| Composition |
Score attributes |
| Concert overture, H 76B (Op.23) from Benvenuto Cellini, H 76 (Berlioz, Hector) for voices, mixed chorus and orchestra |
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| Completion by Philip Legge from Symphony No. 8, D.759 (Schubert, Franz) for orchestra |
— |
| Toccata, Prologue, Act 1 from L'Orfeo, SV 318 (Monteverdi, Claudio) for voices, mixed chorus and orchestra |
— |
| Version d'église, N 97a (1887-93) from Requiem, Op. 48 (Fauré, Gabriel) for soprano, baritone, mixed chorus and orchestra |
— |
| Dixit Dominus, HWV 232 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo |
— |
| Rondo in A major, K.386 (Mozart, Wolfgang Amadeus) for piano and orchestra |
— |
| Grande messe des morts, H 75 (Berlioz, Hector) for tenor, mixed chorus, 4 brass ensembles and orchestra |
parts |
| La mort d'Ophélie, H 92 (Berlioz, Hector) for soprano and piano or tenor and piano or female chorus and orchestra |
parts |
| Te Deum, H 118 (Berlioz, Hector) for tenor, 2 mixed chorus, childrens chorus and orchestra |
— |
| Roméo et Juliette, H 79 (Berlioz, Hector) for alto, tenor, bass, 3 mixed chorus and orchestra |
selections |
| Choruses from Gurre-Lieder (Schoenberg, Arnold) for narrator, 5 voices, 3 male chorus, mixed chorus and orchestra |
vocal score |
| La menace des Francs, H 117 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or 2 tenors, 2 baritones, mixed chorus and orchestra |
— |
| Nessun maggior piacere, H 114 (Berlioz, Hector) for voice and piano |
vocal score |
| Le Dépit de la bergère, H 7 (Berlioz, Hector) for voice and piano |
vocal score |
| Hymne à la France, H 97 (Berlioz, Hector) for mixed chorus and orchestra |
— |
| Chant des chemins de fer, H 110 (Berlioz, Hector) for tenor, mixed chorus and orchestra |
— |
| Tristia, H 119 (Berlioz, Hector) for mixed chorus and orchestra or female chorus and orchestra |
selections |
| Vox populi, H 120 (Berlioz, Hector) for male chorus, mixed chorus and orchestra or mixed chorus and orchestra |
— |
| La captive, H 60 (Berlioz, Hector) for mezzosoprano and piano or mezzosoprano, cello and piano or mezzosoprano and orchestra |
vocal score |
| Pastoral Symphony (Symphony No. 3) (Vaughan Williams, Ralph) for soprano and orchestra |
vocal score |
| Perpetuum mobile, Op. 257 (Strauss Jr., Johann) for orchestra |
— |
| Spem in alium nunquam habui à 40 (Tallis, Thomas) for 8 mixed chorus or 8 mixed chorus and continuo |
— |
| Spem in alium nunquam habui à 40 (Tallis, Thomas) for 8 mixed chorus or 8 mixed chorus and continuo |
parts |
| Spem in alium nunquam habui à 40 (Tallis, Thomas) for 8 mixed chorus or 8 mixed chorus and continuo |
vocal score |
| Spem in alium nunquam habui à 40 (Tallis, Thomas) for 8 mixed chorus or 8 mixed chorus and continuo |
vocal score |
| Ecce beatam lucem à 40 (Striggio, Alessandro) for 5 mixed chorus and continuo |
— |
| Ecce beatam lucem à 40 (Striggio, Alessandro) for 5 mixed chorus and continuo |
vocal score |
| Ecce beatam lucem à 40 (Striggio, Alessandro) for 5 mixed chorus and continuo |
parts |
| Missa Salisburgensis (Biber, Heinrich Ignaz Franz von) for 4 sopranos, 4 altos, 4 tenors, 4 basses, 2 mixed chorus, 2 organs and orchestra |
— |
| Plaudite tympana (Biber, Heinrich Ignaz Franz von) for 4 sopranos, 4 altos, 4 tenors, 4 basses, 2 mixed chorus, 2 organs and orchestra |
— |
| Qui habitat in adjutorio altissimi, NJE 18.8 (Josquin Desprez) for 6 voices |
— |
| O bone Jesu à 19 (Carver, Robert) for 19 voices or mixed chorus |
— |
| Viderunt omnes (Pérotin) for male chorus or 4 tenors |
— |
| Second Service (Byrd, William) for mixed chorus or 2 sopranos, 2 altos, tenor, bass and organ |
— |
| Requiem in F minor (Biber, Heinrich Ignaz Franz von) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
| Battalia à 10 (Biber, Heinrich Ignaz Franz von) for strings and continuo |
— |
| Feuillets d'album, H 121 (Berlioz, Hector) for soprano and orchestra or tenor and piano or tenor, mixed chorus and orchestra |
— |
| Nun ist das Heil und die Kraft, BWV 50 (Bach, Johann Sebastian) for 2 mixed chorus and orchestra |
— |
| Nun ist das Heil und die Kraft, BWV 50 (Bach, Johann Sebastian) for 2 mixed chorus and orchestra |
parts |
| Excerpts from Euterpe, Op. 76 (Horsley, Charles Edward) for soprano, alto, tenor, bass, mixed chorus, organ and orchestra |
vocal score |
| String Orchestra Version from String Symphony No. 8 in D major, MWV N 8 (Mendelssohn, Felix) for strings |
parts |
| String Symphony No. 10 in B minor, MWV N 10 (Mendelssohn, Felix) for strings |
parts |
| Missa Et ecce terræ motus (Brumel, Antoine) for mixed chorus or 3 sopranos, 3 altos, 3 tenors and 3 basses |
— |
| Agnus Dei from Missa Et ecce terræ motus (Brumel, Antoine) for mixed chorus or 3 sopranos, 3 altos, 3 tenors and 3 basses |
— |
| Missa A l’ombre d’ung buissonet (Brumel, Antoine) for mixed chorus or soprano, alto, tenor and bass |
— |
| Zadok the Priest, HWV 258 (Handel, George Frideric) for mixed chorus and orchestra |
parts |
| Iste confessor, SV 279 (Monteverdi, Claudio) for 4 voices, 2 violins and continuo |
— |