| Title | Giunto è pur Lidia, il mio |
| Creators | Girolamo Frescobaldi, composer Giambattista Marino, librettist |
| Opus | F 5.11 |
| Instrumentation | 5 voices |
| Number of movements | — |
| Keys | F major |
| Composed | — |
| First published | 1608 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Madrigals |
| Language | Italian |
| Period | Renaissance |
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View |
| Code |
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| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| View | Prime parte: Giunto è pur Lidia | 2 sopranos and 2 lutes | Anton Höger |
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| View | Prime parte: Giunto è pur Lidia | — | Dallas: Hawthorne Early Music | 2014 | Complete Score Complete Parts Engraving files (Lilypond) |
| View | Prime parte: Giunto è pur Lidia | — | — | — | Complete Score Canto Quinto Alto Tenore Basso |
| View | Seconda parte: Ecco l’ora, ecco ch’io | — | — | — | Complete Score Canto Quinto Alto Tenore Basso |
| View | Seconda parte: Ecco l’ora, ecco ch’io | — | Hawthorne Early Music | 2022 | Complete Score Complete Parts Engravinf Files (Lilypond) |
| View | Terza parte: Lidia ti lasso ahi lasso | — | — | — | Complete Score Canto Quinto Alto Tenore Basso |
| View | Terza parte: Lidia ti lasso ahi lasso | — | Hawthorne Early Music | 2022 | Complete Score Complete Parts Engraving Files (Lilypond) |
| View | Prime parte: Giunto è pur Lidia | Arrangement for 2 sopranos and 2 lutes |
— | — | Lute Score (tablature) 2 Sopranos 2 Lutes |
| Details | Type | Arranged for | Files (click to listen) |
|---|---|---|---|
| View | Synthesized | For 2 Sopranos and 2 Lutes (Höger) | Computer Synthesized Audio |
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