Title | Demetrio |
Alternative title | Dramma per musica in tre atti |
Creators | Johann Adolph Hasse (composer) and Pietro Metastasio (librettist) |
Opus | |
Instrumentation | voices and orchestra |
Number of movements | — |
Keys | — |
Composed | — |
First published | — |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Opera seria |
Language | Italian |
Period | Baroque |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
Details | Section | Arranged for | Arranger |
---|---|---|---|
view | Complete | voice and continuo | — |
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Selections (1732 Version) | — | Manuscript | — | 2 Vocal Pieces · view |
view | Selections (1732 Version) | — | Manuscript | — | Act, Sc.. Aria of Alceste: Scherza il nocchier talora · view |
view | Selections (1732 Version) | — | Manuscript | — | Aria: Non so frenare il pianto · view |
view | Selections (1732 Version) | — | Edition Papier.Klänge 22 | 2018 | Aria: Se tutti i miei pensieri · view |
view | Selections (1732 Version) | — | Manuscript | — | Aria: Non ho più core · view |
view | Selections (1732 Version) | — | Manuscript | — | Aria: Del suo gentil sembiante · view |
view | Complete | — | Manuscript | 1740 | Complete Score · view |
view | Complete | — | Manuscript | — | Act I · view Act II · view Act III · view |
view | Complete | selections | Manuscript | — | Act II · view |
view | Complete | — | Manuscript | 1740 | Complete Instrumental Parts (-Horns) · view |
view | Selections (1732 Version) | vocal score | Manuscript | — | Act III, Sc.4. Aria of Alceste: Quel labbro adorato · view |
view | Selections (1740 Version) | vocal score | Manuscript | — | Act II, Sc.12. Duetto: Dal mio ben che tanto amai · view |
view | Complete | Arrangement for voice and continuo | — | — | Non so frenare il pianto (Act II, Scene 7) · view Non so frenare il pianto (Act II, Scene 7, detailed image) · view |
(No recordings)
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