| Composition |
Score attributes |
| Sacri concentus, Op. 3 (Pietkin, Lambert) for continuo and 2 sopranos or 2 tenors and continuo or tenor, bass and continuo or alto, tenor, bass and continuo or 3 tenors and continuo or tenor, 2 violins and continuo or 2 tenors, bass and continuo or 2 sopranos, tenor and continuo or tenor, bassoon, 2 violins and continuo or 2 sopranos, 2 violins and continuo or 2 tenors, 2 violins and continuo or 3 sopranos, tenor and continuo or soprano, tenor, bassoon, 2 violins and continuo or soprano, tenor, 2 violins, continuo and bass or 2 tenors, bass, 2 violins and continuo or 2 tenors, bassoon, 2 violins and continuo or tenor, bassoon, cornett, 2 violins and continuo or 2 sopranos, bass, 2 violins and continuo or 2 sopranos, alto, tenor, bass, 2 violins and continuo or soprano, 2 altos, tenor, bass, 2 violins and continuo or soprano, alto, tenor, bass, bassoon, 2 violins and continuo or 2 sopranos, alto, tenor, bass, bassoon, 2 violins and continuo or soprano, alto, tenor, bass, bassoon, cornett, 2 violins and continuo |
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| Tantum ergo, Op. 135 No. 2 (Wiegand, John) for soprano, mixed chorus and piano |
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| Proper for the Feast of Christ the King (Becker, René Louis) |
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