| Composition |
Published |
| Part I from Il Transilvano (Diruta, Girolamo) for organ or keyboard |
1597 |
| Part I from Il Transilvano (Diruta, Girolamo) for organ or keyboard |
1625 |
| Part II from Il Transilvano (Diruta, Girolamo) for organ or keyboard |
1622 |
| Motetti concertati, Op. 5 (Rovetta, Giovanni) for continuo and 2 sopranos or soprano, alto and continuo or alto, tenor and continuo or 2 tenors and continuo or tenor, bass and continuo or soprano, bass and continuo or soprano, tenor, bass and continuo or 2 tenors, bass and continuo or 2 sopranos, bass and continuo or alto, tenor, bass and continuo or soprano, alto, tenor, bass and continuo or mixed chorus and continuo |
1639 |
| Madrigali concertati, Op. 4 (Ceresini, Giovanni) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or mixed chorus and continuo |
1627 |
| Arie e Cantate, Op. 11 (Cazzati, Maurizio) for voice and continuo or bass and continuo |
|
| Scherzi di sacra melodia, Op. 3 (Cozzolani, Chiara Margarita) for voice and continuo |
1648 |
| Sonate et canzoni, Libro 6 (Buonamente, Giovanni Battista) for 2 violins and continuo or cornett, violin and continuo or bassoon, violin and continuo or violin, violone and continuo or bass, violin and continuo or bassoon, 2 violins and continuo or 2 violins, violone and continuo or 3 violins and continuo or 4 violins and continuo or soprano, alto, tenor, bass and continuo or 3 trombones, 2 violins and continuo or 2 cornetts, 3 trombones and continuo or cornett, 3 trombones, lute, violin and continuo or 2 violins, 3 violas, violone and continuo or 2 cornetts, 3 violas, violone and continuo or 2 cornetts, 4 trombones and continuo or 4 trombones, 2 violins and continuo |
1636 |
| Sonate et canzoni, Libro 6 (Buonamente, Giovanni Battista) for 2 violins and continuo or cornett, violin and continuo or bassoon, violin and continuo or violin, violone and continuo or bass, violin and continuo or bassoon, 2 violins and continuo or 2 violins, violone and continuo or 3 violins and continuo or 4 violins and continuo or soprano, alto, tenor, bass and continuo or 3 trombones, 2 violins and continuo or 2 cornetts, 3 trombones and continuo or cornett, 3 trombones, lute, violin and continuo or 2 violins, 3 violas, violone and continuo or 2 cornetts, 3 violas, violone and continuo or 2 cornetts, 4 trombones and continuo or 4 trombones, 2 violins and continuo |
1636 |
| Varie sonate, sinfonie, gagliarde, brandi, e corrente, Libro 3 (Rossi, Salamone) for 2 violins and continuo or continuo and 2 sopranos |
1623 |
| Varie sonate, Libro 4 (Buonamente, Giovanni Battista) for 2 violins and continuo |
1626 |
| Rosarium Litaniarium Beatae V. Mariae (Various) for 2 sopranos, alto and continuo or 2 sopranos, alto and organ or soprano, alto, tenor, bass and continuo or soprano, alto, tenor, bass and organ or 2 sopranos, tenor, continuo and bass or 2 sopranos, tenor, bass and organ or soprano, 2 tenors, bass and continuo or soprano, 2 tenors, bass and organ or 2 sopranos, 2 altos and continuo or 2 sopranos, 2 altos and organ or 2 sopranos, alto, tenor, bass and continuo or 2 sopranos, alto, tenor, bass and organ or 2 sopranos, alto, 2 tenors, bass and continuo or 2 sopranos, alto, 2 tenors, bass and organ or continuo, 2 sopranos, alto, 2 tenors and 2 basses or 2 sopranos, alto, 2 tenors, 2 basses and organ or 2 sopranos, 2 altos, 2 tenors, 2 basses and continuo or 2 sopranos, 2 altos, 2 tenors, 2 basses and organ |
1626 |
| Motetti e sonate concertati, Op. 6 (Merula, Tarquinio) for soprano, tenor and continuo or continuo and 2 sopranos or soprano, alto and continuo or soprano, bass and continuo or continuo and 2 basses or soprano, violin and continuo or bass, violin and continuo or cornett, continuo and bass or 2 tenors, bass and continuo or soprano, tenor, bass and continuo or soprano, alto, tenor and continuo or soprano, alto, tenor, bass and continuo or continuo, 2 sopranos and 2 basses or soprano, cornett, 2 trombones and continuo or soprano, 4 viols and continuo or soprano, violin, viola, violone and continuo or soprano, alto, 2 tenors, bass and continuo |
1624 |
| Concerti ecclesiastici, Op. 4 (Donati, Ignazio) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
1619 |
| Recercari et canzoni (Frescobaldi, Girolamo) for keyboard |
1642 |
| Sonate over Canzoni, Op. 5 (Uccellini, Marco) for violin and continuo or 2 violins and continuo |
|
| Bergamasca, F 12.46 (Frescobaldi, Girolamo) for keyboard |
|
| Motetti a due voci, Op. 10 (Cazzati, Maurizio) for 2 voices and continuo |
1648 |
| Madrigali, Libro 1 (Turini, Francesco) for tenor and continuo or 2 tenors and continuo or continuo and 2 sopranos or soprano, tenor and continuo or alto, tenor and continuo or soprano, bass and continuo or tenor, bass and continuo or 2 sopranos, bass and continuo or alto, tenor, bass and continuo or soprano, tenor, bass and continuo or soprano, tenor, bass, 2 violins, continuo and bass or soprano, tenor, 2 violins, continuo and bass or 2 sopranos, bass, 2 violins and continuo or 2 sopranos, 2 violins and continuo or soprano and continuo or 2 violins and continuo or 2 violins, continuo and bass or 2 sopranos, alto, tenor, bass and continuo or 2 sopranos |
1624 |
| Armonia sacra di concerti, messa et canzoni, Op. 6 (Milanuzzi, Carlo) for 5 voices and organ |
1622 |
| Il secondo libro de motetti, Op. 14 (Donati, Ignazio) for voice and continuo |
1636 |
| Madrigali, Libro 2 (Turini, Francesco) for tenor and continuo or soprano and continuo or 2 tenors and continuo or continuo and 2 sopranos or soprano, tenor and continuo or alto, tenor and continuo or soprano, bass and continuo or tenor, bass and continuo or 2 sopranos, bass and continuo or alto, tenor, bass and continuo or soprano, tenor, bass and continuo or soprano, tenor, 2 violins, continuo and bass or soprano, tenor, bass, 2 violins, continuo and bass or 2 sopranos, continuo, soprano, tenor and bass or 2 sopranos, continuo, soprano and tenor or 2 violins and continuo or 2 violins, continuo and bass or 2 violins and bass |
|
| Canzoni overo sonate concertate per chiesa e camera, Op. 12 (Merula, Tarquinio) for violin, violone and continuo or 2 violins and continuo or 2 violins, violone and continuo |
|
| Celesti Fiori musicali di varii Concerti Sacri a Voce sola, Op. 8 (Tarditi, Orazio) for voice and continuo |
1629 |
| Capricci, F 1863-65 (Frescobaldi, Girolamo) for organ or keyboard |
1642 |
| Ricercari a 2 voci (Metallo, Grammatio) for 2 voices or 2 Unspecified instruments or 4 voices |
|
| Recercar con obligo di cantare la quinta parte senza toccarla, F 12.44 (Frescobaldi, Girolamo) for organ |
|
| Sacri Concerti (Valentini, Giovanni) for continuo and 2 sopranos or 2 tenors and continuo or 2 sopranos, tenor and continuo or soprano, 2 tenors and continuo or 2 tenors, bass and continuo or 2 sopranos, bass and continuo or 2 sopranos, 2 tenors and continuo or 2 sopranos, alto, tenor and continuo or soprano, 2 tenors, bass and continuo or 2 sopranos, alto, 2 tenors and continuo |
1625 |
| Satiro e Corisca (Merula, Tarquinio) for soprano, tenor and continuo |
1626 |
| Recercar quinto, F 9.05 (Frescobaldi, Girolamo) for keyboard |
1642 |
| Recercar sesto sopra fa, fa, sol, la, fa, F 9.06 (Frescobaldi, Girolamo) for keyboard |
1642 |
| Motetti, Libro 3, Op. 4 (Porta, Francesco della) for 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo |
1651 |
| Madrigali et arie, Op. 1 (Camarella, Giovanni Battista) for voice and continuo |
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