| Composition |
Attributes |
| Lagrime mie, a che vi trattenete (No.4) from Diporti di Euterpe, Op. 7 (Strozzi, Barbara) for voice and continuo |
— |
L'Eraclito amoroso (No.14) from Cantate, ariette, e duetti, Op. 2 (Strozzi, Barbara) for voice and continuo
2 voices and continuo |
— |
| Siedi Amarilli (Bononcini, Giovanni) for alto, 2 violins and continuo |
— |
| Messe des Jésuites à Pékin (Ambleville, Charles d') for mixed chorus |
vocal score |
Suite du Balet des Ages (Campra, André) for 2 violins, viola and continuo
strings and continuo |
— |
| Dic mihi, sacratissima Virgo (Capello, Giovanni Francesco) for 2 voices and continuo |
vocal score |
| Lucrezia, HWV 145 (Handel, George Frideric) for soprano and continuo |
— |
| 1st version (HWV 136a) from Nell'africane selve, HWV 136 (Handel, George Frideric) for bass and continuo |
— |
| Miserere, H.157 (Charpentier, Marc-Antoine) for 2 sopranos, 2 flutes and continuo |
— |
| Te Deum (Pinto, Luís Álvares) for mixed chorus and orchestra |
— |
Suite d'Armide (Lully, Jean-Baptiste) for 3 violins, viola and continuo
strings and continuo |
— |
| Romanesca (Quagliati, Paolo) for voice and continuo |
— |
| Giù nei Tartari Regni, HWV 187 (Handel, George Frideric) for soprano, bass and continuo |
vocal score |
| Vedendo amor, HWV 175 (Handel, George Frideric) for alto and continuo |
— |
Aria sopra la Bergamasca, Op. 3 Aria 5 (Uccellini, Marco) for 2 violins and continuo
continuo and 2 sopranos |
— |