Scherzo (No.3) from Arrangement of Scherzo (No.3) from Symphony No. 4, Op. 20 (Gade, Niels) for piano |
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| Arrangement of Fackeltanz No. 3 (Meyerbeer, Giacomo) for piano 4 hands |
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| Método elemental y progresivo de violín (Marqués, Miguel) for violin |
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| La Dolores (Bretón, Tomás) for voices, mixed chorus and orchestra |
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| La Dolores (Bretón, Tomás) for voices, mixed chorus and orchestra |
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| Jota (Act 1) from La Dolores (Bretón, Tomás) for voices, mixed chorus and orchestra |
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| Tango from Arrangement of Tango from Marina (Arrieta, Emilio) for guitar |
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| Étude No. 1 from Arrangement of Étude No. 1 from 20 Études artistiques de concert (Monasterio, Jesús de) for piano |
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| Arrangement of Pizzicato-Polka (Strauss Jr., Johann) for guitar |
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O salutaris (Godefroid, Félix) for 2 voices and organ
2 voices and piano |
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| Air styrien, Op. 112 (Godefroid, Félix) for piano |
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| Arrangement of La Marseillaise (Rouget de Lisle, Claude-Joseph) for voice and guitar |
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| I. Allegro maestoso from Grand Concerto, Op. 70 (Mayer, Charles) for piano and orchestra |
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| Madrigal de François 1er, Op. 158 (Lamothe, Georges) for piano |
|
| Polka des papillons, Op. 24 (Mey, Auguste) for piano |
|
| Scherzo (Bretón, Tomás) for orchestra |
|
| Marche indienne, Op. 157 (Godefroid, Félix) for piano |
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| Canto a la primavera (Godefroid, Félix) for voice and piano |
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| Les orientales, Opp.209-211 (Godefroid, Félix) for piano |
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| Veillées musicales (Godefroid, Félix) for piano 4 hands |
|
| Candorosa, Op. 1 (Segura, Roberto) for piano |
1874 |
| 15 Études de genre et d'expression, Op. 25 (Concone, Giuseppe) for piano |
|
| Candor e inocencia (Martinez Imbert, Claudio) for piano |
1880 |
| Violetta, Op. 51 (Ketterer, Eugène) for piano |
|
Ave maris stella (Proch, Heinrich) for soprano and piano
organ and soprano
tenor and piano
tenor and organ |
|
| El Eco (Cano, Antonio) for guitar |
|
| Album of 6 Pieces (Cano, Antonio) for guitar |
|
| Les premières roses, Op. 111 (Talexy, Adrien) for piano |
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| El Delirio (Cano, Antonio) for guitar |
|
| Marcha militar (Ponce de León, Severo) for piano |
|
Misa a 3 voces (Masarnau, Santiago de) for 3 voices and organ
3 voices and harmonium |
|
| Llave de la ejecución (Masarnau, Santiago de) for piano |
|
O salutaris Hostia (Masarnau, Santiago de) for 3 voices and organ
3 voices and harmonium |
|
| Impromptu, Op. 17 (Gonzalez, Dolores) for piano |
1887 |
| Un Recuerdo (Cano, Antonio) for guitar |
|
| El Tremolo (Damas, Tomás) for guitar |
|
| Meditación (Larregla, Joaquín) for piano |
|
| Petite vélocité (Lacout) for piano |
|
| 2 Danzas Americanas (Conde y Arnal, José) for piano |
|
| A la justa reputación del Dr. Garrido (Damas, Tomás) for guitar |
|
| Sevillanas (Hernandez, Isidoro) for voice and piano |
|
| Arrangement of Sevillanas (Hernandez, Isidoro) for guitar |
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| Soleá (Damas, Tomás) for guitar |
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| La Luna de Miel (Damas, Tomás) for piano |
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| Al viagero Artista (Damas, Tomás) for guitar |
|
| Amor paterno! (Damas, Tomás) for guitar |
|
| El Diplomático (Damas, Tomás) for guitar |
|
| El Solitario (Damas, Tomás) for guitar |
|
| La Noche! (Damas, Tomás) for guitar |
|
| Fandango variado (Damas, Tomás) for |
|
| Fandango y coplas (Damas, Tomás) for voice and guitar |
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| Sacris solemnis (Damas, Tomás) for guitar |
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| El Zapateado (Damas, Tomás) for |
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| Zapateado (Hernandez, Isidoro) for voice and piano |
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| Jota y Coplas (Damas, Tomás) for voice and guitar |
|
| Arrangement of La gallina ciega (Fernández Caballero, Manuel) for voice and guitar |
|
| Marcha de la Manolería y Escena de los toreros (No.2?) from Arrangement of Marcha de la Manolería y Escena de los toreros (No.2?) from Pan y toros (Barbieri, Francisco Asenjo) for guitar |
|
| Malagueña (Damas, Tomás) for |
|
| El Currillo (Carnicer, Ramón) for voice, guitar and piano |
|
| El poder de las mujeres (Carnicer, Ramón) for voice, guitar and piano |
|
| La Criada (Carnicer, Ramón) for voice, guitar and piano |
|
| Sinfonia from Arrangement of Sinfonia from Campanone (Mazza, Giuseppe) for piano |
|
| Sinfonia from Arrangement of Sinfonia from Campanone (Mazza, Giuseppe) for guitar |
|
| La proclamación (Benito, Cosme José de) for piano |
|
| A Madrid me vuelvo (Benito, Cosme José de) for piano |
|
| El carnaval de las bellas (Benito, Cosme José de) for piano |
|
| La impetuosa (No.2) from Arrangement of La impetuosa (No.2) from El carnaval de las bellas (Benito, Cosme José de) for guitar |
|
| La Macarena (Oudrid, Cristóbal) for voice and piano |
|
| Arrangement of La Macarena (Oudrid, Cristóbal) for voice and guitar |
|
| Arrangement of La celeste (Ziehrer, Karl Michael) for guitar |
|
| Arrangement of Bellísima (Ziehrer, Karl Michael) for guitar |
|
| Viernes (Damas, Tomás) for piano |
1868 |
| La linda (Damas, Tomás) for voice and guitar |
|
Nuevo método fácil y progresivo (Damas, Tomás) for lute
guitar |
|
| Nuevo método de guitarra por cifra compaseada (Damas, Tomás) for guitar |
|
| Arrangement of Selections from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Coro y Canción de Matatías: 'Soy un ave de rapiña' (No.1) from Arrangement of Coro y Canción de Matatías: 'Soy un ave de rapiña' (No.1) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Canción de Leona: 'Yo soy mujer por equivocación' (No.2) from Arrangement of Canción de Leona: 'Yo soy mujer por equivocación' (No.2) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Canción de Robinson: 'Yo soy un joven muy guapo' (No.3) from Arrangement of Canción de Robinson: 'Yo soy un joven muy guapo' (No.3) from Robinson (Barbieri, Francisco Asenjo) for guitar |
|
| Canción de Robinson: 'Yo soy un joven muy guapo' (No.3) from Arrangement of Canción de Robinson: 'Yo soy un joven muy guapo' (No.3) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Duo de Leona y Robinson: 'Soy tu Leona querida' (No.4) from Arrangement of Duo de Leona y Robinson: 'Soy tu Leona querida' (No.4) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Tercetino: 'Es la California' (No.5) from Arrangement of Tercetino: 'Es la California' (No.5) from Robinson (Barbieri, Francisco Asenjo) for guitar |
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| Tercetino: 'Es la California' (No.5) from Arrangement of Tercetino: 'Es la California' (No.5) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Brindis: 'El aguardiente de caña' (No.7) from Arrangement of Brindis: 'El aguardiente de caña' (No.7) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Canción del caribe enamorado: 'Una caribe bonita' (No.12) from Arrangement of Canción del caribe enamorado: 'Una caribe bonita' (No.12) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Marcha real caribe: 'Chum tarará tachum ga' (Nos.13/13bis) from Arrangement of Marcha real caribe: 'Chum tarará tachum ga' (Nos.13/13bis) from Robinson (Barbieri, Francisco Asenjo) for voice and piano |
|
| Canción de la Africana: 'Yo soy la Africana' (No.14) from Arrangement of Canción de la Africana: 'Yo soy la Africana' (No.14) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Duo de Ananás y Robinson: 'Yo soy la reina Ananás' (No.14bis) from Arrangement of Duo de Ananás y Robinson: 'Yo soy la reina Ananás' (No.14bis) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Concertante de los botijos: 'Mi esposo está sano' (No.15B) from Arrangement of Concertante de los botijos: 'Mi esposo está sano' (No.15B) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Escena y Cavaleta final: 'Ladrones!, ladrones!' (No.15D) from Arrangement of Escena y Cavaleta final: 'Ladrones!, ladrones!' (No.15D) from Robinson (Barbieri, Francisco Asenjo) for piano |
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| Escena y Cavaleta final: 'Ladrones!, ladrones!' (No.15D) from Arrangement of Escena y Cavaleta final: 'Ladrones!, ladrones!' (No.15D) from Robinson (Barbieri, Francisco Asenjo) for voice and piano |
|
| Coro de marineritas: 'En busca del oro de Londres venimos' (No.16) from Arrangement of Coro de marineritas: 'En busca del oro de Londres venimos' (No.16) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Escena (No.17) from Arrangement of Escena (No.17) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Canción del Capitán Tiburón: 'Allí en Europa' (No.18) from Arrangement of Canción del Capitán Tiburón: 'Allí en Europa' (No.18) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Canción del Capitán Tiburón: 'Allí en Europa' (No.18) from Arrangement of Canción del Capitán Tiburón: 'Allí en Europa' (No.18) from Robinson (Barbieri, Francisco Asenjo) for guitar |
|
| Coro y Canción rataplán: 'Si el hombre pretende' (No.19) from Arrangement of Coro y Canción rataplán: 'Si el hombre pretende' (No.19) from Robinson (Barbieri, Francisco Asenjo) for piano |
|
| Fantasía brillante para piano sobre motivos de Las nueve de la noche (López Almagro, Antonio) for piano |
|
| Arrangement of Rondeña nueva (Oudrid, Cristóbal) for guitar |
|
| Sinfonía de Marta (Damas, Tomás) for |
|
| Jota from Arrangement of Jota from Las nueve de la noche (Fernández Caballero, Manuel) for military band |
|
| Jota from Arrangement of Jota from Las nueve de la noche (Fernández Caballero, Manuel) for piano 4 hands |
|
| Jota from Arrangement of Jota from Las nueve de la noche (Fernández Caballero, Manuel) for piano |
|
| Jota from Arrangement of Jota from Las nueve de la noche (Fernández Caballero, Manuel) for guitar |
|
| Est-ce bien toi, Op. 81 (Cruz, Antonio de la) for voice and piano |
|
| Appelez moi toujours ma sœur (Goldberg, Joseph Pasquale) for voice and piano |
|
| L'hirondelle messagère d'amour (Herbil, Ángel d') for piano |
1882 |
| Ricordati di me (Llorente, Condesa de) for voice and piano |
|
| Sirena-polka, Op. 12 (Mansour, A.) for piano |
|
| Fleur de lion (Yáñez, J. B.) for piano |
|
| La juguetona (Yáñez, J. B.) for piano |
|
| La Simpatía (Cano, Antonio) for guitar |
|
| La Gratitud (Cano, Antonio) for guitar |
|
| Nocturno (Cano, Antonio) for guitar |
|
| Las Caricias (Cano, Antonio) for guitar |
|
| Un Pensamiento (Cano, Antonio) for guitar |
|
| La Gallegada (Cano, Antonio) for guitar |
|
| Andante cantabile (Cano, Antonio) for guitar |
|
| Andante grave (Cano, Antonio) for guitar |
|
| Veneciana (Cano, Antonio) for guitar |
|
| Una Flor (Cano, Antonio) for guitar |
|
| Pot-Pourri de Aires Nacionales (Cano, Antonio) for guitar |
|
| Verdi Colección (Cano, Antonio) for |
|
| Norma arreglo (Cano, Antonio) for |
|
| El último adiós (Cano, Antonio) for guitar |
|
| Victor Manuel (Passuti, Emilio) for piano |
|
| Palestro (Passuti, Emilio) for piano |
|
| Los zuavos (Passuti, Emilio) for piano |
|
| Método completo (Cano, Antonio) for guitar |
|
| Valses fantásticos (Rubira, Antonio) for guitar |
|
| Divertimento sacado de 'Lucia di Lammermoor' (Gaztambide, Joaquín) for flute and piano |
|
| Arrangement of Los toros del puerto (Salas, Francisco) for piano |
|
| Arrangement of Polonesa de concierto No. 1 (Marqués, Miguel) for piano |
|
| Symphony No. 3, Op. 30 (Marqués, Miguel) for orchestra |
|
| Perla (Marqués, Miguel) for 4 voices, mixed chorus and orchestra |
|
| Arrangement of Gran sinfonía pot-pourri sobre motivos de zarzuelas modernas (Marqués, Miguel) for piano |
|
| Serenata de Concierto, Op. 3 (Segura, Roberto) for piano |
|
Venez à lui (Daddi, João Guilherme Bell) for bass and orchestra
bass and piano |
|
| Recuerdo de Madrid (Daddi, João Guilherme Bell) for piano |
|
| 100 Cantos populares asturianos (Hurtado, José) for |
|
| Sierra Morena (Monasterio, Jesús de) for violin and piano |
|
| Acuérdate de mí (Monasterio, Jesús de) for voice and piano |
|
| Arrangement of Adiós a la Alhambra (Monasterio, Jesús de) for |
|
| Arrangement of Adiós a la Alhambra (Monasterio, Jesús de) for |
|
| Tristeza (Monasterio, Jesús de) for piano |
|
| Sí, recuerdo (Monasterio, Jesús de) for voice and piano |
|
| Nocturno (Monasterio, Jesús de) for violin and piano |
|
| Fiebre de amor (Monasterio, Jesús de) for violin and piano |
|
Álbum de canto (Monasterio, Jesús de) for voice and piano
2 voices and organ
2 voices and piano |
|
Salve a 2 voces (Monasterio, Jesús de) for 2 voices and organ
2 voices and piano |
|
| El cautivo (Monasterio, Jesús de) for voice and piano |
|
| L'échange (Monasterio, Jesús de) for voice and piano |
|
| Le chrétien mourant (Monasterio, Jesús de) for voice and piano |
|
Cántico a la Santísima Virgen (Monasterio, Jesús de) for 2 voices and organ
2 voices and piano |
|
| Pobre niña, Op. 533 (Varela Silvari, José María) for violin and piano |
|
| 6 Poesías de Bécquer (Bretón, Tomás) for voice and piano |
|
| Arrangement of Escenas andaluzas (Bretón, Tomás) for piano |
|
| Désir (Bretón, Tomás) for voice and piano |
|
| La estudiantina de Granada (Bretón, Tomás) for voice and piano |
|
| Arrangement of Las estrellas volantes (Bretón, Tomás) for piano |
|
| Parce mihi Domine (Bretón, Tomás) for tenor, cello, double bass and harmonium |
|
| Arrangement of Rajar y Samjó (Bretón, Tomás) for piano |
|
| Las golondrinas (Bretón, Tomás) for voice and piano |
|
Ave Maria (Carreras, Miguel) for soprano and piano
tenor and piano |
|
| Arrangement of Marcha fúnebre (Bretón, Tomás) for piano 4 hands |
|
| Cintra (López Almagro, Antonio) for piano |
|
| Adiós a la patria (López Almagro, Antonio) for voice and piano |
|
Arabesco (López Almagro, Antonio) for harmonium
piano |
|
Despedida a la Virgen (López Almagro, Antonio) for female chorus and organ
female chorus and piano |
|
| Non ti destare (López Almagro, Antonio) for voice and piano |
|
| Il pensiero della patria lontana (López Almagro, Antonio) for voice and piano |
|
| Il sospetto (López Almagro, Antonio) for voice and piano |
|
| Himno (López Almagro, Antonio) for mixed chorus and piano |
|
| Fantasía sobre motivos de Lucrecia Borgia de Donizetti (Romero y Andía, Antonio) for clarinet and piano |
|
| Fantasía sobre motivos de Gli hugonotti (López Almagro, Antonio) for harmonium |
|
| Pensamiento fúnebre (López Almagro, Antonio) for harmonium |
|
| Più che mai (López Almagro, Antonio) for voice and piano |
|
| La rondinella (López Almagro, Antonio) for voice and piano |
|
Salve Regina (López Almagro, Antonio) for 3 voices and piano
3 voices and organ |
|
Primer solo original (Romero y Andía, Antonio) for clarinet and piano
oboe and piano |
|
| Ecos del alma (Taboada y Mantilla, Rafael) for voice and piano |
|
| La morte del naufrago (Taboada y Mantilla, Rafael) for voice, cello and piano |
|
| El canto del presidiario (Alvarez, Fermin María) for voice and piano |
|
| La Serrana (Alvarez, Fermin María) for bass and piano |
|
| Método completo de clarinete (Romero y Andía, Antonio) for clarinet |
|
| Arrangement of Gran marcha nupcial (Marqués, Miguel) for guitar |
|
| El Brasileño (Toledo, Fermín) for piano |
|
| Emilia (Toledo, Fermín) for piano |
|
| Mazurca de salón (Toledo, Fermín) for piano |
|
| Inés (Botella, Rafael) for piano |
|
| Berlín (Sánchez Allú, Martín) for piano |
|
| 2 Melodías Árabes para piano (Sánchez Allú, Martín) for piano |
|
| El deseo (Sánchez Allú, Martín) for piano |
|
| Sevilla (Mendizábal, Manuel) for piano |
|
| El jitano, Op. 11 (Sánchez Allú, Martín) for piano |
|
| La juguetona (Sánchez Allú, Martín) for piano |
|
| La maravilla (Sánchez Allú, Martín) for piano |
|
| La noche buena (Sánchez Allú, Martín) for piano |
|
| El peregrino, Op. 10 (Sánchez Allú, Martín) for piano |
|
| La primavera (Sánchez Allú, Martín) for piano |
|
| La primavera (Sánchez Allú, Martín) for piano |
|
| La primavera (Sánchez Allú, Martín) for piano |
|
| Jota (Íñiguez, Buenaventura) for piano |
|
| Ave Maria (Íñiguez, Buenaventura) for voice and organ |
|
| Despedida a la Virgen (Íñiguez, Buenaventura) for 2 voices and piano |
|
| Dulce compañía (Íñiguez, Buenaventura) for piano |
|
| Ecce Panis (Íñiguez, Buenaventura) for childrens chorus and organ |
|
| Elevación (Íñiguez, Buenaventura) for organ |
|
| El nacimiento de las Gracias (Íñiguez, Buenaventura) for piano |
|
| El nacimiento de las Gracias (Íñiguez, Buenaventura) for piano |
|
| Flor de abril (Íñiguez, Buenaventura) for voice and piano |
|
| Polonesa (Íñiguez, Buenaventura) for piano |
|
| Motete al Santísimo (Íñiguez, Buenaventura) for bass and organ |
|
| Santa Cecilia en la prisión (Íñiguez, Buenaventura) for soprano and piano |
|
| Salve (Íñiguez, Buenaventura) for 2 sopranos, bass, mixed chorus and orchestra |
|
| 3 Adagios espresivos (Cruz, Antonio de la) for harmonium |
|
| 3 Melodías, Op. 84 (Cruz, Antonio de la) for piano |
|
| 6 Danzas americanas, Op. 20 (Cruz, Antonio de la) for piano |
|
| 4 Polkas fáciles (Cruz, Antonio de la) for piano |
|
| Estudio fácil y brillante (Costa, José) for guitar |
1872 |
| Durutte (Costa, José) for guitar |
|
| Julia (Costa, José) for guitar |
|
| El amanecer, Op. 164 (Cruz, Antonio de la) for voice and piano |
|
| Fantasía brillante (Costa, José) for guitar |
|
| A ti, Op. 153 (Cruz, Antonio de la) for voice and piano |
|
| Arrangement of Plegaria (Eslava, Hilarión) for guitar |
|
Canzonetta, Op. 142 (Cruz, Antonio de la) for baritone and piano
alto and piano |
|
| Al Smo. Corpus Christi, Op. 147 (Cruz, Antonio de la) for piano |
|
| El juramento, Op. 168 (Cruz, Antonio de la) for voice and piano |
|
| Estudio apasionado (Cruz, Antonio de la) for piano |
|
| Lágrimas, Op. 82 (Cruz, Antonio de la) for piano |
|
| Nocturno, Op. 154 (Cruz, Antonio de la) for piano |
|
| Qué calor (Cruz, Antonio de la) for piano |
|
| Gloria, Op. 163 (Cruz, Antonio de la) for voice and piano |
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| El sombrero de tres picos, Op. 162 (Cruz, Antonio de la) for piano |
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| El suspiro del moro, Op. 23 (Cruz, Antonio de la) for piano |
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| Hojas de otoño, Op. 149 (Cruz, Antonio de la) for piano |
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| Il lamento, Op. 22 (Cruz, Antonio de la) for voice and piano |
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| Romanza sin palabras, Op. 27 (Cruz, Antonio de la) for piano |
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| Mila (Cruz, Antonio de la) for piano |
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| El telégrafo y el ferro carril (Roig, Ramón) for wind ensemble, brass ensemble and percussion |
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| Marcha fúnebre, Op. 138 (Cruz, Antonio de la) for piano |
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| La espumita de la sal, Op. 19 (Cruz, Antonio de la) for voice and piano |
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| La imagen, Op. 59 (Cruz, Antonio de la) for soprano and piano |
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| La imagen, Op. 59 (Cruz, Antonio de la) for soprano and piano |
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Vago augel, Op. 170 (Cruz, Antonio de la) for soprano and piano
tenor and piano |
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| María (Cruz, Antonio de la) for piano |
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| Mazurka Scherzo, Op. 155 (Cruz, Antonio de la) for piano |
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| Recuerdos de Madrid (Cruz, Antonio de la) for piano |
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| Melodía, Op. 66 (Cruz, Antonio de la) for soprano and piano |
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| Melodía, Op. 74 (Cruz, Antonio de la) for soprano and piano |
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| Vals di bravura, Op. 67 (Cruz, Antonio de la) for soprano and piano |
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| Recitativo e romanza, Op. 75 (Cruz, Antonio de la) for voice and piano |
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| Romanza drammatica, Op. 68 (Cruz, Antonio de la) for voice and piano |
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| Romanza, Op. 71 (Cruz, Antonio de la) for alto and piano |
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| Alcolea (Pintado, Carlos) for wind ensemble, brass ensemble and percussion |
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| Munda (Pintado, Carlos) for wind ensemble, brass ensemble and percussion |
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| Un Recuerdo al Sr. D. Joaquin Codorniu (Cano, Federico) for guitar |
1869 |
| Pavana fácil para manos pequeñas, Op. 83 (Albéniz, Isaac) for piano |
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| Un Ramon De Flores (Ferrer, Enrique) for piano |
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